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mothandpidgeon · 4 months

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Unrequited (bfd! pre-outbreak!/Jackson!Joel Miller x f!reader)

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pairing: bfd! pre-outbreak!/Jackson!Joel Miller x f!reader

rating: E 18+MDNI

summary: You arrive in Jackson 22 years after the outbreak only to be reunited with your best friend’s dad, the man that stole your heart and broke it when you were fourteen– Joel Miller.

contents: best friend's dad, age gap, outbreak night (nothing that isnt in ep 1), big angst, abandonment issues, brief suicidal ideation, daddy issues, grief, Joel guilt, unprotected p in v sex, reader doesn't know where Jakarta is, reader is not described physically but Joel picks (adult) reader up, moth never uses y/n.

wc: 9k

a/n: This has been a bitch to finish but I'm quite proud of where it ended up. It's the longest os I've written which makes me nervous nobody will want to read it but I hope you do.

Thank you a million times to @ezrasbirdie for making me finish this and betaing. Also thank you @lowlights for listening to me ramble on this! Dividers by @saradika-graphics

Old man, take a look at your life. I’m a lot like you. Neil Young

You’re waiting for Sarah on the front steps when she gets home. School ended nearly two hours ago and you’ve been sitting here a ball of nerves. The whole world seems to be uneasy this afternoon. You notice sirens, a team of fighter jets scrambling above. It's like your anxiety has spilled out of your chest and it’s taken life all around you.

You finger the corner of your notebook. On the inside are doodles— hearts and bubble letters. Juvenile daydreams put to paper. Your first name and after it his last, testing out the sound of who you would be if only you’d been born in a different decade. Mrs. Miller.

Sarah doesn’t look very happy to see you. It’s been two weeks since you’ve talked to her and you’ve never felt more lonely.

Her words still ring in your ears.

“It’s like you’re in love with my dad.”

“No I'm not!” you said, your whole body tingling with the heat of embarrassment. You’d never felt so exposed in your life.

“Sometimes I think that’s the only reason you’re even friends with me,” she said.

You've been ruminating on that accusation ever since. You pine for Mr. Miller the way only a fourteen year old can. It’s the kind of infatuation that makes you understand how Romeo and Juliet ended in tragedy. All-consuming, unrequited, so in love it hurts.

So maybe Sarah’s right. Your heart flutters every time Mr Miller appears in the kitchen, wearing a dark t-shirt that hugs his biceps. You try not to stare at his aquiline nose when he drives you home from Sarah’s soccer games. Sleep overs at the Miller’s house mean more opportunities to be around him, learn the little details that make him him. And there were plenty of sleep overs because your parents are always so busy fighting, they never bother to keep track of you.

But you’ve been in agony without your friend. It’s a pain sharper and more present than the yearning you’ve felt for Mr. Miller. You’ve talked to her every day since you moved to Austin in fourth grade and since this fight, there’s been an empty space in your heart.

“Hi.” You stand up, hoisting your backpack awkwardly over your shoulder.

“I’m supposed to go next door,” Sarah says.

“Can I just talk to you for a minute?” you ask.

She sighs but opens the front door with her key and lets you follow her into the living room.

“I’m sorry,” you say before you lose your nerve. “You’re right. I like your dad.”

It’s probably the most embarrassing thing you’ve ever owned up to. You wish you could explain to her that you know how silly it is to be in love with a full grown man, your best friend’s dad. It’s not like he’ll ever see you as anything other than a kid.

You can’t put into words how he makes you feel. It’s not just his broad shoulders or chocolate eyes, though it’s undeniable that he’s gorgeous. He asks about school and comes to see you in the musical. Joel is an adult that actually gives a crap about you.

You want to tell Sarah that one of the reasons you love her father so much is because of her. Because he’s such a good dad, because he raised such a cool, funny, smart daughter. That Sarah makes him better.

It’ll take years for you to find words for all of that. So you just do your best right now.

“I can’t help it. I wish I could,” you say.

That’s true. And not just because your crush has made you lose your only friend. It’s exhausting to feel such a powerful longing, to want something you know you’ll never have. It’s torture.

“But you’re my best friend. And that’s not why. I promise,” you say.

Sarah sighs heavily, her pretty hazel eyes full of remorse.

“I’m sorry,” she says. “I shouldn’t have said that. I just get jealous sometimes.”

“I promise I won’t make you feel that way ever again. I could never like him more than you,” you tell her, sitting beside her on the couch and looking her in the eye so she knows you mean it. “He’s…old.”

You both laugh.

“He’s so lame. This morning he said that Jakarta is in the Middle East,” she giggles.

You don’t know where the hell Jakarta is but of course Sarah does. You throw your arms around her. You’ve missed her so damn much. The past two weeks have felt like two decades.

“I’m sorry,” you tell her.

“Me too.” She returns your embrace. “Do you have to go home? You can sleep over if you want. It’s my dad’s birthday but I don’t think he’s going to be home until late.”

Your heart twinges at the offer and not because it means you might see Mr. Miller at breakfast. You won’t even look at him again. Tonight is about your friend.

You end up watching some corny action movies and gorging yourselves on microwave popcorn. Everything feels right again. You don’t think about Mr. Miller. In fact, you’re grateful that his double has gone over into a late night so you don’t have to be in the same room. You’ve sworn to yourself that you’ll act normal around him but you’re not sure that sheer willpower can stop you from getting butterflies when he’s right there.

At some point, you pass out in front of the tv, happier than you’ve been in a long time.

Sarah nudges you awake sometime after midnight, concern all over her face.

“Was I snoring?” you ask, groggy.

She’s looking out the window. Helicopters fly so low overhead, the whole house rattles. It’s a wonder you slept through all of this noise— the choppers are joined by the wail of a car alarm, pops like fireworks. The TV is playing a high-pitched tone and when you peer at it, you see a test pattern on the screen.

Dread settles in the pit of your stomach.

“Something’s going on,” Sarah says almost to herself.

A sudden thud against the back door makes you both jump. You swear, shaken out of your sleepy haze.

“Mercy?” Sarah asks.

You’ve spent enough time with Sarah to become acquainted with their neighbors The Adlers and their border collie Mercy. Mr Adler used to pay you each a dollar to walk him. Mercy’s frantically pawing at the glass.

Sarah goes to the door and steps into the yard. You follow, unsure you want to leave the familiar safety of the house but unwilling to be alone with such an eerie feeling in the air.

“What’re you doing out here, boy?” Sarah says, crouching down to pet the whimpering animal.

“Where’s your dad?” you ask her.

You hope the question doesn’t make Sarah think you’ve already forgotten your promise. Everything’s just so wrong. You’d feel a lot better with an adult around.

“Don’t think he came home yet,” she says. You can hear the concern in her voice. “Let’s take Mercy back. The Alder’s will be home.”

Mercy puts up a fight as Sarah pulls him across the lawn. It’s late and dark save the street lamp and a few porch lights that have been left on. You shiver despite the fact that it’s a warm southern night.

The front door to the Adler’s house stands open and inside is black. No. Bad. You want to run back to the Miller’s house and lock the door behind you but the promise of Mr. And Mrs. Adler inside keeps you moving towards the darkened entrance. Maybe Mrs. Adler will give you some cookies while you wait for Mr. Miller.

Sarah steps in first. The dog bucks and strains against her grip on his collar. Sarah fights to keep hold of him but Mercy’s thrashing makes him hard to pin down. He pulls free from Sarah’s grasp and darts away.

You have half a mind to do the same but Sarah keeps going forward. She’s scared, too, her breaths shallow as she tip toes down the hall.

“Mrs. Adler?” Sarah asks, her voice barely above a whisper.

You reach for each other without even realizing it and you enter the kitchen holding hands.

What you see there is beyond your wildest imaginings. There’s blood, a lot of it. Sarah’s shoe slides in the stuff and you grab her before she loses her balance. The room is cast in shadows but a street light streams through the window in the side door. Its beam falls over the form of Mr. Adler, limp on the floor. His back is against the door and a gush of dark blood sparkles in the sodium vapor.

You’ve never seen so much blood, never seen anyone injured so brutally. It looks like he’s been attacked by some wild animal. Mercy was acting strange but the dog couldn’t do that.

“Help me,” he rasps.

He’s speaking to you. You’re actually here. This is happening and you need to do something.

But before you can form a coherent thought, your eyes travel deeper into the kitchen. Beside the island is more blood…and more bodies.

As if seeing Sarah’s neighbor with his neck ripped open wasn’t enough of a horror, you’re now watching Nana hunched over Mrs. Adler’s corpse, her face buried in the younger woman’s neck. The scene before you makes no sense. Most of the time the old woman is barely conscious, hasn’t left her wheelchair in years and yet she’s on all fours before you looking feral.

Sarah squeezes your hand so tight you’re afraid your knuckles will break.

Nana slowly raises her face to you. Her eyes are pitch black and her mouth teems with twitching tendrils. You are staring at a living, breathing monster.

When she leaps at you, you and Sarah bolt for the door. Your heart hammers against your ribs. Sarah makes it out first and races towards the sidewalk.

Once you’ve gotten onto the front step, you slam the storm door shut behind you to trap whatever that thing is inside. SLAM. Nana collides with the door and it rattles violently. You hold it closed with every ounce of strength in you, listening to the creature behind it scratch and wail and willing yourself not to look through the glass to see its horrible face. Terror holds your muscles taught. You’re not sure how long you can stay like this, your sneakers skidding across the ground.

With a roar, Uncle Tommy’s truck pulls up at that very moment and Mr. Miller hops out of the passenger seat before its even come to a full stop. He’s a fearsome sight, broad and rippling with untamed energy, his muscular arms outlined by the headlights of the car. You’ve never been more grateful for his presence.

This nightmare is almost over. Joel’s come to save you.

“Girls get in the car!” he bellows. His voice is raw and ragged.

Just as you’re ready to make a run for it, The door flings out towards you, and you’re thrown aside as if you weigh nothing. You hit the driveway hard, your head connecting with concrete.

For a moment, you can’t hear anything but the gush of blood pumping in your ears. You’re dizzy. Suffocating. There’s a warm trickle at your temple. Sarah calls your name. Your vision is blurred but you can make out the ghoulish form of the creature barreling towards her.

“What’re we doing, Joel?” you hear Tommy ask.

There’s a thud and then quiet.

You gasp again and again but your lungs won’t fill.

Are you dying? Help. You need help. The monster lays lifeless at Joel’s feet and you pray that he’ll scoop you up and take you away from this. Your eyes finally come into focus to see Mr. Miller comforting Sarah, holding her face in his big palms, so fixated on her that he doesn’t notice that Mr. Adler has appeared in the doorway.

Mr. Adler is still covered in so much blood and his gait has become twitchy as if his legs are on backwards. He moves towards them and you want to call out a warning but you’re still choking for air. Luckily he hasn’t noticed you but he soon stands between you and the Millers.

“We’ve got to move,” Tommy says.

“Get in the car,” Mr. Miller says to Sarah, throwing a protective arm in front of her.

“But she’s hurt!”

She steps towards you. You’d cry her name but you’ve still got the wind knocked out of you and you’re too terrified to make a noise. Mr. Adler makes an inhuman sound as he advances, a croaking, growling gurgle.

Mr. Miller pushes Sarah towards the truck.

“Leave her!” he barks. “Get in the car!”

You sputter and choke as you watch Sarah, Joel, and Tommy drive away.

You wait for a long time.

As the truck pulls off of the curb, Mr. Adler is joined by his wife in the street, making chase. You’re finally able to draw breath and rouse your body off of the ground. You scramble back across the lawn to the Miller’s house and lock yourself inside. There’s enough adrenaline coursing through you that you’re able to push the sofa to barricade the front door. You draw all of the curtains and grab the biggest knife you can find in the kitchen. It’s ridiculous, something you’ve seen in scary movies, but you’re living in one right now.

You hide yourself away. Sarah’s bedroom seems like the obvious place to do it. Familiar and safe. You curl yourself into a ball in the corner, clutching your knife and staring at the closed door with wild eyes.

Sirens go through the night. Gunshots. At one point even the roar of a jet engine.

For hours your body quivers as you try to make sense of what you’ve just witnessed. Flesh-eating mutants. Gore. Death. You keep waiting to wake up from a bad dream but you don’t. They left you. They abandoned you in a nightmare.

No. That’s impossible. You can accept that a comatose elderly woman made supper out of her son in law but you refuse to believe that Joel would desert you.

He’ll come back for you. Sarah will convince him. There’s always been room for you in their family.

But as the sun begins to peek through the blinds and the noises outside fade away, you begin to lose hope.

The muscles in your body go slack, exhausted from hours of uncontrollable shaking. Your instinct for survival and your need for sleep war with each other. Exhaustion is winning.

You cautiously open the door to Sarah’s room. The house is still, more quiet than you’ve ever experienced. You creep into the room at the end of the hall. The olive green sheets on Joel’s bed are still messy from when he woke up here the day before. A normal morning. His birthday.

You rest the knife on the night stand amongst the things he emptied from his pockets— coins, receipts, a stray nail. You slip into the bed and wrap yourself up. It smells like him— spicy deodorant and sweat, fresh cut lumber like the hardware store. The scent reminds you of all those times he was close, when your heart leapt.

They’ll come back. Mr. Miller wouldn’t leave you.

He left you to die but you just go on living.

It takes some time before you’re brave enough to leave the Miller’s house and see what’s left of the world. Your parents are nowhere to be found. It’s safe to assume they were infected that first night.

You’re on your own.

A QZ is set up outside of San Antonio. They assign you to housing for separated minors. An orphanage. You never make friends, not really. Trust is too fickle.

At night you lay in your bunk and wonder what life would be like if anybody gave a shit about you. Maybe you would have been with your parents when it all went down. You’d be a snarling monster but at least you wouldn’t be alone.

On the worst nights, when you like yourself the least, Mr. Miller’s words echo around your skull. “Leave her.” She's not worth it. Forget her.

You don’t imagine yourself in his arms anymore. Instead you picture him and Sarah and Uncle Tommy, all happy and safe hiding out somewhere idyllic. A sweet little cabin with a stream nearby, surrounded by peaceful woods. You’ve heard some people live like that.

Some days you wish you were with them. Others you wish they were all dead.

When you turn 18, you age out of your living situation. It couldn’t come soon enough. Things are changing and it seems like all the kids that stay in FEDRA school are being groomed to go straight into uniform. You dodged that bullet but life’s not easy. Now you’re well and truly alone, scraping by to keep food in your mouth and a roof over your head.

It only lasts a few years, though. By the time you’re 21, there’s an emergency evacuation. Outbreaks are happening within the walls and with so many people living on top of each other, it’s only a matter of time before shit hits the fan. They send swaths of people to Dallas but word is, there’s no room for such numbers and they consider everyone from San Antonio an infection risk.

You’ve heard enough stories to know what that means. There won’t be a warm welcome when you reach the next QZ. So you ditch the convoy and head north.

You bounce around for years, sometimes with others, a lot of time solo. Doing what you have to. It’s not a life, just survival.

By the time you reach the wilds of Wyoming, you’ve had enough. You break off from the group you’re traveling with. You leave them this time, just decide to walk into the forest and let the earth swallow you up. You’re exhausted, sick of hanging on by a thread. Too much of a coward to kill yourself, you wander around waiting for the cold or your hunger or a bear to do it for you.

They find you. Some scouts that look mean and tough take pity on you and offer you a place with them in a commune where things are half normal.

It’s the first time being alone has worked to your advantage.

Jackson is a strange place. It has walls like the QZ but it’s quaint. There’s laughter and evergreen wreaths, happy children that build snowmen in the center of town. Some of these kids have no idea how fucked up the world has become. All they know is this charming little haven.

You spend the first few days in the infirmary, getting patched up, regaining your strength. You feel like an animal compared to the people in your new community. It’s hard to accept that they’re willing to help you, no strings attached.

Eventually you’re well enough to have your own place. They set you up with a little apartment over one of the stores in town. You’re invited to take your meals in the dining hall.

It takes you back to those first days at your new middle school after you came to Austin. Unfortunately, this time Sarah’s not there to offer you a seat at her lunch table.

You keep to yourself, overwhelmed by all of the strange new faces. Head down, you eat your breakfast. It’s the best food you’ve had in years. As your belly fills, you start to relax and try to get used to the idea of this being home.

Then you hear a familiar voice say your name. You wonder if you’re hallucinating when you see him standing in front of you.

He’s gained a few decades but he looks good. His hair is nearly shoulder length and there’s a mustache on his upper lip but that’s him alright.

“Uncle Tommy?” you manage.

“That really you?” he asks.

Tommy puts a gentle hand on your shoulder. His smile wrinkles the corners of his eyes. You nod and you’re smiling too.

You expect to be upset. Tommy was there when you were abandoned after all. But you’re flooded with relief and a small flame of hope.

“Shit. What’re the chances?” he asks, studying your face. “C’mere.”

He pulls you through the lines of tables. Your head spins with questions. How did he end up in Wyoming of all places? How long has he been here? Did you actually die out there only to be sent to this strange afterlife?

“You remember this old son of a bitch?” Tommy asks with a chuckle when he stops at the table in a far corner.

And suddenly you’re face to face with Mr. Miller.

He’s old. Grey hairs run through his stubble and curl from his temple. There are deep lines in his face. He’s still good looking despite how weathered his features have become, still broad, still with that wonderful silhouette.

It’s funny. In your mind’s eye, you’ve never imagined Joel aging. He stayed the same while you grew up.

He looks at you for a long moment and then his thick bottom lip falls agape. His eyes glitter and his dimple appears as he recognizes the woman that you’ve become.

“Kiddo,” he whispers as he stands up.

He pulls you into a hug and his wide palm smooths down your back. He still smells just how you remember and without warning you’re sobbing into the front of his flannel.

You spent hours upon hours imagining what you might say if you ever saw him again. Sometimes it was a speech biting with venom, others a confession, a question. Now, though, your mind is blank, overwhelmed that fate has brought you back together. A testament to your survival.

“It’s alright, babygirl. You’re okay,” he says into your hair. Words you needed to hear all those years ago.

You stay like this for a long time, surrounded by him. He holds you the way you wished he had as you cried into his pillow in that empty house. Eventually you pull yourself together with a shaking breath.

“Where’s Sarah?” you ask, casting your eyes around the crowd in the mess hall.

There’s a girl sitting beside Joel, her curly hair pulled back into a ponytail, watching this scene unfold. Everyone else is polite enough to pretend you’re not bawling in the middle of lunch. Can’t be the first time it’s happened.

At your question, Tommy goes stone faced. The muscle in Joel’s jaw ticks.

You shake your head in disbelief. “Infected?” you squeak out.

“It wasn’t like that,” Joel chokes.

“She didn’t make it through that first night,” Tommy says.

It’s a punch in the gut, the air’s knocked out of your chest all over again. While it had crushed you to be abandoned, part of you understood. Joel had to choose and he picked his daughter. Even if he’d been in love with you the way you used to dream about, he always would have chosen Sarah. You couldn’t hold that against him, no matter how much it hurt. There just wasn’t anyone in the world that would have saved you.

But knowing that he failed her, that he failed you both, makes you sick. All those years of bitterness come flooding back to you and your tears turn hot and furious.

“You let her die?” you demand. “You told her to leave me behind and you didn’t even save her?” You push Joel, your hands against the wet spots you left on his shirt. It’s ineffectual. He barely moves against your pathetic shove but his face crumples. You know he hates himself as much as you do in that moment but that’s not enough. You hit him as hard as you can and he does nothing to defend himself.

“Hey, hey,” Tommy says, trying a hand on your shoulder.

“You should’ve saved her,” you bark.

Heads have turned now as Tommy holds you back.

“I hoped you were dead every day since you left me,” you say.

You can see on his face that Joel’s definitely wished the same thing.

You go on berating him, your tears mixing with spit as you snarl and shout, until Tommy’s able to wrestle you out of the dining hall.

The summer comes. After a long, cold winter, everyone in Jackson welcomes the change of seasons with open arms. Everyone but Joel.

Ellie was a salve for the deep wounds on his heart. They’ll never fully heal but at least they stopped overwhelming him for some time. Since your dramatic reunion, though, those scars have been torn open once more. Especially today.

It’s warm and there’s barely a cloud in the sky. The July weather is mild compared to summers in Texas. Fresh air blows in through the open windows of the house, beckoning Joel outside but he has no desire to be in the sunshine.

“You okay?” Ellie asks.

She’s just come down the stairs. It’s early and Joel’s already at the kitchen table. Didn’t sleep much.

He and Ellie have been together long enough that she understands the wordless shifts in his moods. They’ve gotten worse since you arrived in Jackson. He does his work and patrols, sometimes he nurses a whiskey alone at the bar. The rest of the time he keeps to himself. He’s sliding back towards the man she met back in Boston. Joel’s rebuilt the walls that surrounded him, brick by brick since that afternoon in the dining hall.

“I was going to meet Dina at the mess. Want to come? Or I could stick around?” she offers.

It’s going to be one of those dark days, the kind that makes him question why he’s been hanging on for so long, and Ellie knows it. She’s giving him a lifeline, offering to be with him so he doesn’t have to ask. He should accept it, but he doesn’t want to waste his energy putting on a brave face for her when he feels so broken.

“That’s alright, Ellie. Go on,” he says.

She doesn’t push him. She never does. She just gives a sympathetic smile before she slips out.

Once seems gone, his heart begins to ache.

Sometime later, there’s a knock at the door. The last person he expects to see on the porch is you. You look a little nervous, like if he’d taken longer to come to the door you might’ve bolted.

He hasn’t spoken to you since that day that you came back into his life but the words you said play relentlessly on loop in his mind. He should have made amends by now. You were his daughter’s best friend and of all the places at the end of the world, you’ve ended up in the same town. He passes by the old pharmacy you live above just about every day, thinks about seeing if you’re in so you can have a conversation. He even knows what he’d say, but he can’t work up the courage. There aren’t any words that can make right what he did to you.

The guilt metastasized deep in his gut. His failure compounded.

So he doesn’t blame you for keeping your distance, avoiding him when your paths cross. He lets you be angry with him, as he deserves.

“Want some company?” you ask.

He recognizes the look on your face and it dawns on him that he might not be the only person struggling today. He steps aside to let you in.

Joel sets a cup of tea down in front of you. It’s not the real thing. Dried herbs from the garden Maria keeps. You’ve taken a seat across from him at the table, glancing around the kitchen so you don’t have to look at him.

“Surprised you remember,” he says.

“My best friend’s birthday?”

He shrugs as he pulls up a chair across from you. “Was a long time ago.”

“I think you underestimate the power of female friendships.”

You wear a soft smile that makes Joel’s heart ache a little harder. He takes a good look at you, seeing you up close for the first time. There are hints of the girl he knew back in Austin but she’s buried under years of hard living.

You’re the same age Sarah would have been today. The same age he was when he lost everything.

You sigh and scratch awkwardly at your neck.

“Listen, I’m sorry about…all that shit I said. It’s…” you trail off and he’s sure you’re still mad at him, deep down.

“I reckon I’m the one that owes an apology. I shouldn’t’ve left you back there. Sarah begged me not to,” he admits. “I was trying to keep her safe. But I fucked that up, too.”

“That’s not true. I was just angry,” you tell him.

“I was always so pissed at your parents for not caring enough about you. Turns out I was just as bad,” he says.

He hadn’t given any thought to the choice he made all those years ago. His priority was his family and he had no room for the rest of humanity. Joel didn’t realize until he saw your face again just how selfish that had made him. The past months he’s been haunted by the thought of it, a young thing all alone in the chaos. If Sarah’s watching over him, which sometimes he hopes she is, she’d be ashamed.

“I’ve had a lot of time to think since I got here and…I don’t blame you. I’m not your kid. It just—“ You laugh without humor. “God, it’s so stupid but I had a huge crush on you.”

Joel’s eyebrows shoot up. You fiddle with the chipped handle on your mug.

“I know. I was just a kid but I was head over heels for you,” you say.

Joel can feel himself blushing. It’s a sweet thought. He’s honored in a strange way. He remembers the gravity of Sarah’s crushes– Leonardo DiCaprio, Usher, some guy with a lip ring from one of those punk bands she listened to.

“So when you left me…I was a little heart broken.”

“Shit,” Joel says.

“I didn’t say that to make you feel bad. I just wanted you to know why I was so hurt,” you tell him, leaning forward in your seat. “You didn’t know any of that. And it’s not fair to hang that over your head. It wasn’t your job to rescue me.”

“Course it was,” Joel responds. “You were just a kid. I let you down.”

You look at him gratefully and a tear slips down your cheek. It takes a minute for you to fully take that in and it seems like something you’ve needed to hear.

“Joel. I forgive you,” you tell him.

A thick knot forms in his throat.

There’s a litany of names in his mind, so many people he’s failed. Henry and Sam. Tess. Sarah. He’s never expected to be absolved of any of his sins, he doesn't deserve to be forgiven. But those three words make him feel lighter, like he can stop beating himself up. At least for a moment.

He tucks his chin into his chest trying to keep his own tears from spilling over. Your hand slips over his, a gentle, reassuring touch.

The two of you stay like that for a little while, crying together, then becoming reacquainted. You talk for a long time. There’s a lot of catching up to do but the conversation keeps coming back to Sarah. It’s a gift to share memories of her, to hear stories that he’s never heard. You knew Sarah better than anyone in the world— her favorite store in the mall, what she wanted for her birthday. Her hopes, her dreams, her fears. No fourteen year old goes to her daddy with her problems. You were there for her, though. Right up until the end.

“I, um, you should have this,” you say. “Well, it’s yours.”

You and Joel have migrated to the couch in the living room as the afternoon has crept on. You reach into your back pocket, a little reluctant, and pull something out.

It’s a photograph, dog eared and creased from years of being carried with you. Joel recognizes the picture— you and him and Sarah, all three of you donning life jackets, smiling as you float on a calm river. He and Tommy took Sarah kayaking and she asked if you could tag along. It was a wonderful day. Blue, cloudless sky.

The last time he saw the photo it was hanging under a magnet on the refrigerator in the kitchen.

“How’d…”

“I stayed in your house for a while. After. Just kind of hoping you might come back. I took that when I left. And I ate all your food,” you say with a little chuckle. You wipe some snot from your nose. “I guess…well, you probably don’t have a lot of pictures of her.”

You’re right. There was an outdated school photograph in his wallet when they left that night and it had been too painful to look at for years. It still stings a little but it feels easier to share with someone, someone that knew her so well.

“You sure?” he asks.

You nod. “I know where to find it.”

He props the picture up on the coffee table so you can both look at it and meditate on that day when everything felt so perfect.

“Remember we made you play “Crazy in Love” on on repeat the whole way there?” you ask.

“I still get that goddamn song stuck in my head,” he complains.

You laugh and rest your head on his shoulder. The familiar gesture cracks something open inside of him. He’s taken back to his favorite nights when he’d watch a movie with Sarah and she’d cuddle against him. Somehow the memory doesn’t hurt as much as he anticipates.

You sit like that, looking at the picture, both quiet, your smiles fading as you remember what’s happened since.

“Sometimes I think I see her,” he chokes.

He’s never told anyone that. But it seems like you might understand, He trusts you won’t meet his admission with a pitying smile.

“How’s she look?” you ask.

He can’t help but chuckle. He nods.

You don’t say anything, you just burrow your head a little deeper into him. Joel puts a gentle kiss in your hair.

You’re a fixture in the Miller house once again, part of the family. You babysit for Maria and tell her embarrassing stories about Tommy. You and Ellie tease Joel relentlessly. You sit with him in the evenings, sometimes singing along when he pulls out his guitar, other nights neither of you speak at all.

Slowly, you find yourself falling in love with him all over again. It’s not the same infatuation you harbored when you were young. You’re both different people. And you hardly knew him back then. Not really. What did a fourteen year old know about grown men?

The two of you fall into an easy rhythm. After being alone for such a long time, it’s magical to have a companion. Joel seems grateful for the company, too. He’s there whenever you turn around, like a promise. He’s not leaving you behind even if you’re just going from the stables to the library.

Neither of you acknowledge it, this easy rapport. A light squeeze on your shoulder, holding your hand when you get misty eyed. He probably doesn’t mean anything by it but you’re pretty sure you can’t live without it. You bask in the sweetness of these exchanges, trying not to think too hard about the fact that you used to spend Saturday nights giggling on his daughter’s bedroom floor.

He’s still Mr. Miller, after all.

Autumn comes and you’re inseparable. You realize just how much when you convince him to attend the children’s choir performance in town. You expect him to demure. Watching kids being kids must be painful. But he’s by your side in the dining hall as the little ones sing “Clementine” and “Oh Susanna”.

He puts his arm around your shoulder so you can lean into him. It might just be a paternal gesture, maybe you’re still a little girl in his eyes. That’s ok with you if he keeps absentmindedly massaging your upper arm. You can’t remember the last time you felt so safe, so loved.

Afterwards, he walks you home and you’re in such a good mood, you start singing to yourself.

“Johnny Cash,” he says approvingly.

You laugh to yourself. “You know, I started listening to him ‘cause of you. You had his CD in your truck,” you admit.

You wanted to like all of the things Joel liked. He would think you were so interesting and grown up because you knew all the words to “Riders in the Sky.”

“Least I was a good influence,” Joel says, shaking his head, his cheeks turning pink.

He’s so handsome when he blushes, you feel a little giddy when you come to stop in front of the old pharmacy.

“G’night, darlin’,” he says, giving your hand one last squeeze.

He waits. He’ll stand here and watch you get inside like he always does. He doesn’t need to— it’s not like people even lock their doors in Jackson— but he’s insisted on it so fervently that you stopped arguing.

You shouldn’t do it. It’s so silly. But there’s a softness in his eyes and his gentle touch still tingles on your arm. His salt and pepper hair is caught in the string lights that line the empty street. You can’t help yourself.

You kiss him, smoothing your palms up the front of his flannel until you sink your fingers into the curls at the base of his neck. The tip of his nose is cold from the chill in the evening air but his lips are warm and sweet.

You haven’t had a whole lot of experience kissing. You’d just started doing it when the outbreak happened and things haven’t been very romantic since. This is one of the better ones. Relatively chaste but unbearably tender. Certainly better than you could have imagined all those years ago.

It lasts longer than you expect. Joel kisses you back. He rests his hand on your waist and the way it covers so much of your back makes you swoon. Soon, though, he’s pulling away, cradling your cheek.

“We shouldn’t do that,” he says.

“I know,” you sigh. You’re reluctant to break away, savoring the brush of his nose against yours.

It’s all wrong but you’re not ashamed for trying it.

“Just once. I’ve always wanted to,” you say.

He presses his lips into your forehead. It feels bittersweet. A kiss you longed for for twenty years came and went.

You wave to him from the door before you go in for the night.

That kiss confirms Joel’s fears.

He’s spent months convincing himself that this is completely platonic. He would never have feelings for his daughter’s best friend. Even if he always wants to be around you.

He’s looking after you, comforting you, protecting you. He’s making up for those years that he made you suffer through. You forgave him but he’ll never stop atoning.

And then you kissed him.

Suddenly, he’s buried in an avalanche of thoughts he’s been disavowing.

You’re pretty and soft. You're strong and you ease the pain of his memories. You make him feel a little less alone.

The warmth of your lips, your body pressed to his. He was ready to lose himself in you.

That’s when he heard it.

It was Sarah’s voice chiding him with all the reasons why this is wrong.

She’s been in his head, his inner critic since the day she died, pointing out every failure and weakness in him. He could picture her looking down on him with disgust. She’s the same age as your daughter. She was just a kid when you met her. She deserves better than you.

He’s making the same mistake as before, letting his instinct get the better of him. The responsible part of him takes control. He can’t give you any more reasons to try and kiss him again.

If Joel is good at one thing it’s denying himself.

He backs off and you can sense it, he knows you do. Sometimes he catches you looking at him and there’s a longing in your eye. It fucking kills him but it’s just another reason why he’s no good for you.

Despite whatever it does to you, you haven’t got anybody else in Jackson so you stick around. He can only imagine how much it hurts you.

“Why did I go north?” you complain when Joel opens the front door. You’re holding a scarf tight around your neck, shivering against the cold. The sky is a dismal shade of gray, snowfall on the horizon.

Joel gets you in the house with a chuckle. He starts a fire, a luxury you little apartment doesn’t afford. You shiver in front of the hearth.

“Traded for this,” you say, pulling a thick book out of your coat and tossing it onto the coffee table.

“Oh good. I was looking for some light reading material,” Ellie quips from her spot on the couch.

“It’s a dictionary,” you explain, “so you’ll quit cheating at Boggle.”

“You're in trouble now,” Joel laughs.

“I don’t cheat. I just know more words than you guys,” she says.

“Dentment is not a word,” you reply.

“Neither is thoard,” Joel says.

“Sure it is. I’m about to thoard the two of you in this game,” she says.

This should be enough. A winter day by the fire. The simple joy of a board game. Laughter. This is practically a normal life.

But each time Joel’s eyes fall on you, there’s a pang in his chest. You’re just close enough that he could reach out and touch you but he won’t. He can’t.

When the sun sets, Ellie retreats to her room. Eventually, you fall asleep on the couch, wrapped up in a quilt as the fire dies down. You look even younger, curled up serenely. There’s no worry on your brow. Usually your face is in a perpetual frown even when you’re not in a mood.

The snow is already knee deep with no signs of slowing. There’s no sense in sending you back out there.

Joel scoops you up as gently as he can. He feels his age, back straining, but he doesn’t mind. He enjoys how you nestle your face into his chest as he mounts the stairs, warm and snug in his arms. A smile pulls at his lips.

He sets you down carefully on his bed and you whimper groggily at the loss of his touch. Your eyes crack open.

“Snowing pretty bad. Sleep here. I’ll be on the couch,” he whispers.

“Stay,” you murmur.

He hesitates. Carrying you to bed was already crossing a line. He’s not worried about keeping his hands to himself. He’s been able to control himself for this long. If he lays down next to you, feeling you warming his sheets, smelling the peppermint soap on your skin, he’ll be so far gone for you, there’ll be no coming back.

But denying you this simple request feels cruel. He imagines you waking up here all alone. You’re half asleep but what if you remember asking him to remain only to be abandoned again?

He gets into bed, still fully clothed and careful to stay on his side. His jaw is clenched so tightly his teeth hurt. You give a satisfied hum and sink back into sleep, your body melting into the mattress.

Joel watches you for a moment, fights the urge to put a kiss on your forehead. He crosses his arms and stares at the ceiling, beginning to tangle with the web of emotions that accompany you. Once it gets too confusing, he drifts off as well.

When you reach out for him in your sleep, he can’t deny you. Joel tries his hardest to pretend it doesn’t feel good, that this isn’t something he’s wanted to do. So he imagines the nightmares that come to you. Reminds himself that you wouldn’t have seen any of that shit if he hadn’t left you for dead. Now that you're in his arms, he’ll make sure nothing touches you ever again. The least he can do is hold you and make sure it goes no further.

You both find reasons that you should stay the night. Neither of you acknowledge it. Joel just hands you one of his t-shirts and busies himself as you slip out of your clothes and get under the covers. It’s all rather innocent, Joel does more than rub your back even though you sometimes feel his morning wood through his sweatpants. If he wants you, he doesn’t let himself have you. And he could.

It’s fine with you if cuddling is all this is. You don’t try to do anything more than that, unwilling to upset the unspoken agreement between you. You can be satisfied with a broad, firm chest to rest your back against. Sleep is better beside him, his heart beats guiding your own. The weight of his arm draped across you makes your body feel deliciously heavy.

After a while, though, it happens.

Joel’s having a nightmare. His murmurs and restless movements wake you. His mouth twitches and his brow is creased. You smooth circles into his shoulder until his eyes open. Even in the darkness you can see the despair in them.

He blinks, coming back to reality, remembering he’s not wherever his dreams took him. You brush your fingers through his hair, gazing at one another as his breaths even out. Normally, his age is obvious– the lines in his forehead, the sun spots on his cheek– yet right now he looks young. Like a boy that needs to sleep with a night light.

You’re not sure who initiates but you find each other in the dark. At first he’s not kissing you at all, his lips are just brushing your cheek or your nose. It’s sweet and gentle. You try to hold in a moan, worried that any noise might shatter this moment.

The kisses are timid as if you’re both waiting for someone to stop this. Joel lets out a shuddering breath against you. This is a bad idea, you’re both thinking it. After you kissed him the last time, he held you at arms length. When this blows up, you’ll lose him entirely. But you need to be closer to him.

You open your mouth to him, tangle your legs between his. His hand slides under your shirt, roaming your bare skin. You thought that snuggling under the blanket was enough but now you realize just how hungry you’ve been to be touched. Really touched. He needs it too. Joel leans into your hand on his jaw with a whimper.

You don’t open your eyes. You might be the one dreaming and you don’t want to wake up.

It’s quiet, just the sound of hot breaths and desperate kisses, the swish of the sheets as you shift your hips to meet his. You keep yourself from rocking against him, try to enjoy the feeling of him without crossing yet another line, but you’re aching. His shirt has ridden up so you feel the softness of his middle, the light hairs on his chest. Your fingers intertwine with his as his mouth trails down the column of your neck and. Joel buries his face there.

“I’m sorry,” he breathes.

You’re not sure what he’s apologizing for. This? Then? The years in between? None of it matters because you want to live in this moment forever.

You shush him, pull him back to your mouth. You’re ready to lose yourself, to forget, to ignore the storm of thoughts constantly plaguing your mind. This is all you want.

You peel off your clothing, helping him slide out of his sweatpants until there’s nothing between you. Joel’s skin is warm and soft against you and you realize you’ve never been this close to another soul.

When Joel settles over you and you feel him throbbing between his legs, you shiver with nervous anticipation. You expect him to say something, to warn you that this is a bad idea, to promise this won’t change anything. But his brown eyes look as confused with need as you feel. There’s no room for thinking or it will crush this fragile moment like glass.

You tilt your hips to allow him in, already slick from being so close to him.

Slowly, he enters you, kissing you all the while. He makes a choked sound, wincing as his body stills. The noise makes you clench around him.

Together you take a moment to get your bearings and you adjust to the fullness of him. Joel’s eyes are pressed shut, his teeth digging into his bottom lip.

Before he begins to move, his thumb finds your clit, grazing it lightly. After years of solitude and now months being just out of reach of him, the sensation makes you gasp sharply.

You’ve had sex a handful of times. They had been more about fulfilling a self destructive urge than a desire for pleasure. It’s never been like this.

You start to lose sense of everything but the feelings of your body. Your core tenses and your breaths go short and you start to forget that it’s Joel whose hips are stuttering into you. It’s as if this euphoria can erase some of those awful memories.

Soon you’re shattering beneath him, a crescendo that has you tugging on his hair and gasping for air. Joel grunts into your ear. He follows after you, hissing as he pulls out of you. He pulses into his hand, his release dripping from his fist onto your sweat damp skin. Then he collapses onto you. You run your fingers through his long curls and he kisses your forehead. There might be tears in your eyes– maybe his too. It’s too dark to be sure– but when his breath evens out, it still sounds ragged against you.

Eventually he gets out of bed and leaves the room and, in that moment, you can feel everything hanging over your head again– what you’ve just done, the horrors of the world. Perhaps even more intense than before.

But Joel returns quickly. He flicks on the light on his bed side table and cleans you with a damp rag. His touch is gentle, reverent, and his dark eyes travel over your naked skin to yours. There’s a question in them, guilt, but you have no regrets. You smooth your hand out on the sheets beside you and he lays back on his pillow. He surrounds you with his massive arms and you fall asleep grateful that you don’t feel abandoned anymore.

You worry that it was just a one time thing, try to accept that it might never happen again. But the next time you share Joel’s bed, he’s pulling you into him, pressing kisses into your shoulder, nuzzling at the spot behind your ear. His hard length prods at the small of your back.

It starts like that every time. Intimate, sensual, quiet. It’s never tearing his clothes off or pushing you up against a wall. You just stay close, breath each other in, trail fingertips across skin. Neither of you ever speak above a whisper.

Joel barely talks at all except to ask, “That too much?” and “Feel good?”

You live for the moments when his hand skates over your hip, his dark eyes soft.

“Pretty,” he says almost to himself.

He’s such a beautiful man. Your fingers trace the smooth plane of his chest, dusted lightly with hair and a few stray freckles. Age has only improved him. The greys in his stubble catch the glow from the lamp on the nightstand. You study him with the same attention to detail you used in your youth. The cleft in his bottom lip, the dimples on his lower back, the scar on his temple. You’ve memorized it all.

Joel breaks open for you. He lets you see him vulnerable. He’ll fuck you with thrusts that shake loose deep emotions. Just as quickly, he’ll hold you together when it feels like you’re falling apart.

You lay with him after, sticky with the shared heat of your bodies but reluctant to roll away and break the connection.

Whatever this is, you don’t speak its name. There are too many questions and conflicts that it might not withstand. It exists only for you and him. A safe haven in the chaos, a bit of respite at the end of long years.

In his arms, you’re not his dead daughter’s best friend. He’s not the man that left you when you needed him most. You’re just two people that need to not be alone. Each time, it’s the same. The overwhelming bliss of Joel making love to you is second only to the understanding that he’s finally come back for you.

Thanks for reading! I'd love to hear from you. Comments and reblogs always appreciated.

#joel miller #tlou #joel miller fic #bfd!joel miller #jackson!joel miller #pedro pascal #pedro pascal character fic

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g1rld1ary · 5 months

Text

the way i see you ; remus lupin x reader

➻ synopsis: you're an artist, but you never let any of your friends see your work. they finally attend one of your exhibits and see your feelings on paper

➻ word count: 4346

➻ content: swearing, allusions to sex, gryffindor reader but literally mentioned once, no pronouns but implied to be fem reader, kissing, no war AU!!

➻ the remus brainrot is strong rn

════ ⋆★⋆ ════

You were an artist, you had been the whole time the boys knew you. Even in first year as a shy eleven year old, you were always scribbling away in a little sketchbook that lived in the big pockets of your robes. The hobby only developed as you got older, expanding mediums and filling countless sketchbooks. When you weren’t studying (or even when you were supposed to be) it was almost a given that you’d be working on a piece somewhere, far from the prying eyes of others.

Your friends caught glances of your art sometimes, doodles on the corner of your essays or notes, maybe a stray page left out in your dorm which told them you were good, but you never ever willingly let them see it. They didn’t know why, truthfully, you didn’t know either, but it had always been that way and everyone had more or less accepted that.

“Have you ever drawn me?” Sirius asked one afternoon as you all sat out by the Black Lake, cocky grin on his face.

“’Course,” You answered simply, moving to turn back to your conversation with Remus.

“Wait, really?”

“Well you have to have drawn me then, right? Can’t just be Padfoot!” James cut in quickly, making you laugh, nodding.

“Before everyone starts asking, lets just establish that I’ve drawn all of you at some point, okay?” You thought that would calm them down, but it only riled them up further, much to your chagrin.

“And you haven’t shown us?” Marlene cried dramatically.

“I deserve to see you capture my beauty!” Sirius collapsed in an exaggerated performance and you couldn’t decide whether you were amused or embarrassed, giggling and hiding your face in Remus’ shoulder. He merely pat you on the shoulder, shooting you a fond gaze you couldn’t see. James caught it though, and smirked in a way that Remus knew he was about to be embarrassed.

“Have you drawn Moony?” He asked, and you both looked at him suddenly.

“Prongs, don’t,” Remus said sternly, then turning to you, “It’s okay, you don’t have to answer… I know they must ruin the picture.” He gestured down to his scars. You just looked at him for a moment, utterly baffled.

“As if some silly scars would stop me from drawing you,” You said, a sweet smile on your lips, “You’re my biggest inspiration, Moony.” He blushed at that but the rest of your friends tactfully ignored it, though the boys shot him some shit-eating looks.

It was probably true that you drew Remus the most, but it was only because you spent the most time with him! Or, that’s what you told yourself anyway. Remus Lupin was your best friend in the world, and you loved him more than anything. Since you were always together and hanging out, clearly you’d draw him more, it was perfectly natural!

Your study sessions together in the library often devolved quickly, essays abandoned to the side, both of you falling into chatter as you studied and sketched him.

“What’re you drawing, dove?” He’d always ask, knowing you’d never tell. You’d simply press your lips into a cheeky smile, shaking your head resolutely.

“Uh-uh,” You’d say, “An artist never reveals her secrets.”

“I’m pretty sure that’s magicians, stupid,” He laughed, running a hand through his curls.

“Oh,” You frowned, “Well I’m that too, aren’t I?”

“Hardly,” He snorted, “Your essays are more doodles than writing.”

“Hey, Slughorn gave me a whole extra mark for the portrait I drew last week, so none of that.”

Or you’d follow him out of the pub you were all in when Remus needed a smoke, sitting on the blacked out window ledge as he lit up. You thought he might have been the most beautiful person in the world when he smoked, the way the lighter brought out the gold flecks in his eyes and hair and the shadows of night emphasised his unreal bone structure. You’d probably drawn him in that exact scenario hundreds of times, but it wasn’t your fault he looked like a fallen angel. When he leaned over to give you a puff you took it gratefully, if only for the proximity. You weren’t much of a smoker, but for Remus you’d let your lungs rot.

It was moments like that where you’d wonder what it would be like to kiss him, lean past the cigarette and put your mouth on his. Sometimes you thought he wanted it too, the way he’d get slightly too close for best friends, his own hand being the one to stick the dart into your mouth, sometimes so close your lips brushed his fingers. Moments like that made you wonder if he loved you back. Then later, when everyone was drunker, you’d see him stick his tongue down some prettier girl’s throat and you’d remember your place as his best friend. If it stung you tried not to show it, letting some sleazy guy a few years older than you buy you drinks until Peter told you it was time to leave.

Still, you were mostly alright with just being friends with Remus. You still got most of the benefits; his conversation, his dry humour, the ability to look at his gorgeous face. Who needed everything else? Plus, you could draw him whenever you wanted, doing whatever you wanted — not in a weird way. Mostly. You still would never admit that you’d drawn him holding your hand, or kissing you, or other things you desired… The magic of art, right?

After years of bugging, you finally submitted to your friends constant nagging. The day that you officially graduated Hogwarts was an emotional one. Seven years of constant laughter and magic (both literal and the sentimental kind) were over, and the world seemed too large and intimidating compared to the familiar walls of your school. Yet there was no stopping it, and you were all Hogwarts graduates.

While all your parents cried and reminisced over coffee in the Great Hall, your friends had gone for one last deep conversation by the Black Lake. Discussions of the future were unavoidable, but were mostly positive. Talks of trips you’d take, apartments you’d live in and hell you’d raise. When you all quietened down slightly, struck by it being the last time you’d sit in front of the lake, you cleared your throat.

“Um, I have something for you guys, a graduation gift.” From your purse you pulled the envelopes, all filled with fancy cardstock from the art shop near your family home. You’d drawn a simple grey-lead portrait of each of your friends, framed with a little message of congratulations. You watched anxiously as they each opened the envelopes, nervous all the hype would make the art seem inconsequential. Your fear couldn’t be farther from the truth.

Sirius gasped dramatically as he saw what it was, but a genuine smile followed straight after. James burst straight into tears, hardly getting the picture all the way out. You could tell Lily was trying not to follow, but seeing her boyfriend cry set off the waterworks for her. Marlene and Mary were inspecting the others, pointing out the little details you’d put in, like Mary’s favourite daisy earrings or the slit Marlene had impulsively shaved into her eyebrow only a few weeks before. Peter was bright pink, flattered to the highest degree. Remus was hard to read, simply staring at you with the strangest look in his eye. You couldn’t ask him about it though, being ambushed with hugs from every direction.

“I can’t believe you’ve been hiding all this talent from us,” Peter said, the rest agreeing.

“Didn’t know we had our very own Da Vinci hiding behind a Gryffindor tie,” Marlene added, making you blush and grin.

You dreaded to imagine what it would look like from an outsider’s perspective, the eight of you teary, sweaty messes all piled on top of each other. Well, seven of you.

“Come on, Moony,” James called in a sing-song voice, “If you can’t submit to a hug at our graduation I am going to give you the biggest, slobberiest kiss and you won’t be able to do a thing about it.” Remus snorted, rolling his eyes.

“You look like absolute wankers,” Was all he said, but joined the pile nonetheless, and you were extra glad he was mainly holding on to you. When you all finally pulled away it was minutes later, but the whole thing was strangely cathartic.

“We all have to promise that we’ll always be friends, no matter what,” Mary said, putting her pinky finger out. The rest of you agreed, sticking your pinkies in for a very convoluted eight way promise. With that sorted your friends started heading back up the hill to the school building, ready to leave Hogwarts forever and prepare for a long night of heavy drinking. Remus held you back. James sent you a suggestive glance when he noticed but left it that, drawing Lily in for a bittersweet kiss.

You turned to Remus, only for his eyes to be locked on the portrait. You’d spent so much time trying to get it perfect for him, practising the stupid knot he insisted on tying every day despite the rest of the school going with a less convoluted method of wearing their ties.

“Do you like it?” You asked, subconsciously twisting your ring around your pointer finger. Remus let out a half laugh.

“I love it, honest. It’s insane, really. That you can make this just like that. It’s just…” You searched his eyes for the rest of the sentence. “You make me look…” He didn’t finish but you knew immediately what he meant. Remus hated looking at himself, training his eyes down in the bathroom and opting to always be the photographer so he didn’t have to see himself in the final product. You knew of course it was because of his scars, but you genuinely couldn’t believe he thought they were ugly, much less made him ugly.

“I wish you could see yourself the way I see you, just once,” You sighed, grabbing his free hand and interlocking your fingers, leading him back to where the others were waiting.

Four years out of Hogwarts and you’d all kept your promise. Of course you didn’t see each other quite as much as the boarding school schedule allowed, but the boys all had an apartment together which brought you together often enough — except James and Lily who were married and had moved down to Godric’s Hollow to raise baby Harry. That similarly brought you all to meet often, all determined to spoil Harry as his aunts and uncles.

You weren’t a full-time artist professionally, though you still did it just as much. You’d evolved to paints by then; living with a muggle because the rent was cheap had the added bonus of not having to worry about leaving your paintings on the easel since you didn’t really care what they thought about your art anyway.

Your friends were all huddled in the boys’ apartment living room, every seat taken as you all caught up. You were on the couch with Remus, absentmindedly running your hands through his hair as his head rested on your lap. You still weren’t dating, but Lily always said you might as well have been. You laughed her off every time — if he hadn’t said anything by now how could he feel the same way? You tried to pretend it didn’t still sting.

You’d tried dating, Remus too. He’d had countless partners since you’d finished school — even more one night stands. Nothing lasted more than a few months. You’d done slightly better, you made it about a year with some bloke that Remus hated before he revealed himself as a colossal dickhead, and you’d been mostly single since.

The group was trying to organise their next meeting.

“What about the movies next Friday? I wanna see that new muggle film, Knife Runner,” James suggested and you and Remus both snorted.

“Blade Runner, love,” Lily corrected with a giggle and James burst out laughing, making a quick joke at his own expense. You’d dug your planner out of your purse to check your availability and frowned, closing the book quickly.

“I can’t do next Friday, sorry, how about Saturday?”

“And what plans have you got on a Friday night, you minx?” Mary asked with wiggling eyebrows. Even Remus looked interested, which made your heart stutter.

“Just a work thing,” You answered quickly, not wanting to reveal the real reason.

“You lie like a rug!” Marlene yelled, sitting up from her spot on the floor. You winced, you shouldn’t have made an excuse that she could so easily disprove, being in the same department of the ministry. “What plans are you too embarrassed to tell us about, slag?” You laughed shortly, their assumptions were so completely off.

“It’s not what you think—”

“Not what you think my arse, who’s ‘Davis Show’ and why is he surrounded by hearts, you absolute tart!” Sirius cried, displaying the planner for everyone to see. You couldn’t help but burst out laughing, wheezing as you looked at your friends’ faux-scandalised expressions.

“Look you twats, Davis Show isn’t a man. I’ve been invited to put my art in a show at the Davis Gallery down on Welking Road next week. I can assure you I’m not shagging a man named Davis.”

The whiplash was immediate, the gossip sniffing exchanged for celebrations, you couldn’t tell whose yelling was whose. Peter immediately ran to the kitchen for a bottle of champagne, passing glasses around the room. When the initial excitement wore down you were subjected to a million questions, and tried to answer each of them patiently.

“I can’t believe you weren’t gonna tell us,” Mary pouted and you sighed.

“You know how I get about my art,” You explained, “It’s not that I don’t love you all, obviously, it just makes me so nervous thinking about you guys all seeing my stuff.”

“You know we’re all coming now, right?” James said, wiping his glasses where the champagne bubbles had created smudges.

“You really don’t have to,” You put in quickly, “It’s so embarrassing.”

“Why won’t you let us appreciate you?” Marlene whined.

“It’s just, my art is like an extension of my soul. I don’t think I’d be able to recover if you didn’t think it was good.” Your friends grew rowdy at that, offended you’d even think they wouldn’t adore your art no matter what. You felt Remus put a hand on your thigh and gave him a weak smile, knowing he’d shut down the conversation if you wanted him to. You didn’t want to make a big deal out of nothing though, especially when everyone was being so supportive. You figured everyone was so busy they’d forget it by the next week anyway.

Friday came, and you were a wreck of nerves. Although you’d sold pieces here and there throughout the years, this show would be the first time your art would be displayed as a collective, and you were terrified of rejection.

You’d figured your friends weren’t actually coming since none of them had really mentioned anything since. Apart from Lily, of course, who’d sent an owl to your desk that morning with a sweet good luck note and your favourite chocolate.

Even Remus hadn’t said anything when you went for coffee on your lunch break. That did puzzle you, you knew he would never go if he thought it would make you uncomfortable, but it wasn’t like him as your best friend to forget something so monumental in your life. You thought he was acting kind of weird though, more affectionate than he usually was. He kept looking at you longer than he should, and you wondered if you’d miscounted how far away the next full moon was. When you asked him about it he just brushed it off, looking down at his tea instead like he’d been caught.

“I love you,” He said and you laughed.

“I love you too, Lupin!” You cooed, patting him softly on the hand.

“You’re amazing, you know?” You arched a brow.

“What are you trying to make up for?” You asked suspiciously, giving him a once over to search for answers.

“Nothing, promise,” He smiled in a way that made your knees a little weak, “I just wanted to make sure you knew.”

“You’re gonna give me an ego,” You grumbled, packing up your things to get back to work. As you parted ways he pressed a kiss down to your cheek and you stumbled. Remus was never this affectionate as a person — a pat on the back, a hug if you needed one, yes, but he was never one for casual platonic kisses. You figured it must have been his way to apologise for not coming to the art show? But he knew you didn’t mind, so what was he apologising for? You tried to shake it off and get back to work, but you couldn’t get your closeness out of your head.

Evening fell and you were setting up your stall before the other patrons came in. Rearranging the paintings until you were pretty much perfectly happy, you looked around, still not fully believing you were really here. People were filtering in, well dressed and chattering softly as young waiters handed out flutes of champagne. You straightened out your silky black skirt in an effort to look more presentable, tucking a strand of hair behind your ear.

At first things were slow, and you almost regretted not inviting your friends, if only so they could make your area look more interesting. And once you let that thought in, you kind of regretted not inviting them anyway. After all, they were the dearest people in your life and this was such a meaningful event to you.

You couldn’t think about that for long though since people had begun to filter over to you, making polite small talk as they admired your paintings. You tried to be energetic, smiling widely if you ever locked eyes with someone. However, deep down, you just wanted your friends.

A little old woman approached you for a while, wanting to know the meaning behind basically every painting and you told her happily, sharing the memories that inspired each work.

“Seems like you’ve got some true friends,” She said, “I hope you keep them close.” You agreed, thanking her profusely as she bought a landscape of the Whomping Willow.

It was growing closer and closer to closing, and honestly, it had been a wonderful night. Seeing the way that people reacted and interacted with your art was a magical experience, and changed the way you thought about it entirely. You decided that if you ever got the opportunity again, you’d want to share it with everyone else.

You were just moving to start packing up when you heard a myriad of gasps.

“What the fuck, dude?” The unmistakeable voice of Marlene McKinnon said from behind you. You whipped around to meet them, breaking into a cheek splitting smile.

“What are you guys doing here?” You asked, rushing over to scoop them all up into a hug.

“Fuck that, why didn’t you tell us that we’re your exhibition?” Sirius cried, running up to examine the paintings more clearly.

“And that they’re literally professional?” Peter added, eyes wide in wonder. You flushed red under their praise. If your friends thought your pencil portraits were good, they were nothing compared to your paintings.

Plus, every one of them was of your friends, or something sentimental to you all. Landscapes of Hogwarts, portraits of your friends, captured memories of long summer days, or life sketches from when you were all together. You watched them observe the paintings with nervous excitement, loving as they gave specific, personal compliments that only people who truly knew you could give.

“This our apartment,” Sirius said, pointing to one of your biggest pieces, “That’s our couch, the pillow Prongs has permanently ruined with butterbeer, that’s Moony!”

“There are a lot of paintings of Moony, aren’t there?” James whispered to you, wiggling his eyebrows. You flushed again. Sirius continued on, seeming (or pretending) not to have heard.

“We have to have this in the flat. Right boys?” Your eyes widened.

“Really?”

“For sure,” Peter said, “I’m buying this one too.” He gestured to one of him and James playing chess in the Gryffindor common room.

“And this is taking pride of place at home.” James pointed to a portrait of his and Lily’s wedding, and Lily similarly chose one of her and baby Harry. Marlene took one of her and Mary on the beach and Mary took one of the group at a house party. Half your paintings ended up being sold by the end of the night, and you couldn’t feel luckier. The only one who hadn’t said anything was Remus, who couldn’t keep his eyes off the paintings.

You shooed your friends out of the gallery once it really was closing time, and got to work packing away your things. You were deep in thought, reflecting on the wild day when someone cleared their throat behind you. It was Remus, and he moved to help you put your things away, stacking the paintings between bubble wrap to protect them.

“These are really beautiful,” He said, “I mean, we knew you were talented but… these are seriously on another level.”

“Thanks, Remus.” You smiled, unable to make eye contact as you watched him handle all the paintings you’d done of him. Portraits like the others, but also studies of his hands — god you were obsessed with his hands — his profile, and one less than innocent picture of his back, scars resting over muscles. You probably shouldn’t have put that one out, but to be fair you didn’t know he’d see it.

There was a somewhat awkward silence between the two of you. Not uncomfortable, per se, but there were definitely things you both wanted to say that neither knew how to.

“Let me drive you home,” Remus settled on and you nodded, letting him help you load your work into the boot of his car. You sat in the passenger seat, absentmindedly tapping your fingers on the dashboard to whatever radio station Remus had turned on. Remus stared straight ahead, knuckles pulled tight around the steering wheel.

“I’m really proud of you, you know. This whole show was incredible.” You went to thank him again but he kept talking. “I just wanted to know, um, there were a lot of paintings of me. I was just wondering why, why me?” You hesitated, unsure of what was going to come out of your mouth.

“I wish you could see yourself the way I see you,” You decided on with a bit of a sigh.

“You’ve said that before, what does that mean?” Your breath hitched. You definitely didn’t intend for it all to come out tonight, but if you didn’t say it now you doubted you ever would.

“You are the most beautiful person I know, Remus. I mean, even aside from your personality — which we know I have to be at least somewhat a fan of after all these years — you’re totally fit. Your eyes, your hair, God, your fucking bone structure, you’re literally a walking renaissance painting. And I know you think your scars make you ugly, but you don’t know how turned on I get thinking about how they’d feel on my skin.” Shit, you probably should’ve stopped talking.

You hadn’t realised he’d parked while you were rambling, but now you were sitting outside his apartment and he was looking at you with eyes that looked more like the wolf than him.

“I turn you on?” He whispered, voice suddenly gravelly as he leaned closer in to you.

“More than anything,” You breathed, brain buffering at the feeling of his breath on your face. Suddenly his mouth was on yours, hot and electric and not at all gentle. It felt like years of pent up frustration being let out all at once, and if he was anything like you, it probably was.

“Up,” He mumbled between kisses and you heard him undoing his seatbelt, hurrying to do the same. You barely disconnected to get out of the car, attaching yourself to his arm as he led the way up to the boys’ flat.

You made it up the three flights of stairs, not without Remus pushing you up against the stairwell wall to stick his tongue in your mouth, and stumbled straight into his bedroom, shedding layers as soon as the door was safely shut.

The next morning you awoke first, initially convinced you were dreaming when you saw him lying peacefully beside you. Eventually you rolled onto your side, ready to get out of bed for a glass of water when his nightstand caught your eye. There, in pride of place, was your graduation portrait of him, with a polaroid of the two of you stuck to the corner. Maybe he really had liked you as long as you’d liked him.

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hairmetal666 · 2 years

Text

It starts in Eddie's second senior year, close to the beginning of the semester. Eddie's in trig (again). He's good at math, but Mundy fucking sucks, always giving Eddie shit for breathing, or his shoes squeaking on the linoleum, or whatever, and he ends up with detention most days. So, he hardly ever shows and can't be bothered to do the homework, even though he knows the answers more often than not.

On this particular day, Mundy is in a bad mood, on Eddie's case way more than normal. In the heat of frustration, Eddie scrawls, "I fucking hate this class" on a scrap of notebook paper, and for reasons he can't begin to explain, leaves it folded on the window ledge. He doesn't think anyone will answer; fully expects the paper to be gone come morning with maybe another detention slip under his belt to show for it. He's a little flabbergasted, the next day, when the note is still there, and loses his mind a little when he sees the words "tell me about it" underneath his first message. He doesn't recognize the handwriting, sloping and a little looped, and for most of the class period, he's too bemused to respond. Right before the final bell rings he scrawls, "trig. You?" He leaves the paper on the ledge again. "Algebra 2 :(" is the response.

They keep it up, just a few words at first, before Eddie accidentally doodles on the page, and the other guy scribbles a hasty formula, the math spectacularly wrong. There's a little arrow leading to the words, "this shit sucks." Eddie re-writes the formula with the correct math, leaving careful notations of how and why. The next day he sees, "Shit, dude, I totally get this now. Mundy should retire and let you take over." Which pleases Eddie down to his core.

The messages get longer, nothing super personal, but complaints about life, math help, Eddie's silly little doodles, bad jokes, the slightly lewd drawings typical of teen boys. Eddie's never had a better attendance record in his life, but there are some days where his notes are left unopened. Most remarkably a couple week period before Thanksgiving, where he goes unanswered for so long he figures whatever thing they had going is done. But after the holiday, the notes start up again, with no acknowledgement they ever stopped. Eddie doesn't bother questioning it.

They keep it up almost all year, and they're definitely friends, even though they're totally anonymous. And that wouldn't have changed, except it's the day before spring break and Eddie's vibrating out of his skin with anticipation of the time off, so he forgets his dnd notebook in Mundy's class. He makes it all the way to Click's before he realizes, then sprints back across the school. He crashes through Mundy's door, tripping a little over his own feet.

"Sorry," he pants. "I just left--" he looks over to his desk, far corner right by the window, and then forgets every word he's ever known because Steve Harrington Steve Harrington King Steve, stares right back at him. And he just. He stops and fucking laughs, because all this time--this whole goddamn year--it's been Harrington he exchanged notes with. And sure, the jock's star has fallen in the last few months, with the breakup with Nancy and all that shit with Hargrove, but it's still Steve Harrington. With his big house and his fancy car and his girls. It's pretty Steve Harrington, the focus of Eddie's most hopeless daydreams.

He has a few seconds to see Harrington's hazel eyes go wide, before Eddie spins on his heel and makes a hasty exit. He absolutely doesn't spend the break thinking about the notes, matching what Harrington wrote with the gossip Eddie heard on him from the past few months.

Once break ends, he doesn't bother going to Mundy's class at all.

The Friday of the first week back, Eddie walks out to his van, only to find King Steve leaning up against it. He's doing that obnoxious thing where he has one leg bent, foot resting against the side panel, arms crossed over his chest, stupid hair falling in glorious cascades around his face. It's ridiculously, unfairly attractive.

"What do you want?" Eddie asks. He opens his front door without fully looking at Steve.

"Can we talk?"

Eddie snorts, "what could you and I possibly have to talk about."

Steve narrows his eyes. It's so bitchy and so fucking cute it makes Eddie queasy. "You know what."

"Enlighten me, Harrington."

"C'mon, man, the notes!"

"What about them?

"Don't be stupid, Munson, you know what. Why'd you stop?"

Eddie pulls a pack of camels and his lighter out of his jacket pocket. "Lost its appeal once I knew who was on the other side. Surprised you even want to keep it up now that you know you've been writing to the freak."

He pointedly ignores the little jolt Harrington gives at that, like the words hurt. Which is pretty rich from Steve Harrington, former #1 bully of Hawkins High.

"I've always known it was you," he says.

"You don't--wait what?"

I've known since, like, the first week, Munson."

"How??"

"What do you mean 'how,' dude, you're always drawing little pentagrams and d20's. Writing the word "Slayer" over and over. Who else would it be?"

And he can't even deal with the fact that Harrington knows what a d20 is (what the fuck) with everything else the other boy just said.

"I gotta go," is his only response. He ducks into his van, slamming the door basically in Harrington's face, before peeling out of the parking lot.

✏️✏️✏️✏️

It's the last day of school. Eddie's failed again. His grades, which weren't great to begin with, took a sharp nosedive after spring break, and he just can't wait to be done with this place for a few months. Harrington hasn't spoken to him again, and Eddie tries his hardest to ignore the other boy (aside from seeing him hanging out with Robin Buckley, a junior and a band geek, besides, and he forcibly has to remind himself that he doesn't care what Harrington does).

He slouches into his last math class of the year, slumping over in his seat. He rests his head on his desk, eyes blankly staring out the window as Mundy talks about what a joy most of them were to have in class. His eyes are unfocused, he contemplates a nap, and then he sees it. The tightly folded piece of paper resting on the window ledge.

Eddie almost doesn't take it. He almost ignores it, but he physically can't stop himself for reaching for it, unfolding it, staring at Harrington's now familiar handwriting.

Hey man, I'm pretty sure I fucked things up with us, and I owe you an apology. I've always known who you were, but you had no idea I was me. Buckley helped me see how that maybe freaked you out a little. I know I used to be a piece of shit. But I'm better--or I'm trying to be. And I'm so fucking sorry for the shit I did to you before and the things I didn't bother to stop. You don't owe me forgiveness, but you should know that I regret all of it. I liked passing notes with you. You made me laugh, and I don't know. It was nice to think someone liked me for reasons other than that I'm Steve Harrington, or whatever. I'd really like it if we could be friends. I get if you can't do that or don't want to.

Whatever the note actually ended with is scribbled out in pen so thick Eddie can't make it out.

All day he thinks about the note, the apology, all of it. Eddie thinks, if he's smart, he won't forgive Harrington. That he knows better than to trust him. But Eddie's never actually been that smart in this way, so he's not totally surprised to find himself walking to Steve's car after the last bell rings.

This time, Eddie's the one with his foot resting on the side panel of Steve's BMW, arms crossed over his chest. He doesn't have to wait long before Harrington makes his way to the car, chestnut hair dancing in the breeze, biceps on display in a short-sleeve polo. A little smile dances across his lips when he spots Eddie.

"So, you gonna tell me how you know what a d20 is, Harrington, or do I have to guess?" Eddie offers the other boy a cigarette.

"Babysitting?

"Babys--Are you serious??" Eddie splutters. Steve Harrington babysits. Steve Harrington babysits little dnd playing nerds. Steve Harrington wants to be his friend.

A full grin spreads across Steve's perfect face and Eddie is absolutely, 100%, fucked.

(Part 2)

(Steddie Notes is now posted in full on ao3!)

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