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emerson-grimes-apologist · 8 months ago

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Is it me or do I think (or theorize) that almost all the women in candle cove are all a reminder or ATLEAST symbolize Janice's girlhood, or just anything relating struggles about being a woman. Mostly because of their roles and personality and such, especially in a male-dominated world and practices such as piracy.

You got Janice, who is pretty much a typical girl, who is the embodiment of innocence, curiosity and guilt (for something she did not mean to do as in her mom died giving birth to her) and who is traumatized from her sister, Melrose. Melrose is GREIVING because of a female parental figure being lost in her life. She could be an embodiment of impulse since her only hobby is bullying Janice without thinking "would this hurt her feelings?". She is confident in doing this to her thinking it would make everything better, but it didn't, it only made everything worse for her and Janice.

Now Mary, is an embodiment of rage, and hate itself. She is an intrusive thought of feminine urge. Only burning people because she feels like it, and using techniques to get her way (such as putting on an act as a nice person, saving lillian so she would be more believable) and then throwing it all out so she can betray the crew. It's more like a "I'm just a girl" thing

Sariah is an embodiment of innocence being lost, and the stereotypical things people say about women, (she's naive, innocent, wears pink, falls head over heels to men like milo). When Milo killed her she lost all that stuff and grieved over someone who loved her and killed her only for him to get killed by the Skin-taker.

Lillian represents motherhood, due to how she comforts thade after thade was hesitant joining her crew because his previous crew was harsh. She has a mother-like personality and protected Auburn from Mary, which is typical mother things.

Auburn is the embodiment of free will and justice. Who sees the world being unfair, and is a caring soul. She is trying to receive justice, like many wronged women try to receive it.

Sunny, I cannot think what she embodies but it's mostly how she is the OPPOSITE of what men perceived women at the time. She's vicious, she's tomboyish and the only member in a crew which has mostly men in it. She has been seen equal by the crew because she orders the crew around when Horace is asleep or drunk, but that is because they never knew she's a woman because Horace refers to her as "he". If she did say she was a women, the crew would throw her off or even kill her, since back then people thought women were bad luck on ships.

Susan siren is an embodiment of how men want women to be and look. She's beautiful, long haired She's barely wearing clothes, she's flirtatious. She is chained to a rock and that only shows women cannot escape from men's standards, even if they are the exact opposite without getting sexualized.

Laughingstock is the embodiment of leadership, and always has the final say in things. She keeps trying to tell Percy to go inside caves and stuff. Even if Percy refuses.

Mrs skin-taker is also an embodiment of how men see married wives as. (Nagging housewives) The reason for this is because she wanted to divorce Skin-Taker all because "he's changed". She also had a stereotypical things associated with housewives (thick lips, and a necklace)

So yea I hope this makes sense and English isn't my first language 😭😭 I just like theorizing little things and maybe I'm obsessed with symbolism

AGH, I was so excited when I came home to this ask!! I made some tea and sat down and read this like I’d read a chapter of a favorite book.

It’s really great to see other people into symbolism and media analysis. It’s not something I see often in fandom spaces even though analyzing media deeply like this is really fun, and I can’t be the only one who thinks so. (Well, the only one besides you, Anon.)

This ask has really stirred my brain, so I may have… written a whole essay in response. Heh. (Sorry for taking a while to respond by the way, I wanted to make sure what I wrote made sense.)

I feel like as Janice is growing up and “growing into a young woman” as people say, she would be observing the women around her and learning about the different ways to be a woman. Janice is 9, and it’s around that age when kids really start to form their identities, so it would make sense.

Also, I think being thrown into Candle Cove and the world of pirates, where there’s mostly men, would make her feel like being a girl makes her different, and as the adage goes, identity is formed by finding ways you’re different from other people. So I think coming to Candle Cove and being surrounded by men would solidify her identity as a girl, and lead her to observe and imitate the women around her even more.

Also, a lot of people theorize that Candle Cove is all in Janice’s imagination and by extension, all the characters from Candle Cove represent some aspect of her psyche, which would make this make even more sense. Like, each of the women in Candle Cove could represent a woman (or type of woman) Janice looks up to for guidance.

JANICE

Janice does embody guilt, and I think specifically how women are made to bear the guilt for things that aren’t their fault. Janice is blamed for her mother’s death, but what was she supposed to do? Not get born? And she was a literal NEWBORN BABY—the most innocent a person can be—and is still blamed for something as serious as killing someone. Not to mention that she’s a victim in this situation, too, having never known her mother. But the people around her don’t seem to care.

MELROSE

This might be a reach, but I think she may also represent women who side with men against other women. I’m applying my headcanons to make this work, but what if Melrose learned to bully Janice by watching how her father acts around her? We already know Mr. Stewart is… well, not a very good parent, based on how he doesn’t seem to do anything about Melrose harassing Janice. So it wouldn’t be a reach to say he’s also not a very good parent in other ways. Maybe he’s cold and dismissive towards Janice, bitter because she’s the reason (in his perspective) that his wife died and he’s left to take care of two daughters by himself. And Melrose, as children do, could have learned her behavior from him, bullying Janice because she thinks that's what her father wants her to do. And it’s worse because Melrose is somebody Janice is supposed to have solidarity with, as her sister, and yet she treats her so poorly. It reminds me of how in real life, women put each other down for male validation instead of having solidarity with one another.

RED MARY

She does definitely embody female rage, but I feel like she could also embody women who perform traditional feminine roles to get ahead in life. Like, women are often pressured into being docile and accommodating or else be shamed and called bitches (whereas men doing the same things wouldn’t be shamed and instead even be praised for taking initiative). So women are forced to fit themselves into this docile female role if they want people to like them and to get what they want.

Red isn’t traditionally feminine. She isn’t kind. She isn’t docile. She isn’t nurturing. In fact, she’s the opposite of nurturing—she kills people and draws out their suffering. But she pretended to be all these things when she was with the Tarantula Crew because they wouldn’t take to her otherwise. Like you said, she saved the crew in the past to earn their trust, which obviously isn’t something she would do out of the kindness of her heart. It isn’t made known why she wanted to be with the crew, but whatever the reason was, she didn’t need to be with them anymore at the end of Come and Rip, and so then she was able to be her true self and let go of the act.

SARIAH

I agree with what you said about Sariah representing innocence being lost. She’s naive and probably has an unrealistic, romanticized view on dating men. She was in love with Milo, but in the end, Milo only used her to get something else (Skin-Taker’s trust). It reminds me of how in real life, men often start relationships with women (and take advantage of their naivete) mostly because they want to use them for something else, like sex or free housework.

I also think maybe she represents women who are “props.” Women who have no significance (at least seemingly) other than their relationships with men. A good percentage of female characters in 1970s media fell into this role, so this would be another female role Janice would know of.

Sariah is not portrayed as having any depth. All we know about her is that she’s pretty and has 2 personality traits. She can and probably does have more to her personality, but the audience doesn’t need to know any more because the only thing that’s important about her is her relationship with Milo. He’s the one who matters—she’s just there to support and define him.

And this is something that I realized recently, but the wiki doesn’t actually say Sariah is Milo’s girlfriend. She’s only ever called his “love interest” or “the girl he likes,” which is more vague. She could very well have no relationship with Milo at all. And that’s so much WORSE to me because she could have zero interest in Milo, and yet her whole identity and her whole life (all the way to her death) is defined by him just because she was unfortunate enough to be the object of his attraction. She was doomed by the narrative to be a background character in his story no matter what she did.

LILLIAN

I don’t really have anything to add here. Lillian is obviously motherly. Like you explained, she’s comforting and protective. She’s also sensitive to others’ emotions, which is also a trait mothers are expected to have. Also, I didn’t notice this until now, but Lillian is the only character in Candle Cove who is a mother (unless you count Janice’s mother). So it checks out all around.

AUBURN

I don’t really have anything to add here either, BUT I’m gonna take this opportunity to talk about something that I find interesting:

Auburn is a little girl, and Boar is a grown and capable adult. And yet it’s Auburn who swears to kill Red Mary and avenge Lillian. Boar just tells Auburn that it’s impossible to kill her and leaves right after. Also, bear in mind that Boar and Lillian are described as “very close friends,” so it’s not like he has no reason to feel just as upset and vindictive as Auburn does. Anyway, I think this scene goes to show how intense Auburn is. She, a young and incapable girl, swears on her mother’s grave to do something impossible (kill an Abyssian), even when the adult, the more capable one, just shrugs his shoulders. Like, if Boar sees no point in trying to avenge Lillian, then it really shows Auburn’s vindictiveness that she’s dead set on it, even though she’s weaker compared to him.

SUNNY

I think Sunny represents women who present less femininely in order to be taken seriously. There are women like Red Mary who get their way by following the feminine role of being docile and obedient to curry favor from people, and then there are women who do the opposite: acting masculinely so that people will think they’re owed the same level of respect as men.

This is taken to the extreme with Sunny, who I think deliberately disguises herself as a man. The wiki makes it sound as though the Rubber Fishes simply don’t notice that she’s a woman, but I’m doubtful of that. Not only is she tomboyish—she doesn’t have any overtly feminine traits. She’s bald. She wears androgynous clothes. And yes, she could just be gender-nonconforming, BUT the wiki mentions that she has a feminine-sounding voice, but rarely talks. This leads me to think she keeps quiet deliberately in order to hide her voice, and hide her being a woman. And also, if this is deliberate, that the other ways she presents as masculine are also deliberate. My other support is that female pirates in history, like Anne Bonny and Mary Read, had to disguise themselves as men in order to be accepted by their pirate crews, so her crew thinking she’s a man could have been inspired by that.

While there aren’t many modern-day situations of women literally needing to pretend to be men to get ahead, less feminine women are seen as more deserving of respect than feminine women. For example, when women want to be taken seriously, common advice that’s given to them is along the lines of “Don’t wear so much makeup” or “Carry a briefcase instead of a purse.” There’s also the phenomenon of women saying they’re “not like other girls” as a way to BRAG, because according to them, not being interested in makeup or clothes or other feminine things make them better and more deserving of respect.

All that aside, I personally like to think that Sunny is just GNC by choice and that the Rubber Fishes would accept her all the same if they knew she was a woman, but I still think this interpretation is interesting.

SUSAN

The way you said that women are sexualized no matter what interests me because sirens as mythological creatures got sexualized. Listen: in Ancient Greek literature, they were these frightening bird-women who tempted people by offering to reveal secret knowledge to them, drawing them in by singing and playing instruments. Then in the Middle Ages, their unique traits were removed—no frightening looks, no arcane knowledge, no playing instruments, even—so that they could become these unoriginal, conventionally attractive mermaid/succubus-esque creatures that seduced sailors to kill them. Unsurprisingly, this is the interpretation that stuck. (Does anyone know of that image of some Overwatch character or whatever before and after she was “un-Tumblrized”? It’s exactly like that to me.)

Yeah, so as Janice is growing up, she’s probably being exposed to magazines and TV shows and what-have-you where most of the women are half-naked and doe-eyed and not serving any purpose in their media other than to look pretty, especially bearing in mind that Candle Cove takes place in the ‘70s, where women’s representation in media was even worse. So Susan represents that role for women—the sex object. Which is also, like you said, the way society wants women to be.

Susan isn’t reduced to being a sex object, though. She has an active role in the story, luring a ship to save the Laughingstocks. And heck, she’s actually very powerful, having almost sunk a whole fleet of ships in the past. It’s interesting, though, that her source of power (her singing), like everything else about her, is beautiful. It reminds me that no matter what they do, even if they have agency, society expects women to be beautiful and able to be sexualized as they’re doing it. Able to be turned into the mere sex objects that society wants them to be.

Also, the way that you said that her being chained represents how she’s trapped by men’s standards got me thinking…. Her clothes are basically lingerie, but what’s interesting to me is that they’re made of chains. This leads me to think that they’re not her own clothes, but clothes she’s forced to wear as a prisoner. Stripping people was (and still is) a common form of punishment, so it would make sense. And I sense some symbolism here too, with her clothes being made out of chains. Like, women are chained by society’s standard to be sexy. Pressured to wear revealing clothes or else be shamed and called a prude. Basically, she’s trapped, literally because she’s chained to the rock, and figuratively because society pressures her to be a sex object.

And one last point while I’m here: Even when she’s imprisoned, she continues to have perfect hair and doe eyes and revealing clothes. It reminds me of how, even in suffering and oppression, women are still expected by society to be pretty. (Does anyone know of that old trend on TikTok where women did makeup to make themselves look like they’ve been crying? Not as special effects makeup, but regular makeup to wear to look pretty? And think about how, even though crying realistically involves being puffy and having snot all over your face, this trend implies that women crying is seen as (and expected to be) beautiful by society? That’s one example.)

THE LAUGHINGSTOCK

@mewpirate posted a screenshot from the wiki that said something like, “the creators explained that Ms. Laughingstock isn’t supposed to represent a mother, but a boss,” so I think what you’re saying is actually canon. The wiki does say, now, that she considers herself to be Janice’s “substitute parent,” but still, I see her as a mother in a “head of the household” sense, not so much a “nurturer” sense. She orders people around (mostly Percy), like you said, and also briefs the audience at the beginning of each episode explaining what the characters do in that episode.

MRS. SKIN-TAKER

Mrs. Skin-Taker definitely seems like a housewife viewed from the perspective of her husband. She doesn’t do anything but nag, as if she’s an exaggeration created in her husband’s mind. Like, men get so pissy about their wives complaining now and again (instead of sitting quietly as women are supposed to /s) that they come to only see them as nags. She also kind of reminds me of how wives are portrayed in '70s sitcoms (written by men), so this could be where Janice learned this role from.

And also, she doesn’t have anything to her character other than being Skin-Taker’s wife. She’s basically a gender-swapped version of him. She doesn’t even have her own name—she’s just “Mrs. Skin-Taker.” She’s like his appendage, not an individual person. Although this may be justified, seeing that she was just a throwaway character for one episode and so wouldn’t be very fleshed-out.

You know, I often like to imagine that there isn’t any historically accurate misogyny in Candle Cove, and I didn’t think there was any historically accurate misogyny in Candle Cove based on what the wiki said, but… after reading your ask and then writing about it, I think maybe the creators of the wiki created it with the misogyny of the times in mind? Because a lot of these women seem like they were written a certain way because they’re a woman in the Golden Age of Piracy (like with Sunny needing to disguise herself as a man) or that they were written a certain way because they’re a female character in 1970s television (like with Sariah and Mrs. Skin-Taker being flat and only there to support the male characters).

On one hand, I like to think of Candle Cove as an escapist utopia where misogyny doesn’t exist, but on the other hand, I do like feminist themes in media and to use media to explore the struggles of being a woman. So I have mixed feelings about this, but all in all, it’s really interesting to think about. Media analysis is fun!!

Also, I feel like I should say thank you for reading this whole thing. Here, have some food to regain your energy with: 🍊🍎🥐🧀🥓🍳🍪☕🍫

#women of candle cove my beloved #i love you women of candle cove #candle cove #janice #melrose #red mary #sariah #lillian #auburn #sunny #susan siren #the laughingstock #mrs. skin-taker #asks #analysis #the fact that this is 9 pages long in times new roman size 12 font double spaced...#(to clarify i DID NOT write this in times new roman size 12 font double spaced like a masochist.#i was just curious to see how long this would have been if this was a literal essay so i ctrl+a’d it)

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