#so about Half of that was me writing

[peachesofteal]

Deckhand Simon Riley / female reader 18+ mdni, dubcon. Simon is very no good terrible and kind of mean. Predator/prey. Excessive alcohol consumption, manipulation. Spitting, size, praise, a little bit of breeding/daddy - kink.

Simon arrives to town on the last summer wind. 

It’s cold for the shoulder of the season. Not the coldest he’s ever felt, but cold enough his scars become rigid, inflexible swaths of skin littered across his body pinching at every hinge. 

He can already feel the burn. The stretch and strain of his upper back, his arms, his legs. Can already feel the weight of the pots, sharp metal slamming and crashing, teeming with things that look more like creatures than they do delicacies.

Hook. String. Pull. Block.

The people stare at him, wide, wind whipped eyes peeking out underneath knit wool hems, gagged and confused, whispers passed back and forth like children with a lolly. 

Did you see him? 

Look at the size of ‘im- 

Is that Ernest’s new deckhand? 

Fucking monster of a man, I tell you. 

He keeps his head down. Eyes fixed to the floor, old instinct still churning in his blood, shoulders stiff and squared. Captains are all the same, whether on land or at sea. Says “yes sir” as Ernest sizes him up, asks about his previous two seasons, and then sends him away with a perfunctory nod and a departure date. 

The Old Man leaves in two weeks. See you then.

King crab fishing is the closest he’s felt to having a foot in the grave since he was actually in one. Opponents in a firefight are known, predictable. Monsters of their own kind, but ones he knows intimately. Minds of a killer, the lot of them, a certain subset of consciousness nearly shared. 

The ocean shares its mind with no one. Its secrets are its own, buried in the briny deep, never to be revealed. 

And the Bering-  

The Bering is its own horror. Savage and cruel to those who would tempt it, willing to swallow anything offered and pull it down into fathomless black water. Cold enough to kill a man in seconds. Violent enough to toss them all to sea. 

He’s seen it happen. More than once. The environment is uncontrollable, unpredictable, lethal, and the work is arduous. 

The company is tolerable at best. The season is short, yet taxing. Deckhands live dozens of years, in a few short months. They stare off into nothing, watching the horizon, long gone look in their eye. 

Still, he sees familiar flickers in them, same firelight he’s seen in the many men he’s killed, or worked alongside of. 

At the base of it, these types of men, his kind, are all the same. 

Rabid and dangerous in packs. 

The cove is nearly derelict. The town spills up into white and black spruce, houses nestled in the grove of tree trunks twice Simon’s size, all doors facing the warped and tilted wooden slats of a long-loved dock. 

There isn’t much here, a small grocery, a liquor store, a petrol station and of course- 

A pub. 

Aptly named The Wharf, the bar is as old hat as they come, seedy and sticky, sunken into the soft earth. It’s everything he’s come to expect in a fishing town this far up north, where the season is variable, and the money is too. Dark wood from floor to ceiling, over polished oak horseshoe, neglected stools and booths. Everything creaks, and The Wharf is no exception. The pub, the dock, the trees. Wind whistles and bark groans, a rasp you can only find here, in these places where time is too slow, and the world forgets. 

There are rooms above the bar, usually rented to his ilk, deckhands biding their time, greenhorns rattling with excitement. They all filter in weeks before the season opens, and when he checks into his, he’s not surprised when the woman at the desk tells him he’s got the last one. 

There are only ten, after all.

The Wharf’s side door swings open in a gust of blistering wind, yet not a single person turns their head. 

None except him, though he doesn’t need to look to know it’s you. 

He can smell you. Can feel you, clear across the floor. Sea salt and lavender, it whirls in your wake wherever you go, and when he lingers on the sidewalk outside of your little workshop, he swears he’s standing in a cloud of it. 

“If y’need jackets, bibs mended from last season, there’s a place on the corner, next to The Wharf. She’ll get ‘em done before season.” 

You’re the bloody seamstress. The tailor. Nimble fingers twisting and tying, threading and looping inside a faded light blue storefront, working into the small hours of the night. Your workspace is small, and overflowing with bright orange polyurethane covered clothes, long lengths of neoprene, socks, shirts, wristers. A mass of work, it seems, one that keeps your light on after all others have gone dark. 

Except The Wharf’s. 

It’s the second time he’s seen you here. 

He doesn’t count the times he’s seen you without you realizing it. Doesn’t count the times he’s finished a cigarette on the street at the perfect angle, a solid perch to peer right in through your window. He doesn’t count the times he’s watched you from The Wharf’s one dark window, when you step outside to take a long breath of air, stretching your back and shaking your arms out, rolling your head in a circle- 

and baring your throat for the slaughter.

The first was days ago, close to zero hundred, when you swung in to settle on a barstool with your back to the door. You look like you’re made from spools of silk, even underneath all of your winter layers, big coat, knit wool hat. There’s a coruscated dapple in your eye, one that manages to shimmer even in the darkest shadows of the bar, voice saccharine as he’s ever heard, dipping into a melody as you go back and forth with the bartender. 

He hears it now when he closes his eyes at night, awash in a sea of bourbon, cigarette stench sunken into his skin. A gentle rhythm, a syrupy voice, saying his name. 

Screaming it. 

You catch his gaze across the bar. Catch him watching you, peeling you, picking you apart, but you say nothing. Blink a few times, glance down at your beer, pretend to busy yourself with something else. It’s not a flinch, but close enough to it. 

He knows what you see. What you should see. 

A monster. Licking his lips at a girl. A fire breather bearing down on top of a princess. 

If he crossed this room right now and yanked you off that barstool, who would interrupt? Intervene? They’re all men of the same vein, born from different battlefields. The rules of engagement become status quo, regardless of whether you’re baptized by the Bering, or by fire.

Rabid, dangerous in packs.  

Eleven days left, and he’s finally found something worthwhile to occupy his time, besides lurking in the dingy corners of The Wharf like an old, decrepit sailor. 

You. 

You live above the shop, an old fire escape leads to a wooden door with a big window, one covered by a curtain hung from the inside. 

The Wharf’s rooms have a fire escape too. A metal catwalk. 

Metal. Who’s the idiot who decided metal anything would be good in a place like this? Iron nearly turned red, rusted to all hell. One shift, and it all falls down. 

He takes his watch there, at night. A gargoyle at his post, waiting for the flicker of your kitchen and bedroom lights, shapes and shadows dancing behind the thin drapes, a ballerina on stage for the masses. 

For him. 

He brings you his gear. Looms over you at the desk where your sewing machine is grinding out an industrial stitch thicker than what he’s seen on parachutes. 

“H-hi.” Hi. Aren’t you cute? A little lamb, alone in the woods.

He nods. Stays silent. Enjoys watching his catch twist herself up on his hook. 

You glance at the noxious orange pieces draped over his arm, and half timidly reach.

“Need those patched? Er, like… have any tears or rips?” Not really. He keeps his gear in good condition. Throws out his underclothes after every season- can never get the stench of fish out of em, but his outer gear is well cared for. 

It almost pained him to rip them apart last night. 

“Simon.” He gives it expectantly, jogging your manners to the forefront. You have the good grace to look embarrassed with how fast you spit out your own name.

“Bibs have a few holes. Big ones. Jacket’s got a rip under the armpit.” You reach, tiny little fingers stretching across the barren space between him and you, and he lashes down the urge to snatch your wrist out of midair and bring it to his teeth. 

Do you taste like lavender? Sea salt? Is your cunt briny like the Bering, slicked sweet and brackish? 

“Okay, well, I should have them done before-“ 

“You better.” You startle, eyes wide and confused, before they find your feet, cowed little girl before an awful man. “Jus’ need em, is all.” He softens the approach, not willing to cut you down just yet (that comes later), and you respond well, perfectly, pushing your glasses up onto the bridge of your nose with a genuine smile. 

Live bait on the line. Set, cast, hook.

“Got it.” 

His control is becoming a house of cards. 

You’re in The Wharf earlier tonight, asking Jimmy for a double, whiskey over ice and nearly to the brim of a rocks glass. Just one, you say. Neck is sore as hell.

He maintains a distance. More inclined to watch you devolve, fascinated by the way you unravel with each sip. Lightweight. Figures.

You pull your glasses off and rub your temples, hopping off the bar stool with a quick word over your shoulder, a request for another drink. “Just goin’ to the bathroom.” You explain, walking away with a hardly detectable sway in your step- 

directly into the side of the wall the bar juts out from. 

Someone, a woman who never so much as looks up the entire time she’s here, furrows her brow at where you’re rubbing your forehead and tsks. 

“Your glasses!” You turn, embarrassed, downright mortified, and sheepishly slide your fingers across the bar until you find them. 

“Oh, right. Thanks Laurie.” Laurie, says nothing. Not until you’ve turned away and almost disappeared into the bathroom. Then, she mutters to herself, into her fresh pint. 

“Damn girl is blind as bat without those things.” 

He buys Laurie another round before he leaves for the night. An eventual thanks. 

"Can I bum one?"

His neck nearly snaps. Where did you come from? You're timid in the mouth of the alley, lichen washed red brick flanking you on either side, your hands folded together at your navel.

"Little girls allowed to smoke 'round here?" Now your neck snaps.

"I- I'm not a little girl, thank you." It's like you're trying to turn your nose up at him, but he's a giant above, and it's hopeless.

"Sure you're not." He plucks the cigarette from his lips, and then holds it out to you. Your breath hitches, top teeth digging deep, an instigation, invitation. His hand whips forward, too fast for you to realize, gripping your chin, pressing his thumb into the flesh of your bottom lip. "Want a drag or not?"

"S-sure." He's got your cheeks squeezed together, just so, enough that the fat of them crowds your mouth and makes the s sound more like a whistle.

He doesn't let go as he feeds it to you, stopping just before the filter touches your teeth. "Go ‘head then." You draw, deep, eyes closing as that first hit of nicotine rushes your blood, undoubtedly making you light headed, and his cock thickens with dreams of his fat head pushing between your lips instead of this cigarette, dreams of you split open on him with a soaked pussy, neck bared for his teeth.

Hook. String. Pull.

He squeezes himself overtop his jeans, heavy weight pulsing between his legs, a dangerous affliction growing larger and larger with each second. He could rock against his palm, right here in front of you, and it would feel worlds better than the last measly meal he had, months and months ago. Nothing will compare to you, he already knows.

You see it all. Frozen like a deer in headlights, your lips part, transfixed, confused. Will you run? Will you shout? Will you tell?

"I uh, I better... get going. Have a lot of work t-to finish." Good girl. He nods, letting go of his aching cock, slipping the cigarette back in his mouth, searching for even a hint of lavender and sea salt lingering in the filter.

"Goodnight."

Four days left, and his gear is finished.

You leave a message for him, letting him know he can pick up whenever is convenient. During shop hours. Cash or card accepted. What a dutiful business owner.

You’re in the back when he arrives. It’s long past close, but no one locks their doors here. Anyone could walk right in.

“Be right out!” You yell, slightly muffled. He doesn’t respond, doesn’t opt to give himself away, just waits at the front desk, where a mug of fresh coffee sits, still hot, still steaming.

Desperation for claim, for possession, claws up his throat to his tongue, thrashing in a fit until saliva pools in his cheeks. He sucks through his teeth, rolling the pockets behind his molars forward, pulling as much as he can, his soul even, up and out, landing it in a glob on the surface of your evening caffeine fix.

It sits there, tiny bubbles and all, an island in endless ocean, unable to break apart or disappear. Blatant. Obvious.

So, he sticks his finger in it and gives a quick swirl. For good measure.

There’s rustling in the back, and then you pop through the doors, glasses sliding to your nose. “Hi! So sor-“

You grind to a halt, spine curling forward, as if you’re trying to protect your precious organs from his fingers, avoiding his grip around your ribs, his urge to rip you open and devour you whole.

He smirks. “Got a message my gear is done? Nick o’ time.”

“Yeah, it’s… it’s done. I’ve got it, one sec.” You fidget, gun shy and shuddering, flitting away on the turn of a heel, eager to escape where he hulks in front of your desk, no doubt.

When you come back, you’re a bit more put together. Polished. Glasses in their rightful place, you place his bib and jacket on the counter unceremoniously, lips pressed together. He hands you a wad of cash, and you count it carefully, keeping your eyes pinned on the bills as he inspects the stitching, taking stock in your sharp attention to detail. “Like new, great work. Thank you.”

You go doe eyed, demure, flattered, and then confused, trying to reconcile this man, this version with the one from last night. “T-thank you.”

It all comes to a head, two days out.

There’s a party of sorts, a gathering. Entire boat of deckhands crammed into The Wharf, plus others, town residents and even some from the next over.

Too many, for Simon’s tastes.

Too many, except for one.

You’re crammed between the wall and someone’s shoulder, occasionally saying hello, accepting thanks for work well done. You keep your idle hands busy, accepting drink after drink, a shot of tequila, another of rum.

You’re even dressed up, cute as a button. Sweet as cream, honey on the hive.

Your hiccups ring out from across the room directly to his ears, chest shaking with each one. The bar is at max volume, shouting, cheering, chattering, but he can hear you crystal clear. Can hear the high pitch echo of each one, can hear your throat bobbing, the long exhale singing from your nose after trying to hold your breath. “I need some air,” you say to your neighbor, “be right back.”

He downs the last of his bourbon, subtle fire in his throat, and then makes for the back door.

Your arms are crossed, leaning against the brick with your head tipped back, eyes closed. Wearing a knit sweater, a skirt, and wool leggings, for fucks sake. “Dangerous place to be, a little girl all alone.” Your eyes snap wide, startled.

“Simon,” you don’t stutter his name, liquor easing your nerves, sweetening you up to a slaughter like the little lamb you are. Your ability to assess risk is long gone, and when you peek over at him, head rolling, the usual skittish haunt of your gaze is nowhere to be found.

“Out for a smoke?”

“No, just some fresh air.”

“Poor lamb. Drink too much?” You shrug, steadying your balance against the wall. Trying to appear more with it than he knows you are.

He stalks closer, closer than you should be comfortable with, but you only sigh, wilted as the grass withered by the impending winter.

He tests. Probes. Brushes a hand against yours, watches how you tip a little to the side, his side, eyes glassy between hard blinks. “You’re so sweet, little lamb.”

“Oh,” you make an o with your lips when you say it, like you’re suprised. “T-thank you.”

“Do you taste sweet, you think?” You jolt, but he handles your hip like he’s afraid you’ll fall, though you have a better grasp on your balance than you think you do. “Hmm?”

“I’m… I’m not sure.” It’s a race now, one you’re desperate to catch up in, but falling behind faster and faster.

Hook. String. Pull.

“Open your mouth.” You do, on instinct, and he hums with approval. “Good girl.” He sticks his thumb inside, depressing your tongue, shoving back and to the side, hard enough he stretches the corner of your lip, and then tugs.

Hooked.

You’re too drunk to process it, not really. Enflamed with a rollercoaster of shock, shame and disgust. But beneath it all, something else rises, breaks at the surface for air. Desire.

He doesn’t waste the moment, hands splayed at your ribcage, shoving you back against the wall, your shoulders slamming into it. He’s on you, rabid, wolf at the throat of a lamb, tongue forcing its way between your teeth without permission. You jerk, tense, muscles shifting like you might put your arms up, but instead they fall limply to your sides, and you moan.

String.

The length of his torso, chest and stomach press against you, hold you in place, allowing him free rein to wrap his fingers into the fine fabric of your wool stockings and rip. The shocked little gasp falls from you as expected, but you’re too far gone to fight. Prize on the line, he tugs them aside and strokes over your folds, already wet for him, dipping into your cunt, tight and fluttering around his invasion.

“Si- Simon- stop.” You push at him shoulders, trying and failing, squirming and whining. He shoves deeper, one nearly too much, two an impossible fit.

“Why would I stop when you’re so wet f’me little girl?” He presses the swell of his cock against you, your walls clenching at the contact, and he chuckles darkly. “Gonna say you don’t want this, sweet lamb? Gonna lie when this little pussy is dripping all over my hand?” You’re scandalized. Ripped from your comfort and thrown ashore, a fish out of water, gasping on land. He breathes into your neck, biting and sucking his way back up to your mouth where he distracts you for a brief moment, long enough to tip your balance to the side, a stutter step disrupting your focus, and delivers an opportune strike to snatch your glasses off your face so fast you flinch backwards in the confusion. He manages to cup your head just in time and cushion its bounce against the brick.

Pull.

“My glasses.” Your voice trembles, and he’s surprised to feel a twinge of guilt. Don’t worry little one. He’ll pull you apart, but he’ll put you back together. Eventually. “Simon… my- my glasses, do you see my glasses?”

“No, sorry. It’s too dark, sweet thing.” You tear up, horrified, and they spill down your cheeks, fat and wet, leaving tracks all the way to your neck.

He licks them with glee.

“I need to-“ he pays you no mind, returning to his work, his meal, shoving your knee to the side and lifting you up the wall, until the smear of you cunt weeps all over his jeans. “I need-“

“Know what you need, little girl.” He shreds your leggings wider, tearing a hole big enough to expose your thighs, your lower belly. Later, when he has you pinned to his bed, he’ll eat you until you can’t speak or see, but for now, bludgeoning the entirety of his cock into this too tight space will have to do.

You hiccup again. It’s too sweet, rots his soul. He wonders if you’ll be here, when he gets back. If you’ll run, or if you’ll wait. Maybe he’ll give you something to remember him by, knock you up, nice and fat by summer, heavy with a piece of him. Maybe.

He slides his zipper now, pulling the weight of his cock free, sliding the head through your slit as you look down. You can’t see, how big, how thick, how impossible it looks, head trying to push into you, your body unyielding, spasming as he batters his way inside. You claw at his shoulders, spitting out a half moan, a half sob, and he taps his forehead to yours. “It’s too m-much, too- hurts-“

“Don’t fight it. You’ve got plenty of room, be good.” He soothes with a lie, probably. You’re so tight he can feel you in his bones, restricting, bearing down. He pushes, heat and slick closing in around him, making him dizzy, his pulse pounding in his ears. “Fuck- that’s it. Feel that?” He drags your hand to the root of his cock, splaying your fingers around the base. “Feel yourself splittin’ open on me?” You moan some nonsense, some sort of garbage mixed with a yes, and a no. “Perfect little pussy, stretchin’ for me, yeah?” Only for me.

He fucks you so hard you’re shoving higher and higher up the wall, cunt choking him with each thrust, your fingers twisted in his sweatshirt, clinging on for dear life, a sailor in a storm. Lost in the fuzzy, blurry world without your glasses, he gives you a port in the dark, a lighthouse calling you home. He spreads you wide, rolling over your clit, pinching, thumbing, finding the rhythm that makes your buzz, hips starting to jerk, swallow him up.

Unbelievably, you tighten up even more, eyes slamming shut, and he holds you steady at your hips, driving deep, mouth on your ear. “Gonna be good and cum? Gonna show daddy how good you can be and cum all over his cock?” You gasp, and he drags you to it, pushes you over, rolls your shoulders back against the brick when you curl forward, pussy so tight it tries to force him out. You scream with it, but he covers your mouth, palm to your tongue, elbow at your collarbone. He’s relentless now, shoving himself until there isn’t a space inside you not filled with him, as fast as possible, body like a ragdoll. When he’s on the edge, teetering so close, he pinches your cheeks. “Open up, little lamb.” Your brow furrows, but partially blind, you’re more trusting, and you do as you’re asked. His hips piston, a rough saw, chasing, sprinting towards the end, heat climbing down his spine and across every muscle until he’s shoved so deep inside you he thinks he’s in your belly, and rears back, sucking a glob of spit to his lips and launching it into your mouth, just as he floods your pussy with cum. He jerks inside you, slow strokes, and you hang limply against him, fucked out, still drunk, docile as a lamb.

You hiss when he pulls free and lurch forward against his chest, not able to stand on your own. “C’mon, let’s get you a bath.” He murmurs into your hair, and you protest weakly.

“My glasses.”

“I’ll find ‘em.” He vows, patting their safe spot in his front pocket. “Don’t worry.”

[laurrelise]

okay all i want right now is an umbrella academy spinoff of just the deli fives working in the kitchen like in the bear

ok ok picture this:

deli owner five: i swear to fucking god five, if five has to wait any longer for the brisket, you’re fired.

brisket five: it’s not my fault! five still hasn’t finished the goddamn fries! (clearly at his breaking point)

fryer five: that’s because someone left his station dirty when he left after his morning shift. (also at his breaking point)

clocked-out fryer five: (sprinting out the back door) alright see you assholes tomorrow

server five: alright, i try not to get on you guys about ticket times… but five looks like he’s about ready to walk out.

deli owner five: fuck, give him a free dessert.

server five: okay, but can we hurry this shit up? i’d like a tip if that’s alright with you dickheads.

brisket five: get the hell out of my kitchen.

busser five: (bursting in with a full bin of dirty dishes) drunk five is demanding a fluffernutter and making a scene again.

deli owner five: (shuffling through countless tickets and slamming his fist on the counter) i have zero goddamn time for this five, we’re slammed with this lunch rush and im down two cooks today. help a guy out and get him to leave.

busser five: you pay me minimum wage and i could not give less of a shit. i’m not dealing with him again.

drunk five, bursting into the kitchen: i knew i smelled peanut butter in here (pointing at brisket five who’s currently on grill preparing a burger)

brisket five: this is literally a beef patty

deli owner five: alright man, we’ve tried to play nice, but you’re out of here. let’s go, don’t make a scene. (pulling drunk five out by his collar and dusting off his hands) fuckin’ hell, none of you make it easy, do you?

brisket five:

booth five watching from the dining room: jesus christ

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[martyfive]

i forgive it all as it comes back to me

[formosusiniquis]

for @thefreakandthehair and inspired by this. Everyone enjoy some bee keeper!Eddie saving the day so Steve can play some baseball

Eddie picked up beekeeping the way he picked up most things in his life: accidentally and by virtue of following a crumb of serotonin straight down the rabbit hole of obsession. It isn't what he expected to do for a living, and at this point he does have to admit that when it accounted for 91% of his taxable income last year it is what he does for a living, but he likes that he gets to work outside and set his own hours. He likes that the regular customers he has who buy his honey are nice, and likes getting to advise people about things like flavor profiles and what they taste best with, it was the thing he liked best about his position at the dispensary that was now more of a side gig. And then there's his contract with city animal control that gets him called out to parts of the city he didn't even know existed to relocate hives a lot more often than he thought would happen.

It's a good life, and he likes that he's made it himself.

But it's the kind of life that gets him calls from people late at night when trying to finish binging Fallout before the internet can spoil it for him. He has a rule to always answer when Chrissy calls though, he isn't going to miss helping her if it's an emergency.

“I need a favor,” she says before he's even finished answering.

“Anything for you,” he agrees.

“You might regret saying that.”

Chrissy Cunningham turned a full ride scholarship for cheerleading into a business and marketing degree and she turned that into a fancy job with the White Sox that he didn’t fully understand but totally supported. He wore the free cap she gave him, and was endlessly glad that as a white guy he didn’t get gatekept the way girls like Chrissy did, since he couldn’t name a single player on the team.

And it was that endless support that had him in his full gear at the White Sox stadium with his smoker and bee vac.

Chrissy meets him at the front with a harried expression and a warm hug, “I’d say I owe you one but if everything goes right we’ll be totally square before the first inning.”

“What does that mean?” he asks, repeating it louder when all she gives him is an enigmatic smile. 

The only answer he truly gets is being shoved into a little green cart that she drives with a frightening speed. She drives them through the stadium through a route he has no hope of remembering on his own until they reach an opening that leads straight out to the field. Eddie always had a dream, as a kid, of being a rockstar, driving out onto the diamond to a sudden and uproarious cheer is the closest he thinks he’s ever come to truly experiencing what it would be like to be famous on stage.

He hams it up of course. Waves his arms to try to get them to cheer louder as Chrissy stears them toward the lifter that he’s going to have to go up to get to the swarm. And they do, the cheers becoming an enthusiastic roar, a sound so loud he thinks he could climb them up to the bees without the lifter. 

“Focus will you, you’re on national television right now.” Chrissy says, with a subtle elbow to his side.

“Yeah but how many people are watching a delayed baseball game?”

Never one to just take his smartass comments, he’s sure that Chrissy says something super witty and sarcastic back. Only Eddie made the mistake of turning his head and catching sight of the most glorious ass in the snuggest pair of pinstriped white baseball pants and lost the ability to hear. A second elbow in his side reminds his brain full of metaphorical bees that he’s on television and he doesn’t have his veil on, he isn’t about to get caught drooling on television.

The fattest ass in the stadium turns around and Eddie thinks he’s been stung. He has to be going into anaphylaxis with the way he suddenly can’t catch his breath. The guy in front of him, with a hand on his hip and his eyes trained unwaveringly on Eddie is tongue-swellingly hot. And he just keeps getting closer as Chrissy doesn’t stop driving forward.

“Steve, you’re not supposed to get this close, you're our starting pitcher you can’t get stung.” Chrissy chides.

“I just wanted to make sure that he wasn’t going to kill the bees.” The guy, Steve, says.

“He’s not.”

“I’m not,” Eddie says, shaking his head as fast as he can, like that will make things more convincing for the hot baseball guy. But he’s got an eyebrow raised giving Eddie an up and down like he still doesn’t believe him.

“Look,” he pulls out his equipment so Steve can see. “I’ll smoke them with this, that’ll make them calm so they don’t freak out when I vacuum them up with this.”

“And running them through a vacuum isn’t going to kill them?”

“It’s a gentle suck,” he says, immediately filled with a burning mortification. “It’s just enough to move them into the tank where I can relocate them.”

Hot baseball Steve has his big brown eyes open even wider, there’s a twitch at his mouth like he’s about to say something else and Eddie actually can’t have that. “Chris can we get me strapped into this thing, we want to get this big ballgame going right?”

Steve takes a couple steps back, hands raised up in a placating gesture. Whether it’s for him or for Chrissy because he didn’t listen, Eddie’s too busy putting a neon yellow safety buckle on to think about it.

He takes his time, this is basically free marketing so he’s not about to rush through or do a half-assed job. But in just a few minutes he has a vac full of bees and the game is ready to be played. The lifter gently lowers Eddie back to the ground with another round of cheers. He unclips from the safety harness and takes a shallow bow for the crowd.

Then Steve is jogging over, Eddie stands up straighter than he ever has in his life. Nervous for what is about to happen.

“You saved the game, man!” Steve has the nicest smile that Eddie has ever seen, wide and toothy. He is but a man and thus falls a little bit in love immediately.

“It was nothing, really, just part of the job, y’know.”

“Well, here’s something you probably haven’t done on the job. You have to throw the first pitch.”

“No, no, I absolutely will not be doing that.”

It’s the wrong thing to say, a mischief lights up in Steve’s eyes. He jerks his chin up at Chrissy who says something Eddie is too far away to hear into a walkie talkie. He thinks he has a guess though when the loudspeaker begins to drawl, “Laaadies and Gentlemen, our game is about to begin. Tonight’s first pitch will be thrown by our bee rescuer, Eddie Munson!”

The crowd begins to scream again, but the sound is almost like the hive's steady drone when Steve leans close enough to whisper, “It’s just ceremonial, all you’ve got to do is throw it. I’ll even play catcher for you.” And Eddie’s helpless to do anything but nod.

There’s actually a lot that has to happen before they’re ready for him to throw his sad attempt at a pitch. But that gives him the time to settle his equipment out of the way and scream at Chrissy. Still it’s sooner than he’d like before she’s shuffling him over to a big mound of dirt in the center of everything. She pushes his hat and veil back and it feels a little proud father of the bride right until she pats him on the top of his head and whispers, “Don’t fuck it up, nerd.”

His palms are sweaty, they feel too slick to get a good grip on the small, white ball. He thinks he might throw up, only across from him Steve is there. A glove on one hand he sends Eddie an encouraging little finger wave with the other. 

He can do this. 

He takes a deep breath and throws.

It’s awful. Too high and a little off center, but Steve snags it in that large, ungloved palm and the crowd cheers again like he’s done something fantastic. He’s starting to think they’re just happy to be here.

He starts to walk off the field, toward Chrissy where he knows he’s safe. But he can’t help noticing that Steve is jogging his way too; the ball that Eddie just threw in one hand, a sharpie in the other, his glove tucked tight under his arm. “Eddie, hey, you gotta take this with you, dude.”

Steve lobs it at him in a soft underhand, and Eddie still fumbles the catch, “Thanks, man, but really, I don’t-” the rest of his response dies in his mouth when he realizes just what Steve has scribbled across the ball.

“Give me a call if you’re interested,” Steve says, walking backward toward the mound Eddie just left, “I can show you my gentle suck.” He laughs at his own shitty pickup line, which is somehow more attractive than his whole hot jock thing.

Eddie thinks he must be blushing up to his hairline by the time he makes it back to Chrissy and his things. She looks too smug for it to be any other way. “Told you we’d be even before the end of the night.”

“Chris, if this goes well I might owe you a favor. Now we gotta go, I’ve got bees to relocate.”

[gale-force-storm]

Devoured

Rating: E

Pairing: Gale x female!Reader

Additional Tags: Overstimulation, cunnilingus, praise kink, cock warming, aftercare, second person POV

Word Count: 1.8k

Read it on AO3

You thought it would be a great anniversary gift, letting Gale tie you up and do whatever he pleased with you. What you didn't expect (foolishly, in hindsight) was for "whatever he pleased" to mean spending literal hours using that practiced tongue of his to take you apart.

Inspired by this post from the always delightful @naughtybg3confessions

“You're sure you're alright with this?”

“Yes, Gale,” you insist with a small laugh. “I am the one who suggested this, remember?”

“I know, I know. I just want to make sure.” He finishes tying the soft length of fabric around your wrists, securing them to the headboard above you. “How is that? Comfortable? Not too tight?”

You pull at the restraints, testing them. “Feels good,” you confirm. “Secure, but not too tight.”

“Good.” He smiles and leans down, kissing you gently.

“Well, your anniversary present is all tied up in a bow for you,” you say with a devious grin when he pulls away. “I’m all yours, sweetheart. Do your worst.”

“Be careful what you wish for, my love. I just might grant it,” he teases. He kisses you again, but his mouth quickly strays away from yours, moving over your jaw, down your neck, to your chest. He teases at your nipples, mouth on one, fingers on the other, lingering briefly before continuing his path down.

“Gale,” you sigh, half pleased and half exasperated, “this is supposed to be about your pleasure.”

“Trust me my love,” he replies, smirking against your skin, “it will be.”

You huff out another breath, letting your head drop back. You’ll indulge him for now. Besides, you think at the first warm press of his mouth to your center, you would never truly complain about getting to have his mouth on you.

He pauses briefly to grab a spare pillow and position it under your hips, raising them higher for easier access. He pulls your legs up, resting your thighs over his shoulders, and kisses one of them before turning his attention back to your cunt, where your arousal is already obvious.

“Always so wet for me,” he sighs appreciatively. “So eager.”

“Always for you, my love.”

He beams up at you, all love and wonder and pride. “Truly, I could ask for no greater gift than you.”

He leans in, licking from your entrance up to your clit, humming his pleasure. He licks a few more times like this, broad strokes of his tongue, savoring you, and you settle back into the warm, familiar pleasure. You moan in encouragement as he slips his tongue into you, his nose pressing against your clit. Yes, you can certainly let him do this for a while. Since he’s insisting.

~~~~~~~~~~~~~~~~~~~~~~~~~~

You fear you’ve miscalculated. You really should have known better than to underestimate Gale. There are tears running down your face. Your throat is raw from screaming and moaning. You would try to squirm away from the inescapable, overwhelming pleasure of his tongue, his lips, his fingers, but you’re too tired at this point from doing so for the last... how long has it been? Two hours? Three? More? You’ve lost track, just like you’ve lost track of how many times you’ve come against his relentless mouth. He gives another calculated thrust of his fingers, another hard suck to your clit, and you cry out, overstimulation bringing the pleasure near the edge of pain.

“Please, Gale, please, I can’t,” you pant. He looks up, but doesn’t pull his mouth more than an inch away from you.

“Do you want me to stop?”

Gods, but his warm breath against your soaked flesh makes you shiver. You can only bring yourself to whine.

“I need your words, love. Do you want me to stop?” he asks firmly.

You work to catch your breath and try to remember how to form words.

“No,” you finally manage to whimper. “Don’t stop.” You see the corners of Gale’s eyes crinkle with his smile.

“Good girl,” he murmurs before diving back in. You sob, overwhelmed, as he continues his sweet torture, lapping at your cunt like a man starved as though he hasn’t been devouring you for hours. Your hips twitch weakly as you feel the pressure impossibly begin to mount once more, building under his skilled attention. You flutter around him and he moans, the vibrations pulling another sob from your throat.

“That’s it, lovely,” he murmurs as he works you. “One more. You can give me one more can’t you?”

You shake your head, but the rest of your body tells a different story, your legs twitching beyond your control where they rest over his shoulders, hips bucking without rhythm.

“I think you can,” he continues. “I think you can have another for me. Let me taste the sweetness of your pleasure once more.”

You moan, high and strained, as your body moves ever closer to that precipice. You feel delirious, on the edge of madness as much as the edge of pleasure. Gale is ruthlessly efficient as he pushes you on, sucking and licking your clit eagerly as his fingers rub precisely at the spot inside you that makes your head spin. The choked sound you make as you finish once again is somewhere between a whimper and a sob. Gale groans deeply as you clench weakly around his fingers, muscles too tired for more than a weak, fluttering orgasm. He laps at you softly, working you through it with loving tenderness. Finally, he pulls away. You whine helplessly at the feeling of his fingers sliding out of you. He sucks them clean, then presses a few kisses to your shaking thighs before moving up your body to hover over you. His face is soaked from nose to chin, lips and beard glistening with your slick. He kisses you hotly, and the usual taste of him is completely drowned out by the taste of your own arousal. He runs a warm hand up your arm and rubs gently at your wrists.

“How are your hands?” he asks gently. “Still alright? Can you move them for me?”

It takes a long moment for your addled brain to process his question, but with some effort you manage to wiggle your fingers.

“F-fine,” you stutter weakly. “They’re fine.”

He pulls the fabric up slightly, inspecting the skin. You don’t know what he sees, but he seems to be satisfied with it because he nods once, then turns his attention back to your face. He kisses your cheeks with a gentleness that nearly makes you cry again, and wipes the remaining wetness from them with his thumbs.

“You’re so lovely,” he murmurs. “So beautiful. You’re doing so well. So good for me. My good girl. My sweet, wonderful girl. Taking everything I give you so perfectly. Letting me drink my fill of you. Making such pretty sounds for me while I taste you to my heart’s content. Falling apart so beautifully for me, over and over. Do you think you can take a bit more for me, my good girl? You can say no,” he says, seeing the hesitation in your eyes. “I would love to be inside you, but we can stop if it’s too much.”

You swallow hard, considering for a few seconds. Slowly, you nod.

“I can take it,” you rasp. “I can take you.”

The heat in his eyes causes your already shaky breath to catch.

“So good for me,” he whispers. “I don’t know what I could ever do to deserve you. I love you so much.”

He shifts, his hardened cock — gods you imagine it must be aching at this point — sliding through your soaking folds and catching at your entrance. You try to breathe steadily as he pushes forward, sliding into you without resistance. He moans as he buries himself in you to the hilt, nosing into the crook of your neck and breathing you in.

“You feel divine,” he praises against your skin. “Better than divine. You are perfection itself. I could stay like this for hours.”

He sighs contentedly, and doesn’t move. Your mind, sluggish as it is now, kicks up a gear. It has to be a turn of phrase. He can’t actually mean...

You feel him shift slightly. He props himself up with one arm, while the other slides between you. He presses his thumb against your lips and you let it in on instinct, sucking lightly on the tip of it. He grins.

“Such a good girl.”

He pulls his thumb out and brings the hand down, down, down your body. It slides briefly against your entrance where he’s stretching you open, and he groans. Then it slides up and starts rubbing softly, maddeningly over your clit.

“Gale?” You can’t manage more than a whisper.

“Shhh... Just a few more, my love,” he soothes. “I want to feel you come around me at least thrice before I’m done with you.”

~~~~~~~~~~~~~~~~~~~~~~~~~~

You open your eyes, blinking a few times as you try to get your bearings. Gods, you must have actually blacked out for a moment. Gale is still above you, panting heavily, his face pressed against your shoulder. You whimper as you feel him twitch inside you, the feeling well and truly overwhelming at this point. He groans and pulls out of you as gently as he can. He presses a kiss to the mark he’d apparently sucked into your shoulder and turns to look at you, one hand coming up to brush a sweaty lock of hair from your forehead.

“Alright my love?”

You nod weakly.

“Are you sure?”

You nod again. “Y-yes. Good.”

“Good,” he breathes. “You are spectacular. Wonderful beyond words.”

He moves to untie your wrists. Once he does he rubs them gently, then down your arms, massaging the sore muscles.

“Do you need some water?”

You nod, more emphatically this time. He helps you sit up and takes a glass from the nightstand. He holds it to your lips, helping you to drink. Once you’ve had your fill, he reaches over for a soft cloth that was next to the glass. He moves to clean you, but you flinch when the cloth touches your thigh.

“Too much,” you manage.

“Ah. Of course. Apologies, my love” He puts the cloth away, instead muttering a quick prestidigitation, cleaning both you and the sheets with a wave of his hand. He looks as though he means to say something else, but you yawn, and he simply smiles fondly.

“Need some rest?”

“Gods, yes.”

He chuckles and helps you lay down, pulling you into a warm embrace. He rubs your back soothingly and nuzzles into your hair.

“Such a good girl,” he murmurs. “My good, sweet girl. I love you so dearly.”

“Love you too,” you mumble, already halfway back to unconsciousness. You feel him smile against you and place a kiss to the top of your head.

“And I’m so grateful that you do. Now, get some sleep, my love.”

You sigh in agreement, and it takes no time at all for his steady breathing and comforting warmth to lull you into what just might be the deepest sleep you’ve ever had.

[starcurtain]

Following Topaz's explanation that Cornerstones are made to fill the hole in the user's heart, what "hole" in Aven's heart do you think his drag queen powers are meant to fill? Especially since Topaz remarks he's the only one with such showy powers

Still trying to catch up with all the messages in the inbox; sorry to everyone for taking a million years to respond.

So cunty, and for what???

Anyway, first, when Jade talks about the Stonehearts' "voids," the alternate reading above that word is actually "ambition." And she mentions that the reason she risked reaching out to Firefly is that she views herself as similar to Firefly--Jade is someone with an unfulfilled wish.

I think there's enough here to suggest that the Stonehearts' voids are not quite what we would normally think of when hearing the word "void"--rather than being best understood as something removed or something lost, their voids seem to be "something desired." An unfulfilled goal. An unmet need. A burning ambition. A secret wish. They all have somewhere they want to get to, and they've signed on-board with Diamond's Preservation project because his power is the fastest way--maybe the only way--to get there.

The implication here, by the way, is that the Stonehearts are acting out the very act of Preservation itself with Diamond. The goal of Qlipoth is for the universe to be saved, an unshakeable resolution to stop Destruction's wanton obliteration. Thus, Preservation itself can be understood as "A desire that must be continuously protected and relentlessly pursued." To live. To endure.

In using the power of an emanator to protect and provide the Stonehearts with ways to pursue their own desires, we replicate in miniature the exact resolve and endless pursuit of perseverance that Qlipoth is acting out in the broader universe. The will of Preservation empowers the Stonehearts--and in turn, the Stonehearts swear an oath to aid in Preservation's mission. It's a mutually beneficial arrangement, and it also simultaneously imitates Jade's shop perfectly: I'll give you exactly what you want, if you give me what I need.

I should clarify that I don't actually think the cornerstones themselves fill the Stonehearts' voids. Rather, they seem to me to be a tangible symbol of the oath between Diamond and the Stonehearts--"I'll give you this power to fulfill your deepest wish, if you work for me." Jade suggests that the power of the cornerstones provides Stonehearts with the means to fill their voids (I.e., having superpowers makes it possible for you to pursue your wish), so I think their individual cornerstone abilities are best understood as "The exact power I need to achieve my particular goal."

So what does that say about Aventurine's "showy" transformation?

Pretty much all the rest of this is just going to be my personal speculation, but I'd say the most telling glimpse we get into why Aventurine's power is so "visual" comes from these lines with the future "Aventurine" in 2.1:

There's two completely contradictory desires being expressed here: Aventurine's life "is the chip he's most eager to lay down" and "always has been"--that is, he genuinely wants to die. He isn't just willing to gamble with his life, he's eager to. The future "Aventurine" also says real Aventurine wants to be "polished up" (to be controlled and molded by others) and "cuffed with red-hot chains" (to be made powerless and not responsible for making his own decisions, to be punished).

But conversely, the real Aventurine also wants to be perceived as "a smooth operator" and "the solid gold deal-maker who doesn't waste a drop of sweat." He wants to be in charge of his image. He wants to be the one who controls the narrative and defines how others think of him. He wants to be "spotlit center stage"--to command the eyes of the world. In short, we could say that Aventurine wants his death (and conversely, his life) to mean something.

From these conflicting desires, I think you can derive a few totally opposite but equally valid interpretations of why Aventurine's cornerstone power is so "visual":

A combat-oriented transformation is another means to seek death.

Jade's power is scary, but she isn't using it to literally launch herself into fights. Topaz's seems to be similar--something that might allow her to win over her opponents in some way (she was about to use it in Belobog to no-sell the Trailblazer), but she clarifies directly that it is not a "transformation." Aventurine just literally turns into a boss enemy and goes straight out on to the battlefield.

In the fight, he doesn't even use shields. (Now whether that's something he never does because the cornerstone powers don't actually come with shields while in his monster form, if he couldn't use shields because his cornerstone was broken, or if he just chose not to use shields in this fight to give Trailblazer and Co. a fighting chance, only time will tell. However, it might be worth noting that his empowered Apocalyptic Shadow form doesn't come with shields either, despite having other new mechanics.)

The point is, this form, while looking cool and seeming strong, is actually a gamble in and of itself. To go out onto the battlefield, where you might not actually be the strongest combatant, is always a risk. And I think this is the kind of risk that Aventurine manifests continually in his life. He is constantly creating opportunities for his own luck to fail. His unfulfilled desire, the "ambition" he was desperate enough to join the Stonehearts to pursue--as his original goal to save his people is completely gone, his only current goal might actually just be a chance to die. His powers may manifest as a combat-oriented transformation because that is just one more way to throw himself into the crossfire.

In fact, this is exactly what Sugilite accuses him of in Jade's myriad celestia:

You didn't need to snatch his wig this hard, Sugilite. (Also I need you all to know I originally wrote "You didn't need to come for him this hard, Sugilite," but then I realized how unfortunate that wording was, so...)

You could even argue that the fact Aventurine's transformation comes with a mask that obscures his entire face is a sign that we're supposed to see this form as dehumanizing.

The facial features are completely obscured and asymmetrical, there's no mouth, his fingers have become claws--despite his body staying mostly human-shaped, it's obviously intended to hint at something monstrous, subsuming his original identity behind a violent facade.

Kakavasha disappears entirely behind "Aventurine" when he transforms, becoming a faceless enemy at the risk of (perhaps in hopes of) entirely losing himself. Maybe every transformation lets Aventurine throw himself closer and closer to the edge of death--and perhaps, before Penacony, only death could ever have filled the "void."

But, on the complete opposite hand (because Aventurine is always both sides of the coin), we could also argue the other end of the spectrum entirely:

A combat-oriented transformation is a show of force.

This screencap brought to you by Mr. Rubhen925 of Youtube.

Aventurine's entire life has been marred by disenfranchisement, by violations of his basic human rights, freedoms, and agency. At every turn, he has been victimized by others more powerful than himself: his childhood consisted of his clan being relentlessly hounded and hunted to extinction by the Katicans, having their food constantly stolen, their meager belongings burned to the ground, and each one of his family members systematically slaughtered, often in front of his eyes.

After his childhood, he was bought and sold as chattel for pennies, branded like an animal, and forced into a fight where to he had to beat other innocent people to death just to keep himself alive, all for the entertainment of the masses. Even Jade, who promised to help him achieve his goals, treats him like a business investment more than a friend.

In Penacony, we watch everyone he talks to degrade and ostracize him. Even though Aventurine led him into doing it, Sunday tortures and re-traumatizes him live for our entertainment.

Even more that, we see Aventurine constantly struggling with the question of whether his life is really his own or whether his blessing from Gaiathra means that his entire existence has been predetermined, his fate sealed in blood and sand from the very moment of his birth, utterly inescapable.

No matter how Aventurine tries to portray himself as the ultimate winner, he's only ever the "final" victor--being the only one left standing at the end is meaningless if on the road to getting there, you were treated like fate's favorite punching bag. Winning in the end is utterly pointless if on the road to winning, you still lost it all first, from the things you loved to your personal freedom.

What does a person who has been made powerless again and again truly desire? What void do you seek to fill if life has denied you your agency over and over?

Power. Dominance. The ability to literally strike back at those who've wronged you. The strength to intimidate and force people into a corner the way you've been intimidated and forced before.

If we say that Aventurine's "void" is not a literal desire for the release of death, then it might make sense for the "void" to instead to be a frantic desire to gain control over his circumstances. To be the one finally in charge of deciding his own fate.

Particularly in light of his character story which tells us that Kakavasha's original goal for joining the Stonehearts was to save his people, the desire to take on an impressive form that screams "I'm powerful" and has the ability to physically enact vengeance on others feels directly aligned. And it remains aligned even after the reveal that the Avgins are all gone--once more fate strips Kakavasha of his power to make a difference in the world, to achieve what he truly dreams of.

The Apocalyptic Shadow version of his boss fight is called "Desperate Diceroller."

How angry he must be, deep down. How hateful the world must seem. How sad it is to feel that way.

If destiny won't let you out of the cage, your only choice is to grow claws to tear it open.

Okay, but WHY so much swag though?

Are the peacock feathers and spandex really necessary?

Listen. Everyone talks about Ratio having "gifted kid" syndrome, but I'm here to tell you that Aventurine is actually a burnt out gifted kid extraordinaire.

He's literally, canonically, explicitly the chosen one of his people.

From the moment of his birth, his mother and sister--and presumably others in his clan even--were telling him that he was their clan's most precious treasure and that he would lead them to prosperity and safety.

He carried this weight even after fleeing from the massacre, all through his childhood and teenage years, through slavery and abuse, putting his very life on the line to join the IPC in hopes of finally fulfilling the destiny his mother and sister promised he could.

He was supposed to save them. That was his meaning. That was his purpose in life.

But he was too late.

The fate he was born for, raised believing, and risked everything to achieve... is still incomplete.

So, for all that talk about suicide and power-seeking, my real answer is this: Aventurine's "void" is his unfulfilled destiny.

His whole existence has been predetermined, his life's journey laid out in prophecy and blessings from the very beginning. Yet what he thought was his fate betrayed him, and where you head after becoming an unsuccessful chosen one is a question without answer.

His thoughts constantly circle around how he is a "failure" and a "loser."

When you have no sense of purpose, when your life has no meaning, when what you are still seeking is the role you were supposed to have from the moment of your birth: the glorious destiny of being a savior, being the "happiness" of your people, being the hero...

Of course you crave the spectacle. Of course you long for the spotlight--you long to be recognized. Because Kakavasha's the chosen one. "Spotlit center stage" is where he's supposed to be--in the leading role that was stolen from him.

I think that Aventurine's cornerstone transformation is so flashy because, at the core, it represents a longing to truly be the "precious wealth" of the Avgin that his sister promised him he would be. It represents his desire to transform from a useless, "discarded" person into a larger-than-life version of himself. (Hey, fun fact, out of every official depiction of Aventurine, his boss model wears the only outfit in which his slave brand is not naturally visible.) He literally transforms into a supernatural being, capable of seizing others' fates in his hands. It represents the power he needed to save his people and himself. Its extreme flashiness screams for attention, demands to be witnessed as something beyond a helpless human.

It's almost as if Aventurine is a child writing a wish-fulfillment story where he transforms into a hyper-glamorous, all-powerful masked superhero who is capable of saving the day and winning against his enemies every time.

Unlike Jade and Topaz, Aventurine can't hide his deepest desire. It was always going to be a "transformation," because Aventurine's unanswered wish is to be someone better than himself.

His "void," his deepest unachieved ambition--it's written right there, all over his body.

Aventurine's cornerstone power is a story he's telling himself about the person he was supposed to be.

But as Acheron claims, that's life itself.

Aventurine doesn't feel like he has any control over his journey's ultimate destination.

He doesn't know where's he's headed or what the purpose of it all is. But...

Jade explicitly describes the Ten Stonehearts and Diamond's endeavor as a "journey" as well:

Because Preservation represents the continuance of life itself, and the Stonehearts with their endless "voids"--Aventurine with his soul-deep longing to become someone better than himself--represent all of us very real human beings, trying our best to find our own "cornerstones," to gain the means to finally, finally achieve our own sweet dreams.

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[wikiangela]

you're the sun to me

Buck's in the middle of cooking dinner when there's a knock at the door. Before he can even move or open his mouth to tell his guest to come in, the door is opening, and his boyfriend walks in. Buck grins at him from where he's stirring in the pot, heart swelling just at the sight of him. It's supposed to be just a regular evening, not really a date, just eating dinner together like they try to at least once a week whenever their schedules allow.

"Hey." Tommy says, kicking off his shoes at the door. Buck instantly notices that he has his arm hidden behind his back, and is careful to face Buck at all times as he walks over to him. Huh.

"Hi, Tommy." Buck responds, raising an eyebrow. "What-" he starts, but just as he's about to ask what Tommy's hiding, he's already right next to Buck, spinning him with one hand to press him against the counter, and kissing him hello. Buck instinctively closes his eyes and kisses back, smiling into Tommy's lips. Kissing him is still one of his favorite activities ever, and he doesn't think it's ever going to change.

The kiss is sweet and soft, and way too short, Tommy pulling away way too quickly for Buck's liking. He's about to pout and complain about it, and probably get another delicious, deeper kiss, like usual, but when he opens his eyes, he's a little stunned. Because he finds himself staring into a bouquet of sunflowers, that Tommy's holding up to him in the hand previously hidden behind his back. Oh, okay. That makes sense. Or, does it?

"Um. What's that?" Buck asks dumbly, as if he's never seen flowers before.

"Sunflowers for my sunshine." Tommy responds, a beaming smile on his face. Buck's heart is racing and he thinks he's going to melt into a puddle. He thinks there are tears welling up in his eyes, and he blinks them away, feeling so silly. "Is that... okay?" Tommy asks when Buck's been silent for a minute, still staring at the yellow flowers.

"Of course." Buck whispers, then clears his throat, lifting his eyes to look into Tommy's. "It's just- no one has ever gotten me flowers before."

"Hm. Well, we gotta change that, then. I can buy you flowers all the time. If you want. If you like them." Tommy shrugs, seeming a little self-conscious now, and Buck can't have that. He's wonderful, and always manages to surprise Buck in the best ways possible.

"I do, I really do. It's- it's really nice. Thank you," he says, just amazed. He'd never expect this, he'd never expect he might want this, but now that it's here, now that Tommy bought him flowers, he's actually really touched. It's stupid, it's just flowers. Still, it feels like a big deal. "But why- what's the occasion?"

"No occasion." Tommy looks down at the bouquet in his hand, smiling softly. "I was walking by the market near my house today, and saw these, and they made me think of you," he shrugs again. "So bright and happy and beautiful. Like my Evan." He grins, eyes soft and full of love and adoration, and Buck's face is burning. God, this is silly. It's such a simple gesture, but somehow it's one of the nicest and most thoughtful things a partner has ever done for him. It's sunflowers, the flower of loyalty and adoration, and happiness. And they made Tommy think of him. He called him his sunshine, didn't he? God, he's the sweetest. "To brighten your day, like you brighten my life." Tommy adds so casually, as if it wasn't one of the most beautiful things anyone's ever said to him.

"I love you." Buck sighs, and tries to lean in to kiss Tommy, but there are flowers in the way, still in Tommy's hand, extended to Buck, probably expecting him to take them, but he was too surprised to think about that. He slowly lifts his hand, placing it over Tommy's on the flowers.

"I love you, too, Evan." Tommy responds, smiling fondly. "Now, do you have a vase or something to put them in?"

"Uh, yeah, yeah, I think I have-" Buck goes to look for a vase, stirring in the pot again on his way. He doesn't stop smiling the rest of the evening. The flowers stand on the kitchen table for weeks, slowly wilting, and when they do, Tommy replaces them. Buck thinks he wants to buy his boyfriend flowers, too, so he does, researching the meanings of specific flowers and their amount. He finds it a good way to show Tommy how exactly he feels when simple words don't seem like enough anymore.

___

Years later, when they stand at the altar about to vow to love each other forever, both of them have little sunflower boutonnieres. Tommy's the one who insisted on the flower being present at their wedding. The dork proclaimed sunflowers their flower, and it's equally silly and adorable. Buck had never given much thought to what his favorite flower might be. Now, the answer is obvious.

[bardicblast]

[patrickztump]

I think it'd be really disheartening to work so hard and to try and build yourself as an artist, and try and get good at your craft, and then, like, never make something new again. Like, I hope I'm writing new music when I'm 60, and I hope that– and, god willing, there's gonna be someone, somewhere that let's me play it. ✗

[piowasthere]

so imma be honest

i don't like this.

but imma post it anyway bc... well- it's kinda already made-

and ik there's gonna be someone out there that's gonna turnsie over it so might as well

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[ohbo-ohno]

loneliness and fallen woman with price please! happy 1000 followers ❤️

1k game here - no more please!

alright anon. i gotta be real with you, i barely used the prompts you gave and for that i really am sorry. i wrote like 1k of this about three different times because they kept just not being quite right, and they got increasingly further and further from the prompts. sorry!

2.6k of reader x local crime kingpin price. no smut! (the background plot and "worldbuilding" here is really weak, but just ignore it lol)

You know you’re doing something stupid, but that seems to be all you’re capable of these days. The last few weeks have been nothing but stipid decision after stupid decision, your absolute stupidest decision leading you to this exact moment.

You should’ve never slept with John Price. You should’ve known, should’ve recognized his face, but you’d been a little tipsy and a little desperate, and hadn’t connected the very common name John with the very well known criminal John Price. 

No, that had come the next morning, when you’d woken up before him and been able to really take a look at him, completely sober. Him and the gun in its holster resting on his folded pile of clothes.

You should’ve recognized him long before then, and you should’ve turned tail and run. You shouldn’t have let him buy you a drink, you shouldn’t have let him coax you into dumping all your troubles onto him, and you certainly shouldn’t have slept with him. 

You’d left before he could wake up and say God knows what, fear pumping through your veins at the realization of who you’d slept with. You’d nearly knocked yourself out trying to get dressed, almost fallen on top of him before you managed to stumble out of the hotel room he’d bought for you.

Everyone knows John Price. No one ever really bothers to detail why he’s dangerous, but they all seem confident he is. You’re a recent transfer to the area, and you still haven’t been able to get anyone to really say why they always whisper when they say his name.

What you do know about him is that every few weeks, almost routinely, you hear that he’s been arrested. Then two or three days later, like clockwork, it’s announced that he’s escaped, always thought to be “armed and dangerous”. His mugshots are shown on TV enough that it’s truly surprising you hadn’t recognized him at the bar. 

You always figured you’d never run into him. You don’t exactly lead a life of crime, don’t exaclty put yourself in harm’s way. You work a boring nine to five job, have dinner with friends every couple weeks, occasionally meet up with someone from a dating app, and never really stray from that. Had he not happened to be in the same bar as you, you never would’ve met him, never would’ve slept with him, and never would’ve been hunting him down now, weeks later.

Hell, you might not have even slept with him had you not just been stood up by what was supposed to be a first date on the same day you’d lost out on a promotion. But a few shots, that loneliness that grows more and more familiar every day, a simmering frustration in your career, and a handsome man are not a good combination for your self control. 

But you had slept with him, had been especially stupid and not even worn protection - something you’d only really noticed the next morning, when you felt… him still leaking from you, saw that there was no condom wrapper.

And now here you are - stood in that same run down bar you’d first met him in, wearing an old hoodie and your favorite sweatpants, three positive pregnancy tests tucked in your front pocket.

You try to take a deep breath.

You really don’t know what you’re doing. You’ve been running on autopilot since you realized you might be pregnant, the time between buying tests and taking them a blur. Even now, you’re running on instinct alone. Instinct tells you to find John Price, and tell him about… this.

You can figure everything else out after. 

You scan the crowd, hoping to spot him quickly. You know he owns the bar - something you’d found out once you’d gotten home and fallen deep into a rabbit hole and read everything about the man you could find. You’re not sure how he still owns the bar considering he’s got multiple warrants out for his arrest, but you figure it’s probably the same reason he never actually ends up in jail.

But he’s not here now. At least, not anywhere you can see.

You step up to the bar, rest your elbows on the counter and rest your head in your hands, taking a few long, stablizing breaths.

“What can I get for ye?”

You glance up at the sudden voice, coming face to face with the bartender. It’s not the same man as last time - this man’s got a Scottish accent and a mohawk, a far cry from the darker skinned British man with pretty eyes who’d served you last time.

“Do you…” you glance around again, sigh, and decide you should try and find somewhere to compose yourself a bit. “Do you guys have a bathroom I could use?”

“Course,” he smiles at you, open and friendly, and you feel some of the tension ease from your shoulders. “Just ‘round that corner there, a few doors down. Can’t miss it.”

You give him a tight smile, mutter your thanks as you head in the direction he’d gestured. His directions are exactly right, the women’s bathroom door towards the end of the hallway but clearly marked.

Just past the bathroom doors is a stairwell. The door is half open, but you can clearly see the stairs even halfway down the hallway. You’re not sure why, but you walk right past the bathrooms, ducking into the stairwell instead after shooting a quick look over your shoulder to make sure no one saw you. 

It’s nearly silent, the music from the bar growing more and more muffled as you start to make your way to the next floor. It’s even quieter once you reach your destination, just a distant and faint rumbling in the floorboards.

You step out into a hallway with four doors - two of them with nameplates nailed to them. Stepping close, you see one is labeled Simon Riley and the other reads John Price.

Before you can consider whether or not you’re making another stupid decision you’re knocking on the door with Price’s name. 

You regret it the moment your knuckles rap against the wood, can’t believe you keep doing such stupid things without thinking.

Before you can even get a step away from the door, there’s a voice calling out from inside the room.

“Come in.”

Your breath hitches. 

You can’t leave now. There’s no way he wouldn’t come to the door, see who knocked. You’re not about to ding dong ditch John Price, but that doesn’t make it any easier to move forward. You only manage it because you feel oddly exposed in the hallway, and your nerves urge you forward enough to open the door.

You shut it quickly behind you, eager for privacy for some reason you can’t quite pin down. Listening to your instincts regardless, you keep your back pressed to the closed door and shove one hand in your pocket to wrap around the pregnancy tests.

John looks… mostly the same, which only makes you feel even more foolish for not recognizing him on the night that started this whole mess.

His beard’s a bit longer, but he’s got a button up and that silly hat on, the same thing he’d been wearing the first night you saw him. It’s almost like you’re yanked back to that night without warning, the only real difference being the fact that he’s sat behind a desk instead of beside you.

“Oh,” he says, looking oddly unsurprised as he leans back in his chair, hands lacing over his stomach. “It’s you. My little runaway.”

You scowl, your trepidation immediately replaced with anger. 

“First of all,” you hiss, scowling and moving towards his desk, the twitch at the corner of his lips only working you up further. “I’m not your anything. And I didn’t run away.”

His lips curve into a fuller smile, and he shifts his chair back enough for you to see his thighs, thick and bulging against his tight pants. He’s manspreading in his own office chair, and you have to swallow thickly when you realize just how attractive it is.

When you glance back to his face and see the distinctly smug expression he’s wearing, your ire only grows.

“Not sure what else you’d call it,” he rumbles. “Was hoping to spend a little more time with you, love, but you were gone before we could set up a date.”

You instinctively go to bite back, but stumble a bit when what he’d said settles. The idea that he’d been disappointed when he woke up alone, that he wanted more time with you…

You shake the thought off. It doesn’t matter, you have more important things to discuss.

You force yourself to straighten, fingers toying with the tests in your pocket. Your nerves return now that you’re really face to face with John again, now that you’ve got to actually figure out how to tell him. 

He seems to sense the shift in your mood, leaning forward so he’s not sprawled out so casually and resting his forearms on his desk.

“Why’re you here, love?”

This is it, you think to yourself, closing your eyes to take a deep, stablizing breath.

You tug the pregnancy tests out of your pocket, drop them wordlessly in front of him. It’s hard to keep your eyes open, to watch his expression as he slowly looks down at your offering, watch as realization washes over him.

John’s silent for a long moment. Your palms sweat, and you just barely resist the urge to wipe them off on your pants.

Finally, he looks back up at you, shifting in his chair. “You’re sure?”

You hesitate, nod a bit. “There are… I took more, at home. Didn’t want to bring them all.”

He nods, leaning back in his chair and crossing one leg over the other. “And it’s mine?”

You flush, face going hot. You know it’s a fair question, but you can’t help but bristle anyway. 

“Yes,” you hiss, shifting your weight from foot to foot. “I haven’t… I didn’t…” You cut yourself off, the words you were my first trapping themselves behind your teeth. You hadn’t meant to lose your virginity to John Price, and you see no need to tell him you even had. As far as you’re concerned, you can keep that knowledge to yourself. “It’s yours.”

He doesn’t look convinced, and that only makes your face go hotter. You fight the urge to tuck your hands beneath your armpits, determined not to shrink in front of this man.

“I haven’t been with anyone else,” you elaborate, eyes flicking away from his face.

He takes a deep breath, exhales in a loud sigh. You hear his fingers tap against the desk, just barely bite back your annoyance at the sound. You work your tongue between your teeth, nerves racing again.

“Well,” he eventually says, standing from his chair. You can’t help but jolt a bit, having forgotten just how big he is. He towers over you even from a few feet away, his broad shoulders and barrel chest only making him feel twice as large. It’s a conscious effort on your part not to take a step back. “I hope you weren’t too attached to your apartment, love.”

He stalks around the desk, walking towards the door, but you can’t move from your spot. Your eyebrows furrow, and you track him with your eyes.

“My apartment? What’re you talking about?”

He shoots you a look, one you have no idea how to interpret, as he tugs his door open. “Simon!”

“John,” you hiss, stepping closer to him again. “What’re you-?”

He holds a hand up to quiet you as the other door opens, and you can just barely spot another man stepping forward. “Yeah?”

“Need you to call some movers. Need to get my girl moved into my place.”

You gape like a fish as the new man leans to the side a bit to look where Price is gesturing to you, and he nods. “Got it. Timeline?”

“Done by tonight.”

The other man grunts, and leaves again. John closes the door, turning back to you and starting back to his desk.

“What- what the hell?” You splutter, mouth opening and closing in shock. “You can’t- you don’t even know where I live!”

John settles back into his chair and shoots you a look that you can clearly read - it’s nothing but unimpressed.

“Course I do, love. Did you think we wouldn’t be meeting again?”

You blink at him, dumbfounded, as he turns to his computer, lips twitching into a smile.

“Of course we wouldn’t,” you try, hand resting on one of the chairs in front of the desk to steady yourself. “We only… we only slept together once. I didn’t even know who you were.”

He hums an agreement, typing. “No, you didn’t. But that doesn’t matter, you know now. And considering the other… developments,” he shoots a look to your belly, and you rest your free hand over the small curve protectively. “It’s best we get to know each other in far closer quarters, hm?”

“No,” you argue, trying to inject some sterness into your tone. “I’m not moving in with you, that’s ridiculous. I just… I only told you about the baby so you could be involved. Maybe pay some child support. But there’s no reason for anything more.”

He sighs heavily through his nose, giving you another of those unimpressed looks. “You’re tellin’ me you’d rather keep living on your own? Take care of yourself and my baby all on your own?”

You brows furrow. “My baby.”

“Our baby.”

“Whatever,” you huff, moving to sit in one of the chairs, slumping back. “I can’t move in with you. Just because we… slept together, once, doesn’t mean you can just boss me around like a minon.”

 “Oh, it was more than once, love,” he corrects, voice pitching lower. You force down a shiver, cheeks heating again. “And is it really bossing you around if it’s for the best?”

You shoot him your own unimpressed look. “Yes, of course it is.”

He shrugs, turning back to his computer. “Then I guess I am bossing you around. Regardless, Simon will have your belongings in one of my properties by tonight.”

You scowl, leaning forward enough to plant a hand on his desk. “Listen, John, I have a life. A perfectly nice apartment, a job I like, friends - you can’t just take me away from all of that just because we made a mistake!”

The quick glance he shoots you verges on scolding. “That’s exactly what I can do, and it’s exactly what I will do.”

He stands before you can reply, fixing his cuffs as he strides back to the office door.

“You can call your boss tomorrow to turn in your resignation,” he says over his shoulder, tugging the door open and already walking away, winking at you just before he disappears from your sight. “You won’t be working while carrying our baby.”

You gape at the spot where he just was, palms still slick with sweat. It takes you a moment to fully grasp what he’s just said, how the entire conversation has gone, but when you do you’re enraged.

“John!” You shout, storming after him, leaving the pregnancy tests behind. “Get back here, you insane man! That’s absolutely not happening!”

The sound of his low laugh echoing through the stairwell only pisses you off more. Your scowl feels etched into your face, and as you storm after John you vow to keep him from completely steam rolling your life.

If he thinks he’s going to just pluck you from your life and drop you in his with no fight, he’s got another thing coming. 

[katsu2ji]

imagine telling sugawara all about your special interest and him just sitting there and genuinely listening to you. he loves the way your face lights up as you talk about the thing you love so much to the point that it’s sometimes all you can think about. he’d ask questions to keep you going and make the conversation feel less one sided, to show you that he truly cares. he doesn’t mind that you’re rambling, barely aware of how long you’ve been talking or whether or not he even knows what you’re talking about—the fact that you trust him enough to talk about your special interest with him, to share this part of you, is more than enough. he doesn’t care how “weird” or niche it is, he’s just happy to be there learning from you. if you feel guilty afterwards for info dumping and being “too much,” he wouldn’t hesitate to remind you that you are anything but. all he wants is for you to be happy, and seeing you this excited makes him the happiest man alive.

katsu2ji © 2024. please don't copy, modify, or do anything of the sort with my work! i work very hard and you simply do not have my permission.

[meta-squash]

I think two of the most important things about Jack Harkness, two things that inform almost everything he does and the choices he makes, are this: that he is a soldier NOT a leader, and that his entire life since childhood has been awash in survivor's guilt (and his whole existence after becoming immortal is an even more extreme version of survivor's guilt).

Jack is not a natural leader. He can think on the fly and he's good at getting people to listen to him, but he's not good at control, or at being objective. He's a natural second in command, he's a soldier. He was brought up to do what other people told him to, and to improvise if he had to (Time Agency, etc). But I really don't think he wants to be the leader of Torchwood. Unfortunately, everything about him means that he has to be. He knows from experience that others having control over him is dangerous, others knowing about his immortality while he's a subordinate to them is dangerous, and he also knows that his own immortality gives him an advantage as a leader. But I don't think he's good at leading. He tries to be. But he's fumbling along, in a time period he's not native to and a planet he's not native to and an unfathomable lifespan, and as charming as he is I think he's often not good with people. He's detached where he should be personal and emotional where he should be detached (or at least more level-headed). He's often too extreme or not harsh enough when it comes to things like discipline or dealing with the problems/traumas/mistakes of his employees or even civilians. He can't handle his employees seeing him uncertain/vulnerable and it makes for huge problems over and over again.

But all of this does make sense because I think in the back of Jack's mind there's always this wheel spinning, these gears turning and turning and calculating the impact and trauma each of his actions or decisions or the events around him are going to have on his own emotions for far longer than normal humans tend to consider. Because the catalyst for any part of the life we see him leading is survivor's guilt. He lost his father and his brother on the same day, joined the military and lost his best friend, joined the Time Agency and lost his memories (and maybe thinks he did something terrible). Then he died, and when Rose brought him back, he was all alone on the satellite with nothing but the corpses of the people who had fought beside him and zero explanation as to why he survived, and he had lost Rose and the Doctor besides. And then all his life on earth since, he has lost coworkers and lovers and civilians he tried and failed to save and probably also aliens he tried and failed to save. And I think by the time he becomes reluctant leader of Torchwood, every action is, whether conscious or subconscious, taken with the intent of minimizing that kind of trauma and the impact of loss.

Except that I think that the survivor's guilt has another layer to it, which is that feeling of needing to sacrifice or absolve himself in some way. No one else is willing to make the difficult decisions, no one else will move forward with the painful and unpleasant actions, even if there's no other way, even though they will someday perish and no longer see the ripples of their actions. But Jack - who cannot die, who must live with the guilt or the pain or the trauma of those actions and decisions for the rest of his very very very long life - is the one who realizes that he must take on those painful responsibilities and must do certain things even though they're terrible, because it ends up being the sacrifice of one over the whole world. And every single time, he's guilty about it, and that makes him want even more to sacrifice his own hurt for the grief and loss of others.

So it's this strange cycle of wanting to protect himself from hurt and from loss and from the survivor's guilt, but being driven by guilt towards painful and/or self-sacrificing actions. Which then makes him fear being seen as vulnerable or uncertain, and he struggles to do things on a smaller scale or in a more level-headed way, because he's not supposed to be leading like this, it's not something that comes naturally, and if he makes emotional connections by being a leader, he'll end up trapped in survivor's guilt yet again each time one of his employees or friends or lovers dies.

It's just a terrible cycle and he's trapped in it for the rest of his existence. Although if he really is the Face Of Boe, then I imagine at some point he eventually finds peace with it all or something, but I think so long as he has a human-form he's stuck with this cycle of leadership and loss and sacrifice and mistakes.

I think it's really important that Jack is not good at his job as a leader. He makes a ton of mistakes, he fucks up so much and his employees or even civilians end up collateral damage, whether physically or just emotionally. He wants to be a good leader, I think, and he's trying, but he's fallible, and he's a stranger in literally every sense, and I think a really big part of his character is that he constantly is forced to live in this bizarre dichotomy where he has to be both very distant and cold and detached, and also very emotional and intense and personal. And any other person would collapse under the stress of repeating that over and over and over again for decades, but he has to figure out how to navigate this weight as an infinite existence that can't ever collapse or let it burn him up and kill him.