#since she already cares about him at that point

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[dreamwritesimagines]

The Eye of the Hurricane [37] - Crown

A.N: Last two chapters! ❤️I hope you’ll like this chapter as well, and please don’t forget to tell me what you think! ❤️

Summary: Live by the sword, die by the sword.

Word Count: 2700

Pairing: MobBoss!Bucky Barnes x Female!Reader

Warnings: Violence, violence, I'M SERIOUS THERE IS VIOLENCE IN THIS ONE, guns, crime, blood, explicit language, dysfunctional relationship, mentions of sex. This is an AU, friendly reminder that I don’t condone any of the actions depicted on this story and please read with care.

Series Masterlist

If anything, it started out as a normal day.

“You are so pretty!” you told Alpine as you fixed the ribbon around her neck, then held up the feathery pen so that she could jump at it while you sat on the floor. “Yes you are! The prettiest princess in the entire world!”

“Charm?”

“Over here!” you called out and heard Bucky come downstairs, then he filled himself a cup of coffee before looking over his shoulder.

“You want some babe?”

“Nope,” you said, stroking Alpine’s fur. “Bucky, what are the chances that we got the prettiest and nicest cat in the entire world?”

“Zero, she’s an asshole.”

You gasped. “Hey!”

“I love her, but it doesn’t mean she’s not an asshole,” Bucky said. “She never comes when I call.”

“Because she’s a cat, not a dog,” you said. “If we have a child one day, we’re so calling them Alpine Two.”

“We’re not going to do that.”

“Alpine Two and Alpine Three.”

“Absolutely not.”

“Don’t listen to him, they’ll be Alpine Two and Three,” you told Alpine as Bucky sipped his coffee.

“Do you wanna grab lunch today?”

“I can’t,” you said. “I promised Ethan.”

He blinked a couple of times. “You cannot be serious.”

“I am not having this argument with you again when we’re in love and fucking each other’s brains out every night,” you pointed out, making him grin. “Relax with the jealousy dumbass, you already know I’m in love with you.”

He heaved a sigh, then held up his hands.

“Fine,” he muttered. “Go meet the puppy.”

“Bucky.”

“Is he not a puppy around you?”

“He’s my friend,” you said. “My friend whom I haven’t met in a while.”

“Yeah yeah…”

You scratched at Alpine’s head when she head bumped your knee while Bucky tilted his head.

“Are you okay?”

“What do you mean?”

“You’ve been weird since we had dinner at your father’s place.”

“Sure,” you said after a beat and he raised his brows.

“Charm.”

“No I’m fine,” you said. “I’m fine, I’ve just been thinking.”

“About?”

“Business,” you said. “My father’s business, to be specific.”

He sipped his coffee. “Are you having second thoughts?”

“God no,” you said. “Of course not. I’m thinking about the consequences of it, that’s all. What it will mean for me.”

“It means the crown for you.”

You pursed your lips together. “And for Ian?”

He scoffed. “Who cares? You hate Ian.”

“Obviously I hate him,” you said. “But I’ll have to kill him, you do know that.”

“He signed his own death warrant the moment he accepted that heir position at the expense of you,” Bucky said. “I’ll kill him for you if you want.”

You rolled your eyes at him. “How fucked up is it that I find this romantic?”

“That’s because I am romantic,” he said with a smirk. “Seriously. If you want me to—”

“I’ll just cross that bridge when I come to it,” you pointed out. “I appreciate the offer though.”

Bucky checked his wristwatch, then came closer to you to kiss you on the top of your head, and scratched at Alpine’s head.

“Gotta go,” he said. “I’ll see you tonight?”

“Sure!” you said and watched him walk out of the apartment, then heaved a sigh and looked down at Alpine.

“Alright,” you said. “Come on, let’s get you some treats.”

                                             *

The café Ethan had suggested was in your father’s territory, so it was a short car drive. Seeing that the weather was slowly getting cold nowadays, it didn’t surprise you to see Ethan already inside the nearly empty café as you walked in, and waved at him before making your way to him.

“Hey!” you said and he stood up to hug you.

“Hey stranger,” he said. “It’s been a while.”

“It really has,” you said, motioning for a cup of coffee at the waitress who forced a smile, then disappeared into the kitchen. You frowned slightly, but then turned to look at Ethan when he cleared his throat.

“So what’s been up with you lately?”

“Absolute chaos,” you pointed out, making him smile. “No seriously, things are just now starting to calm down.”

“Yeah?”

“Yeah there was this business thing,” you muttered. “Never mind. How about you? What have you been doing lately?”

“I’m actually…” he paused for a moment. “I’m actually moving back to my hometown.”

Your eyes widened, your jaw dropping.

“What?” you asked. “Why?”

“I don’t think New York is for me,” he said as you heard the wind bells chime by the door. “Or any big city for that matter.”

You opened your mouth to ask why, but a strange shiver went down your spine, the hair at the back of your neck rising up as his eyes went over your shoulder. You didn’t even have the time to think, your body seemed to have responded on instinct as the result of many years of training, so you kicked the table in his direction and jumped to your feet, but before you could turn around, two men had already grabbed you by the arms. You managed to kick one of them, turning around to punch the other, but another man caught your fist and turned you around, his friend punching you right on the nose so hard that you knew from the crack that he broke it before the blinding pain shot through your face. You stumbled back as two of them held you by the arms again and another one grabbed his gun, flipped it and slammed it on your head.

Then everything went black.

                                              *

You couldn’t tell which one woke you up, the cold or the burning pain starting from your nose and spreading through your whole head. Your vision was blurry when you forced yourself to open your eyes, now realizing your hands were bound and a groan left your lips as you blinked as fast as you could to see better.

Ah.

Two of Ian’s men were waiting by the door along while Ethan sat across from you, his eyes fixed on the floor. You could feel your heart dropping to your stomach but you forced yourself to focus, there had to be a way out of this—

You just needed to find it.

The room you were in appeared to be a butcher’s freezer, which made you think you were at the edge of your father’s territory. The pain in your head was so heavy that you could barely just hold your head up, let alone moving your body so you gritted your teeth, taking a deep breath through your mouth.

“I’m sorry,” you heard Ethan’s voice and you turned your head to see him looking down at the gun in his lap, your hands shooting up to wipe the blood on your face before touching your forehead.

Okay, that needed stitches.

“You’re sorry?” you repeated with a dry laugh. “How long have you been working for him?”

He shook his head fervently, rubbing his thumb over the gun.

“I don’t—I didn’t—” he stammered. “He contacted me couple of months ago.”

You raised your brows. “Let me guess, he’s paying you a shit load of money?”

He shook his head again.

“He said…he said he’d kill me if I didn’t...” he muttered. “For God’s sake I never wanted this whole bullshit, I don’t even know how to use—” he pushed at the tiny button beside the gun, the magazine dropping to the floor and a couple of bullets scattering around as one of Ian’s men came closer.

“What the fuck?” he asked him, snatching the gun out of his hand and picking up the magazine before walking to the other side of the room to continue his conversation with the other man. You gritted his teeth, anger pulsing through you.

“I’m sorry,” Ethan repeated and you shook your head.

“You know you’re going to die right?” you asked him. “You’ve just signed your own death warrant by pulling this shit.”

“Civilians aren’t harmed, that’s what the truce—”

“Civilians aren’t harmed as long as they remain civilians,” you corrected him, pulling at the rope around your wrists to loosen it a little. “You’ve just thrown your hat in the ring, buddy. And trust me; if Ian doesn’t kill me, I’ll kill you and if he does manage to kill me, Bucky will hunt you down, and kill you. Torture you first probably too. So regardless of if I die or not, you definitely will Ethan.”

“I’ll move out of the city.”

“There’s no city we can’t reach.”

“That’s not true,” he argued with you. “Everyone is saying Chicago is its own city.”

A small smile curled your lips despite fear churning your stomach, a small spark of satisfaction rushing through you.

“Right,” you said. “Sure. Move to Chicago.”

He swallowed thickly, then turned his head when the door opened and Ian walked in with Ryan. Ryan stopped dead in his tracks as soon as his eyes fell on your face, but then he gritted his teeth, snapping something at the men by the door under his breath. It was impossible to hear what he had said, but judging by the way it made them step back, it couldn’t be anything nice.

“Hi there cousin,” Ian had the audacity to smile at you as Ethan stood up from his chair.

“I can go right?” he said. “You promised.”

“Sure, some of our boys will accompany you to the border of the city, then you’re on your own,” Ian said. “Thank you for this. New York will owe you.”

You clenched your jaw, glaring up at Ian as Ethan walked out of the room and Ian tut tutted.

“You just couldn’t help it, could you?” he asked you. “All you had to do was just marry Barnes and give him an heir, and then you could spend money and do nothing for the rest of your life, but you just couldn’t do it.”

“Go fuck yourself.”

He rolled his eyes at you.

“Those are some big words for someone who’s about to die.”

No.

You couldn’t let panic take over your mind, you just couldn’t.

The safest option was to cling to anger.

“You don’t get to kill me and stay alive, Ian.”

“Oh I won’t be the one who killed you,” he said. “Your ex-boyfriend did. Everyone saw him meet you at that café after all.”

“And you think my dad will buy that bullshit?”

“I’ll make him buy it.”

“You think Bucky will buy that?” you spat and he shrugged his shoulders.

“No, he will come after me,” Ian said. “And that’ll start a war. Too bad.”

You gritted your teeth. “You don’t have the means to survive a war, dickhead.”

“You have no reason to worry about that,” Ian said. “You’re not walking out of here alive after all.”

You licked your lips, the metallic taste of blood reaching your throat as Ian nodded at his men.

“Untie her.”

One of his men came to cut the rope around your wrist and helped you up while the other one pointed his gun at you just in case. The whole room was spinning around you, your heart beating in your throat but you tried to fix your breathing.

It was fine.

It was going to be fine.

“Ryan, my gun,” Ian ordered and Ryan stared at you, then pulled out the gun from his waistband, quickly taking out the magazine to check the bullets before sliding it in again.

“Leave us,” Ian said and Ryan licked his lips, stealing a look at you before he walked outside with the rest of Ian’s men following him. He slammed the heavy door behind them and you clenched your fists, still glaring at Ian.

“Can’t say I didn’t warn you,” Ian said, pointing the gun at your face. “I did, numerous times. Get on your knees.”

“No,” you said. “If you’re going to kill me, you’re going to kill me standing.”

Ian took a deep breath, then swallowed thickly.

“As you wish,” he said and raised the gun a little to aim for your forehead, the fear making your eyes burn but you quickly blinked the tears back, forcing yourself to focus on—

Bucky.

It was strange, how it worked. Everyone talked about how this business was dangerous, but no one talked about what one would think when there was a gun about to blow their head off.

There was fear yes, but the memory of happiness shed a small ray of sunlight on it. Knowing Bucky would stop at nothing to take your revenge almost soothed the pain of knowing you would never see him again, at least—

At least in this life.

But you knew you loved him. He knew you loved him.

That was enough, somehow. Even with a gun pointing at your head.

“Live by the sword, die by the sword,” Ian recited. “Goodbye, cousin.”

You closed your eyes, holding your breath and bracing yourself for the deafening gunshot but the only thing that echoed through the room was the empty click, making your eyes snap open while Ian gawked at the gun in his hand, fear flashing over his face as he froze.

…Ryan.

Ryan had taken out the bullets.

The adrenaline that roared through you was powerful enough to overcome the fog in your brain or the pain on your face as you lunged at him to knock the gun out of his hand, slamming him back to the heavy door, the unmistakable sound of gunshots echoing outside. Ian shoved you back as hard as he could and tried to swing a punch at you but you quickly dodged it, elbowing him on the nose.

“Welcome to your cage fight, Ian,” you spat as he wiped at his nose.

“You dumb bitch…” he muttered, then swung at you again but you quickly stepped back, grabbed his wrist and turned it with all your strength until you heard the pop, and his yell of pain. He kicked you on the knee hard, making you scream out of pain as you stumbled back, and he tried to grab at you with his other hand but you had already punch him right in the neck, making him gasp and fall on his knees, clutching at his neck.

“You know,” you said, breathing hard as you grabbed the gun off the floor and picked up one of the bullets Ethan had dropped earlier. “I should thank you for this. I was having second thoughts earlier, but now…”

He was still gasping for air as you slid the magazine out, put the bullet inside and slid it back again, making him drag himself back on his palms until his back hit the wall.

“Exile me,” he managed to say, and you tilted your head. “Exile me somewhere else.”

You shook your head, adrenaline making your head spin.

“You know how this shit goes,” you said through clenched teeth. “You tried to kill me. Exiling you isn’t enough.”  

“I’ll forfeit the title!” he said, still breathless and you shook your head again, then pointed the gun at him with a sigh.

“I'm sorry Ian,” you said. “Live by the sword, die by the sword.”

With that, you pulled the trigger and heard the loud bang before the blood splattered over your face, making you grimace as his body slipped on the floor. You wiped at your face, then slammed open the door to point the gun at whoever was outside, but the only thing you could see was Ian’s men bleeding on the ground while Ryan stood by the door, his back straight as if he was waiting for your order.

“Ma’am,” he said with his hands clasped behind him, and he bowed his head a little as you smiled at him.

“Thank you,” you rasped out, raising your head to stare up at the dark sky before turning to him. “Ryan, is there any chance you’re looking for a new job?”

The corners of his mouth twitched and he nodded.

“Working for your father’s heir would be an honor, ma’am,” he said softly and you let out a small laugh.

“Good,” you said as you limped to the car parked right outside the back alley with Ryan following you. “You’re hired.”

[stevesgother]

Dress - S.H

Paring - Steve Harrington x Fem!Reader

WC - 1.5k

Summary - 2 times Steve Harrington has lost his mind seeing you in a dress that fits you like skin, and the one time he does something about it.

Contains - best friends to lovers, mutual pining, reader is pathetically in love, loosely based off of ‘Dress’ by Taylor Swift. Or maybe heavily based lol

Warnings - steve & reader ARE 18 in this, they just haven’t graduated yet, drinking, vomit. As always, let me know if I missed anything

AN - THIS IS PART 1 OF A WIP. second fic…ever! also my first mini series! i was gonna make it all one fic but i figured it would be easier to digest this way. enjoy :)

Senior Prom - May 1985

Michael Cooper. That’s who was waiting for you downstairs in your foyer, sweet talking your parents while he waited to escort you to your final high school dance. He wasn’t your first choice for your senior prom, hardly even your second; but he was respectable enough for you to be seen on his arm for one night.

Taking one last look at yourself in your vanity mirror, you smoothed your hands down the front of your dress. It was a beautiful baby pink ball gown with lace trim and puffy sleeves. Before you can think better of it, before you can feel guilty for it, you imagine Steve’s reaction when he sees you tonight.

Steve Harrington. Your best friend since diapers. Your mothers grew up together, so naturally when they found out they were pregnant at nearly the exact same time, it only made sense that they would orchestrate your friendship immediately.

As it turns out, not much orchestrating would be required. The second your little baby brains could comprehend what it meant to love another person, the rest was history. Wherever you went, Steve went too. You’re not sure when your feelings for him started to change. The usual calm that washed over you whenever you were in his presence one day seemed to transform into something different. You felt nervous, like someone had released a net of butterflies into your stomach.

You clear your head with a harsh shake and grab your clutch off the bed, making your way downstairs. Michael is waiting for you with a green corsage in a shiny translucent box. ‘That's Sweet,’ you think, “if only it matched my dress.’ 

–

Upon arriving at the gym, the first thing you do, consciously or not, is scan the room for your best friend. You spot him quickly, his perfectly manicured hair and well-pressed suit making him hard to miss. Even harder to miss is the gorgeous, curly haired brunette resting her head on his shoulder.

Nancy Wheeler.

They’ve been together for over a year at this point, even joining your close knit circle of friends. Despite this, you can’t help the nagging sense of jealousy stabbing at your chest, making your face heat up. You tell yourself it’s the humidity inside the gymnasium, and not the fact that you’d give anything to be in her position. You quickly abandon your date and try not to feel guilty for it, making your way over to the happy couple.

“Steve!” You call as you come further into their line of sight.

“Hey you!” Steve stands and gives you a tight hug. “Hey!’ you greet, returning the embrace. He can’t help the way his eyes quickly travel down the expanse of you, noticing the shape this dress gives your body. He prays to any listening God that his girlfriend didn’t notice, that you didn’t notice. “Hey Nance.” You address her with a polite smile. She gives you a hug without warning. Another thing that irks you about Nancy Wheeler: that girl is impossible to hate. You have every reason to despise her, and yet you can’t. She’s kind, funny, strong-willed and beautiful. She’s so ‘girl next door’, she’s so…not you. Occasionally you’ve wondered if it’s a front, that she can’t possibly be that perfect.

“Where’s Michael?” She asks inquisitively; like she genuinely cares where your douchebag date has run off to. A quick scan of the room reveals he’s already talking up another girl by the photobooth. There’s not one part of you that gives a shit. “We were just thinking about grabbing some food, wanna come with?” Steve nods his head toward the various appetizers they have set up on tables decorated with gaudy tinsel and tablecloths. “Yeah, why not?”, you smile and it doesn’t reach your eyes.

–

An hour and 2 cups of spiked punch later, ‘Heaven’ by Bryan Adams starts to play and you feel like you might hurl. Nancy’s face quickly lights up and she gives her date a knowing look, “Steve! Let's dance! Please??”. She’s immediately pulling him away from the table where you’ve been watching them flirt all night. Her delicate hand resting on his bicep, his large one finding a home on her thigh. He sends you a sympathetic look as he rises; sorry that he has to leave you there, sorry that you won’t be slow dancing with anyone tonight. He has no idea.

Your date is long gone. The two of you going together was a ticket inside and nothing more.

The air in the gym is suffocating and frankly smells of sweaty basketball shorts, so you decide to make your way outside for some fresh air. The romantic serenade of Bryan Adams’ voice is nothing more than a quiet lullaby as you lean against the brick wall of your high school.

You hear him before you see him. “Hey stranger,” the open door momentarily lets the humidity escape and you feel it wash over your skin. “you alright?” he asks with a half smile.

“Yeah just,” you say looking around, “getting some air is all,” returning the expression. He imitates you and decides to lean on the wall, a little too close for comfort. You’re all but slapped across the face with his scent. Cinnamon, a no doubt expensive musky cologne, and sweat. You can feel him looking at you, so you decide to meet his gaze; praying that he can’t see the crimson shade of red creeping up your neck and cheeks simply from standing next to him. You feel so pathetic at times like these. 

“Nance found a couple of her girlfriends, figured it’d be a good time for a smoke.” He pulls a cigarette out of his suit jacket pocket, and lights it. His hand cupped to cover the breeze.

“Those’ll kill ya, you know?” you smirk, knowing. You’ve always teased him for his bad habits, especially this one. “Yeah well,” he says in an inhale, “now’s as good a’ time as any, right?”

He grins at you, smug. It sends you reeling and you hope your thundering heartbeat doesn’t give you away. Maybe it’s just the alcohol.

After a few minutes of silence, he stomps his cigarette out on the pavement and turns to fully face you. 

“You’re beautiful, you know that?”

His words steal the breath from your lungs and your breath hitches in your throat.  Steve’s complimented you before, thousands of times. So why does this feel like you’ve just been slammed into a wall of concrete?

“Steve…”

You feel like he’s getting closer. You’ve definitely had too much to drink.

Before you can stop yourself or even comprehend what’s happening, you vomit all the contents of your stomach directly onto Steve’s perfectly polished loafers. He yelps, most in surprise, slightly in horror. Despite that undeniable foulness of the situation, his hands immediately move to hold your hair back, just in case you aren’t, well, finished. 

You don’t realize it, but you’ve started crying. “Hey, hey, it’s alright. You’re okay,” he soothes, rubbing a hand up and down your back. “Let’s get you home, yeah?” He starts to lead you to his car in the parking lot, leaving you here alone not an option for him. “What about Nancy?” you sob, “I’ll come back and get her, honey. Don’t worry.” Honey. You almost puke again.

Once he settles you into the passenger seat of his pristine BMW, you watch as he toes off his shoes and throws them in the garbage. When he slides into the driver's seat and turns on the ignition, he turns and brings a palm up to cradle your jaw. “Guess I’m gonna have to keep an eye on ya next time,” he chuckles, “can’t handle your mildly spiked punch.” You groan, but give a breathy chuckle of your own, “Just drive, Harrington.”

When you arrive home, you breathe a sigh of relief at the lack of your family car in the driveway. Your mother would certainly pitch a fit if she saw you like this - mascara streaked down your face, an obnoxious yellow stain down the front of your once flawless dress. Steve leads you upstairs with a hand on the small of your back, and a palm cradling your elbow. You know you’re not drunk, and you’re almost positive that wasn’t the reason you spilled your guts. But the alternative to just letting Steve take care of you would be admitting that you love him, that you’re in love with him.

You don’t bother taking your makeup off, Steve just helps you change into an old t-shirt and a pair of sleep shorts. “Lights on or off?” He asks as he pulls the covers up and over you, “Off, please.” he gives you a little two-finger salute, “you got it.” Just as he’s reaching underneath your lamp shade you whisper, “Steve?” he looks, “yeah trouble?” “I’m sorry for ruining your night…and throwing up on your shoes.” you give a sheepish look. Even though he would have every right to be, you know he’s not mad at you.

“You didn’t ruin anything,” he leans down and presses a kiss to the crown of your head,”the shoes we can discuss at a later date,” he shoots you a wink, making sure you know he’s only teasing.

“Thank you, Steve.”

“Goodnight, sweetheart.”

Without another word he closes the bedroom door, bathing you in darkness. Just before you succumb to sleep, you’re filled with dread at the thought that you’re gonna remember this in the morning.

Cheers to senior year.

[merp-blerp]

TW: Discussion of sexual assault and suicidal ideation

I've been seeing some debate about Calypso and whether or not she sexually assaulted Odysseus and I want to throw in my two cents.

I'll say straight out of the gate that I don't currently like her much. I feel pretty icky about her personally.

Comparing Ody's behavior in Epic prior to "Love in Paradise" vs during the song feels so... clearly different. He seems very traumatized by whatever has been happening on that isle. It almost feels out of character for him to consider dying instead of fighting to get home alive like he had been, but putting myself in his shoes I can see how he came to that through what's textually known. He has been trapped on that isle for 7 years—that's nearly a decade, with no way to get out, everyone he knows and loves dead or far away with no way to know where he is or if he's alive. While I obviously would never think that's a good decision, I can see how he got to the point of wanting to end it. And if he's been sexually assaulted like he was in The Odyssey, I understand it more due to how that can warp a person's mental health.

I've seen some say, "Calypso is just a sweetie who doesn't know how to love properly" (paraphrasing of an actual comment I've seen). Even if she really just doesn't know how to care for a mortal, as many of the gods seemingly don't, I think she understands her power over mortals with her "Bow down now to the immortal Calypso" comment. She also understands that Odysseus doesn't want her, with the first part of her response to Ody's threats being "Oh handsome, you may try". She knows that he may try to escape by killing her (even though she can't die). Honestly, why would she feel the need to trap him if she didn't know good and well that he would want to escape her? She knew what she was doing was something that would make him want to run. Calypso being a goddess automatically gives their dynamic a power imbalance of course. Even though the assault is only implied, the fact that she's trapping Ody against his will, super infatuated by him, and still says "Soon, into bed we'll climb and spend our time", makes me feel like the indication is clear. What's stopping her from trying to have "sex" with him (sex isn't sex without consent)? She's already ignored all his declines. She seems to think that forcing her "love" onto him will make him love her. Yes, she uses lovey-dovey language so I doubt it would've appeared violent, but sexual assault doesn't have to look violent and the perpetrator doesn't have to appear aggressive. It's telling that I've seen some say, "Save that energy for Antinous" because Antinous is much more obviously bad, but this kind of thing isn't always obvious. That kind of assault is still extremely traumatizing whether it's sugarcoated as if it's love or not. It's dismaying that some reactions to Calypso bypass her potential assaulting or "She's weird, but she seems to care for him!" And since the sexual part of the assault is technically subtext (for now, who knows about later), I'll say that even if Calypso didn't sexually harm him, she still forces physical and verbal intimacy onto him and traps him so he can't leave. We see that. That's still assault. The only reason why I don't feel similarly about Epic's version of Circe is that her intent wasn't to have sex with Ody but to distract and throw him off with talk of sex so she could stab him as he's vulnerable; Circe never wanted to have sex with Ody in actuality. Calypso's intent was romantic intimacy and she didn't care if Odysseus said no, she completely bypassed it. Calypso saying "You're mine, all mine" feels as threatening as Circe's "I've got you" was meant to be.

Anything can change between now and the next two sagas. It could either be fully confirmed or denied that sexual assault took place. I actually don't expect either, as I don't think Jay would go too deep into such a traumatic concept in Epic, but then again I also didn't expect suicidal ideation to be brought up at all and it absolutely shocked me when it was, so I could be wrong. But whether it's confirmed or not, I don't blame any Epic fans who don't like Calypso or even hate her over what she did and what it's implied she did. It's icky watching some fans tell others they shouldn't hate Calypso because of this or that as if this isn't a sensitive and complex topic. It's creepy. I don't think we should tell people not to hate a character associated with sexual assault. The sexual assault might be subtext, but subtext is important and sometimes is implemented intentionally. Not every part of a story is going to be given to you at face value. Just because "Epic didn't say that" doesn't mean that the implication doesn't matter. People interact with stories in different ways, so you can disagree with others—no one can take that from you, but you don't get to tell someone they can't feel a certain way about a character. I don't like saying this because I really shouldn't have to put it in this perspective for it to be understood, but I can't help but feel like if Calypso and Ody's genders were swapped some people would treat this implication differently. Sexually or not she hurts him.

Normally I don't like taking lore from The Odyssey and automatically applying it to Epic, as Epic has changed a lot of rules from The Odyssey because Jay wants to tell this story his own story. For example, I personally choose not to assume Eury and Ody are brothers-in-law in Epic like they are in The Odyssey because that hasn't been stated in Epic so far. But to me, the implications of Ody's sexual assault are there enough for me personally to think that it might take place in both stories. Jay seems to want Epic to be accessible to many people, so it doesn't surprise me that this element of The Odyssey was brought up in a more subtextual/"hinted at" way.

Calypso is a very interesting character, maybe the most out of all the Epic antagonists so far for me, but we don't have to think of her as not doing anything wrong in order to enjoy that character, her songs, her cute physical character design, or Barbara Wangui's beautiful voice.

[The remainder of this post contains potential spoilers for the unreleased (to date) Vengeance Saga under the cut]

Another defense of Calypso I've seen is that in the snippets for "I'm Not Sorry for Loving You", Ody says he loves Calypso, but not in the way she wants him to. This could mean they're friends and therefore doubt about the sexual assault could be cast.

It's hard to assess this because the saga's not out yet, but it's worth remembering that abuse can come out of care, in a complicated way. You can care for someone so much you end up hurting them, usually out of wanting to control them. Calypso seems to fit that concept. And most Epic snippets don't give full context, naturally, so who knows why Ody says this at the moment. Maybe he means it, or maybe he's bluffing to guarantee he'll get what he wants (which is to be set free in this instance), like when meeting Athena, or to appease a god, like when "apologizing" to Poseidon in "Ruthlessness". And of course, victims don't have to hate their perpetrators if they choose not to. Odysseus can care about Calypso and she can still have hurt him really badly. Both of these things can be true.

The way I read it, Calypso doesn't love Odysseus like she thinks she does. She's infatuated by him and cares for him enough to not be obviously cold like all the other obstacles Ody faced initially are. She declares that she loves him as soon as he wakes up on her isle without knowing him at all. She didn't even know his name. The washed-up person on her isle could've been anyone and she likely would've "loved" them. Calypso only loves Ody because he stops her loneliness, not for who he is. When she begins to state that she loves him she doesn't even know him. Over the 7 years, she seems to have potentially gotten to know him a bit, saying "I know your life's been hard", but Odysseus himself asserts that she doesn't really know what he's been through. You can call someone (against their will, let me remind you) "my dear, my love for life" all you want, but that doesn't mean you love them. Ody's her first companion in years if not ever, of course she cares for him on a basic level. She won't kill him or let him jump off a cliff. But she doesn't love him or treat him like a human and obey his boundaries and wants. She treats him like an object or pet she owns and has to guard.

In "I'm Not Sorry For Loving You" Calypso says that Ody is all she's ever known because she was abandoned. It's understandable that she would latch onto a living creature after being alone for so long. But that's not necessarily love, at least not to me. If I love someone I wouldn't bypass their refusal to do something. And I wouldn't trap them with me and not let them go, even when they're about to jump off a cliff because they see no way out. I'm not sure if Calypso means to bring malice, she at least says she "bring(s) no pain", but she does regardless or if she intends to. Calypso hasn't had anyone in her company, let alone someone to love, for so long, maybe in her whole life. That's why she doesn't know what love is, so of course when she catches fickle feelings for Odysseus she assumes that's love and has no clue what to do with her "love", as she admits in "I'm Not Sorry For Loving You". Calypso's actions are understandable, but that doesn't mean they're excusable or not abusive. What she does to him is understandable, but selfish and only serves herself, which isn't what you do to someone you love. Note that the way I use understandable here does not equate to forgivable, it just means conceivable. And her apology to him really waters down the magnitude of her actions, saying she "pushed" him, "came on too strong", and that her love might've been "too much" for Ody.

I apologize for this being such a long rant, but I wanted to cover all the excuses for Calypso I'd seen and speak my mind on why I think they're misguided at best.

[cosmicjoke]

Levi is What Historia Pretended to Be

One of the things that the fairly prevalent claims I see about Levi "forcing" Historia to become Queen, or "forcing" her to accept eating Zeke, or just the general complaints I see about how Levi "treated" Historia, gets me to thinking is how Levi is everything Historia only pretended to be.

When we first meet Historia, she's going by the name Krista, and she presents a personality and image which, on its surface, appears to be exceptionally selfless and compassionate. She's constantly asking after others, going out of her way to inquire as to their well-being, standing up for them and seemingly sacrificing her own comfort and self-interest to their benefit. But, in the same way we eventually learn that Krista isn't her real name, we also come to find that Historia's personality is just as much a facade as her false name. We get our first exposure of the selfish and self-serving girl underneath during the scene between her and Ymir, during their training exercise through the mountains in winter, when Ymir calls Historia out for her secretly selfish behavior. Historia tells Ymir to go ahead by herself to base camp, while she carries Daz by herself, and Ymir points out that if Historia really wanted to save Daz, she would have asked Ymir for help, since Ymir was stronger, and thus had a greater chance of saving Daz than herself. But she doesn't ask for help, because she wants Ymir to tell people about about her selfless, final act, sacrificing her life to save another's. Here we see exposed for the first time Historia's willingness to sacrifice others for her own, selfish gain. She pretends to want to save Daz's life, but in reality, she sees him as an acceptable sacrifice for her own glorification.

Of course, this is all wrapped up in Historia's childhood trauma and the feelings of rejection she faced from her mother, tied in with what Frieda told her about how to ingratiate herself to others by being a "good person". But the fact remains, Historia is exceedingly selfish, and we get our first glimpse of that selfishness here. Something that she herself at last admits to in the scene with Eren, in the underground cavern beneath the Reiss family compound. She calls herself "the worst girl in the world" as she finally casts off all pretense in trying to win her family's approval and love, rejecting her father's offer and embracing her own, selfish desires. She tells Eren that she doesn't care if all of humanity perishes, something that we come to realize is foreshadowing, when Historia's selfishness culminates in her standing by and doing nothing to stop Eren's genocidal plans, simply because it allows her to continue living.

I think Historia and Levi are a perfect study in contrast precisely because there are some similarities between the two of them in terms of their childhood's and trauma.

Both experienced abandonment and rejection as children. Historia by her mother, Levi by Kenny. Both, I think, suffer from fear of abandonment and this pervasive sense within them that they were abandoned due to some lacking quality in themselves. We see this with Levi in him questioning Kenny about why he left him, and later, in his comment to Armin about how if he sleep's any longer than he already has, they'll all forget he even exists. We see how both Levi and Historia's sense of self-worth is wrapped up in this idea of being useful to others. How their lives will only be of worth if they're able to somehow be of benefit to others.

But while Historia's abandonment issues manifested in her pretending to be a good and selfless person who, in truth, only "helped" others so long as it benefited her somehow, and who's selfless acts served as cover for her self-serving desire to be accepted and loved, Levi's selflessness was never an act, and his desire to help others was never rooted in some secret scheme to get others to like or accept him. While Levi might feel he's of no worth to others unless he's useful to them in some way, that was never the actual motivation behind his selfless actions, never the motivating drive. I think Levi's low sense of self-worth, in fact, only serves to highlight the genuine quality of his selflessness, because he never uses his actions to win himself praise, even as, surely, he feels bereft of love or acceptance, the same as Historia.

I think this is most clearly demonstrated by the fact that Levi, in sharp contrast to Historia, never engaged in behavior that was designed to ingratiate him to others, and in fact, is markedly the opposite of that, often behaving in ways that serve only to win him people's ire and, at times, even repulses people from him. People see Levi as rude and cold-hearted and without feeling. They see him as uncharismatic and crude, and often display lowly opinions of him, or even disappointment upon meeting him. Zeke even comments on this, accusing Levi of being "unpopular" because of his blunt assertions about what sort of person Zeke is, accusing him of being a "know-it-all". We see other soldiers accuse Levi of being heartless, accuse him of getting other scouts killed, accuse him of being insane and a bad person, and Levi never fights these accusations, never defends himself. He accepts all of this criticism without complaint or personal offense, and without ever trying to convince anyone otherwise about his character. He's never tries to convince anyone he's a good person.

Where Historia had pretty much made an art of ingratiating herself to others, of wearing a mask of humility and generosity and kindness, fooling people into believing her to be all of those things, Levi has never been able to do the same, and further, he never tried, because, unlike Historia, whether he was well-liked or not was never something that mattered to him. It was never the underlying motivation of his selflessness or compassion. It doesn't matter to him what people think of him. What actually matters to him is helping them.

The fundamental difference between the two, then, is that Historia's selflessness was always an act, always a ruse to win her approval and acceptance, whereas Levi's selflessness always just was what it appeared to be. Actual selflessness, acts committed for no reason beyond the benefit they would have for others.

And we see that fundamental difference between the two demonstrated, also, by the fact that Historia is willing to let harm befall others, particularly, other people who never did her any harm or posed her any threat, so long as it benefits her in some way, (i.e. Daz, and the entire human population on earth) while Levi has never been willing to let harm befall anyone for any sort of self-gain, again, particularly, anyone who wasn't already threatening his life or the lives of others, and, in fact, often sacrifices his own well-being for the benefit of others.

It's just amusing to me how often people will criticize Levi for being "mean" to Historia, or how many people make the false claim that Levi forced Historia into any sort of position or burden that she hadn't already committed herself to previously, because Levi is everything Historia only ever pretended to be. He's selfless to an extreme fault, not only not seeking recognition or acknowledgment for his selfless acts, but outright rejecting it when he does receive it (i.e. Erwin trying to thank him for helping capture the Female Titan, Hitch trying to accuse Levi of thinking he's a hero, his disdain for his title as "Humanity's Strongest"). His compassion is such that he'll sacrifice his own comfort and peace of mind if it means easing the burden placed on the shoulders of others (letting Erwin die, giving Petra's patch to Dieter, torturing Sannes, killing for the sake of saving others lives...), his belief in the worth of other people's lives so powerful, that he actively seeks ways to ensure those lives are proven to have value by imbuing their loss with meaning, and is absolutely unable to abide the thought of anyone dying a meaningless death, his care for his comrades so immense, that he would destroy his own body to protect theirs. He has no dreams of his own, but instead dedicates himself fully to the dreams of others, fighting with all his strength toward that end, not to win acceptance or praise, but simply for the fact that he feels it's his obligation to help, a sense of obligation born out of a deep, inborn compassion.

Historia was always purely motivated by people liking her and seeing her as "good", her altruistic behavior and actions designed to garner her that image and acceptance, never out of any, genuine desire to help, and we see that core truth about her eventually manifest in her willingness to let so many innocent people die for her own life.

Levi, by contrast, was always okay with people hating him, with people thinking he's a lunatic or a monster, as long as it meant those same people would be okay, would be protected from having to experience the same horrors he had.

[doctorgirlsblog]

Merz Prinzessin vs. Dutch Lion

Part 1: She-devil

Warnings: throughout the series, there are mentions of cheating, explicite sex scenes (+18) and swearing.

P.S. Hope you guys like the first part, feel free to leave your opinions in the comments 👀

Many more parts coming soon 🫶🏻

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Miss Wolff, the conference starts in 40 minutes." Aria groaned upon hearing her name being called, a sweet reminder of the upcoming press conference ahead of the new season. In her rookie year, all she heard were whispers about how she had secured her place on the Mercedes team because of her father, especially after Lewis retired at the end of 2022. She made no attempt to justify the rumors; she knew her worth and talent. Instead, she let her performance on the track do the talking.

That's how she earned the nickname "Mercedes Princess," a title that garnered both admiration and secret resentment. She didn't mind the attention, though. However, she silenced all the naysayers by finishing 2nd in the Drivers' Championship that same year, surpassing Charles, who landed in 3rd place, almost 70 points behind her. This year, however, she would be driving as the team's first driver, with George as her teammate. She couldn't help but smirk at the thought of posible win this year, of wiping that Red Bull golden boy's smile off his face when she finally overtook him and snatched his dream in Abu Dhabi.

Ever since their karting days, the two could not stand each other. Always trying to beat each other, pushing the other off the track, laughing when the other failed. Still, their whole lives, they were there, growing up together, side by side, watching each other, learning all the little tricks the other liked to pull.

Max envied the girl. She was talented, yes, but besides that, she had everything he didn't: a supportive family behind her, the support and unconditional love Totto provided for his little girl even when she failed, and somehow, wherever she went, everyone loved her instantly. Her looks worked in her favor. Sometimes, when he was alone, he thought of her and wondered if he could be friends with the girl if it weren't for his dad.

Still, she didn't acknowledge any of it, and for his own sake and that of his father, he couldn't either.

Max had to work hard for it all. He never had it easy, with his dad trying to build a champion. He still doesn’t. But he learned to cope with it, mostly. Kelly being there helped a lot. Her love helped a lot. So he locked himself in the peace and security she brought. It was a safe place, with no risks being taken.

But somehow, when it came back to that German devil—and somehow it always did—he was still that little boy looking for approval all over again.

Little Aria did feel some kind of pain seeing him alone on the track in his cart in the pouring rain while she sat in her dad's lap in the warmth, drinking hot chocolate. But as soon as those feelings came, they went away; they had to because he was her rival—competition. She couldn't care for a rival. So she didn't. Or at least, that's what she had convinced herself of all those years ago. Instead, she settled for bickering and teasing, riling the boy up just for fun and challenges.

It surely didn't change over the years.

"Ari, you coming?" George's voice pulled her out of her thoughts as he opened the door of her driver's room. "Yeah. I'll be there in five."

Of course, he had to be there at the same time. Just her luck. And, of course, the only available seat was next to him. He watched her with a smile on his face. Her stomach turned at it, and she was already counting the fees she would likely have to pay if she turned away and walked out. It didn't help that her PR, Elena, was watching her, silently challenging her to do something. And the poor girl already puts up with so much from her.

So, she sat, politely answered all the questions, smiled like the golden girl of the team that she was, and ignored the sweet smell of perfume emanating from her left side. She didn't care. It didn't even smell that good.

"Max, one last question for you," said the reporter, pulling Aria from her thoughts. "What is your opinion on Wolff challenging you for the title this year?" Her head snapped up at the question, and she looked at him questioningly.

And then he laughed. He fucking laughed. "Well, I'm quite confident in the car and the team. Preseason testing went great, so yes, I would say I'm going for the fourth title this year. Time will tell, but yes, I mean, someone has to get silver too. May the best win." And then he looked at her, a smirk plastered on his face.

She saw red. In that exact moment, she came up with ten different ways to kill him and make it look like an accident. But she maintained her stoic façade, not giving any reaction. Instead, she smiled. Softly, cunningly, all while digging the heel of her foot into his under the table. He winced at the contact, glaring at her angrily. She smiled again. The journalists had already begun packing up after the last question to Max, and George also got up and left, but the staring match between the two was still ongoing.

"Du kleine Arschloch!" - she whispered - yelled at him. (you little asshole!)

"You seem to forget that I do speak German, Aria." Her name rolled off his tongue for the first time this year. It surely didn't cause her heart to skip a beat. Not a chance. Not him.

"Well good for you then. You understand that you are an asshole in both of them. You refused to even acknowledge me as the competition!"

"Now, now, don't be so hard on yourself. Second place is a good place to be." He kept smiling at her, provoking her even further. But she, deciding on being mature again, did what any pissed-off mature person would do. She decided to make him crumble and prove him wrong once and for all. She made a silent promise to herself that she would bring him to his knees.

"Okay then. If you're so sure of yourself, Verstappen, we will talk before Bahrain. I do have a proposition for the reigning world champ." A cunning smirk was plastered on her red lips as she looked up at him. Damn the height difference.

"What for?" - asked Max, looking at her sharp features, not allowing his eyes to wander.

"You'll find out when the time is right, Liebchen. I do have some errands to run. Say hi to sweet Kelly for me." Her nails grazed along his arm for a split second before she pulled her hand away.

He lost his previous train of thought. Her touch was brief, almost nonexistent, yet she managed to throw his brain out the window with it.

"Wait, what ar-.." he didn't get to finish his sentence because she had already turned her back on him and started walking.

Max kept staring at her receding form. The girl was a menace, and nobody seemed to notice except for him. Yet, she didn't seem to care about teasing anyone else. Other drivers on the grid adored the girl.

He scoffed and, shaking his head, went to get his things and drive back to the hotel.

-------------------------------------------------------

What Max didn’t expect was a certain someone coming into his dreams that night. As he woke up, sweaty and out of breath, running his hands through his hair, like she had done minutes earlier in his dream, he realized one thing.

He was upmost und uterrly fucked.

And Aria Wolff was the reason, all over again.

[thecoolerliauditore]

Can you tell us the parallels between the nosy neighbors and the mean gills pls, I'm desperate

YES PLEASE OFC

For starters, they are both partnerships formed by people who have historically not gotten along, but have also not become official enemies. Martyn and Scott have their mutual respect and dislike of eachother going on that I've talked about too much at this point. Bigb stood by and did nothing when Ren (literally) demonized Pearl in DL even though his affair with Grian was partially responsible for Ren spiralling that season in the first place, allowing Pearl to act as his scapegoat.

Scott and Pearl's history is obvious enough but Martyn and Bigb also have had a fairly weird relationship up to this point. They tend to hover around eachother as kind-of-allies, usually it's Martyn actively pursuing Bigb and Bigb reciprocating just enough but ultimately pulling away when things get dicey. Where Martyn gets emotionally attached very easily and is brave to the point of being self-destructive, Bigb is cowardly and flighty with all of his alliances. Bigb is manipulative in all the ways Martyn wants to be without meaning to while Martyn fails again and again to achieve the betrayal he wants by getting too attached.

Mean Gills and Nosy Neighbours are both, in a way, ideal partnerships for the people involved. For Scott and Martyn, they have someone on the same page about surviving in the death game and the transactional way you have to look at people to do that. They communicate very little because they don't have to, they're already on the same page.

For Bigb and Pearl, Pearl is shown that there are people outside of Scott and Cleo in the games who she can trust, and that the "bystanders" of DL are just that, bystanders. For Bigb, he gains an ally who can stand up for him and Pearl's clingyness means he's pretty much forced to communicate his issues (e.g. her continuously checking up on how much time he had left) which means his problems don't have the time to fester and when they do get desperate Pearl is happy enough to sacrifice herself for him.

No wonder these two alliances don't get along when you consider not only Scott and Pearl's history but also the fact that everything about them - the people involved, the ideas behind the alliance - clash severely.

In a way, both partnerships are built on selfish reasons. For Martyn, survival. For Scott, the illusion of control. For Bigb, stability. And for Pearl, companionship and redemption. Neither are built around wanting to be with the other person, but on what the other person can provide. This also is why neither partnership really struggles with "loyalty", their interests are always being met (I don't really consider Martyn killing Scott a true betrayal since it's what Scott wanted, but I think Martyn would).

This is not to say they don't actually care for eachother, they very much do. Pearl especially is heartbroken at Bigb's death, but I've always read it more as Pearl being upset at herself for being unable to save him rather than his death itself (she did show in LL that she doesn't.. exactly have the most normal grasp on people dying, after all). That is another thing -- when Nosy Neighbours are torn apart, Pearl whimpers. When the Mean Gills are torn apart, Martyn laughs maniacally.

tl;dr they're both ideal death game partnerships but because of that no deeper connection can be established since neither party is interested in challenging the other's perspective on things.

[fivelasanctum]

Dark Fivela *Five Edition*

Update on the nightmare sequence. Apparently they filmed it with five which hits hard in the feels. He could be holding on to his own sanity but it's precarious at best. Would be romantic but also depressing if Lila and Five had the same nightmares of losing the other to insanity. Lila has been called 'Crazy Lady' but it's five who has danced with madness multiple times in his life. Some outwardly, some from his past and emotions/feelings underneath the surface. Ironic given the from the montage, he seemed like he was her rock. Which makes sense since this is Lila's first rodeo with dealing with it to this degree. Five here, doesn't look as unhinged as Lila but might be worse. He stares listlessly at her. No emotion. The opposite of love isn't always hate but apathy. He surrenders to the impulse to give up. Foreshadowing of his suicidal, broken hearted mindset at the end of the season. If he doesn't have her, he rather let the world burn. Go back to their purgatory alone to be lost physically and in the mind or worse...end himself. He saw himself when he was on that course but in the end...death would happen. Just about how one dies. (Least they had a chance to communicate with their eyes and hold each other) He slowly backs away from her. Abandoning lila to it all. Going into the light of the cracked open subway. Symbolically it's beautiful. Where as they cursed the subway often for their predicament; it was their safe haven from the horrors they could face outside of the time stops. A place for them to laugh, share stories...where they truly sat down to know each other. In this case, can represent the mind. Given how five was going towards the broken opening of it. It's ambiguous given the short clip but if you look between the lines, Lila's own fears were manifesting. Yes being alone like Five suffered for 45 years but something more there with him walking away. Not having warmth in his eyes. Not caring (loving) her anymore and shutting down. Leaving everything behind. This was early in their subway travels so could show that she did already love him but was hidden under denial and how it would look like. Perhaps, scared if she did reveal her feelings too early...the judgements from Five since one would think he would be more loyal to his family over someone who cares for him (at this point she could have been unsure) The fear of losing him by misreading the emotions but also the domino effect of the entire family closing her out if it wasn't reciprocated. Their is her complications with kids and still being married and all ^^; Or this was a sobering moment in the nightmare, causing her to realize how much she had grown to care for him (outside of reliance for survival) if she lost him completely to insanity. Much to ponder with these clips. This song came to my mind with this whole concept. If we had more darker fivela scenes I could imagine all the edits with the song. Missed opportunities... https://www.youtube.com/watch?v=Qn862pSFe_M

[misstycloud]

Isekai’d yandere x f.reader

We’ve all heard about reader getting isekai’d into another universe and bonding with the characters, but what if it was the opposite and the yandere was isekai’d while reader’s just a background character.

————-

You were the mere daughter of a baron. You were pretty, yes, but nothing to gape in awe at. To summarise, you were nothing special. Then how come the heir of a grand duchy followed you around like a puppy seeking its masters attention? Especially since it was only the day earlier that he smitten with another young miss, who he’d declared with his actions was to become his future fiancée.

Yandere! Noble who suddenly approached you out of nowhere one day. You weren’t friends and had hardly ever spoken; to ask directions or work in pairs, perhaps. He was way too cheery speaking to you. It was completely out of character for him. Where did the normally stoic and unphased young man go? He was certainly not to be found here. No, this man chatted your ear off and did not understand that you wished to be left alone. It didn’t feel very safe anymore when all his admirers glared daggers your way. There was one you were especially afraid of. He was head over heels in love with her before. What has changed? You always saw them together and she was the only one he’d smiled at genuinely. Now he didn’t even spare her a glance.

Yandere! Noble who sought you out whenever he had free time. He wanted to accompany you in breaks between your classes at the academy, he wished to escort you to town and he even showed up outside your estate. His change in behaviour was puzzling, but not as much as the shift in his speech. What were these ‘bruh’, ‘sigma’ and ‘I’m cooked’? You didn’t understand any of it, no matter how much he used it around you. You suppose you were thankful he did turn it down a notch when in others company. You already had a hard time with it, you didn’t think it was necessary for others to suffer as well.

Yandere! Noble who had been shocked when they died and woken up in the world of their favourite romance game. They had read a lot of isekai novels but never once thought the thing was actually real. Wait, if this was their favourite game, then wouldn’t that mean that you were there too? Yes! Maybe they should thank Truck-kun for hitting them on their way to work. This was much better than any ordinary life a citizen could have. At first they thought they’d be stuck in the body of a villain or a side character, but they were pleasantly surprised to find themselves being the male lead of the game. He was rich, noble, influential and devilishly handsome. He had everything.

Yandere! Noble who immediately went to the academy to find you. When playing the game, they never found themselves attracted to the female lead, despite the fact she was modelled after the general population’s preferences. It just didn’t work for them. No, they liked you. Loved you even! It didn’t matter that you were nothing more than a simple background character. You were way better and cuter than any other love interest! You kept to yourself and didn’t have many friends, however you were still very kind and modest. On top of that, you were also an animal lover- exactly like them! The two of you also shared one other interest. They wanted to know if you shared more, but unfortunately the information on you was limited(not created because you’re not important).

Yandere! Noble who wrote an email to the game developers about how they should make extra content that should only feature new information and updates on you. They insist it would sell well(no one except them would buy). Sadly they never got a reply back. Rude ass company. Maybe they should’ve claimed mental health damage because the love interests were bad, so they could sue.

Yandere! Noble who couldn’t care less about the female lead. Unfortunately they got isekaid to at the point of the game where you’d have to enter a relationship with the female lead, that you could break off eventually if you wanted to chase after someone else. And sadly for her, you were the only option. The look on her face was laughable as they told her they could give rats ass about her and how they’ve found someone much better than her in all ways.

Yandere! Noble who then realised they were not bound by any rules. In a lot of isekai the person would have to follow some original rules at least in the beginning, but there was no system or points you needed to collect. They could do whatever they wanted. They had the power, the looks, the wealth and what they wanted was you.

There is no way you’d ever say no to a future grand duke, right?

[daryltwdixon]

The Ruins of Us: Chapter 10

Summary: the group begins a full fledged search for Sophia in the woods, when they come up to an abandoned church. You end up overhearing another conversation between Lori and Shane, and finally fess up to Daryl that he'd been right all along. In a flashback, you remember a time you went out during the first few weeks of college with your effeminate roommate, when you see a familiar face in the crowd.

warnings: mentions of ED (not reader), alcohol consumption

The pale blue horizon had streaks of yellow sunlight peeking through the clouds as you opened your eyes the next morning. Your back was killing you–you had stayed in one of the leftover cars on the highway to get a couple hours of shut eye as best you could. You got better shut-eye a few days ago at the CDC, and since then any noise outside the windows jostled you awake at night. You begin to sit up, rubbing the sleep out of your eyes with your fists, when you hear hushed voices outside the vehicle.

���I know how she is— she thinks she can handle things on her own, but I’ve seen her fall apart more times than I can count,” it’s Shane’s voice outside your window, and you keep your head low to keep listening.

“How do you even know that girl, Shane? What happened? She looks familiar, but I can’t place her. Did we speak to her on a patrol together or somethin’?” Rick’s voice comes out in a hushed, curious whisper. You knew he couldn’t have completely forgotten who you were yesterday. At some point his memory had to come back to him, as foggy as it may be after the time that has gone by. You peek your eyes out the window just enough to get a glimpse of Shane’s face, it's contorted in a way you can tell he’s working out what to say in his head. His brows are furrowed, and he runs his hand through his hair while resting the other on his hip. 

“Yeah, I knew her before this all went down. We crossed paths a few times–she’s from around the area. Nothin’ serious. She was stuck in a bad place back then, couldn’t really take care of herself so I kept her out of trouble when I could. Didn’t think it was necessary to explain,” he says. You duck your head back under the window, a tightness rising up your throat. There's a long pause before either of them say anything again.

“That’s it? Just crossed paths? You looked at her like there was a lot more to it than that, Shane. You called her a pet name , dammit. What aren’t you tellin’ me?” Rick sounds more and more aggressive as he goes on. Amazement at how perceptive Rick was flashes through your mix of emotions, although you admit the first time you and Shane saw each other again wasn’t all that reserved when he brought you into a hug that day. God, it felt so long ago already. There’s another long pause, you can imagine Shane is searching his brain for a reason good enough for his facade. 

“She didn’t want me talkin’ about it. You know how people can get about their past. I wasn’t gon’ go around tellin’ stories to anyone who would listen, Rick. It doesn't even matter–what matters is she’s here now and we’ve gotta figure out how to find Sophia. We don’t have time to dig into the past when the dead are walkin’ around.” 

You can hear Rick’s quiet agreement, and their footsteps recede. 

That motherfucker.

After all that time, all that pain, he acts like you were just another face he barely knew. That you were some kid who couldn’t look after herself. How the hell does he explain the tension between him and Daryl then? Your breathing is shallow as the thoughts race through your mind. Protecting his own damn image, taking control of the situation–it was all typical you realize. Looking back at everything, he always kept you hidden away in the dark. Literally in the middle of the night, every single time. Never taking you to busy public places, never introducing you to his friends. The intensity of the emotions hits you like a spark of flame–your fists ball up as you try to keep yourself together. You need to get moving, the search party is about to start looking for the little girl, and you can’t go out there like this. How are you supposed to let him get away with acting like you were nothing to him? I should've known better, you think to yourself. Should’ve listened to Daryl when he said Shane was bad news. But you’re here now, and Shane is right about one thing–it’s too much to bring up when you have to find Sophia. For now, you shove –hard– at the thought, putting it in a neat little box in your brain with a lock on it. 

Your stomach growls loudly, shaking you from your thoughts. Your mind switches back to survival mode, the need for food and water apparent. You shift yourself up into the sitting position, and exit the car. 

As you approach, everyone is gathered around a sedan, Rick laying out a roll of an arsenal of weapons. 

“Everyone takes a weapon,” he announces. You step up next to Daryl, giving him a small smile. His hand comes up to you, offering a piece of beef jerky. You take it with eagerness, ripping a piece off with your teeth. The salty, dry taste feels so good on your tongue. You say a small thanks to him, and face the group.

“These aren’t the kind of weapons we need,” Andrea retorts, looking at the hammers and tools on the hood of a car, “What about the guns?”

“We’ve been over that,” Shane interjects, “Rick and I will be carrying. Daryl too,” his eyes flicker over to you, “we can’t have people popping off rounds every time a tree rustles,”

“It’s not the trees I’m worried about,” she says to him.

“Say someone fires at the wrong moment–herd happens to be passin’ by,” his eyes are back on her, “See–then it’s game over for all of us. So you need to get over it,” he says in an authoritarian tone.

“I’ve been trained to use a gun, why can’t I have one?” you pipe in, looking down at the ground.

“Yeah, shootin’ squirrels in the backwoods of bumblefuck Georgia,” Shane snarks at you.

“Isn’t that where we are now?” you retort, looking up at him with your eyes narrowed.

“Not happening,” he says simply, ending the conversation.

Daryl stares quietly, his jaw flexing as he watches the both of you argue. Rick is looking at Daryl too now, waving him on to tell the plan. Without any other words from you or Shane, he begins to talk about going up the creek to find Sophia. You walk up to the car and grab a hammer, it’s heavy but feels good in your hand. You practice swinging it to get the hang of the weight.

“Stay quiet, stay sharp,” Rick orders as everyone walks away, putting together packs of food and water. You take a generous swig of a bottle before putting it into a small bag over your shoulder. 

You can overhear a heated discussion going on with Andrea and Dale, but feel it’s probably best to keep your distance. You doubt they want another person’s two cents in the conversation. As she joins everyone again, you begin walking, taking up behind Daryl who has his crossbow over his shoulder. Rick is behind you at a safe distance. You all quietly follow in a single line after each other for a while, and after an hour or so of walking at a steady pace, Daryl lifts his hand behind him, getting everyone down on the ground. Crouching, you let Rick go ahead of you to walk with him and see a lone tent up ahead. Shane brushes up against you as he tries to pass as well. The three of them come up to the tent with hesitation, and you hold your breath as Daryl approaches with his knife at the ready. Carol slowly walks up, calling for Sophia. 

With no response, Daryl makes his way into the tent. You grab the wrist of whoever is next to you–you can’t even tell who it is and you don’t care. You have an iron grip on them, pleading for there not to be anything dangerous in the tent. Let it just be Sophia, please. But then Daryl comes out of the tent, standing up straight.

“Not her,” he says simply, a small gun in his hand. You drop your hand, and look over to see Glenn looking at you with wide eyes. 

You offer a small smile, “sorry,” 

He doesn’t respond, and looks toward the other guys by the tent. Turns out the person in the tent “opted out” as Jenner once put it. But suddenly you hear church bells, and everyone stands at attention, trying to search for the source of the sound. Everyone starts to run toward the noise, and out of the clearing in the woods you see a cemetery with a small church attached. Rick sprints to the door, and when everyone is behind him, he begins slowly opening it, ready for the worse. You stay back behind the men, hatchet ready in your hand. There’s a few walkers that turn and hiss when they see the group. Immediately you’re inside, ready to strike. You manage to jump in front of one that Shane is aiming for, slamming your hatchet down in its head. You stand as the walker falls down, looking up at Shane with a challenge blazing in your eyes. 

“Can’t handle myself, huh?” you ask quietly. His eyes narrow on you as well, but when the room is quiet with the lack of walkers snarling, you look back over to Daryl asking the statue of Jesus for requests, which brings a small smile of humor to your face. Why is it in the worst situations, he can make you laugh? You barely can tell if he means to. He screams for Sophia then, and you are reminded to start looking around the place. The short row of pews is empty, there’s no girl here. If she was there’s no way she could have handled those walkers anyway. Shane is approaching Rick, demanding that it’s the wrong church. No steeple, no bells, he tells him. But then the ringing chimes loudly above you and everyone is running outside. Glenn runs to the side of the building to the speaker the noise is blaring from, reaching down to the switch at the bottom.

“Timer, it’s on a timer,” Daryl says, defeatedly. Everyone seems to exhale, but more in despair than relief. Although the bells stopped and the noise is no longer going to draw anything in, you still feel the disappointment fill the air around you. 

Daryl falls to the side of the building, sitting and leaning his head back against the siding, letting his eyes softly shut. Letting out another sigh, you fall beside him, your head resting on the heels of your hands. You sit there for a long moment in silence, before you look at him, contemplating if you want to say what’s on your mind. He looks so defeated, so sad. You can tell the loss of the little girl is getting to him. He’s a tracker, he can find almost anything out in the woods. You wonder if he’s feeling inadequate in moments like this.

He seems to sense that there’s something on the tip of your tongue, “what is it?” he says softly, opening one eye to look at you. When you are still hesitant, he opens both his eyes and turns his head to look at you, “what?” he whispers again.

“You were right,” you admit, looking at him in his blue eyes that match the color of the sky today.

“Usually am,” he smirks, “‘bout what this time?”

Before you can open your mouth to speak, you both turn your heads in the direction you hear Shane’s voice coming from. He’s to your left, in front of the church building stairs. You can see Lori standing a few feet from him. Their voices are coming out aggravated, almost urgent.

“Are you really leaving?” you hear Lori asking.

“Don’t you think it’s best for all of us?” Shane’s voice questions. Daryl looks over at you, eyes searching your face for any kind of answers. You shake your head lightly, as if to say you have no clue what’s going on, and look toward the noise again. You can only see the back of Lori as she speaks to him. You can still only really pick up pieces of the conversation. Shane is completely out of view but you can pick up his voice here and there. Lori seems to want him to leave, but she’s not happy with him.

“Just tryna be the good guy here, Lori,” Shane says so quietly you can barely hear it, and you roll your eyes at that, “none of this was intended ,” he finishes. 

Lori leaves the corner of the building, walking what you assume is Shane in front of the church. Their voices are still in hushed whispers, talking over each other. You hear Rick and Carl’s name come up, but never yours.

“ I’m the one that loses you,” Shane says to her. You start to see Lori coming back into view, but she heads up to the steps of the church instead of around the building. Everything is quiet again.

Daryl looks back at you, his expression hard. 

“About that,” you exhale, closing your eyes and leaning your head back. 

———————————————————————————

“Y’all gonna follow the creek bed back,” Shane announces, “Daryl, you’re in charge,” 

“You’re splittin’ us up?” Daryl asks, his eyes narrowing, “you sure about that?” 

The group has formed back together after a couple of bites of what you all packed in your bags today before you left the highway–you and Daryl shared the rest of the jerky he had and a can of beans between the two of you. The sun was on its way down for the second half of the day. You knew you only had so many hours of daylight left to find Sophia. 

You stand next to the others as Shane and Rick explain they’re going to stay back and keep watch for her to appear–maybe she heard the bells and came running but hasn’t made it yet. Daryl’s voice is worried when he asks Shane about his plan. 

“Yeah, we’ll catch up to you,” Shane says easily.

As you start turning to walk away with the others, he suddenly calls out, “Y/N, you comin’?” 

It takes you a moment to register that Shane is calling your name. You nearly gawk at him, what the hell?

“Sorry?” you say to him, not sure you heard him right. Your tone is laced with disbelief.

Daryl’s jaw tightens as he looks over at you, chewing the inside of his lip. You look between him and Shane, uncertain about the change in attitude towards yourself. You don’t make a move to leave Daryl’s side. 

“Don’t want you wanderin’ off tryna look for Sophia yourself again, now do we? Want you in my sight,” he says to you. 

First of all, you’re amazed he’s trying to demand things of you in front of the group–it’ll put a clear target on you that Shane thinks you’re not capable of handling yourself, although he did make it clear to Rick this morning that was really what he thought of you. And second–since when does he want you around him? Hadn’t he made it clear that you needed to steer clear of anything having to do with him?

“Come on now,” he calls you over, his fingers twitching to beckon you forward. You look up at Daryl, who, instead of focusing on you now, is glaring at Shane. Lori is watching you too, confusion in her eyes. You could swear it looks as if Daryl is about to stop you from moving forward as he begins to lean forward. But he seems to think better of himself from the look on Shane’s face, and stops himself from making any moves. You slowly make your way over to him and Rick. Standing between them with your hatchet in your hand, Carl calls out he wants to come too. Surprisingly, his mom looks to you and the men you stand between, then lets him come along with you. You smile gently at Carl while he makes his way over. He really is a cute kid. 

The group starts to break apart, the women and Glenn heading away. Daryl stands still after handing Lori the extra gun he found, staring down Shane. Both of them are stock still as Rick excuses himself into the church. You reach out to grab Shane’s arm, and you're struck by the ease in which you feel comfortable enough to do it, even after the past few days’ events. You hate that you didn’t stop yourself, realizing it was a mistake. Daryl’s trance breaks as he sees your hand wrap around Shane’s bicep. As you’re pulling his arm away, Shane looks down at your hand, up at you, then to Daryl with a shit eating smirk, and starts walking with you. 

“Wipe the smirk off your face, Shane,” you mumble, releasing his arm once he starts moving.

“You and I both know you still need me, whether you want to admit it or not,” he says with a cocky look in his eye, passing you to walk towards the woods. You’re half tempted to flip him off behind his back. You glance behind you to reassure Daryl, but his back is already turned, walking to catch up with the rest of the group.

x Flashback x

When your roommate Dana said she was taking you to a “dive bar” as you were getting ready to leave on that Friday night, you hadn’t really imagined she meant an actual dive bar. You had met her your first day, naturally, as you were unpacking your only two bags in the dorm room. She immediately took to you like a magnet, making you try on all her clothes and doing your makeup how she thought you’d look best. You were her “little project” as she liked to call you. 

The thing was, Dana was from Fulton County for god’s sake, so you thought she’d keel over when she saw the state of the dive bar you knew well from home. You were surprised when she was the one who mentioned going to Henderson’s Bar. It was well known for never once being cleaned, the music old, but the drinks were cheap. You knew of the place, but never wanted to go in, afraid of creeps that smelled like beer and body odor trying to climb all over you. But when you walked in tonight next to Dana arm and arm with you, you were surprised to see it packed with college students. There was a small DJ stand in the corner playing club music, and a large crowd taking up the majority of the space dancing and grinding together. Your fake ID got you easily inside– Henderson’s wasn’t the type to have a scanner like some of the nicer clubs in downtown Atlanta. You recognize some kids from school before college, but try your best to advert your eyes if any of their gazes linger on your for more than a second. 

Dana led you straight to the bar where she ordered both of you vodka sodas. Dana had taught you all about the calories in things, and what drinks were best to keep you buzzed but thin. You had never really thought about that kinda stuff before, to be honest. You were always living on the edge of starving so the idea of watching your calories hadn’t occurred to you. But Dana was obsessed. She told you every number of calories in every serving of cafeteria food at school, read Weight Watchers and Cosmopolitan Magazines between classes, showing you new ideas for a diet she wanted to try the next day. You let her talk on and on about it, but anytime she asked you to try a new fad with her you usually turned her down, saying you were trying another diet, but you never told her which one. What you really wanted to say was she should relax and just…let herself enjoy food while it was so easily accessible. You definitely did, especially the first time you saw the cafeteria at GSU. The financial support you got from the state allowed you to get free food on campus, and you’d never been so excited to try so many things. The very first meal you had at the school had made you sick, you had eaten so much. You had to remember that this would be available all the time now, and you didn’t need to act like it was going to be taken away anytime soon. At least not ‘til summer, when you’d have to figure out what in the world you were going to do.

In the midst of your run on thoughts, Dana had pulled you into the dance floor, swaying her hips and holding your hand in one of her’s, the other holding the drink up to her mouth. She always looked so pretty, so put together. You wondered what you looked like standing next to her. She dressed you in a tight black tank top and a short denim skirt tonight. You didn’t let her put you in any of her shoes–you were adamant about keeping your comfortable footwear. And in your defense, the boots kind of looked good with the skirt, even if they were pretty beat up. Dana had smeared some eyeliner and mascara on you as well, and your eyes felt twice their usual weight. Throughout the night you weren’t sure if they felt heavy because of the makeup or the drinks in your system. The song suddenly changed as you danced with her, and it made you look up with a smile. You actually knew this one from the radio. 

As you looked up, however, you saw a familiar face across the room. Even through the crowd of dancing party goers–hell, no matter the size of the room or amount of people, you’d always be able to find that face.

Daryl. 

He already had his eyes on you, maybe that’s what made your eyes find him so easily. You could feel him watching. He was bringing his bottle of beer up to his lips when you noticed the blue and purple marks around his right eye. You groaned inwardly, wondering how he got that badly bruised. As he lowered the bottle from his mouth, you saw the healing split in his lip.

“Oh my god, that guy is cute,” Dana said next to you, having to raise her voice in your ear. She had followed your line of sight–you were probably staring–and your stomach sank when you saw her eyeing Daryl, “you know, like farmer boy hot, like he’s been in a fight. Even his black eye is hot.”

“He ain’t a farmer,” you mumbled, but she couldn’t hear you over the bass of the music. She was already making her way over to him, swerving through the people with ease. People always made way for her, maybe because of how pretty she was or just her presence alone. You were starting to wish people saw you the same way. Not until she’s made her way to stand in front of him did Daryl take his eyes off of you. He looked at her with a small smirk, letting her capture his attention. It was always easy for her to keep a guy’s attention, you’d noticed. She batted her eyelashes how girls are supposed to, put her hand on their arm and leaned into them. If only you knew how to do that stuff. Not that you really needed to. You still talked to Shane on the phone most nights, usually he asked how school was and after getting a few short answers about his day it would lead to phone sex, which you enjoyed but it still made you feel lonely when you hung up the phone. Once in a while he picked you up for a late night picnic in his truck or just to take you to a quiet place to have his way with you. You sighed and made your way over to the bar now, away from the sweaty dancers. Leaning against the sticky wooden surface, you stared at the stains on it while you waited for Dana to return. 

“Hey miss Piggy,” you heard a familiar voice in your ear. You turned to see Merle Dixon behind you, leaning in with that shit eating grin he always wore. His eyes seemed heavier than the last time you saw him, with bags under them from lack of sleep. He was also skinnier, which all things combined you had come to know meant he was on a bender–and not from alcohol.

“Miss Piggy is low, Merle,” you scoffed, facing him fully, leaning your elbows back on the bar, “even for you,”

“Aw, don’t be like that,” he lifted his mouth into a smirk, “you know you’ve always been a hottie in my eyes, Y/N. I just mean you’ve been rollin around with the pigs lately, huh?”

You rolled your eyes, “Nice, real nice.” you brought your drink up to your mouth, the bubbles hitting your tongue, burning in the best way. Shane’s face came into your mind’s eye, hating when they called him that. 

“Hey now, why didn’t you and I ever get together, Y/N?” he came in closer to you, “before you met Officer Friendly, how come we never bump’ uglies?”

You let out a laugh, and brought your hand up to his face, patting it gently, “cause you say things like ‘bump uglies’, Merle,” 

He still was smiling, turning to bite your hand. You gave his cheek one last hard pat, making him wince, “c’mon now, we’d have a lot of fuuun,” he teased.

You brought your hand away, rolling your eyes, “not gonna happen,” 

He’ laughed lightly, about to bring his bottle of Corona to his lips when he looks over your head, “well now lookie here, looks like my little brother does know how to score some puss,”

You nearly gagged at his choice of words, but still turned to see what he was on about. Your heart plummeted into your stomach at the sight of Dana and Daryl locked in a heavy makeout against the opposite wall. Daryl’s hand was on the back of her head, pulling her into him. She had her arms up around his neck, pushing herself against him in equal measure. You quickly looked away when you realized you’d been staring too long, and Merle was taking a drink from his beer, his eyes watching you. 

“What?” you snapped at him.

“Nothin,” he chuckled, shaking his head a little, “just looks like you’ll be goin’ home alone tonight,”

[jadeandroses]

Prompt by @hercarisntyours (which. Okay. I didn’t follow it to the letter. I hope that’s okay 👉👈)

the only way to bring me down

(Ao3 version)

(Warning: TF One spoilers ahead!)

If you had asked her before this exact moment, Elita would have said there wasn’t a reckless circuit in her body. She was focused. Her programming pushed her toward success, not risks and the potential of failure. She certainly wasn’t to the point of that one subordinate of hers, constantly breaking into archives and trying to saved trapped coworkers…

…and yet.

It took something to jump after him. Gall, perhaps? An undeniable sense of recklessness she hadn’t let herself explore, before? A sudden flare in her spark, whatever emotion it was that fueled the scream she let echo as she saw him shot?

Whatever it was, it didn’t matter much anymore—she was plummeting after him, and that was that.

(Bee’s scream as she jumped would forever echo in her audials.)

She thought they would have hit ground a long time ago. But that was far from the case—where the hard floor would have claimed her spark and whatever was left of his, it now disappeared out from under them. Arcs of energy—electric, buzzing under the ground—came narrowly close to them, and yet, not a one struck. But they were a source of light, for which she would have been grateful, if it weren’t for the fact that every single one illuminated Orion as he turned more and more gray.

Her eyes—and never you mind if they welled over—narrowed, and she lowered herself into a nosedive.

Her head made contact before her arms did. Without quick reflexes, he might have been thrown away from her, but she reached out, faster than any arc of lightning, and pulled him closer.

The wound burned under her touch, but his frame had already gone cold. Even his eyes—so full of light and wonder, even in the darkness of the mines—had gone out.

“You just had to make me believe,” she seethed, “didn’t you?”

The quick wit she had grown to despise was gone, and his lifeless frame didn’t answer. She pulled him into an embrace, just so that she didn’t have to look at his empty, sparkless eyes.

“I said you would bring us hope,” she wept, “not this! Orion, my god, he wasn’t worth it! Why did you have to be so-”

She choked on a sob, and instead howled her grief into the ground below. Her scream echoed, and thankfully, it masked the sounds of her tears.

She hadn’t cried in ages. Not since she was very, very young. It was a sign of weakness, in the mines. Elita needed to be strong, if she was to survive.

She was strong, yes, and she had carved a path for herself. But then Orion came into her life and ruined it all, and stars, she loathed him for it.

…but stars, it had been lonely without his passionate ramblings and bad flirting. It took a journey to the surface to realize just how much she had missed it.

(Maybe that was just constant exposure to Bee’s ceaseless chatter.)

…had she cried like this, when her cog was carved out as a newborn? Or had she been silent, voiceless and scared, like she had been every day of her life after that before Orion came and ruined it?

He had given her a priceless gift—her freedom. Her voice. Her autonomy. Maybe this choice had tossed back it in his lifeless face.

But she didn’t care. He had made his choice. She didn’t have to take it lying down.

And if she had to go back to relying only on herself, to being the only person in this universe she could count on or believe in…

…well. Whether her spark was snuffed out alongside his, or it flickered out trapped and endlessly alone in the dark of the mines, she would die one way or the other.

At least this way, it was her choice.

~~~~

He was gone.

He was gone, but her spark was still lit—that much she knew. That much, she could feel, deep within her chest, as it flickered right next to the cog of Alchemist Prime.

(The one renowned for his mind. Had she been thinking about it, when she received it, she would have preened.)

But the realization that holy Primus, she wasn’t dead wasn’t quite enough to distract her from the fact that Orion—her stubborn, endlessly optimistic moron of a former employee—was gone. In fact, even his corpse was missing from her arms.

She tensed. She straightened out her legs to stand—only to find no ground under her feet.

And, in front of her, painted in endless shades of stars and blue, backs of figures she only vaguely recognized.

If she had been staring at anything else, she might have looked at the blue sun in front of her, the figures of starlight in front of her, and put two and two together. But there was one in gray, whose back she had stared at as she charged into the unknown.

And suddenly her aching spark lurched.

“Orion!”

There was absolutely no response from anyone. She strained to see better, and, despite his lifeless state, he was glowing.

“What are you doing to him?!”

Still no response.

It was at this point Elita grit her teeth, and began to force her way past the ancient Primes like a barbarian. It didn’t occur to her at all what she was doing. All that mattered was that she get to him.

They resisted her. Even held their arms out to stop her. She thrashed, and even climbed one to see better.

“Stop! Please! He’s my friend! Don’t hurt him!”

As if the dead could feel pain. It was ridiculous. She didn’t even care.

On some unseen signal, though, they parted. No sooner did Elita find her footing did she once again find herself under the intense gaze of Alpha Trion.

It was like the world stopped. Orion—still lifeless, yet lit up like his spark hadn’t been extinguished in the first place—still had his back to her. And yet Alpha Trion stood in front of them both, lit up in starlight.

“Loyal to the very end,” he whispered.

It was reverential. It was almost a question. Even in the face of such might, she stood tall.

“That stubborn little optimist is the only person I’ve ever truly believed in,” she spat. “Of course I followed him!”

She wondered if she should have phrased that differently. That being said, it was the truth, and it hurt—but oh, she couldn’t take it back now. Where once her path had been hers and hers alone, it was one someone had chosen for her. Now, she had a choice—and she wanted nothing more than to stand by him. To help him, in his mission, no matter how stupid or now noble.

Especially now that D had…

It was difficult to say exactly what crossed Alpha Trion’s face. He rumbled approvingly, though.

“We Primes had a High Guard, once. Ones to advise us and to protect us. But more importantly, they were our friends.” Hand on Orion’s shoulder, he continued to speak. “It is a shame that we cannot give such luxuries to him. Instead, he will have you, loyal daughter of Cybertron, to protect him as we cannot.”

Her own frame began to glow, now. Not quite as bright as Orion’s, but almost. There was power coursing through her, filling her every circuit.

(…if she was tasting a fraction of what was coursing through him, she had the distinct feeling she wasn’t quite staring at Orion, anymore.)

“You are one of a kind, dear. Truly, you have earned your name,” he murmured kindly. “And as for our young one, here, I rather like what she said for his name, don’t you, my brethren?”

There was rumbling approval all around her. She was afraid to ask. But she swallowed it.

“…what?”

He turned starlit eyes on her friend, and smiled.

“Arise, Optimus Prime!”

[kerra-and-company]

(@commanderhorncleaver) Can I get the first question from each category for Mx Kerralind~

You may indeed~ :D And thank you!!

1. Age, Birthday, Star Sign

In terms of literal years old, Kerra's almost 11. She was born at the beginning of 1325, on the 20th of the Season of the Zephyr (which, since that's at the start of the year, is January 20, I believe). That makes her star sign Aquarius!

19. Hobbies

Singing, playing the flute (literally, as in the instrument, to be clear), reading (sometimes, but not paperwork), and swimming (recreationally, sometimes--she's not super fast, but she enjoys it) all definitely make this list! And she sometimes does woodcarving in her spare time, too. Her bow is good evidence of her skill--though it's now been crystallized thanks to Aurene's magic and no longer really looks like wood.

27. What’s their family like? Who’s in it? What’s their relationship with them?

Ah yes, we have opened up the box labeled "Kerra's family." It is a large box. There are many people in it.

Please proceed below the cut :)

Kerra considers both Caithe and Trahearne her siblings. Caithe almost immediately got the "sister" label from the moment Kerra awoke. Though their relationship's definitely had its ups and downs, they're closer at this point than they've ever been. Trahearne got the "brother" label semi-tentatively during the level 20 PS (which was Malyck's story in this case), and it was then solidified during their work together with the Pact. They were, and are, close enough that Kerra fully would have died for him during HoT (which was actually a point of contention between them for a bit of LWS3, since that's not something he would ever have wanted her to do; they talked that through, though).

Kerra also has a couple of friends who are close enough to be sibling-adjacent but don't quite fit into one category, and that's Rel and Minei. Rel has been her friend since they ran into each other in Caledon (sometime between the level 10 and level 20 PS), specifically during an incident with the Soundless and the Nightmare Court. They stuck together through quite a few months, separated for a bit when Kerra joined the Order of Whispers and Rel traveled to Orr with Trahearne to conduct more research, and reunited during the level 60 PS. They're very much on the same wavelength about a Lot of stuff, they get along very well and pretty much always have, and they've kept in touch even as their individual lives take them farther and farther away from each other. Minei and Kerra met on Claw Island and bonded, in part, thanks to Kerra comforting her after Forgal's death (though Kerra was not doing great herself at the time, either). The other reason was that they saw through each other--Kerra figured out that Minei was very young to be part of the Vigil, and Minei saw that Kerra was scared/upset. They worked together a great deal during the rest of the PS and continued to work together during HoT, LWS3, PoF, and LWS4. (And technically some of Icebrood, too.) They still very much keep in touch even when they're not directly working together.

I feel like "family" usually isn't talking about romantic partners? Could be wrong? But, romantically speaking, Kerra has Nisha and Canach, which is a story in and of itself that I won't go into here. They are definitely very happy and very in love, though.

Kerra also has kids--Aurene, Rhi, Tev, and Ia! She wasn't expecting to get a daughter when Aurene hatched, but the second that she did hatch, that was definitely Kerra's daughter. She is so, so proud of Aurene, and she hates that she wasn't able to better protect Aurene from having to carry the weight of the world on her shoulders young. She knows firsthand how hard that is and had hoped Aurene would have more time to grow up. Rhi, Tev, and Ia are all sylvari sprouts, second-gen sylvari (but not Secondborn, haha). Rhi awakened after LWS4, and Tev and Ia (who are twins) awakened after Icebrood. They're all wonderful kids, even though they're pretty different, and they definitely consider Aurene to be their big sister.

(And technically she also has a nephew! Sindri, Rel and Trahearne's kid :) )

There's also the whole other complexity that is the Elder Dragons, if you want to factor them into the family tree. Kerra did label/consider Mordremoth to have the position of "grandfather", but she definitely never loved him like family (and hated him, in fact). It does mean that seeing Aurene facing down Kralkatorrik later on was a painful parallel for her, though.

34. What’s their room look like right now?

Cozy, slightly cluttered, lots of things. Nothing too stacked up or messy, but it's a very lived-in room. The bed's made, but not particularly neatly. There's books and pens and paper on a table to the side. There's an amount of pillows that's more than average. The blankets are blue. There's a few assorted posters on the wall in a corner of the room; you'd have to get close to read the text. The window's open. The closet door's open a crack; it got shut too fast and there's the tip of a boot poking out.

47. What was this character’s biggest turning point in their life, something that changed them almost completely?

There's a whole lot of things in Kerra's life that you could point to as things that had a huge impact, but as far as "biggest turning point"? That happened early for her. That's Tiachren.

Sapling-Kerra was, for the first month-ish of her life, almost painfully optimistic. Very bright, believed fully that though her mission was hard, of course she'd succeed. There wasn't another option for her other than for things to turn out well in the end.

She was very excited to meet Tiachren, to start on part of her Wyld Hunt, and they became friends (not super close, but still friends) very quickly. She was horrified alongside him to find Ysvelta had turned to Nightmare, and though she did truly believe Ysvelta could be saved, her duty was to help those in Astorea. The many over the one. So she let him go alone, and he understood--and then he and Ysvelta came to Astorea both with Nightmare, and Kerra was the one to kill him.

Tiachren has never stopped being a recurring figure in Kerra's nightmares. Ever. It's been almost eleven years now. His death is the reason she learned that she can function under extreme devastation, can talk to someone as important like her Mother (for the first time, no less) like everything's normal if she has to. His death is the reason she learned that to complete her Wyld Hunt did not mean that everything would go well, even if the ultimate goal was achieved.

And his death is the first reason the world ever gave her to be truly, deeply, angry.

Kerra keeps the optimism going forward, to some extent. She smiles a lot by default, is generally friendly and a warm person. But it's optimism shaped by knowledge of what could happen. And she keeps the anger, too.

[the-hilda-librarians-wife]

I was rewatching The Stone Forest and I really like to think that Hilda had to pass by the Bell Keeper’s outpost on her way out of the city limits. I like to think that idiot looked at what was happening, shrugged, and said ‘eh, she’s the scariest thing out there’

[aparticularbandit]

The world calls it the Tragedy because they can only see what happened.

Junko calls it the Tragedy because it would have happened anyway.

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[one-in-a-million-fishsticks-blog]

Help!!!! I got distracted from working on my animatic!!!! 😭

*Sigh*....

Anyways, a few weeks ago I came across a Tumblr post which stated that at some point, somewhere, there used to be a game-relevant Belmont family tree for Castlevania which listed Richter as having two unnamed siblings.

I loved this idea, but unfortunately the wiki was entirely unhelpful with finding out more in regards to the topic.

I was hit with a strike of inspiration, however, so I decided to sketch up a few concept blurbs based on what I think Richter's siblings might look like had they existed in Nocturne.

✨ Violat ✨

Timotei Belmont - The oldest son of Julia Belmont. When naming him, I used the Romanian form of Timothy. As a child he was trained to use whips in combat with his family's ancestral fighting style, but as an adult he deviated from tradition and now fights with a combat style which he himself developed. For close combat, he relies on a specially made shield with sharpened edges of consecrated silver. For reach, he uses a bow with silver-tipped arrows. He is an accomplished archer and blacksmith who takes moreso after his mother (and ancestor Trevor) in appearance.

Aalis Belmont - The youngest child and only daughter of Julia Belmont. When naming her, I used the mideval French form of Alice. Growing up she received the same training as both of her brothers, but never really took to whips or showed any aptitude for magic as a defense. Aalis ultimately developed into a close-combat fighter, favoring the short sword as a primary weapon. She often duel-wields a pair of twin blades, sometimes substituting for throwing knives when long-range attacks become absolutely necessary. Her twin swords are called Current and Cleanse. Appearance-wise, she looks a bit more like Richter, with a few slightly more obvious traits from Julia and her ancestor Sypha thrown in.