#so called core beliefs anyway

[mossadspypigeon]

i don’t agree with arynne’s use of the word “zealot,” here, although that term used to not be so negative and she is likely using it with that older intention. the maccabees should not be called zealots today. there is nothing extremist about fighting for the preservation of your people and culture against colonization and assimilation.

but the rest of this article? a+. mentioning ben yehuda’s opinion shifting and that josephus, someone most of us dislike to this day, actually had a good point for once? excellent.

the rabbis didnt include the book of maccabees in our tanakh, and originally took a small bit of issue with the story because they saw it as a a victory due to military might vs divine intervention. however, they changed their minds.

and let’s admit, military might IS divine intervention. especially when it comes to our people. we are always a david fighting a goliath, no matter how we are portrayed.

And this is that promise

which sustained our fathers and us.

That it is not one enemy alone

that stood up against us to destroy us.

But that in each generation there are those

standing up against us to destroy us.

But the Holy One Blessed Be He

saves us from their hand.

[irregodless]

inside out 2 is interesting but it sure is the exact same plot as inside out 1 down to the emotions getting stranded outside hq as a core aspect of rileys isbeliminated and having to start from scratch while joy loses hope and cries while watching memories in a pile of memories that were deemed unimportant before being deus ex machinad by an imaginary cartoon

[whitehartlane]

something i’ve seen frequently in football circles especially with the rise of social media (where ppl engage with the sport in absolutely bizarre ways but that’s another topic for another day) is this longstanding obsession with ‘(winning) mentality.’ how is it quantified? how do you prove its existence? how consistent must it be for a club to acquire this ‘mentality?’ it’s just bonkers to me because you’d assume that every club and every fanbase would want to win, just some a) have better resources to do so or b) some overperform/underperform as is the case with any sport which leads to drawing some kind of conclusions about this ‘mentality’ or c) some fanbases just have a better time rationalising a potential loss within the external factors which of course also leads to drawing conclusions about this ‘mentality.’ i guess my problem with it is just that it’s become such a buzzword where teams get either praised or insulted for their mentality when it’s so subjective and influenced by other factors too (doing well, doing badly, general trajectory of the club, personal satisfaction with individual achievements, media opinion, etc).

[askshivanulegacy]

When you put it this way, it's like a Mary Sue traumatic backstory fanfic.

Which proves that cringey traumatic backstories are just baked into our DNA. 😂

Look, we joke a lot, but really, "you were born evil, wretched, worse than the scum of the earth, and it took killing a god to make you salvageable, so now you'd better be grateful to that god and thank him 10,000 times a day for it and fill your thoughts with him 24/7 and abide by the letter of his every word, lest you suffer unimaginable torture for all of eternity" is a truly horrendous thing to believe about yourself and other people

[arolesbianism]

Things I realized I forgot to post part 200 billion (this one's from september wow)

[prythiansprincess]

le coup de foudre.

pairing: regulus black x reader.

song inspiration: my love mine all mine by mitski.

author's note: this was a result of me binging dune and call me by your name. whoever fancasted timothee chalamet as regulus deserves a forehead kith cause look at him. he's so boyfriend coded it makes me sick.

Regulus Black did not believe in love at first sight. 

It was a foolish notion. One that contradicted his pragmatic beliefs. At his core, Regulus was a realist. In his world, love was not a luxury one could afford. Regulus was raised with the expectation to marry according to class, wealth, and most importantly, blood status. The noble and most ancient house of Black only took the purest of the pure. 

After all, toujours pur, always pure, has been his family’s motto for centuries. There has never been any doubt in his mind that he’d marry another member of the sacred twenty eight. It wasn’t a matter of if, only a question of when. 

During his sixth year, his mother made her intentions very clear. Walburga Black was adamant that he begin his search for a suitable bride. Leave it to his mother to compose a list of ladies she deemed suitable to become the future Mrs. Black. Regulus was to adhere to the carefully curated roster. They were names that he’d seen a million times before. Greengrass, Prewett, Rosier. Girls he’d grown up with and inadvertently had absolutely no interest in. 

Still, his mother was insistent so Regulus complied. He took the girls out on dates. The formula was rather simple: dinner at the fanciest restaurant in town followed by a walk around the city square in which he offered to buy his date a dessert like the proper gentleman his mother raised him to be. Despite the fact that Regulus had the entire process down to a science, the dates were always unsatisfactory. 

He was polite, of course. Opened the door, pulled out their chair, asked the appropriate level of questions to get to know his counterpart, but by the time the appetizers arrived, Regulus was on the verge of stabbing himself with the butter knife just to rouse himself from boredom. 

Regulus placed no blame on the girls. They were only doing what their families had raised them to do. Sit pretty, chew gracefully, agree with his opinions. All while wearing breakneck heels and a smile to boot. It was all terribly fucked up, but this was the world they lived in. 

The more he went on these dates, the more he realized that he didn’t want some pretty, docile wife. What he truly needed was someone who was willing to challenge him, to call him out on his bullshit, to argue with him when his own stubbornness prevented him from seeing reason. Regulus came to the horrible, earth-shattering realization that he probably wouldn’t find a woman like that on his mother’s list. 

As he walked back from another mind numbing date, Regulus grappled with this newfound dilemma. He didn’t want to endure another one of these disastrous dates. He didn’t want to sit through an entire meal making small talk. He definitely didn’t want to disappoint another girl by not kissing them at the end of the night. 

It wasn’t like any of them liked him anyways. Though they loved the idea of Regulus Black, he was quite certain that they wouldn’t afford the same affections to Reggie—the real and true version of himself. The one that Sirius often said Regulus kept in a neatly locked cage.

He wished he could be more like his brother. Sirius had always been the brave one. It was that infamous Gryffindor boldness that prompted his older brother to rebel against his family’s expectations. Instead of heeding to their mother’s ridiculous list, Sirius chose to date Remus in open defiance to Walburga’s orders. It resulted in him getting kicked out of 12 Grimmauld Place and burned off the family portrait, but Sirius didn’t seem to mind one bit.  

In a lot of ways, Regulus envied his brother. Sirius had the guts to stand up for himself. He wasn’t burdened by the crippling pressure of pleasing their mother. In all honesty, Reggie wondered if such a thing was even achievable. As he brooded, Regulus found himself on the shores of the Black Lake. His body had taken him here on autopilot. It was his only place of refuge in the castle. 

Regulus paced the rickety wooden dock. His mind was working so fast, so many thoughts spinning in his head, that it felt like he might work himself up to a fit. This has always been his problem. Sirius often said that he lived in his head too much. He frowned, trying and failing to get ahold of himself. For once, he wished he could just shut his brain off entirely.

Just then, Regulus felt a drop of water hit his head. He looked up and found dark, gray clouds hovering over the horizon. The stormcloud broke open and unleashed torrential rain all around him. Fucking fantastic. The world truly couldn’t give him a bloody break, could it? 

With a sigh, Regulus began making his way back. The ground was sodden underneath his feet, his boots sinking into the sand and dragging behind his black coat. The waves lapped violently across the shore as the wind lashed against the murky waters. Regulus was almost at the edge of the beach when he spotted you. 

A flash of movement from the corner of his eye. Regulus stopped dead in his tracks. There, at the mouth of the Black Lake, in the middle of the pouring rain, stood a girl with the most breathtaking smile he had ever seen. 

Regulus was fairly certain that you had History of Magic together. He sat behind you in class, passed by you in the halls, even reached for the same book in the forbidden section of the library once, but Reggie had never once seen that smile. The gravity of it threatened to knock the very breath from his lungs. 

There was something carefree about you. The way you spread your arms, tilted your head back, and laughed in the midst of the rain and thunder. Almost like you were welcoming the storm. 

It was only when your eyes locked that Regulus realized he was staring. You cocked your head at him, trailing your gaze from the curls plastered against his cheek to the nice button down and freshly pressed trousers that were now soaked from the rain, down to the shiny leather boots that were now digging into the sand. You seemed amused at the sight of him.

Ever the perfect gentleman, Regulus snapped out of his daze and jogged over to you. Without hesitation, he raised his coat over your head to shield you from the rain even though you were already both drenched. 

“What are you doing out in the rain?” Regulus asked, his voice full of genuine concern. “You’ll catch a cold.” 

You stepped out of the refuge of his expensive looking coat and held your hand out, catching droplets in your palm. “I don’t mind. I just…I just needed to feel the rain on my skin, that’s all.”

You supposed it must’ve seemed strange to him, but the rain always made you feel better. Lately, life had been just a little too overwhelming. There was so much pressure to do well in classes, to hang out with friends while balancing your clubs and sports, as well as making time to write back to your parents. When it all became a bit too much, you tended to come to the Black Lake for some sort of refuge. The rain was just an added bonus. 

If Regulus found your behavior bizarre, he didn’t say. Instead, he just smiled softly. “Well, you got your wish. It’s soaked out here.” 

“I know,” you responded with an enthusiastic nod. “It’s nice, isn’t it?” 

“Standing out in the pouring rain? On a beach where lightning can strike me down at any second? Yes, it’s absolutely splendid.”

Your mouth quirked in amusement. “No one’s telling you to stay out here.” You nodded towards the castle. “You’re more than welcome to take your brooding inside where it’s warm and dry. Not to mention, free of the dangers of lightning strikes, which are extremely rare by the way.” 

“With my luck, I might be the poor one in a million git who gets torched while getting insulted by a pretty girl.” 

“Did I insult you?’ you quipped back. “I hadn’t noticed.”

“You accused me of brooding.” 

“I didn’t accuse, I stated. Even the Wizengamot would have to rule that you were, in fact, brooding.” 

Regulus raised a brow. “What happened to innocent before proven guilty?” 

“Unfortunately, the evidence is overwhelming and the verdict is set. You, Regulus Black, have been sentenced for glaring at the Black Lake so menacingly that even the giant squid refuses to come to shore. Off to Azkaban you go.” 

“Do you promise to write me letters? Update me of how the world’s progressed without my dazzling presence?” 

“It would be my genuine pleasure.” 

Regulus chuckled at your dry humor. He couldn’t remember the last time he’d bantered like this with anyone, much less with a strange not-so-stranger. You sat down on the wet sand and patted the spot beside you with a grin.

“Why don’t you take a seat and tell me all about your troubles.” 

Beyond the bleak horizon, the spires of the castle peeked through the gray clouds. Regulus thought of the common room where his housemates would no doubt be gathered around the ornate fireplace for warmth. Knowing his friends, they’d probably be indulging in spiked hot chocolate and playing some childish drinking game. A few minutes ago, nothing appealed to him more, but now Regulus found himself choosing the violent rain and soggy sand. All because of you, his mystery girl.

You leaned back on your elbows and cocked your head at him. “What ails you, Mr. Black?” 

“That depends. How much do you bill per hour?” 

“Fortunately for you, I’m in a generous mood so I’ll throw in a free session. Consider it my pro-bono work.” 

“How kind of you,” Regulus said with a serious expression. “My brother’s been nagging me to see a mind healer for years. All that childhood trauma, you know.” 

A small smile tugged at your lips, revealing a set of dimples that he found rather charming. “I can’t tell if you’re being serious or not.” 

“My brother is Sirius. I’m Regulus, remember?” 

You snorted in a very unladylike manner, which only made Regulus grin. There was something so unapologetically you in your laugh that was absolutely endearing to him. Regulus smiled and knocked his shoulder against yours. 

You mimicked the action and smiled back at him. “All sarcasm aside, I was being genuine. If you want to talk about it, I’m here to listen.” 

"Do you often offer therapy sessions to complete strangers?"

"Only to surly Slytherins with sad eyes and pretty curls," you quipped back. "And we're not strangers. I sit behind you in potions. We're practically best mates."

"You think my curls are pretty?"

"Like a little cherub's. Are you quite sure you haven't escaped from the ceiling of the Sistine Chapel? You look like one of Michelangelo's angels. Except with way more scowling." Regulus grinned. He got the feeling that you always said whatever you wanted, whenever you wanted. It was refreshing. "There's a smile. See? Our session is already progressing."

"I think you might get more than you bargained for with me, I'm afraid."

You met the challenge in his words head on. "Try me."

“You were right. I’m definitely guilty of brooding.” 

“What happened?” 

Regulus hesitated for a moment. He had never been the type of person to be candid with his feelings, especially not with someone he barely knew. Usually, he just kept his thoughts to himself and ruminated on them in the privacy of his dorm until he drove himself mad by overthinking, but your presence brought him an unexplainable ease. For once in his life, Regulus chose not to question it. 

“I’ve had a long night,” he said, tucking his knees up to his chest. “I just got back from a date.” 

“It didn’t go well?” 

“It was…fine. It’s always fine. But it’s the same thing over and over again, just with a different girl.” 

“I wouldn’t have taken you for a playboy, Regulus Black.”

Regulus chuckled. “I’m not some unscrupulous rake, I assure you.” 

“Yes, that much is obvious from your use of the word unscrupulous.” You tucked your legs underneath you. “So why go on all of these dates if you find them so tedious?” 

“It’s my mother,” Regulus explained. “She has this list.” 

“A list?” 

“Yes, a list of girls that I’m to court. Noble, pureblooded, proper ladies of society that my mother has deemed worthy of marriage.” 

“You’re seventeen years old. Shouldn’t you be worrying about quidditch games and potions exams?” 

Regulus nodded. “Yes, one would think. But my family has always been different. Since my brother left, my parents have been obsessed with grooming me into becoming the perfect heir.” 

“How do you feel about that?” 

He sighed. “Stifled. Exhausted. Smothered. I can feel the weight of their expectations weighing me down every second of every day.” 

“I’m sorry, Regulus. That’s a terrible burden to carry.” 

Regulus shrugged. “Others have it worse.” 

“It doesn’t mean that your problem is any less heavy.” 

To Regulus, the acknowledgement felt oddly validating. Even though you knew nothing of his circumstance, there was wisdom in your words and you delivered it delicately, like you actually cared to hear his troubles. You were devoid of the judgment he'd grown accustomed to and he found that rather freeing.

“It’s just…sometimes I think that I’ll never be the perfect son. My brother, he’s always been the brave one. Classic Gryffindor,” he said with an eye roll. You chuckled, but stayed silent. It was obvious that Regulus had a myriad of thoughts to unpack tonight and you were more than happy to just listen. “Sirius has never cared what anyone thought about him, least of all our parents. I admire that about him, but I just don’t think I’m wired that way. I care too much.” 

“That’s not necessarily a bad thing,” you said softly. “Apathy is so common nowadays, finding someone who can admit that they care is refreshing. Though, I think it’s not without limits. You can’t please everyone. No matter what you do, someone is going to have something to complain about. You might as well be yourself.” 

“That’s exactly the problem,” Regulus pondered. “All of these girls on my mother's list, I think they like the idea of Regulus Black, but he’s an illusion. It isn’t the real me.” 

“Then who is the real you?” 

“I don’t know,” he said honestly. “I’m just Reggie. I like playing quidditch and reading depressing literature and memorizing obscure history facts. I hate messy rooms and orange juice and anything that crawls.”  

You smiled. “And what kind of girl does Reggie like?” 

“Someone witty. Someone funny. Someone who’ll argue with me. Someone who doesn’t just nod and agree with everything I say."

"So what you're saying is that you don't want a nice girl?"

Regulus shook his head. "No, I think I need someone who challenges me. Who sees me for who I am rather than what I represent. Don’t get me wrong, I’m sure the girls on my mother’s list are lovely, but I don’t think they’d actually like me if they knew who I really am.” 

“I don’t know, Reggie seems like a great guy. That Regulus bloke, on the other hand…” you scrunched your nose in disapproval. 

“Hey!” Regulus chided, “I’m pouring my heart out to you. That took a lot of courage, you know.” 

“You’re very brave, Reggie,” you said with a grin. “But you know what would be even braver?” 

Regulus squinted in the rain as you stood to your feet. Lightning crackled over the horizon, illuminating you with an ethereal silver glow. You held out your hand to him. “Come dance with me.” 

“Deathly afraid of being struck by lightning, remember?” 

“Sorry, what?” You asked as you shimmied around him. It wasn’t graceful by any means. It was the goofiest thing he’d ever seen and yet he’d never been so enthralled. You danced without a care in the world and it made him genuinely laugh. “I can’t hear you over all the fun I’m having.” 

"This is ridiculous," he said over the roaring thunder.

You shrugged. "Perhaps. But everyone's allowed to be a little ridiculous sometimes. Besides, I was asking Reggie not Regulus."

“Are you really trying to peer pressure me into dancing with you?” 

“That depends,” you replied with a cheeky smile. “Is it working?” 

Regulus conceded with a sigh and leapt to his feet. The youngest Black brother bowed like a proper gentleman. “May I have this dance, my lady?"

“You may, good sir.” 

You grinned up at him as he took you by the waist and waltzed with you across the sand. Surprisingly, Regulus let you take the lead. He chuckled when you stepped on his toes and laughed even harder when you tried to twirl him. Towering a good foot over you, Regulus had to fully crouch for the maneuver to work. 

Finally, you gave up the formality and just spun around in dizzying circles. There was absolutely no rhyme or rhythm to it. Just two idiots dancing in the rain with the biggest smiles on their faces. 

Your coordination, or lack thereof, caused you to almost faceplant into the sand. Regulus yelped as you took him down with you. By the time you recovered from the laughing fit, the two of you were red-faced, out of breath, and laying side by side along the shore. He turned over to you and brushed a stray strand of hair behind your ear. 

“That was the most fun I’ve had in years.” 

“See? There’s more to life than just being moody and melancholic.” 

“So this mystery girl of mine keeps reminding me,” Regulus said with a smile. “You never told me your name, by the way.” 

“Wow, you don’t even know my name? I’m offended, Reggie. We’ve only been in classes together since fifth year.” 

“I—we’ve never been introduced—” 

You broke out into a smile and giggled. You thought it was cute that Reggie was so easily flustered. “I’m just kidding, Reggie.” 

He sighed in relief as you stuck out your hand. “Y/N. My name is Y/N.” 

Regulus slipped his hand into yours. He cocked his head, studying your eyes and your smile and those cute little dimples. 

Y/N. The last name on his mother’s list. The one he saved for last because he didn’t know who she was. 

The French had a saying—le coup de foudre. The infamous phrase translated to a bolt of lightning or love at first sight. Regulus had long dismissed it as flowery prose, but thanks to his mystery girl, he started to think that maybe the Parisians were onto something because meeting you tonight felt preordained. A date with fate. Like a bolt of lightning streaking through his dark, endless skies.

“It’s nice to meet you, Y/N.” 

You grinned. “It’s nice to meet you, Reggie.” 

Regulus smiled and laced your fingers together. He was frozen, it was raining, and he was fairly certain that you were both probably going to catch a cold, but he didn’t care. In that moment, as he stared up at the sky, blinking back the rain, and intertwining his fingers with yours, Regulus had never felt more content. 

So no, Regulus did not believe in love at first sight, but love at second, third, and even fourth glance? He smiled a little as he gazed back at you, letting his gaze linger as he drank in that infectious laugh and sunny grin. 

You made him think that maybe, just maybe, a girl like you could convert a skeptic like him into a devout believer.

[bluerosefox]

Daughter of Phantom, Lady Gotham.

I love Lady Gotham stuff in the DCxDP stories, like a lot, so what if, hear me out (Long post is long, I rambled again)

Lady Gotham is Danny's daughter.

How? How about Danny is hurt (his parents? GIW? Vlad?), like badly, to the point even his core is damaged and the time needed to heal would take years, like a lot of years. Like it was bad that even his Rogues were shocked and shaken. They eventually get him to the Realms but are unsure what to do next. So they're scrambling trying to figure out how to save him.

So when CW appeared he asked to handed the Core because he knows what to do, where to hide him so he can heal they don't question it, everyone in the Realms know CW, the Ancient of Time itself, has a soft spot for Phantom. He opens a portal to a different world, not Danny's he can't run the risk of GIW finding him, to a just beginning world, the new world will help speed up his healing, and with Frostbite's help they set up a healing chamber deep, deep in the ground. Once they made sure everything is set up and safe, they place his core inside the healing pod and return every so often to check on him.

Over time though, above on the surface of that world it's timeline starts. Animals, creatures, humans, aliens, magic users, etc etc begin and with it, because even as a half healing core, Danny's power and ectoplasm starts effecting the area he's resting in (Ghost King Danny? Young/New Ancient/Eldritch Being? Or just an OP Danny?) (Clockwork and even Frostbite showing up every so often doesn't help either, it explains why Gotham is so cold sometimes or why time seems... off)

Anyways due to Danny's power (along with bits of Clockwork and Frostbite), magic of this world, and people beginning to build a small town on top of the land it gives birth to the namesake of the town.

GOTHAM.

CW foresaw her 'birth' and finds her sitting in front of Danny's healing pod. He always knew Gotham would eventually form, the belief/love her people have in her would had given her a form eventually he just wasn't expecting her to form so soon (this is why Danny remains his favorite person, he always did something CW never really see's to often) nor was he expecting her to become Danny's daughter. Gotham looks a bit like Danny, dark hair, blue eyes, pointed ears, sharp teeth, glowing star like freckles, but she also reflects her people, the ones that call Gotham home so her image shifts sometimes. But he can see small hints of maybe himself and Frostbite in the shifts.

She is 100% Danny's daughter via spirit/ectoplasm. If anything CW and Frostbite are like many times removed family members when it comes down to ectoplasm.

She's silent for a moment before she asks if "You and the other come here often to see him... The one sleeping is he my father?" Which CW does confirm, he explains why Danny is healing and who he and Frostbite are and why they show up to make sure he is doing better. How his healing will take many, many years. She goes silent again before saying "Teach me how to protect him. I am new and young compared to others... and yet I already know if anyone desires him for the power he gives, they will stop at nothing. He is my father and I am his daughter, I need to keep him safe just how I know he would keep me safe. This much I know."

CW agrees.

She learns, from her father's allies (CW, Frostbite, Pandora, etc etc) how to defend and fight. How to protect what she loves. She watches over her father and fights off demon's, monsters, sometimes an alien that senses the slumbering power, evil magic users. Etc. She watches over the town and people who named her as well, falls in love with the humans who call her home as well and defends them as well.

She even gets the blunt force of a curse a powerful old entity that tired to place it on her father after she had just banished it from her lands. It's an old powerful curse that CW or Frostbite can't rid of because it would weaken her far to much that they run the risk of her fading, the only way to get rid of it is if she had a family member feeding her ectoplasim to help sustain her. (Her aunts can't because Jazz isn't ghostly enough and Danielle can't because hers is limited due to being a clone (like she has enough for herself but does need to visit the Infinite Realms during her travels to get more ectoplasim to filter in and out). Danny is their only chance because he's constantly filtering ectoplasim in and out and even creating it because of how he died with a portal opening up at the same time)

The curse slowly starts eating away at Gotham, makes it hard for her to have a solid corporeal form because pain (when she has to use this form to fight off others she has to bare through the pain), her appearance starts changing (eyes turn from sharp ice blue to glowing yellow, skin turns deathly sickly pale, her star freckles slowly blinking in and out, hands become inked claws, her dark hair is unkempt and spills like an oil sludge down her body and face) and because Danny is still healing himself he can't help her and she can't see him all too often anymore because she doesn't want to run the risk of the curse effecting his healing core, she does get updates from the other ghosts that visit him and then her. She still defends him though, outside of his healing chambers should on the rare chance something finds it way down to him.

Eventually due to Danny's and Gotham's natural ectoplasim filtering on the lands, visiting and powerful ghosts, Gotham fighting off powerful beings trying to use her father for power, and the curse on Gotham herself, the town that had been built on the ground above by humans becomes the very city we all know.

Its a whole mixed bag do to so many factors, that's why Gotham is the way it is.

Gotham does her best to keep her people safe from well... everything but due to the curse and the fighting off another person/entity/demon/magic user/etc coming for her father's power, she can't always do much by the time one crisis is over and a new one pops up, she's slowly breaking down the longer it takes.

That's why she has a soft spot for her Dark Knight and his family and allies, they help her from the pain from the curse by trying as both the Wayne's and as the Batclan to fix up her city self, its not enough to really fix her fully but it helps with the pain that eats at her.

She does her best to give them tiny blessings though, but due to her duty of protecting her father she can't always do much (she wept when news of Jason, her second Robin, her rough around the edges bookworm, had died came to her. She couldn't protect him because he was out of her reach. Its why when Joker returned she made it very hard for him to really gain his foothold in her again but had to stop because CW told her if she kept making it too hard for the clown he'd go running off to 'play' with a different hero and that... that timeline would lead the world to ruin. She begrudgingly stopped but when Joker had taken her third Robin, her tiny Tim the one she loved watching shadow her knights, she did everything she could to keep him sane from the pain he had been put in, and lead Batman to the warehouse to save him. Also it turns out her heartbreak over Jason's death, her curse acting up, and her ectoplasim sparking off at the same time it helped bring him back from his grave not fully but somewhat, she was so shocked that she didn't have time to send hints to Bruce to get him when he was taken by Talia and once again out of her reach. She tried hinting it to Bruce that Talia had taken him but by the time he would check on the League, Talia would had moved him)

Gotham, depsite being young in the eyes of many other powerful beings and entities has held her own and kept those that wanted to use her father for power packing. Despite being cursed that is slowly eating her alive she still holds onto the hope her father will awaken and she will finally get to meet him. (She hopes she made him proud, he is a protector spirit core after all and she had been steadfast with keeping him safe all these years).

Things however take a turn for the worse when Gotham awakens from some sort of powerful slumber (she doesn't know what happened?! Did something knock her out?! When did she fall asleep?! Was it magic? Did the curse do it? Did someone or something-) And discovers someone or something had managed to steal her father slumbering core. (So close to healing, so close to awakening according to Frostbite, just a few more days he says. Just. A. Few. More. Days)

She tries to go find him but is suddenly hurting more, her curse has progressed even worse, she can barely stand, let alone fight whoever had her father. And she knows her father's friends won't be back to see her until far later.

And then all of Gotham shakes and shudders when her rage, panic, and terror are felt that early morning.

-×-×-

Deep in the Batcave, Batman and the others are searching for whatever caused that strange almost magical but not (ectoplasm) shudder that morning.

They were expecting a full scale attack. Magical, alien, maybe even all the Rogues in Gotham working together. An all scaled war. They were looking for any signs of it, maybe to by some miracle stop it before it becomes to late.

They however weren't expecting a strange sick looking woman with yellow glowing eyes, oil ink like hair covering her face and body, clawed hands like they had dipped in ink as well, star like freckles blinking in and out on her body and face, sharp ears, breathing heavily and coughing every so often to appear in the cave. Like she had sunk out from the shadows in pure silence. (Even Cass did not hear her)

Nor were they expecting her not to even flinch when they trained their weapons onto her. Instead all she did was laugh, a raspy low laugh, but it held warmth and mirth.

"Now, now my knights... No need for that. I come needing help and you are the only ones I will ever trust with this mission..." her voice was soft but harsh, talking seemed to hurt her though for she had to take deep breaths and suppress a cough. Her eyes trailed across them all, despite her sickly look her eyes gleamed with a motherly warmth in a strange sense, something all of them could feel "I can not hold this corporal form for long. Long story short I am cursed, have been for a very long time and whatever happened to me earlier this morning has aggravated it even more and thus I can not stay in the world of the 'living' to do much. My father, the one I have been protecting since my creation from all sorts of terrible and dangerous things, for should they get a hold of him it could spell the end of life itself for he is that powerful, has been taken from his healing chamber. I do not know who or where but I know he still remains in the city, that much I can sense."

She coughed and took a shuddering breath "But alas I can not go to his aid as I once has been able to, this is where you all come in. I need you to find my father, find his core. Bring him to safety. I had fought so many to keep him safe, to make sure he heals in peace for so long, and he... So close. Just a few more days he needed... then I could had finally had met him."

She lightly muttered those last few words, eyes looking lost for a moment before coughing hard.

"Who are you." Batman, Bruce Wayne, stonely demanded but for some reason he couldn't help but feel like he knows her, like from a foggy memory, and by the looks of his family they all could sense the same thing.

The woman, or whatever she was, merely smiled, sharp teeth bared in it as she looked him right in the eyes and said.

"Gotham, my dear Dark Knight. I am Lady Gotham herself. Its wonderful to finally meet you despite the circumstances."

[tamamita]

what is the most fucked up belief you've heard about in islam or any of its sects

I'm not sure you could call Nation of Islam a sect, since their belief deviate so much from any of the core branches of Islam that they're their own thing. Anyways

The patriarch Jacob (or Yaqub) being a mad scientist who studied in Mecca university (there was no such thing) and created White people in a freak accident in the Greek Island of Patmos

[thoughtfulchaos773]

Sorry my English isn’t great but Can we have more thoughts on Syd & Carm and sex? How do you think they would both go about interacting with it and each other if we ever got a scene of them like that? (Which I don’t think we will but one can hope 😭)

Don't apologize! Fun fact- I used to write E fanfiction, but nothing for sydcarmy (yet maybe in the future)

But if we're talking cannon: it would happen in the daylight similar to the table scene. Morning after and just the beginning. There wouldn't be anxiousness from Carmy in the morning or showing Carmy's mind somewhere else. He's very present with Sydney and always aware of where she's at. She takes space in his head anyway - so sex would be all about her pleasure and strong eye contact.

You know what would be great for me? They don't even have to show explicity sex, show me the morning after Sydney has spent the night and Carmy is ready to go down on her- she's the first thing on his mind in the morning and she's in bed- with him, post sex? Yeah, he's not wasting a moment.

After all, it’s FX—it's an MA-rated show, so we already expect explicit love scenes and how they will be portrayed. Give us a good surprise! They've already shown explicit positions of certain characters, so why not illustrate how things are different this time?

Here are my thoughts on Sydney and Carmy: it's a popular belief that Sydney is the dominant one, I think Carmy actually holds a more dominant role in bed, at least at first. There’s a suggestion that in the end, Sydney will always have emotional power over him; she has his heart in her hands and ultimately calls the shots when it comes to the core of their relationship.

I think based on the show- Sydney has a praise kink, but it seems to be specific to Carmy. She pokes fun at Marcus in the show when he gives her praise. But Carmy gives her praise? She melts. So imagine Carmy giving her so much praise during sex?

Their relationship shows how Carmy pulls vulnerability out of her when he reads her. Being a dominant partner is a skill; it helps the more submissive partner switch off their racing thoughts and open up. For the submissive partner to really let go, they’ve got to trust that their dom will catch them if they fall. If the dom doesn’t support them, that’s when problems come up.

Sydney and Carmy play these roles on the show, dont they? and it's a challenge. Carmy is working on being someone Sydney can rely on to catch her when she falls, and for Sydney, she knows how scary it is to completely give in. When Carmy is confident enough, he reassures her by saying things like, “I won’t let you” showing that he’s up for the challenge and ready to give her what she needs. He's ready to care for her because she cares for so many people- so wouldn't it be nice for her for someone to take care of her? To make her happy and satisfied?

For Carmy, stepping into the dom role is great practice. He wasn't really feeling it when Claire was leading the chase; she lead the getting his number, in their private scene notice she's the one leading the questions to get to know him more, she's the one in the morning telling him "everything is fine" the morning after- Claire is the one on top of him while Carmy sits up at night.

Carmy wants to build enough confidence to take charge himself with Sydney, and after she gives over, he looks to Sydney for a bit of reassurance, asking her if she liked what happened. He’ll gently ask her to share what she enjoys and what doesn’t work for her - Carmy is the one who leads with questions.

Even if Carmy is the dominant one, Sydney won't make it easy for him. She doesn't make it easy for him anyway, and he deserves to be questioned and challenged as she does in canon.

[charmedreincarnation]

Everything EFT tapping

EFT Taping, or Emotional Freedom Technique taping, is a popular psychotherapy technique used to reprogram the subconscious mind. This technique involves gently tapping with the fingertips on various meridian points on the body while focusing on a specific issue or problem.

Intro video here.

Anyways By engaging in this type of tapping, the practitioner is using energy work to help clear the energy blockages that are causing the negative thoughts and emotions in the subconscious mind. This helps to release the stuck energy and to create new pathways in the brain to create positive feelings and thoughts.

When doing EFT tapping, it is important to make sure you are in a relaxed state before beginning. If you are feeling anxious, angry or overwhelmed it will be difficult to tap correctly. It is also important to keep in mind what you want to focus on while tapping. This might be an emotion, a trauma or a memory, or even a physical sensation.

To do EFT tapping correctly, you should start by locating your meridian points. These points can be found on your body, including your temples, eyes, chin, shoulders, and chest. Then, take your fingertips and lightly tap on each meridian point while focusing on your desired outcome or intention.

Be sure to use calming language when doing EFT tapping and repeat positive affirmations in your head while tapping. During this process you can visualize yourself letting go of any negative emotions associated with your intention. Visualize a feeling of calming, contentment, and relaxation in their place.

As you continue to tap and repeat the affirmations and visualizations, observe any changes that you feel within your body or mind. With each tap, move closer and closer to a state of balance and reconnection within yourself.

EFT taping is a powerful tool for reprogramming the subconscious mind, as it helps to clear out the negative energy stuck within the body and allowing it to be replaced with positive feelings and intentions. As you continue to practice EFT taping regularly, you will begin to experience more clarity, balance and emotional freedom within your life

So how can this help you with manifesting?

By using EFT tapping you can access areas of emotional and energetic blocks in your body and mind and release them. This can help you create space for new energy, energy that is aligned with your deepest desires.

So how does it work? To start, identify the core issue or belief you’d like to release like a fear of success or a lack of self-confidence. For example with manifesting, do you think you can’t manifest, or you don’t deserve to.. make your phrase relinquishing yourself if that mentality.

Create a reminder phrase to tap along with like “ I release my doubt of the void ”(Or whatever you think is holding you back or you want.) Now you’re ready to start tapping. We’ll talk more about how to do that in a minute, but first let’s understand why this works.

It’s thought that tapping encourages your body to release natural “feel-good” hormones like serotonin and endorphins which can help to create a new emotional baseline. It’s believed that this helps create an environment where you can more easily shift your vibration and attract more of what you want into your life.

Now let’s go over the actual tapping process. Take your dominant hand and use your index and middle fingers to tap five to seven times on each of the nine key meridian points on your body - starting at the top of your head, down the side of your body and ending at the top of your torso. Repeat your reminder phrase out loud and feel into the emotions and sensations in your body.

When you’re finished, take a few moments to breathe deeply and give yourself permission to release any emotions or limiting beliefs that may have come up. This completes one round of EFT tapping. If you feel called, repeat the process for as many rounds as necessary until your emotion subsides or releases completely.

It doesn’t even have to be used for manifesting only. You can use it to help your anxiety, help receive money, feel mental clarity, and whatever else you may desire, at the time of the tapping !!!

Good luck <333

[dev1rus]

Being a Sigma enjoyer and being slightly obsessed with black holes I had an idea I was discussing last night.

So Sigma's control of gravity is never exactly explained, however we know he had exposure to a black hole that he managed to create so this was my theory.

Black holes have a center called a singularity, the singularity is theorized to be a small point that contains infinite mass, affects the gravity and essentially bends the laws of physics and they do not have to abide by those laws ,then they are surrounded by the event horizon (the black hole appearance, basically the point of no return) and then the accretion disks and such, yk the light bending thing.

Black holes also affect how we perceive time, in which if a person entered one for everyone else they would stand still, but they are moving in reality. Here's a diagram with a room being regular space time and a hallway being the black hole

My belief is that Siebren would have essentially experienced the area of the black hole and reality for so much longer, causing the crashing out of reality for him, but for people it would have felt like a few moments.

But to get to his powers, I believe the situation caused him to BECOME the singularity, it's not anything biological exactly but everything physical, it cannot be removed, his entire being is simply being held together via him being able to bend the laws of physics in that it's a reflex of his survival to something like that, gravity is simply keeping him together as a person, but in that event caused his core being to act as singularity, he himself HAS to control gravity in order to stay put and it can bend gravity around him.

His survival was dependent on gravity and physics, it's his entire self and everything.

Anyways peepaw doodle

[degloved]

the appeal of strahm as a test subject lies largely in the fact that he did everything right—beyond simply being bright enough to follow instructions, he had it in him to outsmart a test trap that wasn't meant to be won at all. it's why it's so easy to root for him, why it's so satisfying to watch him drive that pen into his trachea. five films in and only now are we seeing somebody who could give jigsaw a run for his money—it's an exciting thing. which then makes it all the more devastating to see him bested, especially having come so, so close to getting out unscathed. and you sit there as the credits roll and wonder why. you try every avenue that might've led to a different outcome, maybe you seethe and fume and run to r/saw—this shouldn't have happened, does the director have shit for brains, what's this shoddy writing, strahm is better than that... and so on.

but he's not, really. strahm isn't only smart, he's capable of keeping a clear head in high-pressure situations and possesses a unique blend of simultaneously deficient and heightened self-preservation instincts—he's willing to grievously injure himself at a moment's notice on the off-chance he might live to tell the tale. he's all that, but at the root of it, he's self-reliant to the point of self-sabotage. it's not… arrogance, per se, but a built-in flaw. where everyone would take the easy way out, he can't. unfortunately, he did not account for the fact that the easy way out was here the only way out.

though "easy" is definitely up for debate, anyway. is it "easy" if it demands the rejection of deep-rooted beliefs? if it calls for the betrayal of one's core values? if it's asking one to forsake previously held loyalties? strahm's a lot of things, but not a turncoat. this is terrible news for turncoat nation, population: 1 (mark hoffman). group handholding starts in 10 minutes. group mass suicide in 20.

[shutupineedtothink]

[Theory] Agatha All Along title meaning + character arc for Agatha

Back on the theory train — here’s another thing that’s bugging me. Why is the show called Agatha All Along, besides the cute allusion to the song. I know for a fact Jac Schaeffer is too clever and too good of a writer to not make it mean something more.

I’m feeling like it must tie into Agatha’s character arc for the show, so let me take you on a little hypothetical journey here.

Spoilers below the cut!

Now that I’ve rewatched those last few episodes of WandaVision, I can’t get Agatha’s flashback out of my head. Particularly her saying, practically pleading, “I can be good” and her mother replying “no, you cannot.” Like holy shit. That’s a condemnation if I ever heard one. A different kind of curse passed down by a different kind of mother.

I’m starting to wonder… what if Agatha was always this powerful, even without the Darkhold. What if she was so innately powerful, her own mother and her entire coven was afraid of her? Maybe they even suspected her of being the Scarlet Witch, and therefore capable of ending the world itself? And because she was so powerful, and every other witch around her didn’t even want to touch her much less teach her, what if she went looking for resources herself? And whether that was the actual Darkhold or something else “above her station” (… I’m not convinced she had the Darkhold yet at the time of this WV flashback scene) that only served as the indictment the other witches needed to finally attack her?

Basically where I’m going with this is… what if Agatha was raised to believe she was bad? If she was always told she was basically evil incarnate, always feared for her power, too powerful for her own good, too powerful to be good, to anyone… her own coven, her sisters, and her mother were afraid of her and shunned her… what would that core belief do to her?

Let’s also assume her coven were the first (maybe only) people she intentionally killed (and even then, in self defense). The way she looks when she takes the amulet from her mother’s body — she’s angry, but how much of that anger is directed at herself? How much of her thought, well, look, they were right. I am bad. I am evil. And there’s no turning back now. And I hate myself for it.

Except maybe, she tries. She’s constantly trying to escape this fate, this identity that was forced on her. She never joins another coven in the centuries after, not only because no one wants her and she has serious trust issues but because she doesn’t want to hurt them, intentionally or not. She doesn’t need their power, she’s already more powerful than just about any other witch. So she studies. She learns the craft. She controls her power. And she leans into the persona of Agatha the powerful evil witch, because why not? That’s what they all think of her anyway. Let her control the narrative then. She wears her reputation like armor, so that no one can betray her ever again. As Rio says, “you’re vulnerable.” And she replies, “only physically.”

Then at some point, the unthinkable happens. She meets Rio, falls in love with her, figures out who she is (not necessarily in that order) and maybe she thinks, what kind of person falls in love with death? Surely that must be even more confirmation that she’s horrible (despite the fact that Rio is not horrible, not really, and certainly not to her). But she tries not to care, and mostly she doesn’t because she’s in love.

And then she has Nicky, however that happens, and she’s absolutely terrified but he is hers, and she loves him like she never loved anyone before. And she’s determined — he will be powerful but he will never think he’s anything less than because of it. He is finally, finally something good that came from her.

And then he too, is ripped away from her, by her own lover Death, and however it happened (even though it definitely wasn’t intentional on her part), she knows it’s her fault. Because she is evil, she is horrible, and this is her fate. She is betrayed by the people she loves, and she is left behind.

But still! She can’t give him up. She can’t stop trying. And she feels the absolutely insane surge of power in Westview and inserts herself into the Scarlet Witch’s hex, when no other witch would even dare get close, because maybe with enough power, with Wanda’s power, she can remake Nicky. (“And you wanted him back.”) She can create somewhere he’ll be safe and everyone else will be safe, and she won’t cause any more damage, to anyone. Death will never find them. She can raise her son in peace. She never wanted Wanda’s power just for power’s sake, she wanted what Wanda created, but better. Her version.

And then that too, was gone. And once again, she was painted the villain.

And now? Now it seems like all the pieces of her past are coming back to haunt her all at once. A new coven of witches who seem impossible to get along with, her lover Death who she tried to escape for so long, and a boy who looks like he might be the version of her son she was trying to recreate, who seems to adore her despite everything she is and wants to learn magic more than anything else. It’s all come back around.

So maybe, through reasons and events currently unfolding, Agatha’s journey on The Road (and the show) is to realize, or at least begin to maybe believe slightly, that she’s not inherently evil. She’s not an inherently bad person, or bad luck, or horrible. It wasn’t all her fault. Nicky’s death wasn’t her fault, even if she couldn’t save him. Death is part of her journey, as it is for us all, and maybe she can learn to accept that, maybe even love the woman who carries that name again, or at least forgive her.

Maybe this boy isn’t hers, but she can care for him and teach him the magic she never got to teach her own son. There can be a coven who actually has her back, who even sees her as their leader, who knows her and accepts her for what she truly is. Extremely flawed, powerful as all fuck, snarky and sarcastic, but the real her.

Not Agatha the evil witch. Not Agatha the villain (because she never was one). Not Agatha the hero either. Just Agatha. All Along.

———

Eh?? 🤷‍♀️

Now maybe in the show it’s not quite as angsty as all this, but Jac Schaeffer is writing this character too complexly and Kathryn Hahn is playing her too complexly for at least some of this not to be true. Agatha’s not just a villain. She’s not true evil. It’s only episode 4 and we basically know for a fact based on her reactions alone that Agatha did NOT sacrifice her own child for the book of the damned. And I just can’t get over the way Kathryn Hahn almost seems to be playing two characters with Agatha, the (evil) witch and the vulnerable Agatha underneath that only seems to surface for Teen and Rio, so far.

It’s fascinating, and I just want to see her get the depth of story she deserves. And we deserve, tbh.

[sepublic]

The core to Belos’ character is that he’s everything wrong with the United States of America. Why else is he a Puritan, a group of racist settlers who helped found the U.S. and contributed to the genocide of the Native Americans? Why else does he dress up like a Founding Father when not in papal robes, with a ponytail resembling a powdered wig?

Luz thinking he’s a great explorer, only to find out Philip is just an entitled asshole who takes credit from others to make himself look better, is a play on people IRL finding out that people like Christopher Columbus and Thomas Edison were assholes who stood on the shoulders of others. It’s a play on white mediocrity and how white guys do the bare minimum and expect to be praised.

Belos is a bigot whose entire motive and goals are based on genocide-level bigotry, and he refuses to unlearn any beliefs; Being a historical Puritan he is 100% racist and misogynistic and unlike Caleb, didn’t take the chance to grow out of it. He wants to believe he’s born special and better than everyone else, and that’s why he buys into white supremacy. The modern cop is the descendant of the witch hunter.

There is an explicit connection between the colonial genocide of Native Americans and Belos’ genocide of witches and demons, down to imposing a Christian misunderstanding of the local religion. He feels entitled to their magic but does none of the work to understand, nor does he cultivate a sustainable relationship with the land the way indigenous people do, hence consuming palismen.

He coined the term Savage Ages, with Savage having racist connotations. His fantasy is the Monster Hunter, the idea that it’s okay to dehumanize anything and even anyone that’s different to kill them. He believes in the Evil Races trope which is of course inherently racist. Belos treats Luz like his White Man’s Burden, a brown child who needs a White Savior to civilize (just as the U.S. kidnapped Native American children to assimilate), and then tries to kill Luz when she doesn’t go along instead of just. Leaving Luz alone or dragging her into the human realm with him anyway.

Belos makes exceptions to his religion when convenient, allowing himself to use magic but then demonizing those who do, just as homophobic Christians and Republicans do. Think of all the anti-gay politicians who are caught being gay; They’re not repressed victims, just hypocrites who think they’re entitled to special treatment. Philip didn’t rat on Caleb for hanging out with a witch for the reasons Pro-Lifers let loved ones have abortions; Caleb was important to him, and he’s not one of the witches Philip planned to murder. And even then he still killed Caleb for ‘crossing a line’!

The Puritans and other groups informed the Alt-Right in the U.S., as well as Evangelicals who rage about how something as innocuous as Pokemon is a Satanic influence (Yes this happened; The Conformatorium doesn’t seem so unrealistic after all, and remember that Dana’s father gave her a copy of Pokémon Red before he died that she latched onto). But like the Televangelist, Belos indulges in material wealth and glory via the glamour of Catholicism, because he’s not even consistent to Puritan values either.

He’s Trump, he’s Elon Musk, he’s Ron DeSantis. He’s the incel/mass shooter who fell down the pipeline, who feels cheated out of the promises of a white supremacist society and takes it out on minorities but not other white guys, because he thinks the system’s idea is fine it just isn’t working as it should, at least he’s better than those guys. He calls others NPCs because he wants to believe he’s born special and better and chosen.

Belos’ reaction to Caleb being with Evelyn was undeniably motivated by racial disgust at his brother for committing miscegenation and making Philip related to a savage in the process, it’s why he never brings it up because of the scandalous shame of it all. Belos hates those witches more than he ever loved Caleb, Caleb was never his priority or he’d have changed his mind; It had far less to do with ‘codependency’ and far more to do with white supremacy, perhaps Philip wouldn’t have minded Caleb settling with a human white woman. The issue being not Caleb leaving him but who Caleb left him for.

Belos thinks taming a wilderness and murdering its natives makes him a tough man because he’s insecure. He has a sniveling victim complex that can’t comprehend why minorities would dislike him, except that they’re mean. Belos epitomizes the U.S.’s racial and colonial violence, its white supremacy, and its global police narrative that decides the existence of another, independent world is an inherent threat to his own.

The conflict between Philip and Caleb was over racism, and so it’s black and white because racism is always wrong. Making it ‘nuanced’ would take away from the fact that the motives for real life racism are inherently nonsensical and insincere; Caleb wasn’t selfish for living with another culture on its terms, instead of staying in the racism village (The Gravesfield statues corroborate Philip being an adult when he arrived in the Demon Realm, according to the memory portraits; Caleb waited until Philip was an adult before leaving). Philip was not a weird kid, he was adhering to his social norms with games about how anyone different or actually weird should die, and he wanted to do this, he’s a Conformatorium prude like all the rest and let his fear of Evelyn justify and evolve into violence.

Even if he was weird, Belos isn’t telling other people they should fit in for their sake, he’s telling them they should just die (Unlike himself, because he’s ‘special’); It’s what he admits to the Collector in the finale about not bothering teaching them anything, just wiping them out. Belos uses magic only to kill magic and discards it out of disgust when he’s about to leave, but makes an exception for the life of the non-human he’s become.

And the choice for the villain to be a genuine Puritan makes sense, because this is a show about weirdoes, so who’s designating them as such and why? Luz has a conflict with the IRL system since the first scene and Belos symbolizes the system, his Puritan ideology marked the foundation for it and the U.S. Belos killing Caleb is just the cherry on top of his actual motives and what his character was always about, that’s why his death scene isn’t him lamenting about Caleb or how lonely he is, it’s him being racist and demanding special treatment for his race. A racist white man feels no guilt for the witches and demons he murdered, just his white brother and clones; He still keeps killing them too btw.

Deeming someone a lost cause and killing them instead of working to rehabilitate is un-Christian, because Belos is not secretly bound by his religion, he picks and chooses. His guilt is not Catholic, he is the Protestant belief in his own superiority. Belos isn’t just a Nazi, he’s an American racist, he’s the KKK; He’s a condemnation of American Values and Exceptionalism, and lowkey I think that’s part of the reason why Family-Friendly Disney canned TOH, because Belos is a condemnation of a major consumer base. Disney being more progressive than other companies means jackshit because it’s performative and the bar is in hell.

[in-fair-verona-we-set-our-scene]

The more I think about it, the more... not exactly sympathetic, but more understanding of the Narrator's frustrations because He is operating under an insane set of restrictions to convince us to slay the Princess without making her enough of a threat that she can fight back. He's not even trying to thread the incredibly tiny needle Himself, He has to guide you into doing it without you even realizing it.

Like, the core problem is that the Player Character's belief (and the Princess's) literally shape reality. To demonstrate how great a change even a small shift in perspective can cause by your own actions alone, taking the knife or not taking the knife results in the Princess having a different personality and skillset from the moment you enter the basement. Taking the knife implies she's a potential threat and even before she sees that you have the knife, she speaks far more threateningly. If you talk rather than killing her right away, which further reinforces all the ways she's a potential threat (she's aloof, somewhat cynical, intelligent, well-spoken, and outright threatens you at one point), there's no way to kill her and also survive. And if you let her kill you after freeing her and the Narrator hijacks your body, she shows herself to be skilled with the blade and unflinching in putting you down.

But if you go down without the knife (signalling you don't see her as a threat, not even a potential one) she's much sweeter when calling to you on the stairs. She sounds harmless, scared, but a little hopeful. And when she kills you after you free her, she doesn't know how to use the knife effectively at all. She kills you while crying and stabbing randomly. She both doesn't want to kill you and is incapable of being an actual threat. You have to hold still and let her kill you.

Unless, of course, you try to kill her anyway, which means she's now fully capable of beating you to death with her bare hands, likely because trying to kill her implies another shift in view (probably due to seeing her try to gnaw off her own arm). She is a potential threat now, and of course attacking someone comes with concerns about them trying to defend themselves--how capable are they of fighting back? And of course she'd fight back, who wouldn't? All the Princesses fight back when attacked except for the Damsel because by that Chapter the idea that she A. can't, and B. wouldn't, is locked in by her inability to put you down efficiently the last loop and the Smitten's unfailing faith in her.

So as early as Chapter 1, from the moment you enter the cabin and even during your interaction with her, your thoughts and beliefs are shaping reality and that ability is incredibly volatile.

And that's part of the Narrator's problem! The Princess needs to be helpless so she can't hurt you or defend herself but in that case, what justification do you have to kill her? So she has to be enough of a threat in the future to justify killing her, but not at the moment, and killing anyone comes with concerns about them fighting back. The Narrator has to walk a very fine line here because even thinking it's possible she might have the ability to fight back or kill you means she absolutely can, but you also have to believe that she could possibly be a big enough threat that you simply can't risk leaving her alive.

So the Narrator has to go "Okay. There is a Princess. She is harmless. She cannot hurt you or escape right now and you have to kill her. Why? Because she will be a great threat in the future. Not right now, she's perfectly harmless right now, but you have to kill her. No, no, you can't talk to her and ask questions because she'll trick you into not killing her. What kind of threat? The world-ending kind so even if you doubt me you can't risk it, there's too much on the line if there's even the smallest chance I'm correct and you must do it right now. How is she capable of ending the world? Don't think about it, please please don't think about it."

(I also think that's probably part of why the Narrator made her a princess of all things. The stereotype around a princess locked away is that they're fairly helpless in a fight, simply waiting for someone to come save them, but also you could justify killing her because she's an oppressive monarch, in title at least. And, indeed, that is a perspective the Narrator pushes and one you can agree with. Not to mention all the story tropes where royalty or a maiden of some kind is infused with a special connection to the world or god--a Princess who can end the world just by the nature of her being is not far removed from those tropes)

I mean, trying to get someone to kill another person without thinking them as an immediate threat or questioning anything too deeply is a monumental task. And everything from the ethical questions you might ask to risk assessment all have the potential to make the Princess quite a threat. No wonder it goes wrong so fast.

[mariacallous]

Wading through the latest dreck from the 2024 campaign, it seems that a racist congressman from Louisiana has demanded that the mythic dog-and-cat-eating, “vudu”-practicing Haitian immigrants of Springfield, Ohio, slurred by Donald Trump on the national debate stage earlier this month, “better get their mind right and their ass out of our country before January 20th.” Or else. Under pressure from colleagues in the House on Wednesday, the congressman, Clay Higgins, deleted the social-media post. Then hours later he told CNN that he stood by it anyway: “It’s all true. . . . It’s not a big deal to me. It’s like something stuck to the bottom of my boot. Just scrape it off.” Asked about the controversy, House Speaker Mike Johnson called Higgins “a dear friend of mine” and a “very principled man.” As for the tweet, Johnson, an ostentatiously devout Christian, replied, “We move forward. We believe in redemption around here.”

Outrage is an impossible emotion to sustain in this age of manufactured political outrage. I know it; Higgins and Johnson surely know it, too. Indeed, they are counting on it. Who, after all, will remember this particular bit of hate speech next week, when there will undoubtedly be so many newer, fresher outrages to be upset about? But still. Maybe pause a minute on this one. While Democrats agonize over the proper levels of policy detail required to prove Kamala Harris’s suitability for the Presidency, Trump and his acolytes have gone deep into the racist recesses of the American psyche to run a campaign meant to stir the passionate hatreds and deepest insecurities of their followers.

J. D. Vance recently made the mistake of publicly admitting the artifice inherent in all this. In an interview with CNN’s Dana Bash, the Republican Vice-Presidential candidate was asked about the alleged Haitian pet consumption and why he and the former President kept bringing up a story that had no basis in fact. “The American media totally ignored this stuff until Donald Trump and I started talking about cat memes,” he said. “If I have to create stories so that the American media actually pays attention to the suffering of the American people, then that’s what I’m going to do.” When Bash expressed shock at his admission, Vance backpedalled, but barely, claiming that he had, in fact, heard “firsthand accounts” from his constituents, causing him to spread the rumor, never mind that they were swiftly debunked. “But,” he concluded, “yes, we created the actual focus that allowed the American media to talk about this story and the suffering caused by Kamala Harris’s policies.”

Days of coverage ensued about what he did or did not admit in the interview, lost in which was the important point that this was not a “gotcha” story about a single errant statement from Vance but a core belief that has underpinned the MAGA approach to politics since Trump’s demagogic début, nine years ago. The jokes about Trump’s “they’re eating the dogs” debate line might have missed the point, which is that when the laughter fades, the slurs remain. This is how propaganda works. Ask Congressman Higgins.

I was reminded of this when I received a call from Fiona Hill, the top National Security Council aide on Russia for much of Trump’s Presidency. Hill told me that she was stunned by how similar Vance’s defiant embrace of the radicalizing power of stories, whether true or not, was to the views advanced by Vladimir Putin’s chief international propagandist, the Russia state-television personality Margarita Simonyan: So what, in effect, if we make stuff up? “I was just really struck: RT and VT—Vance-Trump—are the same,” she said. “It’s the same weaponization of migration and disinformation.”

The episode recalled for Hill an incident early in Trump’s Presidency, in November of 2017, when Trump tweeted out several inflammatory videos from a British far-right group purporting to show attacks carried out by Muslim immigrants. British officials contacted Hill, urging her to get the White House to have Trump pull down his tweets and disavow them. But, she said, when she brought the concerns to the White House press staff, which was then run by the current governor of Arkansas, Sarah Huckabee Sanders, she was rebuffed. Hill was told that Trump was simply using the videos to further his domestic political agenda. When Sanders was then asked about the tweets by reporters, her response was an uncanny preview of Vance’s recent remarks: “Whether it’s a real video,” she said, “the threat is real.”

Vance’s justification for the Springfield slur—that he was really making a point about “Kamala Harris’s policies”—is a reminder of another one of the big lies powering this election: the charade that Trump is actually an ideological MAGA warrior engaging in legitimate and substantive policy dispute, and that that policy agenda is what makes him appealing to his otherwise unrepresented followers. This canard has been one of the most persistent fallacies we’ve heard from Republicans about Trump, a category error that fundamentally misses what kind of politician he really is.

I was reminded of this often overlooked point while moderating a book launch for “The Origins of Elected Strongmen: How Personalist Parties Destroy Democracy from Within,” an important new academic work by Andrea Kendall-Taylor, a former national-intelligence official covering Russia and Eurasia, and two academic colleagues, Erica Frantz and Joseph Wright. Their study places Trump in the international category to which he properly belongs—that of an aspiring autocrat who has taken over the Republican Party and turned it into a “personalist” vehicle for himself, the type of party that, in the authors’ words, exists “primarily to promote and further the leader’s personal political career rather than advance policy.” This is now a global phenomenon, the authors found—from Brazil under Bolsonaro and Turkey under Erdoğan to less cited cases in El Salvador, Georgia, Poland, Senegal, and Tunisia. Putin’s Russia, regrettably, is the modern archetype, a template going back more than two decades that the others have followed.

Where does all this leave the non-MAGA Republican? We actually know the answer to this one: they are hunkered down, still largely planning to vote the party line, averting their eyes, ignoring the slurs, and pretending that Trump and his campaign are something other than what they are. Nikki Haley offered a pretty clear version of the contortions required by the hard-core Republican partisan who both hates Trump and is voting for him anyway, because, well, the policy. During the début of Haley’s new Sirius XM radio show, on Wednesday, she struggled to explain why she was now publicly endorsing a man that she called “toxic” and “totally unhinged” just a few months ago. She said that she had not forgotten his campaign’s personal attacks on her—including, apparently, putting a bird cage outside of her hotel room to emphasize his insult of her as a “bird brain”—but that she was willing to overlook the insults now, because “politics is not for thin-skinned people” and she needed to think of “the good of our country.” She then listed the economy, the border, national security, and “freedom” as reasons why she would make such a sacrifice. Uh-huh.

To the extent that Trump is promoting policy in 2024 at all, his proposals largely revolve around a single theme: he will wave his magic wand and make problems go away. At the G.O.P. Convention in Milwaukee, he promised, “Under my plan, incomes will skyrocket, inflation will vanish completely, jobs will come roaring back, and the middle class will prosper like never, ever before.” In his rallies, he pledges to end the war in Ukraine “in twenty-four hours.” The Republicans’ all-caps political platform, which was approved at the Convention in Milwaukee after being personally dictated, in part, by Trump, contains planks such as vows to “STOP THE MIGRANT CRIME EPIDEMIC” and “MAKE OUR COLLEGE CAMPUSES SAFE AND PATRIOTIC AGAIN.”

Earlier this week in Georgia, Trump appeared at a campaign rally that was billed as a policy rollout for his plans to inaugurate “a new age of American industrialism.” In between extolling his proposed tariffs as a brilliant scheme to “take other countries’ jobs,” Trump, the policy maven, questioned Harris’s intelligence and patriotism, attacked electric cars (except those manufactured by his supporter Elon Musk), and said immigrants were “coming from all over the world” to ruin the country. Trump’s signature moment in this rally, as in other recent speeches, was when he recounted his takeaway from the two assassination attempts against him: “People say: It was God, and God came down and He saved you because He wants you to bring America back.” Still think this is about policy? Kamala Harris might need an eighty-two-page economic plan printed out on glossy paper, but not Trump. His was sent from Heaven above to rescue us.