#sketch for ep 5

[arett1]

[tapeworrmart]

There's a shadow on you, son

[munchboxart]

Sam & Max

[deoidesign]

Sketching

[voidevoyager]

Team up!

p.s. Am I the only one who saw Nika bitting his lip during the fight? It was like.. split second frame but GOD it was good.

[haliaiii]

Hail the conquering hero

based on that dream Percy had on pg 254 in the lightning thief

bonus

[gelukart]

Not to “babyfi” a literal demon but I thought him being nervous to be called John was sweet

Malevolent warm up doodle

Pervious - Next

[niinnyu]

Doodles :)

[golden-riff-raff]

“I demand someone take this out!”

As inconspicuous as ever, gerard

[this-world-of-beautiful-monsters]

the way this sketching sequence unhinges me like a barn door more than any other, like--not only is it a perfect way to gauge whether Daniel has reached low or high morality depending on how he reacts to the "chilled" or "badass" options (less enthusiastic about chilled if lw, less enthusiastic about badass if hw) but it's also a perfect representation of the way Sean's decisions have been shaping him, and by extension the narrative, over the entire game.

like, Daniel is the sketch, both literally as he takes up more of Sean's sketchbook, and figuratively as something Sean shapes, designs, plots out, erasing and redrawing with the behavior he models and encourages. in later eps Sean has multiple options to decide how he wants to draw the world, whether violent images (the prison bars in the hospital and the hellscape in the desert) or hopeful ones (stairway in the hospital and the oasis in the desert),* and similar he has the option to create different realities for Daniel to imagine or anticipate.

it's a different iteration of the photography motif in lis1, which is all about looking about and capturing moments in time, coming to terms with the need to live in a nostalgic past or create a perfect present. lis2, a game about motion and escape and coming to terms with a world that hurts you, has Sean attempting to picture his future through drawings, which don't rely on past or present reality the way photographs do and can instead create a new reality instead of trying to deal with the present. Sean's art serves as his escape from reality, as he remarks repeatedly during his drawing sessions, but it also serves as a metaphor for the reality he's trying to build with his brother, that leads towards either their survival or their separation.

but the same way Daniel isn't a static sketch, he also isn't a helpless one, and his actions shape Sean--both physically and psychologically as he tries to figure it where he fits in whatever design Sean's making for him. It's why the little hints of him being interested in sculpting (the rocket ship, the Joan sequence) are so good, because Daniel is the sculptor making physical constructions and destructions of the shapes Sean has laid out, bringing them from 2d to 3d on his own terms. it's up to him how he responds to the outline Sean has given him and the reality Sean is attempting to create in his art; his decisions in turn dictate what kind of future they can ultimately build together.

*of course, stuff like the "chilled" or "badass" option aren't inherently positive or negative, they're simply different ways of responding to a violent world; both images are optimistic in their own way, just one offers peace as the route to a happy ending and the other offers brute strength

[echo-1905]

Cedric lore confuses me more more by the minute

[sevenines]

only five voices an episode is crazy

[pocketwei]

more bleach low quality posts!!!! omg!!!!!!!!!!

byakuya shitpost from 2 weeks ago....... kisooke....... + espadas warm ups! they're all so Shape to draw, esp ulqui & nnoitora

[kr-yoongi]

Stargate SG-1 S02E13ㅣSpirits

[coslav]

V seems to be ashamed of her feelings to N, and she prefers to solve problems with violence.

A little ,,Thank you" would be nice tho

[crintsiewintsey]

jort storm