#since this isn't all that I made for it

[sadincae]

Mmmm slowly but surely working on refining a project of mine ✨

[teaboot]

tranny freak :)

[girlboyburger]

tears of the cowdom 💧

[bet-on-me-13]

Unknown, the Wandering Hero

So! We all know the typical Vivisection AU, right? Danny is revealed to his parents and they take it in all the wrong ways. They capture him, Vivisect him, and eventually he manages to escape with the help of his friends.

But what about his Rouges?

Sure, we all like to think of some of the more friendly ones like Ember, or Sydney, or Johnny 13 and Kitty, but he has WAY more Evil Rouges than good ones.

Without Danny there to reign them in, the Rouges spread out across the world to fulfill their obsessions, unhampered by the Heroes and Villains of the world that have no means to fight them.

And Danny? He feels responsible. He was the one to open the Gate, he was the Sacrifice, the one to let them through. And when the going got tough he just up and left? No, that won't do.

His Obsession is Protection for a reason, and nothing has changed. All he needs to do is expand his area of focus a little.

Danny, after healing up, starts wandering the world in search of the Ghosts who have escaped into the Mortal Realm. He battles all of his old foes, as well as many new ones who he hadn't met before.

His travels take him far and wide.

He defeats Skulker in Metropolis, as he is trying to hunt down the Super Family for their pelts. They are the last of their race after all, so he is inclined to try and hunt them. Honestly dealing with Skulker was easy, dealing with the Rich Asshole who was funding him was a nightmare.

He chases down Spectra in Gotham as she tries to feed on the misery of an entire City. (Thanks to @impyssadobsessions for the idea, this Prompt specifically). She is actually a very tough fight, especially powered by both the Misery of an Entire City as well as his Own Misery, but he manages.

He defeats Technus is Central City, as he tries to Raid Star Labs for their advanced Tech. It actually took a while to beat him after he amped himself with all that Power, and he did need help from the Local Hero to deal with him. He's just thankful Technus is one of the more "Harmless" ones.

After every Victory, he sends them back to the Realms using the Banishing Spell that Sam taught him a while back (the only bit of magic he ever really managed to master).

He knows they'll eventually find their way back out, but it's all he can do anymore. It's his eternal Punishment for unleashing them out into the World in the first place. He was the Catalyst for this Situation, now he was tasked with Fixing it, no matter how long it took.

...

The Justice League is caught in a tricky situation a the moment.

In the past few months, they have been encountering more and more of these Extra Dimensional Beings known as Realms Ghosts across the World.

Justice League Dark has had some success in battling them, but even they are getting tired of having to deal with every single incident alone.

They did get approached by a Government Agency known as the Ghostly Investigation Ward that seemed to want to help, but it didn't take long to realize that their main Aim was to Genocide the entire Race. The JLA had quickly cut ties after realizing that, and took what little Tech and Information they had been able to gather.

Still, it wasn't easy to deal with these Entities.

Thankfully, they have had some outside help. An Unknown Being has been routinely showing up whenever a Realms Ghost appears and defeating them, before using a (as described by Constantine) "Rudimentary Banishing Spell held together by willpower and luck" to send them back to their home Dimension. There's honestly no way it should be functional, but he did make it work either way.

They don't know much about this Unknown, aside from the fact that he seems to be the only one able to consistently damage the Realms Ghosts. His Powerset leads them to belive he may be from the same Dimension, or at least drawing his power from the same Source, but as he actively avoids the League and takes every opportunity to not talk to them, they know they aren't getting any answers any time soon.

Over the past few months, they had affectionately started referring to him as Unknown, creative they know, because they could never get his Real Name. Sure, some of the Realms Ghosts seemed to recognize him, but they always called him stuff like "Whelp" and "Punk" and "Usurper", which were not very good names to use when referring to him. Although the last one was a bit concerning.

They had only managed to trade a few quick words with Unknown in the past few months, but it was enough to get the Gist of it. He was just doing his job, sending the Realms Ghosts back where they belonged. There was apparently a Tear in Reality letting them through, but he seemed hesitant to reveal what he knew about it.

After a few months of sparse interactions, they eventually managed to convince him to at least take an Emergency Communicator. Just in case. They even let him take it apart to look for any Tracking Devices, which earned them a small bit of trust. They took whatever wins they could.

Fortunately, it seemed he never did need it. In fact he was getting more and more efficient with every battle, defeating his foes in half the time it would have taken before.

Unfortunately, it didn't last forever. One day, the Communicator went off, a distorted voice quickly saying, "Need backup, some of them decide to Team Up" before cutting out.

They quickly rushed to his location, finding an active battlefield with no less that a dozen Ghosts battling Unknown. And he seemed to be on the ropes.

With their arrival, the combined force of the Justice League and Unknown eventually managed to defeat the Group of Ghosts. Justice League Dark volunteered to work on the Banishing Spells while the others cleaned up the damage from the Battle.

One of them approached Unknown to make sure he was ok, and froze.

During the battle, Unknown's Mask had been Torn off, and they could finally see the face of the Hero they had been working with for the past few months.

And he was a Child.

[yuridovewing]

Tigerheart's Shadow is the funniest super edition, actually.

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[cookiekitkat8484]

It has come to my attention that people who haven't read the comics don't realise Wallace was the one who harassed scott into being his friend. Like he saw that nerd at uni and went oh yeah that's my guy now. This bitch would not shut up and showed up at his house uninvited to hang out till scott gave in and befriended him, then they got suuuper drunk and scott let him crash at his. He comes to family dinners, is best friends with his sister, and chats to his mum.

He despises envy more than anything and is furious when she tries to mess with his life again and scott gets hurt, so he cooks him breakfast and comforts him. He coaches scott in fighting and helps with strategies so he doesn't get his ass kicked. He bullies him to leave the house because there's a heatwave and he wants to make sure he doesn't get heatstroke. Like they're close enough Wallace walks around in his underwear (though scott whines about it).

I've seen people assume Wallace supports scott out of pity but that man is a bitch and morally questionable (affectionate), I do not think he would put up with it at all if he didn't want him around, especially given he can barely afford to support them both. When they stop living together he doesn't just kick him out it's because their landlord kicks them out, he actively enchorages scott to move in with Ramona out of care for him and offers to stay with him if he needs it, though ends up signing a lease with his boyfriend (in his defence scott didn't ask for him to stay and decided to try make things work with Ramona) but still let's him stay at the new apartment with them when Ramona kicks him out.

Yeah he's mean to scott sometimes and makes fun of him/is brutally honest but he basically became part of Scott's family and part of that is calling people out when they're being a total jackass and teasing them, he's that kinda guy and scott knows that he doesn't actually hate him or something. Yeah scott will do puppy dog eyes if he wants something but wallace is frequently nice to him on his own initiative and scotts not a suck up to Wallace, he can be a bitch right back at him.

They're a really important part of each other's lives. though I can understand people not familiar with the characters who watched the show thinking Wallace doesn't care about scott being gone, literally all the characters reacted super casually. Bryan has tried to clarify his way of trying to cope is him "being a jerk"/disconnecting/acting apathetic. Also in the show o'malley basically confirms Wallace had feelings for scott and that was why he had the affair with Todd and you can quote him on that, aswell as scott admitting how they became roomates was "somewhat gay" in the comics, so there's definitely some weird more than friends emotional mess tied in there.

comic panels i reference under the cut

TLDR wallace lives with him because he cares about him, whether you read that as still somewhat romantic or now platonic, with either interpretations fitting better with different versions of the story

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[uncanny-tranny]

I just have to say that it's so weird reading how transphobes think of trans bodies as mutilated and gross when they never would have thought my body pre-transition was worthy. The "argument" of mutilated beauty that transphobes have tossed around is just a fear mongering tactic, because they don't tend to actually love or appreciate and see value in bodies that don't "neatly" fit into male and female, with no overlap and no nuances.

[eikichi-supremacy]

If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)

[chauves0uris]

so...i'm kinda writing a jerejean one shot where jean develops an interest in photography and when he sees jeremy struggling with his self-confidence and image, he decides to show him how jean perceives him. so he uses his camera, which actually is a metaphor for his own eyes and yeah....it already has 3k words and i'm nowhere near the end help

[revolutionarygirlanthy]

asks user why they whitewashed anthy in their recent art (as in, paler even than movie anthy)

gets told to go fuck myself basically

lol

anyway: anthy is brown and if your draw her as paler even that her movie design you've done a racism.

[feroluce]

“-and that's why I ain't allowed in Pier Point no more!” Boothill throws his head back and cackles, somehow completely comfortable on the bare floor of the archives. He's the very picture of ease, his arms behind his head, his legs bent and crossed.

Dan Heng barely looks up from his notebook, not much surprises him anymore after the first few tales of lawless exploits. “So they really have that many laws and restrictions there.” 

“And prob’ly a few more now that I've been through there! Heck, ya think they named any after me? I'm hopin’ so.” There's so much smug cockiness seeping through his voice Dan Heng could bottle it.

Silence settles in, stretches out. Dan Heng doodles pensive circles in the corner of his page.

He shouldn't ask. It's a private matter. It's none of his business. He of all people should know-

Something pokes his shoe, and when he looks up, Boothill has stretched one arm up to tap metallic fingertips against his foot. “Ain't like ya to hesitate.” With his head tipped back on the tiles and gazing at him upside down, Boothill's hair is out of his face and spooling out all over the floor, offering a rare view of his right side. His right eye is sealed over with a pitch-black patch, stark against his skin. Dan Heng wonders what he looks like behind it. “C'mon, then, out with it. Spill the beans, brother, just say it.”

“What does ‘Boothill’ mean?”

The man blinks at him, the crosshair in his cybernetic left eye flickering. Dan Heng shifts, smooths out his long coat. “I tried to look it up once. It's not in any database as a name...other than your wanted posters.” There's a thread beginning to fray near the hem, he should sew it up. “I couldn't find it anywhere.” 

He nearly takes it back, but- “Heh, ya that curious about me, darlin’?”

Dan Heng quickly levels his face into the most impassive, nonplussed expression he can muster, but Boothill has already turned away, head pillowed on his arms and face once again turned to the ceiling.

“But nah, ya wouldn't. Hah, like they'd allow any record of the language, fudgeheads.” One arm sweeps around blindly until it finds the edge of Boothill's hat, sets it back where it belongs on his head. Dan Heng shuffles around, scoots a little closer, but the brim is pulled too low to see his eyes anymore.

“It's ‘cause it's not a name. It's a noun.” All that's visible of his face is a sharp grin, pulled too tight at the edges.

“It's my people's word for a grave.”

Dan Heng's pencil stops.

“It's the kinda grave fer someone who died with their boots on. If ya catch my drift there.” Boothill's foot starts to bounce. “There was a war, and it got reeeeeal intense, yup. Folks started droppin’ like flies, ‘n’ there was bodies faster'n what we could bury ‘em.” A cooling fan kicks on somewhere. Dan Heng is pretty sure it's not any of the Express equipment.

“We lost some real good people there, real good. Mighty shame.” His hidden Vidyadhara ears detect a quiet metallic click, a whir, pressurized gas. Boothill's next words waft steam from his angry circuits into the air. “When I left, I decided to leave my name there, too. Didn't feel right otherwise. The life I lead now is a whole ��nother existence.” And then Boothill turns his head, raises his hat, and Dan Heng suddenly feels pinned dead center, caught in that crosshair.

“Ya know what I mean, don'tcha?”

Dan Heng swallows.

Does Boothill know? Who he is and who came before him? There had been that moment in the Penacony Grand Theater, after he activated the Jade Abacus… Dan Heng had tried to shoo him out, keep him from seeing anything, but Boothill has the astounding ability to turn up exactly wherever people are trying to keep him away from.

If he did see, does he actually understand it? Does he know what a High Elder is? Does he know about the sedition of Imbibitor Lunae, the transmutation arcanum, everything Dan Feng had done and Dan Heng was punished for?

He doesn't want to explain it all. Not now. Possibly not ever, truth be told.

And it's not the same as Boothill leaving behind his old identity when whatever event happened that caused him to leave home. Not really. But…

But so far, Boothill has slid so easily into Dan Heng’s routine. His presence never feels like an intrusion. He's already figured out what he can push and when to back down. And even Dan Heng finds himself able to roll with whatever punches Boothill throws with baffling ease. They share too much in their methods and ideologies, and sometimes Dan Heng knows what Boothill will do seemingly before even Boothill himself knows.

“...Tell me about Talia and the Nailscrap Town.” Boothill must know he's avoiding the topic. He must. But the man just throws his head back and cackles, melting easily back into what they had been doing before, as he speaks fondly of a planet that Dan Heng has never visited.

Not today. But.

Dan Heng inches just a little closer, just enough to nudge his foot against a metal leg. Boothill doesn't pull away.

Maybe someday.

[hisirdouxcasperan]

“Ah, Man in Moon! Sandy, why didn't you say something?”

Bonus:

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[chittychittyyangyang]

Blake is clearly Japanese, and Yang is clearly chinese, so isn't giving them darker skin tones racist?

I'm going to answer this is good faith, and I will accept no follow up.

Blake being "clearly" Japanese, just no. Belladonna is Italian believe, and Kuo Kuana seems to have a lot more influence from the Pacific Islands. Even if she was Japanese, there are darker skinned Japanese people.

Yang isn't just Chinese. Even so, Chinese people can be darker skinned. I also find this ask suspect because a lot of people in the fandom make Blake darker skin (and people have been shitty about it since V1) . I've reblogged a lot of it. I've NEVER gotten anything like this in my inbox in my years running this blog until it's Yang too. Weird.

I have met with many fans of the show over the years, and it seems like many POC can see themselves as the characters and want that reflected in their skin too. It made a lot of sense to me that someone with textured hair could see Yang's protectiveness of hers as similar to their own experiences. RW/BY sure lacks protagonists with darker skin, and it's not racist to make fan art of them darker (what is this take from anyway, 2003???)

I believe it was Miles who responded to some harressment a black Blake cosplayer got years ago that Blake is Blake no matter the skin tone.

At the end of the day though, I am so very White and not the arbiter on what is or isn't racist. However, I'll always question the motives of anyone that raises a fuss over someone making cute art of characters with darker skin tones, more so in a show that lacks skin diversity.