#so I'm not sure where it is or if it exists

[rjalker]

made with speech to text and I'm not fixing the goddamn typos you can all figure it out

This post is also relevant to nonbinary people and the OP has decided to get extremely upset about somebody gently saying this in the notes instead of just saying yeah I should have mentioned nonbinary people, because this post is literally not fucking exclusive to binary trans people.

And it's literally just exordexism to pretend that this is only an issue that binary trans people face and deal with.

Non-binary people are constantly ignored and erased when people are talking about trans issues, this post and the topics it deal with are not in any shape or form exclusive to binary trans people, the only reason non-binary people aren't mentioned is because of x or sexism. Opie, you're being non-binary does not make this apparently purposeful exclusion of non-binary people from this post any less bigoted, and I was going to fucking ignore it until I saw your absolute fucking flip out in the notes from somebody literally just saying don't forget non-binary people.

If you are making posts about trans people, literally just put in 2 seconds of effort to remember that non-binary people besides yourself exist. That we exist. Almost every single fucking post about trans people on this website is always about binary trans people, and yes you are in fact directly contributing to the erasure of non-binary people by not mentioning us on this post that also applies to us just as much as it does binary trans people. It doesn't matter that you are also non-binary, that just means you should know better.

Not every post on this website needs to apply to everyone, and that's literally not what anyone is fucking arguing, but this post is literally applicable to all trans people, and it is literally x or sexism to not mention non-binary people. It literally fucking is. And if you are more upset by somebody literally just gently saying don't forget non-binary people then you are the fact that you wrote this whole fucking post and didn't mention non-binary people once, I don't know what to fucking tell you You're just extra sexist and contributing to extra sexism that is rampant on this website.

If the post is talking about a topic that is exclusively dealing with something that only binary trans people face, then sure go ahead and do what the fuck ever but there are hundreds of posts on this website that talk about issues that all trans people face like this one that make no mention of non-binary people at all because people are extra sexist, and you are not magically excluded from being extra sexist because you are also non-binary

Your response to the person in the notes just gently asking people not to forget that we fucking exist is you being extra sexist. All you had to do was say yeah you're right. But you instead flip out and pretend like it's a fucking hate crime for somebody to ask you to include non-binary people in your posts about trans issues that affect literally all of us. You are acting like non-binary people are just demanding absolute perfection and all of this bullshit by literally somebody just asking don't forget non-binary people. In a post you made about trans issues that affect all of us where you only mentioned binary trans people

If you want to actually fight extra sexism and transmisia, you do have to put in the fucking effort to remember that non-binary people exist, yes, even if you fucking are one. Because your response to that person's simple fucking statement is completely over the top and is literally just extra sexism.

You do not get to act like non-binary people are just demanding so much impossibility and so much impossible difficult things by literally having somebody to say don't forget non-binary people on the post that literally applies to all trans people and you fucking did not mention non-binary people once.

All you had to do was say yeah you're right. And just edit the post or add every blog that says and this also applies to non-binary people too. That's literally all you had to fucking do. But no. You just had to go and be a fucking exorsexist acting like it's an impossible demand to include non-binary people and act like you being non-binary makes this behavior okay somehow.

And yeah in the replies the OP literally says that this post is explicitly not about non-binary people at all and doesn't apply to non-binary people so I guess we don't deserve the same basic respect as binary trans people! Cool. Great. So fun.

Sarcasm: the way to be a trans ally is to be aggressively fucking against non-binary people being acknowledged at all in conversations that affect all trans people.

I don't think you're a trans ally until you accept trans people who don't want to transition. And I don't just mean medically.

I mean trans men who look indistinguishable from cis women and trans women who look indistinguishable from cis men and they're happy like that. Who have no intention of changing their style, presentation, or even pronouns.

Some women don't look like the stereotypical idea of "woman" and it's the same for men. But they're still men and women. I need you to understand that gender has no bearing on appearance and people's comfort in their own bodies is more important than the fictional idea of what manhood and womanhood looks like.

And, yes, some people can't transition due to disability or funds or whatever and they're included in this, yes. But you need to accept people who don't want to either. Who willingly make the choice to not transition in any way because that's how they're the most comfortable.

A trans person who doesn't transition is just as much their gender as anyone else of that same gender. Please get that through your head.

To any trans men who don't want to transition or change their appearance in any way: You're a man. You've always been a man. You will always be a man.

To any trans women who don't want to transition or change their appearance in any way: You're a woman. You've always been a woman. You will always be a woman.

The way your body looks doesn't matter in the slightest, your gender is real and legitimate and valid regardless of any other factors.

[ccrisntok]

Your Masterminds, Whit Young, and Ace Markey! (mm! whace au)

(Spoilers lol)

what normal fellas ahahahahaha (I have poured my entire soul into these two there is nothing left of me)

A basic summary of their relationship:

Whit has spent like, over a year manipulating Ace into being complacent in his plans. In his own eyes, Ace is a sorta-stupid lacky, who he's constantly love-bombing to keep obedient. Although, he is a bit glad for the company... it was sorta empty when Ace was "dead" and they couldn't really talk. And maybe Ace almost dying from his fake execution was a bit disturbing. But he's sure its nothing! (He fell in love with him like a moron.)

Ace has fully fallen in love with Whit. He's not happy about it, but it happened. As a result, he's basically ruined any semblance of his own morality, just so he doesn't lose Whit, or the affection he knows is mostly performative. He's more than happy to kill his fuck-face classmates, after a... bit of prodding, and honestly, he'd do anything Whit asked at this point, even die. He'll still complain about it, though.

i tried to be as original as humanly possible, but I'm def giving credit to @talkativeanonymous, @acethehorseishere, and @a-blog-for-kat all for inspiring these two in one way or another (esp. a-blog-for-kat lol).

anyway there's the art, here's the promised lore. warning for like a million words. I'm serious. It's 1,400 words. you can stop here i don't blame you.

also sorry for the odd looking bullet points, didn't realize you couldn't have gaps lol!

This au operates on a probably un-canon assumption that I pulled out of my ass. That is that Mai Akasaki is both a student in the class of 27, and that she is the "time loop" student. She is usually a part of the killing game, but she isn't this time, for reasons I'll explain in a sec.

This specific loop, Mai is attempting to dissuade the (usual) mastermind from wanting to start a killing game in the first place. That mastermind is Whit Young.

She goes about this by trying to curb Whit's main reason for his descent into despair, his resounding loneliness, by giving him championship. Charles hasn't softened up to the others in any regard yet. But that wasn't the main reason, unbenouced to Mai.

In this loop, and this loop alone, Mai sets Whit and Ace up to be friends. She hopes they can help each other, since they usually end up more or less alone in their school life.

Surprisingly, it works. They get along decently well, although a codependency starts to develop on Ace's side.

Around this time, Whit takes up an internship at XF Future, which Mai doesn't realize. He innocently wants to explore other job options, "Matchmaking" not really being a stable career forever.

Obviously FX Future isn't a normal Tech Company. Whit starts to change, in a barely noticeable fashion, the longer he works there.

Ace notices Whit's contacts start looking a lot more vibrant after Whit takes a couple weeks off school for a "company trip." He thinks it's... sort of pretty.

(Whit's time at XF Future showed him a side of humanity he didn't realize existed. Insane levels of greed, using the concepts of "ultimates" to guide a stupid pubic where the Government wanted them, generally a dystopia. It feeds into his existing detachment from humanity, until he hits a breaking point, setting his sights on ending the "Ultimates" concept by killing the newest class in the public eye, including himself.)

(XF Future develops a new sort of technology, prosthetic "eyes" that basically turn you into a living remote control, able to connect to an entire building if its connected via a computer system. Security cameras, doors, fucking air conditioning- everything.

(Whit offers himself as the test dummy, and it goes perfectly.)

Anyway, Mai decides to talk to Ace, since she's starting to realize he's becoming a bit... softer after hanging out with Whit so much? And hopes like, for once, he'll actually accept help for his mountain of problems.

He doesn't take this conversation very well.

Mai, with knowledge from dozens of loops, accidentally brings up an extremely traumatic event, simply mentioning the name "Tyler" once.

In a blinding mix of rage and horror at Mai's knowledge of the event, that Ace has literally never even spoken about in this timeline, Ace shoves her away from him.

She falls backwards, and splits her head on a desk, killing her instantly.

Ace, in a horrified frenzy, calls Whit, literally his only friend.

Whit shows up. Ace expects him to freak the fuck out, call the cops, or something like that... But he doesn't.

Whit simply tells him they were going to hide the body together, not even remotely caring about Mai's death.

yeah that's a little fucking weird, and its terrifying, but going to jail is scarier sooo Ace goes along with it!

After this, Whit wraps Ace into uncharacteristically cruel pranks against some of their classmates and others at Hopes Peak, oftentimes resulting in physical injury.

He acts like these are completely normal and funny, while Ace is both freaked out by it, and sort of enjoys enacting pain on people he didn't like.

Along the way, Whit notices Ace starting to fall for him. Horrible news for Ace, since Whit plays into those emotions by becoming much more physically and emotionally affectionate. Which he doesn't enjoy, like, at all... not a bit...

Whit convinces Ace to assist him in greater and greater acts of violence until Whit just straight up kills someone (not a classmate, a stranger.)

Ace is of course tied into everything way too deep to stop now, and after all this... he doesn't really want to. So he stays as Whit's accomplice for months, up until Whit's weirdo behavior arrives at the idea of the killing game. He references the "First Killing Game", which Ace had never heard of.

The idea is a bit intense for Ace, but at that point, he didn't have anything beyond Whit. If it took this to stay with him... He'd do it. Even if in the end, they both were going to die.

So they get to work!

Ace had been taking engineering classes at Hope's Peak in hopes of getting out of jockeying, and he'd helped his family build sheds and shit since he was a kid, so he focused on the construction and executions.

Whit wired the building an all-encompassing computer system he could control, as well as stealing "Mono-TV" from XF Future, a robot he can fully control to be the "host" of the game.

He also steals the "mind wiping" technology from XF Future. It's weirdly easy to steal stuff from this company, hm? It's almost like they aren't protecting it...

Whit also uses another piece of experimental biological technology... on Ace.

A screen connected to his brain, a lottt less invasive than Whit's eye surgery. It doesn't impact Ace mentally, it just gives him the ability to produce visible projections for easy construction, communicate with Whit remotely, (and give Whit a way to always know what Ace's condition.)

The screen is unclipped when the game starts, but the brain implant is still connected to Whit, so he can detect Ace's condition.

After kidnapping the class of 27 and wiping their memories... It all starts. A killing game, streamed live to the entire nation.

Whit and Ace start off as a part of the class, interacting with the others like normal, a pretty decent show. Things go roughly as planned, putting everyone in the positions Whit wanted them. Untilll... chapter 2.

Ace gets his ass jumped, and almost dies prematurely. This is fine, Whit privately makes sure the wounds properly cleaned, but it does fill Whit with an... ominous feeling.

Ace still kills Arei, a part of the plan, and gets "executed", so he can more easily upkeep the executions and such behind the scenes.

After the screen playing the fake execution turns off, Whit checks to make sure Ace didn't get injured in his running around... but can't detect anything.

At all.

Ace's heart wasn't beating.

He actually, seriously, had a fucking heart attack.

(Ace's heart attack was for a combination of reasons. Firstly, his heart was actually in pretty bad condition as a result of his eating disorder, something Whit had figured was "over" by now. It wasn't!)

(Second, in that moment, the idea that maybe, just maybe, Whit could have been double-crossing him came to Ace. What if Whit loaded the guns? What if Ace's use was done, and Whit was finally getting rid of him? It was terrifying because he could die, and terrifying because... It'd make sense. It was all that ever happened to him.)

So he had a heart attackkk lameeeeee

This makes Whit tweak the fuck out, internally. (lol pretend his spooky ass sprite happens AFTER the execution, not before. shh its all made up its all pretend)

After Levi gets taken to the infirmary, Whit drops Charles off at his room as quickly as he can, then fucking BOLTS IT to a hidden passageway in his room to the like... Mastermind area, with the execution chamber.

Whit manages to resuscitate Ace in time, barely. And even after that, he's in pretty bad condition. But he's conscious and mobile.

Whit gets him as comfortable as he can, and after spending the night, he sort of... has to leave. He does some tweaks to Ace's brain screen thing, creating a functional heart monitor that Ace (and he) can watch.

As often as he can, Whit sneaks off to the Mastermind area at night to make sure Ace doesn't fucking die in his sleep. But Ace gets... decently better quickly, and returns to his duties overseeing the killing game.

Whit still visits almost every night to make sure Ace wakes up, which he can't really explain to himself. Ace was... supposed to be disposable anyway. Why would it matter if he died?

Anyway yeah the rest of the game happens. No clue there.

In the end, Whit and Ace come out as masterminds (happy pride).

I have a comic planned for how the end goes, soooo... that's it!

holy fuck! my fingers! hi the whole 2 people who made it down this far... uh... did you like my lore.....? do you want me dead now for having you read 1,400 words of two evil homsexuals...? 😅 love you thank you im sorry.

[shaisuki]

Hiii✨ I really really like your writing and I saw your requests are open so I was wondering if you could do a one shot fanfic where (itoshi brothers,Kaiser, shido and any other character you want) realize that reader is wearing their perfume

Sorry if this is dumb, have a good day🎀

❝ MY SCENT IN YOUR SKIN ❞

FEATURING. ITOSHI RIN, ITOSHI SAE, MICHAEL KAISER, SHIDOU RYUSEI

CONTENT WARNINGS. suggestive themes.

SYNOPSIS. blue lock boys reacting to you wearing their perfume.

ITOSHI RIN

the room are filled with screams, the sound of stabbing and flesh being ripped apart echoed in the confines of his room. rin didn't even blink when a jump scare appeared. the screen flashing with red, white and black color.

rin glanced at the clock. you would be home any time now and he was right. he hears the jingling of keys outside and the loud voice of your greeting him that you were home.

“rin!” you call out to him, leaning to kiss his cheek and rin gets a whiff out of your cologne, his cologne. his nose flaring a bit upon smelling you.

“you used my cologne?” you nodded in response. “ah, i'm sorry rin. that party was long and i know i'll be missing you so i used yours.”

the younger itoshi only stared at you. it wasn't obvious but you see his face softens. “it's fine. you should use it often.” he blankly says and your heart warmed at his words. you nodded.

after that, rin made sure to buy an extra bottle of his cologne.

ITOSHI SAE

sae glances at your plush form. cuddling a pillow while you scroll past your phone. silently giggling at the cute reels that you're watching. he quirks an eyebrow and then he gets a little closer to confirm his suspicion.

there it is, his perfume lingering in your clothes. “you're wearing my cologne.” he commented, a faint smirk tugging on his lips.

you press the button in the side of your phone, locking it. turning around to face him. “yeah.” beaming at him. proud of what you had done.

“it suits you.”

“of course.” you crawled to him. meeting him for a kiss before going back to cuddle your pillow.

sae gets back to his book. glancing at you one last time and he smiled. longer than he wanted to.

MICHAEL KAISER

if there is only one good thing in a party, it would be you.

michael was running out of patience. trying not to show his discomfort and annoyance at the sponsors flocking to him. praising him. well, they should be. he's michael kaiser and no one else.

before he could strangle the nearest person, you appeared. making your way towards him. the dress you were wearing suits you nice. hugging the existing curves you have and your make up expertly done.

“michael.” you purred. pressing a chaste kiss to his cheek.

he wraps his arm around your plush waist. his mood now calmer and is that his cologne you're wearing? it must be.

“you smell divine, liebe.” michael whispers you. knowing the full implication cause you're wearing his cologne. you only hummed in response. snuggling closer to his body and ignoring the people that surrounds you both. michael did the same.

his grip tight on you the whole time. no matter how bad the party was, it's going to be only good when you're with him.

SHIDOU RYUSEI

dating shidou means that you deal with his behaviors. didn't matter if you're in public. he will do whatever he want. taken by the heat of the moment.

wearing his perfume wasn't a good idea and you're in the middle of the field. the thousand spectators watching you both as shidou slaps you ass. holding a firm grip on it while he buries his face in the crook of your neck.

“damn, babe. you're riling me up.” his voiced laced with amusement. thrilled beyond comprehension and shidou is beyond hard than he could ever imagine. his hardness pressing in your thigh. thank god, it's concealed.

shidou doesn't have any problem with it but to you. it will he a mess, so you try to promise him that he can do whatever he wants to you. just wait for the moment this will be all done and he can ravage you.

now you know that wearing his cologne isn't good when in public.

[nekole-doodles]

I'm also gonna add to this but for the actual DSMP members because I want to ramble about this for a bit

Here are some of my thoughts for the origins of some DSMP members who have murky origins(like C! Tommy) or who's origins should literally be impossible if it's through normal means(like C! Fundy). Btw, Tommy's origin is the idea I've developed most while the others are barely developed at all:

C! Tommy - This idea is very inspired by C! Tommy's origin in the fanfic The Dreamwalker by Hydre. In my headcanons, Tommy is a shapeshifter and shapeshifters are created by the magic of the world from emotions so strong that a living thing is literally manifested or they become the personification of something(since monsters that come out at night are also manifestations of magic, why can't people and animals also pop up due to magic too?). For Tommy, he came into existence due to the emotions and wants of the Minecraft family(made up of Philza, Kristin, Technoblade, and Wilbur). The most prominent things that caused Tommy's existence was the love of their family and desire for another member, but other elements of their family influenced how Tommy turned out. A few things Tommy was also created from were Wilbur's passion for music, Phil's love of flying freely in the sky, and a dash of Techno's obsession over gold(for funsies). This was translated into Tommy loving music, being a free and wild spirit, having sky blue eyes and gold eyes, and really liking gold items like jewelry and golden apples(Techno is ironically the indirect reason Tommy steals gapples from him).

C! Fundy - He's the manifestation of Wilbur and Sally's love for one another because it wouldn't make sense for Fundy to be as old as he is in comparison to Wilbur :/ In my headcanons, Sally(who was a merling hybrid) and Wilbur were very much in love(it was mutual) and wanted to build a life together. Fundy either manifested with the body of a 6-10 year old or he grows much faster than a normal person(because magic is funny like that). Unfortunately, Sally died due to a disease a few years later :(

C! Quackity - Kinda inspired by C! Quackity's origin from The Dreamwalker. I'm still not completely sure what his origins are but I definitely can't imagine him with parents and I really want him to be a shapeshifter. I feel like he'd be the personification of fire(which is where greed and wrath come into his character) or the sun, of course with a few other factors influencing his creation but yeah.

C! Technoblade - I'm so conflicted and indecisive on his origons, but if he isn't the literal Blood God, then he is the manifestation of the Nether. Just- as a whole. Or he manifested after a huge and bloody war between conflicting piglin tribes.

There's a post I saw a while ago about where fantasy races get their children. It was like, dwarfs carve their children out of stone, goblins steal their children, elves find random animals and teach them until they reach elven intelligence... And I think that's how children work on the dream smp. You could do it the old fashioned way, or you can teach a fox how to talk until it's at human intelligence, you can cast a baby out of gold and wait for it to start moving on its own or you can terraform a mountain and call it a baby until it walks away, you can find any random mob, object, or land form and just, it's your baby now, it'll start walking and talking soon.

oh my god everybody shut the fuck up and unfollow me, i want to be alone with this person and discuss worldbuilding with them

[captainmera]

In the modern au, what would Caleb's reaction be if Philip's father reached out to him about Philip?

He does make contact!

Caleb is polite, if anything. But mostly overly compliant.

Philip's father didn't know he had a son. And very much want him. He's not a bad person, but both he and Caleb have been given different stories about the other. (they're being manipulated by Anthony Hopkins)

Pip's father has been told that Caleb isn't a great person, but comes across as pleasant and very polite. Meanwhile, Caleb had it pointed out to him that he's in a bad seat, legally.

He's just lost his job at the Roasted Robin's, he's mentally and emotionally unwell - and untreated! Their lives are their version of normal. But Caleb is growing increasingly aware of how not-normal it is.

Legally, Philip's dad has the rights to him. He gets the final say if Caleb is somebody who should be part of Philip's life or not. Caleb knows his record looks bad. But doesn't know Hopkins has set him up to failure.

Hopkins is pretending to help Caleb, in actuality he's just pushing Caleb's circumstances closer to an edge where Caleb will feel there's no better solution than suicide. Which would, in Hopkins world, leave nobody with the knowledge of the royalties.

He's trying to manipulate Caleb the way his mother was manipulated. She gave the church access to her money so she wouldn't spend it all. He's trying to do the same to Caleb, but gaslighting him into believing he's too broken to manage this himself, and needs Hopkins' guidance. Caleb does, after all, not know his way around legal things. And has no reason to disbelieve Hopkins.

Philip, in the case of Caleb dying, would be taken to his father. Leaving the Wittebane home vacant. And Hopkins could get access to any papers that'd be there, where he can sign over rights to himself. Why give it to the church??

Philip, in the meantime, isn't clued in on what's going on.

Caleb and the father discuss how to go forward, what's best for Philip. And Caleb is saying all the right things, which makes the father uncomfortable, because he's been told that Caleb is a good manipulator and mentally/emotionally abusive. So hearing him say very loving and thoughtful suggestions on how to move forward, puts him on edge.

Hopkins is, of course, banking on that the father is an idiot and will blindly trust him. But he keeps his cards close to himself. He lets Caleb's actions speak for him, and is wondering why Hopkins said Caleb was a bad person - sure, rough around the edges, but his heart is full of warmth, especially for his little brother.

Caleb's suggestion is that they move slowly. First, let him tell Philip he *has* a father that didn't know he existed, and now that he knows, wants to be part of his life.

Caleb is acutely aware that, in the end, he has no rights to Pip.

If his father wants it, social workers will get involved and they'll dig up everything that's wrong. If it gets to court, it'll traumatise Philip (mostly Caleb though) and in Caleb's world - he'll definitely lose Philip forever.

So, he's agreeing. And being friendly. And suggests that Philip and his dad hang out, maybe go on father-son dates, maybe start sleeping over on the weekends.. Y'know. Ease him into it.

Philip doesn't like this.

not. one. bit.

To him, it looks like Caleb doesn't want him anymore.

"Why don't you fight for me then?! If you want me, then take it to court!" "With what money?! Look at me, Philip! No authority would let me keep you, and honestly? Maybe they're right! Maybe I shouldn't!" "Caleb-" "No, Philip! Enough..! You know I love you, but maybe I'm.. not good for you? You know? He's not a bad man, for crying out loud, he's a dork! He has a what's cookin' good'lookin apron! I don't have that! I have... Powder-mix flapjacks!" "But I like that, it's home to me.." "Then.. I'll pack some down for you. And it'll help you make a home there too." "...." "..Pip, I don't stop being your home, just because you get a second one." "I don't need a dad. I never needed one, not a mum either. I just needed you, you've always been good enough." "you only think that because you don't know what- Philip, come back. We aren't done talking- okay."

That sorta thing! :D

[l-artemisia-del-secolo]

A couple of requests

"And this is our red witch?"

You were yanked out of your ordinary environment. You were yanked out of your house. And where were you teleported exactly?

Crawling out of fire was never a pleasant experience.

"Agatha!…" Fuck, you were getting angry. "Agatha!…" You could feel fireball forming in your palm.

"Hey! Is Harkness the only one who deserves your attention?"

You turned around as quickly as you could. That voice was familiar. That tone was close.

"You have got to be kidding me."

Out of the trees silhouette emerged. not even a second, a fleeting instant - you recognized her immediately.

"You've got something on your shoulder." Shoulder, really Rio? You shrugged, too close to your neck.

"Don't."

Oh, you didn't sound confident, Rio noticed. Rio smirked. Of course she did. Centuries you were apart and she still could read you like an open book.

____

"Did you miss me?"

You almost jumped. You forgot whether it was voice of your nightmares or dreams.

Well, the voice sure was as sultry as you remembered it to be. Not only that. You remembered all too well her obsession with a very specific silhouette, with open skin, with accent on her arms.

Rio knew you were looking at her. You were thinking about her.

You tried to keep your eyes focused on her. But it didn't work. Suddenly you stopped.

"Why are you here?"

You didn't allow Rio to get closer. Golden was your protective halo.

"Because of you." Rio was always straightforward. Even after all these years. "Not that easy to track you down. Don't get me wrong, I appreciate the affort with the cover and protective spells. Clearly you were thinking about me, baby. Just not in a way I want it."

___

"I'm fine."

Of course, you were not. Your clothes was wet with your own blood. Shard of glass was bigger than you thought. And sharper, clearly sharper.

"I could…"

"Jen, I'm fine."

You let others move faster, you let them out of your sight. Potions were not good enough in this situation. You couldn't heal yourself, the only other option was… no, it wasn't an option.

You couldn't focus on the road. Pain was too much, tension was too much, moving was too much. Your own body wasfinally betraying you. You groaned.

"I definitely like this sound. But not in this circumstances."

Rio appeared just in time to help you keep the balance.

"I'm fine."

You were not strong enough to fight her hands on you.

"Yeah, I already heard that."

You leaned against Rio's shoulder. You didn't want to owe her anything. You were close, dangerously close.

Not now, not after everything. You were losing yourself on the road. You almost closed your eyes.

It was enough for her to barely wave a hand. Wound disappeared in an instant. You inhaled sharply and immediately pushed Rio away.

"You shouldn't have done that." Your whisper hit her harder than any trial. "It doesn't change anything."

"I know."

___

This coven was the worst thing you could imagine. Lunatics, has beens, humans, teens. But the worst thing - your ex-lover. You forgot at what point fucking death was a good idea.

Of course you were flooded with memories, with emotions, with tingling in your body. Fuck. You hated it here. Road was never even supposed to exist. You were not sure what spell chose you, but sure as hell Rio influenced it.

"We need to move quicker. Do you understand the meaning of this word." Agatha's voice was annoying as ever. You praised gods for living without her disturbance for so many years. Nothing was fine, while Harkness was around.

"Thief." You muttered. "What did you say, dear?" Lilia was close. Semblance of a companion at least. You bond appeared such a long time ago. "Nothing". You caught Rio's glance. Thief would be a too generous word for Death.

___

All the walking, all the fighting, all the arguing. Those witches were everything but the coven. Still rest andfire were universally accepted. Stories of the old glory were never part of your routine. You needed a practice of protections spells, you needed to think.

The last thing you wanted was to be a part of the old memory between women who hated each other. You tried to change path, but everything was too loud, as if the road itself amplified the voices.

"You took him!"

You've never heard Agatha like this. You yourself caused many cries of agony, but this one was different.

"He was never even yours." how did Rio manage to stay calm and distant?

"He was always mine, I created him."

"You cheated. And you know you cannot cheat me."

That was true. You were cursed while trying to do exactly that, while trying to live a life of pretended normalcy.

___

Of course you knew about history between Agatha and Rio. You were jealous at first. Even of the memory of them together.

But Rio managed to calm you down. You met ages after that affair. There was no reason for you not to believe she was yours. After the fight with Agatha something changed. Rio wasn't with you anymore. On her own she was wondering the woods,for brief moments appearing during vital moments.

You knew this Rio once, not for long.

"You're letting Agatha have all the fun." You didn't have to cheer her up. But… you cared. And it was betternot to upset death itself.

"More fun for her, more bodies for me. It always worked that way."

"Even with Nicholas."

Silence was awkward and not welcomed. You sat near her.

"You were the only one who refused this deal."

"And still you stayed."

Painfully soft. Painfully obvious. Painfully full of affection.

"It wasn't enough, was it?"

"It was always too much."

Of course, it was. It was Rio, all about Rio. Even now she wanted to grab you, to possess, to devour. You could practically feel the struggle in her mind. But she chose to be tender.

[angelwithdemonictendencies]

know me the way you know your childhood scars, like breathing; i wasn’t running but if i was i’m glad it was to you.

tz11 x reader: a small town, a fresh start, a shared heart.

(warnings: blasphemous filth, unprotected penetrative sex (m on f), hair pulling, thigh-riding (this is newish), dirty talk (if you're new, welcome!), mentions of previous relationship being awful, i know i'm forgetting stuff but all my typical things. (please be warned, don’t read if you’re not 100% sure.)

(a/n: here we go again! i feel the way taylor must when she rereleases music. i love love love this one, i'm happy and grateful to share it with you, again. every now and then i think of the dibs/butterscotch part and i get all fuzzy inside. the matt boldy subplot is still my favorite. let's all pretend, when we read this, that the mullet is not a thing. also, if i posted little snippets of new stuff i've been working on (none of it is x reader, but all of it is hockey inspired), would anyone read it? let me know. i love you and your snakes. be good to yourself).

this was probably a terrible idea, you thought, with your suitcases beside you, your head in your hands at the foot of the bed that would be yours for the foreseeable future. one bed of several at a local inn - local to this town, at least, not local to you.

no, you thought, jittery with unknowing and chance and uncertainty, none of this was familiar to you. not this town in the middle of nowhere, hundreds and hundreds of miles from your hometown, your university. not any of the few people you had interacted with, not the uber driver, the inn keeper, the housekeeping staff.

not one part of this place, this experience, not one part was familiar. but that's what you'd wanted, wasn't it? that was the whole point?

you'd wanted to find yourself, wanted to prove that you could take care of yourself, exist on your own, thrive outside of the bubble that was university.

you wanted a fresh start, away from ex-boyfriend and ex-best friend, their betrayal still fresh, a wound scabbing over on your heart. you wanted to breathe deeply and not worry about who was watching you exhale - a place where nobody knew you, where nobody could whisper about the girl whose boyfriend was cheating on her with her best friend. for three years. she's so stupid, how could she not have noticed?

well, here, you decided, that's what you would get. a humble job as a diner waitress lined up to start tomorrow, a booked room with no check-out date, not a laugh you'd recognize for miles and miles.

this is what you'd wanted, you told yourself, now, loneliness settling in your mouth the way the powder on sour candy does. this is what you have.

completely exhausted from travel and emotional havoc, you passed out that night amidst dreams of fresh starts and trees too tall to see you behind them.

such a lovely image did not last nearly an hour into the next morning, the first day of your new job, just a block or so from the inn you were staying at.

this was part of the reason you had chosen this place for your self-discovery journey, after all - the urgent hiring, competitive wage, amazingly low price for room and board.

you had worked in your university's coffee shop for a year or two to help pay your tuition, so, honestly, how different could it be?

very different, you realized, almost immediately. they were hiring urgently for a reason, which meant there was practically nobody there to train you. one of the line cooks, of all people, just threw you an apron and a name tag to wear over your uniform-compliant black skirt and shirt, mumbled something about a welcome, enunciated something louder about table three needing service.

and so your self-proclaimed new life began completely unceremoniously, with a name-tag that misspelled your name, the smell of waffles and western omelets permeating the air like some grandmother's perfume in an old living room.

at the very least, the business made the time pass quickly, as you paced from table to table, only pausing briefly to introduce yourself to the line, the host, the several curious patrons who asked about you.

"new girl," some impossibly old man husked, "they not have hot coffee where you're from?" he grimaced as he took another sip. "cold as a winter's -"

"okay, that's enough," his companion said, a woman, probably in her mid-twenties, with blonde hair chopped short. she gave you a sympathetic look, like you two were sharing some inside joke. you liked her immediately. "he's had about twelve cups already. don't mind him."

you felt your mouth tick up in a smile for what might have been the first time this morning as you introduced yourself to her, and her father, who you learned everyone affectionately called "old man peters." you learned that the young woman's name was bridget, and she insisted on giving you her number, in case you had any questions, or wanted to get together, or needed anything at all.

your day was already looking up, you thought, as you lifted your sulking ponytail from you back, loose strands curling at the nape of your neck, around your ears. bridget and old man peters bid you goodbye, and then the young host, a boy who stuttered so much over his name that you still didn't quite know what it was, sheepishly alerted you that he had seated a group at the booth in your section.

your flipped to a new page in your notepad as you walked back to the booth, your gaze quickly being tugged up by a drawl-ish voice blurting out "dibs! i call dibs!"

such as exclamation was followed by several groans and one "not fair, you're the only one facing the door."

your brow was slightly scrunched in confusion when you stood at the head of the group's table, four pairs of eyes faced to you in a way that made you feel like a politician about to give a speech.

you cleared your throat, not quite looking anyone in the face. "good morning," you said, "can i get you guys started with some drinks?"

you looked up from your notepad, clicking your pen against the surface of it, taking in the table of - well, you weren't really sure. construction workers, maybe? craftsmen? the four of them had on heavy canvas-like jackets, worn and worked in, highlighter-bright shirts underneath, callused hands that your observant eyes took note of immediately. they were young, too, probably about your age, which made you blush, only a little. these were not the kind of guys you had met in college, the kind who you would have taken a class on freud with, the kind who thought everything with a woman's hand around it was a phallic symbol.

"just coffee," one of them said, short. he tacked on a please when one of his friends smacked him lightly on the back of the head.

you motioned with your pen around the whole table. "for everyone?" you asked, but the question stumbled out of your mouth when your eyes caught on the last of the four, the one on the bench on the right, closest to you.

that sharp face, high cheekbones and cut jaw, should have been so serious, you thought, like some kind of statue, the kind your art history friends would have fawned over in a museum you didn't really want to go to. he should have been so serious, angular like that, but he was anything but. mirth danced in his eyes, so bright they almost sparkled. his full mouth was fixed in a sort of perpetual smirk, so ready to laugh that he was already halfway there. he had the lines around his eyes that told you his full smile would tear you in two.

you were probably staring at him, you realized, flushing deeper as his smirk broke free into something wider, all over his face.

"see, guys," he spoke, that goofy drawl you had noticed on your way over, nothing like the pretentious academics who spoke in circles. he leaned back in the booth. "doesn't matter that i called dibs. she likes me best anyways."

your face scrunched up in some combination of disbelief and hidden delight. "wait," you began, "when i was walking over here, when you said something about dibs," you fixed him with what you hoped was a glare, "you were calling dibs on me?"

he shrugged off his jacket, drawing attention to his wide shoulders, arms thick even through his bright long sleeve. you snapped your gaze back to his eyes, which shimmered, telling you that you'd been caught. "what's the big deal?"

you scoffed, blew a stray curl from your eye line. "you don't call dibs on people," you said.

"yeah, trevor," one of his friends teased, "what's wrong with you?"

"where to begin?" one of the others said, almost lost in thought.

"c'mon, sugar," trevor said, tilting his head, "'s a compliment, yeah?" his gaze rolled down your frame, almost gelatinous, meeting your eyes again reluctantly. "only 'cause you're so pretty, hm?"

you rolled your eyes, fixed your gaze on the one across from him, the one who looked the least engaged. "but, trevor," you whined, stretching out his name like salt-water taffy, "what if i wanted-" you paused, looked down at the blonde just below you.

"matt," he said, practically bored. you nodded your thanks.

"what if i wanted matt?"

his posture grew even more relaxed as he shifted his knees wider under the table. "oh, what if, sugar?" he mused, his eyes so expressive, never off of you for a moment.

"she's gonna spit in your coffee," matt said.

"how about we cut out the middle man and she just spits in my mouth?" he chirped, smirk so telling it made you flush pink.

you mumbled something about decorum before walking away in a flurry of annoyance and excitement. you couldn't really tell the difference, you realized, as you gave the poor host a pot of coffee and asked him kindly to drop it off at the back booth.

you were not something to be called dibs on, that was for sure, and you were here to find yourself, not anyone else, certainly not some guy. even if some guy had soft-looking hair and a witty mouth. even then.

you took a stabilizing breath and got back to work, noting that the back booth only got coffee, only stayed for about twenty minutes before making to leave, heavy jackets loud as they shrugged them back on.

three of the guys called out their thanks and headed out, leaving only a standing trevor there when you approached to settle their bill. thumbing through his wallet, he grinned down at you when you finally stood in front of him again.

he was taller than you thought, you realized, as he now stood at full height. you had to crane your neck slightly to look him fully in the face.

"thought you'd be shorter," you said, honestly, hoping to knock him down a peg, however mean that might have been. but of course he only smirked.

"get that a lot," he drawled, selecting a bill, putting his wallet back in his pocket with hands you had to force yourself not to stare at. "been told 've got the personality of a short guy in the body of a tall one."

you shook your head. of course someone had told him that.

you couldn't really ruminate on that, though, as he stuck the twenty in the front pocket of your apron, as well as something with a slight weight to it, urging an angry pink to the tops of your ears, the feeling of his wide hand warm, so close to you.

you peered up at him, sucked on your teeth as he pulled out his hand slowly, that ever-present smirk almost faltering at your gaze.

"thanks for the service, sugar," he said, and you probably imagined the way the end of his words sounded strained. "see you around, yeah?"

you didn't break eye contact, only let yourself smile back at him before turning and getting back to work, letting the push and pull of waitressing lull you into a rhythm during which it was practically impossible to think too heavily about bright eyes and broad shoulders.

by the end of your shift, you had been officially tired out. you were sure your hair reeked of coffee, and your ankles ached from standing all day.

going to empty your apron, however, right before you left, your hand settled on the bill from earlier, but also several wrapped butterscotch candies. your face contorted as you stared at them, wondering why trevor had put them there.

exhaustion won over curiosity though, as you thanked everyone for your first day and walked the short block back to the inn.

this won't be that bad, you were thinking to yourself as you walked up the stairs. you already had the phone number of a maybe-friend, after all, and as far as jobs went, this one could be a lot worse. good money, good way to meet new people, maybe even something pretty to look at -

as if summoned by your thoughts, when you turned out of the staircase to your hallway, there trevor was, standing on a ladder, looking into the ceiling, some box of tools on the floor.

you narrowed your eyes, bag suddenly feeling heavy on your shoulder. the presence of a new figure drew his gaze to you, and you had to scold your heart, the way it beat like a teenager at the way he looked at you, then. you didn't know him, after all, and you weren't here for anything romantic.

"you followin' me, sugar?" he asked, stepped down from the ladder, making his way over to you. his voice was slow and tired, from whatever he had done that day. you were shocked at the fact that you wanted to know what that was. his gaze shone as he gently took your bag from your shoulder and slugged it onto his own, fell into step beside you. you let him. "tell me you're following me."

you rolled your eyes, but the small smile on your face wasn't going anywhere. "this is where i'm staying," you explained, "so, if anything, you're following me."

you stopped in front of your door, leaned back against it, suddenly in no rush to lock yourself behind it, alone. not when he was on this side of the door, looking like this.

almost weary with hard work, but not weary enough to sour him, just enough to make his movements and expressions slightly slower, lazier, more indulgent, like they were drenched in chocolate ganache. not when he was here, looking at you like this, like you were the most interesting thing he'd ever seen.

after years at some preppy, pretentious university, at which ingenuity was the most valuable currency, one you felt you lacked so disgustingly, was it really too surprising that you softened under his gaze? that you wanted to stay in it, just a little bit longer?

"sugar?" he asked, head tilted, and you realized he had been talking.

"sorry, what?" you asked, your voice soft like sponge cake, willing your eyes to focus, your mind to focus harder.

he didn't tease you too badly, though, only let his smile grow sharper with a smirk. "i said that 'm sorry if i hurt your feelings with the dibs stuff," he said, and you were almost confused at his apology. you weren't even upset, and when was the last time someone had apologized to you so quickly after doing something?

your memory cut hazily to your ex, somehow trying to convince you it had been your fault that he cheated on you, that it was something you were lacking that had inevitably led him to do that. you practically shivered, then internally scolded yourself for comparing trevor, whom you had met today, you reminded yourself, to your ex-boyfriend.

"'s fine," you said, waving him off, your back softening further into the door. "didn't really hurt my feelings."

his eyes flashed. "didn't really or didn't, sugar?" he asked, searching your face.

you swallowed, acutely aware of his attention, how it slid down your nose, your cheeks, your jaw, slow and thick as sludge. "didn't."

he gave a nod. "'m sorry anyway," he said, and it came out low. "if you really want to go for matt, i won't stop you."

and part of you wanted to blurt out i don't want matt!

but it was your first day in this place, and honestly, you were still kind of hung up on his apology, and the way it sounded from his chapped lips, and you knew to correct him would be exactly what he wanted.

so you just said "thank you," and were shocked at how gentle it sounded.

"jesus christ, distracted, are we, trev?" the voice of the young inn-keeper called from the end of the hallway. he seemed awfully chipper as he approached, hands in his pockets. "i came up to check on your progress," he said, "or lack thereof, i guess." he looked between the two of you. "now i see who's stolen your attention."

"i'm on my legally-required fifteen minute break," trevor said, half-smiling, turning back to you. "sugar, you know my brother, griff?"

you nodded, suddenly clocking the subtle ways their appearances drew from each other. trevor was taller, griff had a wider face, bigger features. but they had the same eyes, same strong nose, mirroring grins. "he owns my room," you said, dumbly, tiredly.

griff only smiled. "she's had a long day, trev, leave her be."

trevor searched your face again, seemed to find all the proof he needed - your heavy eyelids, drooping shoulders. he gently handed your bag back to you. "i'll see you tomorrow, sugar," he said, as soft as you'd heard him. so soft it startled you. "sweet dreams."

"goodnight," you said to both of them, shutting the door behind you. sleep came easily that night, again, with dreams less so of hiding behind trees and more so of rough hands and laughing eyes.

you were surprised, pleasantly so, at how quickly you fell into a routine in your new home. surprised at how quickly you let yourself call this place that.

maybe it was the way that bridget wasn't just being polite when she had given you her phone number, as she had quickly set up dates to show you all her favorite hiking spots around. your weekly hikes with her became a highlight as she told you more about the town, about her young daughter, about book club, about anything and everything. she was so kind with you that you found yourself so comfortable confiding in her. it felt so easy calling her a friend.

maybe it was the way the town seemed to accept you as one of their own so quickly and genuinely. the line cooks flirted with you in the way only line cooks do (in ways that would not be acceptable outside of a kitchen). they made you food to take home, kept you from starving. the host, harry, began to trust you enough that he asked for your help on homework. the regulars began to recognize you, know your name, ask how you were doing. griff checked in on you, asked if anything was wrong with the room, said you should feel free to use his kitchen anytime (as your room was the simplest kind, and didn't have any cooking appliances). you began to know the names of the streets, the stores, the store owners. your fresh start was starting to feel like just that - a start.

or maybe it was that same group of guys who came in every morning, at the same time, who ordered only coffee and then left in a flush of waves and heavy jackets and called-out salutations. you learned that the one with the curly hair, alex, was the quietest, probably the smartest. his closest friend, cole, was the shorter one, who had the loudest laugh. and matt was warming up to you, you thought. the more you made fun of trevor, the more he seemed to like you.

it was that same group, every day, who came in loudly and left louder, who had paint and dirt smudged on their shirts, their hands. who drank coffee like it was water. who laughed like it was easy as breathing, and maybe that was how it was supposed to be.

and, of course, there was trevor, who, the more you got to know him, the more trouble he became. every day, his "good morning, sugar," would reverberate through your chest, and you would drop a pot of coffee at their table, ask how they were doing, listen for their answers.

some comments about how old man peters' roof is caving in, and he should have told them about it probably a year ago, or about how the police chief's plumbing is fucked, or about how they were going over to fix bridget's sink that day. and, if it was the last one, matt would flush, which would make your eyes widen, would make you pepper him with questions about his crush.

and then, at some point during their morning break, trevor would ask something about you, about how you were, about the way you were wearing your hair, the shoes you were wearing, the book you had been reading the week before. and then, as he left, without fail, he would slip a bill and several butterscotch candies into your apron pocket, each time his hand growing heavier, more significant as it settled so close to you.

it didn't particularly help your small crush that you saw him everywhere. he was always fixing something - in the diner, at the inn, in the park downtown. you couldn't escape him and his deft hands, his working mind, his strong frame and easy laugh and addictive smile.

he was everywhere, so of course he would be here, at the grocery store, after your shift one day. you were roaming the isles, looking for a specific kind of vinegar, your basket hoisted up onto your hip, when a low whistle made you turn. you were met with that lazy smirk, your favorite one of his, the nighttime one, the tired one. he approached you, his work boots heavy on the ground.

"you followin' me, trevor?" you asked, repeating what become something of an inside joke between the two of you.

"maybe," he said, looking down at you, shimmering eyes framed by long lashes. "do you want me to be following you, sugar?"

you hummed, noncommittal, some harmony between the fluorescent lights above, the whir of the fridges the next isle over. you turned back to the shelving, resumed your survey of the contents. "your brother offered his kitchen for me to use while he's out tonight," you said, not looking at him.

"did he?" trevor mused, an almost undetectable bite in his tone.

you nodded, eyes alight with excitement. "been eating pancakes and chicken noodle soup for weeks now," you said, referring to what the line cooks sent you home with. "swear my mouth's watering just thinking about something different." you ran a thumb along your bottom lip, as if checking for spit.

if you had been looking at trevor, you would have see his shallow swallow, the way his eyes tracked your movement, how his gaze hung from your mouth like lacy ribbon. he cleared his throat.

you finally located the vinegar you wanted, on the very top shelf. pushing yourself up on your tiptoes, you reached the tips of your fingers for the bottle, only just out of reach.

trevor only chuckled as he grabbed the bottle easily, took the basket from your hip and into his own hand, dropping the vinegar into it.

"i can carry that, you know," you said, suddenly wishing you had something to do with your hands.

"i know," he said, smug.

you rolled your eyes, huffed a thank you, anyways.

"so, what're you making?" he asked as you led him from aisle to aisle, loading your basket with ingredients.

you explained to him how, in college, this one salad had been your absolute favorite to make when you needed something that made you feel good. something about the combination of arugula, kale, chickpeas, sweet potato, whatever other vegetables you had on hand, sometimes chicken, if you were feeling fancy, something about the simple dressing of oil and vinegar - it was perfect. no meal left you feeling as good as this one did.

and it was how you had made it entirely on your own, too - it wasn't some fancy steak dinner your ex had buttered you up with after a fight, it wasn't boxed brownies shared with your old best friend the night before you found out - no, this was all you.

when you looked back at trevor, there was something molten in his gaze. "sounds amazing," he said, low, like he didn't want anyone else to hear.

you tilted your head, let your smile slant across you face, scrunched up your nose, teasing. "would you want to join me for dinner, trevor?"

his face split into a grin. "i would," he said, "i would want to, please."

and so you found yourself fumbling around someone else's kitchen with an audience, washing kale and peeling sweet potatoes with fingers that twitched towards the figure across the counter, practically irritated that they weren't touching him.

you scolded your hands to behave, which became easier as the night went on, as conversation flowed like cranberry juice, the flavor of it lingering in your mouth just the same.

he might ask you about how the diner was going, to which you would look around as if to make sure no one was there. his eyes would flash. you would miss this.

"harry's been making some real progress in precalc," you would say from behind your hand, speaking of the host, whom you had come to view very fondly. "and you didn't hear it from me, but i think he's going to ask his friend jason to the school dance next weekend."

you would be flushed with excitement and pride, and trevor wouldn't be able to get much beyond that, honestly, the way it lit you up from the inside out.

but then he would clear his throat, and lean forward on his hands, and tell you that if harry needed help asking jason to the dance, he knew exactly the best crew for the job.

"don't tell me you're talking about your rag-tag group of misfits," you would say, cocking a brow as you dressed the kale and arugula.

and he would feign offense, place a broad hand over his heart. "i'll have you know that this group of misfits went 16/16 in high school dance invitations," he would say. "all four of us, all four years."

you might roll your eyes. "real band of heartbreakers, were you?" you would say.

and laughter would shine behind his eyes like christmas tree lights behind store windows, and he would stretch his arms above his head, lazily, comfortably. "'course not," he would say, his voice the sort of raspy that comes with stretching, "only alex."

and this would pull a real laugh from you, as you tossed everything together, the kind of laugh that rung in his ears, that made him pleasantly dizzy.

as the night passed on, time moving altogether too fast and the kind of slow that oozes, you would learn about how he grew up in this town, how he went to trade school, how he had had the same friends his entire life. you would ask questions about if he ever felt the desire to leave (not really), how he got into manual labor (he never really felt like he was that good at anything else), what his family was like (close, but not overbearingly so).

and, in turn, between bites and sips and laughs, you would tell him about how you grew up (humbly), what school was like (hard, but rewarding), how you ended up here (cheap housing, good job, close community). and maybe you would actually tell him about the ultimate betrayal you had faced before you left, why that made you want to be somewhere, anywhere else, somewhere where you had no choice but to make a life entirely for yourself.

at the mention of your ex his jaw might clench, his mouth twitching ever so slightly. he would mutter something about nonsense, and you would smile.

he would ask questions about your family (just your dad and you), your favorite parts of your life here (hikes with bridget, homework sessions with harry, bickering with old man peters).

and he would pout, at that, his bottom lip looking so positively delicious it stole your breath. "'m not your favorite, sugar?" he would plead, joking.

maybe you would really look in his eyes, then, find something hot, tilt your head. "you wanna be?" you would ask, breathier than you intended.

and he would smirk, somehow flipping the dynamic on its head entirely with only a single expression. "you know i do, sugar," he would tell you, low and so loaded you would blush.

it might scare you how easily you let him in, how quickly you were warming up to him. his pretty face might scare you, because pretty faces had hurt you before. there had been no one prettier than your old best friend, after all, and look how that turned out.

so, when the night grew viscous, and the meal was long over, the dishes done, a portion for griff packed up in tubberware on the counter, when he walked you upstairs to your room, both of your steps slow, reluctant, when his gaze lingered on your lips and the smell of him grew distracting, the height of him all-consuming, even then, even though you wanted to, you didn't kiss him. you only bid him a gentle goodnight.

"thank you for tonight," he would say, instead, looping his arms around your neck, hugging you close to his chest. this was so much worse, you thought, as you breathed him in, wrapped your own arms around him and squeezed. the way he held you like he was afraid what would happen if he let go. his hair so messy and his tone so genuine it almost hurt. "sweet dreams, sugar," he said into your hair before pulling away.

even though, that night, you might have dreamed about how his rough hands might feel as they held your soft cheek, how his chapped lips might slot against your glossed mouth. even if you woke up, that next morning, practically sweating. not the sweetest of dreams.

today was your day off. you had plans later with bridget, but you decided to book a haircut and blowout at the salon downtown, since you had the whole morning to yourself. the salon was one place you hadn't been in, yet, and you hadn't had a haircut in months, so you figured now was a good a time as any.

the bell above the door rang when you stepped inside, but no one seemed to notice over the shrill thrum of hair dryers, sinks, and the steady stream of gossip that you appeared to have walked in on.

"she told me her trevor went on a date, julia," one of the stylists said seriously, her eyes expressive as she sectioned her client's head of long curls. "won't stop rambling on and on about her, she says."

your heart jumped in your chest at trevor's name, sunk accordingly. he had been on a date? you weren't sure why you had assumed you were the only girl in his life at the moment, but it stung, nonetheless. you pulled at a thread on your long sleeve, eyes down.

you can't be upset, you told yourself, don't you dare be disappointed-

"oh, honey, how long you been waiting?" one of the stylists called out, making her way over to you and the front desk. "swear you have to throw somethin' at one of us when you come in or we'll never stop talking." she had such an easy way of speaking, a comfortable posture, a genuine face.

"sorry," you said, looking around, still recovering from what you'd overhead.

she just waved you off with a smile. "it's us motormouths who should be apologizing," she said before introducing herself as ginger. "now, what name is your appointment under?"

you told ginger your name, and as soon as you did, her eyes sailed up to meet yours again, wide and bright. she snapped her fingers, getting the room's attention. "you're the doll who stole our baby trevor's heart!"

you blushed furiously, felt the words in your mouth twist and tangle like a toddler's hair. "me? no, that can't be right," you said. there's no way last night counted as a date, you thought. there's no way he's talking about me.

the other stylist just squealed as you were led to a chair. "of course it's you! look at her, julia," she said to the woman in her chair, practically elated, "what a treasure!"

your blush wasn't going anywhere any time soon.

"that boy's been talkin' to 's mama 'bout you, honey," julia said from her chair, her expression knowing. "he's just about smitten, she says."

"and a mother always knows," ginger said, emphasizing her words with hairbrush gestures.

so you spent your appointment getting a couple inches off, hearing about the trouble trevor used to get in when he was younger (apparently alex used to be the biggest troublemaker, though), hearing about how trevor just went around fixing whatever anyone needed fixing.

"swear that sweet boy wouldn't charge a dime if this town'd let him," ginger said as she worked long layers into your hair, "we have to sneak payment into his pockets, and even then he tries to give it back!"

your cheeks burned, your heart heavy with affection as she blew out your hair, leaving it soft and smooth. you paid, said goodbye for about ten minutes, found out just how hard it was to escape salon conversation.

"now go show off for our baby, honey!" someone called out the door after you, making you laugh. you guessed that all the stereotypes about small town hair salons were true.

you went on your weekly hike with bridget, who gave you that understated grin when she saw you. "looking good," she said, bumping her shoulder into yours. "trev doesn't stand a chance."

you rolled your eyes. "didn't get my hair cut for him."

she laughed. "i know," she responded, "but all anyone can talk about this morning is your date last night."

you couldn't help but scoff good-naturedly. "i can't believe people already know about this," you said, "it was literally last night, and it wasn't even a date."

she waved you off. "nobody cares about the logistics. even my girl was moping to me about it. she's got a little crush on her skating instructor."

"trevor teaches your daughter how to skate?" you asked, having never heard of this.

she nodded. "he's the highlight of her week," she said, her eyes soft, picturing her daughter's unabashed smile.

"get in line," you mumbled, covering your face with your hands.

why was everyone so intent on revealing adorable information about trevor to you today? didn't they know he already took up enough of your daily headspace?

"can't somebody tell me he hates animals, or something? or that he's really pretentious about art? or that he has, like, some weird fetish?"

bridget laughed. "sorry, babe," she said, "he's the town's sweetheart."

you were still reeling with all of this information when you got back to the inn, your face rosy from the outside chill, your body pleasantly awake from your walk.

you began up the stairs, humming to yourself, ready to collapse onto your bed, maybe catch up on some reading.

"you followin' me, sugar?"

you looked up, immediately, feeling your pulse in your neck, in your teeth.

there he was, of course, there he was, painting the railing in the stairwell, the sharp smell of paint faint in the air.

all dirtied up from the day, that slouch that only appeared in the late afternoon, that crinkly smile, all of it made him almost too good to be real.

"maybe," you said, like second nature now, after all those times before, his face forcing a tiny smile from your mouth.

you stood just in front of him now, held your breath as he reached up, twirled a strand of your hair around a finger. he let out a low whistle you felt in your stomach.

"lookin' awful pretty tonight," he said, not much more than a whisper as he thumbed the soft ends of your freshly-cut hair.

his words settled like thick caramel on your tongue. "thank you," you mustered, your mind spinning with all of the wonderful things you had heard about him, today.

he bent down to one knee in front of you as you collected your thoughts. "um, what are you doing?" you said, strained, dumb.

he looked up at you through those girlish lashes, smirk heavy on his perfect face. he tugged your foot closer to him. "shoe's untied," he said, gesturing to your sneaker. "may i?"

you blinked at him before nodding, because what alternate universe was this? you tried to imagine any other man you'd known willingly getting on the floor for you, just to tie your shoe. you couldn't.

he tightened your laces with nimble hands.

you cleared your throat. "heard something funny today from the ladies at the salon," you told him, trying to focus on something other than his proximity.

he hummed. "nothin' good, i'll bet," he mused, "ginger loves a good story."

"it was a good story," you said, reveled in the way his expression softened, giving you the courage to press on. he began to tie a double knot. "'bout how you're tellin' your mom we went on a date."

he pulled the bow tight, looked up a you for a second, a guilty, childish grin on his face, caught red-handed. you extended a hand to him, helped him back to his feet.

"oh, yeah," he said smugly, folding his arms across his chest, leaning back against the wall, easy, comfortable. "like how you asked me to dinner, and then cooked for me, and how it 100% was a date-"

you laughed, shook your head. "it was not!" you said, "i never said it was a date!"

he ran his tongue along the inside of his cheek. "call it wishful thinking, then, sugar."

and you couldn't focus too much on what he meant by that, so you just shook your head again. "you're too much," you said, wanting it to come out teasing, but instead there was a breathy sort of desperation behind it.

"yeah?" he asked, that smirk present as ever. you had grown so close to him without realizing it, now just a step away. him leaning back against the wall, you right in front of him, looking up at him.

you nodded, swallowed, your blood hot, your skin prickly, alive.

his eyes fixed you in place, teasing. "too much for you, sugar? can't take it?"

you bit your lip to stop any sound from escaping you, because everything seemed entirely too loud, then. you could hear your heartbeat, you swore you could hear his, the radiator could have been screaming at you. you didn't dare think about just how much you wanted to take.

to stop yourself from doing something much more serious, you simply reached your hand forward, swiped at a spot of paint on his face with your thumb.

your touch against his brow bone felt like an exhale, like melting wax. you could feel his warm breath on your hand as you pulled it back, but then he was looking at you, like that, like you were so, so special, like he would have doused his face in paint just to have your hands wipe it all away, and were you imagining the way his gaze grew fiery?

"trev! old man peters says his sink's still leaking!"

griff's voice rattled down the stairwell, smothering the flames in your eyes, if only just. just enough to break the spell, to pull away, to tell him you'd see him tomorrow for his coffee break, for his hungry gaze to follow you up the stairs until you were out of sight.

and so the routine continued, more butterscotch candies slipped into aprons, more pestering his friends, more slyly asking bridget what she thought about matt (she was deflecting, you'd observed, delighted). more helping with homework and reading in bed and cooking and snapping at old man peters to stop leaving his watch behind.

more stolen touches and longing glances and sideways smiles, backwards hats and work gloves stuffed in pockets, damp hair sticking to your neck, the hem of your skirt brushing against your thigh. more flame and softness and sweetness drenching your frame as he said hello, and goodbye, and sweet dreams, and anything else. that coil inside of you twisted tighter and tighter as you wondered what exactly was holding you back, what exactly you were waiting for.

one day, after work, there was a knock at your door. you'd be lying if you said you weren't a little bit disappointed when you opened it.

"you coming?" griff said, "town hall meeting starts in 5."

you scrunched up your nose. "town hall? what, is it required?"

he smiled, kind. "no, but they're usually a good time," he said, "and trevor's going to be there."

you had your jacket in your hand already. "he's not the reason i'm coming," you said, following him out the door and down the street.

"i won't tell anyone," was all griff replied, his smile understanding and gentle.

you had never been to a town hall meeting before. you'd guessed that the closest thing you could imagine was a student government meeting, which you'd been a part of in college.

this seemed much more laid back, though, taking place in the middle school gymnasium. it looked like almost everyone from town was here. you noticed old man peters, sitting with bridget, her daughter buzzing around from person to person. the salon ladies were talking to pretty much everybody. there was harry, sitting next to his mom. you approached bridget as griff went up to talk to the fire chief, one of his close friends.

soon enough, the meeting began, the first issue on the docket being the prospect of a stoplight on the intersection of drysdale avenue and york street.

bridget yawned, "same issue every meeting," she whispered to you. "always divided down the middle." this time was no different, you observed, the parents in the crowd seemed completely for the stoplight, the older crowd significantly against.

"next issue, a write in from the community, quote," the representative began, reading from notecards, "should the implementation of the 'dibs' rule be observed seriously, unquote." he cleared his throat, looked up to the crowd. "thoughts?"

you stifled an embarrassed laugh, held your face in your hands as bridget rubbed soothing circles in your back. "is this actually a real-life discussion topic?" you asked, incredulous.

"just let them have their fun," she whispered in a way that made her smile evident.

"i think 'dibs' is outdated and juvenile," a woman said, "sets a bad example for the kids."

the man up front was taking notes.

"i think it's cute," bridget piped up from her chair.

"me, too!" her daughter giggled, jumping into her lap.

"alright, i've got two for cute, one for bad influence," the man said, "anyone else?"

"i think it's lame," a very matt-like voice said, gruff, short.

"one for lame," the scribe said aloud.

"well, i think you're lame," that goofy drawl called out, making you pull your head up, look around until you spotted him, near the front. he was swatting matt on the back of the head. "and i learned it from alex, so take it up with him."

his curly-haired friend hid a smirk. "it's a high school move," he explained to the crowd, before turning to face trevor. "we haven't done it in years."

"until now," trevor amended, "but you guys understand. you've seen her. you've talked to her."

ginger put her hand over her heart as if swooning.

someone coughed. your face was burning up. bridget nudged you gently.

"she's here, trev," griff said, to which the fire chief let out a hearty laugh.

"really?" he turned to face the crowd, his voice excited, hopeful, searching. "where are you, sugar?"

you raised your hand, of all things, immediately wanted to smack yourself. "hey," you said, mousy.

"hey," he parroted, mocking, but of course not maliciously. his smile broke you apart.

and then you were having a conversation with several rows of people in chairs between you, on a gymnasium floor.

"you're the only one with the dibs curse on you," he said, "so what's your take on it? should we abolish the practice for good? is it outdated?"

you swallowed, were looking only at him as the scribe sat at the front, pen at the ready. "well," you began, "it works, from what i can tell." his smile put you together again. "so it can't be that outdated."

his eyes shone, only for you. "you heard her," he said, "case closed."

"are we actually still talking about this?" old man peters asked, to bridget, but much too loudly.

the rest of the meeting passed, absolutely delivering on laughs and nonsense, as promised.

"last thing before we go," the man said, "does everyone have a ride to the away game tomorrow?"

you leaned over to bridget. "what's that?"

"the rec hockey team is away this weekend," she whispered.

"rec hockey?" you said, confused, "like kids?"

she shook her head. "like kids, yes, but not kids."

"sugar, do you have a ride?" trevor's voice rang clear against the mumbled chatter of the room.

you looked up, met his eyes again. "uh, i don't think i'm going?" you said.

there was a collective gasp, followed by silence. your eyes widened. "babe," bridget whisper-screamed at you. "everyone goes."

you cleared your throat, realizing your grave error. "well, then i don't have a ride."

"you can ride with me, honey," ginger said, sweetly, with a warning in her eye.

"trevor has to go super early since he's playing," bridget whispered from next to you. you nodded, signaling that you had heard her.

"thank you!" you called out.

rides were sorted, the meeting ended, everyone saying their goodbyes, folding chairs scraping against the waxy floor. trevor and his friends caught up with you and bridget on your way out.

trevor slung a heavy arm around your shoulders that you couldn't help but lean into. he smelled like sawdust and something citrusy. "i didn't know you played hockey," you said, looking up at him curiously, not letting yourself ruminate on how good he felt slotted against your side.

he shrugged.

bridget scoffed. "he's good, too," she said, "i hate to pump his tires, but only the best teacher for my baby girl." she pressed a kiss to the cheek of her smiley daughter, whom she had hoisted up onto her hip. "all of them play," she said, a vague gesture to the group. "lit it up in high school."

"not all of them are as good, though," trevor said, which caused some annoyed groans.

"what about heartbreaker alex, over here?" you teased.

"heartbreaker alex has grown up since junior year," alex said, soft spoken. "and it's not my fault my hair looks like this."

the shortest friend of the group, cole, the one with the loudest laugh, whom you had come to rely upon for book recommendations, put a hand in line with his brow bone, as if blocking out the sun to search for something.

"what are you doing?" alex asked.

"oh, me?" cole said, "just looking for all the girls you must be getting, since you've still got all that hair."

alex rolled his eyes, the group laughed.

"what about you, matt?" you asked as trevor held open the door, all of you stepping out into the night air. "i've heard the team's got a perfect record for dance invites. any high school stories?"

matt didn't say anything for a second, but bridget laughed. "you're really telling people that, trev, as if i didn't ask him freshman year?" she nodded towards matt, who was actually blushing, you thought, but the dark made it hard to tell. "was a tough sell, eh? he was so quiet when i asked i thought he pretending that i wasn't there."

"oh, we remember," cole said, tone alight with understanding. "funny how we grow up, but so much stays the sa-" he blew out a breath when matt elbowed him in the gut.

you smiled to yourself. "i'll see all of you tomorrow, for the game, then?" you said, the inn now steps away.

goodbyes rang out, and you made to remove yourself from trevor's embrace, but he only spun you back into his chest, pulling you close, his arms now wrapped around your back, your nose against his breastbone. you breathed in, melted into him, squeezed him back.

"did you mean it?" he said, soft, so only you would hear him.

you mumbled your confusion into his chest.

"when you said it was working? did you mean it?"

your heart jumped, his words so vulnerable you couldn't look at him. "i meant it," you whispered into his bright shirt. "you're working on me, trevor." you felt his lips brush against your hair, featherlight, before he let you go.

"sweet dreams, sugar," he said, and you walked back to your room with wobbly legs and an overactive heart.

the following day, ginger graciously gave you a ride to the next town over. she, of course, chatted you up the entire time, which you welcomed.

"i know i must be super late to the party here," you said, carefully, picking at your nails, "but what's the story behind bridget and matt?"

ginger tsked. "we're a bad influence on you, honey," she said, taking a right. "you're gonna be a big mouth like me in no time."

you laughed. "it's only 'cause matt's so obvious about it," you told her, "they've known each other forever, and i learned yesterday that she asked him to their freshman dance." you trailed off, hoping that ginger would take your cue.

she nodded, smiled fondly. "our bridget was always such a spitfire," she said, "always going for what she wanted. smart as a whip, too, but you know that."

you nodded. you did.

"and she could have had anyone, but she wanted our matthew, and he wasn't a sight for sore eyes then, like he is now."

is matt good-looking? you'd thought to yourself. you surely hadn't noticed. perhaps you were distracted. perhaps your gaze always wandered.

"but bridget marched right up, asked him to the dance, and the poor boy was so stunned it took him a full minute to say yes." she shook her head, lost in the memory.

"did they ever date, like for real?" you asked, enraptured.

she frowned. "no, i don't think so, at least. bridget was always bouncing around flings, trying out guys for a few weeks, then cuttin' 'em loose." her smile grew wistful. "then she had her darling girl, middle of senior year. dad booked it, never looked back. don't think she's been with anyone since."

you frowned, too, hating the thought of someone abandoning your friend, as lovely and wonderful as she was. what a privilege it would be to be a part of her family.

"and matt?" you asked, as the car pulled into the parking lot. you ran your palms up and down your jeans.

ginger whistled. "that boy's been starry-eyed over her since grade five," she said, "but me and the girls aren't surprised he thinks he doesn't have a shot. his self-esteem's never been the highest, not like the rest of 'em."

"not like cole, who swears he could land a plane, if it came around to it?" you said, grinning.

ginger laughed. "exactly. and not like alex, who was never without a girlfriend, and not like your trevor, who's never needed anyone to tell him how great he is."

you sucked on your teeth. "but we do, anyways," you reminded her.

"that we do, honey," she finished, putting the car in park. "let's go cheer on those knuckleheads, shall we?"

the rink was colder than you thought it would be. the walls were practically made of aluminum foil. you wrapped your arms around yourself, blew out a foggy breath, followed ginger to the away section, absolutely packed with everyone you recognized.

as you settled into the stands, your eyes immediately searched for trevor.

"he's number 11," bridget said, coming to stand next to you.

you rolled your eyes. "and what number is matt?"

she shoved you, playfully, but when spoke, it was bashful. "12," she said. "cole's 22 and alex is 39. police chief is 8, fireman spence is the goalie, and griff is the ref."

you furrowed your brow. "isn't that a conflict of interest?" you asked.

she huffed in a laugh. "if anything, it's a disadvantage for us."

the game started, and you realized very early on that maybe trevor hadn't been lying when he said not all of them are as good. he practically flew around the ice, graceful, mesmerizing. and it was obvious that he wasn't looking to show off, either, that he was just playing to have fun, and if he really wanted to, he could run the scoresheet up into oblivion.

you could feel bridget smile beside you. "yeah," she sighed. "it's pretty crazy."

"he could play professionally," you breathed.

she shrugged. "he's happy," she said simply.

cole scored twice, the other team clawed their way back in. griff threw alex in the box for boarding, which old man peters, even with his granddaughter in his lap, would not let go, keeping a one-man ref, you suck! chant going long after the power play was over.

"does he know it's griff?" you asked bridget.

"of course he does," she said. "he'll buy him a beer after this."

such was small town life, you supposed.

in the end, fireman spence made some crucial saves, keeping it tied late into the third. with about a minute left, trevor made an unreal, practically magical pass to matt, who finished it off in a one-timer that sunk into the back of the net.

the crowd erupted. you and bridget jumped up and down, holding each other as the goal horn sounded.

the team went through the line in celebration, then skating by the away section before the next face off.

trevor blew you a kiss. you shook your head at him, but couldn't wipe the smile off of your face.

the game ended in a win, and the town migrated over to the local bar. you busied yourself with harry's mom, telling her that no, she had nothing to worry about, yes, harry was quiet, but he was kind as anything, and that was most important.

everyone cheered when the team walked in. you clapped along with them, feeling a smile tug at your lips as soon as your eyes locked on trevor.

his eyes found yours immediately, that lazy grin following as he squeezed past people to get to you.

you met him halfway, a hazy neon light over your heads, making color dance in his eyes like starlight. his long hair was damp, curly at the ends in a way that made you want to reach up and tug at them.

"speechless, eh, sug?" he teased, shrugging one shoulder with exaggerated arrogance. "i know, my play tends to evoke that reaction from people. i-"

you scrunched your mouth to the side, smacked him lightly in the chest. "god forbid i try to think of something nice to say to you," you said, smiling. you made to pull you hand back, but his warm, wide palm came up to cover it, holding it against his chest.

you exhaled, looked up at him, unsure.

"what was your favorite part?" he asked, those shining eyes careful. "did you like cole's between-the-legs? or maybe my last assist?" he winked. "always a crowd favorite."

suddenly confidence welled up inside of you, a vault. but we tell him anyways, you had said. that we do.

tell him, the overhead lights whispered.

"when you blew me a kiss," you said, reaching your free hand up to cup his jaw, textured under your touch from his five-o'clock-shadow. "that was my favorite part."

flame crept into his gaze abruptly, suddenly, shockingly. he settled his other hand on your hip, pulled you closer to him, his grip making your breath catch. "was it?" there was a roughness to his voice that felt tangible.

you nodded slowly, speaking to his mouth. you weren't scared. you weren't running. you weren't stalling. your skin was humming, your blood felt hot. he was so perfect against you, his hand over yours somehow the most intimate touch you could remember.

he ducked his head to yours, just a breath away, so you could see the gold in his eyes. "let me do you one better," he rasped, waiting for your single nod before finally crushing his mouth to yours in a kiss that felt like early sunrises, slow and meaningful and only the beginning.

you pushed up onto your tiptoes, looped both of your arms around his neck, tugging him closer, closer, as he kept one hand on your hip, the other grasping the back of your neck, keeping you from collapsing into him.

kissing your ex had felt almost robotic, scientific, stiff in an endearing way at best, stiff in an awkward way in reality.

there was nothing stiff about this, nothing scientific about him. this was all feeling, all malleable, all calloused hands and chapped lips. he kissed like someone who had to work for it, like someone who didn't have to prove anything to you but wanted to, anyways.

just that was enough for you to sigh against him, the fact that there were other people around the only thing stifling your soft moan.

he smiled into your mouth, like a low-spoken secret between the two of you. "taste like butterscotch," he mumbled against your lips, pulling away only just enough to make sure his words didn't disappear unheard down your throat, almost drowsily. "you like those candies i give you, sugar?"

your chest rose and fell against his. the low music in the background roared in your ears, the neon light making him look like some stained glass thing worth kneeling for. "like 'em because you leave 'em for me," you said, your fingertips tracing the top of his spine.

his eyes shimmered. "can i tell you something?"

you nodded.

he hummed, gave a guilty sort of smile. "gave 'em to you because i didn't like the taste of 'em," he started, smirk growing wider. "and i wanted to convince myself to hold off on kissin' you. not to rush you, you know."

you understood, and your swollen lips quirked at the story, but your eyes flashed with something like hurt. "you don't like the way i taste, trevor?" even if it was his own doing, you suddenly wanted to brush your teeth.

"that's the thing." he ran a steady thumb along your hairline. "think my plan backfired, 'cause butterscotch's my new favorite flavor." his thumb reached your chin, tilting it up to his mouth again. "can't get enough of it," he murmured, a man possessed, barely audible as he kissed you again, this time with a softness that cut like a dagger.

you swore your head was still spinning the next day. what was supposed to be just another shift at the diner quickly turned into a flurry of questions, of neighbors looking for a side of gossip with their french toast, of line cooks swearing there was something different about you.

it was hard to answer anyone, to do anything, honestly, when it felt like you were floating, like your head was far, far away, up in the clouds.

harry gave you a fist bump when he saw you. old man peters told you in a stern tone that public bars were no place for fornication, to which an ecstatic bridget patted his shoulder and reminded him that it was only a (sort of) innocent kiss.

she pulled all the details out of you, lit up as you flushed and stumbled over your memories.

the police chief made some joke about that boy being a bad influence when you accidentally brought him whole milk instead of soy milk for his coffee.

ginger and the girls were like some insatiable beast that only let you be when you reminded them that if they kept you much longer, the diner would go hungry.

of course, your heart instinctively fluttered when that tell-tale gust of loud laughter burst through the door, along with the drag of heavy work boots, the shuffling of canvas outerwear, the shoving of gloves into back pockets.

you made your way to the table with their regular pot of coffee, met trevor's dancing gaze almost sheepishly.

"morning, guys," you said, smiling at all of them.

they chimed their chorus of good mornings, pouring their coffee into mugs themselves, as they always insisted on.

"so, what's new?" cole asked, his head resting on his fists. "probably nothing, right?"

alex and matt hid their laughs.

you rolled your eyes, smiled nonetheless. trevor had a hat on, today, making his hair curl out from the bottom of the brim. you tucked a curling lock behind his ear, ran your nails soothingly along the hair at the nape of his neck.

anyone watching would have seen the way his gaze melted like milk chocolate, how his shoulders softened, his posture relaxing completely into your small touch.

he looked up at you, eyes so soaked in affection it spilled down his face like mascara-stained tears. "i missed you," he said.

his friends groaned, as if they'd heard this a million times. suddenly, with a blush, you had a guess as to what his morning had been like. perhaps he had been just as distracted as you.

"i missed you, too," you said, because it was the truth.

"he almost dropped a crate on my foot this morning," matt said, bitterly.

you put a hand over your heart. "how tragic." you looked up, making eye contact with your friend across the diner. "hey, bridge! matt almost hurt his foot this morning. has science found a cure for that, yet?"

she huffed a laugh as she approached, shook her head at matt when she stood in front of the table. she held the back of her hand to his forehead, as if checking for a fever. "are you sure you're okay, sweet boy? this sounds serious," she joked.

matt had paled. trevor pulled you into his lap and you hid your laugh in his collarbone.

"'m fine," matt bit out, to which bridget smiled.

"thank god, that was close," she said. her gaze wandered, landed on something out the window. she squinted. "did somebody dig up some of the flowers outside?" she asked.

"dig?" alex mused, "maybe rip is a better word, eh, trev?"

"right. almost forgot." trevor held you in his lap with one hand, reached the other to the side. suddenly several flowers were being held in front of you, thin, spidery roots still intact. "sugar, will you go to the valentine's day skate with me?"

you smiled, wide and toothy, touched one hand to his face as the other grasped the humble, earthy bouquet. "of course i will, handsome," you said, "what's the valentine's day skate?"

"pta event, tomorrow," bridget said, looking on with interest. "whole town shows up."

"this town shows up for everything," you replied.

she smiled fondly. "heart-shaped balloons and fruit punch and ice skates. what's not to love?"

you turned your neck to look back up at trevor. "'m honored to have been on the receiving end of one of your famous invitations," you teased, "even if it's not for a dance." his delight rumbled into your shoulders, the back of your thighs, firm and warm.

cole yawned, stretched. "duty calls, fellas," he said, making to get up.

you reluctantly pushed up from trevor's lap, quickly pouring his untouched mug into a to-go cup. the team filed out with their typical string of thank yous and goodbyes, matt's extra glance at bridget met with a returning smile.

then it was you and trevor, as the morning break always ended, like clockwork, like a bedtime story that was comforting in its predictability. he tucked a bill in your apron, several candies, the weight of them alone making you smile.

"did i tell you how pretty you look today?" he told you.

"no," you mused, your hands clasped behind your back, shifting on your feet.

he hummed. "so pretty, sugar, never been so nervous to ask someone out," he admitted, that smug smile lazy across his face.

you tilted your head. "don't be nervous," you told him. "you're the easiest yes i've ever had."

at your words he ducked his wide shoulders down to you, flipped his hat backwards on his head so as not to impede you in any way, kissed you with a rough palm on your soft face, your hands still behind your back as you met him up on your toes.

a different kiss, one so lovely, still, soft and beautiful, drenched in daylight.

would your head ever stop spinning, when it came to him? would you ever come down from the clouds, again? even if you did, would there not be cumulus tufts in your hair, wisps of cirrus in your lashes?

he was proving it difficult, especially that next day, the fourteenth of february.

you had the morning to yourself, existing slowly and methodically, reading and running errands, finally starting to get ready for your date in the late afternoon.

before you knew it, there was a knock at your door, just as you had swung your jacket on. you swung it open to find him leaning against the doorframe, the picture of ease, shoulders drooping the way they always did after a working morning.

"ready to go?" you asked, making to close the door behind you before pressing up on your toes to kiss him on the cheek. he caught your face in a hand before you could, though, steering your lips towards his mouth instead. you laughed against his lips. "greedy," you taunted, pulling away, letting yourself lean into his warm side.

"got no idea, sugar," he admitted, voice twinged with a day of speaking. you walked together to the high school ice skating rink, only a few minutes away, the brisk february air biting at your nose, your ears. you caught up on the morning, what book you had finished, how annoying ginger's husband was being about the state of his rain gutters.

when you entered the rink, finally, pushing forward the old doors, you couldn't help but smile, and trevor couldn't help but watch you.

everyone was here, of course they were. balloons hung from the top of the glass, streamers decorating every archway and spare inch. a massive table of themed refreshments was just next to the bleachers.

it looked like something out a ninety's film, mixed with the unique small town charm and wintery love you had come to know so personally.

you and trevor quickly got your skates on, all lingering touches and knowing smiles, and headed for the ice.

you were shaky at first, but his hands were so tight on yours, you knew there wasn't a chance he would let you fall. he spun you around the rink easily, twirling you like a ballroom dance floor, ever the show-off, anything to make you laugh.

"hey, harry!" you called out, at one point, noticing your host-friend helping a taller, skinner kid his age onto the ice. he waved, his eyes glittery in a way you recognized. is that jason? you mouthed. harry nodded, smiled shyly. you gave him an impressed thumbs up, trevor whistled.

you asked trevor how he got into hockey, watched how his mind waltzed behind his eyes when he talked about outdoor rinks with his friends in elementary school, how even piled-on scarves and hats and puffer jackets didn't stop that flying feeling.

significance would gather in your stomach, butterflies morphing into something much more serious, the kind of flame you'd find in a living room fireplace, in the hearts of teenage lovers.

you skated by cole, scooping up the snow he had made with quick starts and stops, and alex, whose neck was becoming the new home of said snow.

alex grunted, immediately breaking into stride to catch a fleeing cole, whose bright and clear laugh echoed under the roof like church bells.

the fire and police departments had started a relay race, ginger and her girls had formed a circle close to the hot chocolate.

old man peters held his sleeping granddaughter in his lap, bouncing his knee gently, both of their smiles blissful.

trevor's hand found your far hip, pulling you into his warm side. you sighed, looked up at him as you let your fingers trace along his jaw.

"touchy today, sugar, hm?" he said into your hair, a rumble to his tone that told you he liked it.

you hummed, nodded. "you just look so..." you trailed off, in thought, thinking about what, exactly, you meant to say. he looked what? practically edible? like an ocean you wanted to drown in?

how could you tell him you'd been avoiding looking at his hands, for fear you'd blurt something out about wanting them around your neck?

you just swallowed, cleared your throat. his smirk was a flash of teeth.

"you feelin' okay?" he cooed. "should i take you home?"

you found yourself nodding, even though you hadn't been at the rink for long.

"yeah?" he mocked, taunting, his hand on your hip suddenly firm, burning.

bridget's laugh cut through the sizzling air like a stream of cold hose water. you both turned to look at where she now sat, having obviously fallen onto the ice. she peered up at matt through her blonde bangs. "some teacher you are," she laughed, "i knew trev was the right choice for my girl's lessons."

matt shook his head, a barely-there smile on his thin lips. he offered her a hand, steadily helped her to her feet, an almost undetectable shake in his breathing as bridget grabbed onto his forearm for extra stability. "alright, smart ass," he mused, "no help for you, then."

he made to drop her hands, to leave her on her own, but she latched onto him tighter. "yeah right," she said, "you're not going anywhere, sweet boy."

cole's laugh sparkled at matt's flush.

you and trevor were already on the way out, bidding your short goodbyes, half-assed excuses about not feeling well given and taken with knowing eye-rolls.

he walked you back to the inn, up the stairs, his hands on you ever-so-distracting, his voice a careless rasp, your heart beating heavy in your chest.

you finally made it to your closed door, your back against it as he looked down at you with that heated gaze, his frame boxing you in.

"well, get some rest, sugar," he said, slowly, smiling. "since you're not feeling well." he twirled a strand of your hair around a finger.

you sputtered. "what? trevor-"

his eyes widened in mock-surprise. "oh, is there something you want?" he asked.

you clutched at his shirt with your fist, pulled. "please."

"please, what, sugar?" he asked, so smug you wanted to punch him. "gotta tell me what you want, hm?"

"you," you whined, but that wasn't enough.

"oh, is that it?" he drawled, ducking his head down to you, so close, but not close enough, not even a little.

you worked your jaw, so frustrated. "just," you tried, "just please, touch me, trevor, i just wanna feel you."

he smiled, held the side of your face in his palm. "am touchin' you, sugar," he said, "tellin' me this isn't enough?"

you ran your tongue along the inside of your cheek, groaned at his feigned confusion. "shut up," you breathed, his mouth an inch from yours.

"make me," he bit back, and then you were kissing him. you swore your lips would be charred, later, as if in proof. you reached a hand behind you, twisted open your door, while the other rooted in his hair, tugged him inside your room as he moaned against your lips.

one of his hands grasped the back of your neck, the other a bruising grip in your side, walking you backwards until the backs of your knees felt the blunt edge of the bed.

you barely registered as he reached under you, flipped you onto his lap, your legs straddling his hips as he sat down on the comforter, far too caught up in this kiss, somehow still so different from ones you has shared before. so charged you felt the air might combust at any second, that, despite his relentless repairs, there was no way this inn could withstand the way he was kissing you, now. surely, the roof would cave in under the weight of your want, water would sear straight through the pressurized pipes.

he smiled against your mouth when you started to rock your hips back and forth across his lap, just so desperate for something, anything.

your exhales came out short, little pants as you reveled in the little friction you were getting against his firm thigh, covered in his heavy work pants, nothing close to what you really wanted, but something, at least.

mercifully, he moved your clothes aside, rocked you more forcefully, making the sensation practically blissful. you dropped your heavy head to his neck, moaned into it.

"oh, sugar," he cooed, and you squeezed your eyes shut. "so greedy for it, hm?"

you nodded into his neck, the tough texture combined with the heavy weight of his thigh catching you in just the right spot, urging a whimper from your throat.

"makin' a mess of me, yeah? could cum just from my thigh?" he said, almost like he felt sorry for you, but you could hear the smile in his voice. you bit down gently on the space between his neck and shoulder, your small retaliation, smiled at his groan.

you slowed your rhythm, picked your head up, let your chest rise and fall as you looked at him in the face, searched his eyes.

his face was slightly flushed, his eyes only just a bit glassy, but he looked at you like you were a wonder, like some divine power had made her way into his lap.

you pressed a feather-light kiss to the corner of his mouth, loved the way you could feel his smile crinkle and widen under your lips.

"please, trevor," you whispered, your touch so soft around his neck. "please just give me what i want."

you shifted on his lap until you felt him, hard and hot and heavy underneath you. his voice came out with a strain. "anything, sugar," he told you, "just tell me."

you lifted your hips up, could feel how wet you were, could tell you had probably left a trace of yourself on his pants. "wanna cum on your cock, trevor," you breathed, couldn't help your sly grin when he immediately began to tug his clothes aside. "please, please let me. i know i'm so greedy-"

he was nodding like he understood as he angled your hips up higher, shifted you so that you sat right above him as he pumped himself up and down, once, twice, so obviously ready for you. "you are, sugar," he said, so eager it almost sounded like a whine, "but i'll give you anything you want, swear it." his hands found your hips. "just promise you'll only be greedy for me, hm?"

you sank down onto him with a nodded promise, bit your lip at the slow, scorching pressure, the pleasant stretch that pulled at your middle, that you felt in your toes. you blinked, trying to get used to the sensation, trying to muffle the groan in your mouth.

"fuck," he moaned, his fingers clutching at the flesh of your hips like you might float away if he let go, "all the way, sugar, 'atta girl." you huffed a short breath when he was all the way in.

words felt far away, suspended in bubbles that whirled around your head.

"speechless, eh?" he teased, and you had a sense of deja vu. "don't worry, sugar. common re-"

and you could have growled at him for alluding to the fact that other girls had felt this, that there were other people in the world who knew what this felt like, so you fitted a delicate hand over his mouth and rolled your hips up and back on him until he was the speechless one, moans falling from his mouth, his brow pinched in pleasure.

"don't worry," you breathed, your mouth an inch from his ear. "common reaction."

you began to move your hips up and down faster as the stretch gave way to something dizzyingly good, as he began to thrust back up into you. so hard and fast, but he held you like something precious. his rhythm built until your mouth fell open, until sweat shone on the high points of his face, until time melted away, until you were reminded of what you'd mistaken him for when you'd first seen him, all that time ago - some ancient sculpture. a work of art.

he cursed as your clit caught on his pubic bone, the friction so overwhelming, and you clenched down on him. "give it to me, sugar," he said, but the strain in his voice made it sound like a plea. "fuck, let me hear you, yeah?" his tone grew gentle. "been wantin' to hear you for so long."

you tightened around him further at his small admission, let your nails rake down his neck, probably a little too hard. he grunted, thrusted harder, shifted you closer to him.

you moaned his name at the new angle, one you felt in the tips of your ears, your hairline, your tongue.

you were so close, so impossibly almost there. "please make me cum," you whined, "please, need you so bad." your exhale was practically pained as you ran your fingers over the red marks on his neck your nails had left. "don't i deserve it, baby?"

he grunted, and it was different. you felt his stomach and thighs clench, his hips sputter as his head spun with the fact that you'd gone right to begging him, skipped the asking part. he pressed his hand to your lower stomach, let his thumb catch against your clit, sending you over the edge in moments. "'course you deserve it, sugar," he rasped, gravelly, in your ear as you rode out your high, his thrusts growing wild. "been so good."

you clenched down on him, forcing his own orgasm, fast and all-consuming, the smell of him everywhere, mixed with your perfume. your exhales were warm and heavy, transparent clouds that settled on the floor of your room, making it every bit the dreamland it had become in your mind.

he held you so close to him as he pulled you to his chest, leaned you both back on your bed. you stared up at the ceiling.

about time, one of the tiles whispered, holding a crisp fiver.

couldn't have waited another week? the losing tile muttered bitterly.

you smiled as his rough hand found your face, tilted it towards him. he was smiling. your stomach fluttered as you felt your own mouth pull wider.

"what?" he asked, his voice rough, drowsy with use.

you shook your head. "nothing," you said, "just you." your eyes crinkled under the weight of your happiness. "i'm callin' dibs on you."

his eyes lit up as he pulled you in for another kiss, slow and overflowing with meaning. he hummed. "butterscotch," he whispered against your mouth. "my favorite."

fin.

[copperbadge]

I'm certain you have said it before, but can you point me toward where/what app you use to listen to podcasts these days? I lost the app I was using (apparently it is no longer supported? or something) and I want to get back into listening to them now that NaClYoHo is giving me greats recs

Oh sure! I use PodcastAddict -- though I caveat that it's only available for Android. (Honestly if you have iOS, the last time I checked the native podcatcher was one of their better apps and is very similar to Addict, so if you don't like the iOS catcher you probably wouldn't like Addict anyway. I just hated Android's native catcher, which lacked features I wanted.)

There's a free version with ads -- it's not pop-over ads, just a little banner at the bottom -- but you can also make a one-time payment to get the ads removed. There's also a $10/yr "premium" subscription that removes the ads and gives you access to some small but convenient extra features. The subscription also helps support its ongoing existence, since it's run by like one dude and needs his full-time attention.

My absolute favorite feature, which I believe is available across versions, is that you can enter a feed for a paid podcast and subscribe to it -- so like, I support a handful of podcasts through Patreon, and I can enter the Patreon "paid" feeds for those and get the paid bonus episodes sent straight to the catcher, thus avoiding Patreon's heinously bad podcast interface.

It's the #1 podcatcher on the Google Play store, and just a great example of an app that was built to do a specific thing, does it well, doesn't change unless it's to upgrade something, and offers extremely reasonable levels of access. I think in all the time I've had it, the interface hasn't significantly changed even once, which I treasure in an app.

[holorform2009]

Ok. I've been reading yandere DC x reader stuff and all.

They all have their own unique way of writing and the plots too. But have you ever thought of making the reader a sprunki like?

I've seen others make reader a mermaid, animal/shape shifter, robin, a villain, and etc. But I have never seen someone make reader a sprunki, I know the sprunki just came out a days ago but like.

What I'm trying to say is

What if reader has a Music syndrome? (I made this up, this syndrome does not exist.)

Music syndrome is a person who only speaks music or sound to communicate people or express their feeling or wanted to talk. And of course, this syndrome has no cure. But anyways, if reader has a Music syndrome, they can only let out a noise of what it sounds like a music. Just a single tone. I image reader as brud in sprunki, and I would like to imagine how the DC characters interact reader who speaks music. Their confused expression as to what the reader is trying to say to them.

They tried to understand you but failed to do so, and I also wanted to add a bit of spice here. Since there is a horror version of brud, why not make music syndrome!reader have a trauma ✨

Reader does not like black top hat and it will trigger them, because it reminded them of what he did to their friends, especially wenda— *cough cough* Anyways! And I wanted to imagine the face of every DC characters to reader's head that got bitted by Simon and how shocked they are when they found out you have the tiniest brain that the bite could not reach it and you manage to survive Simon's bite. Walking around like that will give them a fright because you look like a zombie.

How did reader end up in the DC ? Well I want to image a scenario where reader escapes the bloody chaos, managed to escape wenda's wrath and also Black. They see a light grey door, they opened it and poof! They are now in the DC universe!

You are so confused when you enter this universe, when you looked down to yourself you have an arms and a digits. What is this you thought. You take a look around your surroundings and noticed you are not in that hellhole anymore, no more Simon eating what's left of you, no more Wenda stabbing you, and black... You shake your head. You do not want to remember that mean guy.

As you explore this unfamiliar world, you heard what it sounds like a murmur, the tone sounded worried. You looked at the source of sound, wondering who was looking at you. I mean. You head a fricking huge bite mark on your head, who wouldn't be worried about that? Furthermore, who wouldn't be surprised that the fact your still alive from that large wound? You have a smallest, tiniest brain of course.

"yo buddy"

You stopped, and turned around to see a man with black suit and a blue logo on his chest. "You need a medical attention there little guy!" When you blinked, you were snatched into his hold and held you up like Mufasa in the lion king. Startled by his sudden actions, you let out a noise of surprise but to him, he heard you sang.

"🎶🎵🎵🎶🎶🎵!"

So yeah, that's how you met Nightwing.

You are now at the hospital, your big ass bite mark is wrapped up in a pure white cloth. To be honest you didn't fell any pain from the biting or stabbing but it hurts to see your friend hurting you.

A tall lady approached you, gently rubbing circles on your back as she spoke to you "Where are your parents, little one?" What

What's a parent?

"🎶🎶🎵🎶🎵🎵🎶?" You sang. The nurse was left dumfounded at your response, not sure how to reply to that but she only said "Okay..." definitely did not understand what you said right there. "Do you feel any pain or anything that makes you uncomfortable? Just nod if yes and shake if no"

You shake your head no.

"Okay, I'll ask the doctor if you are ready to go"

With that she left, leaving you there. Sitting on the bed as you wonder what are you going to do now since you escaped from hell.

And that's how you end up here.

[soodoonimin]

Logan Howlett and animal instincts (or in other words my long winded analysis of a comic book character)

So before I start, just know that I have read a lot of comics but I don't know everything. I can take notes all day long but I have a bad memory and comics are confusing so please be nice and enjoy, this took a lot of effort to put together, it’s mostly my thoughts on the character as I read the the comic books. The movie character is a lot different and I will also probably do something like this for movie Logan as well (though it will be significantly shorter).

Also there are some pictures that have blood and body horror so beware.

What does it mean to be human? Well that's a question we as humans have been trying to answer since we could think to ask it and ever since then we've never been able to give a fully conclusive answer. Why? you may ask, well because think about it like this, the traits we most often associate with humanity (higher thinking, creativity, empathy, and love) may not and some times do not always exists solely within us when applied to fiction, we write whole stories about how robots can be human too, how aliens can be human etc etc as long as they have these traits (more or less) AND LOOK I'm not going to get into a whole philosophical discussion about the nature of humanity on Tumblr.com but I do want to take a second to talk about how those traits are applied to Logan and how he has to fight to prove his humanity.

So mutants are an oppressed people but being a mutant isn't always the same for everyone. You can be a mutant like Rouge who can kill people with a single touch or mutant like Storm who can bend the weather to your will (the most obvious example). You can be a mutant like Jean with no obvious physical signs of your mutation or you can be a mutant like Kurt, where 9/10 people think you’re a demon of some kind.

But what happens when you're a mutant like Logan Howlett? I mean you look human enough, sure you're a little more hairy than most people, you have fangs, you smell, and oh yeah the claws but those are retractable so overall....you're just a normal person right? Nothing you can’t hide, right? Yeah, for the most part, yeah. But there are a couple of other things about you that someone might not know from looking at you, you have an extraordinary healing factor, you have almost animal like senses and when you are pushed to your absolute brink you go into a monstrous like a rage and kill everything in sight.

For every gift Logan was born with theres a very real curse attached to each one.

Healing Factor: Logan still feels pain, the healing factor isn’t just limited to his body but it also messes with his memories, and more importantly he’s lived a very long life. In The End comic and Old Man Logan comic etc, when he’s out lived most of the world, he’s miserable.

Keen senses: Seems great, until they’re exploited, imagine what being able to smell and see and hear that well all the time without relief must be like. Imagine not being able to tell when someone is going to die? Or when they’re lying or when they haven’t showered etc. sure you might get used to it like you might get used to pain but that doesn’t make it pleasant.

Claws: Need to really touch on this one? Aside from the obvious please remember that Logan’s claws aren’t in his knuckles but in his fucking forearms so when using them he needs to make an effort to direct them or….

Berserker rage: great to get you out of a pinch but you can’t control it. (We’ll talk more about this later)

Most people don’t see these very real downsides of Logan’s mutation, they just see a small, angry guy, who’s good at fighting and can take a hit better than almost anyone.

Here’s what worse, a lot of people (X-men included) don't see, they don't all the ways Logan hates himself (and those who do don’t see the depths of that hate he has for himself). They don't see the scared little boy whose father was killed in front of him. They don't see that little boy who killed his father's murderer and was abandoned by all but one person for one person (Rose). They don't see the young man who accidentally killed his first love while trying to protect her from his brother. They don't see the man who lived a relatively miserable life being plucked up by a group of people who only saw him as something to be experimented on. They don’t see the man who believes that if he loves someone he's destine to hurt them in one way or another because he has multiple times over (even if it wasn’t always his fault). They don’t see that for all the times that they call Logan an animal, he already believes them and he’s called himself worse many times over.

(Deep down he truly believes he deserves be to alone, especially in death. That would be his “deserved” hell. Eternal loneliness.)

Which is funny because I think Logan goes back and forth in deciding on whether or not he has any humanity in him in the first place. See in the Black, White and Blood comic, the FIRST story told in this series, is an account of Logan’s time at Weapon X and we get this…interaction:

Pourquoi tu me fais ça?///Why are you doing this to me? This "monster" asks him this on the cusp of death....

(Moments during the Weapon X program, be they real memories or not, when Logan’s humanity shone through)

And THIS almost immediately snaps him out of mind control he's under going. I don't know if he understood the words per say but I think even if he didn't, he still understood the plea on a human level. Because it wasn’t Weapon X who responded, it wasn’t the berserker, or Wolverine. It was Logan Howlett. It was a moment of humanity that broke the conditioning he’d been put through that answered that plea and stopped him. Because if you think about it, if these two memories actually are real, that means that Logan recognized this plea as the same one gave to the scientists. Now determining what did or didn't happen during the Weapon X program is difficult to parse out because they implanted false memories. BUT regardless of that there was always a part of him that held onto his humanity. But I think that just adds to the horror of it all. Imagine not being able to know what memories are yours and which ones are not? So let me ask, even if those memories are “false” does that make them any less real? Does that mean that Logan suffered any less under their stewardship? He was still kidnapped, he was still experimented on, still tortured. He still had the adimantium grafted onto his bones, he was still made into a living puppet and was still seen as nothing more than a weapon, an animal, a monster by the very people who were doing all of this to him and in some respects they are the reason he is seen as a monster by others.

At the end of that comic (where he was momentarily snapped out of his conditioning) he states that no his humanity wasn’t stolen from him but he still lives with that guilt of everything he can’t remember and the things he can remember are unreliable.

I know a lot of people haven’t read the comics so I’m not trying to do annoying about it BUT if you get the opportunity to PLEASE go read The Weapon X comic (by Berry Windsor-Smith) & Wolverine’s first limited series run (by Chris Claremont).

I specifically say that second one because I think the story that’s told is probably one of the more interesting told for Logan because of the relationship he has with Yukio and Mariko. I’m not going to get too deep into it because I really think you should read it for yourself but the basic outline of it is that where Mariko loves the man, Yukio loves the “monster”. And when he’s initially trying to court Mariko it’s his attempts to in a sense to court humanity but he fails and when he turns to Yukio. And for her part it’s not just as simple as her loving the “monster” but more than she goads it out of him, for thematic reasons and plot reasons. But needless to say, they both love Logan but they both love an incomplete version of him. (It’s a really good story and it’s literally what sold me on the idea of reading through any of the older comics.)

Anyway, (in the comics and movies especially) some people solely see him as a man with an uncontrollable side that they’d run from at the first sign of aggression and others only want that animalistic side and don’t love the man that Logan is. The thing is, he is both of those things. Think about it like this. As humans we like to think ourselves above the food chain, we like to think of ourselves as *more* than animals. And sure we’re definitely one of the most successful species of animals on Earth and we definitely don’t act on instincts in the same way most animals do, we’ve created society and rules and we do things a lot different than other animals but we are still animals.

So Logan isn’t both a man and an animal anymore than you or me. But he is a man that is more in touch with those animal instincts than the rest of us (bc of his mutation). Which I think is why when he does act on those instincts, people see him as less, because we (yes even comic book characters for this argument) only seem associate those traits with animals, with something lesser than ourselves.

The thing is, being “an animal” doesn’t need to be an insult or a condemnation of any kind. Humans are still animals but humans are still kind, and caring, humans have still created beautiful art and music and food and architecture and have got to the stars will probably go beyond the stars all while still being an “animal”.

So I think where most people get hung up on word “animal” is because it has such a negative connotation when applied to humans. And thus that negative connotation basically perpetuates itself so the only time we call other humans animals is when we mean to attack their humanity.

So back to Logan. Imo, there is no better example of this than the way people, Logan included, treat his (and subsequently him) berserker rage. Logan describes it as a monster that shares his soul, something else inside him, the real thing that makes him a monster, something that he doesn’t like, something he’s scared of, something he can’t always control but that he does everything in his power to keep away from the people he loves. Because Logan doesn’t like to kill, he doesn’t like hurting people. He might be good at it, he might be known for it but that doesn’t mean he likes it. Even when he thinks death is a deserved punishment, he isn't ever happy about having to kill. And he even says as much at one point in the comics.

And as a real quick aside, but this is almost exactly what sets him apart from Victor Creed. They're both men whose mutation gives them heightened animal like traits. The only difference is that Logan is ashamed of those parts of himself especially when they pertain to violence where Victor likes it, enjoys it; he goes out of his way for violence.

(If there is more to Victor Creed than meets the eye please tell me bc I gotta say I don’t actually know too much about him except that any time I see him in any Wolverine media I immediately laugh bc I know the two around to brawl. And I’m almost never wrong lmao)

And mind you there are times when Logan is also a hammer in the sense that he tends to punch his way through most of his problems. But he doesn't go out of his way for it in the same way Victor does despite having every reason to.

Logan has killed people but unlike Victor he isn't a killer. Even if that's what he's "the best at".

So when he goes into this specific rage that labels him a monster (an animal) it’s almost always in front of someone he loves and it’s almost always in a moment when he’s trying to prove his humanity (when it’s being used thematically and not for plot convenience). Like if you go read the comics 9 times out 10 when Logan is being called a monster or animal by some scientist or an enemy looking to humiliate him. But it’s almost always in the mitts of a life or death situation. A situation that anyone would fight light hell to get out of even with an amazing healing factor like Logan’s.

Because he still feels pain.

He still wants to survive.

He still feels.

And at the end of it all, he feels ashamed and horrified with himself and he'll always have to live with that guilt and shame. There's a point in one of the comics when he describes his heart as being slower to heal than the rest of his body and I think its interesting because although that story he's talking more from a "heart broken" sense. I also think that can apply just as equally to idea that it also harder for him to heal from not just heart break but also from shame and guilt. In certain situations, it takes longer for him to forgive himself emotionally because he suffers physically in the short term. He’ll never have a physical scar of his wrong doing and so he carries the emotional weight of it with him.

But also because he isn't just dealing with himself. In those moments when he comes out of that rage, the people he loves are in shock and are scared because they saw the “monster” and some people do reject it and in so they reject him and although rejection is something Logan thinks he deserves, it doesn’t make that pain hurt any less. it doesn't make it any easier to heal just because you agree with them, and in a way I think that's what slows down that healing process. Logan's inability to forgive himself.

Because that's the thing, Logan, would rather be scared of himself than forgive himself, be it because of his past trauma or because of the Weapon X program (which in the Weapon X comic it’s implied if not outright stated that the scientist at Weapon X are the reason he feels the fear he does about himself). Logan is scared of no one on Earth more than the man he sees in the mirror. And that’s because in his lowest moments when he looks in the mirror he doesn't see a man, instead he sees an animal, a monster. He doesn’t need the rest of the world to tell him what he already thinks of himself, it just doesn’t help that he has a choir of voices that are sometimes louder than his own telling him his worst fear is real. He is the monster that hides under his own bed but the problem is, while the monster is 'real' is a physical sense, it does not share a soul with him anymore than the boogeyman does. He wrestles with himself. Somedays he believes he's a man like anyone else and other days he can't drown out the voices telling him he's nothing more than a monster.

And as my last touch on the beserker rage, I want to posit my own theory about it. Personally believe to some extent that it isn’t part of his natural mutation and that instead it’s something that was “given” to him by the Weapon X program. The reason I say this is because I think it would make a lot of sense that like the adimantium claws and false memories it would make sense to give you “weapon” this uncontrollable rage (that mostly comes out in times of great duress). Not just because it would be one more thing Weapon X has taken from him (control over his own emotions/body) but also because wouldn’t that just make sense on the side of the people who ran the project? That your living puppet have a fail safe of sorts in case it ran into something bigger than itself? During the Weapon X comic, the scientist are constantly surprised by how resilient he is and even though some of this surprise happens in a false memory, they really do believe they can kill him at one points so if they thought they could kill him, why not something else? Why not give their investment insurance? And what better insurance for an animal than monstrous rage. 

But of course none of this is even to talk about the kind of person Logan really is. The thing that I think most people (in the comics) tend to ignore about Logan, in favor of focusing on his rough exterior (and some of his more questionable characteristics) is that he really does have a heart of gold. Now do not get me wrong, he can do some pretty fucked up shit (I will not talk about the Jean and Scott love triangle bc it gives me a migraine) but he does regularly do things that show how much empathy he has. That show that despite what he (or the rest of the world) might think, he isn’t a monster. The best examples of this are his relationships and more specifically the relationships where he’s a father/mentor. Like his relationship with Kitty Pryde and Jubilee, two kids that he basically adopts/takes under his wing and constantly goes out of his way for. Some of you might remember this post and the reason Logan does eventually fuck Wade’s shit up is because Wade literally punches the ever living shit out of Kitty in front of Logan. In another comic issue (after this), Logan beats the shit out of Wade again for punching Kitty, it’s funny but it also just goes to show that he does take protection of his family seriously. And mind you he doesn’t hunt Deadpool down, he find him by sheer plot coincidence when he’s getting a book signed for Kitty and the author just so happened to be Deadpool’s mark.

And mind you, Logan does have love for his own kids (Laura and Daken) despite the troubled nature of both this relationships but again those are a little more complicated. That’s partially for plot reasons but also because they play into just how much Logan hates himself that he struggles active show the same love for his adopted family to his “blood” family (again with Daken it’s a lot more complicated) but I also think that not only are his relationships with them fraught because of how much he hates himself but because both Laura and Daken were experimented on just and manipulated like he was (and in Daken’s case by a major player of Weapon X) so while he does love them past his own self hatred, they are also a reminder of his deepest traumas. It’s not their fault and it’s not necessarily Logan’s fault either, it’s just the cards their characters were dealt. (I haven’t read any comics with them yet so once I do I will most likely write my thoughts on his relationship with them each individually)

Regardless, Logan, depsite what he’d like you to think, is a deeply loving, empathetic and loyal person and this doesn’t just extend to people who considers family:

(Logan says this a man who not only a few issues ago was trying to kill him and his partner/friends. He saved Roughouse (the character he went berserk on a few pictures ago) because he was being experimented on in a way not too dissimilar to the way he had been by Weapon X. And if I remember correctly this is before he even knows how he got the adimantium in his bones)

He is James 'Logan' Howlett. He is a man whose life was stolen from him so many times over. He is a man who believes that the worse parts of him are all that matter and fails (or refuses) to see the good he has done in the lives of the people he cares about and believes that only death will truly bring him peace. He is someone who despite his flaws can’t help but to be kind. He is someone who fights like hell for what he believes is right. And even if he believes he’s a monster, even if the world believes he’s a monster, he will try to do the right thing because although he knows his soul is damned that doesn’t mean that exempts him from doing what good he can. He is someone who gives and good as he gets and then some. He’s the best at what he does but for him, that isn’t alway what he thinks it is.

And I think that’s the beauty of Logan as a character. Someone whose life is so wrought with tragedy and yet he is someone who can’t help but to be kind, someone who can’t help but love and care and find the humanity in the world despite the world seeming to be hellbent on taking his humanity away. Even though he (and many people in universe) might disagree with me, he is not only a one of the best humanity has to offer but he is also a shining example of the tenacity of the human spirit.

[beef-brisket]

Angel: Kick his ass, Adam

Angel flipped Vox off as he walked away.

Vox: You whore! Val will hear about this-!

Adam growled and stepped in front of Vox, blocking Angel from him.

Adam: You're here to see me, ass hair. The fuck do you want?

Vox: I have a proposition for you~.

Adam cringed: I'd rather not know what that is, thank you.

Vox: Oh, don't worry. This benefits you and your little hotel.

Adam: Really? Well, if it doesn't involve touching you, I'd be happy to hear it!

Vox: How childish are you, Adam? Really now. Touch ME!? I wouldn't give you the satisfaction~.

Adam: My, my. Look at how confident you sound. Hm... I like it~.

Vox blushes: R-Really?

Adam: No. Now, get on with it. I'm very busy.

Vox growled. He's remembering why he lov- hates Adam.

Vox: Fine. I'm sure you would like an advertisement deal for the hotel-

Adam: I can handle that.

Vox: Oh- come on, Adam! Radio!? Really!? We're not in the 30s anymore!

Adam: I'm still waiting for your proposal. And if you don't hurry, I will make you regret ever coming here.

Lucifer watches from the stairs as Adam starts to become more demonic. The lights flicker, and the air fills with static. Because of his increase in power, he looks a lot more terrifying.

Lucifer has to stop himself from laughing as Vox actually cowers.

Vox: F-Fine! Shit!

Within an instant, Adam returns to normal and fixes his suit.

Adam: Get on with it then.

Vox: ...I uh... yes- well... I would like to endorse your hotel!

Adam: It's not MY hotel, Vox. You should get the ownership right before you offer endorsement. Not that we need it. I'm perfectly capable of handling this place myself.

Lucifer could tell Vox was getting angry. Adam has that smug smile on his face. One that used to piss Lucifer off as much as it is Vox, but now he finds it charming.

Vox: You need me, Adam. Just- please... give me a chance. We used to be friends! Partners even!

Adam: We were never partners, Vox.

Vox: I know you say that- and I understand where you're coming from... as much as it hurts. I just... I need... you.

Adam: ...You need me?

Vox: I do. I'd like to work a deal out with you- a mutual deal. I have something that would really interest you.

Adam: A deal? Now you've interested me~. Go on.

Vox: Look- we should discuss this at a mutual place- come to the Vee tower tomorrow at 12pm-

Adam: That's not mutual ground, Vox. And you're making this sound like a trap~. You wouldn't do that to me, would you Vox?

Vox tenses as one of Adam's tentacles rubs past his face.

Vox: O-Of course not-!

Adam: Because you understand that you've never stood a chance against me~. And your two bedwarmers can't help you. So, if this is a trap or you waste my time, I'll show you pain you've never known existed. Ha! How ironic! I may even have you on my radio show! I'm sure my listeners would love to hear you beg and scream~.

Vox tried to fix his composure: U-Uh- yes! I'm sure! But luckily, that won't happen! You'll love what I have to show you, trust me.

Adam: I don't trust you... but I won't lie, I am interested. And, thanks to a recent development, I'm a lot stronger~. So, why not! I'd love the chance to blow off some steam, and if you three get in my way, that'll be double the fun~.

Vox: ...S-So- see you at 12?

Adam smiles, flashing his sharp teeth: Yes. See you at 12.

Vox: Fantastic! It's a date!

Adam narrows his eyes as Vox walks off. One day, he'll love to smash that screen all over again. Maybe fuck up the other antenna.

Lowkey want an au where Adam has Alastors' powers.

The tentacles

The eyes

The changing size

The shadows

The sass

The deal making

Him owning Husk and Nifty

The musical numbers

The radio control

The tentacles- have I mentioned that before?

The rivalry with Lucifer

Maybe he replaces Alastor entirely. No Alastor. Only Adam. It's always been Adam.

Thanks for coming to my tedtalk.

Only Adam lol This is good! His Husk and Nifty could be Lute and Peter.

He doesn't have to smile all the time does he?

Yessss, and he plays rock instead of jazz lol And yes of course there is a rivalry lol

[utilitycaster]

sort of an offshoot of that post about video game characters but I think I've mentioned before the third person v. first person split in D&D, namely, do you say "I attack it with my scimitar" or "Drizzt attacks with his scimitar". This is a well-known thing in TTRPGs, I'm sure you can find more intelligent discussion about it, but it's come up for me specifically in that a lot of old-school D&D players skew hard towards third person and often they are less interested in actual play, because they see D&D as a narrative tool. There's no self-inserts; they are narrating the exploits of a guy they made. And so the parasocial elements (which are not necessarily bad, it just depends, and that's another post) have no appeal, and even things like accents don't really.

I don't think third person vs. first person necessarily means "not a self insert vs. self insert." I switch between the two and often use first person. But I don't feel like any D&D character I've played is a self-insert. They have aspects of me, sure, because of course they do, I need to be able to play them and try to think like them, but I think in a game where death and failure are really possible and where you must collaborate and where your options are rather limited - because even in D&D, they are limited by the type of game it is - it's actually vital to separate yourself out from your character.

It comes down to something I've said a lot about so many things in fiction (but yeah, this does bleed into real life): are you able to accept a character who is not like you? Are you able to accept a character who might make wildly different choices than you would? Is your capacity to empathize or see a character as a person limited by them specifically hitting some demographic or philosophical targets you have constructed? Can you, even in a low risk, fictional environment, let yourself be different from how you are.

this seems very silly but I think I may have alluded to Justin McElroy talking about not being able to play fat characters in most games, and so he often just plays characters who do not look a thing like him. He often plays as a woman of color. (I don't recall where this came up? I think it might have been on an ancient polygon video or maybe commentary on one of the TAZ seasons? I'd love to find it again). And I think that's actually really great that this was his instinct. I don't want to diminish the importance of RPGs and TTRPGs for self-discovery; obviously it's been a place for many people to explore gender and sexuality, especially, and I do not want to take away the ability for someone to play as a woman in a game before you feel like you can live as a woman publicly in real life (and notably my issues with the BG3 and Inquisition player characters are not ones of gender/sex/race, ie, I think it is personality and background that might need to be more pre-determined). But yeah, if you cannot connect with characters who aren't like you that's a problem, and it does feel a little frustrating that we know that centering a self-insert OC type makes for a worse story and people still want that.

I've always been intrigued by pre-made sheets in TTRPGs where you are limited in some way, not in a dumb "oh my god you can't play a druid bc I'm a weird vindictive dude mad that your nature magic beats my weaponry" way but just as an exploration of having to walk a mile in other people's shoes and to be a person other than one that you created to exist within your comfort zone. Because a lot of people aren't Justin, and do play themselves or as close to it as they can, regardless of what is happening around them, and I think that is a mistake.

[burntheedges]

Pas de Deux Chapter 4

Din Djarin x f!reader | 2.6k | fic masterlist | main masterlist | ao3

chapter summary: It's time for your first practice with Kuiil and Din, and you're nervous.

a/n: I feel weird putting this up today but this is the schedule I set and I'm a little afraid that if I put it off I'll just never post anything again. I'm gutted and angry but I do love this fic, so. here's the next chapter. See my notes at the end and on the masterlist about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!!

chapter tags/warnings: gen, ballet terms (see end notes and the masterlist for definitions and videos), a bit of angst, a bit of fluff

Chapter 4

You didn’t try to talk to Din again for a few days -- you were suddenly nervous. Adrian said he kept watching you during morning classes, but you hadn’t caught him in the act yet. For your part, you couldn’t stop yourself from watching him, so you figured he must not have been looking that much, because you would have seen him. Right?

You tried to put your stilted conversation with him in the hallway out of your mind. You didn’t want to let it get in your head before practices even started. 

On Monday the following week, you were walking down the hall from class to rehearsal when Kuiil fell into step with you. You briefly glanced around, wondering where he’d come from, and smiled when he greeted you.

“I am looking forward to working together.” The echo of your words to Din made you smile, ruefully. As always, Kuiil was direct but his tone was warm. “I am glad Greef agreed with me about casting. I know you will do well.”

You blinked. You thought it had been Karga’s idea. “Oh, well, thank you! I didn’t realize… he didn’t tell me it was your choice.”

Kuill nodded serenely. “Yes. You were my first thought to dance it with Din, when I began to picture it in my mind. You will each bring something important to the piece, something the other could learn from. Something you can share.”

You nodded, even though you weren’t exactly sure what he meant. You were used to that, when talking to Kuiil. “I’m very excited to be in it, and grateful that you thought of me. I’m honored, really.” 

He smiled at you as you stopped by the door of your rehearsal for Jee’s piece in the January mixed program. “We will start rehearsal this week, I will update the schedule on the board this afternoon. Before our first meeting, I only ask that you reflect on the idea of existing in the moment, and what that means for you personally and artistically.”

You blinked. This wasn’t your first unexpected request from Kuiil, but it was somehow always a surprise — you could never predict him, and once he was done talking, he was done. There was no use asking for more of an explanation. “I will,” you promised. He nodded and turned to continue down the hallway.

Existing in the moment. Well, you weren’t sure where to start, but you were going to have to try and figure it out before your first rehearsal.

…

On Thursday afternoon, you made your way to the small studio usually reserved for pieces with only two or three dancers. Kuill had scheduled short weekly practices to start focusing on the choreography while everyone was still busy with the upcoming programs for January and February. Adrian had escorted you until you passed his own rehearsal a couple of doors back, and you were glad he had — you’d needed the pep talk.

You can do this. 

The door was open when you arrived and you stopped just short to take a few deep breaths. As you did, you realized Din was already inside and you could just hear his low conversation with Kuiil

“… never done something like this before. I—”

Kuiil interrupted him. “Din. You must try to set your worries aside. I know what you have done and what you have not. And I know that you can do this. You must learn to trust in yourself, not in who they said you were. Instead, in who you are.”

There was a pause, and you tried to will yourself to move, but failed. You wanted to hear his response.

“I—” he sighed. “I’ll try. But you know…”

“I know,” Kuiil agreed. You had no idea what they were talking about. You shook yourself into motion — you didn’t want to eavesdrop too much.

You tried to make some noise as you took the last few steps to the open doorway and into the studio. They both turned to look at you as their conversation suddenly stopped.

“Hello, my dear,” Kuiil said, waving you forward. You said hello and moved to meet them by the sound system, dropping your bag nearby. “Welcome.”

You nodded. “Thank you again, Kuiil—”

He waved his hand and you stopped, smiling. You knew what he was going to say. 

“No, no, none of that. You are the best choice. And you, too, Din.” Kuiil turned to look at your new partner and you noticed that whatever they might have been discussing, Din had put on his expressionless mask yet again. He nodded.

“Now, we will talk before we dance.” Kuiil looked first at you, and then at Din. “Tell me, what does it mean to you, to exist in the moment?”

You felt relieved for a moment that you weren’t the only one given homework, and then nervous at the thought of sharing what you’d thought about. With one glance at Din you knew he wouldn’t be speaking first. Guess it’s on me, you thought, wryly, and squared your shoulders. 

“Well,” you said, tone tentative. “I thought about it, as you asked. I thought of the obvious — not thinking of the future or the past, but only the present. But then in class and in rehearsal I wasn’t sure how that applied because, well, dance is always in the moment, in some ways. It’s an action, it’s happening right now, even though it can reference and build on both the past and future.”

You paused and glanced up at Kuiil. He was nodding. Ok, good. You didn’t look at Din. “And so I thought about it yesterday, in my rehearsal alone for Midsummer and then with everyone for Jee’s piece. And…” you hesitated, and finally risked a glance at Din. You were almost startled to find him staring at you intently, eyes dark and unreadable. You blinked. “And I thought about the difference between being on stage alone and with other people. We dance the choreography, of course, but we also react. To each other and to the music.” You paused.

Kuiil tilted his head. “Go on.”

You took a breath. “Well, being in the moment in dance is more than just following steps you were taught. You have to be aware of your fellow dancers, and you have to move with them but also in response to them, and to yourself. And depending on the ballet, your ability to react or modulate or adjust or improvise could make or break it. But aside from all that, it also puts you in conversation with each other and the music. There’s a difference between dancers moving on stage in unison and dancers moving and working together, even if they’re doing different things. Does that…” you hesitated again, glancing between them. “Does that makes sense?”

Suddenly, Kuiil smiled, and you felt your shoulders relax. “Yes, my dear. An excellent observation. Din?”

You both turned to look at him. For a moment, he said nothing, and you wondered if he really hated talking this much. Then he looked down and murmured, “I agree.” He glanced at you and you shivered. To Kuiil, he said, “The best performances happen when the dancers inhabit the music. Together. When they speak to each other in movement.”

Kuiil nodded. “A sentiment I think your former company might disagree with.”

Din sighed and for a moment you thought you caught the hint of a smile around his mouth. But you blinked and it was gone. 

“True,” he nodded. “And it wouldn’t be our first disagreement.”

Kuiil nodded like he understood, and you resisted the sudden, overwhelming urge to ask what other disagreements he’d had with Concordia.

“Well done,” Kuiil said, looking at both of you. “I want you to continue thinking about this question as we work together. This will not be like a classical pas de deux,” he looked at Din, who nodded, “but instead something new. Some parts may be familiar. This piece will have three movements, each staged separately, and it will be difficult. Technically, yes, but also because of what I will ask of you.” He paused, and you felt your heart start to race, not with nerves, but with excitement. “The choreography will ask you to react to one another, at first as strangers, but later in harmony. It will be dynamic. First you will meet,” he gestured with his hands and moved them past one another. “Then you will circle each other,” he moved his hands around each other, sometimes coming closer, sometimes moving farther away. “And finally, you will come together and create something new.” He pressed his hands together and nodded. “Overall, it is about the connection you form and nurture between you, in these short moments together.”

No one spoke for a moment as you took that in. “That sounds beautiful, Kuiil.” Your mind was spinning as you thought of the possibilities for each part of the piece, and what it might look like on stage. 

“Thank you, my dear. I believe it is the two of you who will make it so. Now, for today’s practice, we will listen to the first movement, and then I will send you home to listen to the rest. Focus on what you hear and we will talk about it after.” He turned to the sound system and your gaze drifted once more to find Din, to your right.

You found him already looking at you. Your eyes caught, and as the music started, you swore he might have started to smile.

…

You felt better after your first not-quite-practice with Kuiil. You hadn’t danced at all but you felt more sure of yourself and the piece. 

The only thing you weren’t sure of was Din.

After rehearsal he had once again left quickly, and Kuiil had nodded at you as you followed Din out the door. He had already been halfway down the hallway when you stepped out.

A few hours later, you finished with PT and went looking for Adrian — he had promised you dinner (and a debrief) and you weren’t going to let him get out of it. You found him talking to Owen and pulled him away. 

“Sorry! He promised to feed me and I’m starving.”

Owen laughed, waving you away. You tucked your arm through Adrian’s and dragged him towards the street. 

“So,” he said, elbowing you. You elbowed him back. “How was it?”

You opened your mouth to respond, but weren’t sure where to start.

“Oh come on,” he said, when it took you too long to respond. You looked at him, confused. “I bet you haven’t even learned any choreo yet and you’re already in love with it.”

You rolled your eyes. “We talked about the piece and his vision for it.”

“Oooh, his vision,” Adrian teased you, and you laughed. “You’re so lucky getting to do this with, like, your favorite choreographer. It’s going to be so amazing, too, because I swear the two of you are on the same artistic wavelength. But what about your partner?”

You shrugged and you both stepped out onto the street and you smiled. “I’ll tell you all about it over dinner. Come on, you have to feed me.”

He laughed and tugged you down the street.

…

The following week you had a shortened rehearsal with Kuiil, due to the start of the January mixed program in the next few days. But it only took a few minutes for your tentative hope and confidence about the whole thing to start to slip.

You turned, holding your position in attitude, and began to draw inwards, collapsing your body as Kuiil had asked. Before you could begin the extension of the next movement, though, the music stopped. 

“Hold on,” Kuiil called. “Take a moment, both of you. Breathe.” 

You stood up straight and closed your eyes. You took a deep breath, trying not to hear his words as sharp criticism. 

It wasn’t going well.

The first movement of the piece was all about meeting someone new — someone with a different style, someone who moved in a different way. Unlike a classical pas de deux, it started with the variations, with solo moments on stage for each of you that played to each of your strengths. Then Kuiil had you meet each other for the first time. It emphasized your differences in ways that showcased your talents, but at the same time those strengths drew you apart. You were supposed to move past each other, to miss each other, but then somehow to catch each other’s attention anyway. By the end of the first, you were just starting to be pulled into each other’s orbit, intrigued but wary, unsure of the nature of the tiny connection you formed.

But you both seemed to be having trouble with the idea of being in the moment separately, yet still somehow together.

You knew you would start alone, dancing in turns, and wouldn’t even share the stage until a few minutes in. But rather than start with that solo choreography, Kuiil had started this first rehearsal with the choreography for the first few moments you were on stage together. You started up stage left with a turn into a full extension that became an arabesque en pointe. From there you ‘fell’ to the floor and rolled before standing and turning into a leap. Then a series of jumps and turns took you across the stage towards Din. 

Din, on the other hand, started in the wings from stage right and burst into action. While you were moving slowly through your extension and arabesque, he came flying onto the stage in a double saut de basque en dedan. From there he twisted and turned until he was supposed to cross paths with you.

You’d only learned a few counts of 8, and yet somehow you could both tell it wasn’t working. Whatever you’d managed so far, it wasn’t what Kuiil had envisioned. It felt disjointed. And the more frustrated you felt, the more you knew it would show in your body. You could feel it, and you could definitely see Din’s frustration almost radiating off of him in waves.

After a moment, Kuiil called you over to where he was standing. “Even though we start this piece with the two of you emphasizing different styles, you are still talking to one another. From the first moment, when you meet, you are interacting, you are curious. You are not dancing separately, no matter how tentative, no matter how new or foreign or hesitant the connection might be. You affect each other from the moment you meet. Your bodies cannot lie on stage.” 

He sighed, and you felt your shoulders tense.

“I want you both to practice until next week, and to think about how to form that connection.” He looked at Din, whose spine was so taut you wondered if it hurt. “But let us stop for now. I know you have your solo variations this weekend, Din, and you, my dear, have Jee’s piece. Go and focus on those things, and next week we will try again.”

You bit your lip and nodded. You opened your mouth to apologize, but he waved you both towards the door. “No, no, it is only the beginning. Do not worry, we will find it.”

You nodded. You needed to get out of this room, to get your mind ready for the next rehearsal. For the performance awaiting you over the weekend. As you stepped into the hall you heard Din begin to speak to Kuiil, but you walked quickly away. Eavesdropping definitely wasn’t going to help you clear your mind, this time.

...

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a/n: uh oh 👀 now what? some ballet terms:

Kuiil mentions that this pas won't be like a classical pas de deux -- as I mentioned last time, classical pas de deux have certain recognizable parts. This one is a bit more inventive.

attitude (derriere) - a position with one leg extended with the knee bent at a 90 degree angle, usually turned out. in this case reader is doing it to the back (derrière) and en pointe (on her toe shoes). here's a video!

extension - reader mentions the 'extension of the next movement' -- she's starting in attitude derrière, collapsing inwards, and then extending her leg back out into arabesque (next bullet), all en pointe.

arabesque en pointe - similar to an attitude but with the leg straight rather than bent. here's a very short video of basically the position reader is about to do.

leap - a leap is a broader term that can be used for a variety of jumps in ballet, but in this case reader is supposed to turn into a saut de chat -- a leap where the front leg does a developpe. (the video shows this well)

double saut de basque en dedans (~0:28) - Din enters the stage doing one of these. The video has a few different impressive jumps but this one is one of my favs, tbh. He's turning in the air twice with one foot touching the knee of the other leg, which is straight. 'En dedans' refers to the direction of the turn (towards the supporting leg, the one that stays straight). Here's Baryshnikov doing one.

counts of 8 - reader refers to learning a few counts of 8. In dance we count in 8s (what anyone musically inclined would think of as two 4/4 bars) and you often learn new choreography in 8s, or 8 beats. it's just the unit of measure everyone uses (which would obviously change if the time signature of the music was different). I've heard a lot of explanations for it (can tie more movements together, more room for choreography, easier to break down the moments between the beats) but honestly I don't know the historical reason. lol

music - Kuiil has chosen a piece with three movements. I actually have one in mind but I'm torn on sharing it because it's not like, 100% right, but mostly. I've choreographed a lot of this thing in my head. 😂

tag list coming in a reblog!

[fleshwerks]

America is the hegemon of the West. What America does will embolden the rest. You can argue that 'maybe you all should ignore America and get its shit together', but 'maybe' isn't going to help us right now, in this moment. Right now, think less about 'should've, could've, would've', and think about now. This is the burden of being the hegemon: for all your privileges, some sacrifices and wisdom have to be performed.

I'd like to bring up a clumsy analogy I wrote about a while back:

You are on an island. It's on fire. There's flooded, mouldy island right next to the burning island. You have chosen to die in the fire or drown in the ocean, because 'but the other island is mouldy and flooded and grosss'. And the fire will spread. This fire will be carried over to the other island, and it'll burn, too, because if you didn't actively stoke it, you failed to try and put it out. This is not addressed to those who voted blue. This is for those who didn't vote at all, voted for the 3rd party to retain their own moral high ground over the HERE and the NOW, at the expense of everybody else. And it's for those who voted for moving over to the moulding and flooded island, but complained every step of the way to the point where your complaining convinced some people to stay behind and die in the fire, or even spread it.

And now the fire will spread anyway. The flooded island will go up in flames too, and the fucking ocean surrounding you will boil in no time.

THERE IS NO MORAL PURITY ACHIEVABLE IN POLITICS, LET ALONE IN POLITICS AS BINARY AS THE AMERICAN PARTY SYSTEM. The world isn't made by making the most moral choice. The world keeps existing because people keep choosing the lesser of two evils, the one that is even ever so slightly open to become a bit less evil. This election doesn't just determine the fate of America and its people. It determines the fate of its less wealthy, populous allies who haven't had the blessing of existing on a separate continent, oceans away from those who would like to see your home ground to dust. You want to enjoy the privileges of being America in the world geopolitics? Yes? Then you have to understand that your decision (or lack thereof) will affect all of your allies.

My only hope is that people who saw the US as an ally have a nasty wake-up call and choose to emerge as a major world power of their own. They were right. We should never have relied on the US. Though knowing the US, it did its damndest to make sure that its power was unrivaled, and the rest of us remain their vassals.

And I worry for my friendly folk over there. Not even remotely condescendingly. I'm dead worried for them, and what they're about to have to endure, and I'm so damned sorry. You tried, and it wasn't enough. But damn, you tried, and that's the only ray of light in this. I remember being terrified all the way over in fucking Estonia when Trump won in 2016. It is so much worse now. No one can claim ignorance anymore.

happy election day to all the people that decided that virtue signaling is more important to them then the rights of their friends, their families, queer people, disabled people, BIPOC, women, climate change as well as their own rights.

thank you so much for voting for trump by not voting or voting third party! i hope you got everything you wanted out of this.

[sophieinwonderland]

Why are sysmeds still this bad at sources?

Before getting to their source, let me just say...

The Future Is Plural!

Deal with it!

If you can't read the pictures, that's fine. The actual text and what they say isn't super important. Because it's a bad source. What you need to know is the address.

I'm unable to find an About Us page on this website besides this little note at the bottom.

Which really doesn't tell me much About Them.

The Twitter is tagged with #abuse and #survivors though, but not anything about psychiatrists or psychiatry.

As far as I can tell, this website is NOT RAN BY ANY PROFESSIONALS.

You may as well have just cited a Tumblr blog or a Carrd. It's equally as credible.

And the sysmed justified it by claiming it's a valid source because they're the first two pages on Google!

"If you deny a random website I found by nonprofessionals, you're an idiot! It was at the top of Google so it must be true!"

Sorry, that doesn't magically mean it's a good source.

If you want to read the actual DSM, try instead Googling 'dsm-5-tr pdf'

That will give you a link to the most up-to-date version of the DSM in full.

STOP TRUSTING A SOURCE BECAUSE IT'S THE FIRST THING ON GOOGLE!

Also, why the weird pivot from "endogenic plurality doesn't exist" to "endogenic plurality exists but isn't a system" in the same post?

Oh, hey! It's been a while since I've seen the "casually calling all spiritual plurality 'closed' to insinuate endogenic systems are appropriating closed cultures by being plural for spiritual reasons" move.

It's every bit as absurd and laughable as the last times I've seen sysmeds trying to pull this!

Also, even if the screenshots were actually from a trustworthy source, they still wouldn't be from a relevant one. It only discusses DID and doesn't address the question of non-disordered plurality at all.

Yeah, that checks out.

To the OP, if you want to venture into syscourse, you have to learn how to find actual trustworthy sources!

And to anyone else, always check websites and the credentials of their publishers! Don't trust everything you hear on the internet! If someone links a source, be sure to check the link and see where it's from!

Always think critically about the information being presented to you!

[iichfilwypj]

percy hates cats (no he doesn't) | percy jackson

ღ percy jackson x daughter of ares! reader (it could be anyone actually) ღ warnings: none! ღ wc: 440

“Please, please, please, please” Although she swore she'd never beg to any man, Percy was making things way too complicated, and she had to resort to extreme measures. 

"No! Cats aren’t my thing…" She looked at him with wide eyes, smacking his shoulder and tilting her head at the small, curious cat watching them from the floor.

Percy rolled his eyes -right, like it understands us. 

When she began to crouch down, he almost scooped her up over his shoulders to stop her from touching it. "Touch that cat, and you’ll be hooked," he warned.

“I know, that's the whole point." When she moved her hand gently in front of her, the little cat moved right up to it, instantly snuggling against her fingers.

Percy watched her close her eyes tightly, gripping his shoe with her other hand, as if trying to contain the surge of violent cuteness. Mentally, he was cursing his romantic side for inviting her to this stupid dinner at this stupid restaurant in this stupid street.

“Oh, for Zeus, put the cat down.” But he’d already lost her. His girlfriend was standing straight, the cat cradled in her arms.

She was crearly ignoring him as she shoved her bag into his hand and started her way toward their apartment without a second glance.

“I’m dead serious, I’m not responsible for that thing!” he called after her, getting a dismissive hum in response.

Percy clenched his fists at his sides and took a deep breath. He looked around the empty and dark street thinking about what to do.

“If a monster shows up, it’s going to be my bait!” she raised one of her hand to flip him out and kept walking, completely unbothered.

Everything’s fine. Everything is great. I don’t even have to look at the cat. It’s completely hers; I’ll just pretend it doesn’t exist. 

"Percy Jackson, where is my cat?!" She stormed through the door, anger flashing across her face. He looked up at her from the bed, tucked under the covers up to his neck as he watched a movie.

"How would I know? Do I look like your cat? Do you think I am Pythia or something?" Sure, as if she couldn’t see the bump on his chest under the blanket.

Liar. Complete liar. He was lying shamelessly at her, and if there was one thing Percy couldn't do well was lying.

"Oh, so if I go and pull the blanket off of you, what will happen?" She locked the door without breaking eye contact, her arms crossed as she watched Percy visibly gulp and glance around the room, feeling intimidated by her.  

“W-well, I'm gonna get very angry.” he said. She took another step forward, and Percy gripped the blanket, pulling it closer. "And cold." 

But before he could stop her, his girlfriend had pounced on him, yanking the soft material off his body to reveal the little kitten curled up on Percy’s bare chest.

Aww, how cute!

The sweetness of the moment lasted only a few seconds, as she quickly remembered how the boy had complained for weeks about the poor animal. 

Wait, you little piece of shit.

She began pinching his shoulder multiple times, while he tried to get her away from him without disturbing the kitty. “Stop it, you crazy-”

“What?!” 

“My love! I meant my love!” but she kept pinching him.

He saw no other option but to resort to his worst method (oh, she was gonna get so mad to him after all of this): one hand reached for his girlfriend's waist and began tickling there, causing her to fall to her side laughing loudly -and screaming a lot of curses at the same time, somehow. 

The cat was very much asleep, accustomed to these things. I guess family is the one you're stuck with, huh?

hello hola! rushed end because why not? sorry about that here is this pinteerst image to apologize :) i love u all! <3