#so don't feel bad for her lol

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[chalkrub]

mockley time it's mockley time will you have some mockleys of mine

[smile-files]

nickel and balloon stuff from spring on the breakfast!!! i'm keeping in mind that in the previous episode, both of them were under the impression that their friendship wasn't real...

in a way, ii3 balloon is a lot like late ii3 cabby. of course, balloon did something indisputably immoral (manipulate and exploit others), and cabby only did something thought to be immoral (keep and use files about her fellow contestants) -- but both did something wrong and had to subsequently undergo a disproportionate amount of abuse and malignment for it, ending up with them being apologetic and submissive to avoid any chance of being framed as bad again. the biggest difference is that cabby has internalized the guilt others have attributed to her, while balloon largely hasn't -- he understands the concept of rolling with the punches for the sake of keeping good connections, but he doesn't believe he deserves it.

nickel brushes off ii2 a LOT this episode. to rid himself of his guilt regarding that time, he necessarily has to delegitimize the hatred he felt towards balloon then, thus also ridding balloon of his guilt. he expresses this all vaguely, choosing to remember ii2 fondly and saying off-hand that its baggage should be laughed off -- implying that balloon has been forgiven. reasonably, balloon is happy that nickel seems to actually believe he's changed for the better, so initially this makes him happy.

of course, though, it becomes clear that nickel just wants to shove his own actions under the rug, and balloon reasonably gets pissed off. nickel treated balloon and suitcase like complete garbage in ii2, and balloon clearly hasn't forgotten that.

"it keeps things easy." it keeps things easy to roll with the punches, to endure nickel's abuse and accept his sudden friendship. note, also, that nickel is still placing the blame on balloon: he's saying that balloon didn't want to "make things better", as if nickel and balloon ever having a rift was entirely balloon's fault, and his problem to fix.

and as we can see, nickel still hasn't fully forgiven balloon for ii1. as i've discussed before, nickel seems to secretly feel incredible guilt about how he treated balloon in ii2 (which is why he goes to such lengths to repress the whole memory of it) -- but that guilt is about the way in which he expressed his disdain and distrust of balloon, not those opinions themselves, nor the motivations for them. this is all very interesting, then -- if he still believes balloon can't change from his old, bad self, why did nickel start being friends with him at all?

i think a large part of it is his projection onto balloon. nickel sees himself in balloon: someone who screwed up big-time and isn't able to become a better person after that (according to nickel). we tend to gravitate to people similar to us, after all. i wouldn't be surprised if nickel was also trying to overcompensate for his hostility towards balloon in ii2 by being very friendly with him in ii3, thereby helping him forget that he was ever hostile to him at all.

the most fascinating thing to me about balloon and nickel's relationship is how impersonal it is for balloon. he seems to value what nickel's affection represents rather than nickel himself -- and it represents that he's been forgiven. anyone who saw balloon and nickel's conflict in ii2, which was a product of balloon's nastiness in ii1 and nickel's subsequent inability to forgive that nastiness, would likely come to accept balloon and forgive him themselves if they then saw nickel being friendly with him -- because nickel is the epitome of the ii contestants' anger at him, and nickel of all people (seemingly) forgiving him would imply that he's really changed. the relationship is almost entirely a symbol in that regard. i don't think balloon has much residual guilt about is actions in ii1 -- he feels like he's adequately addressed them and changed -- but nickel having a positive relationship would be helpful in affirming that stance and proving to himself that he really has changed.

i wouldn't say it's cruel of balloon to keep this relationship going on under that pretense, but it is backhanded, and it helps explain why he was ever willing to accept nickel's friendliness unchallenged. he wanted his crimes to finally be laid to rest once and for all, and keeping nickel on good terms with him would let that happen. people would finally shut up about it. up until now, nickel wasn't explicitly denying his past cruelty towards balloon anyway, so balloon would be able to ignore that he neglected to ever bring it up; now, though, nickel is denying not only what he did to balloon but also to suitcase, which balloon is not able to tolerate. now that he's confronted nickel about that though, nickel snaps back with his condemnation of what balloon did in ii1, thereby uprooting the social stasis balloon had been able to maintain precisely because nickel refused to bring anything up before. in a way, then, balloon is purposefully shoving the past under the rug, just like nickel is.

we can't forget, though, that nickel has his own complex about fearing that he's incapable of change and incapable of forming positive, genuine relationships with people. balloon is essentially revealing that, in a way, he wasn't really friends with nickel -- at least not in the way nickel wished and fooled himself into thinking they were. if balloon truly were friends with nickel like that, then that would mean that balloon had forgiven him for his cruelty in ii2, and perhaps that he really has changed... but no. balloon hasn't forgiven him. why should he? nickel never apologized -- and given how he never apologized, it's impossible that he could've changed anyway: nickel doesn't want to apologize because that means addressing his guilt and allowing himself to feel it. he wants the forgiveness to be handed to him on a silver platter, without him having to do all of the painful work, and he's incredibly upset when it isn't. he wants to not be a bad person, but in order to do that, he has to feel like one, and he really doesn't want to. he hates who he was and doesn't want to associate with it at all.

(note how it's the suitcase robot who says "you can say sorry" when nickel says that nothing can be done about making things better...)

there's clearly an immeasurable amount of resentment these two have been harboring for each other throughout this season, which they'd only been hiding for the sake of fooling themselves into thinking they've changed (nickel) or thinking that others think they've changed (balloon). and now that they've let themselves explode with anger, partly related to the lies they'd been telling themselves falling apart, they yell at each other and balloon drops nickel down a hole!

ah, balloon and nickel's relationship... it's bizarre, it's toxic, it's convoluted, it's shady, and it's incredibly sad. i'm glad i'm revisiting ii3, especially this episode -- i used to be utterly baffled by nickel's writing, particularly in spring on the breakfast, but now it makes complete sense to me. also, i used to think balloon was entirely the victim in this relationship, while now i know that he has his own faults and own baggage in that regard. it's weird -- they hate each other, but at the same time they're dying to be liked by one another. god i love these freaks...

[swanoel-art]

oh benefactor~

[midnightmah07]

Sketches of design ideas for Daisy's new dorm uniform<33

I'm having a complicated time choosing which one I like best so i'm open to hearing other people's opinions! Also none of these are official I'll have to digitalize a version of this to be official!

(details for my inspo and thought process under the cut!)

Bc Daisy is from the 50s I decided I wanted to use the dresses as inspo! You can see how most of the dresses have like really puffy skirts so I'm using that as a basis... Also I really love that one jacket, but it's just so hard to draw, so I might ignore it 😔 oh and the gloves!! I really like the gloves!! They give a nice touch<3

Daisy is twisted from Cinderella, so I'm also taking inspiration from the way Cinderella's dress is shaped (which, not a surprise since the movie came out in the 50s, is very close to the shape I already had in mind!), I'm also using my own old design as reference to keep the black details underneath the skirt, the bow and the glass slippers which I really like!

Since Daisy is from Ramshackle I'm trying to hint at it with her clothes, I'm trying to see if instead of that saturated dark blue I might try to color it in a similar way to the ghosts' scarves, and I always will make sure to add a bow, because Daisy's supposed to be matching Grim! But overall I'm focusing more on the 50s theme and Cinderella theme than Ramshackle😔🙏🏻

[nebulouscoffee]

The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.

Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.

But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:

KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?

Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪

And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:

WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.

In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!

I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.

And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.

First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-

WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!

So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.

WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.

Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.

And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.

The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.

Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.

Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3

[blujayonthewing]

[bolly--quinn]

I’m so curious about your headcanons of Diane, personality, her history with Rick, etc.

tbh I’ve been seeing content of Diane being “a sweet and gentle bimbo housewife with 2 braincells” and I grew tired of it…. So I thought of this!! For me I like to think that she was a cool and badass woman rather than a shy, timid woman… I also think it’s somewhat canon (according to the fandom) that she’s the breadwinner of the family (haven’t figured out her job yet) while Rick is a stay-at-home parent and takes care of Beth, also she’s intelligent!!! Not as smart as Rick though but like she’s not airhead.

What do you think ?? and what are your thoughts on Diane ? <3

I mean I knew Diane wasn't gonna be an airhead since we know Rick is attracted to power lol (like Unity says it's planning to become the universe, practically a god and Rick is like super into it so obviously Diane has to have some semblance of ambition and the ability to take charge lmao)

I'll be honest though I didn't love her depiction in Fear no mort (obvious reasons are obvious) but I did always picture her as a woman who could handle herself and is sarcastic and teasing (affectionately) and strong-willed

I actually wrote stuff in my notes app about their dynamic and made this little venn diagram about it

bonus: here's the personality traits that I think Beth gets from them

[naivety]

okay i need feedback from the autism mentall illness website um. this is going to read like an AITA post. brother vs half-sister (who are currently my dependents do to their own individual disabilities + ptsd/depression) spat i will skim the details on but i'm worried my sister will discount my take since i'm not autistic myself so. am i crazy to call it ableist to look at an autistic person (23) who is clearly going through it dealing w long term depression, a world that doesn't give a shit abt him, unemployment, very self-isolated and burnt out barely leaving his room because the world is an ableist dumpster fire with zero opportunities for him, and then bring up childhood abuse he's suffered and his diagnosis as reasonable factors on top of this to worry he'll [checks notes] abuse my cat just to hurt me or even worse have a breakdown and kill me and his other sibling in a violent episode, a train of thought i probably wouldn't even be having were he not [checks notes] mad at me for the first time in my life?

like i don't have any other read on this kind of fear-based characterization other than ableism. like those are very real things in his life but she never points out any current violent behavior, of which there are none, only the one (1) instance of him lashing out when he was like 14 and Officially Diagnosed Low Empathy she thinks is a concern and Hateful Looks toward her since he stopped getting along with her, that's it. i tried explaining to her why i, someone who's lived w him his entire life, can vouch for how unlikely he is to do anything like that, especially when it's again not based on anything he's actually currently doing except for isolating in a way that is much more indicative of him potentially being a danger to himself than anyone else, and being cold towards her specifically, and i thought she had let it go, but when i brought it up off-hand in a conversation tangentially related, she continued to defend and justify her Concern about the potential directions his behavior could lead to because [checks notes] other people in similar situations have lashed out and killed their entire families according to. true crime books or videos she's watched on youtube as far as i'm aware. ignoring the fact that her and i have had the same or Worse childhood abuse and have acted similarly isolated in the past, or for her literally just as currently as him, and she's not expressed any worry past or present about either of us doing anything like that, in my opinion obviously because i haven't cut her off due to our differences like he decided to. like am i big sibling biased because this is pissing me off so bad.

[sysig]

Now that they can, would they want to spend a lot of time together? (Patreon)

[itsyouch]

no because I regret EVEN saying that I hate tex as a joke. This scene hurt man....

[funkytoesart]

you can always tell the people who give social media advice who are naturally or conventionally attractive even without even having to look at a photo of them cause they're always the ones that recommend showing your face in reels or videos to promote your art and it's like,,, talk about pretty/skinny privilege lol

[kay9leo]

Boggart

Because at 14, everything feels so long and permanent. Especially when the future is uncertain.

Honestly this was inspired by this post asking about your MC's boggart. I always figure that my MC's would fall into a more similar vein like Hermione where her boggart represents more of a symbol/idea.

When read up on reddit on Hermione's boggart was Professor McGonagall, someone pointed out saying that it's more of a symbolic thing when you look into it under a deeper light. With Professor McGonagall saying she failed all her classes, Hermione could get expelled from Hogwarts and get her wand snap. Essentially denying her from the wizarding world.

Since Hermione -a muggleborn witch- wants to belong in the wizarding world (when the muggle world rejected her), she is trying to prove that she deserve to belong in the wizarding world through her grades and by being at the top of her class. Hermione failing her classes could risk her getting kicked out and getting her wand snap. The McGonagall boggart failing her is symbolic of her true fear - belonging no where.

While Hermione a girl trying to belong somewhere and doesn't want to be kicked out, Iñaki is a girl who's afraid that she'll never go back home.

What's a more permanent way of saying you aren't returning to your home country by getting a passport (symbolizing that you got naturalized) of your adopted country? More about Iñaki "MC" Martinez Cariaga

[theclearblue]

I'm gonna get into a brawl with my mother one day don't be surprised when I get on the news

[astralleywright]

oh, when Orym looked right at Imogen, days after his talk with Fearne abt what to do if she switches sides, and tells her, "I'm not worried about you." and Imogen didn't insight check him, or push into his mind; she just believed him. and I believed him as well, even though it could have easily been a lie, and then Liam confirmed that Orym really did trust her when he said that. he really did believe that Imogen would stand by the Hells, and she did. she looked her mother in the eye and she didn't waver. and it's not specifically because Orym trusted her, but his trust really does mean something to Imogen. she sought him out that night for a reason.

and now the solstice is still happening but things are so different, and Imogen is one of the most vocally opposed members of the Hells to Ludinus, and the Ruby Vanguard, and Predathos. they're bad. they need to be stopped. she'll kill her mother, kill herself, if that's what needs to be done. her questions and her doubts are gone- or at least, hidden away.

and if they are not, if she's suspicious in any way, Orym has personal orders from the wise and benevolent Tempest (and she is wise and benevolent, is the thing!!) to remove her from the situation however he sees fit. to "do the thing," in the parlance used in Orym's conversation with Fearne, a phrasing acknowledged as vague even at the time. Orym, who loves Imogen, and who shows her kindness and empathy, and who stared the fathoms of nuance and pain defining the actors in this conflict in the face and rejected it in favor of revenge just last week. Orym, who told Fearne she would have to "do the thing" because he couldn't - I always assumed it was because he knew he couldn't match up to Imogen on his own, but it could just as easily be that he couldn't bear to do to her what he thinks would need to be done. Imogen still doesn't know they had that talk. the leash has been held so loose that she didn't even know it was there.

[brittlebutch]

finding a character that grates against your nerves and eventually thinking, well, that's not fair, you haven't done anything; why do i dislike you? and then you dwell on this for a while and discover 'oh! you are like me when i was younger' and decide well, i'll simply learn how to love the both of you. power in this.