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tragic-ships-tournament · 13 days ago

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Tragic Ships Tournament Semi Finals

Madoka Kaname and Homura Akemi (Madohomu) from Puella Magi Madoka Magika VS

Propaganda under the cut!

Chainshipping:

No propaganda submitted, but cmon. Pull out the giant essay.

"Okay so our buddy Jigsaw here, John to his friends, puts Adam and Gordon in a trap in the so-called Saw Bathroom.

Adam wakes up from unconscious in a full bathtub and gasps for air trying to get out. In doing so, he inadvertently pulled the plug. It is pitch black in the room. A voice calls out from the other side of the room.

The voice is Gordon. His name is Lawrence Gordon, he's a doctor. For a few moments his voice is all there is until Gordon turns on the light. They are both chained to metal pipes in opposite corners. They introduce themselves. There is a dead body in the middle of the room.

Neither man trusts the other. In attempts to escape, they find clues: a clock that is brand new and as such the opposite of the rest of the room; an envelope with a cassette in Adam's pockets; and a casette, a key and a bullet in Gordon's. The key opens neither man's chain.

But there is a casette player in the hand of the dead man in the middle of the room.

With some difficulty, Adam is able to reach it so that he can play his tape which detailed his crimes (as according to John) and how he will either watch himself die or do something about it. This is a poetic trap on John's part as Adam is a voyeur and is paid by various people to follow others around and takes photos on them. As for Gordon? Well, first he sends his tape to Adam to hear first before hearing it himself. His crime is that as a doctor (his name is Lawrence Gordon, he's a doctor) he spends his days telling people they're going to die, giving them their death sentence. Now he must carry out that sentence himself. He must kill Adam by 6 o'clock or Gordon's wife and daughter will die.

The dead man in the middle of the room was one of Gordon's patients.

The recording gives them several other clues and soon they find a plastic bag in the toilet with two hacksaws and a bag of photos inside. Adam throws one to Gordon and immediately begins on his own chain. The saw breaks.

In anger, Adam throws it at the mirror which smashes. Gordon realises the saws are not for the chains but for their legs. This is when they realise they've been abducted by Jigsaw. Gordon mentions that Jigsaw had previously tried to frame him for murder by leaving his penlight at the scene of one of Jigsaw's crimes. Adam grows distrustful of Gordon because that's a weird detail to mention, huh? And in a fit of panic and anger, he takes the broken mirror shard and threatens to kill our boy Gordon (Lawrence Gordon, he's a doctor) unless he explains what the hell is going on. Then he notices that the mirror is a one-way mirror. He smashes the rest of it until he's cut through the glass and they see a camera.

A camera watching their every move. Adam soon learns that the camera is protected by another pane of glass, this one shatterproof.

Gordon, bless his heart, is able to calm Adam down and he begins to tell Adam about his family. He has a wife named Alison and a daughter called Diana. Adam asks if he wants more children, Gordon replies no as he doesn't think Diana gets enough time with her parents as is.

This nice conversation is ruined when Gordon tossed Adam his wallet so Adam can look at the picture of them in his wallet. That picture isn't there; instead, there's a picture of them tied up and gagged in their apartment. Adam doesn't want to worry Gordon so he quietly pockets it and just says the photo isn't there. This photo also has a clue that leads to Adam asking Gordon to turn off the light at which point they see a glowing X and are able to get the next puzzle in the trap. (It's a very drawn out trap compared to Jigsaw's more oftenly used one and one em traps) Gordon retrieves a box with a lighter, two cigarettes, a note saying the cigarettes arent poisonous (factually untrue consideeing lung cancer but John's an engineer not a doctor) and a phone. The phone can't be used to make calls so no 911 can save these white boys right now.

Adam, who doesn't know about the note, asks for a cigarette. Gordon says no.

Gordon asks Adam how he knew to turn off the light. Adam tries to lie, like a liar, and fails, like a failure, and is forced to reveal the photo. This is how Gordon (his name is Lawrence Gordon, he's a doctor) is able to come up with his big plan. He, having figured out it was poidonous, dips one cigarette into the blood of the dead man in the middle of the room. He turns off the light again. He explains his plan to Adam.

Lights come back up, Gordon gives Adam a cigarette and a lighter. Adam takes a drag. Suddenly what? Oh no? He's dying? Never mind, he's being electric shocked through his chain because boy howdy can that boy not act.

Also, when you turn off the lights, people can't see you. They can still hear you.

Gordon points his anger at Adam for the failure of the plan though again, he did just tell Adam the plan by talking. Like that's not that secure. But the electric shock triggers something in Adam. He remembers his abduction and having no one else in the room to talk to (besides the dead body), he tells Gordon about it. Their traumas are entwining. Then the phone rings. It's Diana. She begs her dad to save them. Then the phone is given to Alison who tells Gordon that he can't trust Adam and that they've known each other for a long time. Gordon confronts Adam. Adam admits that he's known who Gordon was for a few days. He'd been paid to follow Gordon around and take photos of what he was doing. Adam shows him the photos. Which photos, you ask? The ones in that bag that were in the plastic bag in the toilet. I'm sure you've forgotten about them now. They argue and Adam admits he followed Gordon to a hotel where Gordon was meeting up with one of his students, Carla. They were about to start an affair. Adam knows about this. As does John. That's the real reason Gordon is in this trap. A Welcome Home Cheater sign? No, no. This one gets the Saw Bathroom.

Convinced that whoever hired Adam must be Jigsaw, Gordon presses him on it. Adam relents. It's not Jigsaw. It's a detective who's convinced Gordon is Jigsaw.

They fall silent again. They figure out one of Jigsaw's henchmen is a guy called Zep who's an orderly at the hospital. The time runs out. The phone rings again. It's Alison! She's broken free! They're saved! Gunshots. Diana screams. Gordon cries. The chain electric shocks Gordon into unconsciousness. Adam immediately tries to wake him up, terrified Gordon is dead. He's not. But he's broken down. And when he was being electrocuted, he'd chucked the phone out of reach. Out of all other options, Gordon (his name is Lawrence Gordon, he's a doctor) uses his shirt to stanch his leg and begins to cut his foot off. Adam begs him not to and to just calm down, but Gordon's too far gone. When the deed is done (which you don't see in the film by the way, the first Saw was very tame when it came to gore surprisingly enough), he crawls to the dead body in the room and takes the gun out of the man's hand. He loads the gun with the one bullet he has. He shoots Adam. Adam falls back like he's in Looney Tunes. Gordon screams at the camera and begs them to save his family. And then Zep comes in. He was the one holding Gordon's family hostage. Gordon tries to shoot him. Gordon had one bullet in his gun. His shots are unsurprisingly ineffective. Zep is unimpressed with this. It is just a rapidly paling man missing a foot shooting an empty gun like he's in a water pistol battle in a county undergoing a drought. He decides to kill Gordon as he didn't kill Adam by 6 o'clock. And Zep is from the county over and has plenty of water to spare. He aims his gun at Gordon.

But he forgot about Adam. Like a Bugs Bunny reborn, Adam comes in from behind with the toilet tank lid. In his fear and pain and anger, he beats Zep over and over and over with the lid until Gordon is able to calm him down. They stare at each other like sad gay men. Gordon tells Adam that if he doesn't get out, he'll bleed to death here. Adam begs him to stay. Gordon promises to come back for him. Adam begs him not to leave him. Gordon crawls out the room. Adam is left alone, a bullet in his shoulder and his heart crawling away. He's all alone. Apart from John Kramer. He was the dead body in the middle of the room this whole time. He stands up. He tells Adam that the key to his chain was in the bathtub. The one that Adam had accidentally pulled the plug out of. He leaves the room. Game over.

Adam will die in this room. It was always going to end like this. One of them was going to die in that room. If Adam lives, Gordon must die. If Gordon lives, he must kill Adam. There is no way in the world for these two to survive, not together. There was always going to be a dead body in that bathroom."

Madohomu:

"madoka magica aired 12 episodes in 2011, with a sequel movie titled “rebellion” released in 2014. it’s been over 10 years since then, and these two have become the face of yuri. if someone makes a meme about loving yuri and makes a collage of example ships, madohomu are 100% gonna be present. video essays, fanart, fics, music videos and all kinds of fan projects featuring them are still wildly popular on all social media platforms.

but let’s talk about them (without going into too many spoilers, so this will be about the thematics in their relationship). they are light and darkness. the ying and the yang. forever intertwined. one would not exist without the other, yet they cannot exist together. for madoka has too much love for every living thing and too little for herself. and homura has too much love for madoka it blinds her to everything and everyone else, and she struggles with deep self-hatred. madoka has forsaken her own existence for the world, and homura has forsaken the world she created for her. the show has a lot of religious imagery, and madoka is akin to a god; there’s a shot of homura, who grew up catholic, kneeling at the feet of a gigantic statue of madoka, praying, but her hands stain her clothes. because if madoka is god, then homura is lucifer - specifically, iblis, the muslim version of lucifer, who loved god so much he betrayed him, for he’d rather defy him than bow to his creation, humans. and homura would rather defy the sanctity of madoka’s wish, rather than obey its laws, for she will take madoka’s happiness in her hands, if she refuses to. in the movie, dolls representing homura’s inner machinations yell, “gott ist tot”, for homura’s god, madoka, dies in the movie, when homura remembers that madoka was human first, and godhood was something she reached to save everyone, against her best interest and happiness. their relationship is one of love, kindness, obsession, devotion, hope, faith, worship - they are the thesis and the antithesis, the beginning and the end, the alpha and omega, an unstoppable force and an immovable object. forever locked in a struggle, never fully embracing, for madoka will always sacrifice herself for the world, and homura will always doom the world and herself for madoka."

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