#so emotional about them rn

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[silusvesuius]

nnnnnnnnnnnnno maa'am

[haunted-xander]

tbh one of, if not my absolute favorite part about ffxiv, is the small little moments/sections where nothing super big or like. Plot Important happens, but that give both the characters and us, the players, some much appreciated down-time to just. Feel things. And to process what's happened and what's going on or to just. Let us exist, in the moment. In a much more grounded and human way than when there's Big And Important Things happening.

The biggest(imo) and earliest example of this is right after the Waking Sands get raided in ARR, and WoL turns to the church for guidance. The entire section of us helping them gather and bury our fallen comrades, and especially bringing Noraxia home to Little Solace so she can be laid to rest in her homeland, by her own people and in their own cultural ways, was so so important to me.

Because it wasn't just replacable allies cast aside for shock value anymore, it was real. These deaths were real and meant something. I got to actually process what just happened, and I got to watch Banana go through it right with me. And not only did it make it feel real, it also gave me a sense of closure. These people, these friends, are dead, but they also got to be treated with the respect they deserve and laid to rest properly.

And that, more than anything else, made me want to save the world. It's grounded and grounding. This world, and these people, meant something to me, the player.

And there's tons of stuff like that throughout the game, especially in shadowbringers and endwalker.

In shb we have, for example, Lyna venting her anger and frustration after the sin eater attack in Lakeland. She's on her knees yelling on the verge of tears while punching the ground, so furious at her helplessness and powerlessness, at everyone having come so far yet set back because some megalomaniacal tyrant deemed it so.

In ew we have Urianger being approached by Moenbryda's parents, who confront him about not confiding in them about his grief. When Bloewyda starts to scold him, he of course reacts guiltily, believing they blame him, only for him to be completely caught off guard when she instead goes in to hug him, telling him he should have let them grieve with him. And he just. Breaks down. He's been holding these feelings, this grief inside him all this time, and now that he is not only told it's okay to let it out, but by her very own parents at that, he just can't keep it in anymore. He cries for Moenbryda, right then and there, being held lovingly by her family.

And the thing is, these scenes aren't necessary, strictly speaking. The plot at large could go on without them, the events that happen around them are not changed by these moments in any way.

But still, they are so so important, to the world, to the characters, to the players. Everything feels real and impactful now, every death means something, every tragedy, every person, feels real.

And that, to me, is what makes this story so special.

[skitskatdacat63]

2023 Brazilian Grand Prix - Fernando Alonso & Oscar Piastri exchanging helmets

[touchlikethesun]

no but because kyo and tohru never fail to make me cry because the thing is, like yes they are perfect for each other, but they are perfect for each other by choice. it is hard for kyo to tamp down on his defensive aggression, but he does, for tohru, because he loves her and wants to be there for her. it is hard for tohru to ask for what she wants and to be truly vulnerable, but she does that with kyo because she loves him and he needs that from her, that trust. like yeah they are perfectly dumb in that same silly way, yeah they are both endlessly endeared by the other, and yeah they have some cosmic connection, but none of that would matter, none of that would come to anything, if they didn’t both make the active effort to change and to love each other in the way they needed.

[beeholyshit]

My little bebes ❤️

[ciderjacks]

therapy

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[scionshtola]

Oh, I must be seein' blind Oh, no, you're too good to be all mine

[dizzybizz]

mother and daughter

[neos-schlond-poofa]

UGH GARROTH HAS BEEN ON MY MIND LATELY BUT MAINLY HIM IN MY REWRITE which i REALLY need to organize one day but. i feel like aphblr appreciates hearing about rewrites a lot so. ill just ramble a bit.

i accidentally made one of garroth's core themes in the rewrite fatherhood.

firstly, he was the most positive male figure that vylad and zane had in their lives. as he got older, he felt more and more protective of them, he didnt want them becoming like his father, the same man that garroth is the splitting image of. he cant repeat the sins of his father, he has to make them better.

but then vylad literally dies and zane becomes an evil priest. so great. he failed.

and then he has to be in an arranged marriage?? not cool. so you know, he fakes his death, so does his arranged marriage fiance, and now theres a huge war, and hes hiding in a run-down village with the help of his former friend from a neighboring village. and he becomes close friends with the lord's secretive wife. she doesn't go out much, she much prefers to stay inside and read her books.

and one day, it blossoms into more.

garroth hates this. a secret relationship with the lord's wife? but, he loves her. and she loves him. their nights are filled with conversations of guilt.

and then, she tells him that she's pregnant.

they stop seeing each other, she hides her pregnancy from the village, her husband is enthusiastic. he's unaware of what's going on, and nine months pass and their child is born, the citizens of phoenix drop blissfully living their lives, not knowing a future lord had just been born. an illegitimate child.

garroth can't care for his son, and he never even learns the name. she stops visiting him, and it hurts him.

but althroughout this time, a young man named zenix came across phoenix drop. probably around eighteen years old, no more than twenty. scarred and traumatized from something he never told garroth about.

and so, garroth takes him in, and treats him like a son. he trains him to become a guard and garroth feels content. he's finally succeeding at this. he's helping someone become a better person! he's an important figure in someone's life!

and during this joyous period of his life, the lord is killed, and his wife is missing. the village was never told about the child, and chaos erupts. garroth and zenix must take control of the town as people begin to leave. garroth mourns the son he never got to connect with.

one day on patrol, a lady runs into the village, seemingly insane and claiming that a weird hooded figure was watching her and so she chased them. garroth and zenix helped her out, and out of the kindness of her heart, decided to repay them by completely helping the village out. this lady who barely even had any memories, who couldn't read or write that well, who was still learning about the history of the world, had taken the struggles of the villagers and put them into her heart, channeling their frustrations into constant work to rebuild the broken village.

it's going well, until, all of a sudden, a villager is attacked in the night and is near death. she saves him, and garroth decides to investigate what happened.

and then he is shot.

by his "adoptive" son.

pain of all types soar throughout garroth's body. he failed again. whatever he did with zenix, it wasn't good enough, and this was his karma.

and yet, he lived. and the knowledge of his failures followed him around as he tried to do any action for months. he hoped it would get better.

then one day, aphmau discovers a child at her door. a baby, one that can't even crawl yet. she discovers a note; his name is levin. she cares for him and brings him around the village, and garroth, in spite of his previous failures of being a father figure, vows to help the woman he loves raise a child, that unbeknownst to him, is his own biological child that vylad saved.

garroth has his suspicions as levin grows, but brushes it off and takes it to be a coincidence. he helps zoey, an elf aphmau had become close friends with, raise levin when aphmau went on her journeys. he taught him how to call aphmau mom!

aphmau has a journey one day and that day turns into weeks. garroth and laurance, his closest friend, search for her and discover she has adopted a ghost child and found another guard. a guard the similar age of zenix.

garroth is hesitant, but warms up to dante, and he and laurance act like father figures to the young guard without intending to. it comes naturally for garroth; laurance just follows his lead. and of course, garroth helps with aphmau's new child. he's making a difference again, he's helping!

and then, an illusion fools him and he falls into a depression. it hurts. he shouldn't be like this, he is supposed to be strong. he is the head guard. yet here he is, letting his emotions get in the way.

he wouldn't mind if laurance and aphmau got together, but to see them do so in private? knowing very well his feelings for both of them? it hurts. they must know what they are doing, there is no other way.

a mysterious lady comes by and offers to help garroth. over time, his memory becomes blurry until he ultimately blacks out. he lacks any autonomy now and attacks laurance. he causes his closest friends to be transported to a dangerous alternate dimension... all because of his own emotions. and to make matters worse, that lady wasn't just someone to help. it was someone hired by zane. the first person he failed to save.

the lady is killed and laurance's words cut through the spell cast on garroth. he has no idea what is happening, but he knows its his fault. he did something bad. and when a portal appears, he urges for them to go on as he fights off zane. he couldn't leave zane there; someone had to stop him from escaping, becoming more powerful, or even achieving what is basically immortality.

the minute that passes in the dimension until his rescue is daunting. flashes into another world where he reunites with aphmau give him hope, but they stop. and he loses his faith. there is no more zane could gain from being in this dimension, if anyone were to open the dimension, they would easily be able to attack him, no unprepared person would dare to do such a risky thing.

and so, he lets zane hit him. a deep cut in the back causes garroth to scream in pain, and he's close to dying.

aphmau returns. she heals him in their world, and he lies about his intentions, and returns to fighting his brother.

little does he know, laurance and aphmau had a few too much to drink one night recently, and made decisions they regret. they won't dare to tell him until much later, they can't risk hurting him, especially in such a vulnerable moment.

the guilt eats them alive. it is worsened by laurance's growing shadow knight urges. they're becoming borderline uncontrollable. its a living nightmare. he can't imagine hurting aphmau, no. he loves her. and he realizes that if she keeps worrying about garroth, she will hurt herself.

he comes to a decision.

he finds a way to open the portal and saves garroth, but costing the lives of himself and zane in the process. garroth is unconcious; he sees a glimpse of laurance, but is unaware of his death until he wakes up. he doesn't believe it, he wants to run, but he can't. his body aches. he's trapped.

aphmau visits him once before retreating to her bedroom for the next few weeks. they both go silent. they couldn't imagine losing laurance, yet here they were.

as garroth gets better, zoey allows for people to visit him. and there, he sees dante for the first time.

he's gotten much older.

there's barely visible wrinkles and blemishes on his face. someone he viewed as a son has aged beyond garroth and it's hard to handle. was this how laurance felt?

and then he sees levin.

he gets it now, this was his son, and he missed his life too. he failed. it hurts all too much, how dare he let his emotions get the best of him. if he had just talked to someone, maybe everything would be okay now.

aphmau eventually drops the news to garroth once they both got better that she's pregnant, and laurance is the father.

he's not mad.

he's broken over the news.

not over the fact that the two people he loved the most got with each other, but the fact that laurance will miss out on seeing his own child grow up, the same way garroth had done with levin.

garroth makes another vow to aphmau. he promises to help raise laurance's kid. he will be there for them.

he won't fail this time.

[yellow-artz]

Thompson’s letter