#sloterdijk

[obsessedbyneon]

Teleport Tower in Sloterdijk, Amsterdam. Designed in anthrosophical style by Alberts & van Huut. The design is based on three directions: station Sloterdijk, Schiphol Airport and Amsterdam inner city. Images taken from the architect's website.

[tofutasties]

Unidad humana en la postmodernidad

La postmodernidad es la época «después de Dios» y después de los imperios clásicos y de todas sus sucursales locales. Con todo, el huérfano género humano ha intentado formular un nuevo principio para la copertenencia de todos en un moderno horizonte de unidad: los derechos humanos. No es casualidad que fueran los excristianos los que se lanzaran originariamente a misionar con los derechos humanos; pero, dejando de lado la clave teológica, la cosa es que Nietzsche hablaba así de lo que inspira esperanza y horror a nuestro tiempo: algo ha muerto y sólo le queda descomponerse con más o menos rapidez, aunque, de algún modo, la vida y la civilización siguen adelante y se aventurarán en novedades todavía inconcebibles. Entre ese «algo» que ha muerto y ese «de algún modo» se encuentra lo que da que pensar en la tercera edad del mundo. —Peter Sloterdijk, En el mismo barco (1994)

[dog-uncrushed]

Books, as the poet Jean Paul once remarked, are thick letters to friends. With this phrase he aptly named the quintessential nature and function of humanism: It is telecommunication in the medium of print to (form and strengthen) / underwrite friendship. That which has been known since the days of Cicero as humanism is in the narrowest and widest senses a consequence of literacy. Ever since philosophy began as a literary genre, it has recruited adherents (followers) by writing in an infectious way about love and friendship. Not only is it about love of wisdom; it is also an attempt to move others to this love. That written philosophy has managed from its beginning more than 2500 years ago until the present day to remain virulent (contagious) is a result of its capacity to make friends through its texts. It has been reinscribed like a chain-letter through the generations, and despite all the errors of reproduction, indeed, perhaps because of such errors, has recruited its copyists and interpreters into the ranks of brotherhood…

It is one of the rules of the game of literate culture that the senders cannot know in advance their eventual recipients. Nonetheless the authors committed themselves to the adventure of sending off their letters to unidentified friends.

…

In fact, it was from 1789 to 1945 that reading-friendly national humanism had its greatest period of influence. At its center, powerful and self-satisfied, resided the caste of classical and modern philologians, who were entrusted with the task of initiating each new generation into the circle of recipients of the authorized standard thick letters. The power of the professor in this period, and the key role of the philologians, had its root in their privileged knowledge of the authors who were considered senders of the letters that undergirded solidarity. As far as its content went, national humanism was nothing other than the power to incline the young toward the classics and to reaffirm / confirm the universal validity of the national canon. [--fn: as well as the national validity of the universal canon...] Thus the nation-state itself was to some extent a literary and postal product: the fiction of a fateful friendship with distant peoples and sympathetically united readers of bewitching /enchanting common (or individual) authors.

If this period seems today to be irredeemably vanished, it is not because people have through decadence become unwilling to follow their national literary curriculum. The epoch of nationalistic humanism has come to an end because the art of writing love-inspiring letters to a nation of friends , however professionally it is practiced, is no longer sufficient to form a telecommunicative bond between members of a modern mass society. Because of the formation of a mass culture through the media--radio in the First World War and television after 1945--and even more through the contemporary web-revolution, the co-existence of people in the present societies has been established on new foundations. These are, as it can uncontrovertably be shown, clearly post-literary, post-epistolary, and thus post-humanistic. Anyone who thinks the prefix "post" in this formulation is too dramatic can replace it with the adverb "marginal." Thus our thesis: modern societies can produce their political and cultural synthesis only marginally through literary, letter-writing, humanistic media.

Of course that does not mean that literature has come to an end, but it has split itself off and become a sui generis subculture, and the days of its value as bearer of the national spirit have passed. The social synthesis is no longer – and is no longer seen to be -- primarily a matter of books and letters. New means of political-cultural telecommunication have come into prominence, which have restricted the pattern of script-born friendship to a limited number of people. The period when modern humanism was the model for schooling and education has passed, because it is no longer possible to retain the illusion that political and economic structures could be organized on the amiable model of literary societies.

…

Two thousand years after Plato wrote it seems as if not only the Gods but the wise have abandoned us, and left us alone with our partial knowledge and our ignorance. What is left to us in the place of the wise is their writings, in their glinting brilliance and their increasing obscurity. They still lay in more or less accessible editions; they can still be read, if only one knew why one should bother. It’s their fate—to stand in silent bookshelves, like posted letters no longer collected, sent to us by authors, of whom we no longer know whether or not they could be our friends.

Letters that are not mailed cease to be sendings for possible friends; they turn into archived things. Thus this—that the important books of the past have more and more ceased to be letters to friends, and that they do not lie any longer on the tables and nightstands of their readers—this has deprived the humanistic movement of its previous power. Less and less often do archivists climb up to the ancient texts in order to reference earlier statements of modern commonplaces. Perhaps it occasionally happens that in such researches in the dead cellars of culture the long-ignored texts begin to glimmer, as if a distant light flickers over them. Can the archives also come into the Clearing? Everything suggests that archivists have become the successors of the humanists. For the few who still peer around in those archives, the realization is dawning that our lives are the confused answer to questions which were asked in places we have forgotten.

P. Sloterdijk - Notes for the Human Zoo

[fairest]

Sloterdijk on the dark messengers

Peter Sloterdijk, from Philosophical Temperaments

[bocadosdefilosofia]

«Ahora resulta fácil entender por qué la relación de seres humanos con un Supremo de tipo personal cae bajo leyes completamente distintas que la establecida con un Supremo impersonal. La forma del suprematismo personal conlleva que los pensantes y creyentes en relación con Dios sólo puedan ocupar el puesto de vasallos o colaboradores; si no, sólo les queda el descabellado papel de incrédulos y objetores de conciencia. Lo quieran o no, la suprematización del Dios personal asigna de modo totalmente inevitable a los seres humanos un nivel inferior. La asimetría más importante entre señor y servidor se expresa en el hecho de que Dios, incluso como revelado, permanece inescrutable para los seres humanos, mientras que los seres humanos no pueden tener ningún secreto ante Dios. Las asimetrías cosmológicas y morales son abrumadores en igual medida: las competencias de Dios se extienden al universo entero, mientras que el ser humano a menudo ni siquiera consigue mantener en orden su propia vida.»

Peter Sloterdijk: El celo de Dios: Sobre la lucha de los tres monoteísmos. Ediciones Siruela, págs. 91-92. Madrid, 2011

TGO

@bocadosdefilosofia

@dies-irae-1

[grandpasessions]

Adorno belonged to the pioneers of a renewed critique of cognition that assumes an emotional a priori. In his theory the motifs of a crypto-Buddhist spirit are at work. Those who suffer without becoming hardened will understand; those who can hear music in moments of clarity see across to the other side of the world.

The conviction that the real is written in the hand of suffering, coldness, and hardness determines the way this philosophy approaches the world.

Although it scarcely believed in a change for the better, it did not give in to the temptation to desensitize itself or to get used to the given order of things. To remain sensitive was, as it were, a Utopian stance —to keep the senses sharpened for a happiness that will not come, a stance that nevertheless, by being prepared for happiness, protects us from the worst kind of brutalizations.

Politically, and in its nerve endings, this aesthetic, this "sensitive" theory, is based on a reproachful attitude, composed of suffering, contempt, and rage against everything that has power. It makes itself into a mirror of the evil in the world, of bourgeois coldness, of the principle of domination, of dirty business and its profit motive.

It is the masculine world that it categorically rejects. It is inspired by an archaic No to the world of the fathers, legislators, and profiteers. Its basic prejudice is that only evil power against the living can come from this world.

That is the reason for the stagnation of Critical Theory. The offensive maneuver of refusing to collaborate has long been ineffective.

The masochistic element has outdone the creative element. The impulse of Critical Theory is becoming mature enough to burst open the strictures of negativism.

In its heyday, Critical Theory found its adherents among those who could instinctively share their a priori pain with it. Still, in a generation that began to discover what its parents had done or approved, there were many such people. And because they were many, there was once again in the mid-sixties in Germany a thin thread of political culture —public dispute about true living.

Critique of Cynical Reason P. Sloterdijk

[adolfovasquezrocca]

Adolfo Vasquez Rocca

Universidad Complutense de Madrid, Filosofía IV (Estética, Teoría del Conocimiento e Historia del Pensamiento), Adjunct

Revista Observaciones Filosóficas, Journal for contemporary philosophy, Managing Director

Pontificia Universidad Catolica de Valparaiso, Facultad de Filosofía y Educación, Adjunct

https://ucm.academia.edu/AdolfoVasquezRocca

[mickkspics]

[d3524]

The most maximalist thing about the Netherlands is that the Dutch rail company has a Tumblr for people who saw someone they really liked on the train so they could send their story of where they saw them and how much they fell in love to that Tumblr account and they would post the story

[memoriesofthingspast]

achilles & sloterdijk & freud walk into a bar.

✨

[obsessedbyneon]

Photographs I took during the years of Station Sloterdijk. Designed by Harry Reijnders, 1983. Added to the trainstation in the 1990s is the metrostation (white)

Myphoto

[tofutasties]

Malestar de la cultura mundial

Se debería examinar si la censura crónica a la clase política no será la proyección de un malestar general de la cultura mundial, solo que cristalizado ante la prominencia política. Es en esta donde se hace visible un nuevo tipo de discreta obscenidad, que sumerge en una misma situación embarazosa a todos los afectados, tanto actores como espectadores: la pretensión exagerada en la tribuna, el desconcierto en el servicio público, la desorientación en los puestos directivos, el palidecer ante los focos. Entre nosotros, la ignorancia está sentada en primera fila. —Peter Sloterdijk, En el mismo barco (1994)

[dog-uncrushed]

By defining human subjectivity as competent and informed activity that is endlessly perfectible, [Leibniz] made his contribution to the formation of the modern subject as the entrepreneur of Being in its totality.

P. Sloterdijk, Philosophical Temperaments

[fairest]

Today's world war

"The war over the appropriation of Jerusalem is today's world war. It is taking place everywhere, it is the world, it is the singular figure of the world's 'out of joint'-ness today. The three messianic religions embroiled in rivalry are directly or indirectly mobilizing all the powers in the world and the entire world order for the ruthless war they are waging against one another."

Derrida, quoted through Sloterdijk, from God's Zeal: The Battle of the Three Monotheisms

[bocadosdefilosofia]

«A los predicadores islámicos les gusta recurrir, aún hoy, a la imagen edificante de que ante el trono de Dios el séptimo cielo no sería mayor que un grano de arena, de que el sexto cielo en relación con el séptimo sería tan grande como un anillo en el desierto, y así sucesivamente hasta el primer cielo, que los habitantes de la Tierra, cuando miran hacia él, consideran como algo omniabarcante; en esas prédicas de humillación para musulmanes se mantiene en vida, poética y terapéuticamente, la imagen aristótélica. Después se acostumbra a preguntar al creyente individual: ¿Y cuál es tu tamaño frente a todo esto? La respuesta correcta no puede ser otra que la exclamación de Saladino de Lessing: “¿Yo polvo? ¿Yo nada? ¡Oh Dios mío!”.»

Peter Sloterdijk: El celo de Dios: Sobre la lucha de los tres monoteísmos. Ediciones Siruela, pág. 92. Madrid, 2011

TGO

@bocadosdefilosofia

@dias-de-la-ira-1