#so I'm using this as an excuse

[briar-ffxiv]

Day #1 of FFXIV Mixed May Introduction

If you happen to meet Briar alone in the Black Shroud, this is likely what you shall see, a wary archer far from home and hearth, not unfriendly but cautious.

[inniave]

after surgery i'm buying myself pentiment goddamnit

[nicecrumbart]

Keep thinking about that one scene in secret life

[nutmeggery]

actually I will say something about this:

setting up a romance line but waiting until one of the actors is a freshly legal adult before executing it is creepy, actually, especially when the co-star is 15 years older

[rejoiceinsilverlight]

the suit isn't complete until martha kent says so 🗣🗣🗣

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[unrelatedsideblog]

bleping doodles idk

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[thottybrucewayne]

I think what I want to get into with the "Anyone can do harm." thing that I keep beating yall over the head with is that literally anyone, anyone at all can do harm it's not "in your DNA" to be an abuser or written in the stars that you'll be a predator. Whatever image you have of an abuser in your head, drop it and replace it with your favorite person in the world and you'll probably be closer to the truth than you realize. It's easy to address harm when it's coming from someone you already hate. I see it happen all the time. Someone you couldn't stand for no real reason does something heinous then all of a sudden here comes the avalanche of "I always knew they were a fucked up individual." No, you didn't. There is no possible way you could have known, you just already didn't fuck with them before they started doing something you could use to justify your hatred of them. I'm guilty of it too! I'm petty, mean, vindictive, and yes! I'm way quicker to believe something bad about someone I hate versus someone I love because I'm human. Still, y all gotta learn to move past that initial "Well, they were always nice to me!" gut feeling and understand that nobody truly knows anyone and anyone can be capable of anything. Even victims. Even you.

[lazylittledragon]

isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine

but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day

[vierdz]

WIP, I find myself coming back to this one often

[bitegore]

Zionists want you to conflate Judaism and Zionism. Zionists want you to believe that Judaism cannot exist without Zionism and that all Jews are Zionists. Zionism would have Jews believe that a Jewish state is the only way that they can be safe from antisemitism and will point to any instance of antisemitism as proof that Zionism is the solution- so Zionism wants gentiles to be antisemitic in their support of Palestine. They want you to conflate all Jews with Zionism and the state of Israel, and they want you to treat all Jews regardless of political affiliation as the face of Israel. Antizionist Jews exist, and incidences of antisemitism ostensibly acting against Zionism will not help dismantle the forces propping Zionism up.

Don't do their work for them.

[dalekinapaintedparadise]

[retquits]

🌻 fields of mistria + stardew valley commissions 🌻

3 slots; not first come first serve

skeb style head/bust shot

NPC (priority) and/or farmer OC OK

👉 now accepting requests via vgen!! 👈

[alleiwentcrazy]

Eddie hates it when people don’t answer his calls. He hates it with passion.

It reminds him of too many things. It reminds him of manhunts and abandoned sheds, and no one on the other side of the line. It reminds him of cold, clammy hands, of hunger, of fear. Breaking bones and eldritch horrors he’d thought existed solely in cheap movies, not in real life, until he was brutally made aware of the fact that when people say everything’s possible, everything is possible.

Every time someone doesn’t answer the phone when he calls, panic starts to boil inside his veins and his brain immediately makes at least a dozen painful scenarios for him to dwell on. He knows that technically, they just don’t know that it’s him. But it doesn’t make him worry any less, so everyone’s learned to respect the rule. They just have to pick up. No matter what. Or he’ll freak out, drop everything he’s doing and come unexpectedly to check if everything’s alright.

There hasn’t been a single situation when things were actually bad—people go get groceries, take solid, deep naps, or they’re simply too lazy to pick up sometimes—but he always does that. Always.

Especially if it’s Steve who doesn’t answer. What if he fell? Or someone mugged him? Or he got into a fight? This brain can’t take any more damage. What if he’s in the hospital now, waiting to be anesthetized before surgery, and no one’s called Eddie yet, because to society they’re just some dudes living together?

There are too many options. Eddie doesn’t like taking chances anymore, so he slaps the “I’ll be back in a few” sign on the door, closes the shop and speeds through the town like he has nothing to lose. (And it’s quite stupid, because he has too many things to lose now—but he’s allowed to freak out once in a while.)

When he gets there and sees Steve pacing and gesturing animatedly in front of the window of their tiny but awfully cluttered kitchen, he finds out exactly what it means to have the whole world on your shoulders. Or, rather, to be finally freed from the pressure it creates.

It’s okay. It’s just a stupid phone call. It wasn’t even important, anyway.

Despite that, he takes his helmet off. Won’t hurt to remind Steve of the rule. And maybe kiss his pretty face a little while he’s here.

He doesn’t even have to enter their apartment to know that Steve’s not alone. First off – if Steve’s pacing and rambling, an anxious trait he’s picked up from Robin, wasn’t a hint enough – it’s loud. Their paper walls can barely hold back a normal conversation, let alone something resemblant of a heated discussion. Honestly, Eddie has no idea how their neighbors can stand them sometimes, with his metal, their late-night conversations and non-conversations alike, with the kids visiting so often. Although Steve is optimistic (they have some lovely neighbors, like sweet Gran Fran, but don’t ever let Eddie express his opinions about that old hag from across the hallway, Miss Hermans), he’s still waiting for that complaint to be filed.

Second, he smells coffee. Steve never makes coffee for just himself.

Eddie opens the door gingerly, remembering how easy it is to completely unhinge them by accident, and is about to scream something about getting home, when none other than Dustin Henderson cuts him off with a shriek.

“—because it’s actually pathetic, that’s why! Get a grip, man, just do it!”

“Oh, it’s so easy for you to say, because you’ve never actually tried—”

“And maybe I never will! If you won’t do it, how can I learn how to do it myself? You know that you guys are the closest thing to father figures!”

“Hey, don’t make it about yourself for once, maybe? Some humility?”

Dustin’s quiet for a second, but Eddie knows he’s not about to admit full defeat. “Yes, sorry,” he chokes out, finally. “But you’ve tried so many times, you should know that it doesn’t get any easier on another try. Just do it, it doesn’t matter how.”

“It does, though! To me, it—it does. It matters,” Steve mumbles back, and Eddie can picture his face in perfect detail. It’s Steve’s small voice, which means he’s worried about something, even though his worry doesn’t make any sense in everyone else’s eyes. He’s unsure: his brows are pinched, lips pursed, stare skittering around the room, never focusing on anything. Dustin knows this face too, because his tone gets softer.

“Okay, then walk me through it.”

“What?”

“Walk me through it. You’ll know what you want, how you want it, when and where, and it’ll be easier when you try it next time.”

“Dustin, I really don’t—I’m not sure it can get easier, ever.”

“Because you’re scared.”

Steve sighs deeply before he responds. “Yes. Because I’m scared.”

“It’s been eight years, Steve. What are you scared of?” Dustin’s voice is gentle, curious. He’s not judging, he genuinely wants to know the reasons, and so does Eddie. He leans against the wall, trying to sneak a peek of the kitchen unsuccessfully, and listens. A while passes before Steve speaks again.

“I think—There are so many things I’m afraid of. But the main one… It’s still rejection. Not being enough. Because it’s not like it’s anything formal, right? It’s only a promise, and if it ends up turned down…”

Chair legs scrape the floor and Eddie can hear two soft slaps – hands on shoulders, probably.

“Steve Harrington. Calm down. You know it’s not going to happen—no, don’t argue. I know it, and this alone should be enough. You are an amazing person. You’re great with people, you’re bright, you’re sweet, caring, you have so many talents. I love you, Steve,” the pause that follows is filled with something so heavy there’s a shift in the air. It has a different smell now. A little salty, a little warm. “And he loves you. More than you can imagine, probably. So just pop the question, Steve. And don’t back out with some stupid excuse like this morning.”

“Pop the question,” Steve says, his voice firm, only a little timid. “Yes, I think—I think I can do that.”

Eddie bounces off the wall and takes quiet, slow steps backwards. He can’t hear anything else, even though the conversation continues. He bites his tongue hard enough to make it bleed a little. A coppery taste floods his mouth as he closes the door.

Oh, it’s just so, so stupid. He would have said yes. Each and every time, he would have said yes.

*

Later that day, when they’re lying in bed together, with the sheets rumpled, their bodies warm and mushy from the nap, with Eddie’s lips on Steve’s and Steve’s hands in Eddie’s hair, Eddie remembers the overheard conversation.

Well, no. That’s a lie. Because he hasn’t stopped thinking about it ever since.

Every single second of what, at first, seemed to be yet another annoying Monday, has been filled with reverie and anticipation. Dustin’s right – Eddie loves Steve. He loves him enough to risk hell for him, enough to argue with anyone who’s in any way mean to him. Enough to take his hand and say “You don’t have to be afraid when I’m with you”, even though Eddie’s the biggest coward in the whole wide world.

Eddie loves him. Loves his goofy smiles and scrunched happy faces, loves his moles and the uneven mustache he grows out sometimes when he’s bored. Eddie loves how gentle Steve is, how thoughtful and kind-hearted he is. How he helps Gran Fran replant her flowers each month with more enthusiasm than Eddie’s ever shown to anyone. How he talks to children, how much respect he has for those undermined by everyone else.

Eddie loves how he’s learned to stand up for himself. He’s proud of Steve, of how much he’s grown, of how he knows how to express what he needs and what he wants now. Eddie’s loved him for ages, maybe even longer than he’s aware of, but every single significant and insignificant change in Steve’s behavior and point of view makes him fall a little bit harder, every time. In any shape, in any form, there’s one constant in Eddie’s life: his love for Steve.

He likes to think that they do that to each other, both of them. That they help each other through inevitable changes, painful regressions and euphoric victories alike. He likes to think that together, they make one, healthy, living being – and apart they’re good, because they’ve grown to be good people thanks to the connections they’ve made overall. He likes this idea of just being good, together and apart. And he loves Steve for giving him the opportunity to be just that.

Eddie wants it to last. Desperately, intensely, madly. He wants it to last and he needs it to keep happening – he knows that, and he knows he has the capacity to do that. To be there, to stay. His hands touch Steve’s thigh, not in the slightest covered by those silly Hawkins Tigers shorts he’s kept, then they touch Steve’s soft, scarred belly, then they touch his chest, where his heart is beating steadily and peacefully, and he keeps kissing him and Steve keeps clingling back to him, and Eddie’s so sure.

He wants this. He wants to experience growing old together, he wants them to get all wrinkly and bald together, he wants the fights over who gets the most comfortable chair in their grandkids’ living room. He wants them to experience the highs and the lows of the family that they already have, and the one they’re going to build someday.

Eddie wants this. He wants Steve. The whole deal; the promised forever. And he doesn’t want to wait another second.

“Steve,” Eddie says, cutting the kiss short so suddenly Steve actually pulls him closer, chasing after the warmth of his lips. “I’m saying yes.”

“Mm. Okay,” he mumbles back, too kiss- and sleep-hazy to catch Eddie’s intention right away. He tries to bump their noses together—which is adorable, really, but Eddie can’t let him hijack and self-sabotage this proposal too.

“No, Steve,” he squeezes Steve’s side until he looks at him properly. “I love you. I’m saying yes.”

In awe, Eddie watches as Steve’s face goes through confusion, true bewilderment, a bit of fear and fleeting exhilaration, to finally settle on disbelief.

“How did you—”

Eddie laughs a little at that. “I called and you didn’t pick up.” Steve makes a little oh sound, already looking like a kicked puppy. “But it’s okay, doesn’t matter, not the point,” Eddie jumps in, anticipating an unnecessary apology. “The point is, I love you, and I’m saying yes.”

Steve stares at him for a long second, his eyes wide and earnest. His fingers slide from Eddie’s hair to finally settle on both of his cheeks, cradling them lovingly. Eddie kinda wants to cry.

“You’ll marry me?” Steve asks, incredulous, his voice only a bit louder than a whisper. The way he accentuates the word “marry” gives yet another layer of meaning to such a simple question. You’ll love me? Forever?

“I’ll marry you,” he replies without hesitation. “You’ll marry me?” You’ll love me? With my flaws?

“I’ll marry you,” Steve says back. Then he grins with his eyes glistening in the bedside light, and squishes Eddie’s cheeks so hard it squeezes the unshed tear right from his eye. “We’ll get married!”

Steve giggles happily, and Eddie laughs with him. There’s so much joy inside him—them, the whole room seems to get bigger. “We will,” he adds through a smile, already peppering his fiancé’s face with kisses.

“Oh gosh, I have to call Robin,” Steve manages through his giggles and Eddie loves him so much. “And Dustin!”

So, so much.

[ariaricottoncandy]

drawing team frat boys (and spep) as women for bullying jumperwho