#shui writes
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au doodles to go with my new fic
first chapter posted here !
#shui draws#shui writes#mythic quest#brad bakshi#david brittlesbee#jo mythic quest#braddavid#baksbee#please please please ask me about my au . i have so much to blab about#the doodles dont actually go with the first chapter . but like . i kinda dgaf
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hey guys i just uhm wanted to let people know that i have a batarou fic that i've been working on nudge nudge wink wink trips and falls and drops it oh no look there's the link
#shui talks#shui writes#opm#batarou#ao3#btw new chapter (8) drops either tomorrow morning or on sunday!!!
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hai . completely wiped out my old writing sideblog will probably use this very rarely
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Miserable instead
"Quid Pro Quo!" David blurts out, desperately grabbing onto the deal they had made over Playpennies all those months ago. And honestly, he should have led with that. Levelled with that bargaining chip as soon as Brad opened the door. He could have been halfway home and to his bed by now if he had. "What?" Brad's face is scrunching up again, real, palpable, honest confusion twisting it up. David feels like shouting, "Hah I got you!'" in his face, but that would be a bit juvenile maybe. "Quid Pro Quo. You owe me, remember? Anything I want, you said. Well, this is what I want." Or: David and Brad make another deal, and then some. Set post "The Room Where It Happens".
coda part 7 here we go!
#braddavid#baksbee#brad bakshi#david brittlesbee#mythic quest#lex writes fic#toxic yaoi time#shui this ones for you
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TGCF and the Literary Tropes
Okay so this is a long text post, but its something I've been through and discussing a lot.
I’ve mentioned this before, but let me say it more clearly: in my opinion, there’s no such thing as being “doomed by the narrative” in Heaven Official’s Blessing (TGCF) by MXTX. It’s an important distinction because it sets MXTX’s storytelling apart from other narratives where characters are often victims of fate with no real agency. MXTX understands probability, and does not operate by the ‘but what if!’.
For those unfamiliar with the term, “doomed by the narrative” refers to a trope where a character’s fate is sealed or predetermined by the structure of the story itself. Essentially, it means that no matter what the character does—regardless of their actions, intentions, or desires—the plot is already designed to lead them toward an inevitable downfall, failure, or tragic end. It’s a form of narrative determinism, where the story traps a character in an inescapable fate. This idea is commonly seen in tragedies or stories centered around themes of fate and destiny, where even the audience often feels that sense of looming disaster, even if the character does not.
While TGCF is a novel rich with themes of fate and destiny, it doesn’t employ the “doomed by the narrative” trope. Instead, the story revolves around other different ideas, such as “you reap what you sow.” In TGCF, the characters—especially the gods—face the consequences of their own actions. From the Banyue Arc to the final arc, we consistently see this pattern. No character suffers without reason, and no fate is forced upon them by the structure of the story itself. Their actions, choices, and motivations directly shape their outcomes.
In TGCF, fate is not something manipulated by MXTX to move the plot forward or force a tragic conclusion. She doesn’t kill off characters just because it serves the story or because she’s trying to make a point about destiny. Instead, fate in TGCF functions more like an ecosystem—a natural cycle where actions have consequences. It’s a world where what goes around comes around, and every character is accountable for the decisions they make.
Consider the Blackwater Arc (FengShui Di Arc) as an example. Many have discussed this before, so it’s not something you have never come across. It’s a key moment in understanding how fate operates in TGCF. Shi Wudu is faced with an impossible moral dilemma, a classic “trolley problem.” He has to choose between sacrificing the life of a stranger and their family or allowing his beloved younger brother, Shi Qingxuan, to die a death more tragic than anyone can imagine. For Shi Wudu, this is not a simple decision; he has dedicated his entire life to protecting his brother. Older brothers are like parents, to their younger siblings. Shi Wudu does not regret making the decision he did. In the end, he makes the choice to switch the tracks, saving his brother at the cost of another’s life and family.
As the arc unfolds, we see that Shi Wudu must also face the consequences of his decision. He is driven mad by the end of the arc, and his punishment is both brutal and symbolic—his head is ripped off, an echo of the price he paid for his brother’s safety. Shi Wudu made a choice that could be viewed as understandable or even noble, but he also committed a grave wrong. And in the world of TGCF, he reaps what he sowed. Even in his final moments, He Xuan gives Shi Wudu a choice, he can still reverse the tracks and fix it, or die at the hands of the person he chose over him, and Shi Wudu stands by his decision, telling Shi Qingxuan, “Gege will go ahead and wait for you.” He does not regret his sacrifice. He is killed for it. His end is a form of cosmic justice. Despite the tragedy, there’s no sense that he was doomed from the start—his downfall is the direct result of his own actions.
This principle also applies to He Xuan. “But He Xuan suffered so much; he deserved his revenge.” That’s the point. He Xuan’s story is not one of a man doomed by fate, but rather a man consumed by revenge. He Xuan, who endured unimaginable suffering and betrayal, chose to devote his existence to vengeance. He had already avenged his suffering by killing the people responsible—he became a Ghost King, devoured the Jinx Demon, and infiltrated heaven. He gained power, status, and acceptance among the Heavenly Officials. Shi Wudu changed his fate so that he could no longer ascend? Here he is, a god (and an elemental god, instead of a civil god like he would have been if his fate hadn’t been switched). He could have lived peacefully, yet his obsession with revenge defined every move he made.
Even when He Xuan had achieved everything he should have wanted—status, wealth, respect—he couldn’t let go. His fixation on vengeance led him to destroy the very peace he could have had. By the end of the arc, when Shi Wudu asks if he’s happy, He Xuan’s answer is a hollow “yes,” fueled by the sight of Shi Wudu’s suffering. But as Shi Wudu points out, this revenge has changed nothing. Shi Qingxuan, despite the tragedies, had lived a better, fuller life than He Xuan. Shi Wudu’s words break He Xuan, driving him into a final fit of rage where he decapitates Shi Wudu and refuses to let Shi Qingxuan die, just to prevent the brothers from reuniting in death. What does he get in the end? Nothing, but the head of Shi Wudu and a life time of brooding in the nether water manor.This act of spite is not the work of a man doomed by narrative fate—it’s the result of He Xuan’s choices, driven by his inability to let go of vengeance.
In conclusion, TGCF does not operate on the idea that its characters are “doomed by the narrative.” MXTX creates a world where actions have consequences, where fate is shaped by the decisions characters make, and where justice—whether deserved or tragic—is always a direct result of their choices. The characters in TGCF are not trapped by an unavoidable destiny but by the weight of their own actions. It’s a powerful form of storytelling that places responsibility on the characters themselves, rather than the structure of the story.
#long post#tgcf#tian guan ci fu#mxtx#mxtx writing#shi wudu#he xuan#shi qingxuan#heaven official's blessing#the trolley problem#to be or not to be#literary tropes#in mxtx writing#my analysis#blackwater arc#doomed by the narrative#fengshui#black water sinking ships#demon xuan#shui shi wudu
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The bedroom was poorly designed, a lack of concern for where the bed may be placed. Yet, that is the entire house, there's no other layout for the bedroom that would have been feasible.
The bed is placed optimally according to rules of harmony. If you ignore the window.
Large doors bring you into the room from the singular hallway of the house. It is a small home. The door sits in a corner, empty wall along where the hallways continues from the outside. And the bed is centered along the opposite wall. Balanced, secure, a sense of safety in the ability to see the door from lying down.
However, the window sits centered along the opposite wall of the door as well. Do you see the problem? The headboard rises up, covers most of the window, never truly allowing sunshine to fall upon you as you take an afternoon nap, or wake up slowly in the morning.
Not that it matters greatly. The house itself is positioned at an angle with the sun. So that the sun rises on the far corner of the garage and sets along the other corner. No windows in either space. And no time of day where the sun may shine into any windows along the front or back of the house.
But I feel a sense of dread, of uneasiness. At the lack of consideration for light within this home. Often times, I feel as if I am withering. My leaves pale in comparison to what they once could have been. Every other day, I feel a new one drop without replacement.
I need to return to the sunlight. How can I shift my home into realignment?
#feng shui#first world problems#I require light to thrive#unfortunately#writing#poets on tumblr#poem#poetry#spilled ink#spilled thoughts#spilled poem#spilled writing#original writing#prose#poetic prose#prose poetry
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Part 3: How to write an MLE-based London accent authentically
Part 1: Who, What (London Accents) | Part 2: When, Where, Why (Black Londoner Culture since Windrush)
As I conclude this little guide, I'd like mention that my ask box and DMs are always open if anyone has further questions or anything 🤎
In this section, I'll go over some advice, the grammar and vocabulary and provide some suggestions for references.
Section A: Basic Tips
When to use slang
The concentration of slang is key to differentiating characters as well as writing an accent authentically. As an MLE-based speaker who is not actually a roadman (meaning a gangster, though many people misuse the term to refer to anyone who uses MLE, especially if they are working class), like most of us, Hobie does not utterly kill it with slang that would likely not be understandable to the people he’s with. There are a lot of phrases and idioms/metaphors that seem self-explanatory once you know what they mean or that seem similar to Americanisms (e.g. roadman = street/hood nigga), but of course, as someone who doesn’t use the terms, hearing it in passing, it probably wouldn’t be understandable, despite the speaker thinking it is.
Coming from a diverse place, often with immigrant parents who don’t even speak English as a first language, if fluently at all (not in the case of most black Caribbeans from former British colonies, but remember Asians and Africans are more plentiful here), trust me, we know what we sound like 😂! Most of us code-switch, as we learn standard English in school and, until more recently, where more people are 3rd gen+ immigrants as opposed to 2nd, we actually tend to pick up MLE slang from experiences outside the home as we grow up. At the same time, some people really don’t care at all and don’t change how they speak for anyone haha. I don’t recommend trying to write code-switching if you’re not extremely familiar with MLE because you’ll probably lose the flow and also, Hobie only eases up a little bit after his intro.
My point is though, that not every single sentence needs to have slang in it. Most should, but if you’re trying to be serious or sexy, for example, and you feel the need to tack on some slang just to convey Bri’ishness, even if it doesn’t really fit, don’t do it cause it’s no more authentic than just writing plain English in those scenarios.
When talking to people from his own dimension, however, slang it up if you’d like, because the expectation would be that a (working class or ethnic) Londoner would understand him.
For humour, mocking and teasing, we love to use slang because a lot of it is funny, even to us. Like I said, we know what we sound like. Those are the moments when more obscure slang (such as Cockney rhyming slang) might come out for comedic effect.
It’s good to have some balance, so not every word needs to be substituted. If you couldn’t read it without a fucking huge glossary, you’ve probably done a bit too much.
Writing the Accent
It’s good in moderation. ‘Luv’, ‘ain’t’, replacing the last g with an apostrophe in -ing words - you all have those things down, it works, good job.
HOWEVER, it is very clear that a lot of you have no clue what letters we do and don’t drop/change and in what words, as well as a lot of you going OT with removing the T’s from the middle of words. I know it kind of sounds like that to you but it reads like an over-exaggeration or mockery, particularly because most London accents, including Hobie’s, are much lighter in comparison to Brits from other areas, in which such omissions and alterations of letters would be somewhat appropriate but still, in moderation. I don’t recommend typing out the accent often, just sprinkle it around for a bit of flavour but don’t consistently write in that way because your writing loses legibility and it gets quite distracting.
Content
The stereotype of British people liking sarcasm is true for most and, in general, we like to have, what we call, ‘a bit of banter’. We’re a jokey people, even if those jokes can be a bit harsh or teasing. Confusingly, even if we are joking around, it doesn’t mean necessarily we’re being friendly, joking is just how we communicate (e.g. “Oh boy, humbling reality Spider-Man has arrived”, “What does that do?” “Apart from having a great name?”, “super humane and not creepy”, “this is a great look…”). I think most people have got this down really well, so keep it up guys 😎🤙
Another thing is cussing, swearing, profanity, whatever you wanna call it. We do it a lot for no reason, mainly spamming the word “fuck(ing)”. So have fun with that if you aren’t already.
We’ll get into it more in the terms of endearment section of Section B but, basically a lot of Londoners are typically not too mushy or affectionate, as is the stereotype for big city people and, additionally, British people in general aren’t the most direct in their words. Obviously, some people are but it’s not the culture if you’re trying to write proper ‘authentic’ haha. For a lot of us, saying sweet stuff can be quite laborious when sincere or cheesy or confrontational levels of direct really 😂 We ain’t the friendliest of types through our words so I'd recommend relying more on context for the sweet factor unless it's a stand-out moment.
Different parts of the UK, even within England itself, have different slang
Idk what else to say about this but yeah, there’s some phrases I’ve seen people use that have me scratching my head cause “nobody [from my area] says those words in that order” but I’m guessing it’s down to people incorporating slang which is more commonly heard up North because it’s all classed as British/U.K. slang when you look it up so, just be wary of that.
Section B: Grammar and Vocab (the thing you’ve been waiting for 😂)
I’ll link a document here so I don’t clog up your dash more than I already have. Feel free to bookmark it or anything, I’ll update it if needed. The contents are links to the relevant section so you can just click those if you’re not trying to read the whole thing.
I only included some highlights of the things that are easy enough to explain just by writing them out with their meanings but it’s by no means an extensive list. I’ve studied a few languages but I’m not a linguist so I just did my best.
If you want to go more heavy with the Cockney slang, I’ll leave it to someone who’s more familiar with it (or not… lol) to explain those terms and when to use them properly.
Section C: References
Of course, it’s all good and all that I’ve given you instructions but to make it sound natural, you’d need a point of reference. Here are some references of black North West Londoners from the early 80s, black East Londoners, black Londoners more generally and a Daniel Kaluuya interview so you can get a better feel of how we sound:
Clip from ‘No Problem’, the first Black British Sitcom
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The accents within this one group of siblings is very varied and none of them use MLE, as per the time period. The two younger sisters have accents most similar to Hobie’s. The show follows a group of siblings of Jamaican descent living in a council house in North West London, first released in 1983.
Clips from ‘Chewing Gum’ by Michaela Coel [CW: they're awkwardly talking about sex in a lot of the clips + don't listen to Candice's boyfriend, Aaron, he's not from London lol]
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The show takes place in Tower Hamlets, which is in East London and was first released in 2015. Tracy has a similar accent to Hobie and also uses a mix of more general/Cockney-influenced slang and MLE, so this one should both be a fun watch and be useful, you’ll also want to pay attention to Candice who has a more MLE lean to her speech.
Clips from the Foot Asylum crew most of them are MLE speakers, see some examples of our banter with friends lol
Clips from ‘Top Boy’
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Another show that takes place in East London, this time in Hackney, which is an area known for being kind of rough in terms of gang activity. Almost all the characters speak exclusively MLE in this show. If you want to watch it, TW for violence and gang activity, death, etc. (18+). You can tell based on the ones I’ve chosen that Sully’s my favourite character lmao.
Fun fact, as you might hear the character, Dushane, reference, Sully lives on a canal boat for a while as a form of refuge. I know a bit about boat dwellers in London from a lecture at uni but if anyone wants me to do more research and do a post and explain the waterways and stuff, again, feel free to drop an ask and I’ll do it :)
Clip from ‘Love Island’ just pay attention to the black islanders, Tyrique and Whitney
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I just finished watching this year's Love Island UK so I thought I’d throw the clip of Whitney, Lochan and Tyrique fighting in here lmao
& Daniel Kaluuya talking about Spiderpunk to bring us full circle✨
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#hobie brown#atsv fanfiction#spider punk#black british#writing advice#across the spiderverse#shui fic#shuinami
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Okay, so~... i've been thinking on it for a little while now, and i think sometime soon(-ish), i'm gonna go ahead and make another multi-muse blog-- like as a side blog to my hub blog, since i did mainly make that blog to host these muses anyways lmao-- but it would feature muses from a few visual novels i've played/spectated, and enjoyed~♡
Added rambling and muse list under the cut, to save the dash from my yapping if anyone isn't interested--
Originally i was going to give most of these muses their own side blogs, as i had been working on a few of their blogs in the past-- and even had one or two up and running-- but thanks to poor detail management, i lost access to those blogs a while back XP
So, for the sake of making things less stressful on myself-- i've decided to just lump them all into one blog, and hopefully i can figure out a way to theme it that i'll be happy with--
Current planned muses are:
Impey Barbicane {Code: Realize}
Saint-Germain {Code: Realize}
Kageyuki Shiraishi {Collar x Malice}
Yasuhiro Isshiki {Collar x Malice}
Shui/The Poet {Lamento -Beyond the Void-}
Current considered additions are:
Konoe {Lamento -Beyond the Void-}
Asato {Lamento -Beyond the Void-}
Cardia Beckford {Code: Realize}
Ib {from the game of the same name--}
I'd also like to note that when this blog gets made, it'll most likely be fairly low activity wise-- and/or run mainly via a queue-- Since i would still like to try and focus my attention toward blogs i have at current LOL
also also, while i have given some consideration to adding Ukyo from Amnesia as well... for now, he'll remain outside either list-- both because that's a series i haven't touched in ages, and because at current i lack confidence in how well i could portray him.
there's also a chance i may expand the blog to include an oc or two... (likely either for Lamento, or maybe DMMd--) but at current, my plan is to focus on canon muses-- after i revisit their respective games.
lastly, yes i know Ib isn't really a VN, but~... in the event i do decide to pick up writing her again-- i feel like she'd still fit in well enough lol
#{|ooc post|}#further tags will only make sense if you read the above 'read more' section lmao-- but imma put this bit of chatter down here anyways--#whenever i do decide to make this blog a thing-- Shui and Shiraishi/Ishhiki will likely be my main focus for the time being--#as while i've paused on my rerun of CxM-- it's still the game i'm working on atm--#and soon as a bestie of mine can get Lamento running properly-- it'll likely be the next game revisited#(once we finish this current run of dmmd; that is--)#then hopefully in the coming year i can work on the C:R muses-- in addition to deciding if i'll add the other bois from Lamento#(and yes-- before anyone comes for my ass-- *i know this a lot to add on my plate--*)#(especially when i already have wip blogs from a manga series to work on lmao--)#(*but--* since this bunch has been worming back into my brain--)#(figure i may as well give in and allow myself a space to try and write them again/start trying to write them--)
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^ @meandmy100blanketsagainstheworld
woo !!! scene from the new chapter of my fic (can be found here) happy late fathers day !!!
#shui draws#shui writes#mythic quest#jo mythic quest#brad bakshi#david brittlesbee#baksbee#braddavid
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it is so fucking crazy when i find someone in the wild who has read my fics like wdym all those people leaving kudos r actual real people that are actually real???
#shui talks#shui writes#ao3#thsi is also why its so awkward for me to respond to comments because im so unused to people actually knowing i write fics
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Valentine's Love Pawsona! (pt. 3)
Puts down her cellphone, and rests her face on knuckle. "Do what you want with this information, I suppose." No, seriously, she just got perceived hard.
#.° 。𖦹 — 𝙬𝙖𝙩𝙚𝙧𝙗𝙤𝙧𝙣𝙚 𝙨𝙖𝙜𝙖𝙘𝙞𝙩𝙮. ( shuijing )#awww this is cute!#she is a little prickly but is actually soft inside.#i thought she'd get deer like kippy but this actually fits her more!#the 'texts in paragraphs' and 'writes letters in perfect handwriting' are sooooo her#shui will lore dump stuff over texts and letters
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fade into you
“Listen. You want me to fuck you, then we’re doing it my way.” Brad gives him a look like he's humoring him, still not sold on David having it in him to give him what he wants even though this whole thing has been his idea. Honestly, David isn't completely sure of it himself, but he's willing to give it a good try.
here i am with more braddavid smut, top!david edition...enjoy!
#braddavid#baksbee#sorry shui look away or don't hehe#mythic quest#brad bakshi#david brittlesbee#lex writes fic#also hellooooo this is my 10th fic for them whaaaaaat#look i know i know it's a controversial take but just go with me on this one
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fellers i am Bad at chinese :')
#trying to learn on duolingo (bad. i know. better than nothing)#and brother when i have to start writing hanzi. TT_TT#also i have An Accent. which is bad enough in languages where pronunciation doesnt um CHANGE THE ENTIRE MEANING OF THE WORD#oh well. so far i've learnt to talk about liquids#zhe shi bing cha he ka fei he shui he tang....
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would i be crucified for saying i DO NOT fw the drama adaptation of professional body double... they woobified my favourite scum gong to such unrecognisable extents, he cannot be the yan mingxiu who terrorized the readers and zhou xiang throughout the events of the novel!
where is his rancidness. MSI counterpart is so digestable mwanwhile I wanted to kill ymx at least fifty times while reading professional body double. where is his terminal codependency. why isn't he domming zhou xiang every scene.
MSI is the lite version meanwhile the actual one needed to be institutionalized in an insane asylum.
#maybe its the actors maybe its the writing maybe its ming agreeing to bottom in that one scene which I don't see yan mingxiu doing At ALL#gave me the ick#or maybe mother shui qiancheng's work cannot be replicated in its raw sincerity in any other form of media except her writing#the show perhaps is good to watch as something independent but as an adaptation? BROTHER EUGHHHHH#also i distinctly remember zhou xiang having morning shadow WHERE WAS IT WHERE DID IT GO#i hated how they showed lan xirong and wang yudong#nvm i guess#ranting won't change anythinh i will simply pretend the show doesn't exist#shui qian cheng#188 boy group#188 series#professional body double#professional substitute#yan mingxiu#zhou xiang
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Very, very serious research for OROADNC
#oh rock of ages; do not crumble#writing research#feng shui#youtube channel dearmodern getting isekai'd into Roshar: “Dalinar Kholin it's bad feng shui to sit with your back against the door”
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Ares + Viktor (feat. The Cardinals + Alan)
Today! The first day of the year! And thus means, celebrating with the Cardinals a glimpse into how they're currently celebrating this time of year.
He’s not used to celebrating the New Years with just himself and the other Cardinals. Rather, he doesn’t think he’ll ever get used to it at all. The whole energy in Ares’ apartment is different with everyone socializing while he’s shut the door to his room because this can’t be real.
It’s the first year he hasn’t gone home to celebrate the holiday, rather it’s also the first year Alan is skipping their family’s celebration as well. Viktor likes to think that his parents are disappointed in him, in what he’s become. At least then, it’s easier to sleep at night.
Then the doorbell rings.
He hears the door unlocking, Ares’ shout of: “Alan! We were waiting for you, come on in. Come on, we’re making some dumplings together–”
Alan laughs a little, always a bit sheepish when he has to engage with the rest of the team. “I was going to drop something off, I know you all drink sake so I went out to buy some but I also got some beer if that’s more your taste.”
“Oh you didn’t have to!” Shannon chimes in. “Really, we have so much alcohol from other celebrations.”
“Technically we’re still working on them.”
“Slowly, but thank you.”
“Come on, we need as many hands as possible to help with the dumplings. The goal is to make sure no one can eat another bite after.”
There’s still chatter in the kitchen, one that’s bright and fills the apartment with so much more life than before.
Then, then– he opens the door to his room. Viktor knows he should go out, but it’s also far too much for him at the moment and he’s never been good at social gatherings.
“Are you feeling alright?” Ares prompts as he gently sets the money tree on the table.
“Thinking,” he easily replies. It’s not the explanation that Ares is looking for and he knows it. “I keep on expecting my parents to barge in, I suppose.”
“They don’t know where I live,” Ares points out as he slowly walks towards the bed. Which is true, he’s paranoid all over at this time of the year. “Or where we live now.”
“Thank gods.”
Then:
“You should join us,” Ares then says with one of his arms wrapped around Viktor. It makes some part of his brain think that everything’s going to be alright. “Everyone’s sharing stories and Alan’s brought over more rice wine than we’ll ever be able to finish.”
“Of course he did.”
But even still, all of this is enough to get him to leave his room, to face the music or at least those who have become his family over these years. Viktor wouldn’t trade anything in the world for them.
#oc: viktor shui#oc: ares#eli writes#writeblr#drabble#original characters#original writing#wip: this city our city#oc: shannon#oc: alan weng
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