#so all of the reading into her lyrics was projection

[vervaincircle]

coryo getting so lost in the weeds of lucy gray's song and his jealousy over whatever she had with billy taupe or (in his head) potentially other people... underrated. i love that being obsessed with her made him feel that crazy because prior to that he held people at his age at arm's length. he went through school focused on his grades and keeping his family's secret and he had all of these very 'adult' tinted views of the world. like don't get me wrong, tigris was the one actually doing the adult things to support them. but coryo had this pessimistic and pragmatic worldview already and he held on sooo tightly to it that i'm positive there were moments where tigris just worried about him and wished he would act more like a teenager and prioritize being a kid instead of what people thought about the snows or how they would get their fortune and status back. and he finally has this love and connection with lucy gray, where she even knows he's poor, and he's so unfamiliar with it and possessive that the second he gets even an inkling of her feelings for anyone else, he starts thinking like a crazy person

[ivalice-tifalucis]

With the release of From The Rehearsal Room - Tokyo to Ramin's youtube I finally, finally, continue and finish this side project I'm doing.

Initially, I used AI to mastered it because the first version I got from bilibili were not in good quality but I wasn't satisfied and I found the much better quality. But with Ramin uploaded it to youtube, I re did all the mastering just with audacity for both Part 1 and Part 2. The Part 2 is still from the better version I found from bilibili, by the way.

What you need to do is just download the file and put it on your music player. The metadata is all completed as if it's whole legit album. Enjoy, guys!!

And I'm being weird so all the lyrics that are put there are from my listening although I still use what I found online but I still listened and compared. They made few ad-libs and changes and I notice because for the songs that I wasn't familiar, the lyric that I found online and what they sang was slightly different. Perhaps they sing the newer version of the lyrics or mistakes? Even each Sheytoons songs they sing one in both parts differ from the ones I found online.

Another sample from my favorite:

Source and Credits Part 1 | Part 2 (Ramin's upload) Album cover Photos

Vocal & Guitar: Ramin Karimloo, Hadley Fraser Piano: Ryohei Mori

[twwings]

was reminded recently that this month is the 10-year anniversary of my Leverage vid Parachute, aka one of the most popular things I've ever made. Happy ten years to this vid! I still adore this OT3.

AO3 link if you wanna kudos/comment after all this time 💜

a few making-of reminiscences about this vid below!

The sound of Parker's parachute snapping in the wind, at the very beginning, was from freesound.org, and one of the first times I put non-source audio in a vid! I love how that little sound takes you into the soundspace and focuses you on the central metaphor of the vid.

This was also one of the first vids where I edited the music in a levelling-up kind of way. I had cut songs before to make them shorter for vidding, but in this one, I needed to add more song—to make the transition from Parker/Hardison to Eliot have more space to breathe. So I copied the instrumental section from elsewhere in the vid and copied it to create some space between the chorus and the verse introducing Eliot.

I accidentally clipped a WHOLE BUNCH of Leverage in the wrong framerate for this vid? This is back when I was using MPEG Streamclip to make clips for vidding, and I input the wrong framerate. As a result a bunch of clips had extra frames that I had to cut out by hand (reclipping would have taken too long—this was in the last gasp days of using MPEG Streamclip when it would chug and huff away for ages to make a clip, because the footage was getting too big for the program OR my computer to really handle easily).

There's one shot of Hardison that I wish I'd colour-corrected (I colour-corrected some stuff in this vid but it was before my era of being super into colour correction). He's way too green! I notice it every time! Poor green Hardison.

Making this vid really taught me about how important it is to know what kinds of shots you've got and how to spend them—in order to create the OT3 in the vid, it's essential to withhold shots of the three of them in the same frame till almost the end. It's twosomes, twosomes, twosomes, up until the end when SUDDENLY you get these fabulous shots of all three of them in frame and it's such a RELIEF to see that. It's not like, a shot of the three of them in bed together or anything, obviously I didn't have that footage (Leverage Redemption, lookin at you) but the fact that those kinds of shots are withheld throughout the vid and then lavished on the viewer suddenly creates a feeling of something snapping into place, I think, that you wouldn't have otherwise.

When I was vidding the Parker/Eliot section, I struggled a lot, because they had the lyric "hand behind my neck/arm around my waist" and I was looking and looking for stuff where they touched, but the interesting thing about them is that they DON'T touch much, Parker just doesn't touch people who aren't Hardison very much, and the vid flowed much better when I gave up on matchy-matching that lyric that was literally about touch and instead showing the moments where Eliot is helping and respecting Parker (eg teaching her to fight, giving her a boost). Sometimes the lyrics should be disobeyed!

I loved making this vid so much that I made another vid right after it, using some footage that I hadn't used in this vid because it was a little too slow or too sad, and I love that vid too but it gets less attention. Anyhow if you like Parachute and you read all this way, please enjoy my other Leverage OT3 vid, which is called "too peculiar for love."

[ma1dita]

My dearest sweetest moony

I, a daughter of Hypnos, just want to hold Luke close and let him sleep the best sleep he has ever had in his life, don't let Kronos talk to him or get close to my boy

1, a daughter of Hypnos, just want to help the campers sleep, help all of those kids get their desired rest

Please let this daughter of Hypnos help her children (the campers) and her husband (Luke)

🐥

(i wrote this request and another one but I didn’t put the 🐥 on them, should I send them to you again or not? Sorry about that darling, love ya, and again I’m really sorry for the inconvenience)

🐥🐥🐥🐥🐥

luke castellan x hypnos!reader

wc: 756

—

Honestly, Luke was starting to feel bad.

Every free moment he gets to spend with you, he’s been falling asleep. He fell asleep during your lunch picnic last week, sprawled out on the red and white checkered blanket—cheek against your lap as you read a book, on your shoulder at the bonfire last night even with Percy and Grover trying to screech out the lyrics to ‘Unwritten’, and even now as you brush through his curls as you read all of cabin 11 a bedtime story.

Luke knows that dating a daughter of Hypnos has some advantages for sure—you get to stay in the bunk next to his since you don’t have your own cabin, your dad blesses him with nice dreams for taking care of you, and everyone quiets down easier for the night as you project images of sheep for them to fall asleep to. But as he rubs his eyes to the sound of your calming voice, he reckons he’d punch the shit out of a sheep if another misty image of one decides to trot near the air of his bunk. You’re nestled against his arm, looking ethereal with moonlight shining against your cheekbones as you watch his eyelashes flutter slowly from the weight of his eyelids.

“You need to stop doing that, my dream girl.”

“Hmm?” you whisper, voice breathy like cool air. Yawning, you press your cheek against his bicep with a smile.

“Stop putting me to sleep. Wanna spend time with you,” he mumbles, trying to not wake the other campers.

“M’not doing anything, Lu. Besides, you’re cute when you’re asleep,” you chuckle, and his arms wrap around you tighter as his hands dip into his pajama pants you stole from his dresser.

“Are you saying I’m not cute now?” he pouts, reaching to tickle the skin that peeks out from under your shirt and you giggle. The sound of it is loud enough to echo across the cabin, but something extra must have been in your voice tonight because not a single camper stirs.

In a room full of people, the two of you share a moment that’s just for the both of you, watching each other quietly with soft loving smiles. Moving closer to his face, your lips press kisses into the lines that crease his forehead, the scar running down his cheek, the tip of his nose, and finally the plump of his pouting lips. He pulls you in deeper, smiling softly against your kiss that’s ever so gentle until he’s drifting off…

You don’t take offense to it though. Sleep is your gift bestowed to you by your godrent, and to share that with your love makes it the best gift of all.

—

Luke jolts up the next morning after his nose dips into his bowl of cereal. The nymphs and younger campers all chatter and giggle around you two as he grumbles, shoving another mouthful of now soggy Frosted Flakes into his mouth. You smile, stroking the hair at the nape of his neck, taking a bite of your waffle.

“You okay, baby?”

He huffs, kissing the back of your hand before you stand up to go and grab napkins. Annabeth rolls her eyes from across the table, which makes Luke toss a chunk of banana at her.

“What?”

“You’re too dramatic for your own good, Luke,” she sighs, stirring her iced coffee with a straw. She looks at him exasperatedly when he looks more confused by her statement, even if it’s the truth.

“I just feel like a bad boyfriend. Always falling asleep on her. Never do that with anyone else, and sometimes I think she does it on purpose…” he says, leaning against his palm.

“It’s the oxytocin,” Annabeth says, and Luke looks at her blankly, “Your brain releases oxytocin around people you love, and as a result you feel safe and at ease—which is why you keep falling asleep around her. So stop blaming your girlfriend!” She shakes her head like the old soul she is, getting up to clear her tray and leave Luke to his nonsense. You return to the table with a handful of napkins and a grin that instantly brightens his mood.

Rubbing at his eyes, he can see you more clearly and to your surprise, Luke pulls you by the chin for a kiss as he says thank you.

“What’s that for? Can’t be because of the napkins,” you giggle, and a dopey smile crosses his face.

“Because I love you, my dream girl. That’s all.”

[inthedayswhenlandswerefew]

Where Will All The Martyrs Go [Chapter 8: She's The Salt Of The Earth And She's Dangerous]

A/N: Be sure to vote in the poll pinned to the top of my blog AFTER you finish reading!!! 🥰

Series summary: In the midst of the zombie apocalypse, both you and Aemond (and your respective travel companions) find yourselves headed for the West Coast. It’s the 2024 version of the Oregon Trail, but with less dysentery and more undead antagonists. Watch out for snakes! 😉🐍

Series warnings: Language, sexual content (18+ readers only), violence, bodily injury, med school Aemond, character deaths, nature, drinking, smoking, drugs, Adventures With Aegon™️, pregnancy and childbirth, the U.S. Navy, road trip vibes, RIP Jace (again).

Series title is a lyric from: “Letterbomb” by Green Day.

Chapter title is a lyric from: “She's A Rebel” by Green Day.

Word count: 7.4k

💜 All my writing can be found HERE! 💜

Let me know if you’d like to be added to the taglist 🥰

“I’m sorry if I was a creep when we first met,” Aegon says. He’s been oddly philosophical since he was burned. “I hadn’t seen a hot single chick in a while, and I wanted to fuck you.”

Cregan siphoned just enough gas from a decrepit Chrysler Sebring in Merna to take the Tahoe two and a half hours west to Little Thunder Bay Campground on the shores of Lake McConaughy, a manmade reservoir and New Deal project from the 1930s. You glance over at Aegon dubiously, amused. “Do I count as hot?”

“Yeah, Chippendales, you’re hot. In like a…you live in a cabin and knit sweaters by a crackling fireplace kind of way.”

You smile. “So you got over that.”

“Oh no, I still want to fuck you. Now I just know you better, so I wouldn’t want to offend you by being obnoxious about it.”

“That’s sweet, I guess. I appreciate your discretion.”

“No problem. If you ever decide you want to take a ride on a less distinguished Targaryen brother, let me know.”

The two of you are fishing from a boat launch, dry splintering planks of wood, opaque rippling water, soft wind and bright sunshine from an aquamarine, cloudless sky. Cregan found the fishing poles in the abandoned RV you’ve moved into, a Winnebago Spirit with one of those stick figure family decals on the back window, Mom, Dad, four lovely children and a dog too, all of whom are perhaps alive but more likely dead and in any case nowhere to be found here in this tranquil corner of western Nebraska, 150 miles from the Wyoming border. Helaena digs worms from the earth, then Rhaena slices them into wriggling segments with a hunting knife and brings them to you and Aegon to be impaled on barbed hooks. Aemond, Rio, Daeron, Luke, and Cregan are swimming about twenty yards down the beach, soaked boxer shorts and nothing else, splashing each other and scrubbing the grime off their skin from a morning spent gathering wood for the firepit and the grill; Ice is paddling joyfully alongside them. Baela floats on her back and peers vacantly up into the vast blue nothingness. Aegon is not permitted in the water, as his leg is an open wound beneath his bandages. You ask him as you recast your fishing line: “Why are you like this?”

“Like what?”

You shrug, smirking guiltily. You thought it was obvious.

Aegon throws back his head and cackles, slow and lazy. “Oh, I get it. A loser.”

“I didn’t say loser.”

“You thought loser.”

“I implied loser.”

“It’s alright. I’ve been called worse things by people I admire much less.” He contemplates his answer as he gazes down into the water, sluggish stoned reverie. Aemond must be almost out of morphine by now. At last Aegon says: “I think the first thing I ever learned was that no matter how hard I tried, no one was ever going to love me. Not in a normal kind of way, Disney movie love, Christmas rom-com love. So I stopped trying. Mother wanted me to play piano, so I bombed the recital. Father wanted me to be a doctor or a lawyer, so I skipped class, went golfing and yachting, didn’t even bother to pay someone to write halfway decent essays for me. If they couldn’t love me unconditionally, I wasn’t interested in meeting their conditions.” Then he chuckles, the breeze combing through his hair, ninety degrees and only getting hotter. “I refused to work. All you’ve ever done is work. You must hate me.”

“No, I get it.” You reel in your line; a fish has stolen the worm from your hook, tiny clandestine nibbles. You impale a slimy new victim and recast. “No one wants to be used.”

“Yeah. Exactly. I wasn’t going to spend my life doing shit I didn’t want to do so my parents could brag about me to their insufferable friends and absolve themselves of their mistakes. Mother married a man who didn’t give a fuck about her, Father ignored us all. Me being a success story would have given them the impression they did something right. I couldn’t have that.”

So Aemond had to be the success story instead. You glance down the beach at where he is bursting through the water and slicking back his dripping hair from his face, showing Luke a bone he found in the muddy silt of Lake McConaughy, hopefully not human.

Aegon follows your eyeline. “Aemond went the other way, I guess. Always so pathetically desperate for their approval. Scrabbling for crumbs of it like a rat. That’s what the thing with Alys was all about, it’s the only explanation I have. Older woman, surrogate mother, comforting but chilly, fawning but forbidden, always keeping him at an arm’s length and rewarding his tricks with treats.” He smirks flirtatiously, then sees that he’s hurt you. “Oh, um, I mean…look, it wasn’t…it wasn’t a good thing, you know? He wasn’t happy. It was a seven-year-long psychotic episode, not a relationship.”

“You mentioned that Criston likes Aemond,” you say, pivoting. “The…what is he? A family friend, an assistant?”

“My mother’s personal security guard. And yeah, he cares about Aemond. He’s proud of him, he trust him, he thinks he’s more capable than any of the rest of us, and that’s probably true. It’s definitely true compared to me. But that doesn’t mean Criston always knows how to express it.”

You look out over the water, trying not to imagine Aemond touching Alys, this woman you hate without knowing her face. You wonder if he ever wishes you were more like her: older, clever, entrancing, masterful. “It must have been a strange way to grow up.”

“Cold,” Aegon says. “Hollow. Holidays, birthdays, vacations, everything. You go through the motions but something’s always missing. When you’re little, you think it’s your fault, and then eventually you realize that they’re going to be miserable whether you’re there or not. But you can get out if you’re willing to run far enough.” He scratches at his forearm, and your eyes catch fleetingly on the black ink of his tattoo: It’s not over ‘til you’re underground. You had told Rio something similar when you were stranded on that transmission tower in Catawissa, Pennsylvania. “This is fucked up, and I don’t mean that I don’t feel bad about what happened to Jace, and I get that millions of people have died agonizing deaths, and that all sucks, believe me, I know, but this…” He gestures vaguely, to the zombies and the desolation and the collapse of everything you’ve ever known. “It was kind of my Get Out Of Jail Free card. And in a weird way…sometimes I feel like I’ve been happier since the world ended than I ever was before.”

You smile. You know what he means. “Even if your leg gets infected and we have to saw it off without anesthesia like you’re a Civil War soldier?”

Aegon laughs and shakes his head, his hair flopping around. It’s almost long enough for him to have a man bun like Cregan’s if he wanted one “No, probably not. Also, what’s the Civil War?”

“Forget it.”

“No, now I want to know.”

“It’s kind of a long story.”

“Aemond said something interesting this morning while you were picking blackberries with our favorite Trump supporter,” Aegon tells you, salacious and sly, offering a tantalizing morsel he knows you’re powerless to refuse. He pauses and waits for you to admit it to yourself.

“Fine. Okay. What?”

“He said that when you and Cregan are standing next to each other, you look like you belong together.”

You groan, quite loudly. “I have zero interest in Cregan romantically. Literally zero. I don’t think he sees me that way either.”

Aegon shrugs. “The dating pool is awfully small nowadays, Banana Chip. Anyone who’s not a corpse or an immediate blood relative starts to look tasty.”

“So that’s why you like me.”

Aegon grins, teeth he shows often and easily, so unlike Aemond in every way. “No. I think I’d like you anywhere.” He tugs languidly on his fishing pole. “I want a new golf club.” He forgot his at the house in Broken Bow where Jace died.

“We’ll see.”

“I want new shoes too.” One of his Sperry Bahama sneakers was burned beyond repair and filled with shreds of his own singed flesh, scraps like soft bacon fused with the padding and insole. “And some polos.”

“I’m not a Big Lots.”

“Who the fuck shops at Big Lots?” Aegon’s fishing line jerks, and he yanks hard on the pole before reeling in his catch. Suspended at the end is a long green creature, yellowish spots and a villainous angular face. “That is one ugly bitch.”

“It’s a pike,” you say, and then when you grab it you observe that the misfortunate fish has the barb of the hook piercing not through its lip but one of its bulging, glassy eyes. “Oh my God!”

Aegon squeals, horrified. He offers no meaningful assistance. “That’s so gross, that’s so gross, what are we going to do?!”

“We have to, like, I don’t know, grab the back of the hook from inside its mouth and pull it out of the eyeball, I guess…?!”

“Yeah, awesome. Good luck with that.”

You reach tentatively into the pike’s gaping mouth. Its jaws snap shut, needlelike teeth stinging your wrist. “Ow!”

“Cregan!” Aegon bellows. “Cregan, help!”

Now the others are running to the boat launch to see what’s going on, Helaena and Rhaena from the shore, everyone else from the lake, Luke helping Baela wring the water from her sundress and Ice galloping alongside Cregan. He gets a look at the pike and guffaws, loud and rumbling.

“Poor little guy. That’s some bad luck he’s got.”

“Can you get the hook out?” you ask, eager to surrender the fish, which is still thrashing franticly and gnashing its teeth, mindless cold-blooded death throes.

“Of course I can.” Cregan plucks the pike from your grasp, shoves his massive hand into its mouth, and rips the hook out with one effortless maneuver. The pike is freed, but its eyeball remains speared on the hook. Then Cregan spies blood on your wrist. “You okay there, Miss Chips?”

“Oh yeah. I’m fine.”

“Freaking disgusting, man,” Aegon mutters; he and Rio are ogling the disembodied eyeball, complete with a frayed optic nerve like a tail, with identical, stunned revulsion.

You turn to smile up at Aemond, but he doesn’t notice you. He is staring at Cregan, his sole blue eye narrow and fixed and flat like still water.

~~~~~~~~~~

“The closest town is Ogallala,” Aegon says as he lays his map across the wooden picnic table. The rest of you are seated around him and picking flaky white meat from between the thin, fragile bones of the pike, which Cregan has gutted and cooked on the large metal grill that careless camping families once roasted marshmallows and hotdogs over. Helaena is at the edge of the table and writing in her spider notebook, elegant loops of cursive. Ice is lying on her belly and gnawing on a rabbit she killed for herself, its doomed black eyes gazing up at you.

“That has to be what, ten miles south?” Rio says apprehensively.

Aegon licks grease from his fingers. “Yup. A little more, probably.”

“What about Lemoyne?” Daeron says, pointing. “Or Keystone, or even Belmar? They’re all closer.”

“See how small the names are written?” Aegon tells him. “That means they’re not actual communities. They’re like a few stop signs and maybe a Dollar General and that’s it.”

“I love Dollar General,” Cregan says, nostalgic. “Man, do y’all remember Chicken in a Biskit? I used to park myself in front of the tv and eat boxes and boxes—”

“It has to be Ogallala,” Aemond insists. “We need pharmacies and grocery stores and cars to siphon gas from, we need a real town.”

Rhaena chews her lower lip anxiously. “The Tahoe is empty. We have maybe half a gallon left and that’s it. Just enough to get down to Ogallala if we’re lucky, but not back.”

“So we’ll drive until it dies and then we’ll walk. Cregan has a gas can in the back, if we find fuel we can bring some back to the Tahoe and continue from there.”

“Walk, huh?” Aegon says, looking down at his bandaged left leg, which he can’t put any weight on. He gets around by hopping, leaning against other people (oftentimes against their will), and being carried by Rio.

“Well, you’re not going,” Aemond tells him. “And Baela isn’t either.”

Baela, gazing blankly down at the map, says nothing. A brown striped snake darts through the grass only a few feet from the picnic table, moving swiftly towards the lake, and there are alarmed gasps and yelps.

“Northern water snake,” Helaena says, glancing up from her notebook. “Not venomous.”

“Good,” Rhaena replies with a shudder.

Luke says fearfully as he reads the map: “Aemond, last time we went into a town that big was Broken Bow, and…Jace…the farmhouse…”

Aemond slams his fists down on the table. “We have to, okay? We need food and water. We need bullets. I need more pain meds and bandages for Aegon, I need antiseptic and Neosporin, and Vaseline for when he’s healing, and supplies for when Baela goes into labor too, since I’ve had to use everything I had saved.”

“We need pads and tampons too,” Helaena says as she examines the black-ink inventory in her notebook. “And Advil, lip balm, bars of soap, hair ties, and socks and underwear. And that green jelly aloe vera stuff for Aegon’s sunburn.”

“Yeah, exactly,” Aemond agrees. “We need a lot of things. And we have to refuel so we can keep moving west.”

“We could stay here,” Baela says, so softly that at first you aren’t sure if you heard her right.

“What, Baela?” Rhaena asks gently.

“I want to stay here.” Baela is more resolute now. “I want to have the baby here.”

Nobody knows how to respond. Rio gives you a troubled glance. You nod in agreement, so subtly you doubt anyone else notices. Not an option.

Aemond is calm but unwavering. “Baela, I’m sorry, but that’s not possible.”

She pleads her case. “I like the Winnebago. I like the lake. I’m comfortable here, and we’re out in the middle of nowhere, and I…I think we could make this our home for a while, now that we’ve found someplace like this. Someplace quiet and safe.”

“We’re not safe here, Baela,” Aemond says. “It feels like we’re safe, but we’re not. We aren’t a big enough group to reliably be able to defend ourselves. We don’t have adequate supplies. We have a lake to our backs, sure, but the rest of the shoreline is open for anybody to walk right into, and our visibility is blocked by trees. No one has stumbled across us yet, but that doesn’t mean they won’t. And if they do we’re extremely vulnerable. But when we get to the west coast, we’ll be home.”

“I’m tired of running. I’m tired of being afraid.”

“I understand. I am too.”

“It’s different,” Baela says, abruptly fierce. “You don’t know what this feels like. None of you do. I’ve never given up and I’ve never asked to be taken care of, I’ve always been the strong one, but I’m so goddamn tired, and I want to have my baby here, and I…I…” Her large dark eyes are glistening, haunted. “Every time we’re driving I feel like I see him sitting next to me, or standing out in the middle of the road, and then I have to remember what happened all over again, and…I just…I don’t want to do this anymore.”

Rhaena takes Baela’s hands in her own, skims her thumbs across Baela’s knuckles; Luke rubs her back reassuringly. The rest of you can only offer silent, pitying looks. There are no easy answers, no fortuitous gold strikes, no shortcuts. The only way out is through.

“Whatever you guys decide, I’m leaving either way,” Rio says. “Sophie’s waiting for me in Oregon. I can’t just hang out in Nebraska forever. I’ll walk if I have to.”

“It’s over a thousand miles,” Aegon tells him.

“Doesn’t matter, man. I gotta do it.”

You add: “Obviously, I’d have to go with Rio.”

Both Aemond and Aegon appear startled. “We’ll be on the road again soon,” Aemond promises. “Tomorrow, if we can find gas in Ogallala.”

“I’m not going,” Baela whispers.

“We have to, Baela,” Rhaena implores. “It’ll be alright. We’ll take care of you, and the baby too when the time comes.”

Baela stands, strides to the Winnebago, disappears inside and slams the door behind her.

“She’ll be okay,” Rhaena tells the rest of you. “She’s…you know, she’s shaken up. She’s not thinking clearly. But she’ll realize this was the right decision. The only decision, really.”

“It’s best if we can get set up somewhere permanent before she goes into labor,” Aemond says, as if he’s defending himself. “Traveling with a baby…Baela recovering…it would be very dangerous for all of us.”

“Luke and I are thinking the same things, Aemond. We agree with you.”

He gives Rhaena an appreciative smile, very small but sincere. Then he turns to Daeron. “Baela and Aegon will have to wait here when I go south to Ogallala, since they can’t walk in the event the Tahoe runs out of gas. You’re going to stay behind to protect them.”

“Got it,” Daeron says soberly. All the bullets are gone; his compound bow, fed with arrows fashioned from sticks, is the best weapon you have left. Cregan has his axe, Rio still prefers to bash skulls with the butt of his Remington shotgun, everyone else must make do with hunting knives from that cellar back in Pennsylvania and kayak paddles found here at Lake McConaughy.

Aemond looks around the table. “I’ll need Rio, Cregan, and Luke.”

“And our beloved furball Blue Raspberry Icee,” Aegon says, smirking. “To sniff out any zombies.”

“Yes. Ice too.”

“What about me?” you say, staring incredulously at Aemond.

“Not you. You’re staying here in the RV.”

“If you and Rio are going, I’m going.”

“No, you’re not,” Aemond says. “You’re the best shot, and we all agree about that, but we’re fresh out of bullets. You therefore have no advantage tactically.”

“What’s Luke’s advantage?”

There are awkward chuckles. Aemond leaves the picnic table and gestures for you to follow him. “Can I talk to you for a minute?”

“Why?”

Aemond doesn’t answer; he keeps walking until he’s hidden amongst a small grove of Kentucky coffeetrees, oval emerald leaves and umber seed pods that hang from branches, reminding you of skate egg cases—what some people call mermaid’s purses—you once found washed up on the beach outside Djibouti City. Rio teases you: “Ohhh, you’re in troubleee…”

You swat him on the back of the head; his hair is getting long too, dark curls that flutter in the breeze that comes in off the lake, hot and humid, the infinite wildness of July. “If I’m not going, you have to swear that you’ll—”

“I got it, I got it,” Rio says, blasé and jolly. “I’ll look underneath things, I’ll look on top of things, I’ll look everywhere. Okay?”

Aegon kicks him with his good foot. “Get me a golf club.”

“I’m not a Dick’s!”

“Dicks?! Who brought up dicks, you sicko…?!”

You go after Aemond and meet him in the shade, an island of twilight in the omnipotent golden morning. He pushes you against one of the Kentucky coffeetrees—rough bark to your back, prodding you through your t-shirt—and nuzzles your throat as he presses his hips to yours, blissful clandestine surrender as your knees weaken and you gaze dizzily up into the canopy of leaves.

You sigh: “This is not an explanation. This is a distraction. A very enjoyable one, but a distraction nonetheless.”

“Daeron is good with a bow, but he’s young,” Aemond murmurs. “I need you to help him protect the others.”

“You’ve managed to make this sound like a promotion.”

“And,” Aemond continues. “When things get risky and chaotic, and I’m trying to make sure everyone is safe…I find you being around to be…distracting.”

“Rio doesn’t think I’m a distraction.”

He chuckles, avoidant. “That’s not an equivalent situation.”

“I get that Luke has binoculars, but I am also perfectly capable of using binoculars, and I could borrow his and he could stay here. I really don’t think he’d mind being benched, he’d probably prefer it—”

“I always ask you to stay near Rio, and you never do, and then I have to worry about you getting lost or bitten or imperiled in any one of a million other ways.”

“Because it’s not that simple! Rio gets it, I have to be able to improvise—”

Suddenly, Aemond pulls away and asks: “Do you trust me?”

You are bewildered. “What?”

“Because I could understand if you don’t.”

You search his scarred face; he has that look like he’s trying not to reveal too much of himself, to show that he’s nervous or vulnerable or afraid. You touch your palm to his ravaged cheek, your voice soft. “I trust you, Aemond.”

He seems relived. “Good. Then please stay here.”

“You’ll watch out for Rio?” you say threateningly.

“Of course.”

“And yourself too.”

He grins, those small secretive teeth he loves to hide. “That’s the plan.”

“And you’ll check under things and on top of things, and you’ll remember what I said about the racks? When you go into stores and you’re rummaging through—?”

Aemond kisses you, warm and slow and kind, the curve of his lips pleased and mischievous. “It’s flattering that you’re so concerned.”

“And don’t forget the pads and tampons.”

His scarred eyebrow rises half an inch. “Oh?”

“I’m already having pre-period cramps. I’ll need supplies in a few days.”

“You’ll have them. Don’t fear.” Then he studies you, concerned, his brow furrowing and his palm testing your cheek and forehead. “You feeling okay? You’re sure that’s all it is?”

“Oh yeah, totally. It’s very routine at this point, I’ve had a decade to get accustomed.”

“Alright. If there’s anything else you think of before we head out, I’ll add it to the list.” He takes your hand and examines the shallow scratches left on your wrist by the needlelike teeth of the pike. “Let me clean and wrap that up for you. I think I have just enough bandages left.”

“Your worst nightmare came true,” you joke. “I was bitten after all.”

Aemond doesn’t laugh, doesn’t even smile.

~~~~~~~~~~

It’s long after nightfall and you and Aegon are keeping watch just outside the Winnebago Spirit, slumped in folding camping chairs people once told their legends from: scary stories, workplace grievances, familial mythology. In the firepit, logs split and pop, and embers glow a bloody red. You’re waiting for the Tahoe to return and trying not to think about the possibility it might not.

“These suck,” Aegon says, garbled by a mouthful of Cheddar Whales, grimacing at the bright blue box. “Why do you and Rio eat these? They’re like…dodgy Goldfish.”

“Are you kidding?! They’re way better than Goldfish! Goldfish don’t taste like anything.”

“And Cheddar Whales taste like salty cardboard. The American Dream.” Aegon passes the box back to you. “They better come back with some SpaghettiOs or Rice-A-Roni or something. I can’t survive on Cregan’s overcooked fish.” He lights a Marlboro Gold cigarette by sticking it into the fire and takes a deep drag, looking up at the stars. Aemond gave him the last of the morphine before he left, and Aegon is floating on a feathery, narcotic cloud.

You say after at last working up the nerve: “So you’re a slut, right?”

He snickers, firelight dancing on his sunburned face. “Slut, loser, you’ve got me all figured out.”

“Sorry. I didn’t mean it like that.”

“Yeah, I guess I’m a slut. Why?”

“Have you ever had trouble…” Your hands flail around aimlessly; it’s so awkward to say out loud. “You know…getting it in?”

“No, not really. But I’m hung like a hamster.” He looks over at you, curious shimmering stoned blue eyes. “Technical difficulties, Chip And Dip? Not enough dipping going on?”

“Forget it. I shouldn’t have said anything.”

“You’re probably just nervous. Aemond’s a doctor, he’d be able to tell if you had something wonky down there, like those chicks who are born without a vagina. Or with two vaginas. Jesus Christ, can you imagine the possibilities? Why can’t I meet someone like that?”

You stare into the fire, discouraged. “I’m going to ruin everything.”

“I wouldn’t worry about that. Aemond will assume it’s his fault. He thinks everything is his fault.”

Through the darkness, you spot headlights bobbing as the Tahoe approaches on bumpy dirt roads. “Oh, thank God. They’re back.”

“About time. If Rio didn’t find me a new golf club, I’m going to drown him in the lake.”

“He could break you in half.”

“But he wouldn’t.”

“No.”

“Because he likes me too much.”

“Right.”

“Maybe you like me too,” Aegon says as he exhales smoke, his glazed eyes listing to you, his grin crooked and drowsy. “Just a little bit.”

You smile reluctantly. “I might.”

“Cool.” He beams up at the stars, and then says again: “Cool.”

As the massive SUV rolls to a halt, the headlights cascading over you and so bright they’re nearly blinding, you notice the red letters on the grill: GMC. “That’s not the Tahoe,” you say, panicked.

“What? Then who is it?”

“I don’t know.” You stand up, instinctively reaching for one of your M9s; but they’re both empty. All the guns are. Your hand drops to your side.

Aegon, unable to rise on his own, remains in his chair and grips the armrests tightly. He whispers: “Should we go inside…?!”

“They’ve already seen us. But they don’t know who’s in the RV.” Rhaena, Baela, Helaena. With a shiver like a bolt of cold lightning, you recall what Aemond said at the bowling alley back in Shenandoah, Ohio: I don’t want them to know we have women with us.

The GMC Yukon is still running when two men step out, the headlights disorientingly bright. They are both armed, you see immediately, pistols that you’d guess are Colts. Aegon’s hand juts out and closes around your forearm as the strangers approach. They are both young, maybe twenty, and wearing jeans, camo jackets, and baseball hats like they’re going hunting. They stand in the yellow-white glow of the headlights as they watch you.

“Hi,” you say congenially, forcing a smile.

The men glance at each other, then one greets you with a nod. “Howdy.”

“We’re set up here,” you say. “But it’s a big campground. You’re welcome to any of the other spots.”

The man who spoke earlier chuckles and scratches at his short beard. You steal a glimpse back at Aegon: his eyes are huge and horrified.

“It’s real quiet on the lake,” you continue. “We haven’t had any problems, and we’ve been here a few days. It’s a good place. We’re happy to share it. We don’t…” You deliberate what words to use. “We aren’t interested in making trouble. We just want to be left alone.”

The man replies: “I camped here every single summer growing up, learned to fish here, swam in the water with my cousins, brought my girlfriends here to fuck. And now you’re inviting me to stay? You’re not from here. I can tell by your accent. This is my backyard. You’re the one who should be asking for permission.”

Aegon is making a low, whimpering sound; his fingernails are digging into the defenseless, downy underside of your forearm. “We don’t have anything of value,” you say, your voice trembling.

“Uh huh.” The stranger’s gaze flicks to the Winnebago.

“We found it. There’s no gas, no keys. Two of the tires are flat. It’s just shelter.”

“Who else is in the RV?”

“No one.”

The second man is squinting at Aegon. “Is he a cripple?”

“He was burned. That’s why we’re resting here for a while, so he can heal.”

The first man points to the bandage on your wrist. “Did you try to kill yourself? My neighbor did that when her kid got eaten. Slit her veins open out in the middle of the street. Bad scene.”

“I got mauled by a fish,” you reply numbly.

He laughs, a slow, rolling, mocking sort of sound, not taking his eyes off you. Then they drop to the Beretta M9s you have holstered at your waist. “Are those loaded?”

“Yes.”

He signals to the nearest Kentucky coffeetree. “Prove it. Shoot that tree.” You stare at its trunk, stark in the headlights of the strangers’ SUV. Long seconds tick by, the only sound the idling of the engine and the crackling of the firepit. “You can’t,” the man says, grinning. “Because you’re out of bullets. But I’m not.”

He raises his pistol and fires, a thunderclap, a mechanical roar. A small circular wound appears in the tree. Aegon shrieks and tries to stand; he tumbles to the earth when the raw, weeping flesh beneath his bandages betrays him. The RV door flies open and Daeron is the first one out, clutching his compound bow but still blinking his way out of the dreams he was jolted from. He won’t be able to nock one of his makeshift arrows before they shoot him.

“What the hell’s going on—?!”

“Drop it!” the stranger shouts, and both he and his companion aim their pistols at Daeron. He freezes. Baela, Rhaena, and Helaena exit the RV and begin screaming, clinging to each other.

“Do what they ask,” you tell Daeron, trying to remain calm. With great hesitancy, he sets his bow on the earth and puts his empty palms in the air. There are hunting knives inside the RV, you think. Where did we store them? In a drawer, in a cabinet?

The men are now herding you all into the RV, jabbing the barrels of their pistols against your backs and bellies. “Let’s go, everybody in,” the first one says. The second man hooks an arm forcefully under one of Aegon’s and drags him through the threshold, Aegon yowling as his burned leg smacks against the doorframe. The second man forces Aegon and Daeron to kneel on the floor at the front of the RV near the driver’s seat; the other one arranges the women at gunpoint, instructing you to squeeze together to sit in a row on the floral couch. Helaena—farthest from you and closest to the kitchenette booth—is sobbing and covering her ears. Rhaena appears to be hyperventilating. Baela’s head is held high, her face furious and defiant.

Aemond, Rio, Cregan, please come back…

“Now this is interesting,” the first man is saying to his friend. He uses his pistol to indicate to each of you. “We’ve got G.I. Jane, this delicate little sweetheart, a pregnant lady, and Cinderella. Where should we begin…?”

You glance at Rhaena, catch her wide frenzied eyes, then look meaningfully at the drawers across the aisle near the kitchenette stove and sink. Knife? you mouth.

It takes her a moment to realize what you mean, then she inclines her head, an elusive nod. She remembers where they are, where they were stored once she cleaned them this afternoon in the lake water. That’s good; but in order for Rhaena to grab a large serrated hunting knife, the men will need to be distracted.

“There’s a bed in the back,” the second man is saying. “I can see it from here, down the hallway…”

Your gaze is darting around the Winnebago. Aegon is yelling something; the second man pistol-whips him, fortunately not hard enough to fracture his skull.

“Don’t worry,” the first man tells Aegon, background noise you try to ignore as you search for an opportunity. “You’ll get to watch…”

Helaena is trying to get your attention, staring at you with her wide, gleaming blue eyes. You furrow your brow at her, not understanding…and then you see the burlap strap she’s looped around her wrist. Her messenger bag must be in the kitchenette booth beside her. And as you watch, and only for a second, she arranges her fingers in the shape of a gun.

The Ruger, you realize, amazed, that tiny revolver she was always so repelled by. Helaena never used it, but she still has it. And it’s loaded.

Baela is arguing with the men, words you tune out. Helaena points to you, but you shake your head. There’s no way for her to get the Ruger to you without them seeing. You mouth to Helaena, your face severe: You have to do it. Then you look to the first man, presently waving his pistol in Baela’s face.

“I’d like to go first,” you say casually, and all the noise stops.

“No, no, no, I’ll do it,” Aegon tells the men. “You want a blowjob? You want to fuck me in the ass? I’m down. I’m not scared of no dick. I experimented in college.”

Both strangers burst into hysterical laughter. “That’s a mighty generous offer,” the second one says, swiping a tear from his eye. “But that’s not the team we’re on, is it, Wesley?”

The first man, Wesley, is smiling down at you. His gaze sweeps over your body, from your bare feet to your eyes, calm and level. “Why do you want to go first, darling?”

Shoot him, Helaena. Shoot him right now. “I’ve never done it before. I figure I should give it a try before it’s too late.”

Helaena whips the Ruger out of her burlap messenger bag and opens fire. She winces each time it goes off, and her aim is terrible; bullets pierce the ceiling and the walls, striking nowhere near Wesley or his accomplice, but their panicked ducking buys valuable seconds. Daeron and Aegon tackle the man closest to them and wrestle the pistol from his hands. Aegon presses the barrel to his skull, pulls the trigger, kills him instantly. Rhaena flies to one of the drawers and yanks out a hunting knife ten inches long. She buries it in Wesley’s throat, the blade disappearing until the hilt rests on his collarbone. When she rips it free, scarlet blood jets from his severed carotid artery, spraying you, soaking you. Blood is in your eyes and nostrils, hot coppery carnage; when you scream, you can taste it in your mouth.

People are reaching for you and telling you to calm down, that they’ll help you, but you can’t wait. You use your t-shirt to mop as much of the blood as you can from your face and bolt through the door of the RV, running towards the lake. You drop to your knees on the sand and splash yourself, cool moonlit rivulets that wash the blood away. You’re trembling, you’re crying, and when somebody grabs you by the arm you scream and strike out at them, clawing like an animal.

“It’s me,” Aemond says, and only then do you get a good look at him, blood and lake water beading on your eyelashes. He’s wiping blood off your face with his palms, he’s inspecting you for fresh wounds. “Don’t fight, it’s me, it’s me, whose blood is this, what happened—?!”

“You were right,” Baela says to Aemond from where she stands on the sand, a hand resting on her belly. Drifting from the RV are the voices of the others who have just returned: Rio, Cregan, Luke. “We’re not safe here.”

~~~~~~~~~~

The next night, rain falls as you lie entangled with Aemond in the attic bedroom of a ranch house in Red Desert, Wyoming, flashing lightning and flickering candles illuminating bare skin. You are kissing feverishly, your hands all over each other, and Aemond is pushing himself into you; or, rather, he is trying to. There is pain, and you can feel your body turning treasonous, rejecting him, shrinking away from him, fearing that you’ll never be able to satisfy him.

No, no no no…

His voice is hushed and gentle as his lips brush your ear. “Hey, you’re shaking, why are you shaking?”

“I’m okay, I’m fine, keep going.” And then, when he stops: “No, Aemond, don’t—”

“I’m not going to hurt you.”

“You have to. I’ll be okay, I promise.”

Instead, he lies down beside you and turns your face to his, fingerprints on the slope of your jaw. He asks again, more firmly: “Why are you shaking?”

All the walls and arches of you collapse, stones tumbling to crack against the earth. You are suddenly fighting tears. Your words come out in a whisper. “I want this to be real.”

He studies your face, distressed. “What are you talking about?”

“I don’t want to ruin it. I don’t want to lose you. I never thought I’d have something like this and now I’m so afraid of fucking it up.”

“I’m not going anywhere.”

“That’s what Jace thought.”

Aemond pulls you against his chest and holds you as you sink through him into dark, cold, watery dreams, and doesn’t make any more promises he can’t keep.

~~~~~~~~~~

“What time is it on the East Coast right now?” you ask Rio. It’s May and almost a hundred degrees every day in Djibouti City—arid, rainless, sun glare and dust that sting your eyes—so the Navy has you building at night when they won’t have to deal with quite so many Seabees dropping over from heatstroke. Outside the day is turning to a soft lavender dusk and your shift will begin soon. You are dressed—sand-colored t-shirt, camo pants, work boots—and toweling off your hair, still wet from the shower.

Rio is sprawled across the floor of your room, taking up almost all of it; housing at Camp Lemonnier consists of converted shipping containers, each outfitted with its own perpetually whirring air conditioning unit. He is reading Fifty Shades Of Grey. “Like seven hours behind here, so early afternoon, I guess.” Then he looks up at you, suspicious. “Why?”

“I should probably call.”

“Should you really?”

“I want to. I’ll feel guilty if I don’t.”

Rio shakes his head and returns his attention to his reading material. “I’m not going to tell you what to do.”

“You love telling me what to do.”

“I wish you loved listening.” He flips a page, puzzled. “Why the fuck does Sophie like this book so much…?”

You open Facebook Messenger on your phone and make a call. The wifi isn’t good for videos, but old-fashioned audio calls usually work okay. There is an answer on the fourth ring.

“Yeah?” she says, and you can hear the entire house when she turns on speakerphone: the squeaking of the recliner, the droning of a talk show, indistinct speech and chuckling from other people, glass—cups, bottles, baking dishes, ashtrays—clinking sharply.

“Hi, Mama! Happy Mother’s Day!”

“Aw, ain’t you sweet to call.” And you are testing her voice like water from a tap, icy cold, hot enough to scald. At the moment, Mama sounds perfectly lukewarm. “I didn’t count on hearing from you. I know how busy you are.”

That’s a landmine that you step gingerly around. “We definitely have a lot going on here, and there’s the time difference and everything…but I wanted to make sure to say hi, even if I can’t talk for long. What are you up to today?”

“Oh, nothing much.” You hear her smoking: breathe in, breathe out, a cunning sort of pause as she decides how to proceed. Of course there were no extravagant festivities planned. Nothing ever felt like a real holiday at home: Mama getting sloshed and burning the turkey on Thanksgiving, Christmas presents that had to be returned for grocery and gas money, fistfights and doors ripped off hinges on New Year’s Eve. You had decided years ago that Hallmark channel magic was pure fiction…but sometimes you get glimpses of it now. Thanksgiving dinner in some unceremonious chow hall with Rio and your other friends feels more like a holiday than anything else you’ve ever known. “You still in Africa?”

“It’s Djibouti, Mama, I told you. It’s on the Horn. Across the sea is Yemen and Saudi Arabia.”

“Why can’t they put y’all to work in your own goddamn country?”

“Well, we do that too sometimes.” You stall, listening to her smoking. Rio glances up at you from where he’s still reading on the floor. “They have some incredible beaches here. Yesterday morning we went down to the water and there were all these cute kids playing, and they only spoke French but Rio showed them how to play tic-tac-toe by drawing a board in the sand—”

“I like the beach,” she says, and you know you’ve made a mistake. “You remember that?”

Deflated now: “Yeah, Mama. I remember. Are the boys going to take you to Virginia Beach this summer?”

She scoffs. “We’ll see, but I doubt it. It’s expensive, girl.”

You sigh deeply. Rio was right. I shouldn’t have called. “We talked about this. I need to be saving up to get my own house one day, and my own car, and all those things I’ll need to have a life when I get out of the Navy—”

“And what about my house?!” Mama cries, damn near wails. “I’m gonna lose it! I can’t make the payments!”

You reply calmly: “Mama, that’s your house. That’s your business. And you’ve got more than one kid still living at home long after they’ve turned eighteen, so they need to be the people you’re asking to help, not me.”

“You’re gonna let your Mama be homeless? Is that what you called to tell me on Mother’s Day? What the hell kind of daughter are you?”

“I got out!” you shout into the phone, and Rio is scrambling off the floor to rush to you. “I’m learning things and I’m making money and I’m building schools and hospitals on the other side of the fucking planet, and you can’t be proud of me because you think it means you’ve failed, but the truth is that you could have gotten out too! All of you could have! But you didn’t, it was me, it was just me, and now you hate me for it!”

“You need to come home now,” Mama says. “You gotta take care of me, take care of your Mama. You only got one and she needs you, so you gotta heed me. That’s what’s right.”

“I am not going to spend the rest of my life watching you get wasted in that filthy house, and I’d work where, at the Dollar General? At Arby’s? And get knocked up by the first guy who shows any interest?”

“You’re giving me heart palpitations. I’m gonna have to go to the emergency room and it’s all your fault.”

Rio is whispering into your other ear, one of his massive palms resting on the back of your neck: “Just hang up. It’s not worth it. You can hang up, just hang up…”

“I want things to be normal,” you tell Mama, you plead, tears stinging in your eyes. “I’ve tried so hard to get along with everyone, and help you as much as I can, but no matter what I do it’s not enough, and you’re always mad at me, and you’re always fighting with me—”

“You’re damn right I’m fighting with you, because you’re a spiteful, selfish child.”

“Hang up,” Rio is murmuring. “Hang up, hang up, hang up…”

“Mama,” you say, your voice strangled. “I’m sorry. I have to go now.”

“When I’m homeless, you know you got no one but yourself to blame—”

You hit the red button to end the call, throw your phone down onto the bed, stare at the wall and swallow noisily, choking back sobs. You won’t let yourself cry. You’ve cried enough for them already. You have to keep moving forward. The only way out is through. “You were right,” you say to Rio at last, quiet and raspy. Your hands are trembling. “I shouldn’t have called.”

“Hey.” He grabs your face roughly, forces you to look at him with your miserable shimmering eyes, grins hugely. “I’m your mom now, bitch.”

You laugh as tears spill down your cheeks, let him bury you in one of his smothering bear hugs, cling to him like a life raft in a storm.

[grapejuicestyless]

Happier

Harry Styles x fem!reader

Summery: Y/n is not happy, despite the smile etched into her face, and nobody can see that, nobody but Harry, who can’t seem to express his concern in a gentle way.

“You look happier.”

What am I supposed to say to that? Thank you? I don’t mean to be mean when nobody meant any harm, but it feels so casually cruel for someone to pick up on the way I’ve changed and mistake my spiraling for happiness.

I don’t know the true shape of my face. My cheeks were round most of my life, meant to be kneaded between the fingers of my working class grandmother while she baked in the kitchen, but more recently the skin has fallen from the bone and what was once rolled between wrinkled fingers is tighter to my face as it strangles me from the inside out.

I don’t recognize myself either. Maybe I never did, because even when I search for the girl I once was, I can never seem to find her. I remember running around as a child with my best friend, the grass stains on my jeans and the holes in my sweater from tug of war’s in his backyard. She was happy, even if she looked tired. She was the happiest I’d ever been, but she was so young. She hadn’t found herself yet and maybe that’s what made life so good, the ignorance of the real world and how it would shape her.

Maybe the real me is the person who reaches out to her friends when she misses them, or maybe its the girl who counted down the days to her seventeenth birthday so she could finally relate to the lyrics of Dancing Queen and mean it finally. But maybe it’s the girl who sits in bed staring at the ceiling wondering why she never made it where everyone else was going. Maybe it’s the girl who wished her mother cared just a little bit more to stop comparing her to her “smarter” friends when she was twelve.

So maybe I do look happy, maybe I am happy. Maybe I have never felt happy before and maybe that’s why I feel so conflicted about if I truly am or if I am just projecting it out to seem that way.

“Harry.”

I call into the darkness, wandering the house party in a sweaty costume sticky with splashes of beer on the fabric, only half of the costume I came with.

The hallway is long and winding, but it always feels that way when I’m not exactly sure if I’m going in the right direction.

“Harry?” I call out again, spotting the other half of my costume.

“Y/n.” He smiles with a sigh, like even though the smoke between his fingers is taking off the edge, I’ve just calmed the entire air surrounding him. For me, it’s the same feeling. When he’s near, everything seems to slow down for a moment. After about the thousandth comment on how much better I looked from some friends of friends, he disappeared, and maybe that’s why their integrating looks bother me so much, because theres no hand to hold onto to distract me from myself.

I slide against the wall to sit with him, my eyes finding purchase on the same cracks across the thin hallway as he did, and the warm blunt being lazily passed from his fingers to mine.

“I think you’re rubbing all your glitter onto my pants.” he breathes out casually into the comfortable silence. I feel the tension in my shoulders expand before fading.

“I think it’s in my eyes too.”

“Just when I thought they couldn’t shine any brighter.” Harry lifts his hand to hook his index finger around my chin, smiling like an idiot when he sees my lips curl comfortably around the joint.

“Well, maybe I feel better than usual. It’s finally reflecting back to you.”

I joke, feeling sick as I recall the conversation from before. I look happier, as if to suggest that before I was miserable, and even if they weren’t wrong about that, the fact that anyone could read that without a second glance scared me. How a stranger could read me before I could.

“Well, you look like shit if you do.”

“Ouch, that obvious?”

“If I counted each time you rolled your eyes when someone told you that whole speech about how good you look, I’d run out of fingers.”

Harry laughs as he takes back the weed to finish it off. I’ve already drank more than him, so the sway in my body becomes more noticeable as the burn sears down my throat.

“It’s just so…wrong. I mean, I guess I feel okay, but do I really look good enough for all this praise?” I ask quietly into the night, my knees pressing against my chest as I hug my calves tightly between my sweaty palms.

“I think you’re very pretty, Y/n. You are pretty. But your face is changing and no amount of glitter can cover that up.” He tells me honestly, rubbing out the dying end onto his knee and sighing at the burn.

“If you still believe that then I haven’t used enough glitter.” I try to joke, to brush away the rising bile in my throat and tension in the air.

“You can fool anyone else, but I know you. Even if you’re not who you once were, I still know you because I love you.”

“Well you shouldn’t. I’m a leech. I’ll fucking suck up all the joy from your life until you’re too exhausted to leave.” I smiled at the ground drunkenly, head hung low and my eyes heavy.

“But I do. You’re my best friend and it’s pathetic how you let yourself fall so low.” Harry flicks out the end of the blunt, watching the ashes fall the floor and stain the carpet lining the thin hallway.

“I came to you for comfort, you know. Not to get drilled in a bunny costume.” I roll my eyes, the haze clearing at his bitter remarks.

“Well tough luck, I guess. You look like shit for a girl who everyone here thinks is so happy.” Harry looks at me, his hand moving to wipe away the glitter by my eye.

“I need air.” I stand up, almost stumbling against the faint curling of the carpet at the edges. It’s new and that’s how you can tell, it hasn’t fully sunken into the floor, and it’s such a shame that it’s forever stuck with the glitter from my costume and the ashes of Harry’s joint.

“You need help.”

I stop, and there’s a beat that passes.

“You’re a real asshole when you’re high, you know. I have my own shit, I don’t need to be taking yours too.” I smile at him, but only because he was smiling at me.

“Maybe I am.” He responds plainly, and when he looks the other way, I feel heavier than before, more picked apart than before, more vulnerable than before.

Theres a thousand eyes on my back just waiting for me to crack, like the chip in my tooth from how hard I’m smiling while talking to strangers about my hopeless life. And they all say I look happier.

“But y/n,” Harry calls out for me, and for a moment I believe he might apologize.

“You look happy.”

[saintslewis]

𝐑𝐄𝐍𝐀𝐈𝐒𝐒𝐀𝐍𝐂𝐄 — 𝐋𝐇𝟒𝟒

— pairing: lewis hamilton x fem!oc

— trope: fake/arranged marriage

— summary: the Browns and the Hamiltons have been neighbours for many years, Nadia and their oldest son, Lewis, not being as close as the families had hoped they would be. Years later, everyone drifts apart into different neighbourhoods, some others becoming one of the best drivers to ever grace the sport of Formula One however being a man of his stature, fame came along with it and so did the scandals.

can a fake marriage to a complete stranger help keep his image alive? let’s find out!

✧༚ ˎˊ˗ ———————— let’s meet the lovely couple!

👩🏽‍🏫 —— nadia brown!

“the coolest teacher ever”

⸰ֺ⭑ - a south african native who moved to stevenage with her mom when she was 8 and gosh, her character development is one for the books. from being the shy one for all of her school years, university changed everything and made her the social butterfly that you will all grow to love soon. fav colour is pink. fav artist is beyoncé. she teaches history and knows jack shit about f1 except that the cool guy that her parents support used to be their neighbour. absolutely loves the moon and is a part time stylist. will fight for you even she met you a second ago.

🏎️ —— lewis hamilton!

“the goat.”

⸰ֺ⭑ - a literal superstar. the stevenage driver who i would describe as the coolest person ever and many would agree. an adrenaline junky with a heart of gold and filled with positivity (and sass but you didn’t hear it from me). thee fashionista and he knows he’s fine, he just does. father to roscoe. fav colour is purple. loves discussing space and its beauty. did i mention he’s the coolest guy ever? super supportive of everyone around him and he’s knighted. ladies and gents, mr mercedes!

✧༚ ˎˊ˗ info abt renaissance!

˖ ࣪⭑ - warnings: cussing, outfit descriptions, a bit of angst, mentions of alcohol, a talk of ad21, south african slang, slight hints of smut (18+ MDNI), not much of a slow burn lol, lots and lots of brand names, slight themes of sugar daddy! lewis at some point lol (think of it as him spoiling her!)

˖ ࣪⭑ - inspo: this idea just spawned into my head as well as a few of my wip’s mushed together to make this masterpiece. i absolutely love beyonce so using RENAISSANCE for a project so special to me just make wanna do a couple cartwheels. i hope you guys enjoy this as much as i did making this!

˖ ࣪⭑ - saint’s team radio: omg hi everybody 🤭. first oc on tumblr woohoo! not a lot of the song lyrics will relate to the plot of the chapter but more so the beat of the song or the vibe? hope that makes sense lol. i hope you guys like the humour i’m gonna add in here. there isn’t a schedule for this yet but hopefully i’ll be more organised in the future. let’s get this party started!

˖ ࣪⭑ - taglist: @thisismeracing @goldsainz @folkloresthings @flowerchild-96 @userlando (i read your blogs as if it’s my morning paper so i hope you like this 😭) @non-stop-imagines @royallyprincesslilly . let me know if you wanna be tagged in this or future fics!

˖ ࣪⭑ - dividers by @cafekitsune 🫶🏽

˖ ࣪⭑ - pictures from pinterest and twitter

˖ ࣪⭑ - nadia faceclaim: @/unclewaffles_ on ig!

𝐑𝐄𝐍𝐀𝐈𝐒𝐒𝐀𝐍𝐂𝐄 !

1. I’M THAT GIRL

- the first meeting.

2. COZY

- imagine having dinner with your family then they announce that you’re getting married? you better get cozy for this one!

3. ALIEN SUPERSTAR

- first “date”. gotta show the world the newest married couple!

4. CUFF IT

- didn’t Lewis say he was a professional dancer? well now he is 🕺🏽

5. ENERGY

- first day in the paddock, let’s gaurrr

6. BREAK MY SOUL

- ooohhhhh, the school’s calling for a meeting with Nadia 😟

7. CHURCH GIRL

- party time activated ‼️

8. PLASTIC OFF THE SOFA

- a rainy afternoon in the kitchen with the both of them dancing? literally screaming!

9. VIRGO’S GROOVE

- catching feelings there?

10. MOVE

- a visit to Nadia’s work place isn’t so bad, right? …right?

11. HEATED

- time to let the world know who exactly Nadia is and why to not mess with her or her husband. period.

12. THIQUE

- party time pt 2?

13. ALL UP IN YOUR MIND

- how about a little vacation? :D

14. AMERICA HAS A PROBLEM

- coming soon!

15. PURE/HONEY

- coming soon!

16. SUMMER RENAISSANCE

- coming soon!

status: ongoing

saintslewis 🫶🏽

[sserajeans]

just for a moment

hanni pham x fem! reader

synopsis: you and your co-star are tasked to make a song for your web drama's soundtrack. your co-star happens to be a childhood friend whom you've had history with.

genre + others: lsrfm! reader, idol au, childhood friends to lovers, friends to lovers, fluff, second chance ish?

notes: not requested, PLS READ THE LYRICS IT'LL MATTER!!!!, how i look delaying yail update 😂😂, also yes another hsmtmts inspired oneshot, pics from @/wiotas

"what do we even fucking write about?"

"y/n..."

"sorry..."

how did you get here? glad you asked!

it's the year 2025, and a team of producers at hybe are on the works for a minor project: a web drama promoting support for the lgbtq+.

you've talked about how odd it was to your best friend, and groupmate, yunjin.

"probably good for publicity, girl. like 'make everyone know we're not homophobic!' kinda thing." was all she had to say about it, which was likely true anyways.

you were convinced the casting was done at random honestly, but it was obvious they wanted a mix of groups to garner more attention. and that landed you the lead role with, you guessed it, ms. hanni pham!

why you two when you each had members who fit the actress role better? well, that's where you thought the random part came to play.

filming wasn't much of an issue. you were comfortable with hanni, and you two worked well on and off screen, just as expected considering your history. the director even pointed out your "remarkable chemistry", but she didn't have to know why it was that way.

as a matter of fact, you guys were about to wrap up in a few days. it was a wild past couple of weeks, but it was nice to get to spend more time with hanni again.

i mean, don't get me wrong, it's not like you two cut each other off when you moved to korea, but the talking definitely decreased, and the filming made up for lost time!

now, on one of the last days of filming, your respective managers sat you two in a conference room together, and dropped the news that you'd have to compose a new song just for the web drama's soundtrack.

the task in itself didn't bother you at all, and you were sure it didn't bother hanni too. you two were experienced in songwriting and composing, your names on a couple of song credits to count, so this was actually much easier than acting.

the issue was that you had enough going on for certain... feelings to resurface.

you see, the plot of the web drama hit a little too close to home for you. i mean seriously, childhood friends with feelings for each other, but couldn't take things further due to complications, then having to work together acting in some play.

it sounded a lot like your story.

hell, they even had your character do swimming! the same sport you excelled in back in australia.

the only reason nothing has gotten too awkward on that note yet, was because of your other labelmates being there like boynextdoor's leehan, minji and danielle, even your fellow members kazuha and yunjin.

with them around, you got to reconnect with hanni, but with a couple safe boundaries! now that you two were tasked to work on something alone though? you were scared things were going to be different.

so that's what brought you two here, together, in the music room. hanni seated facing the table with a pen and paper, you on the floor with your guitar in hand.

you were strumming to any chord shape that could come to mind in hopes of finding a melody that you could build off of, and hanni was tapping the end of her pencil on her forehead for any word, lyric, or rhyme that could work.

nothing came.

so engrossed in your respective tasks, the two of you didn't notice a shadow behind the translucent door, so when a knock came, you levitated off the floor for a millisecond, and hanni let out a soft yelp.

"hey you two~"

huh yunjin.

"how are my besties doing!" she came in doing a little dance, first walking over to check on what hanni was writing before landing on the floor beside you.

"we're stuck." you muttered, head against the wall behind you.

"oh... i see." yunjin shrugged her eyebrows in confusion, because she had just came from peeking over at hanni's notebook and was 100% sure she had lines written down.

"well, let's see... you got the genre down that suits the two of you so there's that. romance obviously sells, so there's that too. maybe you guys should try... writing while in character?" yunjin did her best to help the two of you, as the mutual best friend and seasoned singer-songwriter. "or if there's an experience you guys have had before, that would definitely help. real raw emotion ya know?"

"anyways," the eldest huffed and got up from the floor, messing up your hair and hanni's before heading for the door to leave the room. "i gotta get going. you two don't come home too late okay?"

you and hanni nodded before resuming. after a couple minutes, you realized that maybe you two will have to be communicating more if it meant writing a song together.

"hey han, do you have anything written?" hanni froze for a second before turning around on her chair.

truth was she did. she wrote them down specifically as yunjin started telling you two to write based on experiences.

"i... uh... kind of? just a couple lines, i don't know how i feel about them though."

"can i take a look? might help a bit."

"oh yeah... sure..."

there was a hint of hesitance in her voice, but it'd look awfully suspicious if she scratched out lines right before you'd check.

"ah..." the initial reaction was surprise for you, and a million thoughts came racing through your head.

"yeah! it's nothing much... but i figured it was better than nothing...."

"no yeah! for sure! i'm kinda getting the vibe, wait here." you turned around and picked up your guitar from the floor and took a seat beside hanni. "uhm... okay let's try... this?"

you freestyled a riff on your guitar, allowing your fingers to move on its own to play what felt right. it resulted in one of the most simple yet enchanting melodies that seemed perfect for your song's intro.

"hey that sounds perfect! i love it!" hanni cheered and gave you a thumbs up. "okay so... since you're doing your little guitar intro, perhaps we have the first line written in your character's point of view?"

"sure... okay... uhm..." it took you a couple seconds to think of something, or to get in character on the spot. but then you remembered yunjin's advice.

an experience you guys have had before.

"uh... how's this..." you fiddled with your hands as hanni nodded along, telling you to go on with your suggestion. after about half a minute, you had a two-liner with some sort of melody that matched your guitar intro. "i fell in love with the only girl who knows what i'm about."

hanni froze for a second, which didn't go unnoticed by you, but continued nodding along as she wrote down the lines. "i like your voice in this genre."

"oh..." you looked up from your guitar and faced her side profile as she was still facing her notebook. you felt your face warm a little, but not too much for it to gain color. "that's a lot coming from you. i have your lee mujin service episode on loop."

hanni smiled, a sight you'd never get tired of seeing. "a fan, huh? which part's your favorite?" she turned to look at you, a smirk on her face to mask the flustered and proud version of herself having received praise for her work from you of all people.

she continued writing a line underneath yours, a sudden burst of inspiration coming over her.

"probably lucky."

of course it's the song about being in love with your best friend.

she chuckled at your answer. hanni wasn't dense, and she knew you weren't either.

okay maybe you were, just slightly, but you pick up on context clues.

but point is, she knew what that implied, and what everything that came between the two of you the past few weeks could've felt like for you.

but just as she was getting somewhere, her train of thought was interrupted by your "burst of epiphany", as one would call it.

"oh hey, hear this out. i think it sounds like chorus material." you tapped her shoulder and positioned your hands across the frets of your guitar. you sounded a lot happier, more energy than you did earlier in the day as you finally got a feel of what to write and play.

when we're underneath the lights, my heart's no longer broken, for a moment, just for a moment

in that moment, hanni's mind rushed with too many emotions. objectively, the melody was beautiful. your voice made it better, the guitar felt like it had a voice of its own, and the lyrics. god, the lyrics.

she knew for sure you felt what she felt.

the two of you stayed in that music room a couple more hours, discovering a new type of comfort in a person the other has always known. like reading a book you've had forever, and feeling a newfound joy in a character that has always been there.

by the end of the day, you and hanni seemed to have switched roles, your guitar in her hands, and her notebook in yours.

you were finishing up a final copy of the first half of the song along with chords in case you'd forget the sound. there was also a copy of the both of you singing on your respective voice note apps. (which, unbeknownst to you, would be on repeat for hanni later that night.)

"here we go." you sighed, it took a lot of effort trying to make handwriting like yours legible. you've always hated it. teachers back in elementary all throughout high school would always mark your papers low despite almost flawless answers, just for your handwriting.

"i've always liked your handwriting..." hanni muttered as she admired your written work, unknowingly smiling to herself.

"oh.. thanks. i've always hated it."

"i know." hanni looked up at you, observing the sheepish smile on your face. she knew all about why you hated it, and she understood, but to her, it was an art. a part of you. she thought, "that's why i like it."

there was partial truth into that. besides it being a funny add-on to hanni's compliment, it's always been her thing to love stuff about you that you hated, even if it was something as small as handwriting.

back when you two were together (or whatever that was you had back in australia before you left, neither of you stuck a label on it), she'd always talk long speeches about how your handwriting was an art. something so significantly you that you shouldn't change, and that even if you hated it, she'd love it twice as much in place of you.

as you two shared a couple more laughs, a notification popped up on both of your phones. yours first, then hanni's a second later.

a snort accidentally escaped your system as you read the texts. "sorry.. is it yunjin?"

hanni let out the loudest laugh before nodding and exchanging phones with you to read what the older sent to the other. it was the same message in different forms, panicking to get you home before chaewon freaked out and took it out on yunjin, then proceeding to fear minji and her "wrath".

despite laughing at your member's worry, the two of you stood up to pack up, which really didn't take much anyways. you slid your guitar in its case, hanni hid her notebook in her bag.

walking out of the room to the lobby together side by side was probably the most stomach-churning activity of the day. and you literally had to write a love song about each other with each other. but there was something in the way it felt when your hands touched.

as you reached the part of the building where you finally had to part ways, the two of you faced each other. both expecting something, but not quite sure with what they were expecting.

"i.. uh... it was nice to reconnect today." she started off, awfully awkward at it too.

"yeah... it was..." you smiled, hand reaching for the back of your neck to scratch. a nervous habit. "i'll let you know if i think of anything tonight."

"yeah, same here." hanni nodded back, though a pinch of disappointment evident on her face. maybe she was expecting more, or maybe it was too soon. "see you tomorrow?"

"yeah... see ya." you slowly turned around, head racing.

should you say something? should you save it for another time? would it make things awkward tomorrow?

screw it. live in the present, right?

"han... for the record, my heart does still stop when i see you."

[agatharkn3ss]

This is how Lilia's trial and visions will happen (I think) - Spoilers

TLDR: Lilia will read tarot as her trial and that's how she sends all those messages to her past self (jump to "THE VISIONS" section for the most interesting part).

I have written about Lilia a few times before because I think she's a crucial character in the show, so I'll try to put it all together here into a single post. I believe Lilia is literally the Fate of the coven - she sewn the sigil on Billy and she's going to sew the coven circle together (as per ballad lyrics "Circle sewn with Fate"). She even runs a sewing "side hustle" Lilia's Leggings. So I think her episode is going to be epic and sad at the same time. I think this is the one addressing that "Time slip" hint in ep.1.

I believe Lilia's "blips" fall into two categories - "tarot cards" and actual "messages".

When she says a name of the tarot cards out loud, it has two consequences - 1) is that she clearly alludes to the MEANINGS of the cards, but also 2) notice how they always look like the exact scene she is referring to. So the tarot cards images become what Lilia sees as Fate. She even seals them with her sigil sign in the lower right corner.

The tarot cards she mentioned so far (card meanings from biddytarot.com):

Three of Pentacles - right after she wrote the coven names down (ep.2) - the card looks like the summoning circle scene from Agatha's basement - you can even notice Billy being included there. Card meaning: UPRIGHT: Teamwork, collaboration, learning, implementation. REVERSED: Disharmony, misalignment, working alone.

High Priestess - when she meets Jen at Agatha's house and says it almost surprised (ep.2) - Jen happened to be standing in front of a painting in a way that looked like she had rays coming out of her head. Card meaning: UPRIGHT: Intuition, Sacred Knowledge, The Divine Feminine, Subconscious mind. REVERSED: Guardian of the Subconscious mind, Teacher of sacred knowledge.

Three of Swords - as Jen is trying to heal Billy (ep.4) - they are on a PURPLE road, in the WOODS, and Agatha is standing in that pose, holding Billy's head. Card meaning: UPRIGHT: Heartbreak, emotional pain, sorrow, grief, hurt. REVERSED: Negative self-talk, releasing pain, optimism, forgiveness

Knight of Wands - as Alice blasts Agatha (ep.5) - the Knight has the same stance as Alice in that moment. Card meaning: UPRIGHT: Energy, passion, inspired action, adventure, impulsiveness. REVERSED: Passion project, haste, scattered energy, delays, frustration

The Tower [reversed] - during palm reading for William Kaplan (ep.6) Card meaning: UPRIGHT: Sudden change, upheaval, chaos, revelation, awakening. REVERSED: Personal transformation, fear of change, averting disaster

The remaining cards are:

Death - the relevant scene probably comes in episode 8,but Lilia sees it as she finally recognises Rio? Card meaning: UPRIGHT: Change, Transformation, Transition, Ending. REVERSED: On a verge of a meaningful change, Opportunity to embrace change, Massive personal transformation

Queen of Cups and the Tower - the scene will probably come in this episode 7 as flashback to Lilia's youth. Card meaning: UPRIGHT: Compassionate, caring, emotionally stable, intuitive, in flow. REVERSED: Inner feelings, self-care, self-love, co-dependency.

Now Lilia's message "blips" are:

shouting and flailing her hands - when Agatha and Teen ask her to join the coven in ep.2

writing the coven names (same scene as above) - this is the one premonition where we see big bursts of power - the electricity flicker around her, the water boils and it all seems really intense.

shouting "Get off me!" and looking like she was pushing someone away - just before the witches begin summoning the Road in ep.2

"I love you guys" - when Jen questions Sharon about her poison symptoms in ep.3

"Try to save Agatha" - when she and Agatha are searching for potion ingredients in ep.3

"Which is it, am I wispy or am i kooky?" - when talking to Alice about her mum during the trial in ep.4

"Alice! Alice don't" - shortly after the one above

"You know, we really kind of hated each other in the beginning, but now....[Zones out]" - during the campfire scene when she seemingly talks about the vampire scar in ep.4

"I hated this the first time!" - when there are loud, uncomfortable noises at the start of the trial in ep.5. (HOWEVER, I am not 100% convinced this is an actual blip - I felt this was more of a shout out to ep.4 where they also experienced loud, uncomfortable music. It was only Billy who pointed out that "Lilia was being weird again". And yes, if he is able to read her mind, then maybe it was an actual "blip". Or maybe a red herring. )

the palm reading scene and casting the sigil in ep.6. Notice the light was flickering again.

So, with all that in mind, I believe her trial will be something like this:

We know Lilia is the oldest witch in the coven and has lived for some 450 years, through many tragedies and the many ways the women were persecuted. She is also always so vocal about the negative stereotypes that surround witches - she mentions poisoning apples, green skin, broomsticks, talking to goats etc. And in this episode we see that Lilia will be dressed as Glinda (the Good witch), Agatha will be Elphaba (the Wicked witch), Jen looks like the Evil Queen from the Snow White, but in her old hag form and Billy is Maleficent. And even the "yellow" road feels like a call-back to the Wizard of Oz.

So it looks like Lilia, by being the good witch, will need to confront those negative stereotypes about witches yet again. I believe her test will be a tarot reading. Lilia's powers are that she can "read people" and "read time" (ep.5). We also know she was chased out of villages for "accurately predicting tragedies" and I think as an empath, she hates that part of her powers. But through this trial she will also understand that she actually has the power to predict something good and control the outcome, maybe even be able to prevent a tragedy that has already happened in the past.

From the promo material I believe her trial will take place in a tower and that Salem Seven will somehow be able to enter the trial room. There will also be swords sticking out of the ceiling, threatening to fall down and serving as a timer. It's interesting that one of Agatha's posters brings the elements together. The poster imitates the cover of "the Crucible" - a play about the Salem witch trials. So not only another nod to prosecuting witches, but also to the Salem Seven themselves. The elements of the poster also include the swords and the motif of the thread of Fate and how it controls everyone.

Now, look back to The Tower tarot card - roughly, it could also stand for "sudden, disruptive revelation" - kind of like Lilia's 'blips'. Notice on that card there are people in black in the air (Salem Seven?), blasts of electricity and a blue crown falling off the top of the tower. I am not clear how Billy's crown will fit into this though.

So I think Lilia will be doing her tarot reading, slowly uncovering cards and saying their names out loud. This will take her back to the moments in the past that she associates with the meaning but the visual image will become the scenes as explained above. She will realise she can not only transport her spirit into those moment but also be heard, so that she will be able to send messages to the coven in the past - the "blips" that we've seen throughout the episodes. But she might not be able to control it as well as she thinks yet, and some messages will be broken in two, while some will be unintended "unfiltered" things she just says to people in the trial room.

As Fate she will be able to see what could happen if they never walk the Witches Road. She will realise she is the one who has to put the coven together and so she will need to send her past self the list of the witches names. In this, she will also see William's Kaplan death and realise she was the one who has to put the sigil on him, to hide him from Death collecting him - this in turn will allow Billy Maximoff to enter the body and save him.

THE VISIONS

The messages could be in any order really, but I feel each blip can be explained:

As she's tapping into her subconscious mind, the reading could be starting with "High Priestess" [card 2 in the list above] - and she sounds surprised because it is as if she was actually standing back in Agatha's room - the realisation is only now slowly dawning on her.

Maybe one of other witches that are in the trial room with her (Jen in response to the High Priestess?) starts antagonising Lilia's kookiness, because they want her to just hurry up or don't understand what's happening yet. So Lilia, just as she reveals the next card "Knight of Wands", then responds to Jen in annoyance "Which is it, am I wispy or am I kooky?!" [blip 6] (btw, "wispy" also has a nice connection to Air, so I can see this word being used in the episode before because it's Air trial).

But then, as she says this, Lilia realises she is standing in front of Alice from the fire trial (in spirit anyway, Lilia is still physically in the scary room). She exclaims in relief "Alice!" and realises Alice can actually hear her. So this is Lilia's chance to warn her about the events of Agatha's trial. She begins saying "Alice, don't try to save Agatha!", but mid way through, her spirit gets transported to the first trial in ep.3, searching for potion ingredients. So Alice only hears "Alice don't..." [blip 7] and Agatha hears "...try to save Agatha" [blip 5].

At some point Salem Seven break their way into the tarot room and Vertigo releases her cicadas, flying around Lilia's head. She flails her hands and screams, while her spirit is inside her shop where Agatha and Teen just approach her [blip 1].

She eventually discovers her own card - "Queen of Cups". She transports herself into her past and we get her backstory.

But then we get repeat of her nightmare from ep.3 - Lilia uncovers the "Death" card. She sees the death figure approaching her maestra. But with that, the figure comes into light and she finally recognises it's Rio.

The pain of her memories leads her straight to "Three of Swords", momentarily finding the scene where Jen is healing Billy. She realises death was there all along.

She has the revelation that Rio - Death - has been after Billy all along - "The Tower Reversed". The lights flicker. She finds herself in her tent, in front of William Kaplan. [blip 10] She sees his life split in two and puts a sigil on him to protect him from Death.

But with the "tower reversed", the whole room is literally reversed - the ceiling with swords is now floor and Lilia and Salem Seven find themselves drifting towards the blades in the air. One of the Salem bumps into Lilia as they fall and she shouts "Get off me!" [blip 3] as pushes them away (while her spirit is transported to the moment before they opened the Road).

She realises she doesn't have much time left, she knows what the next card is, even though it's floating in the air. She focuses all her energy and channels her spirit to write the list of names herself [blip 2]. It takes enormous effort to stay focused on that one moment, hence the energy around her is bursting. (this could also explain the bolts of lightning on the tower card). She finishes by revealing and naming the last tarot card: "Three of Pentacles".

Finally, as she drifts towards the deadly swords, Lilia, relieved she completed her task, is transported to sitting in front of the campfire with the other witches (ep.4), reminiscing their stories. This is a fond memory so she starts saying "You know, we really kind of hated each other in the beginning, but now.." [blip 8] and before she can finish, she gets transported back to the "Huge tiny lies" house "...I love you guys" [blip 4]. And with that, she dies...

...

Phew. You got this far. So - what do you think?

Bonus: I think there are rumours we will finally hear Patti sing and unleash her full potential.

[infinitify]

(art by @novalise1 on X)

HOW TO BE | AOT MODERN AU

EREMIKA & RIVETRA (MULTI-CHAP SLOW BURN)

Levi's taken it upon himself to raise his orphaned cousin, Mikasa. Devoted entirely to keeping her safe from the dysfunction of the Ackerman family, he strives to give her the type of life she deserved from the very start. Now depressed, emotionally damaged, and entranced by heavy eyeliner and sad song lyrics, seventeen-year-old Mikasa struggles through growing pains during her pursuit of happiness - all while being so hopelessly in love with a boy who sometimes can't keep his mouth shut.

Mid-2000's Modern/High School/College AU. Goth, angsty Mikasa and protective father figure Levi. Eventual Eren x Mikasa, eventual Levi x Petra.

CW: Graphic depictions of violence, blood, alcoholism. Attempts of suicide/completion of suicide. Mentions of molestation/attempted molestation (no graphic depictions). Dysfunctional family life.

NSFW content in the future.

✮ ✮ ✮

Hello there! I thought I'd finally share my story with the tumblr side of the AOT fandom, so if you're into character studies of your AOT faves, a ridiculous amount of teenaged angst, and horrifyingly tragic backstories, then this if the fic for you! Take a dip into the complex familial bond Levi and Mikasa share while you discover all the heart-wrenching pain between your favourite ships!

Big big big credit to @novalise1 on X for their amazing art that you're seeing above. They drew these a while before my fic was even conceived, but I stumbled upon them about a year or so later and they coincidentally fit the fic so well. I knew I had to show you all their talented art!

If you would like sporadic chapter updates, you can also find me on X @infinitify_ or feel free to shoot me a message in my asks here on tumblr!

But anyway, happy reading!

[alllgator-blood]

hymns of the unholy drops tomorrow, I'm gonna make a track tier list but here's my initial thoughts before it comes out:

This feels worthy of a "read more" just because there's no pictures to look at and it's four paragraphs. TL;DR the album is very cheesy but I'm literally so excited I'm gonna stay up all night so I can listen to the new album the second it drops. The overly critical part of my brain is telling me I shouldn't derive enjoyment from this album unironically but I'm not gonna obey, I am cringe and free and I'm gonna crank this shit with no shame cause it's the game I like...IN MUSIC FORm

[gif meant to represent me randomly busting it down leshy style when I'm home alone, and singing "THE END AWAITS AS THE OLD FAITH TAKES THE LAST OF MY KIIIIINDDDD" over and over]

The lamb's song was kickass and if I heard it in the wild without knowing there was a metal album for this game, I'd spontaneously combust from sheer excitement. It's instantly recognizable and that's kinda all I wanted from it tbh! I've mentioned before that I'm way more of a djent/shoegaze/sludge fan when it comes to metal rather than the genre these songs have been, but I'm literally so excited the bishops are getting some kind of inclusion in a project that I'm gonna crank this album even if it reminds me of the shadow the hedgehog game soundtrack. Tbh this one is so solid that if they JUST announced this one and didn't make the others, I'd still think it'd stand alone quite well for what it is! Edit: I said I'm cringe and free, why did I spend half this section dunking on the genre.....

Leshy's song..........was totally lame but in an epic way, like the first time I listened to it I thought it was fine! But when I actually read the lyrics I had tears streaming down my face from laughter. I screamed out loud when the guy basically says "btw my name is leshy :)", the lyrics are actually so fucking bad. But c'mon it's LESHY he's the littlest brother, if anyone got a corny ass song it should really be him. The shredding solo at the end is fucking hilarious and if he was in charge of his own song, he 10000% would request that specific ending. Musically, this one sounds the least like the source material so far but it's got that arpeggio from his + amdusias' theme and that's arguably the most iconic part. Also, "DAYLIGHT WILL COME UNDONE AS WE ECLIPSE THE SUN" is insane and is the best part besides describing his blindness as "ETERNAL NIGHTFALL"

Heket's song...........It has my favorite lyrics so far but the vocal work after the 40 second mark had to grow on me. I can't describe it but it sounds like that post grunge style and as a grunge fan, post grunge is my biggest opp in the music world. I was hoping they'd get a female singer for this but for heket specifically I can understand why they didn't. The actual lyrics in the song are fuckin badass, when it gets to the "MAKE YOUR PEACE, CREATURE" part I always turn it up to a deafening volume because it goes BALLISTIC. Genuinely my favorite part of any of these songs so far. I adore that her characterization in this song is layered and isn't just "I'm leshy, I'm made of plants or something and also I'm gonna kill you", it goes through her arc PERFECTLY imo!! Instrumentals in this one are better than the leshy song as well, I really like that they brought back the pitch bending/choppy sampling from the ost for this one

I'm on my hands and knees begging for the shamura song to be good, the leshy song had me worried but they came in clutch for heket. If they don't work in shamura's iconic lines from the game, I'm gonna cry inside I think- I'll forgive a lame kallamar song but ONLY if it's funny. Narinder's theme is gonna be hard to fuck up imo I have faith it'll be top tier

[literalite]

mistki's the land is inhospitable and so are we (2023)!! as edits featuring mine and some of my friends ocs 😁 had a lot of fun with this project... rough explainer of how/why each song corresponds to each character/s under the cut because i love symbolism and talking! sorry it is long

bug like an angel - sapphire

without spoiling too much of her story and arc... sapphire's life is not easy. she's hurt by people she cares for and who care for her, although inadvertently, and in turn hurts people who she cares for and who cared for her, also not by her own volition. it's kind of a terrible truth that you will harm and be harmed by the people you love, even when you and they truly don't want to. it's up to you how much you're willing to take and deal. you can't keep every promise you make and you can't right every wrong. but you have to keep trying anyway. that's sapphire's strength, and the core of her goodness and why i personally consider her one of my favourite ocs. i chose to depict bug like an angel in mitski's more positive interpretation here and in that light i think it works best for saph

buffalo replaced - heiya

well first and foremost the vibes of the song fits heiya perfectly fhgjk but also lyricism and tone... yep. quick breakdown of heiya's background since i doubt i'll ever be able to do it properly she's an interesting character for me because she like a lot of my other characters has lost. everything. she had a wife and a child and they were both killed and she had to leave her home again and again and unlike how some of my others would have taken this she has never flagged in her unwavering dedication to preserving hope. for herself for her people for the future etc etc. which is a very fucking difficult thing to do! the world changes faster than you can keep up with it sometimes but for heiya she will not let herself tire and be swept away in it all. people rely on her. she's a guiding star as much as she is a woman. she's a lover and a fighter and thats what buffalo replaced means to me! so

heaven - vinny and caleb

i feel like of all my oc couples so far they have like. the sweetest most kind of simply mutually trusting dare i say straight forward love. they just love each other so much and thats all. the world could end around them when theyre together and it'd be okay truly. also yeah vinny is ostensibly in heaven now bye angel i feel like this one was pretty self explanatory. me and who WHEN

i don't like my mind - sunny

he just like me fr (said in denji voice) anyways wow ha. unstoppable unending guilt due to past actions that haunt your every waking moment? throwing yourself into any and all distraction just to take your mind off it, filling your time with other shit so that past sin doesnt for once echo in your awful and hollow brain? this song is perfect for sunny honestly just that sentiment also the "please don't take this job from me".... sometimes the coping is worse. you can be proud of something because you can do it better than anyone else even if that thing is terrible

the deal - wolfgang munch by @gunthermunch

Wolfgang Amadeus Munch. umm this will make more sense later on but it still kind of makes sense now i think. he doesn't want to be himself he keeps . leaving and moving and running away from his own memories his own self in reaction to others. if he could pawn it all off he would. if he could be better in an instant without having to feel every agonising second of change he would! but thats not how the world works. or is it. read munch by gunthermunch thats an order

when memories snow - lilian

i feel the older you get the more your past kind of swells up and trails behind you... at least for lilian that is shes very linked to the different versions of the girl/young woman she used to be. for her its a double edged blade, a lot of her own strength is drawn from who she was and what happened to her throughout her life. they haunt her but she's haunting it back in her own way

my love mine all mine - saige, bellona, ari

stares you down okay so usage of this song very much almost verges into spoiler territory but uhm. uhm. starts twitching basically the whole dynamic here is . sometimes when you love you will sacrifice. and while that is usually a good thing sometimes it is not but sometimes it still is. sometimes you pay your dues for love and sometimes someone else has to pay for your love as well. and whether that is worth it to them remains to be seen. but it's all about love still. whether that's a worthy cause is up to you i suppose

the frost - yoshiki and hikaru from hikaru ga shida natsu

fun fact (or not so fun fact since i had it listed as such) this slot was originally meant to be taken up by a gojo/geto edit and while it still works for them frighteningly well i swerved to do another black and white haired doomed gay pairing gfhjkl; i really recommend yall to read hikaru ga shinda natsu/the summer that hikaru died because honestly it speaks for itself! it's SO good i love it so bad

star - ari and luca by @anjitrait

wow these two did not deserve the horrors the narrative (me) slammed down onto their heads. they're kind of the most married of all time to me but like of course under pressure even the strongest most loving of bonds will warp. they've been together for roughly a decade and a half now. they know and love each other as totally as you could possibly imagine. despite it all i am yours, no matter. are we picking up what i'm putting down chat

i'm your man - nayef and sióar by @lucidicer

after the album dropped like at least 3 people swung into my dms with a ?this you?? about this song which. i mean the fucking dogs that start barking halfway through the song. are you kidding me. but anyways sioyef and devotion. sioyef and putting yourself in your lover's hands and looking to them like they are a god. this is super self explanatory. you know

i love me after you - redacted and ophelia

HM.... all i'll say here is that sometimes the homoerotic tension filled high school friendship where both parties have something very wrong with them but in totally different directions can be. scarring. bad. sometimes love just isn't enough when you don't know what you're meant to do with it and when you've lived in survival mode all your life. but that once the dust clears you can scrape yourself off the ground get up keep going and that isn't gonna be the end for you there. or for love, even. sometimes shit just ain't meant to be and thats ok

[faelapis]

i know most read "good luck babe" by chappell roan as being about a lesbian in denial. and that's probably the intent... but i dont think it's invalid to read it like an angry ex projecting.

the song's instrumentation says "big, heroic 80s romantic lead"... but the lyrics are still a variant of "they can't make you happy like i can." in my view, you can read her either like a hero or villain.

in particular, the line "you're nothing more than his wife" is a LOT. it feels potentially condescending. i get the intent is to do commentary, to say what society expects of women - but it also kinda sounds like you agree with how society sees straight women? if you're that mad about it? or you think this is how straight women see themselves?

ultimately, we don't know how honest the framing is. we don't get this other woman's perspective. chappell could be bitter and heroizing herself, or she could be telling the truth. we don't know, because it's not about her. the girl in question has no voice.

"you know i hate to say it, but i told you so!"

no you don't! you LOVE saying it! you just wrote a detailed fantasy about how this girl is going to regret breaking up with you, couched in the self-righteous language of liberation and accepting queerness.

see what i'm saying?

i should clarify, none of this is a critique of the song. i like all of this. i enjoy angry, self-righteous breakup songs. you do not have to be a "good person" in a song. todd in the shadows has a great video on that.

all of this was actually my way of saying that its my favorite song of hers. i love how unfiltered the anger is. it shows how in the heat of the moment, we make ourselves the hero - but it can still come out kind of ugly on the page.

to put it in fandom terms, for my fandom audience: you could easily imagine pearl singing this at the point in her life where she's angriest and most bitter about greg. very easily.

or it could all be true! obviously, chappell frames the singer like the hero - but we don't know. it's an interesting bit of ambiguity in such intense self-righteousness.

[sharksupermacy]

on your mind

on your mind- haerin x lee! trainee! reader

synopsis: haerin picks up a project for minji. how bad can it be?

genre: fluffy, confusion, haerin not know reader is hyein sibling, reader being a trainee, reader has short hair, reader being a little goofy, cat café are good, reader not having good memory pt.2

it was just a normal saturday for haerin.

hyein was laying on the couch texting someone, danielle was laying on the floor basking in the sunlight, hanni furrowing her brows at her notebook while scribbling something down, and minji...

well, she was texting someone in the kitchen. not usual but not to out of the ordinary to get worried until minji started too pace around the kitchen a bit.

haerin peered over from her position on the couch to observe minji a bit more and slowly drew more attention to hyein, who was still on her phone texting.

as the sound of minji stomping in the kitchen got louder, dani eventually woke up, asking haerin what was the banging noise was all about. her response was to simply point to the kitchen, where minji had been airing out her frustrations for the past 5 minutes. dani nodded towards the younger and headed over to minji to see what was making the older so frustrated.

catching bits of the conversation from the kitchen, haerin was able to put together that minji was frustrated that she wasn't able to pick up a project from her partner tomorrow due to her having a schedule. dani being the reasonable person, she asked minji why she didn't think about sending one of the members out instead to get the project.

the oldest thought for a bit and peered over at the living room and asked one simple question, "can one of you guys do a favor for me tomorrow?" hanni responded that she had to finish a couple of lyrics by the day after tomorrow, so she couldn't. hyein said she was hanging out with someone, and well haerin. she had nothing to do, so as best as she could she raised her hand awkwardly and whispered , "i could go?"

"really? are you sure you can pick up my project for me?" minji replied a little bit shocked that the younger would go out her way just to pick up a project.

"yea... but you do know that everything comes with a price, unnie?" the younger member says.

she see minji face fall flat in an all-knowing fashion. looks back at her member, "what do you want haerin?"

haerin brings her hands towards her chin, "i haven't decided yet, so this will be an i owe you type of thing."

"fine. 11 am at a cat cafe nearby the company; i'll text you her contact so you can find each other," the oldest replies.

sunday

haerin knows she shouldn't be this nervous going into a cat café just to pick up minji project. after all, it was only for a short duration, plus the cafe wasn't too crowded. just 2 customers sitting with their coffee one reading a book in the corner and the other well.. was you.

leaning back fully into a chair with your ice coffee despite it being the middle of winter with minjis and your project leaning just beside the chair in a folder. your simple oversized t-shirt folder over your baggie jeans and your leather jacket simply pulled the look all together with short hair too. the best part of all was that you had a ginger cat lying in your lap, fully with you petting it softly.

but of course, something had to break this peaceful sight. "hello? i can help take the next customer here..." there was a worker looking at her as if she were going to order.

"oh uh sorry, i was just going to pick up my friend's project. they are just over there," haerin pointed awkwardly back to the chair you were sitting on.

"OH! i am so sorry! my apologies please take as much time as you need... but would you still like anything to drink?" the employee says.

"nope, i'll pick up my friends project and be on my way. thanks." haerin replies as she makes her way over to the chair across from yours.

"lee yn?" haerin ask nervously when you turn your head away from observing the outside.

"yes? i'm assuming your minjis friend?" you simply chuckled out a response in a slightly lower tone than she was expecting.

"yep. is that the project right there?" she looks at the huge folder by your side noting how cool your boots look.

"yea. all in its glory, i guess you should get going now, wouldn't want minji pretty friend to be hung up now." as you put your coffee down on the floor and simply picked up the cat that was perching on your lap on set it back down to the floor. you quickly picked up your iced coffee and handed the project to haerin.

she quickly thanked you, and just as she was about to leave, until you said something that quickly caught her attention. "oh yea, before i forget i bought you a hot chocolate since it was popular and i didn't know what you like," you simply just stated as you handed her the warm cup. "think of it as my little thanks for picking up minji and mines project," you smiled and waved as you walked out of the small cat café.

haerin could only find a single word to describe you, captivating.

a/n: idk i might make a second part bc it doesn't feel that finish anyways stan nwjns

[neptunesgrl]

Things that my redacted favs do that are true because I said so

SWEETHEART, LASKO, GUY

SWEETHEART:

- Calls Milo angel in private, had a couple drinks and it ended up slipping out in front of the pack. David looked very confused for the rest of the night and proceeded to call SH in the middle of the night to say “what do you know”, “what did they (Angel) tell you”, etc. Angel found it incredibly amusing.

- Drinks scotch. Rarely, since it makes Milo uncomfortable. They had it in their apartment once and after they’d learned of his father’s struggle with it, they made sure to keep it out of sight when he came over. Hasn’t bought a bottle since they moved in.

- Reverse pick-pockets everyone. Hates when people make a big deal out of apologies or big emotional things. Their way to avoid it is to make silent apologies. Often but not limited to leaving a couple hundreds in their wallet, cause we all know SH makes bank.

- Nicknames for Milo include: Mi, angel (as previously mentioned), hun/honey, babe.

- Takes the NYT crossword incredibly seriously and looks forward to it more than they’d like to admit

- Raised in New England. Hopes to move back if they decide to have kids, that is until they gain their powers, and need to move back to Dahlia.

Side note: Their child listening to ‘California’ by Chappell Roan on full blast in their room and giving SH war flashbacks

- Has gained a slight NJ/NY accent from Milo. Slips out when they get mad. Specifically with the words: ‘jackass’, ‘told her (so i told ha)’, ‘off (awf)’, ‘call (just cawl me)’, etc.

LASKO:

- Constantly holding Dear’s hand. At first, it was difficult for him to initiate, but once he realized it was the least embarrassing thing he could ask for, it became habit. Sometimes Dear slides their thumb to his wrist to check his pulse when he’s nervous.

- (UNEMPOWERED AU) Dear is an EMT. Sirens used to startle and disturb Lasko, now he finds comfort in knowing Dear is getting to save people (corny and tooth rotting fluff ik)

- Once, Lasko wore Dear’s fleece that went with their uniform since they’d left it at his place and it was too cold to go out without one. It took him 10 minutes of pacing at the front door to go outside and grab the food he ordered. Just in case someone on the 2 second walk down there would need medical attention and thought he could help since he’d be wearing the EMT jacket.

- He owns every single PJO book and shamelessly reads them at least once a year. He’s in the Zeus cabin (obviously). Grover’s his favorite, because in his words, “he’s the only one worried about the logistics.”

- ‘Guilty as Sin?’ is THEIR SONG. I will not be taking any criticisms at this time or ever. It’s just the lyrics about feeling guilty for thinking about the other in that way. Like are you kidding me. ‘I’ve screamed his name, building up like waves’ DEAR WE KNOW ITS YOU IN THE WRITERS ROOM.

GUY:

(these are mostly fem leaning i am so sorry)

- Watched The Real Housewives. Insists Jersey is peak, Honey agrees. They take the finales very seriously. Honeys favorite is Margaret, Guys favorite is Melissa. He insists Honey and him are exactly like Joe and Melissa. I have RHONJ brainrot save me.

- Uses a sleep eye mask from dollar tree that says ‘nap queen’ on it. Found it in Honeys childhood bedroom.

- Raised in NYC (Brooklyn), insists he knows how to use the subway and always gets lost. Honey cracked the code within 2 days.

- Had headgear in high school. No further explanation. That’s it. That’s the HC.

- Child of…

🥁

🥁

🥁

dddiiivvvooorrrccceee!!!! i’m projecting He is so Chandler Bing coded don’t lie.

- Somewhere down the line, he’d like to write a book about him and Honey. Whether they work out or not. Very “You were a wonderful experience” / “You were…everything.” coded. Can you tell that not only am i awful at it, but I hate angst?

- Love letters EVERYWHERE. On dressers, in nightstand drawers, on the windshield of Honeys car, this man will find anywhere to put one of the many notes he has written gushing about his partner.

☕️📰🤍

This has been in my drafts for so long I feel emotional posting it. Please take good care of my baby.

[ethelschapel]

do you have any idea about the story of willoughby and ethel and logan and can you explain it?

We don't know much about either character, especially Logan as the only real source material we have about him is the song Western Nights. However, I'll start with Willoughby as he's been hailed Ethel's first love. House in Nebraska is about him, the song clearly stating Ethel's extremely strong feelings for him but also outlining his departure or death or whatever happened to him that caused his split from Ethel. There's speculation that he died, that Ethel did something that caused him to leave her. A lot of what we know about Willoughby is purely conjecture, however in one way or another, Ethel and him separated before she met Logan and long before Isaiah.

There's an excerpt from a page of "Diary of a Preacher's Daughter" which Hayden posted herself saying, "As for me personally, I lost Willoughby that night. The only thing I've ever truly loved in this wretched life and I left him curled between the couch and the coffee table when it all got too loud. "Be mean" is what he'd tell me, every time I'd start my shaking. What he didn't tell me is that you can be mean and still be a coward. Some things you have to learn on your own."

You can read the full thing here.

Again, we don't know the full story surrounding Willoughby and probably never will until the book is published but that excerpt could lead us to believe that he died in the tornado. There's also another piece of source material, a fictional magazine called "Thoughts and Prayers for Ethel Cain," available to read here where the question "What about Willoughby Tucker? I know you two seemed pretty close before he moved away, have you kept in contact at all?" is asked. There's another interpretation here that he moved away, that Ethel could've done something to drive him away etc. I have to reiterate though that it's not confirmed what happened to him.

You may have also heard about the "B-sides" which are said to be all about Willoughby. You can find some collected information about them in this Reddit post. Note that although some of these things have been "confirmed" the artistic process is unpredictable and a lot of what's been discussed in asks and lives may not make it to the final project. The B-sides are also probably not coming for a while but Hayden has not scrapped the project as when saying her next project will have nothing to do with Preacher's Daughter she said, "no this doesn't mean b-sides are scrapped."

There's a lot to be revealed about Willoughby Tucker however he is a very important and frequently mentioned character by Hayden and the fandom.

Now, Logan is a different kettle of fish. He is Ethel's second love interest but is abusive, supposedly using Ethel for sex if you were to interpret the lyrics of Western Nights.

There's little known about Logan and he's very rarely mentioned by Hayden so just like with Willoughby, most of his lore is speculation. He is however a criminal, outlined by the line "Breaking in to the ATMs," and Ethel is dragged into the lifestyle alongside him. If it helps you visualise him better, Hayden has said before that Logan is a "hunky daddy." So...do with that what you will!

Either way, the relationship between the two is short-lived as he dies in a police shootout after robbing a bank causing Ethel to go on the run, ruminating on her relationship with Logan and how the abuse is a mirror of her relationship with her family, shown through the song Family Tree.

The most recent piece of lore we have was posted by Hayden on tumblr where she summarises the plot of Preacher's Daughter. See that here.

As I've said, it's not likely that much will be revealed until the book is out. I'm not Hayden and I don't have access to her head so understanding every detail is hard to do. I've tried to give different interpretations, piggy-backing off asks and source material that Hayden has posted herself, because the particulars are unknown and there's lot of contradictory things spread around. Art is meant to be interpreted though so do with this information as you wish.

If you want to do some of your own reading/listening, here's some other sources that could be useful:

. The lore page on Reddit

. Preachers Daughter document

. Thoughts and Prayers Mag

. Alt Press Mag

. The Line Of Best Fit Mag

. Artist Decoded

There's also another document which gives the basic interpretations of the story rather than lyrical analysis.

I hope this was helpful! And I hope I've made it clear that literally most of this needs to be taken with a grain of salt lol.