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shizukascenefox · 6 months ago
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One year since Charles Martinet became the Mario Ambassador
Hey, guys. Shizuka the Scene Fox here.
I know this post is different from my normal content, but this is just something that hit me pretty hard and I just wanted to write about it.
Some of you may know that just last year, as of this writing, Charles Martinet made two tweets stating

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And just several minutes earlier, the official Nintendo of America Twitter tweeted about Martinet's role of Mario Ambassador.
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This, of course, spawned a lot of conversation and lament in the Super Mario community, and I myself was pretty bummed when I first heard the news. Even though that I personally grew up with Charles Martinet as Mario, I grew really fond of Charles and I think he was great in his own manner. Sadly, however, I think his full potential may not have been realized in the game since many claimed he was given pretty shitty scripts. And that's really sad since he has shown great talent in other Mario media such as the Luigi’s Mansion series and the WarioWare series.
Following Charles' role of Mario Ambassador, some fans saying that Chris Pratt, the voice of Mario in the Mario movie, might be taking over as Mario entirely, and personally, I really hope that doesn't happen. Well, I think Pratt did an amazing job in the movie. I don't think his voice would fit for the games, but considering the success of the movie, I have a strange feeling that Nintendo would do something like that. But if Nintendo is hiring a completely new voice actor like Kevin Afghani as Mario, I’m actually pretty excited to see how that would go.
Well anyway, that's all I really have to say on the matter. Sorry that it wasn't too informative, but it was just something that really hit home for me and I just wanted to give my two cents about it.
But what do you think about Charles Martinet being the Mario Ambassador? Who do you think will be Mario’s new voice actor? Leave your thoughts in the comments below. In the end, that is for you to tell me your thoughts about it.
Thank you for taking your time reading this. Have a good day/night and stay safe.
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shizukascenefox · 4 years ago
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Marshall Lee: On a shiny night like this, I think about you, Shizuka. Are you still up wishing that I’m real? Are you in your house doing another drawing of you and me? I wish to the moon that you’re thinking of me, like I am thinking of you right now... ❀
Shizuka at home: Yeah, I don’t really care, at all 💙
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night well spent😂😂😂
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notbandu · 2 years ago
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Will you please draw Shizuka the Scene Fox and Ash the Emo Wolf as ship art? đŸ„ș
Shizuka the Scene Fox: https://refsheet.net/Shizukathefox/shizuka
Ash the Emo Wolf: https://refsheet.net/Shizukathefox/ash
Ofc!! <3
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shizukascenefox · 6 months ago
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Just a small drawing of my fursona and main OC, Shizuka the Scene Fox 🩊💙
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austinwehaveaproblem · 3 years ago
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Could you please draw my fursona, Shizuka the Scene Fox? https://refsheet.net/Shizukathefox/shizuka
bestie we aren't even Mutuals i'm not just gonna draw ur fursona :sob:
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sobredunia · 4 years ago
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Could you please draw both my fursona, Shizuka the Scene Fox, and Marshall Lee from Adventure Time? Because I definitely ship Shizuka the Scene Fox and Marshall Lee đŸ„ș
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@shizukathefox ask for art, get a badly drawn shitpost
srsly tho thank u for requesting! also thank you for putting the references in there it really helped :D
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nocturne-inuyasha-ff · 5 years ago
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Chapter Twenty Three: The Human Condition
~ * ! * ! * ! * ! ~ = Flash back
o ~ o ~ o ~ o ~ o = Scene/POV change
Nocturne - Chapter Twenty Three: The Human Condition
Rated - M (for suggestive adult themes, references to some violence, and coarse language)
Disclaimer: I do not own Inuyasha.
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Kagome jumped at the sound of the deep, familiar voice and slowly turned to see Sesshomaru standing in the doorway. She melted and felt fury all at once. It had not even been an entire day, and he'd come, but not when he was needed.
Setsuna battled with an urge to run up to and hug her father, instead, wearing an ear-splitting grin upon her young face and exclaiming, "Father!"
All had turned to witness his arrival, though none had noticed him, nor sensed his yoki.
Sesshomaru gave his daughter a nod of greeting but did not display any semblance of emotion outside of that. He was not one for public displays of affection. Even to greet her first was a significant indicator of her status in his eyes.
Kagome more than made up for any of Sesshomaru's shortcomings in that area. But while he lacked in that area - at least in Kagome's opinion - he more than made up for his affections through doting on his child through different means.
He had initially disapproved of Kagome kissing every cut and bruise, stating that would spoil and entitle her.
It was Sesshomaru's thought that by coddling Setsuna, she would be weak. To that effect, Kagome cleverly asked if he also thought her to be weak. It only took a couple of days for him to relax his view of "coddling."
Sesshomaru's eyes then glided over Kagome in an appraising manner that held a deeper meaning. She quickly turned her head to subtly inform him that she was still angry.
Inuyasha wore a confused grimace at the appearance of his elder brother, looking none too pleased. "You learn some new tricks? Hiding your scent so I can't smell you sneaking up on us?"
Sesshomaru narrowed his eyes at his brother's idiocy. He looked pointedly at Shizuka and sneered, his lip rising up in slight disdain.
"To think you have not noticed after these years," he chided coldly. "Yet, you are ignorant, preferring to allow the fox roam freely in the hen house."
Inuyasha stood up with a jump, placing a hand on the hilt of Tessaiga. He had made sure to retrieve the weapon after the recent episode of events. "The fuck is that supposed to mean?!"
Sesshomaru ignored his brother's barely veiled act of insolent aggression. He looked around the room, resting his gaze on Kohaku longer than any. "You have all exposed yourselves and your number when you have laid unnaturally hidden from our enemy for years, thanks to your foundling."
Inuyasha would have none of it. "This is all your fucking fault, you goddamn hypocrite! You led them here through all your damn schemes and tangled us all in your mess."
"You still trust it, even knowing where it comes from and the risk you place on all here. It is to her they were drawn," Sesshomaru explained. "The fact that you place its life above that of your own brethren speaks volumes about your character. Though, it is unsurprising to this one."
Shizuka withered under the scrutinizing gaze of Sesshomaru, which caused Inuyasha to become even more incensed. "She never hurt anyone, you fucker! I dare you to say another word!"
Kagome had seen and heard enough of their brotherly squabbles. It was becoming ridiculous and not something she wanted her daughter to witness. "Enough! Both of you! Take it outside, so Setsuna does not have to watch her father," she looked to Sesshomaru, "and her uncle," she looked to Inuyasha, "prattle on like enemies."
Both aggressors looked over at Setsuna, who sat on the ground with her legs crossed and an amused smile on her face. Kagome noticed the girl's grin as well and groaned in disgust before stomping out of the house. The girl had too much of her father's blood running through her veins, always looking for her father's approval and a good fight. Even at nearly six years old, Sesshomaru had exposed their child to pride and prowess. Of course, she'd done nothing to stop it either. As if it were a bad thing to learn in the Feudal Era when the world would only go through strife before settling into the future she knew.
Kagome rushed out and walked away from Miroku and Sango's house, knowing her presence would not be missed with all that was happening. She felt frustrated with everything and herself. She had come to escape the lies and recent revelation that still weighed heavily upon her, yet she'd brought nothing but pain to her friends and family in the moments she'd arrived.
She felt bitter and downtrodden, her grief only spurred on by the discovery that Sesshomaru had not disclosed to her all he knew. And now here he was again, likely come to take her and Setsuna away for their own protection. As if she was not capable of protecting herself, she fumed. Her use of spiritual powers may have diminished, but she was more than proficient as a marksman, something she did not tire of practicing.
There was now a fairly decent distance between Kagome and the others. She would not stray beyond the village's perimeter just yet, but she was far enough away from Shizuka's strange ability to hamper the sense of demonic auras and would sense if any came upon her.
Kagome sat on a bridge that spanned over the gently flowing stream where women of the village came to wash laundry. No one was out right now, as the village reeled from the news of the recent attack. Despite the circumstances, it was to Kagome's liking as she rarely was afforded time to herself anymore.
She swung her legs back and forth, pointing her toes so that they barely touched the water below and kicked the cold droplets to spray in front of her. Kagome could feel his aura approaching at a slow and steady pace. She knew he'd come after her eventually. He was like his brother in ways he would be offended to know, stalking after their women like puppies with tails between their legs. It was a cute notion if she bothered to think about it, but her sullen anger was too great to allow such a thing.
His steps echoed on the wood of the bridge, announcing his presence. Kagome ignored him. She'd come here to get away from him after all, and it had not even been an entire day!
"Beloved," he began with an uncharacteristic tentative tone.
Kagome whipped around with a glare, daring him to call her another endearing name when she could not find one for him for the life of her. "No!" she hissed. "You don't get to follow after me and apologize. I am not ready to forgive you yet."
His gaze was cool as he regarded her, and Kagome seethed that he was still, after these years, so challenging to read. "This one has done nothing wrong in protecting what is his."
Wrong! Kagome's eyes widened. "So I am a possession now to do with as you please?!"
"You know this not to be true, miko," he said, resorting to calling her by her title. "You are mine, that is true, but only in so much that I am yours."
His gruff but tender words caused her to waver for a moment. "Yet, you treat me as a fragile piece of glass, ready to break with the slightest touch. Am I not enough as I am? You changed me, without my knowledge nor my permission."
"Had you the choice, would you have refused?" he questioned.
"That is not the point! I didn't have a choice! You took that from me."
"I fail to see why this upsets you so. You have been given the gift of countless years, beyond what any mortal should ever be inclined to live. You spit so carelessly on what others would kill for."
"It seems so unnatural," she said with a shiver and crossed her arms. "At what cost? All things come with a cost," she asked. It was a valid question. Nothing as profound as the gift of immortality came without a hefty price.
"I shall not see you die," he told her simply and unmoving.
"Death is natural. Humans aren't meant to live beyond their years. Am I something unnatural now?" she asked aloud, beginning to question what she now was. She hadn't given it much thought since arriving in the village. But now faced with the reality of what had been done, Kagome was gripped with a new insurmountable reality.
"Dying is only part of the human condition. Something you no longer have a claim to, miko. To think death is natural is merely a coping strategy for something inevitable to humans. Take joy in what you have been given."
Kagome was still too angry to feel joy, not when Sesshomaru had so carefully tiptoed around the fact that there was a price involved with her' gift'. "But there is a price, is there not?"
He sighed with resignation. "Not one that you will bear."
"What does that mean?" she demanded.
"Simply that you do not need to concern yourself with it."
She fumed. "Am I incapable of comprehending the price? Just like I am incapable of understanding the severity of the situation we are in now?"
His calm features did nothing to belie his innermost thoughts, an infuriating trait for Kagome, who wore hers on her sleeve. "You seem to already be aware of the fact that there were Fan Tsenpo's scouts probing the area. Otherwise, you would not have known to come so quickly."
"I was apprised of the fact after you left abruptly," he accused.
"But that doesn't explain why you're here," she retorted.
Sesshomaru made a resigned sound 'hnn' but did not offer an answer.
Kagome crossed her arms beneath her breasts and narrowed her eyes. "Just as I figured. You already knew it was bad, but you didn't tell me."
"This one would not have you fear for nothing," he defended. He felt no wrong-doing for his actions whatsoever, feeling wholly justified. There would be no apology from him.
She glared at him as she stood up and brushed past him making her way back towards Setsuna and her friends, shirking away from his touch as he reached out to her. If he would not explain, she had no time for him. By the rate of his actions, he would step over anything and anyone in his attempt to 'protect her' from whatever he deemed a risk, suffocating her with his protection until she was a compliant, good little woman, or so she imagined.
Sesshomaru did not follow her right away as she had expected he would. Good, she thought. She still was not ready to forgive him, though she ultimately knew she would and even without an apology. Kagome groaned inwardly at her inability to stay mad at those she loved. It was better if she stayed away for just a little longer so that words spoken in anger did not sully what they had.
~ o ~ o ~ o ~ o ~ o ~
They spent the night in the village. Kagome and Setsuna bunked with Sango and her boys. Their residence was the only one large enough to host guests anyway, but with Miroku and the twins still away, there was plenty of room.
Kagome knew Sesshomaru would not leave his woman and child, but he was astute in staying out of sight. Kagome was not sure where he would spend the night, though she knew it would not be far from her. She felt some ease knowing that.
After retiring for the night, Kagome grew restless. She could not sleep, tossing and turning on her borrowed pallet. Her mind would not shut off for anger and worry. Really she felt conflicted, a strange desire to seek him out and give him another piece of her
Mind only to be waylaid by the fear of the inevitable retribution, they were to be paid by their enemies. Kagome kicked her foot out and sighed.
Sango whispered over the gentle crackle of the hearth, "Why do you punish yourself? Just go out to him."
Kagome responded in silence, not bothering to acknowledge her friend's sage words. She laid on her back, staring at the ceiling for what felt like hours, though probably only minutes crept by.
Setsuna breathed gently beside her, a subtle reminder of why Kagome was angry in the first place. Her conception had started all of this, and Kagome thought back to those years ago in a dark cave, lit only by moonlight.
As stealthily as she could muster, she rose and made out of the house. If Sango had heard her, which was likely, she did not utter a word, and Kagome walked out into the warm, humid night.
The village was quiet and eerily so. Many of the villagers had bunkered down for the night, fearful of an attack from a powerful enemy. They were right to do so, but Kagome held little worry that Fan's army would attack tonight. The daiyokai was across the sea, and it would take more than an evening for him to receive word and rally his forces to move on them if he were inclined to do so.
Kagome had no idea where Sesshomaru would be, so ultimately her plan was to let him come to her once she'd gotten far enough from the village. She scoffed at the thought, knowing he would make her work for it, like always.
It was darker in the dense forest surrounding the village, but she held no fear. Even though she had no weapon, Kagome knew that a deadly being lurked nearby, ready to pounce on any who so much as looked at her threateningly.
She came to the stream that cut through the village and followed it west. It was this course that she had returned six years ago and, despite not knowing exactly where she was going, she knew it was the way.
She continued walking and continued to do so, counting as she paced along the stream's bank. All to keep her pace and track of the time in the dead of the night. Sesshomaru was very likely watching her but gave her no notion of his hidden presence.
After Kagome had trekked a couple of miles into the woods, she stopped and looked around. There was a fleeting feeling in the air around here that barely struck the peripherals of her memory. It hung heavy in the air, and as if forming a discernible trail, Kagome followed the path away from the stream. She had not gotten far when she saw it, the barely visible outcropping of rock that jutted up from between trees giving it a natural hiding spot.
Vines covered the mouth of the cave-like tendrils of mossy-green hair waiting to be parted. Kagome bit the inside of her cheek, reminiscing over an act committed long ago, not from love, but lust. She reached up to grasp one of the vines, but a voice startled her arm back to be clutched against her body.
"It is an unnecessary risk to bring yourself so far from the protection of the village."
Kagome swiveled on her heel, finding Sesshomaru leaning against a tree facing the mouth of the cave. "What worry do I have when you're near?" she responded with a weak smile.
"I am honored for the great faith you have placed in me unquestioningly. Yet it astounds this one that you do so now, but cannot find it within yourself to do so on other occasions."
She felt her heart drop a little, and in her hesitation, he took a step forward. "I trust in your ability to protect us, but I cannot help but feel inadequate if you cannot trust me."
o ~ o ~ o ~ o ~ o
This woman, the miko, his woman, was infuriating and intoxicating all at once. Her words said one thing while her body said another, and Sesshomaru, who was forever in charge of any situation, felt at a loss.
Sesshomaru had gone through great lengths to obtain the ningyo that the miko had consumed. The miko was correct when she had guessed at the price being insurmountable. To kill a ningyo would place a curse upon the murderer should they consume its flesh, which is why humans could never obtain ever-lasting life as they desired. If a mortal successfully slew a ningyo, which was an incredible feat seeing as how the ningyo were rare and crafty, they would gain eternal life at the cost of their own sanity. The ningyo flesh would corrupt and twist any who consumed them without mercy. That was the legacy of the ningyo and why they were not preyed upon.
However, Sesshomaru had learned a secret about the ningyo. The secret had been kept by his most honored father's last living retainer for centuries. Had Sesshomaru known this secret but 50 years ago, he would have exterminated the ningyo without mercy. The secret his father's retainer kept was that of true immortality without the price to the mortal. Sesshomaru had felt perplexed at first, wondering why his father, InuTaisho, would need such information before it dawned upon him. InuTaisho had planned to use the secret on his mortal woman. Fate, though, would not allow that to come to pass, and both his father and the hime had perished long ago.
Of course, immortality was still reliant on the consumption of ningyo flesh, but the trick lay in the way the flesh was obtained. Sesshomaru learned that if a ningyo gave its flesh willingly, the consumer would be granted longevity. But there was still a price, though not one so horrible as what was promised should he slay the creature outright.
FInding the yokai proved to be a feat all on its own, but nothing Sesshomaru could not accomplish succinctly. He had no need for immortality, so once he came upon the ningyo, the creature was unprepared to face him. The beast had implored him, pleading and promising him unimaginable power for sparing its life, but Sesshomaru was not one to be led astray by things he already possessed. He tactfully bartered with the ningyo for a pound of its flesh.
~ * ! * ! * ! * ! ~
"Whats ye gots to trade?" the creature had asked through needle-like teeth.
"This one has much, name your price, yokai." Sesshomaru had little respect for those beneath him, but he must treat the ningyo with as much courtesy as he could muster; otherwise, the trade may be void.
The ningyo grinned widely if it could be called a grin for one whose mouth was unable to close around its angler-like maw. "Youse has nothing I want, nothing worth even one of me golden scales."
Sesshomaru had to be tactful with the creature, lest it return and hide away in the sea for a century. His chance of finding another ningyo within the miko's lifetime was slim. "I offer up a part of myself intangible."
The ningyo's large yellow eyes narrowed in skepticism. "The price to be paid must be equal to what is given, lord daiyokai. I canst tells ye what to give, but like me flesh, it must be given freely. Tell me what ye will part with."
The great lord Sesshomaru had already assumed there would be such a price. He knew that his father was willing to pay the price, and he would as well without question. "A year from this one's own life for each year given."
Now those yellow eyes burned with an unknown hunger, bulging within the deep-set sockets. "Lord Daiyokai! A steep price ye shall pay, indeed. Be it the lass worth it, me hopes."
The creature had accepted the trade, though Sesshomaru did have uncertainty about what the small yokai gained from it. The ningyo used its razor-sharp claws to carve out a pound of flesh and surreptitiously handed it over to Sesshomaru. It nodded it's bulbous head and looked about before swimming off into the murky depths from which Sesshomaru had retrieved it, likely off to hide until the flesh grew back.
~ * ! * ! * ! * ! ~
Sesshomaru would never admit, even to himself, his fear. He had gone through great lengths to make certain those worries were never realized. That was why he had not explicitly informed the miko of his intentions. Those fears would make him weak, and weakness was not an option. Especially now that the circumstances were precarious. He knew that if she had known of the ningyo, she would have inquired on the price behind it, and if he were honest, she would refuse the gift; deny him. The miko would state that the price was too high and not something she would willingly accept. He knew this to be true for his woman was as selfless as they come, which was one of her intriguing qualities.
When the miko learned of the ningyo flesh through his treacherous mother, he inwardly knew that she would react in anger. He had prepared for that, too. He had not prepared for the army of Fan Tsenpo breaching the perimeter he had so precariously set so quickly. The man, Fan Tsenpo, was a tenacious one, indeed.
He closed his eyes in a rare display of acquiesce. "Truly, you must know that I am not as perfect as I would aspire."
The miko smirked at his admission. "There are some things about you that measure up to perfection, lord."
The miko's scent was a mixture of sensuous fury. She stepped closer, her arms still crossed but with a sultry look upon her face. Sesshomaru looked her up and down, attempting to understand whether this woman was angry or not. It was difficult to tell at times, even for one as astute as himself. It was enough to drive anyone mad.
A gentle breeze blew through the area, buffeting her scent into him. The fury, the joy, were palpable, but something else was there as well. His eyes turned ravenous, and an inner voice spoke to him, egging him to become something else entirely.
o ~ o ~ o ~ o ~ o
The way he looked at her, hungry eyes roving up and down her body, spoke volumes. Kagome felt her insides do somersaults from anticipation and wetted her lips. She could feel her heart begin to pound heavily in her chest, and she wondered vaguely how someone could make her feel so giddy and desirable after so many years.
She glanced behind, over her shoulder with her sultry smile, and felt another wave anticipation course through her veins. It was very ironic to end up where it had all begun years ago. She scoffed to herself once she figured that Sesshomaru had led her here intentionally, somehow.
He stepped closer and leaned forward, inhaling her sweet scent from the crook of her neck while running his deft fingers through her hair and along the side of her neck.
He hesitated for a moment, pulling back and looking into her eyes. Kagome felt her breath catch and her traitorous heart skip a beat. "Is something wrong?" she asked softly, hoping like hell he had not finally grown tired of her.
His jaw clenched, and he seemed to be at war with himself rather than anything else. "It is your fertile time," he told her in a whisper.
His words were meant to be a caution, but his words tickled her ear and made her feel reckless. They had been careful, or rather Sesshomaru had been careful. Always calculating the time to be away when she was likely to beget a child. Kagome had not once questioned his frequent trips, sometimes seeming spontaneous, even for him, but her own monthly cycles had always been sporadic and unreliable.
Maybe Sesshomaru was afraid, if that were even possible, of a repeat. Kagome knew that he had revived her with Tensaiga and she also knew that the feat could only be done once. Could he be worried that she may find an untimely demise at attempting to bring a new life into the world? She pushed it from her mind, other more scintillating thoughts taking precedence.
It seemed that a similar thought process had taken place with him as well once he ultimately ground his teeth and placed his forehead on her shoulder, his silver hair falling over her in argent waves. His left hand gripped her shoulder tightly, holding on to maintain control, but the rest of him worked autonomously.
Kagome groaned once his hand found its way under her shirt and began to fondle her breast, caressing her nipple. His head still rested near her neck, where he waited for her consent. His tongue worked expertly upon her ear becoming more encouraged by the breathy exhale. She could barely make out his golden gaze appraising her from her peripheral vision and looking at her lustily.
Her fertile time was delicate in terms of lovemaking. Sesshomaru could smell it on her, and the demon within him wanted to take her by any means necessary. Her scent drove him wild with barely contained lust, and it took every ounce of control to contain himself, which is why he usually took great pains to be absent during that time.
Kagome secretly enjoyed it. The idea of being ravaged was intriguing and frightening, especially when it came to her daiyokai lover. Now, knowing that he could be a little rougher was an aphrodisiac all on its own.
He was growing impatient and pulled her kosode down, exposing her breasts. She gasped, feeling the cold air on her bare skin and then gasped again once the cold sensation was replaced by the warm ministration of Sesshomaru's tongue. It seemed he would not be waiting for a response, but she had never denied him, so perhaps it would even out. Besides, if he stopped, she would only beg him to continue.
His left hand released her shoulder and made its way down her skirts, delicately touching her legs, stroking closer and closer towards the cleft in between. Sesshomaru was always careful of his claws, but that made it difficult to live in the moment. He snarled softly in frustration, removing himself from her momentarily.
Kagome pouted from the lack of contact but watched him curiously. He looked at her from lowered lids and carefully and meticulously bit off his long claws. They would grow back, and he needed them blunt for what he planned to do.
While she watched, he crushed against her, crushing his lips to hers in a quick, almost desperate motion. His hand shot back down her skirts, and he gave a soft gasp of his own when she reciprocated with a firm grasp on his hardened member through the heavy folds of his outer layers. His brow clenched, and his hardened gaze now softening like butter under her grip. With a moan that was more like a growl, Sesshomaru turned her body and pinned her against the tree where he had waited outside of the cave. His own clothes had become a nuisance and barrier between them, so he deftly removed them in a matter of seconds.
Kagome stood against the tree, portions of her body exposed to him and her breasts heavily swaying up and down with each panting breath. Sesshomaru took a moment to compose himself, knowing if he continued, he would not be able to stop without possibly hurting her. "You are no longer angry, miko," he asked, despite the words coming out more as a statement than anything.
She crossed her arms in front of her breasts and gave him a level look. "Keep it up, and I will leave you here, high and dry," she warned.
Her scent was too potent for her words to hold any truth, and Sesshomaru felt his control slip at the slightest notion he would be denied at this point. A guttural sound erupted from his throat, and he all but pinned Kagome to the tree, snatching her hands up and away from her chest. Once he'd removed the barrier there, his hand plummeted back down to continue touching her cleft. A glorious smell was emanating from that region, soft and lustrous that begged to be lapped up.
He brought his hand, dripping with wet fluids up to his lips, and licked his finger with a lapping tongue. "Exquisite," he purred with a smirk.
Kagome felt her cheeks burn, and she turned her head to break the sensual contact that was nearly overpowering. Sesshomaru grabbed her chin and brought her back to face him and then licked her bottom lip to entice her to open her own. She relinquished, opening to his kiss that beckoned for more.
She felt him push up her right leg, grabbing behind the knee to place her in an easily accessible position. She continued following his kiss with a fervor of her own and used her hand to find the soft, hard length that brushed up against her hip. She wrapped her fingers around it, barely able to encapsulate the girth with her fist and relished in the moaning sounds he breathed into her from his barely parted lips so close to her own.
Kagome's enclosed hand stopped running up and down his shaft once his blunt fingers entered her, gently at first, then with a pumping frenzy. It was a rare, exquisite feeling she was often not granted, so she enjoyed his handy work. She stopped moving all together once she felt the build in her core, the thought of doing the same to him forgotten with this new sensation. Her head lulled back a little to rest against the tree's bark behind her, and she could see through passion-slit eyes that Sesshomaru's own began to bleed red into the sclera of his eyes.
She snapped rigid, hyper-aware, and nearly forgetting herself. She was not afraid, but concern made her pull her leg down slightly from Sesshomaru's grasp. This action elicited another low growl from him. She placed her hands upon his chest and looked up into his crimson gaze. The gold iris still held a very carnal look to them, beckoning yet frightening at the same time.
He allowed her leg to fall and pushed down her skirts and used the other hand to free her from the remainder of clothing to leave her just as exposed as he. Sesshomaru fell to his knees before her, grabbing her around the middle to pull her closer to him. Kagome gasped and put a hand behind her against the tree to brace herself, but it was not necessary. The grip he had on her was vice-like, and she could not move had she wanted to. She let out a tiny gasp once his tongue brushed against the most sensitive part of herself. He continued to weave his tongue in deft motions back and forth, taking the time to part her tender folds with his fingers, pushing her leg back up and out of the way with a firm hand.
Kagome drug in a ragged breath and twisted her hands into his silver locks. The build was rising up, and she could not stop the moans that escaped her lips. She began to call out his name between her panting breaths, "Sess...sho
ugh
"
"Please!" she yelled, despite herself, once she was nearly at the apex of a climax. All sensation ceased, and Kagome felt herself fill up with a different torment. "No!" she cried, almost pathetically.
"No?" he grunted with mirth from his knees. Sesshomaru rose to his full height, looking down on her with the red, gold eyes.
Kagome was desperate, and repaying the favor seemed an optimal idea to continue, so she now dropped to her knees and grabbed his member before placing the tip in her mouth. She'd barely touched it with her tongue in a sweeping motion before his jaw went slack and his hands gripping her shoulders. She had not given him this pleasure often due to her own inexperience and embarrassment, but his reaction encouraged and emboldened her to continue.
With hollowed cheeks, she lowered her mouth as far as she could and sucked as she moved back. The motion became repetitive, and she had to assume she was doing well judging by how he bit his bottom lip and pierced the flesh of her shoulder with his one clawed hand. She cried out in pain with him still in her mouth, but it wasn't all bad, and she did not want him to stop making those dirty faces.
His grip became tighter, and she knew that he must be close to the same precipice she had been on before. She began to suck harder and more vigorously, but Sesshomaru barked aloud, "Stop." His voice was low and commanding, authoritatively clear.
Kagome looked up at him and released his member, pausing to moisten her lips with her tongue. She saw his eyes widen, and the sanguine color nearly envelop his gold irises. He released his grip on her and fell back, her buttocks resting against the ground with her legs splayed out beside her. She was sure she looked very sultry in this position, but her own jaw went slack when she saw Sesshomaru lift his blood-soaked claws to his face for further scrutinization. He let out a mirthless chuckle and brought his fingers to his mouth to sample the taste of her. "Invigorating. Your blood is just as enticing as the fluids that now drench the sides of your thighs."
She looked down for a moment with a new wave of embarrassment, seeing that she was dripping wet. In a moment of self-consciousness, she squeezed her legs shut, but her modest thoughts were cut through once Sesshomaru enveloped her with his warmth and placed his mouth on her shoulder where she was openly bleeding from the wounds he had inflicted upon her with his razor-sharp claws. His tongue lapped at the blood, and the feeling was strange and exhilarating all at once. She moaned beneath him and absently wondered if daiyokai drank blood like vampires of lore.
His knees pushed hers open, breaking her from ridiculous thoughts and bringing her back to the present. Her legs were splayed open before him now, and he was poised over her like a predator poised to strike. "You are mine," he growled, his eyes glowing.
Kagome said nothing but trembled beneath him. Her silence seemed to infuriate him, and he barked, changing from sensuous to dangerous in a second. "Say it!" he commanded. His voice was loud and imposing, daring anyone to state otherwise. Those who dared would meet a swift demise.
Her breath hitched in her throat, and her body betrayed her, opening like a flower to be ruined. "I am yours," she whispered, not in fright, but in agreement. She was his and had been since that day, not ten feet from where they lay six years ago. A spell may have brought them together, but it had only uninhibited them both to their own subconscious desires.
He seemed appeased, and a lopsided grin replaced his dangerous gaze. His lips moved down to hers, and he thrust into her with a hard, splitting force. Kagome moaned into his mouth, and he plunged in and out with needy thrusts. The man was frenzied and assaulting with his need that was nearly overpowering to her frail body in comparison. She was pushed back against the base of the large tree, between two of its overgrown roots jutting out to hide their bodies from view from the rest of the forest.
She grit her teeth and moaned into his broad, muscled shoulder. Her arms were holding onto him to steady her body for his encroaching thrusts. Sesshomaru seemed to be pushing her into the tree to achieve deeper thrusts. His hands gripped her buttocks and guided her up and down on him, constantly hitting the spot deep within that made her groan.
He was incensed by her groans but was unsatisfied by their position. His desire to fill her overcame him and ran him with primal purpose. Sesshomaru pushed her towards the opposite direction and flipped her over in a quick, smooth motion. She was like putty in his claws anyway, so soft, subtle, and delicate yet yielding to his predacious needs.
Kagome let out a tiny yelp when he pushed her to her knees and thrust into her from behind. Her arms gave out on her, but her rump remained in the air, caught in Sesshomaru's grip. His clawed hand held her hip firmly, but he leaned over her back, planted his hand on the ground beside her, took his still blunted hand, and held her from a different angle. From this angle, he rubbed at her most sensitive spot. She bucked from the touch, but he held her in place with his swift finger motions, and she began to sway back and force with his thrusts and gliding over his tantalizing fingers.
How could he be everywhere? She vaguely wondered as her thoughts became clouded with erotic pleasure. Even as he had given in to his primal need to claim her, he was still able to give her the most excellent feeling. It began to blossom between her legs and radiate through her entire body as a wave of orgasm coursed through her due to the simultaneous thrusts and constant teasing to her tender pearl. Kagome screamed out a breathless cry to the forest and spasmed slightly beneath his touch.
A triumphant grunt could be heard above her and Sesshomaru grabbed her hips once again to reach a climax of his own. Kagome was still riding out the ebbs of her own pleasure, moaning loudly with each thrust, and her eyes widened once she felt one great final thrust that released everything inside of her. He gave a few more lazy thrusts as if to ensure his seed had been sown within her, but there was no need.
Kagome sighed once Sesshomaru pulled himself from her, leaving her momentarily cold. She relaxed once he laid next to her, resting on an elbow and looking down on her sweat-sheened face. She dared to peek at him with a tiny smile and found he wore one of his own. His hand trailed down her arm, causing her to shiver, and she scooted closer to his warm body.
They both lay quietly, basking in the post-coital sensation, and neither wanted to break the silence. Kagome gave a contented smile and rolled to her back so she could look up into his eyes properly. The red she had seen before was now gone, his usual serene look taking the place of the former feral one. "Your eyes had gone red," she commented absently.
"Hnn," was all he responded while staring at her different features, toying with her hair and running lazy circles on her skin.
"I've never seen it before," she added, hoping he would elaborate.
"Your scent is tantalizing," he told her. "I cannot control myself, especially now that I can smell my own seed within you. It is making...this one...see through red gauze." He leaned down and kissed her gently, and she gasped when she felt his fingers entering her swollen cleft.
She tried to push him away, "Have you always been this needy?" She smiled and let out a small laugh despite herself.
"This one is not 'needy' as you so basely put it. If that were even remotely true, you - miko - would find difficulty walking for months, if not longer."
Kagome sat up a little, rising on her elbows. "Oh, so what your telling me is that Lord Sesshomaru is a relentless sex hound." She smiled and laughed, "If that were the case, I'm surprised you've been so gentle with me these past few years."
He rolled on top of her, enclosing her between his two arms. "I have adopted a method of moderation, but since you have called my virility into question, perhaps that fallacy should be rectified."
She tensed a little once he slid into her wet folds, her body readjusting to the full feeling that could be nearly registered as a feeling of completeness.
This time, he was more sensual and gentle, enjoying every bit of her for as long as possible and marking her with his scent along as much as he could. Kagome relished, in his keen appreciation of her body, and, at some point in the night, fell asleep from sheer exhaustion.
She awoke the next morning, a slightly chilly breeze rousing her from her contented slumber. Kagome moved her arm to rub her eyes and felt the soft, velvet fibers of Sesshomaru's pelt. It was warm and comforting, indicating that he had spent the night next to her. It also meant that he was relaxed enough to allow himself to slumber, which was something he seldom did. He claimed that yokai needed next to no sleep, but Kagome figured otherwise. Every creature sleeps, she rationed. But Sesshomaru chose not to sleep often, only sharing their bed to share in lovemaking.
Kagome moved her legs, but they were sticky, and she groaned, knowing she would have an uncomfortable walk back to the village.
Sesshomaru pulled a stray hair from her face but laid back with an arm behind his head. "It would fill this one with content to awake next to you every morning, seeing you refreshed and smelling of me." His golden eyes flickered as he regarded her.
She smiled lovingly and moved to kiss his lips. As she did, he gripped her bottom and squeezed, causing her eyes to bulge. "You lecher! Have you no shame! It is daylight, and anyone could see us!"
"You only have yourself to blame, beloved. Your fertile time drives me to take you to your wit's end," he said huskily.
Kagome could feel him harden beneath her, and she gave a little squeal before jumping up and snatching up her clothes to shield her body. "No more! We must get back before everyone starts to worry."
"Why should they worry?" Sesshomaru asked innocently.
"Because we've been gone all night, and it's nearly late morning now."
"Your cries last night were loud enough to alert them to your
.plight," he teased with a straight face. Kagome hoped he teased and blushed before turning away.
o ~ o ~ o ~ o ~ o
He regarded himself in the tarnished mirror, sneering at his reflection. The tarnished half, inflicted in his rage, hide the part of his face, which was permanently marred into a smirk. Fan touched at the puckered skin that would never heal and allowed a strange sense of calm to wash over him. The mangled reflection usually drove him to fits of angry outbursts leveled at any unsuspecting person that may cross his path, which meant that everyone avoided him as much as possible. However, it was difficult to avoid one as powerful as Fan Tsenpo, who commanded respect and unwavering loyalty of so many, despite his violent tendencies.
They had increased as of late, those eruptions, and there was one person in particular whom Fan enjoyed tormenting the most. Fan swiveled away from the mirror in his private rooms and made his way towards the gardens.
Rebuilding the palace had not taken much time, anyone new to the grounds would never know that half of the area had been nearly destroyed. All looked fresh and new. It was there he found her, his twin, his other half.
"Dear sister," he called out.
Despite knowing he approached, she shrank when he called out. Tsering turned and acknowledged her brother with a false smile. It angered him that she would pretend all was well, but he needed her. He needed her to fear him and appease him in whatever fashion befitted him.
"Brother," she said in a dull yet cheerful voice. Tsering stood from her perch on a bench where she had been looking out over the flowering grounds, passing the time contemplating over womanly things. "You seek me out?" she asked tentatively.
Her cheeks had hollowed, and her skin turned pallid. The woman was confined in a gilded cage, no longer free to roam alone after the travesty that had befallen Fan at the hands of his Nippon enemy. Fan blamed her, but could not bring it upon himself to kill her just yet. Now that he knew her demise would not harm him, he often mulled the idea over, but that would leave him alone. The woman could still prove useful.
Fan eyed her up and down, slightly annoyed that she would allow herself to become a shell of her former vibrant self. No matter, he thought. "I only wanted to see my beautiful sister." His hand went out and clutched her by the throat, and his unscathed lip pulled up into a nefarious smile.
Her eyes bulged, and tears threatened to spill. To cry in his presence would have only sent him over the edge. Fan loosened his grip only slightly and caressed her chin with his thumb. "You startle too easily, sweet sister."
"I am sorry," she whispered from beneath his grasp.
He released her and turned his back, locking his arms behind him. "You are so much more than sorry," he told her. "I have plans for you, my dear. Plans that will rectify what you have unleashed upon our family and the DaiOzuko."
"The DaiOzuko have charged you for your callous behavior. You know what they threaten." Tsering challenged. Her switch to a defensive position was amusing, and Fan only allowed it because it played into his plan.
Fan turned around to see a fire in her eyes. How quaint. "You know I am unfazed by those old fools. They've grown complacent, and the only reason they've continued to thrive is that I have no desire to usurp their supposed power. They are nothing but a pair of haggard figureheads, withered, and ingrown. We shall see what they think of my next move."
His sister knew the truth of his words. She probably had hoped that he would heed their words of warning, but the DaiOzuko was nothing more than a name. Fan relished in her trembling figure. "Of course, brother," she whispered.
A loud screech was heard overhead, announcing the arrival of Fan's messenger, the Zhenniao. The large bird circled lazily, making its way down to land before his master. Its talons scratched at the earth, and its wings spread out in a broad span as it bowed low in reverence.
It eyed Tsering suspiciously upon rising. Fan usually received his messages alone, always dismissing his sister to her own devices. Fan gestured for the bird to continue.
"Masssster, I bring newsssss of your army," the Zhen bird clacked.
Fan subtly eyed Tsering, basking in her pronounced shock. She had no inkling of any such thing. It was almost insulting how little attention the woman paid to him, he determined.
"Feng hassss ssssent word that all isss ready. He warnssss of the child and her unique prowesssss."
He chuckled at the news. "I would expect no less from such an extraordinary specimen. I'm inclined to do the same." Fan deliberately glanced at Tsering with an innocent look upon his face. She must be piecing together where her brother had raised an army, and it was a sight to see when it clicked for her.
The Zhen bird turned its head to look upon its master with one of its eyes, waiting for instructions.
"Advise him to proceed. We shall strike while the anvil is hot. I cannot imagine that Feng would be able to contain his excitement enough to stay concealed," he sighed in feigned annoyance. "No matter, they will not expect us to rally so quickly. I've sown seeds throughout that land long enough, it is time to reap the harvest."
The zhennaio nodded and pushed its large body off into the sky, flying away to spread the message. Fan placed a hand over his eyes to see the messenger off, feeling his sister's consternation behind him. "It looks as though the time for your usefulness has come, sister."
o ~ o ~ o ~ o ~ o
Fanfiction.net - Chapter Twenty Three
19 notes · View notes
su-nny · 4 years ago
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Could you please draw both my fursona, Shizuka the Scene Fox, and Marshall Lee from Adventure Time? Because I definitely ship Shizuka the Scene Fox and Marshall Lee đŸ„ș
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sure, but my lines was literally the worst
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shizukascenefox · 4 years ago
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I love it so much! Thank you 💙
Could you please draw both my fursona, Shizuka the Scene Fox, and Marshall Lee from Adventure Time? Because I definitely ship Shizuka the Scene Fox and Marshall Lee đŸ„ș
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sure, but my lines was literally the worst
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galaxywinter · 4 years ago
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Could you please draw both my fursona, Shizuka the Scene Fox, and Marshall Lee from Adventure Time? Because I definitely ship Shizuka the Scene Fox and Marshall Lee đŸ„ș
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Sorry for it being a little late, got a little busy with school stuff, but I hope you like it.
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shizukascenefox · 6 months ago
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I thought about this for a while, so I decided to make a new All About Me post!
I’m Masha Alibek, also known as Shizuka Ryusu, and I’m a female bi/pan scene furry.
I’m 22 years old and my birthday is on August 26th. I have autism, ADHD (Attention-Deficit/Hyperactivity Disorder), OCD (Obsessive Compulsive Disorder), GAD (Generalized Anxiety Disorder), and especially misophonia. I tend to be very sensitive and emotional. Sometimes, I struggle with my anxiety and get anxious, but I’m working on improving my skills.
I specialize in themes of nostalgia, the internet, the 2000’s/2010’s, scenecore/emocore, the furry community, and queer life.
I have a lot of furry characters, and one of my favorites is Shizuka, a blue fox with black scene hair. My fursona and main OC! This is the character that I'm probably best known for, since she's the character who represents me as a scene fox. You'll have to go to my ref sheet page just to find out more about my characters, including Shizuka.
One of my biggest inspirations are Pendleton Ward and James Kochalka (I only said this because Pendleton Ward created Adventure Time/Bravest Warriors and James Kochalka created American Elf/SuperF*ckers)
I love wholesome colors like blue, brown, black, and white. Two of my hyperfixations are Cartoon Hangover (mostly Bravest Warriors and SuperF*ckers) and Newgrounds (mostly Pico and Friday Night Funkin'). I'm a big fan of furries, scenecore/emocore, animation memes, LGBT, drawing, writing (although not always), foxes, stuffed animals, music, and being myself.
Thank you for taking the time to get to know me better!
If you wanna learn more about me, you can go to my straw page
If you want to join in on the fun, then please check out my discord server
14 notes · View notes
shizukascenefox · 4 years ago
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Hey, that’s my fursona, Shizuka 💙
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someone ask me on Instagram to draw their OC with Marshall lee.
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tozoa · 8 years ago
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ăƒŸ(⌐■_■)ノâ™Ș: what are your favorite band(s)/artist(s)?
Hoooooboy this’ll take a minute:
ABBA 
AC/DC
Access
The Ad Libs
Afterburn
Agiman
Agnelli & Nelson
Ahmet Ertenu
Ai Otsuka
AiK
Airbase feat. Floria Ambra
Airwave
AKB48
Akeboshi
Aki Kudou
Akioka Ou
Akitaka Tohyama
Akon, Stat Quo & Bobby Creekwater
Alberto Ginastera
Alchemist
Alessia Cara
Alex Aero
Alex Clare
alex gopher
Alex Stealthy
Alex Whitcombe & Big C
Alexander Von Pitanic: Salzburg Camerata Academica
Alfred Hitchcock
Alice D In Wonderland
Alice in Chains
Alien Ant Farm
All American Rejects
Allegri
Allie Moss
Allister Brimble
The Allman Brothers Band
The Allman Joys
Allure
Aluto
Alvin Risk
AM
The Ambush
Amiina
Amilcare Ponchielli
Amy Lee
An Horse
Andain
André Visior & Kay Stone
Andrew Bayer
AndrewShumMusic
Andy Duguid 
angela
The Angels
Animotion
ann lee
Anna Calvi
ANNA TSUCHIYA inspi'NANA (BLACK STONES)
Annabel
Anointed
Antonín Dvoƙák
Antonio Montana
Antonio Vivaldi
Aoi Đąeshima
Apocalyptica
Aquaplex
Arai Akino
The Archies
Archigram
Argonaut
Aria
Armin
Armor For Sleep
Arrakis
Art of Dying
Art Of Trance
Ashtar Command
Asou Kaori
Asuka Sakai / Yu Miyake
atfc
Atlantis
The Auranaut
autokratz
The Avalons
Avenged Sevenfold
AWOLNATION
Ayana
Ayla
Ayumi Hamasaki
Backstreet Boys
Balearic Bill
Ballroom
Bamboo Lounge
Banyan Tree
Baracoa
The Bar-Kays
Basic Perspective
Bastille
Danny Elfman
The Beach Boys
Beach House
Beachwood Sparks
Beady Eye
Bear McCreary
Beastie Boys                
The Beatles
Beck
Bee Gees
bellone
The Belmonts
Beltek
Ben Shaw
benassi bros
Benzino
Berlin Symphony Orchestra
Bernhard GĂŒller: Stuttgart Chamber Orchestra
Bert Weedon
Best Coast
Bibio
Biffy Clyro
Bill Elm and Woody Jackson
Bill Haley & The Comets
Billie Ray Martin
Billy Idol
Binary Finary
Bing Crosby
the biz
Bizarre
Black Lips
The Black Ryder
Frank Black
Blank & Jones 
Bless The Fallen
Blink-182
Blood For Blood
Blood Red Shoes
Blue Gender
Blue Rock
The Bluetones
Bo Burnham
BOA
Bob & Gene
Bobby “Boris” Pickett & The Crypt-Kickers
Bobby Creekwater
Bobby Tank
Bokusatsu Tenshi Dokuro-chan
Bon Jovi
Bone Chrusher & Three Days Gra
Bonnie Tyler
Booty Bronx
Botany
Boy & Bear
A Boy Called Joni
boys noize
Brad Knauber
the bravery
Breaking Benjamin
BREAKWATER
Breeder
Brendon Maclean
Brian Eno
Brian Lebarton
Bride of Frankenstein
Bright Eyes
Britney Spears
Broken Social Scene
Brooks and Dunn
Brother
Bruce Faulconer
BT
Buckner & Garcia
The Budos Band
The Buggles
Bulgarian Womens Choir
Bullitt
The Buoys
Steve Burns
BYPASS
Bystrik ReĆŸucha: Slovak Philharmonic Orchestra
Cabala
cajuan
Camerata Academica Salzburg
Camerata Romana
Camille Saint-Saëns
Canibus
Canvas2 
Canyon
Cappizzi Pickett
Carl B.
Carl Doy
Carl Michalski: Vienna Opera Orchestra
Carl Perkins
Carly Rae Jepsen
Cary Brothers
Casa Royale
Cascada
Cashis
Cass
The Phantom of the Opera
Catcher
Cave Man
Cavo
CeCe Winans
CERRONE
Chad & Jeremy
CHAKA KHAN
Channel Tribe
Chant
The Chantays
Charles Gounod
Charlotte Martin
Charm City Devils
Chata
Cheap Trick
The Chemical Brothers
Chicane
Chieko Kawabe
Chiho
Chikita Violenta
Chiller Twist
The Chimes
Choopie & Shmuel
Chopin
Choro Club
Chouken Denkanyuu
Christina Aguilera
Christy Nockels
Chronamut
Chrono Crusade
Chuck Berry
Cignus X
Cindy Morgan
The Civil Wars
CJ Bolland
Clannad
Clarence “Frogman” Henry
The Classics
Classified Project
Claude Debussy
Clear View
Clive Tanaka Y Su Orquesta
Cloud 69
Clouded Leopard
Club Quake
Matrix soundtrack
C-Murder
Coast 2 Coast
Coca & Villa
Cold
Cold Cave
Coldplay
Commission
Conjure One
Connie Francis
Continuous Cool
The Contours
Control Freaks
The Cowsills
Crash and the Boys
Cressida
The Crests
Crispin Glover
Crydajam
Cryoshell
Culture Club
Curtis Mayfield
Cut Copy
D
D’ Alt Vila
D.R.U.G.S.
D12
Daft Punk
dahlback & cost
The Daktaris
Dale Hawkins
The Danleers
Danny & The Juniors
Danny Elfman
DarkMateria
Darkstar
DARLIN’
Datarock
dataworx
Dave Angel
dave spoon
david guetta
David Hasselhoff
David Hodges
David MeShow
Dawes
Dawnseekers
De Hideki
De Trainer Derek
Deadlock
Deadmau5
Dean Martin
DearS
Death Cab For A Cutie
Del Shannon
Delerium
Denchuu Shinkyuu
Deniro
Depeche Mode
Der Dritte Raum
DeVotchKa
Dexys Midnight Runners
The Diamonds
Die Firma
digitalism
Dimrain47
Dion & The Belmonts
Dionne Warwick
Disparition
Disturbed
DJ Cor Fijneman
DJ Crazy Chris
DJ Dazzle
DJ Eremit
DJ Hooligan
DJ Jan
Dj Kitkiller
DJ Marco Bailey
DJ Merlyn
DJ Morgoth
DJ Philip
DJ Skee & THX
DJ Slug
DJ Tiësto
DJ Ton T.B.
DJ TripleStar
Dj-janer
djt93901
Dmitri Kabalevsky
DNAngel
Do As Infinity
Dobre & DJ Theor
DOKAKA
Dokmai
Dom
Dom Kennedy
Dominic Plaza
Dominion
Don & Juan
Don Burnham, Patty Kistner
Donna Burke
Dos Deviants
Douster, Savage Skulls & Robyn
Dove Beat
Dr. Dre
The Dreamlovers
The Drifters
Drumfire
Duane Allman
Dubravka Tomơič
The Duprees
Duran Duran
Dylaln Lloyd
E Nomine
Earl Lewis & The Channels
EDDIE JOHNS
Eddy Arnold
Edvard Grieg
Edward MacDowell
EDWIN BIRDSONG
Ef 
Effective Force
Eiko Shimamiya
El Trono de Mexico
Electric Pulse
electric six
Electro-Prompt
Elie
ELISA
Ellie Goulding
Elvis Presley
The Embers
Emigrate
Emika
Eminem
Emmanuel Top
equaleyes
Es Vedra
Escaflowne
Essit Muzique
Estuera
The Eternals
Eufonius
Eurythmics
Evanescence
Eve
Everlast
The Everly Brothers
Evolver
Existone
Exit
Fabiana
faithless
Fall Out Boy
Falling in Reverse
Fanfarlo
Fantasia
FAT JoE
Fats Domino
Faylan
Feeling B
Felix Da Housecat
Felix Mendelssohn
Fictivsion
Field Music
Friend
Filterheadz
Finger Eleven
Fire & Ice
First Aid Kit
First Arsch
First Class
First State
fischerspooner
The Five Americans
Five Finger Death Punch
Fix To Fax
The Fixx
The Flamingos
Flipsyde
FLOW
Fluid Inc.
Fluid Ounces
Flyleaf
Fontella Bass
Fonzerelli
Fool’s Gold
Format #1
Fortress
Foster
Foster the People
The Four Lads
Four Seasons
Four Tet
The Four Tops
Fox
francesco farfa
Francis Poulenc
Frank Black
Frank Shipway: Royal Philharmonic Orchestra
Frank Sinatra
Frankie Goes To Hollywood
Frankie Lymon & The Teenagers
Frankie Valli & The Four Seasons
FrantiĆĄek Drdla
Franz Ferdinand
Franz Liszt
Franz Schubert
Franz Von Suppé
The Fray
Fred Baker
Freddy Cannon
Frédéric Chopin
Free Radical
Fridge
fripSide
G. Love
Gabriel & Dresden
Gabriel Pares
Gabrielle
Gackt
Gaetano Donizetti
Gakupo
The Game
Games
Garrett Davis and Kirsten Lepore
Gary Chapman
Gela Zilkha
GEORGE DUKE
George Frideric Handel
George Thorogood & The Destroyers
Georges Bizet
The Gift
Gilbert O'Sullivan
Gioachino Rossini
Girls Bravo
Giuseppe Verdi
Glasser
Glenn Morisson
Global Experience
GĂŽji Tsuno
golden bug
Goldenscan
goldfrapp
Goo Goo Dolls
Good Charlotte
Gorillaz
Gotou Mai
Gouryella
gracia
Graeme Norgate, Grant Kirkhope
Grayarea feat. Erik Shepard
Grease
Green Day
The Green Martian
Green Martian
Greg Vail
Groove Park
Groovezone
Groundswell
GTR
Gucci Mane
Gui Boratto
Guy Mitchell
Gwen Stefani
H.I.M
Hadouken!
Haga Keita
Hal David, John Cacavas
Hamaguchi Shirou
Hammock Brothers
Hans Zimmer
Harada Hitomi
Hardy Heller and Ray Boye
Harry Bluestone
Harry Lubin
Harry101UK
Hashimoto Miyuki
Hatsune Miku
Hayes Carll
Hazuki Erino
heartless1298
Helen Forrest
HĂ©lĂšne Gal
Hello Seahorse!
Henry Adolph: Philharmonia Slavonica
Henry Jackman
Henry Mancini
Hensha
Herb Alpert
Hermann Abel: Camerata Academica Salzburg
HH
Hideki Tobeta
HIR
Hirasawa Susumu
Hirohashi Ryou
Hiroko Taguchi
Hironobu Kageyama
Hiroshi Okubo
hitomi
Holden & Thompson
Hole In One
Holly Miranda
Holy Ghost!
Hoobastank
Horie Yui
Hotel Lights
The Hour Glass
The Hues Corporation
Hundred Waters
Hybrid
Hyperdrive Inc
I:Cube
Ian Pooley
Ice Cube
Ichigo 100%
Ichiko
Idiot Pilot
Ikimonogakari
Ikkitousen
Ilaria Graziano
The Imaginations
Imagine Dragons
Imogen Heap
The Inchtabokatables
Indigoflare
Infected Mushroom
in-grid
The Ink Spots
Inoi team
Insigma
Interflow
The Interludes
Iommi
Ishida Yoko
The Isley Brothers
Israel Kamakawiwo'ole
Itou Shizuka
Iyukai
J Daniel
J. Geils Band
J.E. Sawyer
J.E. Sawyer, James Melilli
J.S. Bach
Ja Rule
Jack Wall and Sam Hulick
Jackie & The Starlights
Jackson C. Frank
Jacques Offenbach
Jadakiss
Jaimy & Kenny D
Jakatta feat. Seal
Jake & Jesse
James Iha
Jamie Grace
Jamie Lidell
Jan Driver
Jan Johnston
Jars Of Clay
JASEfos feat. Claire van der Boom
Jason Graves
Jason Michael Carroll
Jason Steele
Jay & The Americans
Jaytech
Jay-Z
Jean Sudbury
Jedidja
Jeff Williams
Jeremy Fisher
Jericho
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JERRY GOLDSMITH
Jerry Lee Lewis
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JES
Jesper Kyd
Jetta
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Johann Strauss
Johann Strauss Jr.
Johannes Brahms
John Dahlback
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Johnny Bond
Johnny Cash
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Jose Gonzalez
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Jukai
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Julien-K
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Jun Sasaki
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Jyukai
Kagami Seira
Kagamine Len
Kagamine Rin
Kageyama Hironobu
Kai Tracid
Kaito
Kakazu Yumi, Asakawa Yuu, Orikasa Fumiko & Toyoguchi Megumi
Kalafina
Kalafut & Fygle
Kaleido Star
Kamaya Painters
Kamui
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Kane & Abel 
Kanno Youko
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KAORI
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KAREN YOUNG
Karin
Katamari Soul Trains
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Katou Idzumi
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Kay Kyser
Kazuki Yanagawa
Kazuma Jinnouchi
Kei Shindou
Kekou Souchi
Ken Nakagawa
Kenji Ohtsuki & Fumihiko Kitsutaka
KID
Kidz In the Hall
Kikuko Inoue
The Killers
Kim Ann Foxman & Andy Butler
kim fai
Kimito Lopez
King Unique
KINYA
kirina
Kirk Franklin & The Family
Kitagawa Katsutoshi
Kitagawa Shouri
Kitamura Eri
KIYO
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kmc feat. sandy
KOAN Sound
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KĂŽji Kaya
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Kool & the Gang
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kos
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Kuko
Kuko & Torikki SHirai
Kuko & Yasumi
Brett Kull
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Kusakanmuri
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Kyary Pamyu Pamyu
L.S.G.
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Lain
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Leonid Rudenko
Les Charts
les visiteurs feat. tommie sunshine
Leslie Gore
The Letter Y
Level 42
Lex
Lia
Liam Finn
Libor PeĆĄek: Slovak Philharmonic Orchestra
Life According To Bozo
Lily
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Linkin Park
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Lionel Richie
Lisa Coleman & Wendy Melvoin
lisa miskovsky
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Little Big Man
Little Tin Frog
Lloyd Banks feat. Akon
LMFAO
LN Movement
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Lock
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Loic Bertrand: Berlin Radio Symphony Orchestra
The London Symphony Orchestra
The Lonely Island
LONG SHOT PARTY
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Loop Control
looseheadz
Lord Of Trance
Lost Weekend Western Swing Band
Lou Christie
Lou Reed & Metallica
LOVERIN TAMBURIN
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Ludwig Van Beethoven
Luminary
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M.I.K.E.
Mac Miller
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Mai Kadowaki
Mai Yamane
Major League
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The Mamas & The Papas
Mami Kawada
Man On Earth
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Mannheim Steamroller
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Maor Levi
MAORICA
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mario piu’
Mark Mancina
Mark Norman
Marmalade Boy
Maroon 5
Martian Successor Nadesico
Martin ODonnell
Martin Rex
Marty Robbins
Masako Iwanaga
Masako Nozawa & Mayumi Sho
Masami Nakatsukasa
Masami Okui
Mason
Mass Missile
Master P Feat. Bone Thugs-N-Harmony & Silkk The Shocker
Mastodon
The Mat 1 EP
Matchbox Twenty
mathias schaffhauser
Matt Lange
Matt Nathanson
matt samuels
Maurice F. Henschel: Pretoria Philharmonic Orchestra
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Mauro Picotto
Max Graham
Max Raabe & Palast Orchester
Maximum The Hormone
Maxwell
maya
May'n & Nakajima Megumi
Mayumi Fujita
The McCoys
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meg rock
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Mejale Pirates
Mekka
MELL
Memory Tapes
Menahan Street Band
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Metallica
Metric
Mi
Mia X Feat. Mystikal
Michael Armstrong
Michael Giacchino
Michael Jackson
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Michoacan
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The Micronauts
Middle Class Rut
Midori no Hibi
Midway
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Miguel
Mike Morasky
Mikerobenics
Mikuni Shimokawa
David Miller
Milos Karadaglic
The Mindbenders
Minnie Riperton
Mishka
Mitch Ryder & The Detroit Wheels
Mitsunori Ikeda 
Miyuki Hashimoto
Miyuki Kanbe
Mizuki Nana
Mizuki, Nittoku Inoue
Mockba
Modest Mouse
Mono Puff
Monolith
MONORAL
The Monotones
Montell Jordan
Moogwai
Moonbeam
moonbootica
Motocraft
Motorcitysoul
Motorcycle
Movado
Movie Screen Orchestra
Mozzart
Murray Gold & BBC National Orchestra of Wales
Mutemath
My Chemical Romance
My Darkest Days
Mylene Farmer et Seal
Mystery Skulls
Mystical
myuu
Nakajima Ai
Nalin & Kane
Nana
Nana Kitade
Naomi Davis & Sugarman Three
Naomi Shelton & The Gospel Queens
Nat King Cole
Natural High
Naughty Boy
NCB
Neil Davidge
New Vaudeville Band
Newsboys
Nic Chagall
Nice Peter
Nickelson
The Nightcaps
Nihils
Nikolai Rimsky-Korsakov
Nino Nardini
Nino/Round Table
Nirvana
Noa Assembly
Nobuo Uematsu, Nittoku Inoue
Norato
Norin & Rad
Notorious B.I.G
NY Alliance
Obie Trice
Obie, Kuniva, Stat Quo, Bobby Creekwater, Cashis
Odyssee
Ohara Sayaka
Ohmi Tomoe
Ohmna
OK Go
Okui Aki
OLIVER CHEATHAM
Oliver Lieb
Oliver Von DohnĂĄnyi: Slovak National Phiharmonic Orchestra
Olivia Lufkin
The Olympics
Omori Toshiyuki
One Republic
Oomori Toshiyuki
oOoOO
ORANGE RANGE
Orbital Velocity
Orgasm Death Gimmick
The Oriëntalist
Orita Donichi
Oscar Araujo
ïŒŻïœ”ïœïœïœïœŽïœ‰ïœ
The Outlaws
Owl City
Ozgur Can
P.O.S.
Pablo Gargano
The Pains of Being Pure At Heart
Palast Orchester mit Max Raabe
Panic! At The Disco
Papa Roach
Paradise Kiss
Paradise Road
Paramore
Parker & Hanson
Patrick Stump
Patty & the Emblems
Paul Johnson
Paul Oakenfold
Pearl Kyoudai
Peggy Lee
Pendulum
The Penguins
Percy Faith
Pete Thomas, Ashley Slater, Laurie Stras
Peter Falk: Vienna Volksoper Orchestra
Peter Schmalfuss
Petter
Petula Clark
N'Sync
phil collins
Phuture
Pink Elephant
Plain White T’s
planet funk
Planisphere
Plastic Boy
The Platters
Plumtree
Pob feat. X-Avia
The Poets of Rhythm
Point Of Grace
Kanto Symphony
The Polyphonic Spree
PoppinS
Porno Graffitti
Port O'Brien
Powerman 5000
PrEmoEffect
Eliza Rickman
Prince
The Prodigy
Project Monolith
Proof
PSY
Puddle of Mudd
Puhdys
PULLTOP
Pulser
Push
PWB
Qattara
QMAVALLOW
Quadran
Queen
R Kelly
R.O.N
Rachael Starr
Rammstein
Rank 1
rava
Rawrthaas
Ray Conniff
Read or Die
Reba McEntire
Rebecca St. James
Rec
Recepter
Rei
Reinhard Voigt
Renato Girolami, Nicolaus Esterhazy Sinfonia, Hungarian Radio Chorus, Janusz Monarcha, Regina Schorg & Bo Skovhus
Reprise
The Republic Tigers
Reynada Hill
rhu
Richard Gibbs
Richard Marx
Richard Strauss
Richie Valens
Rick James
Rick Springfield
Ricky Martin
Rie Tanaka
Rihanna
Rin Kagimine
Rise Against
Riva
Rival Sons
The Rivieras
RJD2
Roach Motel
Rob Searle
robbie rivera
Robert Babicz
Robert Benfer
Robert Francis
Robert Palmer
Robert Schumann
Robin Beanland
The Roc Project
Rocky Chack
Rodrigo y Gabriela
the rogue element
The Rolling Stones
Ronnie And The Schoolmates
Ronnie Dove
The Roots
The Roues Brothers
Roy Orbison
Royal Philharmonic Orchestra
The Royal Teens
Roze
Rui Da Silva
Rui Nagai
rune rk
Russ Gabriel’s Audio Spectrum
S.B. McCafferty
Saint Seiya
Saitou Chiwa
Sakamoto Maaya
Sakin
Salia
Salt Tank
Sam The Sham & The Pharaohs
Sambuca
San
Sander Van Doorn & Julian Jordan
Sandor Czech Ensemble
Sandy Fox
Saori Nishihata
Sasaki Nozomi
Sasako Shigeharu
Satoko Yamano & Kageyama

scanty 88
Schiller
School Of Rock
Scoop
score
Scott Grooves
Seabear
Seal
Sean Dexter
Seatbelts
Sebastian Tellier
The Second Coming
Seether
Self
Senoo Takeshi
Serial Experiments Lain
Serj Tankian
Sex Bomb-Omb
Shah & Laruso pres. Global Experience
The Shangri-Las
Sharon Jones & The Dap-Kings
SHARP 2
Sharp Tools
She Keeps Bees
The Shells
Sheryl Nome starring May'n
The Shields
Shigeru Matsuzaki
Shikata Akiko
Shimamiya Eiko
Shinedown
Shinichi Ishihara
Shinji Orito/Magome Togoshi
Shiny Toy Guns
Shoji Sugiyama, Yu Miyake
Show Luo Feat. Koda Kumi
SID
Sierra Swan
sikk
Silent Breed
SiLK
silvercity
Simon
Simple Minds
Sinichi Ishihara
Sisko
Sister Princess
SISTER SLEDGE
Skillet
Skrillex
Skull Drugrey
The Skyliners
Slipknot
Small Black
Smart System
The Smashing Pumpkins
Smith & Pledger pres. Aspekt
SMS no Minasan
The Sneaker
Snoop Dogg
Snow Patrol
Soft Cell
The Soft Pack
Solar Factor
Solar Stone
Solar Stone and JES
Solaris Heights
Solid Globe
Solkrieg
sonique
SONOROUS
Soulja Slim
South London Voodoo
Space Shuffle
The Spainiels
Sparklehorse
Spiral
Split Second
Squeeze
Staind
Stardust
Stat Quo
A Static Lullaby
Steady Mobbin
Steam
Stephen Rippy
Steve Conte
Steve Forte Rio
Steve Jablonsky
Steve May
Steve Winwood
Steven Curtis Chapman
Stone Factory
Stone Sour
Strauss
Stray Cats
Stray Dog
streetlife dj’s
Strong Arm Steady
Stuck in the Sound
The Students
Styles Of Beyond
Styxx
Suara
Sugarman Three
Sum 41
SUN
Sunburst
Sunday Club
Superspy
The Supremes
Surfer Blood
Susan Ashton
Susumu Hirasawa
Suzuki Konomi
Svetlana Stanceva; Alberto Lizzio: Mozart Festival Orchestra
Swifty McVay & Mr. Porter
The Swimmer
Sylvia CĂĄpovĂĄ
Symphony Of Love II
System of a Down
Systematic Parts
T. Rex
T.L.T.
Tainaka Sachi
Takahashi Youko
Takeshi Senoo
Taking Back Sunday
Talib Kweli
Taneri
Tastexperience
TATA VEGA
Taucher
Taxigirl
TCY Force
Tears For Fears
Teddyloid
Teebs
Teikoku Yousei
The Temper Trap
The Temptations
TENMON & Eiichiro Yanagi / minori
Tex Beneke and Margaret Whiting
Theory Of A Dead Man
They Might Be Giants
Third Man
This Radiant Boy
Thomas Bangalter
Thomas Schumacher
The Thompson Twins
Three Days Grace
Three Drives
Tiger Army
Till Lindemann & Richard Kruspe
Tilt
Timothy Bloom
Tina Turner
TLC
Todd Rundgren
Together
Tokyo Mew Mew
TOM
Tom Cloud
Tom Mangan
Tom Petty & The Heartbreakers
tomas andersson
Tommy James & The Shondells
Tomoe Ohmi
Tomoki Hasegawa
Tomomitsu Kaneko
Tony Yayo
Toro y Moi
Melanie Martinez
Jason Trachtenburg
Tranquilizer
Transa
Tremor
Trigun
The Troggs
Tupac
Turboweekend
Twila Paris
Twilight
Twilight-Perception
Two Steps from Hell
U2
UGK Feat. N.O. Joe
UNDER17
The Used
Ushio Hashimoto
Utada Hikaru
Utah Saints
UVERworld
V6
The Vaccines
Vanessa Mae
VDM
Vegas Soul
The Veil Kings
Vengaboys
The Videos
Vimana
Vince Guaraldi Trio
Vincent de Moor
Viper 2
Vitamin String Quartet
Vitaminless
Vladimir Petroschoff: Berliner Festival Orchestra
The Vogues
Voltaire
Vondelpark
The Voyager
V-Three
W.A. Mozart
Wada Kaoru
Waffle
Wang Chung
the wanted
Way Out West
Wayne Fontana & The Mindbenders
Weird Al Yankovic
West & Storm
Wheed Baskin
The Whigs
White Lies
White Rabbits
Wighnomy Bros.
Wild Bunch
Will.I.Am
William Elliot Whitmore
William Fitzsimmons
William Hartnell
The Willows
Wiz Khalifa
Wolfgang Amadeus Mozart
Woods
World Clique
The Wrens
Xero
Xzibit
Yahel
Yanase Natsumi
Yanni
Yasunori Iwasaki
Yeasayer
Ylvis
Yo Hitoto
Yoko
Yoko Kanno
Yoshino Yuuji
Youko Ishida
Young Parisians
Yousei Teikoku
Yu Miyake
Yui Horie
Yuka
Yuka
Yuri Misawa
Yves DeRyter
Zack Knight
zdar
Zedd
Zoo Brazil
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shizukascenefox · 7 months ago
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I wanted to show y'all my main fursona that I recently just got back!
Meet Shizuka the Scene Fox! 🩊💙
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shizukascenefox · 4 years ago
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I really love it so darn much! Tysm 💙
Drew ship art of @shizukathefox and Marshall lee!!
Hope you like it :3
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dbamountaineer · 5 years ago
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Note: I do apologize for more than 6 months rest from writing my travel adventures, had been busy, but still got a chance to visit some cities in USA and even got a chance to return to Japan for a while. This post is a continuation of my previous post that focusing about Dotonbori.
Before leaving Dotonbori, I visited a museum which included in the Osaka Pass that I bought. Since I love museum, I was curious what to see inside of Kamigata Ukiyoe Museum.
One of the Ukiyoe Prints with the name of museum (sorry as it was blurred one)
Finding the museum was quite a challenge, I used my GPS in my phone and I knew that I was in front of it, but I was not sure since I did not see immediately the English Version name of the building (which can be seen only at one side) as I stand in the corner of it. The museum is a two-storey small and narrow building, because of that I had doubts if it’s the museum. Then, I entered the building and asked someone if it’s the museum that I was looking for, the Japanese lady confirmed to me that it was. Next, I showed my Osaka Pass to the lady in the counter and she exchanged it to a ticket. Then, I took upstairs to see the current exhibit displayed at that time.
Dotombori (Dotonbori)
As part of my learning in the museum, “Kamigata” refers to Kansai region where Kyoto, Osaka and Kobe belong but not used anymore when Emperor Meiji moved to Edo (now Tokyo).
Some of the display that I found describes the old days of Dotombori (Dotonbori). The exhibits displays the entertainment information of the area including theatre descriptions and maps. Here, I understood why Dotombori is called as Japanese Broadway, because the best theatres in the country can be found in the area. Other displays even shows how busy and festive Dotombori area at its earlier times.
Settsu Meisho Zue
Settsu Meisho Zue (illustrated famous-place picture collection which introduced Osaka’s famous place)
Detailed description of Dotombori
Kaomise at Dotombori (Naka-za Theatre)
Kaomise at Kado-za Theatre
Takeda-no-shibashi (Takeda Theatre)
A piece of history every time I discover it made me sad because a piece or part of history has been destroyed because of war. Below mentioned that almost all theatres were gone during the air raid in March 1945.
And the Best Theatres to see in Dotombori during its old days (where some of it still exist as of this time).
Ukiyoe Paintings (Prints)
Kamigata Ukiyoe Museum is a private museum and mainly focused to display traditional Ukiyo-e artwork depicting Kabuki performers. Kamigata Ukiyo-e was produced mainly in Osaka during Edo period. The museum changed their display from time to time. At the time of my visit, they are displaying ukiyo-e paintings with the theme of “Actor’s Make-up in Ukiyo-e paintings”. It means that the exhibits features the make-up of kabuki actors.
About Ukiyoe paintings
Paints Used for Ukiyoe paintings
Different color information used for Ukiyoe paintings
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e (æ”źäž–ç””) translates as “picture[s] of the floating world”.
–Wikipedia
Kokusenya Kassen
One of the display found in the exhibit was Kokusenya Kassen (The Battle of Coxinga) Ukiyoe print. It shows the puppet play created by Chikamatsu Monzaemon which portrays the historical figure named Koxinga or Coxinga (Chinese Ming loyalist resisted Qing) and depicts a jidaimono play (historical episode) restoring the rightful dynasty of China. Utagawa  Yoshitaki (also known as Ichiyosai Yoshitaki) is a famous Japanese designer of ukiyoe woodblock prints in Osaka whom created more than 1200 ukiyoe prints during his time and commonly portrays kabuki (classic Japanese dance-drama) actors.
Kokusenya Kassen (The Battle of Coxinga)
Hagi wa Sendai Na wa Matsumoto (Matsumoto and the famous autumn flowers of Sendai)
The story of the play was said to be a rework of another play called “Meiboku sendai hagi” (Bush clover, the famous tree of Sendai) which dramatize the intrigues over the succession within Date clan of Sendai. One of the main character named Nikki Danjo conspired to overthrow Ashikaga (represents the Date Clan) Yorikane which in the end was slain. This was made by Shunkƍsai HokushĆ« whom recognized as the most important artist in Osaka.
The ghostly rodent is actually Nikki in metamorphosis — he possesses magical powers, including the ability to turn himself into a giant rat. Nikki holds his hands in the manner associated with nercromancy as the rat emerges from his human form (note the lighter shading of the tail and hindquarters, indicating that the transformation is still in progress). Nikki is a prime example of an important role type known as jitsuaku (or tategataki) — unrepentant evil samurai who plot to overthrow their lords. They are also referred to as kuni kuzushi (“demolisher of nations”) to signify their intention to usurp an emperor’s throne or a daimyî’s domain.
The rat clenches with his teeth a scroll containing a list of conspirators planning to wrest power from Yorikane. Later, pretending to have reformed, Nikki will substitute another list and offer it as trumped-up evidence of the conspiracy, only to remove a dagger hidden within the scroll and mortally wound a counsel and ally of Yorikane’s son.
–osakaprints.com
Hagi wa Sendai Na wa Matsumoto (Matsumoto and the famous autumn flowers of Sendai)
Arashi Rikan Lineage by Yoshikuni
Arashi Rikan Lineage by Yoshikuni (Portrait of different roles of Arashi Rikan)
Yoshitsune Senbon Zakura (Yoshitsune and the Thousand Cherry Trees)
Sato Tadanobu, Yoshisune’s follower who has accompanied Yoshisune’s lover, Shizuka Gozen, is in fact a fox. It has transformed into Sato Tadanobu because the drum-head of Yoshitsune’s drum was made from the fox’s parent’s skin. Finally. Shizuka Gozen finds it out.
–Kamigata Ukiyoe Museum
One of the three most popular and famous in the Kabuki repertoire
— Wikipedia
Yoshitsune Senbon Zakura
Sugawara Denju Tenarai Kagami (Sugawara and the Secrets of Calligraphy)
Same with Yoshitsune Senbon Zakura (above) ukiyoe, Sugawara Denjun Tenarai Kagami is one of the most popular play in kabuki repertoire. In the act III of this play where it titled as “The Struggle for the Carriage (Kurumabiki)”.
This famous scene, “a classic example of Kabuki’s stylized beauty”,[13] takes place in front of the Yoshida Shrine in Kyoto. The scene opens as Umeƍmaru and Sakuramaru try to stop Shihei’s carriage, and are confronted by Matsuƍmaru, a member of the entourage. As the pair begin to unlash the oxen and tear apart the carriage, Shihei emerges, his blue face makeup marking him as a villain. He glares at them malevolently, halting their attack.
–Wikipedia
  Sugawara Denju Tenarai Kagami
Shinpan Kikugoro Zukushi
  Shinpan Kikugoro Zukushi (created by Kuniyasu)
The memorial performance for Danzuo IV
Is a 9/1824 tsuizen-e depicting Ichikawa Danzo V (1788-1845) on the stage of the Kado Theater commemorating the 17th anniversary of the passing of his celebrated forebear Danzo IV (1745-1808). The 17th anniversary (actually falling in the 16th year, due to the way Japanese count such things) is an important milestone in ancestor worship. Beyond that date the deceased’s generation is understood to seriously drop off in numbers; so does interest, one can assume, even within a family.
Danzo IV (known as Shiko) had the final curtain drawn on him before single sheet Osaka printmaking had reached its flowering.* Perhaps this is one reason why Umetatsu (n.d.), an otherwise unrecorded artist, inserted him so strongly, peering down in ferocious mie from inside the triple black frame — actually the mimasu crest of the Ichikawa acting family.
Also of interest is the jaw line of the kneeling Danzo V. Thanks to regional differences in actor portraiture, the same thespian’s face was usually drawn thin and angular in Edo and soft and pudgy in Osaka.
In this case, though the print lists an Osaka publisher, Danzo V’s visage (pointedly sans make-up) betrays the narrower Edo look.
One possible reason may lie in the first part of Umetatsu’s signature — “Azumaya,” or “Easterner.” If the artist was visiting from Edo, (where he presumably would have used a different name, and where, incidentally, both Danzos were hugely celebrated), that could explain both the obscurity of the signature, and the actor’s severe jaw line.
It might also explain the rarity of this print. True, Danzo V was not performing in Osaka at the time, but one would still expect a special Ichikawa lineage tribute image like this to sell well. Perhaps Osakans reacted particularly negatively to the cut of his jaw.
–OsakaPrints.com
  The memorial performance for Danzuo IV
Azumakagami Mikari no Maki
The Ukiyoe print shown below is portion of the play of Azumakagami Mikari no Maki designed by Syunko.
Azuma Kagami is medieval text chronicles events of the Kamakura Shogunate from Minamoto no Yoritomo’s rebellion against Taira clan. It was compiled after 1266 under the directive of the Hojo shikken. It is an enormously detailed record of different activities centering on the shƍgun with almost daily entries that include even notes on the weather.
–Wikipedia
Azumakagami Mikari no Maki
Hadekurabe Ise Monogatari
    Hadekurabe Ise Monogatari
Sugawara Denju Tenarai Kagami (Sugawara and the Secrets of Calligraphy)
From the scene IV of the play Sugawara Denju Tenarai Kagami, a print depicts the scene from Tempaizan (Mount Tempai). The ukiyoe print designed by Syunko
Kan Shojo who is leading his quiet life in exile goes to Anrakuji temple to hear the story that the ume (plum) tree that he loved in Kyoto came flying overnight. Umeomaru arrives at the scene and tells Kan Shojo about Fujiwara no Shihei’s conspiracy in Kyoto. Kan Shojo transforms into a thunder spirit from anger and ascends to heaven.
–Kamigata Ukiyoe Museum
Sugawara Denju Tenarai Kagami by Syunko
Tenmangu Natane no Gokuh (The Rapeseed Offerings at Tenmangu Shrine)
The ukiyoe print was based from pure kabuki play entitled Tenmangu Natane no Gokuh which is one of the play that was written more to exploit the principles of feudal loyalty than to depict court romances.
–Rising from the Flames: The Rebirth of Theater in Occupied Japan, 1945-1952
The print displays the Kabuki actor Nakamura Shikan III is in the role of magician Ki no Haseo in the play, “Tenmangu Natane no Goku” performed at Naka Theater. The print designed by  Utagawa Sadaihiro, a Japanese artist that produced portraits from the beginning of his career. He was said to be a student of Kunisada, but then changed his name to Hirosada and became student under Sadamasu. He was active artist from 1830 to 1850.
Nakamuraza Sankai no Zu (The Third Floor of the Nakamura Theater)
Another ukiyoe displayed was made by Utagawa Kunisada, the most popular and most commercially successfully designer of ukiyoe during 19th century in Japan. The print depicts the kabuki actors in the third floor of Nakamura Theater.
Nakamuraza Sankai no Zu (The Third Floor of the Nakamura Theater)
The museum also showcases a display and information of the old Dotonbori. Through exhibits, it can learned that Dotonbori was a large scale entertainment district and the south side of Dotonbori called as “play side”. Dotonbori has not only kabuki theaters, but also as puppet theaters, and even place for acrobatics or sumo matches. “Settsu Meisho Zue” (1796-1798) the picture collection of Osaka’s famous place illustrates famous places, temples, shrines, events, customs, and traditions in the particular area.
Other stuff that found being exhibit in the museum are below:
Notes : Plan to visit Osaka ? Please check latest information here. Location : Osaka, Japan Directions / Transportation to Osaka : 1. For official access to Osaka coming from anywhere in Japan, please check here. Official Website : Osaka Info
Plan to visit Kamigata Ukiyoe Museum? Please check latest information here. Location : 1-chƍme-6-4 Nanba, ChĆ«Ć-ku, Osaka, 542-0076, Japan Directions / Transportation to Kamigata Ukiyoe Museum: 1. For trains, there are four Namba Stations where different train lines stops near Dotonbori. a. Take Yamatoji Line for JR Namba Station or b. Take Hanshin-Namba or Kintetsu Limited Express or Kintetsu-Nara Line for Osaka-Namba Station or c. Take Modosuji Line or Sen-Nichimae Line or Yotsubashi Line (all subway lines) for Namba Station or d. Take Nankai Line or Nankai-Koya Line or Nankain Limited Express for Namba Station 2. From different station, follow the walking path towards Kamigata Ukiyoe Museum 3. For official access link, please refer here. Official Website : Kamigata Ukiyoe Museum, Dotonbori
  Visiting Kamigata Ukiyoe Museum (Part 3 of 3) Note: I do apologize for more than 6 months rest from writing my travel adventures, had been busy, but still got a chance to visit some cities in USA and even got a chance to return to Japan for a while.
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