#showcase 22

[ajaxxx-x]

Late night flat color sketch of Carol and Hal from showcase #22

[hananoami]

Immediate Disorder · Showcase

"Become my prisoner… Or my master… You can never… leave me…"

[rainyjackalope]

doing some last minute sketch reference stuff for art fight

[hearts4pearlescentmoon]

Unfortunately just a doodle today. Lots of stuff to do and am very tired lol.

[turoce]

the whole DIGIVISIONS part of Project Skybox's site is driving me crazy. not a single person knows what's up with it so all we can do is speculate and harass a bunch of companies that happen to have the same name as this fictional company.

[diana-3]

Ngl the armor this season screams "Season of Touching Grass"

[duranduratulsa]

Now showing on DuranDuranTulsa's Television 📺 Showcase...The Walking Dead: Outpost 22 (2022) on Netflix #tv #television #horror #drama #TheWalkingDead #outpost22 #nightofthelivingdead #georgeromero #ripgeorgeromero #Zombies #2020s #Netflix #durandurantulsa #durandurantulsastelevisionshowcase

[freshthoughts2020]

[neellscapsule]

My Heart — Part One

summary | your family realizes how much they have missed. the problem is that you are a grown up by now, and terrible hurt by their neglect.

pairing | platonic slight yandere batfam x batsis!neglected!reader. future conner kent x reader.

warnings / tags | angst, hurt/little comfort, y/n is mentioned as a female, a bit of trauma, family issues, mostly trust and daddy issues. they all love each other (PLATONICALLY) they just don't know how to feel it and express it correctly. it gets darker. you are a bit of a yandere later as well.

word count | 4.9k

authors note | hi there!! english is not my first languaje so there might be some mistakes, or not, it can depend :) i plan on making this a series. please vote <3 dick is 28. jason is 23. reader will be 22 in a few months. cass is 21. tim is 20. duke is 18. damian is 13.

next.

New York never felt like home, but it became the closest thing you could hold on to.

You’ve built a life here — tall, untouchable. You’ve shaped it with your own hands, your own colors, your own breath. Nothing about it belongs to the Waynes. Not the apartment nestled above a quiet coffee shop in the Lower East Side, not the canvases drying in the corners, not the framed articles about your exhibitions, not the soft hum of the city seeping through your open window at dawn.

You’ve never liked the quiet.

Which is ironic, considering how desperately you’ve built your life around it.

It follows you now, trailing after you like a shadow, as you pad barefoot across the creaking floorboards of your apartment. Your studio smells like turpentine and old coffee, acrylic paint staining your fingers, charcoal smudged beneath your fingernails. The city hums below you—cars honking, people yelling, life happening. But up here? It’s quiet.

You carved out this life for yourself—a life apart from Wayne Manor’s echoing halls, the Bat‑family’s midnight discipline, the nosey of Alfred, even your father’s distant pride. You’d rather have these narrow, straight streets than that cavernous mansion filled with ghosts.

Eye to eye, the portrait looks at you, analyzing, judging. It's almost like you are the prey, and she is the hunter. Huntress. Hadn't that been your name once? That stupid nickname that only your family knew about? 

With that, you decide that that piece is never going out to life. 

Here, you’re Y/N Wayne, and people know you because your paintings make them feel something. They know you because your words drip off pages like slow, sticky honey, because the chords you compose linger like ghosts. They know you. Not her.

Not the Huntress.

Not the child who spent her teenage years leaping across rooftops in desperate silence.

Not the kid who wanted, so painfully, to be seen.

“Y/N, are you listening?”

You blink, eyes pulling away from the list of upcoming press engagements your manager slid across the table. Ms. Morley — always Morley, never her first name — has her arms crossed, her expression calm but expectant.

You offer a polite, measured nod. “Yes, I’m listening.”

Her mouth twitches, something between a sigh and a smile. She’s used to this version of you: distant, composed, pleasant, but just far enough away that she’ll never get in.

“This showcase is the most important event of your career. You know that.”

You do. You know it in your bones. You’ve spent a decade painting your way here, clawing through the cement of your own insignificance to find something — anything — that could be yours.

It’s a refined gallery in SoHo. Exclusive, prestigious. People from the Met will be there. Patrons from across the Atlantic. Journalists whose words can either fold you into legend or erase you like you never existed.

“This is the kind of night that defines an artist,” Morley continues, sliding her tablet toward you, the event details highlighted in sharp white. “And the kind of night the press eats up.”

You keep your back straight, your breathing steady. “I understand.”

Her gaze sharpens, thoughtful. “We need your family there.”

The name curls in your stomach like bad wine. You lower your eyes to the tablet, as if rereading the date will change what she’s about to say.

“They should be there. All of them.”

Your throat dries, but your voice doesn’t falter. “They won’t come.”

“Maybe not. But the invitation matters. Publicly.” Her fingers tap softly against the glass table, a steady beat. “Their presence will shift the entire narrative around you. It gives your work weight in their circles. It’ll make people pay attention.”

People already pay attention. That’s why you moved here. That’s why you don’t sign your paintings with your last name. That’s why you carefully, deliberately, separated yourself from the empire back in Gotham.

“I don’t want to invite them.”

Morley doesn’t flinch. She never does. She’s not unkind, but she is immovable.

“You don’t have to want it,” she says simply. “You have to do it.”

You hate that she’s right.

You hate that part of you — the small, broken part — still wants them to come. Still craves to be seen. Still aches for Bruce’s approval, even now, even after you’ve stopped asking for it.

You press your fingers together, folding them tightly until the knuckles burn.

“They won’t come,” you whisper.

“They might surprise you.”

They won’t.

You’ve lived your entire life in the spaces they didn’t bother to fill. You remember what it felt like to sit in the Manor’s library, waiting for Bruce to come home, waiting to tell him about your mission, about how you stopped a robbery on your own. You remember how the words curdled in your throat when he brushed past you, eyes already on the next crisis, the next son, the next city to save.

Dick was the golden child. Jason was the loud one, the troublemaker, the broken boy everyone wanted to fix.

You were just… there.

You grew up alongside them, but you were never that much with them. Of course, your older brothers are much of your favorite part of your childhood; Dick teaching you about gymnastics before he became Robin. Jason being just one year older than you, close as nail and dirt before he died. You two became heroes together.

He, the second Robin. You, the only Huntress. You remember the night you saved a group of hostages from a deranged gunman. Sixteen, trembling, adrenaline high — Dick found you afterward, mascara bleeding, but alive. He didn’t say much. Just put his arm around you. That was the only time you felt he believed in you, briefly.

You remember, too, being a child in the manor: cold corridors, even colder glances, father absorbed in his mission, brothers leaving home, returning with scars. Your own scars—emotional, silent, winding through your teenage years.

You weren’t the strategist like Tim, or the quiet weapon like Cass. Your mind wasn't as fast as Barbara's. You weren’t the prodigy like Damian. You weren’t even the spirit like Stephanie.

You were just the girl who tried. The one who stayed polite. The one who made her own costume, patrolled the streets no one cared about, picked up the pieces the rest of them left behind.

The one they forgot to love properly.

It's not that they don't love you. A small part of them must have to love you, as you love them, as much as you hate them. Your father loved you, once, you surely remember that; and he did love you, you were sure of that, just not as much as you really wished. 

You spent your teen years similar to the image he gave. Spoiled, charming. The public loved you, still does, you are more than confident of that. Intelligent, sporty, an artist. Someone who loved Gotham, despite all.

“I’ll send the invitations,” you say at last, voice steady. “One for each.”

Morley gives a small nod of approval. “Thank you. It matters.”

You offer her a polite smile, but inside, something crumbles, quiet and familiar.

When the meeting ends, you walk back to your apartment in the gray afternoon haze, the memory of rain clinging to the pavement. You don’t want to write to them. You don’t want to remember.

But you do. You always do.

You sit at your desk — the one you built yourself, the one with the scratches from moving it too many times — and you pull out eight envelopes.

One for each of them.

You start with Bruce. The paper stays blank for a long time. What do you even say to the man who shaped your entire life by not showing up to it?

You remember him in fragments — his voice, his scent, the way his cape would brush your shoulder when you were little and you’d sneak into the Batcave just to see him. His soft smile when you rested by his side in the couch. You remember the big parties he threw at every single one of your birthdays, but you can't remember enjoying them.

Father,              I’m showcasing a new collection in three weeks. You are welcome to attend if you wish. It will be at the Holburne Gallery, in New York. I imagine your schedule is full, but I wanted you to have the information.

You hesitate.

I hope you’re well.

That’s all you write. That’s all you can.

You sign your name — just your first name — and fold the letter carefully.

You seal the envelope, knowing he probably won’t come. Knowing that if he does, he’ll stand at the back of the room like a stranger. Knowing he won’t say he’s proud. But you send it anyway.

The eldest of your siblings was next. You adored Richard. He had been the one you had most envied and admired at the same time. You were always just a step behind him. Always the little sister, never the partner.

Hi, Dick. 

                I’m presenting a new collection soon. It’s in New York. I thought you might like to know. You don’t have to come, of course. But you’re invited. Hope you’re well.

You sign it.

You try not to think about the Christmas he forgot to call. The birthday he skipped. The voicemail he never answered.

You and Jason always understood each other in a way that didn’t need words. Which is why the silence between you now feels like betrayal. His death had been . . . harsh on you. And then he came back. Nothing like the boy you remembered. Nothing similar to your rebellious yet sweet brother.

Jason,             You can leave early. You’d probably hate it.

You sign it.

You remember when you were kids, and he called you his “annoying little shadow.” You remember the first time he died. You remember visiting his grave every week, even when no one else did.

You remember when he came back, and didn’t call you.

Cass was the quiet one, but she was always the first to notice when you were drowning. She never said much, but she looked at you like she saw you, and maybe that’s why her absence cuts the sharpest. 

Cass,          There’s an exhibition. In New York. In three weeks. I think you’d like the paintings. They’re about what we don’t say. I’d like it if you came.

You don’t need to say more. She’ll understand.

She always did. You understand a bit less than her, but you were the first who learned sign language for her, and you resent her a bit when your father's eyes look at her.

Tim was younger than you, merely by two years. The brilliant one. The one who could solve everything except the rift between you. You don't really remember a time where you two actually got along. You were too hurt by Jason's death when he arrived. When your father replaced him.

There’s a show. I don’t know if you’d want to come. It’s not your scene. But you’re invited.

You almost don’t send his letter.

But you do.

You and Stephanie were always too similar in the worst ways — the loud, overlooked ones who made themselves easy to forget.

But you liked her.

Art show. New York. Three weeks. Come if you want. There’ll be wine.

You sign it.

You remember the time she hugged you after a mission and told you that you were her hero in her eyes. 

You remember that you stopped trying to be a hero that time.

Duke and you really don't know each other that much. You call him your brother, because in a way he is, but you are not really sure how much of a sister you are to him. If he calls you that or simply by your name. Probably the latest.

I’m having a show. You’re invited. You don’t have to come. Just thought you should know.

It feels strange to write to someone you barely knew. But he’s family. Whatever that means.

Damian was the hardest of them all: your blood, his blood, all the same. You share some gestures, gestures you both have from Bruce. You carry on your veins the same liquid that runs through his. He carries with his twisted hate to you. You do with tangled love.

Damian,                You probably have already read the other letters by now, but I thought you should be sent one too. I formally invite you to the presentation. Please, don't bring knives or any weapon if you are going to come. 

You sign that one with less happiness. 

You write one more. For Alfred.

Alfred,            I would love it if you came to my show. It would mean everything to me. You’re the only one I really want there. There is a painting dedicated to you. Hope you can see it with your own eyes and not in a photo.

You hesitate. You seal it.

For the first time all day, you allow yourself to feel the weight of it — the years you spent chasing them, the ache that never quite went away. The child in you still wants them to come. Still wants to believe they’ll show up.

But you know better.

You send the letters anyway.

Wayne Manor has never really been quiet.

Not in the honest sense.

The walls hum, always. The distant rattle of the grandfather clock, the soft padding of Alfred’s shoes against marble, the slow groan of old staircases. Even when no one is speaking, the house breathes.

Dick’s never minded that. Silence always had a weight in this place. And right now, it sits heavy on his shoulders as he drags himself down the long hall, wiping dried blood off the side of his chin with the edge of his sleeve.

The night had been rough. Long patrol in Blüdhaven. Longer arguments with Bruce over the comms. His knuckles still ache from where they met a thug’s jaw a little too hard, and his ribs burn with every breath.

He wants nothing more than to shower, crash in his old bed, and pretend—just for tonight—that the world isn’t asking him to carry it.

But as he turns the corner toward his room, something sharp cracks against the wooden floor down the hall.

It’s faint. Small. A box, maybe.

Dick pauses, body tense out of habit, head tilting toward the sound. No one should be up here. Damian with Titus, outside; Jason god knows where, Cass deeply asleep, Tim’s probably holed up somewhere with three screens on, and Alfred—well, Alfred would never let something fall.

Curiosity edges in, overtaking the tiredness. Carefully, quietly, he turns the knob. The door creaks softly as it swings open, revealing a space frozen in time.

It takes him a second to realize where he is.

The walls are bare now. The bed is made, but unused. The shelves are mostly empty except for a few scattered photo frames, one or two stuffed animals slumped in the corner, a cracked mug filled with stiff, dry brushes. It’s not as full as he remembers — a few boxes stacked neatly in corners, the bed made with precision that screams “Alfred.”

But what gives it away—what pulls the air straight out of his lungs—is the pale pink ribbon draped over the desk chair, with “Y/N Wayne” written in the soft, looping scrawl he remembers.

His sister’s room.

Or what’s left of it.

It’s not the warm, cluttered mess it used to be. He remembers tripping over sketchbooks here. He remembers her sitting cross-legged on the floor, hands smeared with charcoal, beaming at him as she shoved a half-finished drawing in his face.

He hasn’t stepped foot in here since…

God, when was the last time? Her high school graduation? No, even before that.

The faint smell of old books and faint perfume lingers — something subtle, floral, long faded. On the floor, near the desk, a box has fallen open. Papers, notebooks, and loose photos spill across the hardwood, an unintentional mess.

Dick sighs, rubbing a hand across his face.

“Alfred’s gonna kill me if I leave this here,” he mutters to himself, crouching down.

He starts gathering the scattered pages, stacking them neatly back into the box. Some papers are doodles — quick pencil sketches of rooftops, city skylines, birds. Some are old school essays, a few folded letters never sent.

Something flicks against his thigh. A small, thick card. He picks it up absently, ready to tuck it away—until his eyes land on the handwriting.

His name.

“For Dick” written in familiar, elegant cursive letters.

It’s an invitation. To a theater. The date is from years ago—2016. He flips it, heart thumping unevenly.

Hi Dick!! I know you’re busy but maybe you could come????????????Please. I got a solo part this time! I’d really like if you saw me play. It’s Saturday at 7pm. I saved a seat in the front row for you, just in case. :)

It’s signed simply: Y/N ❤

Dick’s stomach twists, a slow, sickening pull.

He doesn’t remember this.

He doesn’t remember any of this.

His fingers tremble as he gathers the rest of the papers. More invitations spill out — to gallery showings, poetry readings, little charity events. Some directed to him. Others to Bruce. Some marked for Cass, Steph, Tim.

Names written with hopeful, awkward loops. Names underlined, circled, doodled with little hearts or stars. All gathering dust in a forgotten box, untouched, unopened.

He can only vaguely remember you at galas, tucked behind the grand piano, fingers gliding across keys while the adults talked business. He remembers your drawings stuck to the fridge when they were younger, Bruce pinning them up absentmindedly like they were grocery lists. He remembers thinking you’d be an artist one day.

But he doesn’t remember these shows. These letters. These invitations.

And he missed them.

He missed you.

His throat closes around the guilt rising fast and sharp in his chest. He runs his thumb over the soft paper of the invitation, reading your bubbly handwriting again and again, as if somehow, maybe, he’ll remember being there.

Maybe, if he reads it enough, the memory will appear.

But it doesn’t.

The silence wraps tighter around him.

The box is still half-full. Beneath the papers, beneath the scribbled notes and dried-out pens, there’s a small stack of worn journals, their corners frayed from years of use.

He knows he shouldn’t. He knows it’s not fair to read them. But he’s already failed you in so many ways.

His fingers hover over the top one. He closes his eyes for a brief moment, then pulls it into his lap and opens it. It feels like an invasion. It is an invasion. But the guilt is heavy. The ache to understand her, to know the sister he most knew once, roots itself deep.

The pages are filled with your handwriting — messy, cramped, sometimes smudged with faint water stains. He thinks it's not water.

The first page is a sketch—a rough, childish drawing of a girl in a cape, standing next to a tall figure with a sharp cowl and a billowing cape. The girl is grinning. The figure is not.

The words underneath: I’ll make you proud someday.

“Shit,” he breathes softly, staring at the faded paper.

“I made a new piece today. I wanted to show Dad but he’s busy. Always busy. It’s okay. Jay says that’s just how he is. But maybe next time…”

Dick’s stomach knots.

He flips further.

“I sent Dick that invitation today. I hope he comes. I’m nervous. It’s dumb, I know, but it matters to me.”

His vision blurs, breath catching.

The pages bleed with more.

Frustrations. Dreams. Lonely nights in the Manor while the others trained or patrolled. Quiet resentment tucked behind polite words. The slow, steady heartbreak of being overlooked — not hated, not ignored on purpose, just… forgotten.

“I think if I’m good enough, they’ll come.”

“I think if I save enough people, Father will see me. Not just the mask. Me.”

He flipped to another entry, years later.

“They forgot again. It’s fine. I’m fine. I’ll just try harder next time.”

His throat burned.

Another.

“It’s not that they don’t love me. I know they do. They just don’t see me.”

“Maybe I was never supposed to be seen.”

Dick grips the pages so tightly his knuckles go pale.

He reads until the words blur, until the guilt curdles into something heavier — shame, self-loathing, frustration.

He doesn’t know how long he stays there, but eventually, he shoves the notebooks back into the box, his chest aching with every inhale.

His feet move on autopilot.

The halls blur past.

Bruce is in his study — where else would he be at midnight — reading files, probably preparing for tomorrow’s crusade, like always.

Dick doesn’t knock. He pushes the door open, the box balanced in his arms.

Bruce barely glances up. “Dick.”

He drops the box onto the desk with more force than necessary. Papers spill slightly, the old invitation landing near Bruce’s hand. Bruce’s eyes flick down. His brow furrows. He picks it up.

The silence stretches.

“What’s this?”

“Her room,” Dick snapped. “Her life. All the things we missed.”

Bruce’s hand hovered over the box for a second, as if touching it would burn him. “Y/N’s?”

Dick folds his arms, jaw tight. “You ever remember getting that?”

His father studies the invitation. The date. The handwriting. Something flickers across his face — not recognition. Regret, maybe.

“I… no,” Bruce admits quietly.

Dick’s teeth grind.

“Yeah. Me neither.” His hand slams against the side of the box. 

“These? They’re all hers. Invitations. Shows. Letters. You know where I found them? Gathering dust in her old room. You know what else I found? Journals. Years of them.”

Dick’s voice cracks, low and bitter. “She wanted us there. All of us. You. Me. The others. You ever wonder why she left, Bruce? Why she never came back?”

Bruce’s jaw clenches.

“Don’t,” Dick warns, pointing a sharp finger. “Don’t give me some crap about her ‘needing space.’ I read it. I read every word. She wasn’t asking for space. I thought patrols, missions, saving the world — I thought it was enough. I didn’t realize I was walking right past her the whole time.”

“She made her choices.”

“She didn’t choose to be invisible to us.”

Bruce flinched at that, just a flicker, but Dick caught it.

“Did you even read any of her letters? Did you see how many times she reached out? How many times she tried?”

“She distanced herself,” Bruce said, softer now. “She left.”

“She left because we gave her nothing to stay for.”

The words cracked in the air like gunfire.

Silence settled between them, heavy and suffocating.

Bruce’s gaze drifted to the box, to the memories packed haphazardly inside. His fingers traced the edge of the cardboard, lingering.

“I never meant—”

“I know,” Dick cut in, voice tight. “None of us did. That’s the problem.”

Damian heard everything.

It wasn’t hard, not in this house. Wayne Manor was old — creaking floors, thin walls, ventilation shafts that turned into hallways for sound. He wasn’t eavesdropping, not really. If they wanted privacy, they shouldn’t argue where the walls carried every word like a confession.

From his place crouched in the shadowed corner near the study entrance, Damian listened.

Dick’s voice came sharp and raw, slicing through the heavy air like a blade.

“…Your daughter. My sister. The one we’ve all been too damn busy to notice.”

Damian’s mouth flattened into a tight line.

Your daughter. My sister.

It shouldn’t sting. But it did.

Because no one ever included him in sentences like that. Not when it came to you.

His sister.

His daughter.

As if you weren’t his, too.

You are.

More than them.

You’re his only blood sibling. His only biological sister, even if the “half” in front of that always tasted bitter. It never mattered to him. Not the technicalities. Not the lineage arguments. Not the fact that you were gone before he ever got the chance to prove it.

You’re his sister.

His.

The others forget that. Dick forgets that. They all do.

He pressed further into the shadows, arms crossed, watching the tension unfold between Grayson and Father like a slow-burning fire.

He didn’t make a sound when the box hit the desk, when the contents scattered like broken memories across the wood. His eyes narrowed as papers slid free — letters, notebooks, old invitations — all marked with your name, your handwriting, your quiet, forgotten hope.

His jaw tightened.

So that’s what this was about.

You.

It always circles back to you, doesn’t it? Even when you’re not here. Especially when you’re not here. He’s thought about you more times than he’ll admit. Even when he pretends not to. Even when he wears his indifference like armor.

When he was younger, maybe ten, he’d wander the Manor searching for you.

Father told him you were away. Grayson said you were busy. Todd didn’t answer the question. Drake looked uncomfortable every time Damian asked. And Alfred?

Alfred always hesitated before replying.

“She’s finding her own way, Master Damian. Some paths are quieter than others.”

But your absence wasn’t quiet. It screamed.

You were a gap in the family photo. A missing piece at the table. A chair left cold at holidays Damian never liked anyway.

And the worst part?

You were the only sibling he wanted to know.

The others? They were fine. Useful, even.

But you?

You were supposed to be his.

His sister. His blood.

“Did you even read any of her letters? Did you see how many times she reached out? How many times she tried?”

Dick’s words echoed, and Damian’s throat constricted.

No, Father didn’t.

No, the others didn’t.

No, he didn’t.

But he has his reasons. Reasons the others wouldn’t understand.

You were already gone when he arrived. When the League sent him, when Talia made the arrangements, when Father reluctantly opened the doors of the Manor to his assassin-blooded, anger-wrapped child — you weren’t there.

They told him about you in passing. In clinical, detached terms.

“Y/N? She doesn’t live here anymore.”

“Y/N? She’s in New York.”

“Y/N? She’s not part of this.”

But you were. You always were.

Even if they didn’t see it, even if you didn’t want to be, you’re a Wayne by blood. And his only sister.

The Huntress.

He knew the stories long before he saw the evidence. They spoke about you — the siblings, Father, even Alfred and all the fucking villains he has encountered — like you were a myth stitched into Gotham’s history.

The vigilante who walked away.

The Huntress with the flawless reputation.

The sister who vanished before Damian could measure himself against you.

But he did, anyway.

He watched the tapes. Studied the case files. Collected every fragment of your old life like it was a puzzle only he deserved to complete.

He mimicked your movements when no one watched him train. He sharpened his stance, just like yours. He mastered the same grappling techniques. He replicated the calculated grace you carried on rooftops — the footage never lied, and neither did the ache of admiration buried deep beneath his ribcage.

No one had to tell him you were better.

He knew.

You’re the only one he compares himself to. Not Drake. Not Todd. Not even Grayson, for all his accolades.

Only you.

His sister.

His blood.

It’s why he’s always hated how distant you’ve stayed. How effortlessly you carved your place outside the family — like you didn’t need them. Like you didn’t want him.

You never came back.

You never called.

You sent birthday letters, even to him. You once sent a present: a beautiful robin, carved with your hands, created by your heart, an exquisite sculpture he stills has in his room, right next to where he sleeps, and no one can touch it. No one.

He knows he shouldn’t resent you for it. You never knew him. You were gone before his feet ever touched Gotham soil. But logic rarely softened jealousy. And the hollow, possessive ache in his chest when they whispered about you never faded.

It burned brighter, seeing your name scrawled across those invitations.

It twisted cruelly, hearing Dick’s broken anger crack through the room.

Would you even recognize him as yours? As your brother? As your blood?

He doubted it.

Still— still, a flicker of want buried itself deep in his chest, like a thorn impossible to pull free.

You should be here, not in New York.

You should’ve stayed.

You should’ve seen him, known him, claimed him as yours before the others did.

Possession tasted ugly in his mouth. But it was all he had left of you.

He slipped away from the doorway before they noticed him. His steps were soundless, as always. The halls felt colder as he walked. The Manor’s walls whispered memories that weren’t his — childhood laughter, quiet piano keys, the soft scratch of pencil on paper — echoes of a sister he never got to grow up beside.

You were a ghost here.

But to him?

You were a benchmark. An obsession. A sister in absentia who still defined him in ways the others couldn’t.

In the privacy of his room, Damian closed the door and sank onto the edge of the bed. His fingers twitched toward the small, hidden stash in the drawer — your old case files, outdated footage, grainy photos from years past.

A shrine built out of frustration and longing.

He flipped one of the photos over. It was you, half-hidden in shadow, your Huntress uniform sleek and sharp, posture flawless. Untouchable. Perfect.

He envied that version of you. Admired you. Resented you. Wanted you here.

It was unfair, how easily you left. How the others pretended they could move on. How you carved a life far from Gotham, far from him, with your paintings and music and words that never found him.

But it was more unfair how badly he still wanted to follow you.

His sister.

The only blood sibling they shared. Not that anyone ever reminded you of that. Not that you ever stayed to show him what that meant.

“She’s mine,” he muttered under his breath. “My sister. My blood.”

And he wasn’t letting you go again.

That's when he remembered Alfred's words. Your favourite brother had always been Jason. Closest to you: in age, in relationship, in language. That had made him burn before. But not . . . He saw clearly where he could get you again.

Who could.

[simmir99]

The Coastal Office - A Wedding Planning Agency, Sims Dump Collaboration and a Suprise Announcement!

💍The Coastal Office - A Wedding Planning Agency This office space is perfect for sim couple to meet with the most elite team in the wedding planning business (see the sims dump below). This team of women are experts and will help your sims plan their perfect day! Or if you ever wanted to play the Wedding Planner career, this agency is the perfect starting point in building your empire! Complete 2 offices, cubical working area, conference room, cake and wine tasting room, employee kitchen, showcase room, and much more! *The floorplan is below. ✨FREE for Download on my Patreon HERE

Lot Size: 20x20 CC Size: 0.75 GB (only 0.5 GB if you have Harrie's Coastal Collection) Packs Used: Get to Work, Get Together, My Wedding Stories, Horse Ranch (I think for some CC compatibility), and Dine Out. *Used but non-essential High School EP, Discover University, Home Chef Hustle, Romantic Garden, and Vampire GP (runner rug only).

HUGE THANK YOU to the amazing CC creators Babygyal123, ATS4, Harrie, FelixAndre, Sooky, TaurusDesign, Pierisim, and Many others! 🙏🏼

✨My first Sim Dump and Sims Collaboration In collaboration with 2 incredible and talented simmers, Simply_simmerbrewand LumiiSimss we created the Ultimate Girl Boss Wedding Planning Team! Alexa Hart & Associates, the best in the business💍

Alexa Hart started her wedding planning agency at the young age of 22, and 10 years later she and her associates are now the best in the business. After executing star studded weddings for Judith Ward, Octavia Moon and Penny Pizzazz, it is now every bride’s dream for their wedding to be planned by Alexa and her team. Good luck booking an appointment as Alexa’s waitlist is closed to the public (She only partners with the most elite in sim society) and her associates are booking appointments 1-2 years in advance. Alexa and her team are located in Brindleton Bay.

✨Traci Child, Partner and Myla Davenport, Associate, both created by LumiiSimss, Download HERE ✨Isis Delaney, Associate, created by @jeanna-simplysimmer, Download HERE 💜Special shout out to my girls! They are amazing content creators, their TikTok is 🔥and I highly recommend you check them out. Thank you for the collaboration, love ya 😘

✨Surprise Announcement To celebrate 3,000 Patreon Members I am hosting a surprise giveaway for members! Please head to my Patreon for all the details!! 📸 I am now on Instagram, so please give me a follow as I would love to see your sims content too! My new IG can be found HERE

[hananoami]

Innocent Birdcage · Showcase

"How did it feel to watch me from outside the cage?"

[micoz-field-of-dreamz]

actually pissed the save gaza tags arent trending but shit like hazbin hotel was. please please PLEASE start spreading those tags. we need to speak up. thousands are dying. the isreal defense force and hamas is commiting war crimes against palestine. gaza’s death toll has reached 26,257 Palestinians killed and 64,797 wounded since the start of the war.

V**ziepop is a zionist and actively supports the war crimes Isreal is commitjng. She is DISGUSTING. She mocks the boycotts and is on Isreal and Hamas’s side.

if you have any available money, please donate to the following charitys, and if you dont, please speak up against hamas and isreal by spreading the word. the last remaining hospital in Gaza has been attacked. noone has anywhere to go.

update: i have been informed that tumblr is on isreals side. do NOT give tumblr good reviews, dont buy shit from them. they are supporting actual fucking war crimes. its time to stand up. we will not be silenced.

FREE GAZA AND PALESTINE.

Just because the strike is over doesn’t mean we stop fighting.

some other posts for info:

ALL OF THESE POSTS ARE NOT BY ME. I REBLOGGED THESE. PLEASE DONT CREDIT ME FOR THESE.

DO NOT STOP REBLOGGING

[vultbae]

negroni ✩

art donaldson x female reader

↳ summary: After winning against Patrick, Art takes the night off to grab a few drinks at the Ritz Carlton lobby bar. There, he meets a profound admirer. 

OR

Things go wrong with the girl who bought him a Negroni.

↳ warnings: fingering (minors dni), age gap (reader is 22), manipulation, infidelity, angst towards end.

↳ extra warnings: english is not my first language pookies + my first fic + yall I'm messyy so I added drama out of nowhere. if u read this I love u thank u for giving me a chance

word count: 4.9k

✩

"Excuse me, no smoking."

The blonde man lifts his chin to encounter a young waitress warning him about the cigarette dangling off his mouth. His middle and index fingers immediately approach the cigarette and gradually pull the filtered end from between his lips. "Sorry." Art frankly apologizes.

The waitress's purposeful avoidance of directly looking at him makes Art borderline giggle. He can't help but discreetly give her a comprehensive look; the girl is attractive, with velvety skin that impersonates caramel and peaceful facial features. He shushes all the pushy thoughts resembling the waitress to his wife staying upstairs. He is not that desperate, plus, everyone knows he is married to the Tashi Duncan.

Art audibly clears his throat and articulates before the young woman strolls away, "Can you get me a Negroni, please?" He requests, showcasing a courteous smile. The woman nods.

He didn't even realize when he positioned the cigarette between his lips. He had been anxiously waiting for an instance when he could be alone -at least since the match against Patrick. Tashi cheerfully agreed to let him descend to the lobby bar to grab a few drinks.

✩

Art had been attentively scanning his frame on the wide mirror and adjusting strands and strands of hair as he paid more attention to his hairstyle; his somber eyes descended from his impeccable hair to the unfastened buttons of his seersucker shirt, revealing a fraction of silk-like, gloomy skin from chest to lower stomach, his well-grooved muscles casting shadows under the bathroom's dim yellow lighting. 

"I'm going out!" Art shouted from the bathroom as he fastened the remaining buttons of his shirt.

From the corner of his eye, he sensed Tashi approaching the bathroom doorframe and standing by it. Art tilted his head up to encounter Tashi, his wife, silently grinning, dressed in a beautiful pearl-white silk robe, "I won't be gone for more than an hour-

"It's fine," Tashi interrupted. "I'll watch a movie with Lily. We can talk about it later."

Art nodded. His eyes stared at her with minor fascination. Tashi couldn't figure out why, but the feral spark on Art's orbs evaporated. She walked away.

Art slightly opened his mouth to say something but suddenly cut himself off, lips slamming together. He didn't say anything. He allowed the slim figure of his wife to vanish from his eyesight. He authorized himself to go out alone for the first time in years and think about his relationship with Tashi and tennis -if, at this point, they were not equal. And his relationship with Patrick, of course. 

After today, he felt things he hadn't felt in a while.

✩

An insistent tap on his shoulder provokes Art to flinch and abruptly land on earth again. 

"Excuse me, Negroni..?" Another waiter says in a quivering voice—a statement rather than a question—hardly maintaining eye contact. He is holding a tiny round silver tray with a bloody-looking Negroni sitting on it. 

Before the amateur waiter can shakily grasp the crystal glass to place it on Art's table, Art raises his arm and moves the Negroni himself. As soon as he places the glass on the marmol table's surface, his long fingers seize the thin wedge of orange embellishing the glass, bringing it to his lips and sucking on it instantly.

He doesn't realize that the one time he and the waiter are maintaining eye contact is while he sucks on a slice of orange -slowly.

"Thank you." Art says, dragging the wedge out of his mouth, detecting the scarcity of color on the waiter's facial canvas. "Why is he so pale?" Art thinks. The meddling stare from the waiter endures for maybe five seconds before Art frowns his eyebrows slightly in confusion; the poor guy nearly jogs away from Art's table.

Does he carry that much power over people? It has been long since Art calculatedly flirted with or attempted to gain someone's attention. To be accurate, since Tashi entered his life. He has officially lost the "open-to-the-public" charming spark and neglected his intrinsically flirty side. 

But today, for some reason, he feels different than usual. Not that he is trying to test it...

The Ritz lobby bar is moderately quiet. Art peeks at a few travelers relaxing with their baggage as they sip cocktails in miniature glasses and couples drinking -"probably pre-gaming before a night out," Art assumes. His gaze disembarks over two guys in their premature 20s, brunette, and blonde, chuckling and vividly chitchatting about topics he can't overhear properly. Art is hooked to the scenario in front of him as he stares enthusiastically: it bitterly reminds him of his friendship with Patrick, whom he hasn't heard of since the match. 

As he finds himself —once again— daydreaming about what once was, Art takes decent-sized sips of his Negroni, with his right hand hugging the crystal glass just right. He is sitting on one of the many hickory brown leather armchairs dispersed across the bar, manspreading as his left hand lays over his lap. 

Suddenly, a personal reflection pops into his mind like a light bulb unexpectedly turning on; what is he doing? Sitting submerged in loneliness in a 5-star hotel lobby bar will not change anything. It simply won't. He would rather go back to the suite and have some pleasing fucking sleep. He is feeling tired, and confused, and depressed, and—

Well, If anything, people who recognize him could come and disturb his night. 

Art locks eyesight with the first waiter wandering across his vision field; he pitches a writing motion with his hand and requests the bill. As the waiter walks in his direction, he chugs down the leftover sips of cocktail in the glass.

"Bill?" Another waiter wearing a burgundy uniform asks Art. The tennis player shakes his head up and down, murmuring a yes please, "Don't worry, on the house."

"I can afford it." Art stresses, with a robust sarcastic undertone tinting his voice tone while attempting to maintain the most benevolent smile on his catalog. 

The waiter chuckles in exaggerated glee. "I know, Mr. Donaldson. Your bill has been cleared by another customer," he clarifies, standing in front of Art with the straightest stance and hands intertwined in the manifestation of hospitality. The waiter clears his throat, "Actually, by the young woman over there," and discreetly points his finger at the stools by the bar gantry.

Art's gaze dashes over to a woman standing by the bar gantry. He can only see her back, not her complete complexion. Although he has internally accepted this demeanor as improper, he allows his eyes to scan over the woman's silhouette freely, lingering a little longer on her legs. In the background, he can faintly attend to the waiter talking about hotel-specific branch issues and how stays such as his and Tashi's benefit the hotel's branding -isn't this the Ritz Carlton?

"Yes, I agree." Art blurts out as soon as he realizes the waiter has concluded his monologue, his gaze glued to the enigmatic female standing five meters away from him.

"Thank you, Mr. Donaldson. Have a great night." Just as Art opened his mouth to greet him in return, the waiter had already shifted on his feet to approach another table.

Art reevaluates what he is about to do. Should he greet her, thank her, or gently communicate how unmannered it can be to buy a married man a drink? 

But also, what if it's an obsessed groupie attempting to instigate drama?

It doesn't matter. Buying Art Donaldson a drink is disrespectful. Literally everyone —quite literally everyone— who knows Donaldson knows he is married to Tashi Duncan!

Come on, a woman, unattended in a bar, buying me a drink? Art thinks.Of course, she has hidden intentions, he reassures himself. Art shifts on the armchair, resting his elbows on his knees, still pondering whether he should approach her. 

Why isn't he simply disregarding this and walking away?  

He hadn't felt so much excitement about something so childish in a while. It felt like being nineteen again. After hugging Patrick today, he sensed a heartwarming relief regarding Tashi cheating on him. But, on the other hand, he's a fucking human.

Fuck it. He just wants to chat with the girl and perhaps communicate that she shouldn't do that again. Right, that's it. 

Art picks up his belongings and strides towards her.

"Hey, sorry..." Art speaks, dragging the stool beside the woman and grinning warily at her. His soothing, recognizable tone of voice instantly captures her attention.

Art expected many things, but not a drop-dead gorgeous woman. A girl. She looks...young— not underage kind of young, but unquestionably not over twenty-five. On the other hand, as a well-known tennis player, he's had plenty of exquisite-looking women begging for attention; Tashi herself is stunning. Somehow, this woman left his lungs tightening for a sizzling second, which is concerning. 

Plus, her aroma. Jesus, the scent, Art thinks. He would continuously go weak on the knees when Tashi wore that damn tangy, dark cherry fragrance she had. He immediately identified the distinct smell.

"Mr. Donaldson, oh my god..." The girl's voice pitches high, and she extends her right hand in his stomach direction as if she had been rehearsing for this moment. "I didn't believe you would accept the drink," she adds enthusiastically. 

Her voice is too harmonious for his ears. 

Art stretches his hand and shakes hers. "Well, I didn't." Art retorts, unconsciously smirking at the girl's harmless bliss, "I was pretty much obligated to accept the free Negroni."

"Well, either way, I am honored," she says with a slight shrug and giggles, "Names Y/n; by the way, very nice to meet you, Mr. Donaldson. Big fan of yours"

"Nice to meet you too, Y/n," Art unpretentiously expresses. His facial expression goes abruptly blank as he realizes he might be snitching on himself. "Uh, Y/n, I don't wanna sound rude, but what you did... with the drink," he struggles to word it nicely, worrying about coming out as unpolite. He laboriously swallows as Y/n raises her eyebrows, expectant. "You shouldn't buy drinks to married men," he concludes.

Y/n lets out a gigantic gasp, "Oh my- this is so embarrassing," her hands fly over to her mouth, covering it in mortification, "I am so sorry, Mr. Donaldson-

"Please, call me Art," Art interrupts, a smirk rising on his face.

"Well, Art," Y/n corrects herself, now speaking with a mischievous undertone, still with an infectious grin plastered on her face. "I go to Stanford. I couldn't stop hearing about you —your skills. Well, I grew up in a household of tennis enthusiasts, and I, myself, am a tennis player. I just wanted to show my appreciation for what you've done for the tennis culture."

Art's cheeks feel hot. Heck, they are burning. 

"Oh.." he mumbles, mainly to himself out of amazement.

"I would never, don't worry, Mr. Donaldson- I mean, Art." Y/n reassures, emphasizing the never. But as she justified herself, a sad half smile crooked on her plump lips, "I mean... No one can deny you are very handsome, but I am a respectful woman-"

He unmistakably heard the last sentence but will bypass it for his mental stability. "It's fine, Y/n." Again, he runs over her words, interrupting, "I should be apologizing; I don't want to come across as an entitled asshole."

For some reason, Art can't stop feeding the conversation. You are a fucking horndog, Art internally insults himself.

"Let me buy you a drink as an apology," Art says bluntly, requesting clearance but simultaneously demanding. Y/n, on the other hand, has her eyes set on the blonde man in front of her, both gazes perforating each other. "I mean, if you are of age.."

She giggles.

"Twenty-two. Took a gap year," the girl admits, "and I wouldn't mind a Negroni," she adds, now faking a nonchalant accent.

Y/n can hardly believe the circumstances she has put herself in. She observes the man standing before her, deftly moving from how he calls the server to how he licks his lips after ordering the Negroni. He's so fucking hot, she thinks. She had only seen him through flat screens and once attended one of the numerous lectures he gave back on campus. 

But no, Y/n wasn't an obsessive stalker. Earlier that day, she had been at the New Rochelle Tennis Club with her father and the new newbie guy he was coaching —she can't even recall his name. Long story short, the guy had asked her on a date, and as a grandiose concurrency, Y/n had suggested the Ritz —they serve finger-licking cosmopolitans at their bar. It wasn't until she reached twenty minutes earlier by mistake that she contemplated bailing on her plans. Why? Because she laid eyes on the mouthwatering blonde man sitting by himself, ingesting a depressing ass-looking Negroni. 

She knew it was a hit or miss. But she would rather miss if it came to the possibility of messing around with the man of her most soaked dreams.

Y/n's nostrils pleasingly burn as she inhales a warmish, spicy fragrance emanating from Art's clothes and skin. She can't dodge the impulse to frequently peek at the opening of his shirt, revealing milky skin. Her breathing becomes erratic just by fantasizing about him without the fucking seersucker shirt. She knows he's fucking ripped.

Y/n chews on the bottom of her lip anxiously, contemplating her words. "By the way, what you did today was insane."

Art arches a brow. "You mean playing tennis?"

"That wasn't even tennis; that was an entirely different game," Y/n responds as if Art had offended her. "It felt as if the court was entirely yours," she overpraises him, feeling rewarded by the minuscule giggles escaping from Art's lips.

Art feels his heart warm up at the familiar sentence choice. "It is not a big deal, just a good tennis match," he elucidates. 

She rolls her eyes. "Sure... or maybe you are just too skilled for other players." Y/n softly laughs.

Art bits back the tiniest groan of frustration. He feels his dick hardening underneath the light-washed denim jeans he's wearing. He tries to comprehend if it is because of the sudden sensual undertone in her delicate voice, her unmistakable submissive look penetrated deep into her big eyes, or the fact that Tashi had not touched him below the hipline in months and turned him into a precocious motherfucker. Or it could be the alcohol making him horny. He hadn't noticed before how tight her clothing was —it took one swift glimpse at her body for Art to see her thighs spilling out of the hem of the strapless mini-dress. It took another one to realize she was now gently caressing his arm.

Art was convinced there was nothing left to wipe the carefully crafted agitated expression from his face. "Could be, yeah," he says, subsequently coughing to avoid strangling on his own spit. "I don't want to be seen as some kind of God."

"Well, you move like one," Y/n affirms, chuckling at her own filthy sentence, her fingers playfully stirring the brand-new Negroni sitting on the bar table with the cocktail straw. She licks her lips, "You know what I mean."

Bullshit. There is no way this girl doesn't want to fuck.

She dodges eye contact, but there is a peculiar shift in the air, and a smirk exponentially extends her lips.

"I know what you mean." Art snaps back, incapable of looking away from the cocktail straw now entrapped in between her glossy lips. 

His muscles and head feel more lightweight, but his ocean eyes remain entirely tied to her outline. 

Their bodies have shuffled negligibly closer—inappropriately closer. Art senses warmness filling his face from the subtle friction of their knees: the coarse texture of his denim and Y/n's smooth, bare skin.

From her peripheral vision, Y/n glimpses a security guard patrolling the hotel lobby. She makes eye contact with the robust man for a split second, whose facial expression reshapes in dull stunner as he peeks at who's sitting next to her. 

Y/n sets her crystal glass on the bar counter. "Thank you so much for the drink." 

"Wait. Are you leaving?" Art questions, with feigned etiquette that reeks of desperation. 

Y/n's eyes dart to the man standing near their stools. Art tracks her gaze and sighs. "You already gifted me minutes of your time and a Negroni. That's enough coming from Art Donaldson." 

Art hesitates. "They are not in my business." He practically whines, progressively revealing his despair to the young woman sitting before him.

"I still need to Uber home," Y/n excuses, pouting at her words. "A woman can't be alone that late-

"I can drive you." 

✩

The drive is around twenty-five minutes. 

Y/n quietly sits in the copilot seat of Art's Bentley Bentayga. By her left side, Art grips the steering wheel confidently, his fingers switching effortlessly over the controls as they drive through the streets of the suburban county of Westchester. She peers through the shadowy window glass on her side —there's a winter storm outside. 

"How many days are you staying in Westchester?" Y/n asks while her gaze stays fixed on the passing scenery framed by the window.

Art clicks his tongue. "Not much. Most likely leaving tomorrow morning."

"Did you do anything fun around the county?" 

"Well, a rich-people county isn't the most amusing place to visit." Art jokes, speaking with a devilish tease.

Y/n doesn't reply. Instead, her eyes quickly flicker to his silhouette under the fuzzy skyglow leaking through the car's transparencies. Art's blonde hair captures the faint illumination beautifully, each strand seeming to shimmer under the dim light. His muscles tighten at—

Red light.

When the car stops, Art twists his head to the right, his and her gazes collapsing. He runs his tongue over his upper lip before talking, "You mentioned something earlier..." he begins to say. 

In the stillness of the moment, the only sound is the soft hum of the engine idling.

"I mentioned many things," Y/n corrects. 

A faint crease of discomfort crosses Art's brow, and he shifts slightly on the red leather seat. Y/n examines each of his subtle hip and torso motions as he gets rid of the discomfort. Finally, again sitting still, he resumes. "Let me be specific. You mentioned I am handsome."

A sudden warmth spreads across her cheeks, an unmistakable flush of embarrassment.

"I don't think this is appropriate."

"I don't think neither of us cares about what's appropriate anymore." 

It feels as if the world has stopped for Y/n. It feels as if a spell had caught both of them, leaving them besotted, and fucking horny, and awaiting the other to give the—

Green light.

"I think there's a parking lot next to a store that shut down recently 3 minutes away."

That's all Y/n says. Art presses down the gas pedal and tightens his grip on the wheel to suppress some exotic sensations that rocket down his spine.

Raindrops splatter against the windshield and the car's roof, and the blonde guy continues to drive through a road of infinite rain-soaked side trees swaying in the wind's rhythm and closed shops. 

It takes four minutes and fifty seconds to reach a gigantic parking lot beside what once was a Dollar Tree. Although Y/n can scarcely appreciate the space due to the weather conditions and the tinted glass, she can see some faded, bright yellow parking lines now covered in dirt and droplets of rain. The place is totally empty.

Y/n's heart sprints ten times faster when the engine settles into a contented hum. Goosebumps flourish on her skin as serenity inundates the car interior—complete silence. The SUV has parked on a random corner.

And she doesn't want to look in Art's direction because she knows he's already looking.

She plays it credulously. "I think this is a great place to talk in peace," Y/n murmurs, finally turning her head towards him. 

The fleeting moment her eyes cross with his evokes a sense of vulnerability for the girl. Art's orbs shamelessly spark with a glimmer of mischief, like a predator stalking its prey. The unbridled desire is nowhere near disguised now, and Y/n knows the guy won't keep playing the innocent role anymore. Is buying him a drink disrespectful? Bullshit. But she's grateful the poor, troubled man will have some fun. She knew he'd surrender faster than expected. 

Yeah. Art had lifted the white flag as soon as he reached out a hand to grasp the door handle of his sexy ass Bentayga to open it for Y/n, and his eyes had flown by instinct to the girl's ass when she was hopping on his car.

Now, he can't tear his eyes off her lips. 

"I've had a fucked up day." Art suddenly breathes out. There's a steady rise and fall of his chest, but Y/n can tell he's struggling to maintain it. His eyes ascend to lock in with hers. "I want to forget who the fuck I am."

Y/n is drowning in the noise of her own accelerated heartbeat. "I can help you." Y/n's words shoot out in submission, haltingly batting her eyelashes at him.

It's humorous mainly because she has no idea what is happening in his life. She doesn't know the mess between Tashi and Patrick; the fact that Tashi allegedly fucked Pa—well, whatever. Y/n doesn't know. She understands the man is disturbed, though, because the instant she stepped inside the luxurious lobby of the Ritz Carlton, she could tell the man had no emotion on his face. She recalled watching his matches when she was younger, and one thing about Art Donaldson was the radiant vitality his presence brought to any room he was in.

It's evident that the radiance was gone. For whatever reason.

Their bodies draw closer, the only barrier being the gear stick and seat partition between them. Y/n can feel Art's warm breath clashing against her lips, a slightly intoxicating and crisp scent of gin climbing to her nostrils. She moistens her lips with the tip of her tongue before grabbing Art by the collar of his shirt and pulling him into her mouth. He briefly widens his eyes but reciprocates instantly.

He is the sort of kisser who goes slowly but deepens as much as possible, inserting his tongue everywhere attainable. Y/n tastes good and, heck, excellent —sweet and spicy, as if she chewed cinnamon gum before assaulting his mouth. The flavor and the satiny texture of her lips push him to near insanity; Art pumps his tongue in and out, desperately, sweeping against hers because of the faint, delicate moans leaking from her side every time he does it —it makes him vertiginous.

It isn't until Y/n sucks on his lower lip that he splits off to breathe. "No marks." Art forewarns with his face dropped in soberness, heavily panting.

He discerns something shifting inside of him when Y/n's beautiful features soften for a beat, casting a veil of a peculiar sentiment he's too emotionally dumb to interpret —bitterness? sadness? He can't tell. The fuzzy thoughts fade when her lips attack again, parting his with ease, allowing her tongue to slip inside. "Shut up." Y/n spits lowly between kisses.

A couple of sizzling minutes of pure, obscene french kissing pass before Art realizes the pressure underneath the light-washed denim over his crotch is tormenting him. His left-hand glides over Y/n's thigh and gently squeezes, letting her know he needs to move forward. At this point, he has readjusted the position of his body over the red leather seat, facing Y/n straight; the hand resting over her thigh gradually shoves the hem of the mini-dress upwards, revealing more skin and dangerously approaching her pussy.

The tempo of Y/n's kisses becomes unsteady with the sensation of his physical touch near such an intimate area. It felt weirdly mortifying for her to be this wet this early —her pussy felt slippery and willing to take whatever Art proposed. She breaks off the kiss out of involuntary reflex, with her gaze immediately descending on Art's left hand, too big for her, and skillfully positioning the lace of the light-pink panties aside.

If Art was a magician and opening her legs was a challenging magic trick, goddamn, he'd be a good magician. Y/n had no idea how, in such an undersized space, her legs had managed to spread that wide. The specific moment when Art's middle finger comes in contact with her wetness is a blur, but the filthy, low-pitched groan that his mouth emits as the first finger rubs her pussy lips will never be forgotten. Y/n unconsciously rocks her hips in search of more friction-

"Stay still." Art demands, chest rapidly going up and down. Although he attempts to sound demanding, his voice is weak in want and ridiculously desperate. Y/n's cheeks flame up when he begins toying with her clit, rubbing slow circles, with an equally attractive and irritating cocky grin resting over his face.

But she wants that one finger to go in. Y/n sighs in eagerness, muttering a series of pleasepleasepleases.

"Art..." Y/n mutters between choked moans, bucking her hips forward into his hand. Art gazes at her, intoxicated by her facial expressions and the mild tone of her voice, delivering such nasty noises. His eyes don't leave Y/n's face as he thrusts his middle finger past her slick folds. He feels his dick twitch at her exaggerated facial response.

What was one finger quickly became two, picking up their speed and twirling inside, hitting the sweetest spot. "Not a virgin, right? " Art abruptly asks, terrified but astonished at the tightness her pussy held, clenching down on his digits and squeezing. 

"No... oh my god—" Y/n yelps, hardly managing to articulate words as his fingers keep steadily penetrating her pussy. 

Y/n tilts her head back and instantly feels a trail of sloppy, wet kisses on her jaw; Art is nearly over her body, working his way downstairs and upstairs, too. The accelerated rhythm of his fingering ceases for a hot second as his available hand reaches her chest to unashamedly pull down the neckline of Y/n's mini-dress, freeing her tits and letting them bounce out of the expensive cloth. 

As a sheer coincidence and dissolving in pleasure, Y/n's eyesight dismounts in one of the tall buildings in front of the parking lot. What she sees is practically ironic. An immense billboard with Art's face crammed inside, by his side Tashi Duncan's iconic facial features, and an oversized Aston Martin logo. "Game Changer," the thing reads. Funny, she thinks. He is a game changer, though —not sure if he is the same kind Aston Martin broadcasts. 

But seeing his face and Tashi's painfully reminds her the man is not hers. 

In fact, the man has a whole wife.

"Fuck me." Y/n requests, still a complete mess, moaning, arching her back, breathless. 

And nothing happened where she thought the fire test lay. Art obliged. In fact, he seemed enthusiastic. He wants to make her his. Y/n modestly smiled at the thought.

"Yes... fuck, yeah." With a deft hand, he reaches down and unfastens the button of his pants; he eases the zipper down, and the faint sound of it sliding makes Y/n nauseated of anticipation.

Art reaches into the back pocket of his jeans, pulling out a beautiful, black leather wallet. He flips it open, his brows furrowing in concentration as he sifts through its contents. With a muttered curse under his breath, he begins to dig deeper; Y/n doesn't understand what's happening —is he searching for a condom?

After eternal seconds, the blonde guy lets out a frustrated sigh and shakes his head, resigned.

Y/n sits beside him awkwardly, unhurriedly pulling up the neckline of her dress, covering her now shivering body.

"...So?" she questions.

He remains silent.

"I don't have condoms." 

"I'm on the pill." Y/n offers.

The look Art shoots at Y/n isn't gracious. In fact, it triggers a big spark of frustration on his face, eyebrows knitting together in a light scowl as he looks at her incredulously.

Then it turns worse when, by mistake, his gaze falls on the same billboard Y/n had seen earlier.

"I can't. Sorry." 

Y/n slowly closes her legs and adjusts her neckline. "Why?"

Art's eyes fall to his lap. "Well, starting from the fact I have a family-

Y/n interrupts. "Well, you didn't seem to care when you offered to drive a total stranger."

It was most likely the sassiness and the blaming in her voice that unexpectedly threw him off. Really threw him off.

"That's none of your business. I just took the opportunity of a warm hole."

In one swift, rampant movement, her hand connects with his cheek with a resounding crack, the sound echoing through the air like a crash. His head jerks to the side. A slap.

She had fucking slapped him.

With a trembling breath, Y/n doesn't think twice before she pushes open with unmeasured force the door of Art's fucking ugly car —or that's how she thinks of it now. The storm still persists, rain pouring down in sheets. Tears accumulate over her eyes as she steps out into the downpour, grabbing her purse tightly.

"Hey, hold on..."

She completely ignores Art's words, which get easily lost in the roar of the rain. 

But she turns to face him one last time, sitting on the pilot seat, visibly ashamed of himself —and still with unbuttoned pants.

"Fuck you. I hope you lose every single fucking tennis match." And with a forceful push, she slams the car door shut. 

As Y/n steps away from the vehicle, leaving a splash in the puddles on the floor, she wishes the man she met two hours ago had run after her and begged forgiveness. But of course, he didn't. Instead, she watched as the vehicle got started again and drove past her, quickly rejoining the road and disappearing in the darkness. 

✩

[simphoraa]

A HUGE Ethnic/Afro-Textured Hair Haul for Female Sims (80+ hairs w/links) 🌹

Hey guys! As a person of color, I have noticed a little bit of a struggle in finding ethnic/afro-texture hair in the Sims 3. So, I created a huge ethnic/afro-textured hair haul for the Sims 3. All of the hairs from the video are organized by a specific number. Thus, please inform me if any links are missing, broken, or incorrect. Happy Simming!

(Keep reading to see the list of hairs).

εϊз Ethnic/Afro-Textured Hairs

1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14

15 / 16 / 17 / 18 / 19 / 20 / 21 / 22 / 23 / 24

25 / 26 / 27 / 28 / 29 / 30 / 31 / 32 / 33 / 34

35 / 36 / 37 / 38 / 39 / 40 / 41 / 42 / 43 / 44

45 / 46 / 47 / 48 49 50 / 51 / 52 / 53 / 54

55 / 56 / 57 / 58 / 59 / 60 / 61 / 62 / 63 / 64

65 / 66 / 67 / 68 / 69 / 70 / 71 / 72 / 73 / 74

75 / 76 / 77 / 78 / 79 / 80 / 81 / 82 / 83 / 84

(credits to all of the lovely custom content creators' content that was showcased in the video)! @lalasimmer @commonblacksimmer @nemiga-sims-archive @elitisim @rollo-rolls

[savanir]

DP x DC prompt [22]

Lately I have been thinking about a scenario in which we have the demon twins, but Talia figures that if she has two she can give one to her beloved, make him so happy and the other one stays with her and the League and becomes the demon's heir.

So, baby Danyal held ever so carefully by Bruce. Just, I dunno... let this guy be a dad from start to finish XD I'll admit I have been trying to find a overly detailed Robin[s] timeline so I know when which one is at... but I think when Damian, and in this case Danny too, are born Dick is still Robin, but he's like... in his final years? going to go on his Nightwing journey after like a year or two or something?

eh, whatever.

Danny still gets his ghost powers, I imagine it would happen during some science expo. maybe it happens sooner too.

Jack and Maddie showcase the portal and Danny in his innocent curiosity (much like in the show tbh) gets Halfa'd in a demonstration.

I feel a little bad about it cause I can only imagine Bruce absolutely sueing them into oblivion, taking a moment to make sure their poor daughter doesn't get punished for their irresponcible and dangerous actions, then sues them some more.

I think overal later down the line it would become something very rough for Damian though. If he eventually gets send to live with Bruce and he realizes he has a twin brother it would probably make him question and doubt his position in the family even more than he already canonically did.

Just thinking about the incredible amounts of angst that would happen then.

[threeacttragedy]

Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea

“Last night I dreamt I went to Manderley again.”

Ah, yes, that ominous opening line from Daphne du Maurier’s novel, “Rebecca.” Have you ever read it? It’s an old book – from 1938, in fact! – but it’s truly a remarkable story, especially for its time. It’s not often you find yourself rooting for the murderer.

Lately, I have found myself becoming more and more frustrated with the fandom. And, no, my annoyance is not from the Sincerely Ignorant teetering on and off the boat every time someone takes a dump on the deck of the USS Lukola – I’m pretty fucking used to that shit – and, honestly, many of our dear Sincerely Ignorant seem to be gaining their sea legs. It’s the Conscientiously Stupid that have struck a chord with me – a disturbing, dissonant chord that leaves me questioning the average level of human intelligence.

My issue with the Conscientiously Stupid is that they push narratives that, when taken collectively, make no goddamn sense. Thanks to The-One-That-Lurks-in-a-Play-Misty-For-Me-Heaping-Pile-of-Discordant-Garbage, I have had the [dis]pleasure of learning about Nicola- and Luke-Adjacent theories. Did you know that the small scrap of green blanket Nicola was sitting on in her August 11 “Drink Your Milk” picture proved that the picture was meant for Jake? You know the guy that, at that point in Fandom History, most people had no clue even existed? I mean, that makes a lot more sense than linking the “Drink Your Milk” shirt Nicola was showcasing to the one Luke was seen wearing on June 22. Now, I’m not saying the shirt belonged to Luke, but if we’re comparing apples to apples, which one of these theories seems more plausible to you?

At this point, you have probably started to realize I enjoy weaving in and out of storytelling mode, mixing fact with theory and speculation. Today, I decided to take a classic novel – surely you didn’t think I made that reference to “Rebecca” for nothing – and loosely intertwine it with some Conscientiously Stupid adjacent theories. This is all in good fun and, like usual, mostly for my own dark humor.

I should probably begin by introducing our book characters. Honestly, you can probably guess which of our shipmates I have assigned to each role fairly quickly.

First, we have our Unnamed Narrator. Seriously, her first name is never revealed.

Second, we have Mrs. Danvers, the obsessive, borderline psychotic housekeeper.

Third, we have Maxim de Winter, our Narrator’s husband.

Fourth, we have Jack Favell, the dodgy and unlikeable cousin.

Lastly, we have our titular character, that darling creature Rebecca.

Now, let’s see who is on the playbill.

ANTONIA AS MRS. DANVERS

It pained me just a little to give the role of Mrs. Danvers to Antonia, primarily because Mrs. Danvers is such a complex character and I’ve always found Antonia to be rather simple. And, no, I’m not insinuating Antonia is simple-minded; I am saying it was never difficult to see through her bullshit (i.e., the phrase, “patterns are patterning,” didn’t come out of thin air). It helped that Mrs. Danvers is one of the main antagonists in the book and almost certainly the GOAT at trolling the heroine of “Rebecca.” I mean, the second Mrs. de Winter didn’t stand a chance with Danny lurking in the background.

The general narrative in Lukola Lore is that Antonia is an online troll. I’ve never been sure as to who her primary target was – Nicola or the Lukola fandom. I tend to believe it originated as Nicola and the Lukola fandom was simply collateral damage. I also cannot say for fact that Antonia was trolling anyone, but I can confirm that the general belief within the fandom that Antonia was trolling is well-documented on social media. For today’s story, we are going to assume the narrative that Antonia was trolling both Nicola and the Lukola fandom. We are also going to assume the USS Lutonia (because I have no fucking clue what the Luke-Antonia ship is called!) was real. Don’t get your feathers fluffed over this. This belief does exist – and it’s why Antonia has been able to fuck with the Lukolas as long as she has – but I promise I have every intention of peppering the side of this ship with holes.

Okay, let’s tow the USS Lutonia out to sea. Don’t forget your Dramamine!

We are living under the umbrella that Luke and Antonia were dating during the World Tour. Poor Antonia was forced into hiding by – who the fuck knows but let’s keep rolling with this narrative – and she wasn’t allowed to be openly seen with Luke or post anything on her social media with Luke. And, Luke mirrored this behavior and made an effort to keep Antonia out of the spotlight (in fact, at the New York City premiere, the average viewer wouldn’t have known Antonia was anything more than Luke’s “friend of a friend”). Antonia, annoyed with this lack of engagement (and, almost certainly fed up with, at a minimum, fans shipping Luke with Nicola), started the pattern of posting pictures of herself and tagging her location as places the fandom knew Luke had recently been. Luke, for his part, made no effort to acknowledge his relationship with Antonia. Instead, he continued his flirtatious relationship with Nicola. After the London premiere, the Lukolas put a target smack dab in the middle of Antonia’s back and blamed her for setting up Papsmear for her own benefit. Luke still made no effort to acknowledge his relationship with Antonia or protect her from the abundance of online hate she received. In fact, he posted his “I will not let [Cressida] ruin our night” story to Instagram instead (see my “Entry 1 – The One About That Weird Ass Cressida Post” if you’re confused by this comment). During post-Papsmear events, Luke did not list her as a plus one and he didn’t like any pictures of Antonia that were not on her grid. In fact, the only evidence directly linking Luke to Antonia were leaked and/or since-deleted pictures and videos not released by Luke. Throughout the summer, Antonia continued her efforts to place herself in proximity to Luke via tagged or easily recognizable locations. Oddly, many of Antonia’s posts seemed to occur shortly after Nicola posted or before/after DeuxMoi posted pap pictures, which gave birth to the “Antonia is trolling” subplot. Still, Luke made no effort to acknowledge his relationship with Antonia. On July 30, Luke was papped with Antonia and his friend group in Sorrento (see my “Entry 11 – The One About the Heart of the Ocean” if you want my opinion about that excursion). This was the last time Luke and Antonia were publicly photographed together. Once Luke returned to London on August 2, Antonia continued her campaign of insinuating she was in the same location as Luke, with the most recent being the Italian restaurant in Rome (which the restauranteur debunked, in my opinion). Again, Luke and Antonia have not been photographed together since July 30. To date, Luke has made no effort to acknowledge his relationship with Antonia, and the only visible interaction by Luke are his likes on Antonia’s semi-monthly Instagram grid posts, which seem obligatory at this point. For the month of November, there was no interaction between Luke and Antonia because Antonia did not post to her grid (gasp!).

Now, for all the Lutonia’s out there, explain to me why this kind of relationship is acceptable to you. Seriously, explain it to me.

Convince me that Luke didn’t shutter Antonia from the moment the USS Lukola schematics were presented to the engineers.

Convince me that Antonia is the kind of woman who would happily accept Luke’s blatant dismissal of her existence while he globe-trotted around the world with a woman he was being openly shipped with by fans, the press, and Bridgerton mates.

Convince me that Luke’s behavior towards Antonia doesn’t make him the worst boyfriend on the planet.

Convince me that Antonia’s online behavior towards Nicola and the Lukola fandom during and after the World Tour doesn’t make her a troll.

Convince me that Luke and Antonia are the definition of “true love.” Actually, before you do that, convince me that Luke and Antonia are currently dating.

Or, maybe you’ve realized that any effort to try to convince me would be a waste of your time because you, too, are starting to find this entire narrative unacceptable. It equates Antonia to someone who doesn’t mind being boxed into a corner and forced to claw her way out, and it likens Luke to an overbearing womanizer who doesn’t give two flips about how online hate may be affecting his partner. I mean, we may as well dump these two into an entirely different book called “The Handmaid’s Tale.”

I didn’t assign the role of Mrs. Danvers to Antonia because I thought Antonia was a feeble coward without her own voice. And, no, I didn’t give her the role because Mrs. Danvers is an obsessive psychopath. I gave Antonia the role of Mrs. Danvers because the fandom handed her the power to influence this narrative on a silver platter, just like the Narrator in “Rebecca” allowed herself to be manipulated by Mrs. Danvers. Moving forward, when you see Antonia with a lit match, all you need to do is lean over and blow it out. Poof! And, she’s gone. Seriously, if you see our version of Mrs. Danvers with anything that might light a fire, take it away from her!

Surely someone out there gets my joke…

LUKE AS MAXIM DE WINTER

Of course, Luke is Maxim de Winter, the outwardly charismatic, but recently widowed anti-hero who caught the affection of our Unnamed Narrator. I mean, he’s a good guy, right? Uhh, yeah, sure… Who doesn’t want to be married to a brooding chauvinist who is outwardly obsessed with the titular character? Wait a minute, that doesn’t sound like Luke at all! Oh, no, actually it does – if you believe the USS Lutonia is real!

For Luke, we are going to assume the same narrative as above – that the USS Lutonia is real, that Antonia trolled Nicola and the Lukola fandom, and that Luke refused to acknowledge his relationship with Antonia. Besides the obvious “Luke is the shittiest fucking boyfriend in the universe,” I have a few other gripes with the USS Lutonia.

Initially, I understood the concept of “keeping Antonia in the dark,” after all I try to be logical when I process information. It was always possible Luke and Nicola were rocking some great PR in the beginning of the World Tour, and that was the only thing they were rocking. In fact, that’s what I initially believed Nicola was doing – being cute but also professional in her interactions with Luke during those early press junkets. Luke, on the other hand, always seemed to wear his heart on his sleeve. Once they hit Australia, it seemed obvious to me that something had changed (go back and read my “Entry 12 – The One Where We Start Laying the Yellow Brick Road to Italy” for a briefing on this). The more I watched Luke and Nicola interact on the World Tour, the more I became convinced Antonia must have been a thing of the past (or possibly nothing) for Luke – until Antonia showed up at Papsmear. At that point, I fully expected Luke to just own up to her. Like, give up on trying to hide Antonia from public view. But, then he pulled that goddamn “Cressida” post (seriously, if you have not read my first entry to this blog, go back and read it!). When you look at the World Tour and subsequent Hot Boy Summer, and the behaviors that were – and were not – on display during that timeframe, you start to develop a completely different view of the USS Lutonia. I mean, I’m not even sure that ship ever left the planning room!

One of the most glaring cosmetic flaws with the USS Lutonia is why “nice guy” Luke would treat Antonia with such indifference if he loved her. When asked who was most like their Bridgerton character, everyone always answered Luke. That he was the kindest, most genuine person. If that’s true, then why did Luke treat his “girlfriend,” Antonia, like she didn’t exist? Again, convince me that Luke’s Public Display of Apathy towards Antonia made him a great boyfriend. Even if Luke was a private person, one would think that after someone he cared about received as much hate as Antonia did after Papsmear, he would have stepped up and taken control of the narrative. He didn’t hesitate to clear up the “cake eating” picture from his September 7 Instagram post (about Nicola), and that “Cressida” post will live rent-free in my mind forever. The only “logical” explanation I can come up with for “nice guy” Luke to shutter Antonia right from the jump is that Antonia is not, and was not, a significant person in his life. That, or he really is a shithead, and he has a team of people lying about what a great guy he is.

We also need to consider Nicola’s interactions with Antonia. First, Nicola has never followed Antonia and Antonia has never followed Nicola, at least not on her public account. But, Nicola followed – and still follows – Luke’s ex, Jade. Now, typically, I’d just be like, “Meh,” on something like this. But, after Papsmear, Nicola could have very easily played the “Diplomat Barbie” and given Antonia a follow on Instagram. But, she didn’t, which signals to me that Nicola wasn’t touching Antonia with an invisible 10-foot pole. Second, if you watch the back-and-forth between Nicola and Antonia on social media – in black and white, pen on paper – you’ll see Nicola playing the cat-and-mouse game right along with Antonia (Nicola just played it a helluva lot better). It even appears Nicola sicced her – what my father calls JVN – “assassin” on Antonia starting around July 20 or, at the very least, she condoned JVN teasing Antonia. If everything was great between Luke and Antonia – and Luke was genuinely happy with Antonia – why would Luke put up with the back-and-forth on social media between Antonia, Nicola, and JVN? Oh, that’s right, because Luke is the corrupt captain of the USS Lutonia.  Seriously, if all was well between Luke and Antonia at this point in the timeline, then you’d have to surmise that all was not well between Luke and Nicola. We will get to that in a moment. Right now, aboard the USS Lutonia, Luke is just a lousy boyfriend.

Lastly – and what has always left me scratching my head – why would Luke allow Antonia to troll his fandom? Why allow Antonia to make insinuations online that they’re together but never come to her rescue when the fandom starts flinging shit at her? In my opinion, the InStyle copycat pictures (go read my last blog entry…) were just Antonia getting her feet wet. Why continue to put up with Antonia after allegations began flying that she arranged Papsmear and the Italy pap pictures? I suppose the answer most Lutonias would give is, “Because they’re in love.” With everything I have outlined in this entry, do you honestly get the “in love” vibe from those two? Because I don’t.

Now, why did I draw parallels between Luke and the book character, Maxim? It’s not because I believe Luke to be a male chauvinist so wrapped up in his own drama that he ignores those around him. The USS Lutonia will definitely paint that impression, though! It’s because Maxim’s demeanor was superficial. What the Unnamed Narrator believed was true about her husband was not actually true. And, that’s how I view the USS Lutonia – Luke’s behavior and the narrative surrounding this ship does not match the logic.

JAKE AS JACK FAVELL

Sorry, Jake, you get to be the icky Jack Favell. Yeah, that manipulative, blackmailing creep sleeping with his own cousin! But, hey, that subplot isn’t any more disturbing than Jake being shipped with Nicola, is it?

Alright, let’s jump on board the USS Jakola but not before I preface this section with my father’s flabbergasted words: “This ship is on the bottom of the ocean. These people must have oxygen masks. They’re down there with Jules Verne. This just doesn’t make sense.” No, it really doesn’t make sense but, because I’m here to tell a story, I will begrudgingly dive into the USS Jakola narrative. And, by “dive,” I mean plunge to the bottom of the ocean because that’s where this ship rests.

Just like we did with the USS Lutonia, we are going to assume the USS Jakola is real. The Jakolas believe that Nicola has been seeing Jake since, I guess, the Renegade Nell premiere on or about March 26, 2024. Although, the last I checked Eamon Farren was also at that premiere holding an umbrella for Nicola. I am not confirming Nicola was ever dating Eamon; I am simply saying he was present at the event and holding a fucking umbrella for her. You can make up your own mind about Eamon’s role in Nicola’s life. Regardless, it must have been an instant connection between Nicola and Jake because, if the Jakola narrative is to be believed, they began secretly dating after that. The Jakolas will argue that all the songs Nicola posted to her Instagram stories were for Jake. The Claddagh ring has no traditional meaning when Nicola wears it, and Chaos Week was also for Jake (and a “fuck you” to Luke). The Lukola-coded fan fiction was a “fuck you” to the Lukola fandom (see my “Entry 10 – The One About the Audibly Loud Lukola FanFic”). And, Jake and Nicola are in love and have hard launched their relationship because (a) Jake has been seen wearing Nicola’s bucket hat, (b) they have been seen in public together, and (c) they occasionally hold hands.

I’m not going to lie – for the longest time I didn’t pay any attention to the USS Jakola because it was such an incredibly absurd concept to me. A few weeks back, I posted to my Tumblr account a music video that Jake had done in early 2023. The song is called “Mixed Emotions” by You Me at Six, and the article that came out with the video on February 7th, 2023 stated, “With Jake Dunn who played the protagonist in the video who is actually a friend of mine, we actually spoke a lot about toxic masculinity and his experiences within his sexuality and the impacts it has had on his relationship with his dad.” It honestly never occurred to me the USS Jakola actually had passengers on board until October when the Jakholes went bananas over Nicola holding Jake’s hand. In my opinion – and you do not have to agree with me – the music video speaks for itself as does Jake’s social media presence, whether it be on his own pages or on those of his friend group. I’m sure I’ll get some Jakholes in here crying that we shouldn’t speculate on Jake’s sexuality, but the reality is the only people speculating on Jake’s sexuality are the Jakolas trying to discern whether he’s heterosexual. But, why doesn’t he just come out and say it? I get this question all the time. The answer is quite simple – he doesn’t need to. Jake never buried this part of his life; it’s other people burying it for him. Do you need to blast your sexual preferences out into the universe? I didn’t think so.

For shits and giggles – because that’s what I’m here for – let’s keep going with the story that Nicola and Jake are hot and heavy with each other. I’ll play center field and say Jake is a switch hitter. Happy now? If Jakola is real, then why would Nicola lay all those Lukola-coded breadcrumbs? And, NO, I am not explaining every crumb she’s dumped online. This post is already too damn long. But, Dear Jakolas, don’t tell me those coordinated airplane pictures didn’t have you crying into your pillows. Seriously, though, why would Nicola fuck with the Lukola fandom? I’ve mentioned in previous posts that Polin and Lukola have even been blurred by Netflix & Co. at this point. What would be the point of dragging the Lukolas along only to find out it was Nicola just fucking around? That makes about as much sense as “nice guy” Luke being the shittiest boyfriend on the planet. Again, the narrative does not fit the logic – although you’re welcome to try to convince me that Jakola is real.

For starters, convince me as to why Nicola is Jake’s “type” and not Luke’s. I am not being factitious. I seriously want to know why she’s acceptable for Jake but not Luke. And, if you’re going to tell me it’s because Luke likes brunettes, you better bring me some evidence that Jake likes blonde women.

Convince me that the Claddagh ring has no traditional significance to Nicola and that Jake would be okay with Nicola wearing that Claddagh ring – the one she had made in honor of Bridgerton Season 3, the season she shared with the man that fills her Instagram grid and tags and is the other half of Lukola. If you’re stuck on the significance of this ring, go read “Entry 6 – The One Where I Explained the Claddagh Ring to My Dad.”

Convince me that Nicola and Jake are a couple. And, if you’re going to mention handholding, then convince me that Nicola is not in a relationship with Mark, JVN, Jack R., Golda, Hannah D., Dylan L., or Luke. Oh, and is it true Jake is now dating Ellie Bamber? Convince me he’s not…

Any ways, good luck, babe, trying to sway me into believing Jakola is the real deal because I have a feeling your efforts are going to make your face become as flushed as Jack Favell’s when he was caught with his hand in the till.

NICOLA AS REBECCA

Surely you didn’t think Nicola was going to be the heroine of this story! If you believe the USS Lutonia and USS Jakola are smoothly sailing across the ocean blue, then the only role Nicola could reasonably play is that of the story’s villain – Rebecca. Yes, Rebecca was a bad, bad girl. She was manipulative and intentionally cruel; a Bitch with a capital “B.” She haunted poor Maxim and controlled Mrs. Danvers and Jack like a master puppeteer. She also tortured the Unnamed Narrator from her watery grave.

Seriously, though, let’s turn the tables. Let’s pretend Lutonia and Jakola are real. Starting, say, April 29, Nicola started trolling Antonia by dropping Luke-coded material online and really started ramping up those doe-eyed looks in Luke’s direction. Remember all that cute BTS? Perfectly timed to make it look like Antonia was trolling her when in reality Nicola was trolling Antonia! Unbeknownst to Luke, Nicola commissioned that Claddagh ring and started wearing it to make it look like she was in a relationship with Luke. She even organized a side jaunt over to Galway to introduce Luke to – surprise! – her mother! But, after being rejected by Luke – because he really is in love with Antonia (the USS Lutonia is blasting its horn right about now) – Nicola – YES, Nicola! – set up Papsmear to ruin Luke. I mean, if he wasn’t going to be her boyfriend, he sure as shit wasn’t going to be anyone else’s! All summer Nicola waited for Luke, but he’d gone into hiding, scared to surface because Nicola might find him! After growing tired of waiting for Luke, Nicola got her assassin, JVN, to start trolling Antonia online, that way Nicola could put all her efforts into finding and trolling Luke. She set up Chaos Week. She trolled him on the airplane. But, she needed help (after all she had so many other events and awards shows this summer) so she enlisted her unwitting accomplice, Jake! Jake helped her set up that Lukola FanFic to remind Luke of what could have been. But, nothing was working so Nicola upped the ante and volunteered Jake to be her confused boyfriend. “Luke…Luke…” I can still hear her desperate cries being carried like ashes in the wind…

SEE!  I can do it, too – make up total bullshit to fit whatever narrative I please!!!

Yeah, yeah, maybe I went a bit too far (I warned you I had a dark sense of humor) but, honestly, I believe the only way the USS Lutonia and USS Jakola could stay afloat is if Nicola is the villain. She doesn’t even have to be a super villain. She just needs to be disingenuous enough to alienate Luke, terrorize Antonia, manipulate Jake, and mislead an entire fandom. Lucky for her, I don’t believe Nicola to be a real-life Rebecca. If you need an explanation as to why, then you didn't watch the same World Tour as me and you’re clearly on the wrong side of the fandom.

In truth, I believe the real villain to be…

YOU AS THE UNNAMED NARRATOR

Now, now, calm down. I’m not calling you out – at least not individually. I’m calling all of us out.

We as a fandom are the Unnamed Narrators of Lukola, Jakola, and Lutonia. We built these ships, and we control whether they stay afloat.

We took the narrative out of Luke and Nicola’s hands the moment we launched the USS Lutonia. Then we had to go and build the USS Jakola – I guess, because we were bored. No matter how hard Luke and Nicola try to pull the narrative back under their control, we allow side characters to feed us their side of the story! We fill our bellies with their nonsense and then vomit it all over the deck of the USS Lukola.

Seriously, we are the villains in this story. And, collectively, we are one bloody powerful super villain, aren’t we?

We control the narrative. So, if there’s a narrative you don’t agree with – for example, one that doesn’t make sense to you – stop being Conscientiously Stupid and feeding into it.

Remember what I said earlier? If you see Mrs. Danvers with a lit match, blow that fucker out! Otherwise, you’re going to let that bitch burn down the whole goddamn house.