#sister wives reviews

[amandaanddonnie]

Sister Wives Paedon Brown EXPOSES Family's SHADY MOVES

[spurgie-cousin]

Hello!

I just wanted to reach out because I saw the asks you shared about Kitchen Table Cult podcast, and I wanted to share my favorite fundie podcast for anyone who wants to listen to a show with a more structured format.

I love Leaving Eden.

The hosts are Sadie, who grew up in the Independent Fundamental Baptist (IFB) church and Gavi, who is Jewish, and didn’t really know anything about Christianity when they started the podcast.

If you listen from the beginning sometimes Gavi can be a little dense, but it is really interesting to listen to him learn throughout their time on air, and listen to Sadie get better at articulating her points. Also Sadie’s research skills are incredible.

Overall I think the podcast in interesting, informative, and a touch irreverent.

Bonus mention to Surviving Sister Wives for being funny.

You're not the first person who's recommended Leaving Eden, I'll have to move it up my list of podcasts to listen to! Same with Surviving Sister Wives.

Thanks for the review/recommendation 😊

[whos-the-seme]

okay but I kinda need read a fic where Shen Yuan is wife plotted (AGAIN) by some random papapa plant (dammit Airplane--) and he basically falls into a floating coma or something. on a hunt for some rare herbs with liu qingge, he's lured by the sound of his Binghe's (his lost little lamb) voice and ends up ensnared.

okay, imagine that he's being held high in the air by these vines, just asleep, and nothing can wake him, even after liu qingge cuts the monster plant down to get him. he's just sleeping, rosy-cheeked, unwakeable.

peak lords panic, and start trying to figure it out what this rare plant is. sqh wracks his brain somewhat and somewhat remembers this plot line.

they come to the conclusion that its the everlasting dreams flower or some shit. basically traps the victim in their dreams while it sucks out their qi until the person dies of dehydration/starvation or qi loss, whichever kills them first (sometimes, its not the latter, and if the person is a cultivator, they can last a while before their qi is fully drained enough that they can no longer practice inedia but also haven't died yet). meanwhile, the person won't even care because their dreams are so sweet, that they don't want to leave.

the only way to cure it? true love's song. someone who truly knows and loves the sleeper needs to sing something from the heart, and if it's pure enough or something, it can pierce through the pleasant dreams of the person and wake them up. yqy and lqg instantly become flustered, but both of them can't help but secretly wonder how it would feel to have Xiao jiu/shen-shixiong wake up at their song.

they confer with the rest of the peak lords a little outside of shen yuan's resting rooms on the Qian Cao peak, and yqy decides to sing a little lullaby he used to sing to Xiao jiu when they were still on the streets. he goes in, his voice is a steady but a bit nervous, but he croons that shit out. airplane can't believe his fucking ears. yqy could honestly be an idol its not fair wtf-- only, sqh knows he can't dance to save his fucking life, so.

when yqy finishes, he waits, but his heart sinks when Xiao jiu doesn't so much as stir. he hurries out of the room but sqh notices how the tips of his ears are red in embarrassment. of course, even when he still had his memory, Xiao jiu wanted nothing to do with him, why did he think it would change now, he just--

lqj goes in next. he murmurs a song that he constantly hears sqq sometimes strumming on his guqin, thinking that means sqq must love the song. he's not sure what else he can do, he doesn't know how to sing from the heart, but the feelings he has for his shixiong... he has to at least try to wake him.

he doesn't wake. lqj walks out in defeat.

airplane who has been wracking his brain all this time because he was trying to think of requirements for awakening so he wasn't paying attention suddenly jumps up. he doesn't mind the startled glances that the other peak lords give him.

he just remembered!

the song didn't have to be a romantic song or anything. the love for the sleeper didn't have to be romantic love, at all! he remembered this plot line that he added about binghe trying to wake one of his wives, but it was one of the wives' sisters that woke her, because she truly loved her sister deeply. causing binghe to realize that his love was becoming shallow, in that it wasn't enough anymore or blah blah blah. he scrapped that plot line and that plant after he got a ton of bad reviews for even suggestion that lbh's love (pillar) wasn't big enough and so he had lbh fix it with papapa, but whatever!

he shivered.

anyway, the story has been so warped over time that its only told that it has to be a romantic lover. but it didn't have to be.

he had an idea. he loved Shen Yuan! despite the rocky start, their shared transmigration and experiences led them to form a closer relationship, and Shen Yuan was his best friend. he knew him wholly, both in his bitchiness of Cucumber-bro of their old lives, and in the snarky-masquerading-as-pretentious SQQ he was in their new lives. He knew him as a whole of Shen Yuan, not as Xiao Jiu, or as the original goods.

and also, both he and Shen Yuan had discovered they both liked some similar songs during one of their weekly private meetings a few weeks ago, while Shen Yuan was there under the guise of planning their eventual escapes, but was actually just drinking up all his wine and ransacking his snacks.

he's got this! (he hopes.) (he would quite not like his bro to die from an unwakeable coma.)

confidently, with incredulous stares following him, he walks into the room and sits at shen yuan's bedside. and proceeded to sing, as smoothly as he could, a vocaloid love song. if nothing else, it might shock Shen Yuan awake to hear a random ass vocaloid song in his dreams. the lyrics are actually pretty sweet and soft, but he can't stop imagining the music behind it, making it funnier than it should be to sing it.

[Shen Yuan, whose dreamscape has become completely synchronized to his current living conditions and so he dreams of the serene bamboo hut: *sitting at his table with binghe pouring him more tea* *sudden hatsune fucking miku disturbing the atmosphere*

Shen Yuan: 👁️👄👁️]

while he tries not to giggle as the song comes to an end, the stares of the other peak lords boring into his back from the doorway (he can just hear them thinking, "yqy and lqg couldn't wake him up but you think you can?" but maybe that's just his imagination. or maybe they think the song is shitty, what does he know--), shen yuan's eyes flutter open.

airplane, who didn't think this would actually actually work (though he hoped), gapes at him. Shen Yuan, eyes half lidded from sleep, gazes back.

"uh..."

"The everlasting dreams flower, really? That was a really good plot line, can't believe you, ah," Shen Yuan yawns, "dropped it in favor of more papapa as always, you shitty author." He can't catch a break. Why did he wake this guy up again?

"he's awake!?" multiple voices cry out.

THUMP. yqy has fainted.

they both have forgotten their audience. liu qingge has goes outside to punch a tree. the other peak lords are in various states of disarray, disbelief, and discomfort. liu minyan has appeared out of nowhere to take notes. mu qingfāng rolls his eyes and comes in to check shen-shenanigans's meridians.

"Can't believed that shit worked, honestly," Shen Yuan says, eyeing one of the older disciples try to drag YQY to a cot. he is starting to rouse. "hatsune miku, really?"

"aw! well now you know how deeply and purely I love you, shixiong!"

THUMP. YQY has fainted again.

more sounds of breaking trees from outside. mu qingfāng warily calls out a warning to avoid his good medicinal trees, thanks.

after a while of conversation, with eyes closing a bit once more, from exhaustion, rather than the plant poison, Shen Yuan gives Shang Qinghua a small smile. As his eyes flutter shut again, he says, "I love you too, bro."

[cryingoverpalta]

Ok so I was thinking, what if PIDW wasn't a novel, but a drama available on streaming platforms? So when SY transmigrates into SQQ's body, he perceives everything around him just like the audience is seeing it on their screens: with the low-budget fighting scenes that had him obliterating his keyboard with bad reviews, the soundtrack (that is pretty well-done and he actually enjoys it, but that doesn't mean he likes to hear the same silly song every time something embarrassing happens to him), the landscapes that are obviously made with green screen… Even the fabrics of his costume look cheaper than they should, considering the status of his character. Also, for some reason, everything that should be off-screen in a normal filming set (be it cameras, directing staff, or make-up artists) looks like a blurry continuation of the background, making the whole transmigration thing even more nonsensical than it already is.

But nothing disturbes him more than the fact that, just like everything around him is made out of an artificial project, the people also look just like in a drama, because SY suddenly is surrounded by literal celebrities acting like they belong in the pages of a badly written xianxia novel. And ok, to be fair just this time, he's aware they are currently living in a xianxia setting, but his brain can't deal with this logic sometimes. Like, yes, Sha Hualing is a badass character and is always a pleasure to see her fighting choreography in first person, but SY can't take her seriously after seeing her face plastered on a big advertisement while waiting for the train home the other day. And don't even mention Liu Qingge, whom SY can't even look in the eye thanks to the sexy, shirtless photoshoot his actor was part of (that SY saw against his will, because he obviously wasn't searching for handsome shirtless men on the internet. The photos were everywhere; it was a matter of time for him, a chronically online nerd, to see them after going viral the way they did, thank you very much). God, he can't even stand his reflection without panicking a little over his new handsome face, wich also happens to be the face of the actor that always plays the most brutal villains, but is just a chill guy in real life—starring variety shows and giving autographs to the older ladies with a warm smile on his face; that kind of chill guy. If he's as trash as the villains he plays, SY will never know.

And the worst of it all is: Luo Binghe. It doesn't bother him too much at first; his white lotus era makes him look really young and sweet, even though there's an obvious layer of makeup covering his real age, and their feet are always blurry when they're together, probably hiding an uneven floor to make 15-year-old LBH look much shorter than him. But then the abyss happens (and GOD what a shitty green screen that was), three years pass in a literal blur, and the white lotus isn't a fake teenager anymore. And ok, SY can be straight, but he isn't blind; the actor was chosen as LBH for a reason. The man is gorgeous, with that strong jaw, intense eyes, and the height of a supermodel. AND he's talented; SY has seen his other roles and is a genuine fan of his work. So of course, he nails his acting as blackened LBH so much that SY is incapable of perceiving it as acting anymore.

Imagine his surprise when the show turns into a BL and he's suddenly kissing LBH with tongue and all! Sure, it has been a while since he can't see the man as anything other than LBH himself, but he still looks just like that handsome actor that even his little sister had a crush on at some point! What's with this nonsensical plot twist? Wasn't the stallion protagonist supposed to be papapaing the eleventh wife at this point of the plot? Hello?? System???!!!!!

The funny thing is: not even the papapa can escape from the blurry off-screen logic. Yes, SY knew the scenes were typical soft-porn with too much emphasis on doing close-ups of LBH's manly muscles and the wives soft, big chests (he went through a lot of those while watching the show, mind you), but he never thought their papapa would be just them being naked with poor illumination and blurred genitals. So SY never gets to see the Heavenly Pillar. But he feels it. Thoroughly. And for the first time in months, he wonders if it was just a PIDW thing or if the actor truly is talented in all areas of his life.

[suzuran777]

Ooe part 1 Spoiler Review: Literature & Theories

Ever since posting my spoiler-free review, I've received some questions about my theories for part 2, so in this review I will be talking about that! I will warn that it might be a bit long, and of course that also means that this review will discuss topics that many would consider a spoiler, so make sure to play part 1 first. According to the latest update from the official account, we will probably get part 2 in January or early February next year, therefore there's still plenty of time to play part 1. If you're waiting for the English version, it will be released eventually, but I'm not sure when!

Ever since playing Hashihime, I've become really interested in all of the novels referenced in Adelta's games, and I love analyzing the similarities between them. I'm not sure how interesting this is to others, but I tried to add some short summaries of what each novel that's possibly referenced in the game is about. Of course these are just theories and we don't have an official list or anything. I might update this in the future when part 2 is released, though the official website mentions that it's only allowed to post part 1 spoilers, so I will see how much I can add to this later.

When this game was announced, it was mentioned that all 9 main characters are named after train stations on the Yurikamome line in Tokyo (the train line most people take if you go to events like Comiket). Other names Oosaki, Shinagawa and Shinkiba are train stations on the Rinkai line, which was not officially confirmed, but very easy to find because both train lines are located in the same area. So far the names of all of the side characters in the game also followed this pattern, so there's not much I can add to this. However, their first names is where things start getting a bit more interesting. When the first names of Funeno and Shiodome were released, fans immediately recognized that their names were references to characters in existing novels. Then while playing part 1, this theory proved to be correct, as some of the other first names could also be linked to existing literature. I created this list while playing the game, but I've seen similar theories on social media such as Twitter (or well, X now) and Weibo too, therefore I think a lot of these could be correct. Right now we don't know the first names of Oosaki and Hinode, so I will be leaving these out. I will also include the Japanese titles of these works to make it a bit easier to look them up yourself. Of course I don't always remember every detail that happened in these novels, and some I only read very recently, so please correct me if anything is wrong! I'm always happy to learn more.

Ariake Shoutarou (有明 勝太郎) Ariake's first name "Shoutarou" is most likely a reference to Junichiro Tanizaki's "Tojo" (途上). The protagonist is actually called "Katsutarou", which is another way of reading the kanji used to write Ariake's first name. This character has an ex-wife and a current wife, whose names are Fudeko and Kumako. This is only briefly mentioned at the end of Ariake's route, but his wives have the same names. In this novel, Katsutarou tries to kill his first wife Fudeko by purposely exposing her to dangerous situations that negatively impact her health, but he won't directly harm her to make her death look like an accident. The motive and the way he tries to kill her is different than what happens in Ooe, but I think it's definitely the inspiration behind this route. Another connection to Junichiro Tanizaki's works is the name of Ariake’s sister, who's called Naomi (奈緒美) which is a name that appears in “Chijin no Ai” (痴人の愛). Around this time the concept of “Naomiism” was born, which was used to describe a free-spirited devilish, beautiful girl. Sometimes it looks like this term was also used for girls who manipulate men, but it wasn't always used in a negative context. I'm curious if this concept was also used to create Ariake's character, as in of the official blog posts he's described as a "male femme fatale". I'm not sure if this is plot-related or not, but Ariake's ending song also has an audio clip from the play "Cyrano de Bergerac", which doesn't exactly have a happy ending either and both of the characters lose their lives.

Shimbashi Mei (新橋 冥) When I looked for novels which focused on a character called "Mei", I couldn't find much initially, until I realized the kanji used to write his name is also the first kanji in the Japanese word for Pluto (冥王星), which is also the name of the theater company he works for. In his ending, Shinagawa even tells Oosaki that Shimbashi is Pluto, so it might also be his pseudonym. Pluto is also the cat that appears in Edgar Allan Poe's "The Black Cat" and even though the story isn't identical to what happened in his past, there are similar elements. For example, the cat in this story Pluto only has one eye, and while Shimbashi does have another eye, he usually hides it with an eyepatch. The unnamed protagonist also ends up killing the cat by hanging it, which is similar to how Shimbashi's brother used to kill animals. Later in the story, the protagonist adopts another cat who resembles Pluto, but because the new cat keeps reminding him of how he killed Pluto, he eventually loses his sanity and tries to kill the new cat as well, but ends up killing his own wife instead who tried to protect the cat. Despite the protagonist trying to hide her body, the police eventually finds her because the cat was trapped in the same wall where the protagonist tried to hide her body, and the sound of the animal scratching the wall gained their attention. Even though the story is a bit different, Shimbashi also got his revenge by murdering his brother, which he doesn't seem to regret much. Shimbashi's ending song is called ルドン (rudon) which is how you would write the name of French painter Odilon Redon in Japanese. The song also mentions his mentor Armand Clavaud, who was a botanist. Clavaud taught Redon many things about flowers, but also introduced him to Buddhism, which shows in Redon's later paintings too. The flowers are an important element in this route as Shimbashi's the person who was leaving flowers on the grave of Oosaki's grandmother, so maybe all of that is also intentional.

Aomi Kaede (青海 楓) This is not necessarily about the name Kaede, but about Takuichi (卓一), Aomi's father who he's impersonating on the island. Takuichi is also the name of the protagonist of Koga Saburo's "Aofuku no Otoko" (青服の男) and his cousin is called Shinzo, who shares the same name as the student who committed suicide in the game, Shinonome Shinzo. In the novel the two of them schedule a meet-up to discuss money Takuichi wanted to borrow, but when he doesn't show up to the meeting, Shinzo later confronts him. In the middle of the confrontation however, Shinzo suffers from a heart attack and passes away. In Ooe their relationship is a bit different, as Takuichi and Shinzo are teacher and student, and Aomi's father passed away shortly after receiving the invitation letter. In the novel Takuichi is alive and impersonates Shinzo in order to get his own inheritance money, though the theme of impersonation is relevant in Ooe too as Aomi pretends to be his father. There's nobody called Kaede in this story, but in the game Aomi mentions his father called him Kaede because he thought his hands resembled a frog's webbed feet (kaeru = frog) so currently I'm unsure if there's any further connections. Aomi's ending song is called Taichourou (対潮楼) which is actually the name of a temple in Fukuyama, a city located in Hiroshima prefecture. I'm not sure if there's any specific reason for this, but it's not too far away from Ookunoshima (also known as bunny island because of its many rabbits), which is one of the locations that was used as inspiration for some of the background art in-game.

Funeno Kureichirou (船野呉一郎) Hashihime fans might recognize this one as Kureichirou is also the name of one of the most important characters in Yumeno Kyuusaku's "Dogra Magra". Dogra Magra is not one of the easiest stories to understand, as the protagonist's memory is hazy and you never know if the researchers are telling him the truth either, but generally we know that Kureichirou seems to have murdered his cousin (who was also his fiancé). Funeno's crime is revealed at the end of the trial version of Ooe and he killed his sister. So far we haven't really seen much of Funeno in part 1 because he immediately acts strange when he sees Oosaki, probably because he has Daiba's letter and Oosaki introduced himself as "Daiba", so it's a bit hard to analyze his character yet or compare him to Dogra Magra's Kureichirou in my opinion.

Shiodome Michio (汐留 道雄) Just like Funeno, Shiodome's first name was also revealed a long time before the trial version and part 1 of Ooe were released. It references Edogawa Ranpo's "Kotou no Oni" (孤島の鬼) which is not really a secret as it's one of the novels that was mentioned in one of the first blog posts about Ooe and its inspirations. Michio is one of the main characters, who's a gay man who falls in love with the main character Minoura. So far their personalities do not seem that similar, but Kotou no Oni's Michio is adopted by a man called Jogoro, which is also the first name of Shiodome's professor (Tsukishima Jogoro).

Takeshiba Yozo (竹芝 葉蔵) This is one of the new names we learned about in part 1, but since Yozo isn't the most common name ever it's probably referencing Dazai Osamu's "No Longer Human/Ningen Shikkaku” (人間失格). Yozo (or ''Youzou'', it's hard to keep romanization consistent...) is the name of the protagonist. He's a troubled individual who can't relate to other human beings and doesn't understand them. At first he tries to hide these emotions by playing the clown so people laugh at him, but eventually he turns to alcohol and drugs. Takeshiba is a magician who quickly tries to change the topic when things get serious, which matches the theme of playing the clown, but we also know he gets nervous fast and he's also the character who committed some of the most brutal murders in the game so far. I think the story won't be exactly the same, but he definitely seems to share certain personality traits with the main character. He's accused of murdering his family by setting their family home on fire, though in the first part of the game he makes it seem like someone else did it, or if it was some kind of accident.

Shijoumae Yoshiichirou (���場前 義一郎) Maybe a bit of a wild guess because we don't really know the names of side characters that are related to Shijoumae's story yet, but his first name could be a reference to Akutagawa Ryunosuke's "Kaika no Satsujin" (開化の殺人). This is a rather strange short story that focuses on a number of suicide notes, written by a doctor who's called Kitabatake Yoshiichirou. He's often described as a man with a rather 'western' appearance because of his beard/moustache, which matches Shijoumae's character design. He was in love with his cousin (which I guess was not uncommon during this time period) and wanted to marry her, but she married another man. Kitabatake was incredibly jealous of him and poisoned him. However, even after this first murder, his cousin started getting close to another man called Honda, who Yoshiichiro was also jealous of. Initially, he planned to poison him too, but in the end he decided against this and took his own life instead. We know that Shijoumae has a wife, but as we've seen in these previous novel references, the connections between the characters in the original novels often aren't identical to what happens in Ooe's story, which also makes it hard to predict what will happen in this route.

Toyosu Rouren (豊洲 浪蓮) I was a bit confused when I heard the pronunciation of his name in-game, as it sounded a bit unusual to me, though many fans so far have pointed out that the name sounds similar to ''Lawrence/ローレンス'' who's the antagonist in Agatha Christie's "And Then There Were None" which is the novel that gets mentioned in-game too. In the novel Lawrence fakes his own death, which reminds me of the boat scene in Ariake's route in which Toyosu drowned, but the whole scene seemed rather sudden to me. For example, he tries to convince the others that nobody else should join him, and the food at the inn also disappeared around this time. After finishing Aomi's route, we know he's lying about his real identity too because no matter what temple they visit, there's no monk with his name, and other characters also suspect him of being the client. In the common route he's also the character who the client supposedly sent to the island to hold the ceremony on their behalf, if I remember correctly.

Daiba Shizuma (台場 静馬) Another name we've known for a long time is Daiba's first name Shizuma, which is a reference to Yokomizo Seishi's "The Inugami Family/Inugami-ke no Ichizoku" (犬神家の一族). This is another story about impersonation which fits the main theme of Oosaki pretending to be Daiba on the island. There are actually multiple characters in this novel who share the same names as some of the Ooe characters, such as Sukekiyo (佐清) the name of Daiba’s brother who passed away in the boat accident, and Sahei (佐兵衛), Daiba's father Oosaki meets in the common route. The connections between characters in this story get very complicated, but Sahei is the head of the Inugami family who has an illegitimate son called Shizuma, who went missing. He also has a grandson called Sukekiyo, who was disfigured on the battlefield. Similar to Ooe, the story starts with Sahei's death, though in the novel he leaves a suicide note and in Ooe he seems to die rather suddenly after talking to Oosaki (if he wasn't dead already, that whole scene is strange��). In the novel, it's revealed that Sukekiyo actually passed away some time ago and Shizuma has been pretending to be him. There are also some other shared elements, such as the Shizuma in the novel trying to take revenge for what happened to his mother, and in the game Daiba takes his mother's last name "Hama", and expresses that he doesn't like the Daiba family.

Side characters I haven't looked much into the side characters, but I assume their first names are also references to something. The names of Shinkiba and Shinagawa (Jinza 甚三 and Zakuro 柘榴 ) could be referring to some of the side characters from some of Edogawa Ranpo's works, as there's a short story called ''Zakuro'' (石榴) and there's also a "Jinza" in the novel Ghost Tower (幽霊塔), but I can't exactly find any connections between them and the Ooe characters. For Oosaki I'm guessing his name could also be something related to the Inugami Family too because it is a bit suspicious that he looks almost identical to Daiba, I think they have to be related to each other in some way.

Other literature references In a previous blog post I wrote in 2022, I mentioned that when Ooe was announced, one of the official blog posts also mentioned works that inspired them to create Ooe. I will include those in this blog post again as the previous one is a bit outdated now.

Of course the main inspiration is Agatha Christie’s And Then There Were None, as it follows a similar closed-circle murder mystery story on an island. In Ariake's first ending, Oosaki even compares some of the characters in the novel to characters in the game, calling himself Vera for example who murdered for love. Another important connection is that the owner of the island in this novel calls themselves "U.N. Owen", a fake name which basically just stands for ''unknown''. This of course sounds very similar to "Ooe" and the game's official alias is also "Owen" according to the official website. The actress who passed away is called "An Ooe", which also sounds a bit similar to "unknown".

Previously, I mentioned that Shiodome's first name Michio is a reference to Edogawa Ranpo's "Kotou no Oni", another novel that focuses on a murder mystery story, this time about the death of the protagonist's fiancé. As the title of the novel suggests (which translates to "Demon of the Lonely Isle") they also travel to an island, though this one is inhabited by people who all have some kind of deformity. Of course most of the characters in Ooe look pretty normal, but if you've played part 1 you've probably noticed how many characters either suffer from an illness or were born with some kind of physical abnormality, although sometimes it's not really severe. Ariake's has a thyroid disease (Grave's Disease according to his character profile in-game), Shimbashi has strabismus (misalignment of his eyes) and Aomi has webbed fingers which his father made fun of. If we look at the other characters, there is of course Hinode who won't talk and also seems to have difficulty walking, though the reason for this has not been explained yet in-detail. In the full body art, Shijoumae is also drawn with a cane, which might also be linked to something related to his health, but I'm not completely sure about some of the other characters yet.

The same blog post also mentions three incidents which happened in real life, but which all have novel adaptations as well, with the first one being the "Anatahan Incident", or also called the "Queen of Anatahan Incident" (アナタハンの女王事件). This incident focuses on a number of deaths that happened on Anatahan Island, located in the Pacific Ocean. The island became Japanese territory after the First World War and Japanese settlers began living on the island together with natives. Years later near the end of the Second World War, most locals fled after the American military called for Japan's surrender during the war. During this time, some refused to surrender and stayed on the island. Initially, the Japanese people who refused to leave the island were left alone, but things changed when a U.S. Boeing crashed into the island and guns were found inside of the wreckage. Afterwards, these guns became a symbol of power among men on the island, and some of them would kill each over the only woman on the island, Kazuko. After this, it was reported that more men died under "mysterious circumstances", and eventually Kazuko surrendered herself to the U.S. military, as she felt like she was the root of all the problems on the island. Writer Iwasaki Sakae also released a novel based on these incidents, which is just called "Anatahan".

The second incident mentioned is the "Hikarigoke Incident" (ひかりごけ事件), and translates to "Luminous Moss Incident", though the name comes from Takeda Taijun's short story which is based on this incident. The short story is actually just based on rumors rather than factual reports, so there are some differences. The real incident is rather graphic and took place in 1944 in Hokkaido. It was reported that after ending up in a shipwreck, the captain of the ship survived by eating the corpses of his own crew. The captain was later arrested on charges of corpse mutilation, corpse abandonment and murder. Even though he said he didn't kill them, he did admit eating them. This case stood out back then because even though cannibalism had undoubtedly happened before in Japanese history, it was the first time such a case was reported by the newspapers. If we want to link this to what happened in the game, there's of course Shiodome who was also accused of corpse mutilation. He also took Funeno's head in the first route, and in this case the captain admitted that he ate the brains of one of the crew members (... as well as their genitalia, so do with that information what you want).

The final incident mentioned in this blog post was the "Mount Hakkoda Disaster" or "Mount Hakkoda Snow Disaster" (八甲田雪中行軍遭難事件) which happened in 1902 when a group of Japanese Imperial Army soldiers got lost in a blizzard on Hakkoda Mountain, located in Aomori. This incident is considered one of the most lethal disasters in history and 199 people lost their lives. After getting stuck in the blizzard, during the next days many soldiers would freeze to death, while others fell down the cliffs during their ascent. This incident also has a novel which translates to "Death Wanderings on Mt. Hakkoda" (八甲田山死の彷徨) by Nitta Jiro, which was also made into a movie "Hakkoda Mountain". Of course, Ooe's story is about an island and not a mountain, but I do understand the similarities about getting stuck somewhere and being unable to leave.

Final theories and thoughts Right now I am mostly curious about Daiba because I want to know why exactly he made Oosaki travel to the island. At the end of the game, you also unlock a teaser for part 2 which includes a preview of Daiba, so he has to be the final route right? There's of course some other things I'm curious about, like how many characters have the same blood type, share similar physical traits, and how many of them have family members who are originally from Ooejima, so I think there's definitely some shared past they have yet to discover. I've also been wondering why the side characters all have black eyes and the main characters have red eyes, as eye color was a pretty important theme in Hashihime and Uuultra C. Maybe it has something to do with their connections to Ooejima? I think they definitely have some shared past we don't know much about.

At some point BL game magazine Cool-B also published a so called "madness scale" which ranked the characters from 1 to 5 (with 5 being the worst) which could give us some hints about what these characters will be like in their own routes. Aomi and Toyosu are ranked 1, Shimbashi and Funeno 2, Hinode is the only one who's a 3, Takeshiba is 4, and Ariake, Shiodome and Shijoumae all got a 5. If Toyosu really is the mastermind then maybe he didn't ''technically'' kill anyone like Aomi, but I'm not sure if that's the real plot twist because maybe it would be too easy to guess. I also wonder how Takeshiba is a 4 and not a 5, because we know he committed most of the murders in the game so far, and they were pretty brutal. Oosaki and Daiba both aren't included in this list, so I can't say much about them.

Lastly, the letters you unlock in-game are also really interesting to me, I wonder if it was Ooe An who wrote some of these? One of the letters mentions a sister, a lake villa and a boat, so could it be that her sister married into the Daiba family? I think there will definitely be some kind of connection between the characters, though we know so little about her there's not much else I can think of right now. I'm really looking forward to part 2, and it's also interesting to read everyone else's theories about the game so far! I can't believe I've been writing about this game for about 3 years now and slowly we're finally learning more about the story and its characters.

Here's a list of my previous blog posts about Ooe! Though I haven't looked at these for some time now so some might be outdated... Old blog post with general information -> X Trial version review -> X Part 1 review -> X

[ducktoonsfanart]

My artworks during 2024. - My drawings and my most viewed works over the months of the past 2024

Once again, I wish you all the best in 2025 and a Happy New Year 2025 as well as the upcoming Chinese New Year!

Sorry for my delay in posting this last month, because I had a lot of troubles and commitments and simply didn't have time to post my most viewed works by month. I did post about my drawings I did last year and my description of my experiences over the past year. See this: https://ducktoonsfanart.tumblr.com/post/771518951479967745/summary-of-my-art-in-2024-i-wish-everyone-a-happy

Although I already have my retrospective from my post here: https://ducktoonsfanart.tumblr.com/post/771397567733022720/2024-tumblr-top-10

Without going into too much detail, I'll just say thank you very much for the support you gave me last year because I wouldn't have done this without you. Of course, like every year, this year I will publish my drawings that I did last year and which received the most views with the most likes and reblogs. The only thing that will count is the review of my drawings during January 2025.

January 2024 - Happy New Year! - Celebrating New Years in Brazil or some tropical place with Donald Duck, his family and his friends - The Three Caballeros - Quack Pack AU - Duckverse (my version) - 52 notes (likes, reblogs and comments)

Also Duck Dodgers and Duck Avenger - Green Dodgers and Green Avenger - Ducks crossover - Meme - My version - 43 notes

February 2024 - John D. Rockerduck and Jeeves (Lusky) with Rockerduck’s family plus Donald and Scrooge - Duckverse - Gift for my friends - 39 notes

Also Donald and Daffy Duck with their wives and children in China - Happy New Chinese Year - Year of the Dragon - Crossover Duckverse and Looney Tunes and Tiny Toons - 38 notes

March 2024 - Donald Duck and his family mourn the dead in memory of the victims of the terrorist attack and bombing - Donald Duck and his family in Moscow (Russia) and Belgrade (Serbia) - Duck comics - Duckverse - 46 notes

April 2024 - Foghoron Leghorn with Wile E. Coyote and Road Runner - Pepe Le Pew and Penelope Pussycat - Looney Tunes - Cartoons - 46 notes

May 2024 - The Three Caballeros Together Again - My Redraw - The Three Caballeros and Saludos Amigos Movies - Duckverse - 45 notes

June 2024 - Birthday party for Donald, Daisy and Della Duck! - Happy Birthday Donald, Daisy and Della Duck - Ducktales 2017 - Duckverse June - Week 1 - My Version - Gift for my friends - 70 notes

July 2024 - Happy 90th Birthday Donald Duck! - Donald Duck and his family and friends - Tribute to Don Rosa (Happy belated birthday to Don Rosa) - The Duck Who Never Was - My redraw - Duck comics - Duckverse - 58 notes

August 2024 - Quack Pack Summer - Huey, Dewey and Louie vacationing with their sisters, cousins, brothers and friends and girlfriends in Hawaii - Quack Pack AU - Summer - Duckverse - Quack Pack - My version - Gift for my friend - 42 notes

September 2024 - I have 6 sides - Cartoon and Comic Edition - Meme - Crossover - Donald Duck and The Three Caballeros, Looney Tunes, Tiny Toons, Animaniacs, Woody Woodpecker, Sponge Bob Squarepants, Tom and Jerry and Garfield - My version - 43 notes

October 2024 - José Carioca (also known as Zé Carioca) celebrates his birthday and the holiday of his country (Brazil) with his family and friends - Ze Carioca Comics - The Three Caballeros Month - Feriado - Día Festivo - Holiday - Família - Familia - Family - Duckverse AU - My version - 27 notes

November 2024 - Quack Pack Kids (Preteens and Teenagers) and Young Adults (Boys and Girls) - My sketches -Game, Well-To-Do-Duck, Wild, Friend(s), Cultured, Emotional, Obscure and Nostalgic Duck (s) and FREE SPACE DUCKS (plus geese, parrots, rooster and pigeon) - Duckvember - Quack Pack AU and Duckverse (Donald Duck and Ze Carioca comics, Ducktales, Darkwing Duck and Quack Pack) - My style - 35 notes

December 2024 - Quack Pack and Goof Troop (A Goofy Movie) together again - Donald Duck meets Goofy - Max Goof comforts Louie - Max Goof with Huey, Dewey and Louie as teenagers - Duckverse and Goofyverse (Dogverse) - My style - 37 notes

And finally my most viewed drawing is:

Darkwing Duck and Duck Avenger (PKNA) with their families as superheroes in action (redraw) - Darkwing Duck, Duck comics and Quack Pack AU - Duckverse - Happy my birthday! - 78 notes

Of course, anyone who is interested can check out my art blog here and thank you all for this.

Once again, happy holidays to everyone and a happy new year 2025!

If you have any impression of what you liked the most and what you didn’t like about these drawings, feel free to say so.

Feel free to like and reblog this! And keep following me! :D

Just don't copy my ideas and my designs of these characters without mentioning me and without my permission. Thank you!

[jamiebamberdaily]

A Year in Review : Jamie's 2024

Welcome to our look back on Jamie’s 2024! It’s been another busy year for Jamie and so as we have been doing every year, it’s time to do our yearly review of Jamie’s 2024 career.

January started off strong with RAM Films’ Kenny Logan’s Rugby World Cup Documentary airing a shortened version over on BBC Breakfast. This month also saw him attend his first Comic Con of the year as he attended MegaCon at Excel in London.

The end of February gave us the official announcement of his involvement in The Wives which also started filming in the same month. Jamie was cast as Charlie Morgan, the widower of missing Sister-In-Law, Annabelle Morgan. He then took time out of filming at the beginning of March to attend York Comic Con, which we were lucky enough to attend.

As with every year, April saw him celebrate his 51st birthday! We also were given the announcement to the How Copy audio drama podcast. The Wives also wrapped filming in Malta.

The How Copy podcast was released the following month in May which Jamie guest starred in as Captain Brill. While June was the US release month of DI Ray and saw the announcement for July’s Metro Comic Con.

Jamie was a guest on the Game Of Life Podcast in July before he travelled over to Australia to attend Metro Comic Con.

August saw the trailer and release date announcement for Jamie’s movie, Strangers, that was filmed in Bulgaria in 2023. The same month also gave us the exciting news that he was returning to Beyond Paradise for series 3. Our page also celebrated it’s 6 year anniversary AND we got a first look at The Wives!

September was a busy month in terms of Jamie screen-time as it saw both the release of The Wives, airing over 2 weeks (and split into 3 episodes a week) and Strangers beginning it’s streaming on Paramount Plus, which also had him talking to Tony Toscano on his Talking Pictures podcast about the movie. At the end of September, Sky Sports + showed the full Rugby World Cup Challenge documentary, which we may, or may not be in.

October was the 1 year anniversary of the challenge itself and the UK FINALLY got DI Ray on ITV! October was an exciting times for Battlestar Galactica fans as many of the cast (including Michael Hogan who has been battling health issues since 2020) reunited in Illinois, Chicago for the 20th Anniversary convention.

Speaking of Battlestar Galactica, Jamie was a guest on Katee Sackhoff’s Podcast in November where they talked about things such as the BSG audition process, his decision to move his family from LA to Paris before returning to London and how he developed a love for Coffee on the set of BSG. Finally, also in November, Jamie attended a parlimentary reception at the House Of Commons hosted by PETA to pressure the government to phase out animal testing and experiments.

2025 already has us looking forward to Jamie's return as Archie Hughes in Beyond Paradise, which will likely air in the Spring and we cannot wait to see what else 2025 brings for Jamie!

As ever, we would like to thank you for all the support of our page over this past year and wish you all a very happy new year!

Jemma and Sophie. xx

[where-theres-smoak-2]

HOTD 2X01 Review/Thoughts (SPOILERS!)

Finally got to watch 2x01 of HOTD and I must say, it was an ok episode. I feel like this was more of a catch up episode, establishing where all the characters are after the events of the season 1 finale, but it wasn't my favourite episode, it was a bit slow and underwhelming at times and there were other moments where it was just too rushed, but I am hoping the action will pick up more as the season goes on, as I said I think this episode was just kind of showing us the aftermath of s1 ep 9 and 10. But anyway lets get into my thoughts on the episode, as I always say before every review, these are just my own thoughts and opinions and this is your official spoiler warning.

New Opening Credits

So we got some new opening credits, it was cool, a tapestry that is slowing being soaked in blood and showing what I think were scenes from targaryen history and scenes of the dance itself. Like I said it was very cool to look at. However, and this may be an unpopular opinion, but I think I preferred the original credits with the old valyria model and rivers of blood and I kind of miss that title card. I think the original title card showed the bloodlines more, it was almost like a family tree with each cog representing a character. The new title card is more focused on historical events. I think both are interesting to look at though.

The North

I liked the start of the episode and how it showed us a raven, one the was bearing the news of lucerys' death, flying through the north. It was good to see the north again and I found it really interesting to learn that in the past house stark would send one in every ten of their men to the night's watch to keep their numbers boosted and how it was seen as an honour. It was an interesting comparison to the night's watch in GOT which was mostly made up of criminals who were looking for an alternative to being jailed or executed. It showed how over time as the belief in the white walkers existence faded so too did the fear of them and the belief of the night's watch's necessity.

Another thing I liked was Cregan Stark pointing out that the old king in the north knelt to Aegon the conqueror out of fear. I personally feel like both in the show and in the fandom there's this romanticisation of Aegon the conqueror and people seem to think that the lords and kings of Westeros bent the knee to him because they believed he was a good and just man who would unite the realm if he was king. When lets be honest when Aegon first arrived in Westeros nobody knew what kind of man he was or what kind of king he would be, all they knew was that he and his sister wives had three big ass dragons that would burn them all to ash if they resisted him. I spent years studying history, through school, college and university, and one thing that was always drummed into us is that history is written by the victors, so when looking at historical sources we are taught to assess three things, 1 is the source contemporary ie were they there at the time to witness it themselves, 2 is the source accurate and consistent with other sources and 3 does the source have a bias ie whose side was the source on etc. Considering Aegon the Conqueror was the victor it makes sense that he would have everyone saying that he was a good and just king and that's why people bent the knee and would gloss over the part where he was eradicating entire bloodlines and houses as he went around on his dragon burning anyone who got in his way, he won Westeros with fear, fire and blood. Just to be clear I am not saying that Aegon wasn't a good king but just that we shouldn't forget that he was also a conqueror from another land who invaded on a dragon and did some pretty horrific things in order to get the crown.

So I liked that conversation between Cregan and Jace where Cregan pointed this out and I think he also did it in a very diplomatic way. I also think it makes sense that they both have different views on that historical event, Jace knows the victor's version being an ancestor of Aegon means the sources he had access to were the ones that showed Aegon in a positive light, its possible those sources were contemporary to the time but not necessarily to the place and might not have been first hand witnesses, they also likely would have been written by the supporters of the Aegon so would have a bias. Cregan on the other hand would have access to sources written by the northerners, some who may even have physically been there to witness the event, and so would know that the northern king bent the knee in order to safe his people from being burnt by the hundreds and not the targaryen propaganda that it was because they considered Aegon to be the person to unite the realm. I just thought that conversation was interesting. I do wish we could have spent more time with Cregan and Jace in the north.

The Blacks and Their Grief.

Ok so I'm not going to lie, I was in tears almost every time team black were on screen, they were all really feeling their grief at Lucerys' death and it was so painful to watch. Some moments in particular that really hit me hard were:

When Corlys is given the dagger that he had made for Lucerys, it was such a simple moment but it was played so well, like you can see the grief and pain in Corlys' eyes as he looks at the dagger and its just a gut punch.

When Rhaenyra finds arrax's wing and Lucerys' cloak on the beach and she just sinks to her knees and weeps, this moment I just couldn't deal with it, I was full on weeping right with her. Just the complete despair and heartbreak, emma really did an amazing job. They played it so well. First when she sees the fishermen in the distance you can see that flash of pure rage, then when she approaches the wing she has that moment of realisation that Rhaenys was telling Daemon about earlier, that her son really and truly is dead and you see her grief take over as she just collapses and sobs, then there's the moment when Syrax responds to Rhaenyra's grief and pain by letting out her own roar of grief. Just that whole scene really got to me.

The next moment that had me bawling was the moment Jace returns and goes to meet Rhaenyra. There was that tiny moment between him and Baela were she rubs his shoulder before leaving, but then you have Jace trying his hardest to hold it together while telling Rhaenyra that he got the Vale's support and that Cregan was sending men and he's just slowly breaking down along with rhaenyra and she just comes over and wraps him in such a tight hug. I knew when I saw that still it was going to be tough to watch but it was somehow even more heartbreaking than I imagined it being. I think it was the way Jace slowly broke down as opposed to him just coming in and immediately crying, it was his effort of trying to hold it together for his mother. Also the way he just collapsed into his mother's arms when he couldn't hold it in anymore. Ok I've got to stop because I am getting teary eyed just thinking about it.

Then there was the funeral scene. Just the fact that they were burning his clothes and toy because they didn't even have his body to burn already made it more heartbreaking, but then seeing the grief and pain of all those who loved Lucerys. Seeing Rhaena crying because that was her betrothed and she was so happy when their engagement was announced and she must have imagined them having a happy life together and now that is all gone along with Lucerys. Then there was Jace, I swear Jace really is the main cause of my pain this episode, the way he picked up joffrey to help him throw the toy onto the pyre and the way he held him and cupped his face, I just ahhh, Aemond Targaryen when I find you I swear.

Daemon and His Grief

Ok so I want to talk about Daemon separately here because I haven't been in the HOTD tag yet as I've only just finished watching the episode and I wanted to write this review while it was still all fresh in my mind, but I suspect I already know what I am going to find and it'll be a load of posts talking about how heartless and unfeeling Daemon is about his stepson's death and how all he cares about is the war and he's blaming everyone else la di da di da. But here's the thing, in my opinion its the complete opposite. It not that Daemon is heartless and doesn't care about Lucerys, he cares too much, this is how Daemon processes grief, it was the same when his brother and unborn daughter died. The way Daemon deals with his grief is by going into protective mode, his mind is set on one goal right now and that is to ensure the safety of Rhaenyra and the rest of his family. We saw him do this after Viserys' death his immediate course of action was ensuring there were dragon's patrolling Dragonstone so that his family was safe. His plan here is similar and actually makes sense too, Vhagar is the main threat to his family right now, so going and killing Vhagar and her rider will not only serve to protect his family from that threat but will also allow him to exact revenge on Aemond for Lucerys death. Daemon couldn't protect his brother and he couldn't protect and save his unborn daughter, and he couldn't protect Lucerys, he has, like rhaenyra and the rest of the blacks, had loss after loss after loss, all in the space of a few days. Of course he is reeling from it and is frustrated by it, the thing that Daemon struggles with the most is feeling useless and helpless and being inactive so honestly his actions in this episode make perfect sense for his character.

So let's talk about the whole him blaming everyone else for Lucerys death. Firstly when he tells Rhaenys that if she had acted at the coronation then Aegon's line would have been wiped out and Luke would still be alive. Honestly here he does have a point and lets be honest we were all saying the same thing after that episode aired, I mean there was a collective frustration at that scene because they were right there, one moment, one dracarys and the war would have been avoided. Personally I blame the writing but for arguments sake lets look at it from the character's pov. I did understand where Rhaenys was coming from when she said it wasn't her war to start, she doesn't have foresight so she couldn't have known that Luke's death was coming and I am sure looking back part of her now regrets not acting. But if she had acted she would have been a kinslayer herself and the whole thing is a complicated mess. However I can also understand that in his own grief and pain Daemon is looking for someone to blame, its a natural part of grief to be honest, and so I can see why he was frustrated that Rhaenys didn't take that opportunity to kill the greens.

I think its that same reasoning when he says to Erryk that he had the opportunity to kill Aegon and didn't. Again I can see both sides, because yeah Erryk could have killed Aegon and that might have averted the war or they might have put Aegon's son or Aemond on the throne instead. Erryk also had an excellent point when he said that he swore an oath as a king's guard to protect the royal family so what was he supposed to do when that family turned on each other, again complicated mess of a situation. The point is that its all woulda, shoulda, coulda, and its pointless dwelling on it, however its also a natural response to a situation like this and to grief, so to me it makes sense that Daemon is displaying these very normal, natural and human emotions in his time of grief.

However I think the person who really hit the nail on the head when it comes to Daemon's behaviour is Mysaria. When he turns the blame and anger on her and blames her for not doing anything to stop the coronation and for giving Aegon back to the greens she tells him that he is directing his anger at her because the ones he is really angry at are out of his reach. My god when she said this I was just like, yes exactly. It was so on point with what I was thinking myself. He really blames Aemond and the Greens for Lucerys death, for Rhaenyra's throne being usurped and everything else that has happened, his anger is really with Aemond and the Greens, but at this moment he can't get to Aemond and the Greens, he knows that Aemond, Vhagar and The Greens are a threat to his surviving family too, but he can't get to them and so he can't protect his family and all of this is making him feel useless and helpless and more and more frustrated and, as we all know from season one, a angry and frustrated Daemon is a Daemon that lashes out.

This is also reaffirmed for me when we see Daemon's reaction to Rhaenyra saying that she wants Aemond, this is it, the moment he was waiting for, the moment where he now has permission and orders to go after the person who he is truly angry with and who he truly blames, finally he has something to do and that is why he has that smile/smirk as Rhaenyra is walking away.

Rhaenys

There are a couple of moments here that I want to talk about some good, some bad, or more where I can see where the writers were coming from but it just didn't make sense for me. The first thing is when Rhaenys says that she thinks its a good thing that Rhaenyra isn't acting out of vengeance, this was obviously a dig at Daemon and she was basically saying that he is hot headed for wanting to go hunt down Vhagar and Aemond and he was letting vengeance influence his actions whereas Rhaenyra is showing restraint etc. And I get the message the writers are trying to get across here, revenge bad, revenge leads to more trouble, war bad, think things through carefully blah blah blah. But let's be real here this comment is stupid because the only reason Rhaenyra isn't seeking revenge right now is because she is too lost in her grief and in searching for Lucerys' remains to act on her revengeful feelings, its not a case of Rhaenyra is angry but she is showing restraint anyway situation, I mean the moment she finds arrax's remains and knows for sure that her son is dead she is right in her vengeful 'I want Aemond Targaryen' era.

Another line I didn't think made much sense was the 'if only you were king' line, again I get it is supposed to be a badass moment for Rhaenys, ain't no man going to tell her what to do, the problem is umm Daemon kind of is the king, well the king consort at least, right? Not only that but in the conversation before this line they establish that Rhaenyra is absent/indisposed and as we saw from season one when Viserys was indisposed its usually the hand and the consort who give the commands and run things. So Daemon as consort would be able to give commands in Rhaenyra's absence, so that makes the line fall a little flat, as Daemon gives a command which as Consort during the absence of the ruling monarch is a perfectly reasonable thing to do and Rhaenys response was kind of oh if only you were in a position of power where you could give out commands, except he is in a position of power where he can give out commands. To be clear I'm not saying that Rhaenys wasn't right to refuse to go to King's Landing without Rhaenyra's say so, I just think the line was a little too on the nose. I mean they could have written it differently and still got the same effect, I take no commands but from the queen herself, I'll not act until the queen returns etc. They've done this a few times with Rhaenys where they give her these lines that are kind of like a mouthpiece for their own political views and opinions but it often comes across as too forced in my opinion, kind of shoehorned in. Rhaenys is already a badass female dragon rider they really don't need to force it.

One scene I did really like though was the one where Rhaenys talks about what it was like for her to receive news of Laena's death through a raven and how she spent weeks unable to accept it was true, that it was only once she saw her child's remains that she was able to accept the fact and that was what Rhaenyra was currently going through. I thought it was interesting that you could see the joint grief her and Daemon were sharing at the mention of Laena, I mean you see Daemon's entire demeanour change at the mention of Laena's name. I also thought it was interesting that Rhaenys used such a vulnerable and personal example to help Daemon understand what Rhaenyra is going through. It was a really interesting moment between those two characters and I do wonder if its because Rhaenys can relate to not just what Rhaenyra is feeling at the moment but also what Daemon is, after Laena's death Rhaenys too found people and things to place the blame on, she blamed the maesters of essos believing they weren't qualified enough to save Laena, but she mostly blamed Daemon for not letting Laena come home when really it was just a crappy situation, complications in childbirth and she could have still lost her life even if she was at driftmark. So I think she can understand Daemon's frustration at not being able to do anything and failing to protect Lucerys but also how in his anger he is blaming whoever he can in an attempt to make sense of his loss. But she also isn't going to put up with his crap either and that's what we love about her.

Aegon The Magnanimous.

One thing this episode did make me sure of is despite his best efforts, Aegon is so not cut out to be King. Like it was nice that he wanted to give the sheep back etc, but I didn't get the impression he really knows much about ruling, he didn't seem to think about it much before giving an answer, it was just yes of course you can have your sheep back but then Otto had to remind him that the crown needs those sheep to feed the dragons who are now exerting more energy flying patrols and in the war etc, so Aegon had to take his word back which isn't a great look. Then there was in incident in the small council where he brought his son jaehaerys, who was clearly too young to be at the meeting and just caused distractions. Don't get me wrong the kid was cute and it was kind of funny seeing Tyrell struggling with the kid, but Aegon's suggestion that Tyrell give him a pony ride was not good. As king you don't want to be humiliating members of your small council and this could definitely be seen as an act of humiliation which is why Alicent had to step in to avoid a problem coming up and to diffuse the situation.

We also see that he is rather hot headed as his response to any problems seems to be lets just send Vhagar and our other dragons to burn them all to ash and again Alicent had to interfere and point out that it wasn't the best course of action.

It was also kind of funny to me that you had Larys whispering in Aegon's ear that Otto was controlling him just like he did with Viserys who was seen as a push over and he didn't want to be see the same way as his father, as someone who is pushed around and controlled by others. Yet the whole episode and even in this moment with Larys we see Aegon being controlled and managed by others. I do wonder if he will at any point start pushing back and ignoring everyone else's advice, even if its good advice.

All of that being said one thing I will say is it does seem to me that Aegon at least wants to try and be a good king. But he just doesn't seem to have any idea what he is doing, he thinks he needs to keep the small folk happy, which is true keeping the small folk happy is important but you also have to measure that up against other elements and factors such as feeding your dragons. It's a balance. He also thinks that its important to prepare his heir for when they take the throne, again true, but again he doesn't realise that Jaehaerys is just too young to be at a council meeting and isn't going to learn anything beneficial there just yet and he also removed him from his classes in order to take him to the council meeting when the classes are something that would benefit him right now, small council meetings come later when they are old enough to understand what is actually happening. As cute as it was to see Aegon so happy and delighted with his son, this was a miss-step on his part.

I feel like ultimately Otto and the others spent so much time plotting to put Aegon on the throne and not enough time actually preparing him to be on the throne. Also the fact that Rhaenyra was the named heir is playing a factor in this, because she was the named heir she was the one attending small council meetings and who ruled over dragonstone and so has an understanding and training in how to rule, Aegon wasn't the named heir and so never attended the meeting or given any experience ruling, he was given no formal training at all and I think Otto is starting to realise the repercussions of that.

Alicent and Cole

Honestly I can't say I was that surprised that these two got together, all the way back in episode 1x01 it seemed like Alicent had a bit of a crush on Criston and there was definitely some tension between them in the 1x09 where she says everything you feel for me as your queen scene, however I am in two opinions on this one because on one hand I'm like good for Alicent, she took control of her own sexuality and had a pleasurable experience, or many experiences possibly seeing as we don't know how long this has gone on for, with a partner of her choosing. But then I think about all the times she and Cole slut-shamed Rhaenyra for having sex outside of marriage, of the fact that Alicent is now doing the very thing that she judged Rhaenyra for back in 1x04, something that she then pretty much publicly declared war on rhaenyra at her engagement party over, I remember how Cole reacted so strongly to the suggestion that he and rhaenyra could continue with their intimate relationship in private with anger and accused her of making him her whore and that he had sullied his white cloak and yet here he is conducting an intimate relationship with the queen and I guess continuing to sully his white cloak and I'm like HYPOCRITES! But then I sit and think about it some more and I realise that Alicent and Cole have always been hypocrites and this is old news, honestly that white cloak of criston's is just seeped in blood and hypocrisy at this point, so honestly on point for their characters.

I also think there was an interesting parallel in that in 1x04 we see Rhaenyra helping Criston remove his King's guard uniform and cloak and in this episode we see Alicent helping him put it back on. With Rhaenyra it was him making that choice to shed the uniform and forsake his oath so that he could be intimate with Rhaenyra, almost like he was shedding that identity as a pure, dutiful and honest King's Guard, here he is continuing to forsake his oath and so to me it felt like Alicent was helping him put a costume or disguise back on, like he's getting back into playing the role of a King's guard.

I am curious to see where they take this relationship as it already seems like they feel some conflicting feelings over it, on one side they clearly have an attraction to each other, it feels good when they are intimate and they have that pull towards each other, but they also seem to have that guilt as well, Cole for breaking his oath and Alicent because of her religious views around sex and marriage etc. I feel like that guilt is going to increase even more giving the end of the episode.

Blood and Cheese

Ok so I haven't read the books but I did get spoiled a week or two ago on some of the details around blood and cheese, I am going to put a quick book spoiler warning here because I am going to discuss the book version of Blood and Cheese so if you don't want to know that info skip to the *. What I knew going into the episode was that Aegon's son is killed by assassin's hired by Daemon in an act of revenge for Lucerys death. That was it. After watching the episode I did do a quick google search and read the wiki page covering this event because I was curious to know how it happened in the book. In the book it is so much more horrifying because Helaena has three children not two and has to choose between her two sons as to who dies. She chooses the younger one but blood and cheese instead kill the older, Jaehaerys and so not only does Helaena have to live with this horrific choice she was forced to make but her son Maelor also knows that his mother chose him to die. The whole situation is just awful. However in the show it was really underwhelming.

*Before the episode aired I made a post explaining how I was worried that blood and cheese wouldn't make that much of an impact because the writers didn't spend enough time with Aegon's son and children for us as an audience to gain a personal attachment to them and unfortunately I think that is still true. There were also alot of posts talking about how blood and cheese was going to be HOTD's version of the red wedding which I think made the scene even more underwhelming. With the red wedding we had spent three seasons with the characters involved, we were strongly attached to them and on top of that the scene was brutal and bloody and very, very shocking. This scene didn't even come close to being comparable.

Not only did we not have a personal attachment as an audience to Jaehaerys, we had only gotten a few minutes of him in this episode which were cute but not enough to make a strong attachment, but the scene just seemed very rushed and they removed a lot of the more horrific and shocking elements of the book, it was very tamed down. I kind of got what they were trying to do but they failed massively.

So lets talk about it from the beginning, Daemon's role in it. You know what, after learning about b+c, I was talking to a friend about the show and all the 'accidents' that happened last season like luke's death etc and I joked that if it was team green that had orchestrated blood and cheese then the writers would somehow make it an accident, like they would hire someone to just scare the greens but the guy would trip and accidently cut off Jaehaerys head or something, which didn't happen but they still made it a mistake which I low key find hilarious. I mean the scene is ambiguous I guess. But Daemon is actually after Aemond, which to me does make more sense in terms of getting revenge for Lucerys death as Aemond is the one that actually killed him, so I would think Daemon's retaliation would be against him directly. But then there is that moment where they ask what if they can't find Aemond and Daemon doesn't respond and they cut away so you don't know for sure what he said. They do this alot with Daemon's character, like they cut away from the heir for a day speech so we don't know if he really said it or even how he said. I think Matt may have confirmed that he did say it but it was more in a sorrowful way and to honour his lost nephew and not to celebrate his death, but I am not 100% sure on that so don't quote me. They also cut away when he killed Rhea Royce so we don't know for absolute sure that he killed her, but I mean it seems obvious that he did considering we see him pick up a rock and I think the writers and ryan have said that he did. But now they've done it again here and at first it was kind of interesting and made his character a bit of mystery, but honestly now its starting to feel a bit like lazy writing. But hey that's just may opinion.

As for what I think Daemon's response to the question was, I really don't know. There was one moment where blood, I think it was blood anyway, says you heard the prince no head no money, which made me think ok well then that was what Daemon's response was, what if we can't find Aemond, no head no money, that simple and then Blood and Cheese just decided to kill Jaehaerys because cheese got caught by Helaena and there was a male targaryen there so this will have to do, we've been seen now so we've got to wrap this up quick if we want to also get away and claim our money.

But then we also hear Blood say it has to be a son for a son, which is makes it more ambiguous because again we didn't see this part of the conversation so we don't know if Daemon also said no head no money and then added but if you don't find Aemond any male will do just make it a son for a son. Personally I don't think it really makes sense for Daemon to be happy with anyone else's head, I mean his whole attention up to this point was on killing Vhagar and Aemond, Rhaenyra specifically said she wants Aemond and it was in response to this that Daemon went out and hired blood and cheese in the first place. I personally don't think Daemon would settle for just anyone else's head so long as it was a son. Daemon just does not seem like the kind of person who settles so to me the more likely scenario is this, Daemon goes to blood and tells him to bring him Aemond's head, even goes so far as to describe what Aemond looks like and points out that he shouldn't be hard to spot. He gives him half the money and promises the other half once the deed is done, blood asks what if he can't find Aemond and Daemon's response is basically find him or else you ain't getting no more money and maybe says something like he said to rhaenys like I'm making it a son for a son, or it must be a son for a son, meaning nothing is acceptable but aemond's head and the son part is only in reference to aemond saying an eye for an eye before killing Luke. Blood and cheese enter the keep, cheese stumbles into the children's quarters and is caught by heleana, realising that they have little time now that they've been seen blood figures well Daemon said that thing about a son for a son, completely misinterpreting it and thinking so he'll be ok with it being this son's head instead of Aemond's. I mean I'll be honest blood and cheese did not seem like the brightest bulbs in the box so I could see them thinking Daemon would be happy with this alternative. But as I said the writers made it really ambiguous so who the hell knows what really happened, I mean we as the audience don't need all the details anyway right.

Ok so lets talk about the actual scene itself. As I said above I do kind of understand what they were trying to do here. they still wanted helaena to make a difficult choice and so they added this whole thing about how the twins look exactly alike and so you can't tell which is which, so this creates the situation where Helaena has to choose to tell blood and cheese which one is the boy, so basically they've changed the choice to Helaena has to choose whether to save the boy or the girl, maybe they changed this to make some commentary on how more value is put into boys than girls, I guess. It's still a heartbreaking choice for Helaena to make, she is put into this position because they've threatened to kill them all if she doesn't tell them, so its basically she chooses to tell them which one is the boy and her child dies or all of them die. She tries offering them her necklace and tells them its very valuable which makes sense in that she's aware they've been paid or will be paid and so she is hoping that the value of the necklace will spare her children. However they just take the necklace so she still has to make the choice. I do think they played Helaena's terror and horror at what was happening very subtly, she wasn't screaming or begging really, she seemed very disassociated from the situation but you could still see the terror there in her eyes.

When she runs to Alicent and tells her they killed the boy I did, at first, think it was odd that she said the boy and not like her boy or her son, like she wasn't sobbing saying they killed my boy, she looked shellshocked and said the boy. Then I realised why she said this. When she makes the choice and she points at Jaehaerys, blood says she is lying that she wouldn't give up the heir that easily. Which I think is actually true, I think her actual choice was the girl but she knew that blood and cheese wouldn't believe her, that they would assume she was lying, so she choose to sacrifice the girl but believed that if she pointed to the girl that blood and cheese would think she was lying and kill the other one, the boy. So instead she pointed to the boy thinking blood and cheese would then kill the girl. Hoping that I'm making sense here. But cheese then realises that this is what Helaena is trying to do and they kill the boy. So when Helaena says 'they killed the boy' she actually means it as I chose the girl but they killed the boy. Almost like they killed the wrong one, not that I am saying Helaena wanted her daughter to die obviously she didn't want any of her children to die but I think she was just in shock because she was confronted with this choice save the girl or save the boy, she chose to save the boy but he was killed anyway and so now she's just on the floor rocking the child that lived and trying to process through this trauma and process what just happened, so its more like she's telling herself, they killed the boy and she can't really believe that it really happened, I think the term the boy really is because of that choice she was presented with, the horror of having to choose between her children was so traumatic that its just there in her mind, if I am making sense.

Another possibility is that it seems like Helaena may have seen a vision of this happening, she says to Aegon that she is afraid of the rats and I think this is clearly in relation to blood and cheese, seeing as cheese is a rat catcher and they come in posed as rat catchers. So its possible that she had a vision but it only showed her up to the point of her making the choice. She saw herself in the vision choosing to save her son and sacrifice her daughter so her fear was that her daughter was going to die at the hands of 'the rats'. But then when her vision comes to pass it is actually her son that is killed and so as she is trying to process everything she is thinking about how she had expected and maybe even partly prepared herself for her daughter to die but then they kill the boy and this just completely breaks her mind.

All of this being said, when it comes to the scene as a whole, as I said, it was underwhelming and it felt rushed, the sounds of Jaehaerys being killed as helaena ran from the room clutching her other child was the only moment that particularly had an effect on me when I was watching it. Like that was disturbing to me and I felt that horror starting to creep in but that was then totally thrown away when Helaena runs into Alicent's room and Alicent is literally riding Cole, so Helaena who is already traumatised and is clutching a young child, then panics again and tries to turn away but like where the hell is she supposed to go, her son is literally being murdered as they speak, she's under threat and trying to get her child to safety and then she walks in on that, knows its supposed to be a secret and not something she was supposed to see but can't possible process that right now because of all the other trauma she is currently experiencing and so she just collapses on the ground and rocks her child while Alicent and Cole look on awkwardly. It was a very weird way to end the episode if I am being honest.

I just feel like if I sit and think it over, yes I can see what they were trying to do, I can see how horrifying the choice Helaena had to make between her children was, I can see that a young child being held down in a bed whilst their throat is cut, and possibly their head cut off is truly disturbing, the sounds were horrifying, I can see how Helaena happening upon Alicent and Cole could lead to them both fearing Helaena speaking on it later and revealing their secret and how the guilt will plague them because they were being intimate at the same time that such a terrible act was happening. But it just did not work on screen for me, the concept was there the execution wasn't and in the moment I really didn't feel much. Like I said the only moment when I felt a stirring of horror was when Helaena was fleeing with her child. It was just too rushed and too poorly written I think.

Anyway those are my thoughts on the episode so far. It really was a mixed bag because there were some moments, particularly when dealing with the aftermath of Lucerys death that were really great and really moved me, but then there were others where they fell short. Despite that I am curious to see what will happen next episode and what the repercussions will be, Maybe seeing everyone's reactions to Jaehaerys' death will make it have more of an impact and maybe Daemon's reaction will give as more clarity on whether he did give the go ahead for it to be any male heir or not. We'll have to see.

[jetwhenitsmidnight]

Private Rites by Julia Armfield

Release date: 3 December 2024

Genre: adult literary/speculative/horror fiction

From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world

It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.

More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.

Content warnings: death, parental death, grief, child abuse, emotional/verbal, abandonment, violence, blood, suicide, lesbophobia, divorce, alcoholism, eating disorder, vomit, self harm, stalking, gaslighting

Disclaimer: I know nothing about King Lear, other than the fact that the guy has three daughters, so my review will be written without taking into consideration the source material.

Thank you to NetGalley for an ARC!

Not gonna lie, I sort of struggled with this one. This is a relatively short read, a little under 300 pages, but it took me nearly a week to complete this book. ( I typically finish 300 pages in 2 or 3 days.) I think the main reason for this is that the pacing is slow. Like, really slow. There's not a lot of plot going on, and for the most part, we follow our three main characters going about their day to day lives.

A large focus is on the relationship between the sisters and their parents (or lack thereof). I really resonated with the portrayal of their sibling relationship; there were moments that felt like the author had written down the exact thoughts and feelings I've had about my own siblings. (Although me and my siblings definitely get along better.) The trio's relationship with their parents is less focused upon, but impossible to ignore, especially with the tension caused by their father's death.

The speculative setting feels ever more timely; the city they live in is being gradually submerged by rising waters, which has become so normal that the constant rain and ferry rides is just another aspect of their lives. I loved the sections in between the main story entitled The City; it shows what is going on outside of the main characters and gives the story a different perspective.

This book really captures how boring it is living through the end times. (I hate that this is relatable.) There is a underlying tension caused by the ever-present rain and gradually increasing flooding, but the characters still have to go to work and do chores.

The story isn't entirely miserable; Agnes finds love amidst all the mundanity, and it is ordinary and extraordinary at the same time. In Everything Everywhere All At Once, Ke Huy Quan's character says "In another life, I would have loved doing laundry and taxes with you." I think this sentiment captures Agnes's relationship with Stephanie completely.

I sort of forgot that this is supposed to be a horror novel; aside from a few weird moments plus the overall creepy vibe, this book read more as lit fic than horror. Towards the end, however, the horror elements kick into full gear. There is a huge tonal shift that I am not sure I like? It felt out of place with the rest of the narrative. Maybe I am missing something, but I don't see how the ending fits in with the overall/rest of the book.

Other than the ending, this book as a whole is gorgeous and lyrical and relatable, and will definitely be staying with me for some time.

[amandaanddonnie]

Sister Wives KODY BROWN Valentines CAMEO for a Devoted Fan of his (Full ...

[zx-ta]

Okay, these are the sims from Appaloosa Plains (TS3 Pets) that I added to Brindleton Bay. Gussie and his pets, that you already know.

/1 Gussie has some troubles paying his weekly 14.000§ bill. As I have some mod conflicts, I can't hire new vets to help him satisfy his customers and get a 5✰ review. And as he's reaaaally bad at getting a wife, I thought: Gussie owns two lots, his pet clinic/where he actually lives and another lot that is technically his main residence but that I chose to ignore. What if I gave him a nerdy roomate/assistant that I only control when he's at the pet clinic and that I send back to the actual residential lot when his shift is over? Sounds nice, right!

Gurpal Einstein was a random townie in TS3 (so, no biography), he's now Gussie's assistant. I will play as if they weren't roomates though as they will sleep on separate lots.

2/ Gussie has the biggest crush on Penny Pizzaz but their story is a rollercoaster and I don't want her to leave San Myshuno, here are 5 new potential wives:

Oriole and Alouette Bird, sisters and their cat Minette:

"The Bird sisters always seem to be above the daily squabbles of the other townsfolk. Slightly aloof and ever mysterious, their charm and porcelain doll appearance earns them many eager suitors. Oriole's fascination with other's knick-knacks has landed her in trouble on numerous occasions, but Alouette's work at the local paper generally keeps the family's name clean. Can this odd couple continue their troublesome ways or will their luck eventually run out?"

Ladies 3, 4 and 5 were townies, so no biography, but they have potential too: Li Lo, Sage Oxendine (AKA naked yoga instructor) and Josy Clover.

TLDR: Sims from Appaloosa Plains (TS3) that live in Brindleton Bay.

And full shot of Gurpal because is a short king who might steal the show ♥

[stareaterreads]

Private Rites

Book: Private Rites by Julia Armfield

⭐⭐⭐⭐⭐

You can almost feel the ever-constant rain pit-pattering on your brain as you read.

At my age, as young as my early twenties, I’ve spent much of my life being told the world is heading toward certain doom. Even in a state as red as the summer setting sun, so deep in denial of our weather’s fluctuations despite having more hurricanes with extreme behaviors, freezes deep enough to destroy our pipes never designed for this kind of winter, and hitting heat records earlier and later in the year than ever before.

The climate is a topic many people are very passionate about, yet it’s one I’ve heard become quieter amidst louder conversations. Many readers within my circles know I’m pretty loud about LGBTQIA+ rights, and it’s the subject I speak the most on (particularly because it’s the one I’m most knowledgeable on). Of course, color me fascinated the moment I was offered an ALC (Advanced Listener’s Copy) of Private Rites. I have had her book Our Wives Under the Sea on my radar for a while, and still fully intend to read it. When I read the blurb, I dove headfirst in.

As a first impression, Hannah van der Westhuysen’s voice felt like a wind blowing through your hair before lifting you off your feet and straight for the ground to start off the audiobook. I mean that in the best possible way, because I was immediately intrigued in the dreary and somber mood their tone sets. Their narrating through the whole book is done well with subtle changes in the perspective shifts between the three sisters to help differentiate each character. The cadence and huskiness in which they read creates a fantastic atmosphere for the book to be set within.

The story itself is a reimagining of King Lear, where the three sisters - Isla, Irene, and Agnes - are left with the loss of their callous and cold father among a world slowly drowning in a gentle, endless rain. While the three are navigating this not-so-sudden death and their estranged relationship with one another, they also struggle with the frayed ends of their lives, whether it be a love breaking away, a love that refuses to be let go, and a love just begun. The tension only makes them grow further apart as the will of their well-known architect of a father reveals favor to one sister over the other two.

Each of the characters, including the sisters and their partners, are written with a depth that makes them feel real. The issues they struggle with, their anxieties and worries, their anger and stress, all gives them dimension that I could imagine them as people I could have met in passing, with lives beyond the eyes of a stranger.

You can almost feel the pitter-patter of the never stopping rain on your brain from the moment you begin this book and weeks after you’ve finished it.

Julia Armfield has made a masterpiece of climate fiction. Van der Westhuysen delivers a breathtaking performance in this audiobook and will definitely be on my radar in the future. (Add. note: Fun fact! They acted in the Fate: The Winx Saga on Netflix! I haven’t watched it, but I thought that was a cool fact. I will always remember them first for this audiobook though, appreciatively). I would highly recommend this to anyone else with an eye out for either a speculative climate fiction book or a modern retelling of King Lear dripping with raindrops.

For those who, like 5% of the population and myself, who struggle with Seasonal Depression (or any other form of mood disorder), please get yourself some water and a more cheerful book to recover from this review. It may be difficult in this period to self-care, but please remember that if anything is worth doing, it is worth being done half-way. Treat yourself like you would a dear friend.

In any case, I want to thank Libro.fm and Macmillan Audio for gifting me this ALC through Libro’s bookseller program and my job as a bookseller. I also want to thank both Julia Armfield and Hannah van der Westhuysen for bringing this amazing queer climate fiction to life for the world to admire and appreciate. Last but not least, I thank you, dear reader, for reading and patiently supporting my blog, and I remind you that in this vast and sometimes lonely universe, you matter so much to me. Take care of yourself and don’t forget your meds and hydration! Until next time, I’ll be reading!

If you’re interested in this book, buy it from one of these links here! Bookshop.org - Barnes & Noble - Libro.fm [audiobook] or from your local bookstore! If you'd like to support my personal favorite bookstore, buy it from Katy Budget Books!

To bring up the downcast mood this review presents, I have this afternote for my fellow catastrophisers that need a pick-me-up to wrap the book review burrito better.

Even in what can feel like the dreary outlook of this world, there have been many monumental efforts made to bettering it and signs those efforts are working; in the past year or so alone, we have seen loggerhead turtles making a comeback in population based on an increase in their nesting population, renewable energy is projected to be on a big rise in several states and countries across the globe, and deforestation in Colombia and in the Amazon Rainforest have reached their lowest level in a substantial period. There is good news out there, it just takes a bit of effort to find compared to the doomsday posting social media algorithms tend to push. I personally like to look at OneTreePlanted's positive environmental stories posts when I'm looking for some good news about the world (which is where I found most of the above news as it made me smile) - plus, looking it up on your preferred search engine should produce some results, too.

[themovieblogonline]

In the short film “Sister Wives” Director/Star Louisa Connolly-Burnham plays Kaidence, the wife of a polygamous husband (Mormon) who must welcome a new wife, 19-year-old Galilee, into her home. Mia McKenna-Bruce plays Galilee. This is actually streaming on Channel 14, which, I assume, is British, as it qualifies for Best British film and Best Actress at the Iris Prize competition. It is eligible for the Oscars and the BAFTA, which makes it the fifth of the five female-directed films I have most recently reviewed to qualify for the 2025 Academy Awards. There is a plan to develop this story of love emerging between the two sister wives into a full length feature film in summer, 2025, with the Director/Star reprising her role.  Connolly-Burnham is responsible for the HollyShort film “How to Have Sex”. She is currently working on the Netflix adaptation of an Agatha Christie work, “The 7 Dial Mystery” with Helena Bonham Carter and Martin Freeman.   The series was inspired by  Broadchurch Creator Chris Chibnall. PLOT We learn that Kaidence was married to their mutual husband Jeremiah (Michael Fox) at age 14. Galilee is only 19, but she has a more adventurous spirit and actually has a cell phone (verboten in the community). Jeremiah is called away to Nevada for four weeks because Brother Amos is sick. While he is away, the sister wives play. Kaidence goes skinny dipping and learns that there is a whole world outside of her marriage, waiting for her. The film was dark, making some things difficult to precisely determine. Director of photography was Angela Zoe Nei and the film could have benefited from more light in some of the scenes. We certainly can understand why the girls decide to bolt and strike out for freedom. Galilee, who had said, “I’ll be very happy here” instead makes both downtrodden women happy when she suggests escape. I did find it difficult to understand the ending scene with Galilee, Kaidence and a car. Whose car is it? How did they get it? Is someone assisting them in their desire to flee? Many questions. CONCLUSION I grew up in Amish country in Iowa. This one was not hard to believe or imagine. This was the fifth short directed by a woman. It didn’t involve filming entirely in a car, but there is a scene at the end where the two escaping wives take off in a vehicle. I wish them good fortune! Read the full article

[pretentious-art-love]

Game Reviews #1 - Morrowind

I have the theory that is is likely the best game Bethesda ever did and everything that came afterwards its just a repeat of what they achieved here. The side content ranges from fetch quests to some okay and interesting stuff, but what tops it all is the main quest, there is a sense of discovery not only exploring wise, but in a narrative sense as well.

The story is also tied to the sense of progression and leveling up, you start as a prisoner who is sent to work as a spy by the emperor, and there is a mystery you have to unveil, since you are a spy, you have to make a cover identity on your own, and the game tells you to do side content on your own and level up to get better at what you do, and better yet, it is all part of your mission, your cover identity, there is no weird sense of immersion breaking urgency like in Cyberpunk where you are dying and it just feels off when you want to explore, or like in Breath of the Wild where they say Ganon is about to break free and you are collecting dragonflies for a girl and her sister, Morrowind gives you the perfect mood to explore and do your own story and it only gives you the information you need at the final of the quest when things are about to go wild.

Morrowind also features a more natural and realistic depiction of the chosen one narrative, since this time you have to convince people and go through several tests instead of being told you are the one and being believed as such by others as a matter of fact, you have to win it, you have to convince them with actions, mere words don't do, people are very apathetic about the prophecy because naturally they don't believe it and just want to see results from you, people in Morrowind are all about to see to believe, and weirdly enough, even when it reduces the power fantasy factor, it makes the story feel a lot more real.

The lore is amazing and everything you hear about the Disappearance of the Dwarves is just neat, it is the kind of cryptic shit that scrambles my brain, the mystery about the real truth of the death of Nerevar, that weird wizard dude that clones his wives, the cult and the use of the Kagrenac tools by the tribunal and Dagoth Ur, it's just so good, it's all so good.

Also, no quest markers whatsoever. I first felt it was frustrating not knowing where to go, but Morrowind taught me about how rewarding the sense of exploration can be, and the sense of freedom that comes with it, no compass telling you where to go, its all about your own story, you get clues and get to discover things, beautiful things, scary things, unbelievable things.

The gameplay is fantastic too, there are just so many things you can use to achieve your goal, sure, the RNG combat is weird at first, the stamina use when walking is weird too, but the more you level up the more satisfying it becomes to hit more frequently, you can either specialize in long blades, or you can use stealth, the magic system is vast and full of possibilities. I was sad first when I used all my Icarian flight scrolls and I couldn't find any on the game, but then I learned you can do a spell to increase your jump and reduce your weight and boom, I was able to make a bootleg icarian flight spell myself, jumping from mountain to mountain. It is all about those little tricks and things you can do, the abilities, the possibilities that just add to the repeatability, the ability to levitate between cities, using the voice of the emperor to charm others, it is just all so good, so good.

Some of the lore was taken along with for the next games, but, I feel this is the only game for me worth exploring. I do like the nordic inspired landscapes, but I haven't felt the drive to explore them when its approach feels so soulless, and while Oblivion and Skyrim are the definition of what I would call generic fantasy, Morrowind's world is creepy and alien, it is scary and wonderful. The steampunk inspired Dwarf ruins, the construction in Sadrith Mora and the closer islands, the open maze that can be Vivec city, the houses made of stone and the manor district of Aldrun, the skeleton warrior filled castle of Firemoth, the altars in the Sixth House bases, the master index forts, that bonelord between the lava I found in a cave raiding one of my trials, it is all so good, so good!

While Daggerfall aimed at a sense of freedom and size with the procedurally generated world, Morrowind uses the manual approach and gives you locations that are all lovely handcrafted one by one without cramming up so many things in a small space, still giving you a big land to wander around and sight-see, Morrowind is the joy of being lost and discovering a place for the first time, to discover something beautiful or incredible after hours of walking, to find a lost fella and help them along the way for then discover the witch that cursed him was actually in the right, Morrowind is about dying, about fight your way in, Morrowind is about having an adventure, and it is one of my favorite games right now.

Plus Dagoth Ur is a pretty hot monster husbando. His aura is unmatchable.

10/10

[nerdygaymormon]

A Seventy told there’s a gay man

Stake conference is in August and a Seventy will be attending. Because of my calling, I get to meet men who are serving as a Seventy or an apostle when they come to my stake because I attend meetings with the stake presidency. 

I haven’t always had to mention to the Seventy that I’m gay, but that’s been the exception, usually I wind up doing so, either because they ask me about my wife & kids, or they say something about LGBTQ+ people and I want to share my perspective on what they said. 

As part of planning for stake conference, my stake president & the Seventy had a conversation, during which he told the Seventy that his stake executive secretary is gay, so please don’t tell him he needs to get married or try to set him up with your sister-in-law.

The Seventy replied that he hopes he would never do that, even if he didn’t know the person was gay because Elder Ballard has made it clear that we want to include all sorts of people.

The stake president replied, “I don’t think everyone got the same message, and that’s led to some uncomfortable situations for my secretary.” 

I really appreciate that he did this, it will make for a more comfortable weekend for me. I can more authentically share without worrying how this visitor will react if I mention that I’m gay. Also, knowing that I’m there, he may think twice about how he phrases something if he does say anything about LGBTQ+ people. 

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The Stake President and Seventy decided to shift things up a bit and are going to include a session of stake conference just for Young Single Adults (YSA). They’ll get to submit questions ahead of time and these will get reviewed by a panel. The panelist get to choose which questions they want to reply to. 

The panel will be made up of the Seventy, the stake presidency and their wives, a married couple assigned to work with the YSA in our stake...and me. I wonder if I’m included because they anticipate there’ll be questions regarding queer people and church. 

The Stake President & his wife could respond to questions on queer topics, after all, they have a gay son. I appreciate that they don’t want to talk about queer people but would prefer to talk with a queer person, to let a queer voice respond to questions on LGBTQ+ topics.

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PS, standard instructions are we’re not to share the visiting Seventy’s name until just a few weeks before stake conference. At that time I’ll edit this post to add his name.