#so I am going off my knowledge of just the musical events
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(GREAT GATSBY MUSICAL SPOILERS(ish) AHEAD BTW!!!!!!!!!!)
just recently saw the great gatsby musical on Broadway and had a thought I wanted to share about how much I love the inclusion of roaring on as the opening and closing numbers of the show.
to my knowledge, the lyrics of the chorus remained unchanged for both versions (original and reprise), and I think that is what elevated it to such depths. the lyrics talk about moving from one party to the next, paying off the cops and doing anything to keep a glamorous life "roaring on". at the beginning of the musical, it sets the tone for the main drive; all the characters want to maintain their lives while still doing whatever they can to keep being swept up in the glamour of high class 20's society. it was a gorgeous spectacle of an opener, a dazzling song meant to draw you in and set the scene.
now at the end, even though it all stays essentially the same lyrically, my analysis of it completely changes. after Nick has to watch everything burn so bright and then horrifically die out (literally die out for several characters), and yet everything... really doesn't change for people. the parties and society life will still continue with or without Gatsby's parties, Daisy will still be able to live a privileged life like she did in the beginning, and everything just moves on. applying this to roaring on, it now has a much deeper meaning; it more so represents the fleeting nature of life, and how people can just move on so quickly to the next shiny thing they see. How you may seem on top of the world at one point, but how eventually the party ends, which may affect how your life pans out, YET people will just find another to attend and be swept up in their lives, making yours almost meaningless once all the guests have departed. I really admired just how much the exact same words could create such a different tone in this musical.
#to clarify#I really have never read the original book or watched any movie adaptation#so I am going off my knowledge of just the musical events#but I wanted to share my interpretation of such a good song#also the set and costume design was spectacular in that show omg#gatsby musical#great gatsby#the great gatsby musical#the great gatsby#great gatsby musical#great gatsby broadway#roaring on
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Calling all lovers of darkfic, grimdarks, creepypastas, and scary stories! I had yet to see a monthly writing event themed around horror, so I made one! The event will occur in September, so you have plenty of time to get ready.
If you feel like participating, tag your fills with #horrortember2024, and I'll reblog as many as I can! Fanfic is strongly encouraged, but original fiction is accepted as well. And, depending on how many people join, I'll post a list of completionists or participants at the end of the month!
A written list of prompts is under the cut:
1. AND THIS HAS ALWAYS BEEN WHAT I DESERVE, FOR MY TEETH TO JUST FALL OUT: body horror, parasite, gore
2. BUT THEY SAW SOMETHING THAT’S REAL: pretending to be human, identical, visceral
3. WHO’S AFRAID OF THE BIG BAD WOLF: vampires, zombies, werewolves
4. IT’S ALWAYS BEST WHEN THE LIGHTS ARE OFF: music, silence, echoes
5. BURIED ABOVE THE GROUND: dust, overgrown, forgotten
6. WHAT HAVE I DONE: losing memories, possession, cursed
7. DREAMLESS SLEEP: sick, survivor, injury
8. NOW ONLY DOGS WILL FOLLOW ME: cannibalism, eaten alive, maggots
9. HAVE YOU HEARD THE STORY OF THE RABBIT IN THE MOON: meta, cosmic horror, forbidden knowledge
10. WE DIDN’T GO IN THERE ALONE: hunted, solitary, darkness
11. YOU CAN’T RUN FROM ME FOREVER: obsession, yandere, overpowering emotions
12. I WEEP AND SAY GOODNIGHT, LOVE, AS MY ORGANS PACK IT IN: doomsday, apocalypse, certain death
13. WHAT DO YOU KNOW: nightmare, prophecy, inevitable
14. I CAN MAKE THE WORLD SEEM SLOW: polaroid, motel, record player
15. DON’T KNOW WHO I AM ANYMORE: doll, reflection, facet
16. NEVER SHALL WE DIE: immortality, decay, cyclical
17. WHAT DID YOU BURY BEFORE THOSE HANDS PULLED ME FROM THE EARTH: oops, self-made monster, playing god
18. SHE’LL SAY SHE LOVES YOU, EVEN THOUGH SHE ONLY WANTS TO STEAL YOUR SOUL: haunting the narrative, inseparable, devotion
19. ARE YOU ALIVE, AM I AWAKE: chills, hallucinations, paranoia
20. IN THE RED, YOU’RE BETTER OFF DEAD: hunger, craving, unconventional needs
21. HOW DO I BREAK YOU BEFORE YOU BREAK ME: unreliable narrator, serial killer, manipulation
22. THERE IS NO END: help isn’t coming, final girl, trauma
23. LIFE CAN BE LIKE A DREAM: gone wrong, descent into madness, distrust
24. HEAR THEM LAUGHING UNDERNEATH: hollow, below the surface, remnants
25. I’LL SAY GOODBYE SOON: timeloop, lesson learned, consequence
26. NO CURE IS COMING NEAR: animals, rabies, primal fears
27. WHY DON’T YOU LET ME BE FREE: hanahaki, soulmates, trope inversion
28. AND THEN HE STARTED LAUGHING UNTIL HE CRACKED HIS JAW: butterflies, roses, sunshine
29. WHERE LIFE IS BEAUTIFUL ALL THE TIME: man-made, perfection, out of place
30. YOU ARE CALLED TO THE TREES: climb, descend, mass migration
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So uh. Maybe I'm just really stupid, but despite being in this fandom for a year now I for some reason was convinced that Killcheroy killing herself was like, canon, because of how widely accepted that theory is in the fandom and spoken of as if it's fact. But after looking through all of Fuuta's stuff again (voice dramas, music videos, the like,) I've come to realize that not only is Killcheroy's actual cause of death never actually confirmed, but I've also realized something else: Y'all I really do not think this girl killed herself lmao. In fact, I am very confident that she didn't kill herself, mainly due to the fact that, as we know, Milgram has a very specific motif when it comes to characters who have committed suicide or have themes of suicide in their character
Mahiru and Kazui's victims both have a shoe off, because both of them died via suicide
Muu is often presented with only one shoe, because she is implied to be suicidal
Fuuta's victim also has a shoe off, because as we know she died of-- ...Huh? Oh shit. Both shoes are intact. Now I've seen people, though often briefly, point that out before What I don't see pointed out however is that Backdraft has three perfect opportunities to follow up on the shoes motif, and just doesn't.
These are the first two I wanna talk about. Killcheroy's shoes are perfectly in view, yet both of them are still in tact. Since this whole scene is basically a creative reenactment of Killcheroy's death, wouldn't it make sense for one shoe to be off if suicide was what took her out? But at the same time, these scenes are still depicting her when she is 'alive,' so maybe it wouldn't make that much sense for a shoe to be off in this particular scene. But what about after she burns up? That's where the third scene comes in
Even after she dies, her shoes are not there. Milgram is a series that loves including small, blink-and-you'll-miss-it details. If Killcheroy really killed herself, there's no way her shoes wouldn't be visible in these shots as Fuuta's running away, right? And this shoe motif, coupled with the fact that when looking at what we have, there's no actual evidence that Killcheroy killed herself (to my knowledge) makes me doubt this theory a lot more than I had when I originally assumed it was canon. So what do I think took Killcheroy out? Well, though we have no evidence that she killed herself, we do have evidence that Fuuta doxxed her.
(x) Storm Pazuzu Should we destroy her?^^Just because you’re a middle school girl doesn’t mean you can act like this lmaooooo don’t go easy on her just because she’s cute QRT Miss Magic I got permission from the store owner, it’s allowed as long as I’m only replicating it for personal use. Storm Pazuzu Yeah, yeah, thanks for the late excuses QRT Storm Pazuzu I think I’ve got all her details now. Based on her previous tweets I’ve worked out her school. The fact she lives so close is hilarious lol Judgement☨Onizuka You’re the worst offender of all
And the fact that this scene transitions
to this one, where Fuuta is reacting to the news of Killcheroy's death, leads me to believe that this doxxing was the final bridge that caused Killcheroy's death. Now, a lot of life-threatening events can result from doxxing, for a while I was even pondering the possibility that Killcheroy was swatted and killed that way. But I think someone in Fuuta's group killed her, because the text in the MV makes it a note to specify that Killcheroy "lives close" to Fuuta and presumably the rest of his friend group since they all go to the same university and live in the same area. I can see people arguing that that would remove a bit of Fuuta's agency and responsibility from his murder, but I don't think I would agree with that. Regardless of what truly happened to Killcheroy after the doxxing, whether she was killed by someone in the group, or swatted (which I think is less likely, but is still a possibility), this presumed culprit was only able to do the things they did because Fuuta gave them the tools to. He gave them a target, Killcheroy, who he demonized and dehumanized into the role of Petulant Witch, and enough details of her location for anyone in the area to find her and enact punishment in the most direct way they can. Fuuta's story, to me anyway, isn't just about the consequences of cyberbullying and cancel culture, but also the cult-mentality of it and how others are influenced into it.
(x) Storm Pazuzu The people in charge here are shit. I could do a much better job
Fuuta did not come out of the womb cancelling people, but due to the injustice he saw around him and his desire to Do Something About It, he was influenced into this cesspool of online toxicity and cancel culture.
Now, it's his turn to influence justice. And boy, did he.
#my mind was blown when I realized this I wasn't lying when I said that I thought killcheroy killing herself was canon lmao#{ ⚖️ after knowing all I wonder. can you really forgive them? 👁️}#milgram#milgram project#fuuta kajiyama#kajiyama fuuta#milgram fuuta
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hey, you said your inbox is open and I was curious if you have any ideas for someone who can't get involved irl in things like protests and local antifa groups (physically disabled and incapacitatingly severe anxiety), and who can't get involved in online activism beyond reblogging stuff (personal reasons, difficult to explain)?
I've been considering trying to put together care packages for local unhoused people, but I'm poor and I'd have to convince someone to help me put everything together so idk how well that will go.
I don't want to sit around doing nothing.
Hey anon! I am very glad you reached out, and this is a question I get asked a lot by people IRL, so you are very much not alone here.
I think the first order of business is expanding your definition of activism. We have been done a great disservice by having activism framed for us as protests, charity, & singular heroes making speeches and changing hearts through celebrity. In reality, the smaller actions in your community have a much greater impact; and most of all, the things you personally have to offer make the greatest impact.
This diagram is specifically geared towards climate action, but really applies to all activism:
For you to be an effective activist/volunteer/community member, it's crucial to find the centre of that diagram, or else you're on a one-way ticket to burnout. Don't get caught up in trying to judge which is the most "important" activism, because that answer will be different for everyone. The most important thing you can do for the world is the thing you can do.
I've done lots of volunteering and volunteer management in multiple fields, and there really is lots of choice out there for things that suit you; anything from sorting files quietly in a back room to using computer knowledge (often VERY absent in community groups lol) to help with maintaining websites & promoting community events. One of my personal favourite volunteer shifts was acting as a helper to the organizers of a queer electronic music festival, running a "build your own synthesizer" workshop. Literally I was just ticking off names on a registration sheet and doing setup and fetching things, but it was one of the coolest things I've had the joy to be involved in.
The other plus here is that activists in a given city all usually have some social overlap. If you email, say, your local community centre, explain your interests & circumstances & skills, and ask what you could do - they might not have anything right that moment, but likely someone there will know a different group that needs something similar, or they'll have ideas for who you could try next. Even if you're not finding a lot online right away, have faith in the (slightly haphazard) offline community org social scene. Same deal if you get involved with something and realize it's not your thing after all - just be honest, and ask for help in finding something more suited to you. It's so, so common, and no one's going to get angry with you for wanting to help in ways you're better suited for.
Don't mistake me when I nudge you towards volunteering - there's a certain way that well-meaning (usually) liberals treat volunteering, like they're 'donating' their time as charity, and I am not advocating for that. I'm just saying that you really don't have to reinvent the wheel. There are structures in place run by people who know well how to do it. Part of the importance is the work itself; the file-sorting, the computer help, whatever. But another part is building connections with the people around you, and also letting those people benefit from the privilege of knowing you. And that will happen naturally over time. The muscle will grow as you use it more, even if you need to start with something that feels to you like it might not be enormously significant in the grand scheme of things. Maybe you move on to 'bigger' things, or maybe you gain new perspective and realize just how significant your contributions are after all.
#I hope this was helpful anon! Good for you for wanting to get involved in something#organizing#community organizing#activism#asks
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Trip report!!
For those that have been waiting, sorry! I got home and immediately had to go help with a family thing. But here it is!
First, was the obvious. We had to drop off the baby boy with my parents. He had a great time with the family and was very dirty, stinky, and sleepy when we got back.
So where were we? We went to see the eclipse! As many of you know, My wife proposed to me under totality in the 2017 solar eclipse. So she surprised me with time off to travel to this last one on 4/8!
We flew to Nashville, TN and rented a car so I could scratch my road trip itch. We visited her family in KY, then went up to Cairo, IL for the event.
THIS is the public library in Cairo. It's an absolutely darling building, built originally to be a library and still proudly serving that purpose. The gals who were manning the counter were sweet, knowledgeable, and so welcoming. They had goodie bags with moon pies and starbursts and collected the eclipse glasses when we were done with them so they could be sterilized and sent down to Mexico for the next eclipse. So lovely to talk with and they welcomed us to spend the eclipse on their lawn with some local families. So we did!
We had a little picnic, chatted with some of the families, and got to watch totality in a tiny little town with so much character I still smile just thinking about it.
Hopefully you don't expect us to have top tier eclipse photography lol, but these are great for us! I got to kiss my wife under totality and it was hella romantic.
Then I got to drive more....then Kara got to drive because there were a ton of accidents and the three hour drive back to Nashville took more than six hours. So uh, my motion-sick self was struggling with the stop and go traffic.
But when we got there, we had a great night and then day walking around Eastside Nashville and pointing out the arcades I was going to take Kara to that evening.
That didn't quite happen.
Because the first stop we made in the arcade crawl is where we stayed all night.
No Quarter, the pinball arcade I now have a hat for because it's so friggin cool. We got to do many cool things there. 1)They had excellent drinks and in true Oregonian fashion I got to try the local cider and judge it. (it was good!) 2) I kicked Kara's ass at pinball. Very important. 3) I got MY ass kicked at pinball by literally every other person in the building. Also very important. Because 4) I got to play in a pinball tournament hosted by Belles and Chimes, specifically for women and non binary folks!
How did I, notorious nerves-haver and not a multiplayer pinball player join this?
5) I got to meet Quinn Hills. You know, @quinnhills ? Yeah. I'm still so giggly about it.
Hi. This pic is me, many drinks in, just absolutely giddy getting to meet (and hug!!) one of my favorite artists.
She's so sweet, so kind, and asked if I wanted to join the tournament.
Remember: do what beautiful women ask of you.
I am still kicking myself because I dropped the cliche, "your music has helped me through some really hard stuff." I mean, its absolutely true!! But I had told myself I was gonna be more eloquent than that. Oh well. I would blame the cider, but I was super excited and nervous before that, so I think I'm just a little goofy.
Kara also was happy to meet the woman who's music I had been blaring for that whole six plus hour car ride back to Nashville, and she's agreed to play pinball with me at our home bar! Major win!
We stayed until one in the morning, Kara ordered pizza to the hotel, and we had safe flights back home the rest of the day.
It was such a fun trip and I'm still losing my mind at all the little bits of it.
When I stream next (soon) I'm sure you'll hear about all this again. Along with my breakdown of eclipse conspiracies I've spent far too much time analyzing. <3
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Good morning!!! Sorry to bother but since you are the most knowledgeable person I know about Hellcheer can I ask you if you have ever read a fic where Chrissy survives Vecna and then joins the group to defeat him? Thanks in advance and have a great day!!!
Okay, first off, you're never a bother, ever.
Secondly, I am honored by your ask. Sorry for the delayed response, it's...it's been a weird emotional exhausting few days but we're back!
Where my brain immediately went to
Chrissy and Eddie’s Infinite Mixtape by @little-scribblers-heart
What may be (to my reading knowledge) the most epic rewrite of S4, really can't recommend LovelyThings enough.
(sooner or later it comes down to fate) i might as well be the one by @majicmarker
Another great one and one of the best stream of conscious Eddie writers I've ever come across. Their fics always make me laugh.
someone reaching back for me by @enoughtotemptme
Okay, this one is gonna make you sad, but eventually very happy too! It was the first groundhog style fix its fics I read for season 4 and introduced me to the writer's work who I also can't rec enough.
EDIT
OMFG, I CAN'T BELIEVE I DIDN'T INCLUDE @hangon-silvergirl!! Thank you for pointing out my mistake, @majicmarker <33
Bonus Tracks by @hangon-silvergirl
Everything by her is amazing and this is no exception. I love it when folks use things we learn from con's in fic (like Chrissy's would be Vecna song), superb. A WIP, but off to a killer start.
Now below these are ones that have been on my Marked for Later list because I'm just in need of pure uncut fluff these days but come highly recommended.
the pleasure, the privilege, is mine. by melodicvinyl
I just love the starting premise of this one, I can see it being a thing Eddie does to make her smile or it's actually his mundane superpower that finally comes in handy. Also love their other fics too.
Linger by CircusBones
Hawkin's High 10 Year Reunion! Class of 86! Chrissy Cunningham has built a life in California, far from the demons of her youth, from her mother to Vecna. There's people who were always good to her, though. Healing might have taken her away from them, and coming back has its own challenges. This story moves between the events of 1986, and Chrissy experiencing Hawkins ten years later.
I've read their shieldshock fics and love them so I'm sure I'll love this too.
like hands that tick on a clock by theredhoodie
What if Chrissy Cunningham wasn't Vecna's first victim, but she survived instead? How would that have changed things for everyone? A ST4 shippy rewrite.
aesthetic chills by sloelimbs
"aesthetic chills" is the literal translation of frisson, which is the feeling you get when listening to a really good piece of music.
put your lips close to mine, as long as they don't touch by Percyjacksonfan3
Here's the thing about Chrissy Cunningham: she actually is the straight laced dependable good girl that everyone thinks she is. She's also, until she starts having these weird visions that make her feel like she's going out of her mind, insanely bored. Or, alternatively, the fix-it AU where Chrissy doesn't die and she and Eddie try and figure out what the hell is going on with her. And with them. Also, the usual gang is there. Eventually. Because these two need some serious help fighting demons and figuring out that they are not just friends.
If I missed an author's tumblr name please forgive me, I'm preeeetty brain dead. If I missed any fellow Hellcheerios, please drop them in the comments as I'm sure this isn't an exhaustive list. But hopefully enough to get you started babes!!
Hellcheer to canon:
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On the subject of song lyrics, there is a question I have been wanting to ask about your playlist: Every single song goes perfectly with deep end (and honestly holds me over until the next chapter lol). I’m curious about what comes first - did the lyrics inspire some of the scenes, or did you write the scene and then dip into this vast well of musical knowledge that I am so jealous you have? (I will never listen to Little Lion Man again without thinking about your Enjolras).
oooh such a fun question <333 i love the deep end playlist dearly and could talk about it forever and ever
the short answer is that some songs inspired feelings or concepts i wanted to include in deep end, but actual scenes themselves were not (consciously) inspired by songs!
the long answer is that a lot of the songs on the deep end playlist and/or that i use for chapter titles are songs i already associated with exr or at least the individual characters. little lion man, for instance, has been on my enjolras playlist forever! (fun fact: weep, little lion man was one of the titles i considered for deep end before settling on throw me in the deep end, i'm ready now to swim.)
most of the chapter titles are associated with a specific event in the chapters themselves. a lot of the chapter titles came before i wrote the chapters, but i knew generally what i wanted to happen when i named them. and a lot of the chapter titles have also changed from draft to draft! for example:
chapter 6 final name: not a flower on the wall (emotion by carly rae jepsen)
chapter 6 original name: take this pink ribbon off my eyes (just a girl by no doubt)
chapter 10 final name: pressure points, they pressure you right back (hate that you know me by bleachers)
chapter 10 original name: tracing an old pattern (drawing the lines from where i am and where i want to be) (i can change by lake street dive)
chapter 11 final name: some things i never expect (halloween by phoebe bridgers)
chapter 11 original name: i didn't know i was lonely till i saw your face (i wanna get better by bleachers)
chapter 17 final name: and whatever we had locked up now is free (lipstick covered magnet by the front bottoms)
chapter 17 original name: all the hope i had when i was young, i hope i wasn't wrong (dream of mickey mantle by bleachers)
i've also just very recently changed the name of chapter 24, which i'm pretty excited about! i won't tell you the new name, but the old name for chapter 24 was "my moodboard is just pictures of you (but i'm not sad anymore)" from the song fake out by fall out boy <3
there are a lot of songs i listened to on repeat while writing that probably subconsciously inspired parts of deep end. some of the big ones that are definitely going to end up on my spotify wrapped because of this fic are:
lucid dreaming by alice kristiansen
spit of you by sam fender
into your room by holly humberstone
surrender by walk the moon
close to you by gracie abrams
like a river runs by bleachers
an ego thing by lizzy mcalpine
admit defeat by bastille
thumbs by lucy dacus
anywhere with you by maggie rogers
there are a lot of specific lyrics that really spoke to me while writing that i'm gonna talk about in another post but i hope you enjoyed this answer <333 as always, thank you for asking!!
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ok but country rockstar!peter who's engaged, but he's not happy. he thought proposing would make everything better, that it would fix things. but it didn't. they're still having problems. but he can't call off the marriage, it's not good for his image. they act all loved up on red carpets and at award shows and everyone just assumes everything's fine. even if he wins an award, he has to act happy, thank his fiancée in the speech and she pretends to be happy for him, but this is just another thing for him to gloat about. they act fine in the cab ride home, but as soon as the door shuts, they're arguing.
arguing about the award, the event, then it turns to arguments about their relationship, the proposal, the engagement, the wedding.
"well is there even going to be a wedding? because if this is life with you, i don't fuckin' want it.."
"this is it.. for life.. you know that.."
"just.. can we stop this and just go to bed, i'm fuckin' exhausted, honey.."
he hasn't called her honey in so long, it felt like a sting at the back of his throat when he said it.
he wakes up the next day to a call from his manager asking to come to the studio. he grumbles and says he'll be there in an hour. when he arrives, he spots you sitting at reception and smiles. he's about to speak to you when his manager walks in.
"hey.. great timing.. needed you to come in and give a tour.. we got a newbie.."
he extends his hand towards you and peter just nods, letting you stand up and walk towards him, shaking his hand and introducing yourself.
"alright.. well.. have at it, i'm in meetings all day so.. i'll see you later, pete.."
peter just nodded, turning to you and smiling. he walked you through the building, showing you the meeting rooms, the recording booths and the editing suites. he kept asking you questions about your music knowledge, your career and most importantly, yourself.
"well i grew up with country music.. then i started singing 'round the house and.. here i am.. it's nice to know i'm on the same record label as you.. got someone i can look up to.."
"you don't wanna look up to me.."
"why not? you're talented, you've got loads of awards, and your fiancée is so pretty.. you've got like, the perfect life.."
"sweetheart.. it ain't perfect.."
you both walked through the building until he made it to the canteen, making the both of you a coffee and taking you to a table to sit for a bit.
"but.. you were like.. so loved up yesterday.."
"yeah.. then came home and had three different arguments.. we fight all the time at home.. that's why i proposed.. i thought it would fix everything.."
"but it didn't.. i'm so sorry.."
"don't be.. we even tried a marriage councillor.. that shit was worse.."
"sometimes people just aren't meant to be.."
"yeah.. anyway.. what about you? you all loved up?"
"me? no.. i did have a boyfriend in 10th grade but.. we broke up after a week.."
"ouch.."
"yeah, well.. boys will be boys.."
he just laughs and smiles.
"men suck.. i'll tell you that.."
you take a sip of your coffee and smile, looking at him while he does the same.
when you both finished your coffees, he walked you back through the building to reception. he turned to you with a smile.
"i haven't got anythin' else i need to do for the rest of the day.. so.. if you need a ride anywhere.. i got my truck.."
"oh.. i was just gonna go home.. if that's ok?"
"absolutely.. c'mon, let me take you home.."
there was just something about him driving that got you riled up. the way his hand gripped the wheel, his other hand tapping along to the beat of the song playing over the radio. you kept getting urges to kiss him but you had to remind yourself he was engaged. even though he had problems at home, you weren't about to be a home wrecker.
he pulled up outside your apartment complex and got out, jogging round to the passenger side and opening your door for you.
"m'lady.."
you just smiled and coughed up a laugh.
"hey.. i'm trying to be gentlemanly.."
"oh is that what that was.."
he just frowned at you and you smiled.
"well, i'll see you another time, hopefully?"
"yeah.. yeah.."
he walked round to his side, watching you go up to your door. he waited a while and then saw you at a window, waving to him. he waved back, smiling before getting into his car and driving back home. he knew there'd be an argument when he got home, but he really couldn't care less. for the first time in his life, he was truly happy. then the realisation hit him. he was happy because of someone else. he feels like he's cheated on his fiancée, not physically, but emotionally. you and peter just clicked so well, he's actually looking forward to seeing you again. for a second he thinks about turning the car around, going back to your place and kissing you, but he couldn't, he shouldn't. now he's parked up outside his house and he realised he never stopped thinking about you the whole drive home.
everything is fine at home for the rest of the day. then he goes to sleep in his own bedroom, having not slept in the same bed as his fiancée since they got engaged. he drifts off to sleep and there you are, looking so pretty. you're flooding every thought he has and he jolts awake, sweat dripping from his body. and he's hard.
shit.
he needs to get laid and he needs to get laid quick. he gets up, throws a t-shirt on and walks across the hall. he's about to knock the door and wake his fiancée up, but he stops himself. he feels himself walking downstairs and out to the front door. then he slips into his car and drives off, back to your place. he walks up to the front door, finds your name and presses the buzzer. he steps back and looks up, seeing your light come on. after a while, you open the main door to him, still looking half asleep.
"it's like.. two in the morning.. are you ok?"
"i need to get laid.."
"what?"
"i.. i had a dream.. about you.."
"pete.. you're engaged.."
"i don't care.."
"we can't do this.."
"but you want to.. i noticed you when i drove you home.. you were itching for it.."
you knew it wasn't right, but now you were dragging him in and up to your apartment, sitting him on your couch before you sunk down onto his lap. your hands cupped his neck as you leaned down and kissed him, feeling his hands slide up under your t-shirt to grip your waist. you felt him smile against your lips and you pulled away, only to be met with a frown.
"why'd you stop?"
"you were smiling.."
"i ain't kissed anyone like that in so long.. felt so good.."
"mmhm?"
"mmhm.."
#i got lost in this im sorry djdjjxjx#i know cheating = bad but........#i cant help it#peter quill#peter quill drabble#peter quill smut#peter quill angst#peter quill fluff#peter quill x reader#guardians of the galaxy#gotg#✎ peter quill#text post
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A Gaylor/Kaylor Interpretation of "Cowboy Like Me" because it's National Day of the Cowboy
Overblown Analysis Under the Cut ↓
"And the tennis court was covered up // With some tent-like thing // And you asked me to dance // But I said, "Dancin' is a dangerous game" // Oh, I thought // This is gonna be one of those things // Now I know // I'm never gonna love again"
The narrator, who I'm just going to call Taylor (for simplicity's sake even if it might be more of a fictional/metaphorical interpretation of her and others), seems to be at a very high society party. Mentions of a tennis court make me think of a country club, a club for sports and social events that I believe are often populated by well-off people. Country club specifically makes me wonder if there are any ties to Taylor's country music roots. I think country club imagery could represent the rich industry she's in and the tennis court party is a party or gathering people in the industry are having.
Taylor's lover asks her to dance at this party, which could be dangerous if the people at the party don't agree with their type of relationship. Or maybe it's dangerous because Taylor knows she'll fall in love with this person, or she's already in love with this person and doesn't want to fuel the fire in her. It could be "one of those things", a situation that would be hard to go through or get out of.
I like how this line directly parallels the opening lines of "Wildest Dreams". In that song, Taylor believes the relationship will end poorly due to the circumstances she and her lover are in, so she plans ahead for the heartbreak so it will hurt less. "You know how scared I am of elevators // Never trust it if it rises fast // It can't last" (from "Labyrinth"). But in this song, now she's on the other side, knowing how everything went down, but I'll talk more about the last bit of the line later.
Taylor's lover asking her to dance seems to indicate that they are much less concerned about the danger of such an action. In my "But Daddy I Love Him" analysis, I state that Karlie always seemed a bit louder than Taylor and more willing to be seen as queer in some way, even if through the male gaze or in a way that still upholds her closet.
I find it interesting that you can't really tell if this is supposed to be Taylor and her lover's first-ever interaction. It seems ambiguous if they've met before or not. There are theories that Kaylor met in some way before 2013, so maybe that unclearness is reflected here.
It's also interesting that Taylor opens this song with "And". And what? You haven't said anything else. It seems like she's omitted something in the story that would've come before the "And".
"I've got some tricks up my sleeve // Takes one to know one..."
This line seems to connect to "Mastermind" or "New Romantics", as Taylor schemes to get the person she wants. Tay's used card game imagery plenty before. Often, she uses it as a way to communicate how honest someone's being, showing their cards (like in "The Prophecy" and "Cornelia Street") or hiding their cards because they aren't being transparent (like "Say Don't Go" and "Foolish One"). Taylor might not want to fall in love, but she wants the person in general, so she's got tricks up her sleeve. In "Mastermind" she's sure she wants the person physically, but their deep love for one another and committed relationship seems to have happened by mistake almost. À la "I hate accidents except when we went from friends to this" from "Paper Rings" or "We were supposed to be just friends... I was supposed to sweat you out" from "Glitch".
If she and the lover are both queer, it would take one to know one, as queer people are typically pretty good at finding each other through flagging, better than a straight person could due to a lack of knowledge. "No proof, not much // But you saw enough" (from "You Are in Love").
"You're a cowboy like me // Never wanted love // Just a fancy car // Now I'm waiting by the phone // Like I'm sitting in an airport bar"
I also mentioned in my "But Daddy I Love Him" analysis that cowboys have tons of queer history attached to them that often get erased in favor of something more digestible to general audiences, similar to Taylor, her brand, and her music. So Taylor knows that her lover is a cowboy like her, as in queer like her.
"Never wanted love // Just a fancy car" communicates to me that Taylor, as well as her lover seemingly, never wanted to fall in love because it would jeopardize their careers to be in the kind of committed queer relationship they wanted, so why welcome love with open arms if it'll hurt so bad? Plenty of Taylor's songs speak about trying to fight her feelings and ultimately failing, including this one. She's not saying she's never been in love necessarily, but that she's never wanted to be.
The fancy car could also be a light reference to "'Cause all the boys and their expensive cars... Never took me quite where you do" from "King of My Heart". She wanted the shininess of making her own name and fame through bearding with boys, like a "fancy car".
She seems surprised that she's so serious about the relationship because she didn't intend to fall in love, despite clearly wanting this person and having "tricks up my sleeve" to get them. Maybe she expected to "sweat" them out, like in "Glitch". But Taylor's now waiting by the phone just to get their call, so anxious to hear from them.
The "airport bar" is interesting. In an airport, you're supposed to get in and out, not sit around as if it's a hangout space, like a bar. Even if they have bars at the airport, I don't see a lot of people sitting around there for a while. But Taylor does use it that way, sitting at a "bar" when she shouldn't be. It's odd behavior, much like waiting by the phone. Similarly to the airport, you're supposed to go to it when it rings and then leave when the conversation is over, not sit around by it. Taylor finds her behavior odd and compares it to what would be equally odd things to do.
"You had some tricks up your sleeve // Takes one to know one // You're a cowboy like me..."
Taylor reveals that her lover is also as cunning as she is. This line reminds me of "So I kept my cards close to my foolproof vest // But you called my bluff (But you called my bluff) // And saw through all my tells (And saw through all my tells)" from "The Joker and the Queen", which itself reminds me of "But then you called, showed your hand" from "Cornelia Street". Maybe the lover called Taylor as she sat by the phone and was honest about their tricks. The lover knows Taylor's next moves, much like how Betty knows James's, and is ready to play the "dangerous game".
"Perched in the dark // Tellin' all the rich folks anything they wanna hear // Like it could be love // I could be the way forward // Only if they pay for it."
The dark is the shade of the closet. Both she and the lover rest there. I find it fun that perching can be seen as a bird thing, which could tie to "The Albatross".
One way to see it, the "rich folks" are industry people. Taylor and the lover tell these people the things they want to hear. Maybe those things could be lies about just how close they are to calm worries about their romance and the scandal it could cause. They tell them these lies as if they are protecting their love. "Like it could be love". The love Taylor didn't want to have initially.
Taylor was Big Machine's first artist. She was "the way forward" for them as a label. The way to get them ahead in the business. They could've paid for it by giving her money as an employee, but also paying for it as in to suffer for a wrong, as Taylor left Big Machine after they reaped the benefits she brought and betrayed her after, paying for it by having their rep as a label tank due to the bad press from their betrayal.
"You're a bandit like me // Eyes full of stars // Hustling for the good life, never thought I'd meet you here // It could be love // We could be the way forward // And I know I'll pay for it."
A bandit takes things. It can also be a synonym for cowboy in some instances. If Taylor and her lover were "Hustling for the good life" as bandits, they were trying to make it in their fields and "take the money" if you will. From a Kaylor standpoint, "hustle culture" was starting to pick up steam around the time they met.
Women in the industry are often questioned if they got their success through fair means, accused of "sleeping their way to the top", using money to get themselves there, or being "industry plants". Some people want to hate successful women and can't possibly see them as getting to where they are naturally. I don't think Taylor is saying she and her lover actually did those things to get where they are, but is saying she and her lover have been accused of those things. I've seen people accuse Taylor of being a spoiled rich kid who got famous thanks to her father's money, which could've been beneficial of course, but completely ignores how Taylor's image spoke to many people and continues to do so. Meanwhile, if we take this from a Kaylor perspective, Karlie has been accused of clout chasing, using Taylor.
"Eyes full of stars" means having a lot of dreamy fantasies to me. Taylor and her lover had big dreams of making it in the industries they're in. I do wonder if you could also take this line as in "seeing stars", which is when you see flashes during/after being hit in the head. Taylor has dealt with the brunt of a lot of blows from critics about dumb things like being too successful, being too nice, being a "victim-player/playing the victim", being "too skinny" or "too fat", etc. Both she and Karlie were bullied as kids and can be bullied even today for rumors and petty things. It also reminds me of "I thought I was better safe than starry-eyed" from "loml", a line that I think is about Taylor once believing she was better off safe in the closet rather than out and putting herself in danger even if the idea of being out made her happy.
She knew she'd get the lover, but never expected or wanted the love that their relationship gave her. Now she is admitting "It could be love" and that their relationship could be the way forward to happiness. But she knows that she'll pay the price for being herself, like intense bearding or more mental/emotional pain.
"And the skeletons in both our closets // Plotted hard to fuck this up // And the old men that I've swindled // Really did believe I was the one..."
The skeletons and old men are industry people again. If they are old people, I like to see Tay calling them skeletons as if to say they might as well have one foot in the grave 'cause they're not only old but cruel. They are in the lovers's closets because they know about their relationship at this point and plotted hard to tear them apart, either as a couple or tear apart their faith in trying to come out or believe in themselves, etc. The phrase "skeletons in the closet" means something bad that you hide away. So the old men are people they have left behind and would like to keep in the past, so Big Machine in this interpretation.
Taylor swindled these old men by being the way forward and then ditching them as soon as she could without keeping their good name. They really believed she was the one that would make them big, but she ended up being their downfall too, as if she'd be passive about their betrayal.
Alternatively, the old men could be some of the beards Taylor's had, as some of them were significantly older than her, believing that being attached to her would make them more famous, but she brought their image down after the "breakup" with songs that general fans see as pointing to them. I admittedly prefer the former, but thought I'd mention this idea.
"And the ladies lunchin' have their stories about // When you passed through town // Oh, but that was all before I locked it down."
The ladies lunchin' are Taylor's squad to me, discussing Kar passing "through town". I've said in several analyses now that I interpreted the "town" in TTPD songs to be Taylor's tours and the fanbase that gathers there, and I've thought about this metaphor potentially expanding to Tay's past albums too. Tay's friends have their stories about Kar going to Taylor's tours. "Lunching" to me feels similar to saying a tea party in this case, and tea parties in slang can be gatherings to gossip. So Taylor's friends have juicy stories about Karlie at tour; maybe having to do with Karlie "being loud" and not holding back her love in dark crowded arenas/stadiums. I know I've heard stories about Kar visibly flustering or blowing kisses at tours. There was also the "Karlie Kam" during the 1989 World Tour which featured lots of Taylor's friends and Karlie, so the squad has their stories. The ladies lunchin' could be us Kaylors too, honestly, as we do discuss Tay and Kar at tours or literally in towns.
"Before I locked it down" could be many things. It could be a reference to the "love lockdown/blackout" theory. It could be a reference to marriage, as marrying someone could mean making the ultimate commitment and agreeing to be together forever legally (ideally), locking it in place. It could be a reference to the COVID lockdown and Loverfest, Taylor's plan for another tour, a fandom "town gathering" if you will, forcibly canceled, which could connect to the last line's interpretation.
"Now you hang from my lips // Like the Gardens of Babylon // With your boots beneath my bed // Forever is the sweetest con."
Taylor's lover hangs from her lips like a folktale that has no technical proof, as the Gardens of Babylon have no conclusive evidence of where it was, despite historians seemingly believing they existed. There's nothing to point at to definitively say they existed, so some might not believe they did due to that, but some still believe anyway. Very much like Kaylor and being a gaylor. Sometimes there's no proof, you just know.
Boots beneath the bed could be sexual, like leaving a bra at someone's place. But it could suggest domesticity, living with a partner and having your clothes around, or not living together all the time but leaving your things at each others' houses like a second home. Kind of like leaving a typewriter at someone's apartment *wink* *wink*.
"Forever is the sweetest con" could be a call back to Taylor's fear of love and how she thought it was a con that would get her in trouble when it actually turned out to be pretty sweet for her. It could also be taken in a sad way, as she and her lover weren't able to keep things feeling next to normal forever; Taylor bearded again after taking a break during the early stages with Karlie, the love lockdown happened, and the sparkling summer rusted with no coming out. Now their love must be fully elusive and "unprovable" to the general public.
"I've had some tricks up my sleeve // Takes one to know one // You're a cowboy like me // And I'm never gonna love again // I'm never gonna love again // I'm never gonna love again."
"I've got" and "You had" becoming "I've had" could just be Taylor recounting the past, but it could also be Taylor saying she has a new coming out plan brewing since the old one fell through. She's had the plan for a while now, and it takes being queer to know about it. Takes one to know one.
The "I'm never gonna love again" could be taken in multiple ways and I think that's kind of cool. Not every gaylor is a Kaylor and some believe Taylor isn't or was never with Karlie romanticly, which is fine as long as we're all cordial with our different beliefs. If someone believes they were together, but broke up, they could see this line as Taylor declaring she'll never love again, either in a dramatic forlorn way or in the sense of just being aware she'll never feel the exact same for anyone else. But as an LSK, I believe they are still together and see these lines as akin to "And who's gonna hold you like me? // Nobody" from "TTPD". She never wants to break from Karlie so she'll never love again with someone new.
This song is like a choose-your-own-adventure story, where you can believe whatever you want about it. It could be a breakup song or a love song depending on how you see it. Much like being a fan of Taylor and participating in the fandom. You believe in whatever story you please and Taylor will never really confirm or deny anything, at least not to date. You can believe in the general storyline, you can believe in gaylor, you can believe in certain relationships she might've had, or do none of that and just enjoy the art. This song really encapsulates that spirit.
#gaylor#gaylor swift#kaylor#lsk#late stage kaylor#friends of dorothea#friend of dorothea#lgbetty#lgbettys#gaylor theory#song analysis
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I am sorry to bother you but I have to say, I feel Dib got treated too harshly most of the time. It's the point of the story yes but at times it just feels flat out sadistic for no reason.
It's why the Gargantis Array comic storyline sucks to me, it was just two issues of buildup to make Dib a gross fat joke and humiliate him across space. Jhonen just really seems to love torturing Dib more than anyone and it's rarely even deserved.
Oh, this is the opposite of a bother, friendo!
I actually have a lot of reading to still do on the topic of the comics. I’m woefully only really up to good knowledge about issues 46-49 and a lot of bits of pieces otherwise. If what you’re saying rings true, that is sad to hear, but pretty interesting still. I’ve always in the back of my head been a little afraid that Dib’s karma could be flanderized to the point of making him a butt monkey. Especially when we all know that’s supposed to be Skoodge’s job! (waka waka)
As for the show, honestly? I think they managed the balance just fine. It’s not so much that the show was specifically cruel to him, but that sadism broadly was one of its central themes and there were no efforts made to exclude Dib from that. And why should they have? He’s not an innocent woobie, and in fact is actually in the seat of a very ambitious antagonist against the real main character’s goals. Arbitrary events of misfortune and pain were the bread and butter of the series back then, and almost no one was spared. Jhonen (who cameoed himself in the show just to choke on a fish and die for a joke) also from what I hear injected a lot of his own qualities into Dib, so I imagine it probably IS very entertaining to him to give the boy the works.
From what I have seen of the comics, that looks like a much finer line to tow. And this more of an off the cuff ramble, but you know what I think??? I think they made Dib a touch way too sympathetic actually. There’s so much more focus on just him and Zim’s side antics, and the more time you take Dib off world and away from the rest of the Earth side characters, the fewer reminders they give you about how many of his problems are majorly self inflicted and how much of a disturbance he can be to society. And, for better or worse, a less dark overall tone in the comics means that the moments of overtly black comedy are going to stand out a little more against the modernized background by contrast.
And there’s another elephant in the room that kind of gets to me, personally. As well as I can put it well, the art style change kind of really affects the lens he can be viewed through. Maybe more than most people want to admit. And I’m not dissing the rounded down, brightened up change, it’s not a better or worse direction from the show… but it is a different one with different strengths and weaknesses.
Like, look at Dib’s early season model sheets for a base of reference.
Now compare him alongside the comic and Florpus interpretation of Dib Membrane. OBVS I am simplifying a ton here, there’s a ton of room for more range than these examples.
I’m not here to say he’s a better or worse Dib visually, he’s still Dib to me! But is notable how comic Dib actually breaks a ton of the “rules” of what kind of character they wanted Dib to be. To put it one way, they sanded down some of his edges and he’s not as apparently “skrungly” as he used to be.
What I like about the change is that it actually gives the better impression of him actually being the lil dorkass kid he’s always been. He’s got a slight aesthetic shift that shows off his unique interests and it definitely sets him apart from Zim, who actually retained most of his own show design. He’s still got some funny lookin’ qualities and he’s so much more endearing
One of the downsides of all that, however, is probably that he’s so damn endearing and as a default.
I dunno if you ever watched Little Shop of Horrors, amazing musical btw, but, it’s supposed to have this whole tragic ending where the main character’s, Seymour’s, long chain of mistakes catch up with him and he meets his demise. In the movie, they casted Rick Moranis for the character, and he played such a puppy-eyed, adorkable Seymour that it made audiences suddenly too bummed out to even appreciate the dark ending. They hated it so much that the crew actually just changed the ending completely so that Seymour gets a consequence-free happy ending with everything he ever wanted. Even though he’s literally a serial murderer of sorts. You were always supposed to feel for him, but not to the point where watching him fail just makes you feel horrible.
I think Dib works kinda like that on a meta level.
If there’s any ruling on what goes over that invisible line when it comes to handling his character, I think Florpus Gaz nailed it right on the head. Dib is never supposed to just utterly break under the weight of his world. Can he sometimes crack? Yeah totally, especially in the “brink of madness” sense. Or if it’s funny. The golden rule is not to give him more than he can handle, and Dib CAN handle a lot of bullshit. He may be a frustrated lil squirt but he’s been at this for a very long time, and it’s hype af watching how he’s not slowing down even in the face of that. Dib and Zim’s biggest POSITIVE shared trait is the strength of their spirits against a world that is ultimately callous and cruel at every turn to them.
Every second you write Dib where he’s wallowing in despair or feeling sorry for himself is a second you come closer to that line and it’s what you need to dish out in wary moderation.
So I guess the TL:DR of what i think I’m getting at here is… it’s all about perspective.
But I really should read more of the comics.
#invader zim#iz#dib membrane#iz dib#iz analysis#answering asks#woah I finally have asks?!?#🥹#scarlet talks about things
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analyzing the adjuration ravio board
ALRIGHT MOTHERFUCKERS SIT DOWN SHUT UP WE'RE GOING OFF 4 CUPS OF WATER AND A MIGRAINE BUT WE ARE GOING TO COPE
i unfortunately have an abysmal zoom so i've Enhanced the writing for bits I couldn't quite read but anyways LETS GET INTO IT. WITNESS THE ANALYSIS FROM AN IDIOT WHO BASICALLY ONLY KNOWS THE LORE OF FOUR SWORDS.
@not-freyja hi i hope you like this insane loveletter to adjuration (idk how else to. share it. yay)
alright starting off with the timeline and all the looping fuckeries (motherfucker got more arrows than an ikea checkout lane)
time is scratched out and replaced with sapling. because of the war of eras? nickname yipee?
the music notes linking time to wind must refer to how the song of time sent time back and left that timeline w/o the hero's spirit
the triforce linking legend to time has to mean something but my minimal zelda lore knowledge is leaving me to die. ik its the downfall timeline, so is it a reference to how the triforce got Fucked Up by pig man? did it get messed up??? never actually played cards meaning to learn /reference
there's so many scribblies around hyrule (i love the hearts on the 'i's its adorable). hyrule found the book and thats why he gets loops?
[ hi revision glowmin here. had a thought: what if there's multiple timelines that branch out from when rulie first used the book. what if the first visit wasn't legend. how many fractured timelines could that one event have caused ]
from chapter 49: “So this entire situation is Rulie’s fault?” Twilight’s side moves as he talks and Hyrule leans away from him, falling into Wind instead." haha no don't dump all the fault on hyrule you're so sexy aha /reference
'dink does something fucky' has me cackling. is wild's existence caused by dink? three question marks, 3 parts of the triforce, mmmm that is cooking?? or could just be irony
that line also points to rulie again so i Think this has something to do with. the blood curse. that i only know about from fanfiction.
ALSO THE LINE CONNECTING RULIE TO WARS!! IS SCRATCHED OUT!! (also from chapter 49: "Dead, lightning bug,” Ravio soothes. “He’s dead, you killed him.”)
who's dink is it anyways
the line about four's shadow has me. okay listen i don't remember the chapter but i KNOW there was a line abt the yiga talking about a small town forge. is that four's home from minish cap.
bc back when they met ravio the first (? i forgor) time, ravio told four to remind him about some dark magic (??) book. i thought this would be to revive shadow. is it. is it to revive red instead??
i am not okay abt red death
okay back to the flowchart: shit they haven't been to skyloft yet. i did not realize that until now
'palace' you mean the fucking TONGS FOUR SWORD PALACE??
the line drawn to the underlined dark link beneath time: 'hylia said "mouth of the river". i think this could either be time or sky. time bc he breaks the timeline into 3, sky bc he literally got cursed for being too cool
rulie: i am going to fucking SCREAM. the line from cia to rulie has 'why' written next to it and that's what i wanna know!! 'not safe' is in a fucking box!! underlined question marks!! ravio bbg please.
oh and 3 x's but idk if thats more triforce analogy or just. there to be There
recycled ganon had me cackle. inconsistent dates tho,,, is that like. linking up to why they're going in reverse in wild's time? bc twilight is the direct predecessor iirc???
wind: i cannot read what it says next to dead. looks like,,, 'masko' maybe? evidence of there being a dark: i have not beaten wind waker yet but I HAVE got the master sword. is the time lock shenanigan at the bottom of the ocean dink's fault or the master sword's fault.
i know like 2 things from hyrule warriors: traitors are cringe and cia apparently is creepy. thats probs why talking about dark versions of him is 'personal'. i wonder what 'safe' means in this context; safe to visit? safe to rule out? shaking ravio like a paper bag.
wild drives ravio to apple juice alcoholism more at 11. it is personal is underlined. is it wild's dark? rulie's dark? why are they going backwards? are they going to show up in wild's hyrule for when he DIES because they're going backwards? bro what is up with kyle.
the visits lets fucking go
WHY IS 8 VISIT BLANK. HOLUP
revision glowmin again. We’re not at visit 9. I have no clue why I thought we were there. Migraines are shit.
visits 2 and 3 being about shadow and red. dont look at me i'm crying | visits 2 and 3 are in the same order both for ravio and the links. hmmmmm that's Odd
RAVIO LEARNING WHO RED IS AND THEN NEXT VISIT HE'S FUCKING DEAD. HE GOES TO WAR AND THEN HE'S FUCKING DEADDDDD
visit 6 'got em' what did you get ravio. huh?? you silly merchant man what did you get??? it certainly wasn't bitches
this is the part of the lore board that i actually fucking. bro the circles this is running me through is insane. like how do i even analyze this its making my headache die so we're just gonna spitball.
it. kind of goes in reverse? not really but kinda?? visit 9 is first for all the links, but last for ravio. is this linked to wild's visits being in reverse?
if it ends at 9 i'm gonna throw a sock at my wall
for visit 5 on ravio's side it looks like it says pregnant. ik it doesn't but i cannot make out what it is
[ revision glowmin here again. its research. why did i think it said pregnant. that has literally nothing to do with the fic. ]
crying begins because i can barely ready any of this so bear with me here (BEAR WITH ME!!)
the first like. act of the fic summarized in 1 easy (/s /lh) flowchart. they see the what? rooms? runes? ruins? rains? god i'm illiterate
starting panic for the Dark. singular. i forgor how/if they figured out it was just one.
ravio crossing out where wild should be in the timeline is sending me. i think he's got shit from all 3 timelines in his hyrule (yadda yadda A GAME THEORY) so that would explain why they all just cross each other out.
'wind said shit' that's a good observation. is this as in he said STUFF or as in he cursed and actually said the shit word. important distinction. maybe Wind says something in the war of eras??
the question mark between cia and rulie. is that dink. whats up with the question marks after hyrule. does that imply that it fucking disappears at some point?? or do they just not know
the part where i think ravio's mental state went wewewewewewewwoowowwowow
'evil god hylia?' the Potential though. i don't think its gonna happen but man that'd be a twist. how do you stop the reincarnation of your lover's soul: fucking kill all of them
'evil blink' is that. vaati?? nvm it says evil link i'm illiterate again oopsies!! now we know how ravio came up with dink. cooked
'inconsistent travel more than one person in control' yeah fucking kohga is in on this. drag him ravio
'resurrected monsters by blood curse/blessing' is this related to hyrule's blood curse. i don't think dink wants to revive ganon so what does he need the blood for. is he wanting to ascend to godhood?? vague sputtering sounds
one timeline makes sense when we hear abt why ravio didn't tell everyone about red's death. still sad but that line paired with 'so we keep going forward [...] no counting on do-overs [...] one step at a time [...] together [...] or not at all' really hits home.
this took 3 hours but yeah i'm Normal about this
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Manually Decoding DTMF Through A Spectrogram
While working on a recent CTF, I came across a challenge that required participants to extract a credit card number from a recording of a touch-tone telephone. If you pull your phone out now, turn on your ringer (because it’s almost definitely off), and click on some random numbers on the phone app keypad, you’ll hear the product of what’s known as DTMF, which stands for dual-tone multi-frequency.
I won’t go into the specifics of DTMF and why it exists — the important thing to know is DTMF uses a combination of two distinct tones to create one sound. There is a low tone and a high tone. Today, I’ll be showing you how to decode DTMF by sight through a spectrogram. There are decoders available for free online, so if you come across a problem like this in a CTF, or otherwise, I highly recommend using one of those, purely for speed and convenience. All that being said, this is an interesting process, and just generally a cool thing to know about. It’s the equivalent of converting binary to hexadecimal by hand instead of using an online converter — basically useless — but a great party trick (in the event of attending one, which I highly doubt given you’re reading this — so yeah, basically useless… on that note (or should I say tone (my musically inclined friend has informed me that I should not)), on with the article!)
Note — Standard DTMF — two tones, four levels per tone.
As of iOS 15.7, this tutorial is still relevant. I am looking for more samples (other phone brands and software models) to determine how accurate this is cross-platform. If you’re interested in contributing, there will be some information at the end explaining how.
I’ll be using this audio file - https://voca.ro/1dr1J1gbyw5B
(This is from the CyberSoc Wales “personalbanker” challenge)
The first thing I did was put the recording through a spectrogram program. There are plenty available for free online; personally, I like using Academo, because it includes lines that will help with quick sight-reading later on. (https://academo.org/articles/spectrogram/).
You may be better off downloading software (Audacity is fantastic), should you require a spectrogram for a longer recording. Academo is not scalable beyond 10 seconds, so you can use it, but you’re going to be taking quite a few screenshots.
The first thing I did was drop the recording from the challenge into Academo.
A spectrogram is a visual representation of the frequency content of an audio signal as it changes over time. In the image above, I’ve isolated the beeps produced by the clicking of the phone keypad. This section of the recording is longer than 10 seconds, so I also spliced together two screenshots. Any discrepancies you may notice in the image above are a product of that.
Each vertical line of dots represents one beep, and thus, one number. You’ll notice that there are two horizontal rows per beep, this is the magic of DTMF. There are 8 total frequencies involved in the DTMF system. The original DTMF keypad was laid out in a 4x4 format (below). The letter keys (A, B, C, and D) are no longer used for personal telecommunication. For digital decoding purposes, you will almost certainly not come across the letter keys, although they are still used by amateur radio operators, payphones, and the occasional equipment control system.
I was starting from scratch, with no knowledge of how a spectrogram worked with DTMF, so the first thing I did was create two recordings of myself clicking each number in my phone app (I am using iOS 15.7 on my iPhone XR).
What you’ll begin to notice is that each number has its own combination of low and high tones. If you want to try to figure out the system on your own, now is the time.
Each variation in height represents a tone at a specific Hz. In order to decode this manually, you do not need to know the specific Hz of each number, you just need to understand the relational position of each tone, informed by its Hz.
I ended up throwing the original audio into Audacity so that I could create my own lines on the spectrogram for demonstration purposes.
First, I’m going to turn down the contrast to make it a little easier to see.
Now, I’m going to add some lines to match up the similar tones.
At this point, we have 6 layers of lines, there are no 0s present in this recording, if there were, we would have another line just above the bottom three. The use of the original DTMF structure with the ABCD keys would give us another line above the top three.
The simplest way to proceed is to categorize each set into Low, Medium, and High. You could choose any system — 1, 2, 3; a, b, c; whatever works for you. I recommend the LMH system because it’s visual and easy to keep track of.
I filled out the table below to show each numerical combination.
Two letters per number, each representing Low, Medium, or High (ultra High in the case of 0).
The first letter represents the top layer, and the second letter represents the bottom.
The corresponding Hz are listed in the third row for your reference.
I’ll walk you through the decoding process for the first two and then you can try the third.
We’re going to look at the first column of tones (boxed in yellow).
This represents one number.
The first tone is crossed by the lowest of the top lines, it is marked L.
The second tone is crossed by the medium bottom line, it is marked M.
Together, they are LM — which, upon referencing the chart, is 4.
The second one is MM, which is 5.
Now try the third. (full answer at the end, scroll up now if you’d like to try it on your own — try it with lines or without!)
Once you get a feel for this, the process becomes much faster. The lines are purely for demonstrative purposes, with a little practice you’ll be able to quickly do this without lines.
And that’s how to decode DTMF manually through a spectrogram! Is it useless? Yes! Is it fun? That’s debatable!
If you’d like to help me compare cross-platform DTMF signaling, take a screen recording that captures you pressing 1234567890 on your phone keypad. Send the file to me through one of the methods outlined below. Please include your phone model and its latest software.
Discord — Adler#7210
Email me — [email protected]
If you’re seeing this on Tumblr, send me a DM!
Medium link - https://medium.com/@adler7210/manually-decoding-dtmf-through-spectrogram-562e4b0b99c3
The final answer to the CTF challenge — 4562 6598 4585 2366
Anyway, thanks for reading, enjoy decoding!
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Previous First
The man makes a phone call
"Vivi! Turn on your location. I am coming over!"
"Wh- dont say it like that! No, we didn't do anything, just chatted"
"I wouldn't say disappointed. I mean, it's too early"
"That is an old nickname, and it does not reflect the man I am today"
"Lovingly: shut up, I am going there with him, so be nice"
"Yes, yes, bye!"
"... nickname?"
"Due to my poor decisions in previous years of my life that I do not plan on repeating, I was known as 'Goatman' for being 'Hornier than someone with horns'
I am now regretting giving her this information"
Oliver tries very hard not to laugh
"Ok, I know where she is. Let's go"
They get to a corridor
"Well well well, if it isn't Ángel and a little buddy, what bussiness could you two have with a lady like me?"
"So his name is Ángel"
"Job bussiness sadly"
"Man, and here I thought we would have a new person for our dnd campaign"
"That could be arranged"
"Before we start being boring, have any of you seen a photobook anywhere?"
"I wanted to take pictures of the storm, but without a photobook, they will get all crumpled in my pockets! I have been obligated to use my phone's camera like a measly instagram influencer, Do you see what that does to a vibrant soul like me? The pain? The shame??"
"I'm sorry, I'm sure we'll find it eventually"
"A lost photobook, that's another mystery.
Logically, I know it's probably just a misplaced item, but
Something feels bad about it
Dangerous
What if it was stolen?
By someone with bad intentions?
What if something bad happened?
What if something bad will happen?
What if it's happening right now?
Is there someone behind me?"
"No. Of course there isn't. I must be on edge from what Ángel told me. Ugh, this is not the time for new phobias to be created"
"Time to get into business"
"Excuse me, We were actually here to ask you about Eugene Coli's speedrunning incident. Do you happen to know about it? Why would he do that?"
"Yeaaahhhh no, I only know what happened afterward, I mean, I wanted to know! But the guy didn't want to give any interviews!
And then the guy went to jail for like, a week, only to disappear from public eye until this party, so he's probably here somewhere. If i find out, I'll tell you!"
"But you are then one who found out first, can you tell us about that?"
"It was an anonymous link sent to the place i work at. It led to a speedrunning website with the mans run in a video"
"Did you watch the video?"
"Yeah! It was taken off the site days later, but i managed to download it! It was like a tour to the man's factory. You could see him talking to whoever was recording. Although the sound was replaced with some techno music for some reason.
The video even had accidents! Like, blood and burns! I have no clue how the moderators accepted it, I'm blaming money"
"It was listed as a satisfactory gameplay ironically enough."
"Did you know that the guy used to be a speedrunner? He used the same account to upload this one"
"I don't have any knowledge on psychology, but maybe this guy is just obsessed with speedrunning"
"Well, this does tell us some things. Thank you for your help"
"Also, we must warn you, we think this event might be some kind of disguise for crimes that could hurt us"
"That blows"
"You don't seem very worried"
"I've reported dangerous situations live. This isn't my first rodeo, mister"
"Yeah, but this is more serious. You might be killed here"
"Well, if it's my time, then it's my time"
"Don't say that. You're sending yourself to an early grave if you're this careless all the time"
"Me? Aren't you the guy who can't be two days without injecting cancer gas directly into their lungs?"
"That's not the same"
"How is it not the same? Is that and your crazy stunts of dubious legality not also sending you to an early grave?"
"I quit that! And I can quit smoking anytime! I just don't have the need to"
"Right, right, of course, I'm just being careless unlike you, mature and responsible man"
"Is, is this a fight? A friendly fight? Should I intervene, or is it more like a sibling fight where this is a normal thing that happens. Can we leave?"
"Listen, I get it, I was stupid and unsafe, and I probably should've died thrice by now, but I don't want that life anymore!"
"I want to be safe now. I dont want any of us to be in danger"
"I don't want us to die"
"... It's going to happen eventually, you know this"
"I don't want it"
"Yeah, alright, I'm getting involved"
"...It is normal to fear death. It's unknown and out of our control, but only with death, we have life, yeah?
So let's not waste it by bickering, and let's keep going"
"I've never been good at pep talks, but if we really are in danger, then there's no time for existentialism"
"... Right, keep your location on Vivi"
"Maybe I will. Maybe I won't"
"... I'm sorry for calling you careless"
"...Ugh, Fine, I'll keep it on, stop looking at me with that mopey wet cat face and leave already"
"Well, we didn't find motive, but we have some information.
Do you know anyone else who might have something on the speedrunning stunt?"
"... Someone comes to mind"
"Alright, we'll go now, bye Vivi!"
"Yeah, yeah, run along, bunny boy"
"Did she just ...assign me a fursona???"
"She does that"
#wrong answer. you get friends fight to pay for your sins#beebo really said I feel like something bad is going to happen to me. I feel like something bad has happened.#It hasnt reached me yet but its on its way#<- from lake mungo#detective beebo
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Hi, hello! I saw you have your matchups open so if it's okay I would like to request a romantic matchup with Twisted Wonderland <3 You are so sweet and amazing for doing these!
I am a cute, poetic, caring, and sweet person who knows how to listen actively and hold a one-on-one conversation, often getting people to open up more than they expected, otherwise I'm pretty reserved. If I was transported to a magical school, I would do my best to learn the theory and practicalities of magic, even if I couldn't actually cast spells, and try to excel in other scientific fields (and Mozus Trein would definitely be my favourite professor). I have a great interest in the occult (my library is something I'm very proud of) and psychology, but I'm truly interested in all types of knowledge and books. When I go to the used book stores, I can spend hours there, as I go through war, occult, philosophy, science, comics, fantasy, poetry, and all other categories of books, except sports and cooking. I also love music: opera, metal, neofolk, electronic, and all of them together.
I love crafting and learning new things, but I'm most interested in historical and folk crafts, like nålbinding, embroidery, weaving in many forms, making jewelry from bones and other things found in nature, and more! I love making stuff and seeing that I have finished something, that I've made something.
I have a rough history with mental illness and trauma, making me prone to getting overwhelmed easily, and I have to calm and ground myself. I often feel out of touch with my body, like my spirit is a feet out of me. One thing that works is a tight hug and closeness. I'm also very submissive by nature and other ways, so I really need someone who is sure of themselves and also accepting. I don't need pity, I need a helping hand and someone I can rely on.
Other small things: I can play erhu, dance butoh, bellydance, and few different folk dances, I've practiced tai chi with fan, my newest obsession is fountain pens (there's TWST pens by Sailor, but they're so expensive!), I can't eat meat or onions, I always wear a red bow on my head, mostly because it keeps my curly hair out of my face but also because it's just part of me now just like my red lipstick, I only wear dresses (comfy, cute, always fits any occasion), I have blue eyes, and my favourite animal is fox.
Hope this is not too much, and take your time, I'll be here waiting and reading what else you come up with :3
Hello and thank you so much for your kind words! Now that things are finally slowing down between work and college work, I can finally get to all of these! I am so sorry that you had to wait for so long for your match up but I do hope that you like it!
Tw: None
I match you with.........
Jamil Viper
Right off the bat, it was hard to actually get into a relationship with him to begin with. With all of his duties that he has to Kalim, his duties as a vice housewarden, his school and club activities. Plus the belief that he doesn't deserve the happiness that would come from having a relationship, not wanting to burden his partner with the burden that he shares as serving the Al-Asim family (please, this boy needs so much love, it's not even funny)
Then you come along and pretty much destroy all of that. It really threw him in for a loop.
Honestly, just the feeling of someone caring for him after such a long day of making sure that the rich idiot doesn't die or make any stupid decisions, just makes him melt. Having your arms around him after such a long day as he is able to just unload everything from the day, knowing that you are listening with full attention brings more comfort than you may ever know.
He keeps a few red bows lined in his pockets and in his room just in case there was a very rare event that you had forgotten to put it on that day. It had grown on him, and it was a part of you, much like the small beads in his hair were a part of him.
Speaking of hair, he honestly loves to be able to do yours. it is so different from his own. Jamil is a very fast learner. By the end of the day, he knows more about curly hairstyles and how to work with them and he has a wonderful woman to be able to try said styles on.
There was a time where he took you on a small trip to the Scalding Sands, and seeing you dressed in the traditional clothing from his home country had this man feeling all sorts of things as he couldn't help how his cheeks warmed upon seeing you.... yes, Najma teased him relentlessly for it. And yes.... he bought you several of those dresses to take back to campus with you.
Jamil is 100% someone you can rely on (and there is no hidden meaning to what he is doing, not with you). When things are far too overwhelming for you, he is there to simply hold onto you, giving you the reassurance that you need. He will help you and guide you through what it is that is troubling you in no time. This man has plenty of experience.
Overall, you brought a light and happiness into his life that he did not know that he needed. Now that he has it, he doesn't want to let go, he grows a bit greedy for your affection. After all, it is something that is just for him and he finally doesn't have to share. He thanks you everyday for coming into his life and just putting up with him.
#twisted wonderland#twisted wonderland x reader#twst x reader#twst#matchups#twst imagines#disney twisted wonderland#romantic#twst jamil#jamil viper x reader#twisted wonderland jamil#jamil x reader#jamil viper#shy answers#shy writes
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Congratulations on 1.5k followers, you deserve it! I was wondering if for your event I could request a type one matchup for twst. (Sorry if this is a bit long I’m just trying to give as much information I can-) I’d say I’m a pretty calm person in general, but sometimes I tend to be chaotic and a bit impulsive when I get excited. I do have a slight problem with sleeping aka I tend to sleep a lot more than the recommended hours and get sleepy easily. I am an ambivert leaning towards extrovert(somehow) and tend to have to be the one standing up for my friends. I have a wide range of interests but the main ones would probably be sharks/any kind of marine life, dinosaurs, and plants(help I sound like your average 5 year old kid-) I love to drone on about my interests unless the other person will get bored then I just don’t. I’m not as empathetic as others would presume but when it comes for the people I really care about I’m not afraid to go above and beyond for them. I am in band and love musicals and theatre in general, but I also do enjoy playing video games and making comics for fun. I do also like tending to my plants and bake. I don’t really dislike anything, I just find it annoying when people don’t understand that no means no and when people bother me in my sleep(even if they have the best intentions)
I hopes didn’t drone on too long and that you have a wonderful rest of your day/night ^^
Event Closed
I match you with Azul Ashengrotto.
Is this partially because I saw "marine life" and couldn't think of anything else? Yes. But for real, he loves to hear you go off about your ocean interests, cause sometimes things are different in our world. Plus, he gets to be the coolest person in your eyes when he takes you on a tour of his home, and wows you with his extensive knowledge on marine life of the area. (He also has a couple shark mers who owe him a favor. He can def introduce you if you want to hear about shark's straight from the…uh…the shark's mouth.)
You probably start dating because he tricks you into a contract with a potion to help you stay awake. He 100% had a crush on you, and used it to his advantage. Yeah it's skeezy, but you eventually fall for him back, so all's well. Classic enemies to lovers. But pretty soon, he finds he likes when you sleep longer, because it means your clingy octopus has lots of time to cuddle and cling. (He makes sure the twins know they will not be receiving a paycheck if they ever disturb your sleep. And if you beat them up for waking you up, he'll look the other way)
He likes your ambivert/extravert side. He plans to be a high achieving business man until he can retire, so he'll be doing a lot of networking, a lot of parties, and he'll need people to help him run the business. He hopes he can count on you for some of that, but if you can at least be someone to attend parties with him, he'll be so excited to show you off.
He also likes your not so empathetic side. He likes to see you be snarky or devious. He thinks it's so hot. There was one time you had to fire a terrible worker, and when you were done, he took you into the VIP room to make out. It was the hottest thing he's ever seen.
Literally, all your hobbies make him fall more in love with you. If you bake him something, if you buy him a plant, if you draw him something, if you invite him to game with you, oh my God! The man is weak! His poor heart(s) can't take it! He is puddy in your hands. He'll give you anything in this entire world! You're just too much for him!!!!!
"Say you'll share with me one life, one lifetime,"
Azul looked up from his paperwork, searching for the voice that was able to draw him in far better than any siren could.
"Say the word and I will follow you."
He left his desk, and quickly ran out the door, in the direction of the lounge.
"Share each day with me, each night, each morning."
He found you singing into a microphone, standing in front of one of the tables, which was decorated with candles and a romantic place setting.
"Anywhere you go let me go too."
He came right up to you, and grinned, pretending his eyes weren't littered with tears, just like they were every time you sang him a romantic ballad from your world.
"Love me. That's all I ask of you."
He nodded vigorously, before kissing you deeply. He wanted to imprint every part of this moment into his memory. For so long, he thought no one could love him as much as you.
"Azul, stop snogging, your fucking spaghetti's getting cold!"
He sighed, and glared at Floyd, who had just arrived at the table. He wanted to engrave almost every part of this into his memory.
#twisted wonderland#matchups#1.5k followers#twisted wonderland x reader#azul ashengrotto x reader#azul ashengrotto
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I think you all have strong points and if my brain were more together I'd ramble about them in detail but since it's unfocussed I'll ramble quickly.
Amber: You pay very good attention to events. Like, I miss muse birthdays and the like all the time. But anytime someone has something special going on you're sending something in for them.
Ran: Sometimes I can barely keep track of my own headcanons from a month ago but you manage to incorporate details from years of portraying your muses into how you write. Also you have a lot of interesting ideas that gives you unique takes on characters. For example I think your Sanae stands out in several ways. Plus you do full story arcs for your characters and that's real cool.
Anne-mun: You are literally so detailed in your lore and when you write longer replies you're similarly detailed in what you write. You're also very dedicated to projects like your smut-spam. You're also better than me at boardgames. Based on just about every one we played together.
Ruler: I called Frozenfairy the funniest but you're also incredibly funny. You're also the only person I know that only writes a single muse and I think that's allowed you to really make your portrayal of Seiga iconic. To the point that I kind of just think of your Seiga when I think of the canon character.
Sethy: You write muses from very different fandoms, and multiple versions of the same character, very well. Your muses always come across as sweet and charming, which makes you very fun to write with.
Nep: I only just met Nep tbh so I'm limited in what I can say, but I think that they lend a lot of life to their muses in the way they write them. In particular I think they've got a really great dynamic any time they write with Ran.
Aurora: First off your pfp is sooooo cute, I don't think I ever said that. On top of that you've got a lot of enthusiasm. Maybe that's a strange way to put it but you're always happy to share things about your muses and to put it into what you write about them. You're also the only person I've ever seen make danmaku for their characters and that's really cool.
Vel: You're able to take a, in my opinion, quite obscure character (Lily Black) and make her fun and interesting. I also think that Mugi and Maki are real fun oc ideas. Expanding on the rabbits that serve under Eirin is super rad. Also, you always have fun ideas about little mini event things. I quite enjoyed the little lottery box thing you did not long ago.
Argo: This isn't a roleplay strongpoint but you're always there to check in on my health and things. I really appreciate that. As a strongpoint of roleplay, I think you adapt to stuff really well.
Kay: I think Kay's most unique strongpoint is her confidence. Kay radiates bad bitch energy and I highly respect it. Beyond that I don't think I need to say much but you've been a real good friend to me.
Noka: Noka you write even more muses than I do and I think anytime you write a muse you make them interesting. I am always excited to roleplay with your muses and I think we need to have them go on more cute adventures.
Soup: You're incredibly funny and also a master of non-sequiturs. Also you give attention to some real unrepresented characters and that makes me happy. Also the music that you make is really cool and I'm always excited when you share it.
Sats: Of course Sats is a really great writer but I think her real strong point is her great knowledge about folklore and how she incorporates that into her muses. The level of detail on some of her muses, notably Parsee, is genuinely so astounding to me.
Sarience: You're always there to make fun in character comments on the little things. Also you give attention to some characters who don't have much of a presence in the rpc like Hecatia. But also you're very good at writing Neka as just a sweet little bud to everyone in Gensokyo. I really like Neka.
Zane: I think your strong point is being dedicated to staying true to your muse's emotions and exploring how they should be feeling. Like when Eri left and you had a full arc of Nyalter working through her emotions. I greatly enjoyed that.
Swigg: You have ideas that go against the standard grain of fandom perceptions and I really like them. For example, your Nazrin is my favorite Nazrin. I also think you've done a great job of both breathing life into technically canon characters (Chang'e) and creating really lovable ocs (Hana).
Kyo: I do not write with Kyo enough but Kyo makes all their muses fun. I particularly love Kyo's take on Marisa. Generally though I'd say your strong point is the energy that you bring to your muses.
Momi: you haven't really been around in the rpc lately, which I understand (miss you though), but just in case ya ever see this I don't wanna leave you out. I think your someone else whose strong point is the level of detail you put into your muses. Like the thought you have on your muse lore is astounding and I aspire to do that some day.
Xana: Xana is a sweetheart. I think her strong point is the humor that she brings to her writing. Also she gives Mima rep and that's a super plus in my mind.
Cobalt: Is someone else that I think has their sense of humor as their strongpoint. Also am I able to say that the way they write Chen is a strong point in general? Like I absolutely adore how Cobalt writes Chen and gets excited any time they're on my dash.
I have no idea what to call Letsspringintoaction and I've been too embarassed to ask but they genuinely feel like the heart of the fandom in my mind. Always showcasing different fanworks on their blog.
Now none of y'all say you don't have strong points or I will go fucking feral.
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