#site people

[canonkiller]

I just think everyone should take a moment to consider the question "what is your visual shorthand for cruelty?" and then follow it up with a critical "and who taught you that?"

specific examples include but are not limited to

why is an evil timeline character design disabled? (why do the heroes go through equally punishing battles and never lose an arm, a leg, an eye?)

why are the futuristic scifi terrorists uniformly darker skinned? (why are the heroes so much lighter?)

why is the greedy boss fat? (why are the heroes skinny?)

why is the criminal mastermind heavily scarred? (why is the brooding, traumatized hero unscathed?)

why is the predatory creep a bearded person in a dress and makeup? (why are none of the heroes trans women?)

who taught you that this is how things are?

how long do you plan on repeating it?

[nashvillethotchicken]

The drake Kendrick beef trending on tumblr is like finding out an isolated village in the middle of Siberia with no internet or television access knows who Michael Jackson is

[zanmor]

We are well beyond canary in the coalmine warning levels with the way trans people and particularly trans women are treated on this site.

Maybe you've heard the metaphor of allowing wolves and sheep to share the same space, welcoming everyone. You end up with just wolves because allowing them in that space makes it unsafe for any sheep. Or the story about how a nazi goes into a dive bar and is refused service. The bartender then explains to someone else at the bar that if you serve them once they tell their friends and before you know it you're the nazi bar they all go to and normal customers don't feel safe.

Terfs and other bigots are seeing these targeted harassment campaigns succeed against trans women and rejoicing. They see Tumblr ban them and officially stand by those decisions as endorsement for their harassment. It's a sign to bigots across the internet that Tumblr is a good place for them.

And what's more is that a lot of us probably don't realize just how much trans women contribute to Tumblr. The women banned recently were sources of site-wide memes and posts I wasn't even aware originated from them.any years old memes and references can be traced back to trans women on this site.

How many of these folks have to be removed before this is no longer a site you want to be a part of it? Sure you cultivate your own experience, but you can't follow or interact with people who aren't here. And if I wanted to interact with the nazis and terfs I'd go to reddit.

I encourage everyone to reblog this. Trans women shouldn't have to be the only ones speaking out against the bigotry they're experiencing. They shouldn't be the only ones risking their blogs being nuked by staff. We have to stand with them.

[samgiddings]

@staff @support @engineering @music @books

Have you ever considered this is a really stupid layout to have when there’s no way to easily get your account back if you accidentally hit the wrong button???

[cozylittleartblog]

@staff if you [change] the [design] of the fucking [dashboard] i will kill you

edit. i want it on the actual post that i am not actually making a de-th threat against the staff. that's shitty. the caption quotes the fucking costco hot dog meme, which i originally said in the tags. if any staff member sees this please do Not take it personally

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[evilgoodguys]

try to forget.

[oobbbear]

I want to post this here too because I’ve seen it happen a few times

Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use

[azherwind-art]

"Tell your favorite creators that you like their work, people usually enjoy things silently, but hate tends to be loud"

This is a phrase I just heard from Dnd shorts that captures perfectly why I often try to make the effort of commenting on posts and telling people that I enjoy their work and why Even to small creators, I advice everyone to make the extra effort to tell them, I can guarantee it makes all the difference in the world, it's not cringy or obnoxious, it'll just brighten someone's day

[marzipanandminutiae]

call me old-fashioned but I think visitors to historical sites have the right to a fully analogue experience of the building if they want it

tech is great for accessibility, and to provide supplemental info for self-guided places. I don't mean an experience without seeing OTHER PEOPLE use their phones, a kiosk, an iPad, etc. that would be unfair to people who needed the accessibility features. just that those things should be opt-in

screens at low angles on stands so they're only visible if you actively walk up to them. iPads, as previously mentioned. audio tours accessible on your phone, but with a request to please only use them with earbuds/headphones. real human staff one can talk to.

NOT screens positioned upright on walls, timed light/sound shows that fill the whole space, etc.

I'm there to see a historical building I can't see anywhere else, in real physical space. not to look at a screen or a projection unless I make that choice, to answer a specific question or similar. and I should be able to have that experience of the site if I want to

[podcastwizard]

modern day moby dick but my white whale is a middle grade fantasy novel i read when i was like eleven and haven't been able to find again

[ms-demeanor]

I don't care about data scraping from ao3 (or tbh from anywhere) because it's fair use to take preexisting works and transform them (including by using them to train an LLM), which is the entire legal basis of how the OTW functions.

[ghoulbats]

well….it finally happened

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"