#smoky eyes

[grungeprincess2]

Star eyes makeup inspo

[occudo]

Power couple 🔥 👁️

[vividdreamer]

create a 9 grid moodboard of your style + personality

[liveforthereverie]

[newestcool]

Winny Nzeyimana November 2022 Makeup Artist Kato Fierkens Newest Cool on Instagram

[bitter69uk]

“I was always leaving. Every time I left, I had a different hair colour, and I would be standing on the porch saying goodbye to the older couple in the living room. I didn’t have anything in common with them except that we shared a few inherited chromosomes, the identical last night name and the same bathroom … at this point it would dawn on me there was another problem. Not only was I an alien to my parents, but I was an alien to my friends.” From the book Garden of Ashes (1990) by Cookie Mueller

“Cookie looked like Janis Joplin-meets-Jayne Mansfield, a redneck hippie with a little bit of glamour drag thrown in. She never led a safe life, unsafe was her middle name. She lived on the edge, always.” John Waters on Cookie Mueller.

“Cookie Mueller was a punk when it still meant someone who was raped in prison.” John Waters on Cookie Mueller

Died on this day thirty-five years ago: definitive Baltimore bad girl Cookie Mueller (2 March 1949 – 10 November 1989). The smoky-eyed and vivacious underground actress (she’s a charismatic presence in early John Waters films like Multiple Maniacs (1970), Pink Flamingos (1972) and Female Trouble (1974)), go-go dancer, globe-trotter, advice columnist, art critic, drug dealer, New York scene-maker, eyeliner role model, muse to photographer Nan Goldin (who described Mueller as “the most fabulous woman I’d ever seen”) and authoress of autobiographical volumes like Walking Through Clear Water in a Pool Painted Black and Garden of Ashes died of AIDS-related complications aged just 40. (As well as Mueller’s own musings, I’d recommend Chloe Griffin’s excellent 2014 biography Edgewise: A Picture of Cookie Mueller). Portrait by Bob Berg.

[icekreme]

[cafe-solo]

[okaydays22]

[grungeprincess2]

Soft Grunge eye makeup inspo

[musicalislife]

Transformation from Jere to Käärijä

Video from his instagram story 2023.08.20.

[itsallabouttheladies]

Hailee Steinfeld

[imaginal-ai]

"Sebastian" (0002)

(More of The Beauty of Sebastian Series)

0001

[savage-kult-of-gorthaur]

THE SEXY, SMOKY EYE SHADOW OF A CAT BURGLAR -- STRAIGHT OUTTA GOTHAM.

PIC INFO: Mega spotlight on variant cover art to "Catwoman" Vol. 5 #50. February, 2023. Artwork by Sozomaika.

Resolution at 1332x2048 & 1248x1920.

So, I know I'm jumping the gun on this cover as it's a February issue, but I figure I might as well just post it now before I potentially forget to do so next month. It's purrrfection!

Source: https://dc.fandom.com/wiki/Catwoman_Vol_5_50 & Comic Hub.

[miel-core]

yesterday's fotd & hotd: default face & waves + clip 🐈‍⬛

[bitter69uk]

Died on this day: that ineffably feline and insolent Siamese cat-in-human-form, smoky-eyed Golden Age Hollywood leading lady Lauren Bacall (née Betty Joan Perske, 16 September 1924 – 12 August 2014). Encyclopedia Britannica summarizes the imperious Bacall’s screen persona more succinctly than I ever could: “American actress known for her portrayals of provocative women who hid their soft core underneath a layer of hard-edged pragmatism.”  (When I say “imperious”, that’s my diplomatic way of saying “notoriously temperamental and terrifying”). Of course, I love Bacall in the classic 1940s films noir she made with her husband Humphrey Bogart (To Have and Have Not (1944), The Big Sleep (1946), Dark Passage (1947) and Key Largo (1948)) and her great 1950s films like How to Marry a Millionaire (1953) and Written on the Wind (1956). To her eternal credit, Bacall made gutsy, adventurous film choices late in her career, opting to appear in Dogville (2003) by Lars von Trier, Birth (2004), Paul Schrader’s The Walker (2007) and playing herself on TV’s The Sopranos (2006). (She was quoted as saying she dreamed of working with Pedro Almodovar). But hey, I’m perverse so my favourite Bacall performances are in Young Man with a Horn (1950) (as Kirk Douglas’ icily self-possessed lesbian socialite wife) and the schlocky exploitation films Shock Treatment (1964) and The Fan (1981). And La Bacall’s 1980s High Point instant coffee commercials are camp sacred texts!