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scarlethexelove · 9 months ago

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Our Omega

Pairing: Alpha!WandaNat x Omega!Reader

Word Count: 5155

Warnings: Smut, Wanda and Nat have a penis, Soft!Nat, Rough!Wanda, Heat, Mating mark, Knotting, Breeding, Someone tries to attack reader but Wanda and Nat stop them, Hints to lactation kink, I really don't think there is much else.

Pt 2

A/n: I really hope this isn't shit. I really liked writing this. Wanda isn't too rough in this one but definitely rougher than Nat. Just sweet alphas who don't treat their sweet Omega like shit.

NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN

The door chimes causing your gaze to lift to the opening door. You’re shocked to see the people walking through the door. The Avengers have just walked through the door of your small bakery. Leading the group is the pack leader along with her mate. Natasha Romanoff and Wanda Maximoff, two alpha’s. The rest of the mostly alpha pack followed close behind. Normally so many alpha’s in an area won’t bother you but with you so close to your heat and being an unmated omega is making it difficult with all of them around. You put on a mask knowing you need to be your best when the most famous people in the world are in your bakery.

With a wide smile you greet the group. “Hi, I’m Y/n. We have a wide array of baked goods for you to choose from. Just let me know what you would like and I’ll get them all ready for you.” Wanda tilts her head looking at you curiously but you just give her soft smile back. Nat is also watching you but you can’t seem to read her. The gaze of both the alpha’s on you causes a light dusting of pink to cover your cheeks. The rest of the group looked around to see what they wanted to eat.

Nat clears her throat. “Everyone wait outside.” She demands the rest. “But I want to look.” Tony whines. Nat turns to look at the rest. “I said wait outside. We will get everyone something.” Nat’s demanding tone has your inner omega wanting to submit causing you to shrink in on yourself. As the rest go to wait outside the two alpha’s turn back to you noticing you’re dropped head and smaller form. “I’m so sorry mega. I thought it would be easier without everyone.”

You wanted to be thankful for what she did but at the same time you need to be able to handle a room full of alpha’s if you want to have a successful business. But you know she just meant well by her actions. You lift your head and give her a small smile. Brushing off your previous distress and ready to help the two women with everything they need.

With less alpha’s in the room their scents invade your senses. One of their scents laced with cinnamon and spices, reminding you of fall. The other smelling of sweet vanilla. Both of their scents are intoxicating already. Both women are very attractive but you know you can’t think like that they are already a mated pair and they probably wouldn’t want an omega like you. So you push it out of your mind and focus on running your business.

“What can I get for you?” You ask the women. They look around for a minute before Nat speaks up. “Two of everything.” You can’t help the look of shock at the woman's order. “A-are you sure?” She gives you a kind smile. “Yes please.” You nod and start moving around to get everything you need. “Of course. I’ll have everything ready for you in a few minutes.” You move around the area gracefully. Throwing in a few extras as you go. Wanting nothing more than to satisfy the Avengers.

You can feel their eyes following you but you are in your groove currently. Once you are done with everything they come up to the counter and Natasha pulls out her wallet. You wave your hands and shake your head. “No, no, no. It’s on the house, my treat. You guys do so much for the city. The least I can do is give you guys some food.” Nat shakes her head back at you. “I’m not sure your boss would like that. Also I insist.” She starts pulling out money ready to pay. “I’m actually the owner so I can give you whatever I want.” You tell the alpha. You would normally never talk back to an alpha, especially an Avenger but you want to get your point across. But neither of them are going to take no for an answer. Wanda takes some money out of Nat’s hands and gives it to you. You look down at the cash and back up at the alpha’s. You can tell by the looks on their faces that they will not take no for an answer. So you look back down at the cash in your hand and gasps. “This is way too much.” In your hand is almost $500 dollars, way more than what it cost to get everything.

Both alpha’s shake their heads. “Keep it. You deserve it.” Wanda says. She has the softest and kindest smile you have ever seen. “I-I-I don’t think I can take this.” You stutter trying to hand some of the money back but neither of them will have it. Wanda takes your hands in hers. “Please take it.” You look at her hands around yours and then back up to her face. A small blush covering your face when you nod. “Okay.” You say barely above a whisper. She smiles before she and Nat take the baked goods, making their way out leaving you shocked.

That is how your friendship with the Avengers started. After that day you saw at least one of them once a week. Sometimes alone and sometimes the whole team would come in. You built a friendship with each member but as they continue to come a crush on the two women formed. They were always so sweet and kind with you. Nat plays up a big persona of being hard and little emotion but you can see right through that facade. Which only makes your crush grow stronger, but you know you can’t act on it. So you leave it at that just a crush.

With the Avengers frequenting your bakery your business picks up exponentially. You had to hire more employees to help you keep up. One of those being your best friend Kate Bishop. You thank the Avengers for their business and the fact they have brought in more customers for you. Always trying to give them free food but none of them ever take it.

Today wasn’t like other days. You had 3 call offs and your heat was quickly approaching. You thought that you had a few more days but as the day drags on you know you won’t make it. You have already called Kate who had the day off hoping she could cover. She of course said she would but it would take her some time to get there. So now you’re fighting your heat and just waiting for her to get here.

The room is filled with alpha's, some of them pausing to look at you. A hungry look in their eyes as they realize what is going on with you. You want to run and hide but you can’t leave the store unattended so you suck it up the best you can. That is until a wave of burning stabbing pain hits your lower abdomen. You wrap your arms around your stomach, hunching over as you hold in a whimper. You don’t even hear the ringing of the bell as another patron enters the building. Another stronger wave has you crumbling to the ground, a whimper escaping your lips.

You can now faintly hear a commotion but you can’t focus on the words or voices. You look up seeing an alpha about to jump over the counter when they are pulled back harshly. There is a commanding roar of an alpha that causes you to whine and bare your neck waiting for the alpha to approach. You wish your inner omega was stronger but with your heat here you can’t control it. Two alpha’s approach you quickly crouching down next to you. You let out another whine and strain your neck more.

“Oh milaya, none of that.” Wanda’s hand cups your cheek. Both of their scents invade your senses, calming you down slightly. You can’t help but nuzzle her hand causing her and the other woman to smile at you. A whimper escapes as another wave of pain courses through you. Leaving the women concerned for you. They have been falling for you just as much as you for them but they were worried you wouldn’t like them back or want to be involved with Avengers.

Just then Kate rushes in the door, her eyes scanning the room seeing that there had been a scuffle. Concerned for your safety when she can’t see you. She knows your heat is close, that is until she catches a whiff of your scent. She knows that you have gone into heat and how dangerous it is for you to have been here. She rushes around the counter stopping when she sees you curled in on yourself as Nat and Wanda crouch next to you. Wanda’s hand is still on your cheek. She lets out a growl at the woman. She knows that you aren’t in any danger with them but she instinctively wants to protect you while you’re so vulnerable. Neither of them move their concern only on you.

“Kate, we are here to help. We don’t want to hurt her.” Nat speaks calmly to the other omega. Kate looks from them back to you. She can see you, how you're trying to nuzzle in further to Wanda. She lets out a sigh. “Sorry alpha.” She puts her head down. Becoming part of the Avengers pack as Yelena’s omega has gotten her close to them and she didn’t want to disrespect the pack leader. “It’s ok. I know you are only trying to protect your friend.” Nat moves closer to you leaning down and moving to pick you up. She acts slowly to give you the chance to pull away but you don’t. It makes the woman smile as she picks you up. You quickly wrap yourself tightly around her and nuzzle into her scent gland. Breathing in her cinnamon scent that calms you.

“I think we will take her to the compound, she will be safe there. I don’t trust that after those alphas coming after her that she will be safe. They could easily follow her home.” Nat speaks to both Wanda and Kate. They both nod in agreement. “Kate, do you have this here?” Nat asks as she holds you closer to her. “Yeah I think I got this.” Kate replies before the door chimes. All three women go on defense growling at the scent of another alpha but all calm when they realize who it is. Kate’s mate Yelena struts through the door holding up her hands in surrender to the three as you whimper in Nat’s arms.

Yelena smirks at the older alpha when she sees you in her arms, wrapped tightly around the woman like a koala. Nat rolls her eyes when she sees how her sister is looking at her. “Lena!” Kate says bouncing over to her and throwing her arms around her neck pecking her lips. Yelena’s hands placed firmly on Kate’s hips. “Yel help Kate out here we are taking Y/n to the compound. Some alphas attacked so maybe help her clean up a bit.” Yelena looks around at the mess brows furrowed as Nat speaks. That is until she catches your sweet scent. Instantly understanding your predicament and understanding why the three were growling at her as she came in the door.

“Please be careful you two.” Wanda tells the alpha and her omega, handing Kate some money. Kate looks at the money and then back up to Wanda confused. “For damages.” Wanda explains. Kate is about to argue back about that but the look Wanda gives her tells her there is no room for that. She is second in command of the pack and will not take no for an answer. So Kate gives her a nod moving to start cleaning up the place, Yelena helping her mate clean as the two women leave with you.

Once the alphas get you to the compound they take you to the spare bedroom next to theirs not wanting to overstep any boundaries you might have. It has been hard for them to fight their inner alphas to not to just claim you as theirs. You’re currently wrapped around Wanda tightly as she walks into the room. She goes to put you on the bed but you don’t let go. “Malyshka can you let go?” She asks softly, but your only response is to shake your head and whine. Being in their arms is the most comfort you have had in a long time dulling the ache.

So the women decide to take you into their own room. If it provides you the comfort you need they will take the suffering to make you feel even the slightest bit better. Wanda sits down on the bed with you still wrapped around her. Your head in her neck as you let her scent drown out your senses. Nat walked away from the two of you for a few minutes before coming back. In her arms is a plethora of blankets. She sets them on the bed next to Wanda. “Detka?” She crouches down in front of you two and says softly. “Can you please come out? I brought you blankets for a nest.” Her voice is still soft, watching you for any movement.

Slowly you pull your head out, eyes landing on the pile. You hesitantly move not wanting to leave the comfort of the alpha but your inner omega is telling you to build your nest. “Thank you Nat.” You whisper, taking the blankets and moving to a corner of the room. It has been a losing battle to fight your inner omega who just craves the women. But you don’t want to overstep too much so you build your nest in the corner. You crawl into it moving things around till you’re comfortable.

Being around the alphas has dulled your pain. It is still there but in less intense waves, but the slick has increased. You can now feel it coating your thighs. The two have watched you intently, hard uncomfortable bulges in their pants. Wanting nothing more than to claim you as their own. It isn’t until your small voice breaks the silence in the room that they break from the trance. “Alphas?” You whimper. The women quickly move over to you concerned that something could be wrong. You look up to them with tears in your eyes, scared to ask anything more of them but craving their comfort.

Wanda’s hand gently cups your face, her thumb rubbing over your cheek gently. “Yes, omega. Do you need anything?” Wanda’s softness makes you purr as you nuzzle. “Please stay.” Your voice is barely above a whisper, but they hear you. The women share a look before they agree. Nat gets in front of you which you instantly cuddle into her side, your head instinctively nuzzling into her neck. Wanda slots herself behind you. Both of them cuddle you tightly.

Nat notices it instantly, your warm slick slowly coating her thigh. You start grinding against her thigh. Your brain is not even registering it until you let out a soft moan. A look of panic crossing your face when you realize what you are doing. “I-I-I’m sorry.” You try to pull away but their arms wrapping around you tightly keeps you in place. “What do you need mega?” Wanda kisses your shoulder and mumbles. You let out another whine at her words wanting to beg them to use you, breed you, mark you, to become their mate. “We can’t help you if you don’t tell us, sweet girl.” Nat kisses your forehead letting her lips linger there.

You look up to the woman in front of you. “I want you, both of you.” You whisper. They are both slightly shocked but not entirely due to your recent actions. Nat’s hand cups your cheek. “Are you sure? This isn’t just your heat?” You shake your head no at her words. “Wanted you for a while. Didn’t think you wanted me. I’m nothing special.” You look down out of embarrassment waiting for the rejection, but it doesn’t come. Nat’s finger hooks under your chin, making you look back up at her. She gently kisses your lips before pulling back your breaths mingling together in the open space. “We want you too, and you are special. You are the most kind and gentle person we have ever met.”

It’s so quick that you don’t even notice. Wanda’s arms are removed from you and Nat has pushed you on your back hovering over you. “If you want us to stop or you change your mind you can tell us.” Nat tells you gently pecking your lips. “Are you sure you want this mega?” Wanda asks you. You nod your head. “We need words pretty girl.” You look at Wanda who is laying on her side with her head propped on her hand. “Want you.” Was the only words that slipped past your lips. In an instant with red whisps all of your clothes are gone. You look at Wanda a bit shocked, a smirk playing on her lips.

Soon the alphas' clothes soon follow. Their rock hard cocks springing free of their confines. You feel Nat’s slap against your stomach causing you to look down. Your eyes widen at her sheer size wondering how she will fit. Your eyes then trail to Wanda. She looks even bigger than Nat, not by much but a noticeable difference. You can feel more of your slick coating your thighs as you whine.

Nat kisses your head as her hand guides her cock to your folds. Swiping through them coating herself in your arousal, her tip nudging against your sensitive bundle of nerves. You let out a moan as she keeps nudging. When she is satisfied, she moves the tip down to your entrance, looking at you for your confirmation that you're still ok. When you give her a nod, she slowly starts to push in. Slowly sinking her cock into your wet and warm cunt.

“Fuck so tight.” Nat moans as your walls clamp around her member. You’re so thankful for your heat, your slick allowing her to slip in easily. You wrap your legs around her waist as she sinks in further. When her thighs meet your ass you gasp at the fullness. You’ve never felt this full in your life and it feels so right.

Nat gives you some time to adjust to the stretch fighting her inner alpha to just pound into you mercilessly. Wanda turns your head leaning in to kiss you. Her hands reach between your bodies as she finds your breasts. Her fingers expertly tweaking your nipples causing you to moan in her mouth distracting you from the fact that Nat has pulled almost all the way out before sinking back in. Her pace is slow at first just getting used to you. You feel so good and she doesn’t want to cum too early.

When Nat feels like she can, her pace quickens. She fucks into you gently, her thrust deep as she angle just right. Hitting your spot deep inside. Wanda’s mouth is still on yours as she swallows all of your moans. Enjoying your full breast in her hands, groping at pinching her nipples as her mate fucks into you.

You don’t expect the alpha to be so gentle as she fucks you but it feels so good from her. Her caring and soft side showed through with every thrust of her hips. She leans up grabbing your hips watching as her cock disappears into your hole. Entranced by your sweet scent and how you take her so well. How your hips buck into her to meet her thrust trying to get her that much deeper. The outline of her cock bulging from your skin, she presses down and a loud moan is escaping you. She looks back up to watch as Wanda devours you, catching every whimper and moan until you can’t keep up anymore.

“So pretty and made for us. Taking me so well.” Nat praises you. “So perfectly wrapped around my cock squeezing me so tight. Fuck.” She moans when you clench. Your panting, eyes closed as your orgasm builds. One of Wanda’s hands drifting down between both of your bodies finding your bundle of nerves pinching it between her fingers. You cry out in pleasure and pain as she continues. Both women bring you so close to the edge. Your walls squeezing Nat tight, her grunts and moans filling your ears. Her knot starts to form hitting against your entrance, just begging to fill you.

Wanda’s hand continues toying with your clit as Nat drives her hips into you. Your legs are slightly shaking around Nat’s hips. She leans back down the more her knot swells. You're both close to cumming. She kisses your scent gland sending small waves of pleasure. Her hips become more erratic when her knot fully forms. Slamming against your entrance. With a few more thrust her knot pops in and her teeth sink into your neck. You cry out in ecstasy as your orgasm washes over you. She marks you claiming you as her omega. Filling you with her cum as your back arches. Grinding into you as white hot ropes of cum fill you. Your cum coating her cock as your walls squeeze her knot, milking her dry. She lets your neck go and licks your wound clean. You look up at her curious and hopeful eyes. She smiles and leans her head giving you access to the opposite side from where Wanda bit. You lean up sinking your teeth in her scent gland. She moans out and you don’t know how it is possible but you can feel a few more spurts of cum filling you. Which just causes you to moan around her bite. You release her and lick it clean just as she had done for you.

You’re both panting, Nat’s knot locking you together until it deflates. Wanda’s hands move away giving you two a chance to bond. Nat takes the time to gently move you both so that you are on your side. You feel the bond growing strong as you bask in the aftermath. She gently kisses your lips before leaning her forehead against yours. The room is silent until you break it. “Thank you.” You whisper between you two. Nat smiles. “No need to thank me detka. I have been wanting to do that for a long time.” The three of you laugh. It’s funny how you all wanted each other but none of you thought the other would. “Me too.” You smile, your breath still heavy between you two.

When Nat’s knot finally deflates she removes herself from you. You let out a whimper at the lost feeling empty as your mixed cum leaks out of you. Wanda kisses your shoulder and mumbles against the naked skin. “My turn malyshka. I want you to ride me.” You look back at her, your eyes wide. “I-I’ve never.” You stutter a little having never ridden anyone before. She kisses your shoulder again. “That’s ok detka. You’re going to look so beautiful bouncing on my cock.”

You feel Wanda shift as she lays on her back. You turn yourself to look at her. She has her hands behind her head and her cock standing proud. You don’t know how she was so patient when you look at her cock. Her tip is angry red and pre-cum has leaked all down her shaft. Her hand moves to wrap around and gently jerk herself. She had wanted to save all of her cum for you to fill you even fuller than you already were. You hesitate for a moment before getting up and shifting. Throwing your leg over her hips hovering over her cock. Her hand is firmly around her cock lining it up with your entrance. You look at her for a second when she gives you a reassuring smile. You give her a small smile before you start to slowly sink down on her.

Wanda moves her hand back behind her head as she watches you sink down. “Fuck your right Natty. So fucking tight. Fuck even after you fucked her she is tight.” You blush at her words, finally sitting fully in her lap. You didn’t think you could feel this full. Both of them fit you so perfectly like they were made just for you.

You grind your hips experimentally, the movement causing you and Wanda to moan. You can see the cocky smirk on her face as she waits for you to fuck yourself on her cock. “Fuck I can feel both of your cums leaking all over my cock.” She bucks her hips up, enticing you to move. You groan, taking her hint as you lift yourself up before slamming yourself down. You set a slow and steady pace as you figure out your moments. Bringing yourself up before dropping back down. Wanda enjoys the sight of your breast bouncing every time you sink back down.

But your pace is a bit slow for the woman. “Ride me like you mean it detka. I want to see you fuck yourself on my cock.” You whimper, nodding your head and picking up the pace. Bouncing on her cock and grinding your hips when you meet her pelvis. The sight in front of her is perfect as the perfect omega rides her. Even at this angle Wanda can see a perfect outline of her cock filling your tight hole. Moaning knowing that you're so full of her and that she is going to fill you even more.

Whimpers and moans fill the room as you continue to fuck yourself on her cock. Soon you feel hands on your waist as Nat moves closer to you two she helps guid you quicker on fucking her mate. Wanda’s hands moving to your plush thighs digging her fingers into the soft flesh. Starting to buck her hips up to meet you. Fucking you harder than Nat did.

“Such a whore for us already. Taking our fat cocks in your tight little hole. Look at that.” Wanda presses her hand down hard on the bulge that appears on your lower abdomen. You cry out from the pleasure and her words, looking down to see her cock moving inside of you. Your walls clench her tightly at the sights. “Oh fuck you like that don’t you little whore. Love being fucked by your alpha’s.” Wanda’s moans, her words a stark contrast to Nat’s praises. She is rougher with her thrusts. Showing a different side to each woman.

Nat turns your head towards her and kisses you hungrily. Wanda sits up planting her feet and thrusting up hard and rough. You love the difference between the two. A gentle Nat and a rougher Wanda. It turns you on immensely more slick coating Wanda’s cock the harder she drives her hips up into you. Nat still helping you fuck yourself down on her cock.

“Such a perfect cock drunk whore for us. So pretty being our little cum dump, just for us to use.” With every word that Wanda speaks it sends you closer to the edge, your walls clamping down on her. You don’t know how she can keep her rough pace as your walls suffocate her cock. She moans as your walls tighten, her knot forming and pressing against your entrance begging to slip in. Wanda nibbles at your perky nipples. “Want to be bred full of our cum? Fill you with our pups?” You moan into Nat’s mouth mumbling a yes.

“These tits would look so perfect, full of milk, your belly swollen with our pups.” She bites down on your nipple causing you to break the kiss from nat and cry out. “Mmm.” You whimper, her thrust becoming erratic as your knot fully forms. Nat lets your waist go and Wanda wraps her arms around you thrusting up harder and faster. You didn’t think she could go any harder or faster but it has you moaning louder. Your arms tightly wrapped around her as your nails dig into her back causing her to moan at the sting.

Wanda moves her head to the other side of your neck biting into your other scent gland as her knot slips inside locking you two together. You scream out and throw your head back as your vision blurs, cumming harder than you ever have before. Wanda’s cum joins Nat’s deep inside you filling the void and feeding the desires of your inner omega. Your whole body trembles in her hold as your bond forms. She pulls away, licking your wound. She lets you take the side opposite of Nat’s mark cementing your bond to both women. Small spurts of cum still fill you as Wanda grinds helping you both to ride out your highs.

When you come down your rigid body slumps into Wanda nuzzling into her neck. Her arms wrapped around you tightly, kissing the side of your head. Her fingers gently rubbing at your back. Your arms loosely wrapped around her exhaustion taking over as you close your eyes.

“Are you ok sweet girl?” Wanda questions kissing your head again. You hum in response, throat raw from your previous actions. “I wasn’t too rough was I?” You could hear the concern in her voice. So you pull back a soft smile playing on your lips. “No, it was perfect. Both of you.” Your voice is hoarse. You look back at Nat who pecks your lips. You would think that Nat would be jealous of how your body reacted to Wanda but all you can see is the love in her eyes. The stark contrast between the two is something you already love. How gentle Nat praising you as she fucked into you and how Wanda was rougher degrading you.

When Wanda’s knot deflates they both help you up on wobbly legs taking you to a warm bath and cleaning you up. Your heat subsiding for the moment, a relief you thought you would never have. You’re all now cuddled up in your nest, your head on Nat’s chest, Wanda’s arms wrapped around your waist. Your eyes droop shut as exhaustion from the day's events gets to you. If someone had told you that you would end up being the omega mate to two Avengers you would have laughed in their face but right now wrapped up with them is all you could have ever wished for. The love of two powerful and amazing alphas and they are all yours. “I love you two.” You mumble so close to sleep. Both women were smiling. “We love you too.” Wanda kisses your shoulder and Nat kisses your head. “Our omega.”

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lowpolynpixelated · 7 months ago

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Bloodborne PSX One of the best fanworks on the web

Though the PS4 boasted and still boasts an impressive library of releases, for many (myself included) the system served to be bought for initially one purpose, to be the Bloodborne Machine. Most of the people in my life who had a PS4 during its generation either bought one exclusively to play Fromsoftware’s Nightmare Hunting Adventure or had initially got one solely to play the game and ended up getting more games afterward. It’s a phenomenon the game industry sees time and time again, with previous generations having swathes of fans buying entire consoles for one or two games. As far as games go though, Bloodborne is at the very least worth the price of entry. At the time, it was heralded as Fromsoftware’s most cutting-edge and impressive game to date. A gorgeous gothic world filled with creatures ripped straight out of H.P Lovecraft’s nightmares, a haunting soundtrack showcasing beautifully composed choral scores and a combat system that incentivized aggression and speed to achieve brutal and bloody efficiency. It’s no wonder then why Bloodborne still has such a large following behind it. Fans of Fromsoftware have hoped for a sequel or PC port year after year to largely disappointing results. But where the community shines is in its fanworks.

From fanart, comics, music, animations, and even fan-made video game spinoffs, the game has been shown a monumental amount of love since its debut in 2015. One of these fanworks was released back in 2022 and has since become one of the most famous pieces of fan-made content surrounding the game, this of course, being BloodbornePSX by LWMedia. An incredibly impressive feat of coding and art direction, the game serves as a “Demake” of Bloodborne’s first Yharnam segment, made to look like and play as if it were made on the very first PlayStation console. With some custom-made areas and an entirely unique boss to boot the perfectly paced experience is both a treat to fans who have been orbiting the game since its earliest days and new fans looking for the best and brightest fanworks to interact with.

The game has since gone on to be covered by a variety of news outlets all over the web, along with its creator receiving much-deserved attention for her efforts. One Lilith Walther (AKA b0tster on social media) holds the title of developer for the project. A long-time video game enthusiast and FromSoftware fan herself, she’s had quite an impact on the community I’m sure she’s very proud to be a part of. Later in the article, we’ve got an interview with Lilith herself about both Bloodborne PSX and her current project, “Bloodborne Kart”, but first, let’s talk a bit more in-depth about BBPSX.

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(Official launch trailer for Bloodborne PSX, uploaded January 31, 2022 by LWMedia on Youtube)

Bloodborne PSX:

So, what exactly is Bloodborne PSX? To start, let’s answer what precisely a “Demake” is first. Demakes often have the goal of remaking the likeness of a game either stylistically, mechanically, or both, as if it was developed on retro/outdated hardware. Famous examples of Demakes include “The Mummy Demastered” developed by Wayforward as a sort of tie-in to the 2017 film “The Mummy” in the stylings of a 16-bit run and gun adventure against armies of the undead, and “Pixel Force Halo” by Eric Ruth games which take the prolific XBOX franchise and shrinks it down to a Mega Man-esque platformer reminiscent of the NES’ 8-bit days. Demakes are intensely attractive looking, not only into the past of video games and their developments but just how creative developers can be with games that they love and appreciate. Bloodborne PSX hits as hard as a Demake can in my opinion, blending masterfully recreated graphics with perfectly clunky early PSX gameplay quirks that go above and beyond to make the game not only LOOK like it belongs on the nearly 30-year-old console but feel right at home on it as well.

(A screenshot depicting the player character “The Hunter” facing off against two fearsome Werewolf enemies. Screenshot sourced from the Bloodborne PSX Official itch.io page)

Gameplay:

Starting off with the masterfully recreated clunk in the gameplay, Bloodborne PSX “shows its age” by hearkening back to a time when being seamless just wasn’t an option. Much like adventure action games of the past (and much UNLIKE its modern inspiration), you’ll be cycling through your inventory delightfully more than you’d expect. Equipping keys, checking items, and even the trademark weapon transformations are all done through the wonderfully nostalgic menu and inventory screens. Taking one of the foundational parts of Bloodborne’s combat system and making it such a more encumbering mechanic is nothing short of sheer genius when it comes to ways to really make you feel like it’s 1994 again. On top of this, the Hunter’s movement itself has been made reminiscent of classic action titles. Somehow, both stiff enough to feel dated and fluid enough to make combat that same rush of bestial fun found in the original, it goes a long way towards the total immersion into that retro vibe the game sets out to give the player. Anyone who grew up with Fromsoftware’s earlier titles like Armored Core and the King’s Field series will be very familiar with this unique brand of “well-tuned clunk”.

(A delightfully dated looking diagram showing off the controller layout for Bloodborne PSX’s controls. Image sourced from the Bloodborne PSX Official itch.io page)

Graphics:

Speaking of old Fromsoftware games, though, let’s talk about the absolutely bit-crushingly beautiful graphical work on display. As I’m sure you’ve seen from the videos and screenshots included in the article, BBPSX’s art style and direction are nothing short of perfect for what it aims to be. While playing, I couldn’t help but notice every little detail (or lack thereof) in the environments meant to emulate the experience of a game made on 30-year-old hardware. Low render distances, chunky textures, blocky polygonal models, just the right amount of texture warp, it all blends together to create an atmosphere that I can 100% picture being shown off on the back of a jewel CD case with a T for Teen rating slapped into the lower corner. While playing, something rather specific that called out to me was the new way enemy names and health bars were displayed in the bottom right corner of the screen while fighting. As a big fan of the King’s Field games, this small detail went (probably too much of) a long way toward my love of how everything’s meant to feel older. Other games trying to match the more specific feel of King’s Field, like “Lunacid” created by KIRA LLC, also include this delightful little detail, a personal favorite for sure.

(A screenshot depicting the second phase of Father Gascoigne’s boss fight, showing off the game’s perfectly retro art style. Image sourced from the Bloodborne PSX Official itch.io page)

Sound design/Soundtrack:

But where would a game be without its sound and score? No need to fear, however, because Bloodborne PSX comes complete with a chunky soundscape that will make you want to check and see if your TV is set to channel 3. A haunting set of tracks played by fittingly digital-sounding MIDIs ran through filters to sound just as crackly as you remember backs up crunchy sounds of spilling blood with low-poly weaponry. Original sounds from Bloodborne have been used for an authentic sounding experience, but have also been given the CRT speaker treatment and sound like something you remember playing on Halloween 20 years ago. If you watched the launch trailer featured above then you know exactly what I’m talking about. The Cleric Beast’s trademark screech and Gascoine’s signature howl after his beastly transformation have never sounded so beautifully dated, and I’m here for every bit of it. Even the horrific boss themes we know and love from the original Bloodborne have been brought through this portal to the past. One of my favourite tracks, the Cleric Beast boss theme, might just sound even better when played on a 16-bit sound chip. It really cannot be understated just how much weight the sound design of the game is pulling. In my opinion, the only thing missing is that sweet sweet PSX startup sound before the game starts crackling through the speakers of a TV in the computer room.

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(The Bloodborne PSX rendition of the Cleric Beast’s boss theme. Created by and uploaded to Youtube by The Noble Demon on March 20, 2021)

Interview with the developer:

Before writing this article, I had the absolute pleasure and privilege of talking with Lilith Walther about some developmental notes and personal feelings about inspirations and challenges that can come with the daunting task of being a developer. Below are the nine (initially ten, but unfortunately, a bit of the interview was lost due to my recording software bugging out) questions I posed to Miss Lilith, along with her answers transcribed directly from the interview.

I’d like to start this section of the article by saying Lilith was an absolute joy to talk to. During the interview, I really felt like she and I shared some common ground on some topics regarding how media can have an impact on you and what sorts of things come with video games as an art form. After some minor technical difficulties (and by that, I mean my video drivers crashed), I started off with something simple. The first question posited was: “What got you into video games initially?” Lilith’s response was as follows: “When I was a kid, the family member of a friend had a SNES lying around. I turned it on and didn’t really understand. I was a guy on top of a pyramid, I walked down the pyramid, and some big ogre killed me. Later I learned that was A Link to the past.” and after a brief laugh continued, “A couple years later my parents got a Nintendo 64 with Mario64 and Ocarina of Time and that was it. Never put the controller down since then.”

She then went on to describe what precisely about Nintendo’s first foray into 3D Zelda had hooked her. “I’ve heard this story so many times. It’s like you’re not even playing the game. You’re just in the world hanging out in Kokiri forest collecting rupees to get the Deku shield, and the game expects you to! It was just, ‘run around this world and explore,’ and that really hooked me.” I couldn’t agree more with her statement about her experience. Not just with a game as prolific as Ocarina of Time but many experiences from older console generations that could be considered “the first of their kind”, or at the very least some of the earliest. Lilith also described her first experience with a PlayStation console, stating: “Later on I got a PS2 which played PS1 games. I didn’t end up getting a PS1 until around the PS3 era, so I guess I’m a poser. I remember my sister bringing home Final Fantasy 9 when it was a relatively new game. If it wasn’t my first PS1 game it was definitely my first Final Fantasy game. Of course I went back and played 8 and 7 afterwards.” A solid answer to a simple question.

The second question I asked was one starting to move toward the topic of Bloodborne PSX and its namesake/inspiration. Or at least the family of systems it was released on: “What PlayStation console was your favorite and why?” Lilith’s answer surprised me a bit. Not because I disagreed, quite the opposite, actually. But with such a big inspiration for her work being games from the PSX-PS2 generations, what followed was a pleasant bit of insight into one of her favourite eras of gaming, to quote: “I can give you two answers here.” To which I assured her she was more than welcome to, but she was set on having something definitive. “No no I’m only going to give you one answer. I can give you the correct answer that I don’t want to admit, but it was the PlayStation 3. It’s so embarrassing but I genuinely was hooked into the marketing of the whole ‘The cell processor is the smartest thing in the world’ and all that. It really seemed like the future of gaming and I was all about it. I think I owned an XBOX360 before but I did eventually get it and really enjoyed it. It took a couple years for some of the best games to come out but I really did.” A few examples she cited as being some of her most memorable experiences on the console were Uncharted 2, Journey, Call of Duty 4: Modern Warfare, and Warhawk. All games I’ve seen on several top 5 and top 10 lists throughout my life within the gaming space. A delightful show of affection for a generation personally very dear to me as well, in which she ended the segment by declaring “Hell yeag”, a bit of a catchphrase she’s coined online.

Getting into the topic proper, my third question was one about her personal relationship with Bloodborne: “How did Bloodborne impact/appeal to your interests?” A question that received perhaps my favourite answer of the whole interview. From her response: ”Oh that’s a big one. Going to the opposite end of the poser spectrum, I was a Fromsoftware fan before it was cool. One of the games I played religiously on my PS2 was Armored Core.” A statement which made more sense than perhaps anything else said during my time with her. “Then later in the PS3 era everyone was talking about Dark Souls, this was when I was in college. I finally caved and got it and saw the Fromsoftware logo and thought ‘Oh it’s the Armored Core people!’ I played and beat it, really enjoyed my time with it. I skipped Dark Souls 2 because everyone told me to hate it, I still need to go back to that one.”

It’s something I would recommend anyone who hasn’t played Dark Souls 2 to go and do. “Then Bloodborne came out and I thought ‘Alright this is the new one, gotta play this one’ and I was a huge fan of all the gothic stuff in the aesthetic. And how do I explain this, I do really like Bloodborne. I like the design, and the mechanical suite of gameplay, as a video-gamey video game it’s very good.” The tone shifted here to something a bit more personal. “But as well, I was playing it at a specific time in my life. I came out in 2019, I know Bloodborne came out in 2015 but I was obviously just playing it non-stop. It was just one of my ‘coming out games’, you know?” For those who maybe don’t understand the statement there, “coming out” is a very common term used within the Queer community to describe the experience of revealing your identity to those around you. Whether it be to family, friends, or co-workers, almost every queer person has some sort of coming out story to tell. Lilith is speaking in reference to her coming out as a trans woman. She elaborated: “Obviously I can only speak for myself, but I just feel like when you make a decision like that, that part of my life just ended up seared into my brain, you know? Bloodborne was there, so now it’s just a part of me. And it definitely influenced some things about me. It was there because I was working on Bloodborne PSX at the time, but it had an impact on something I’ve heard a lot of other Trans people describe.” She went on to describe the concept of “Coming out a second time” as sort of “finding yourself more within your identity” and becoming more affirmed in it. She described both Bloodborne and her development on Bloodborne PSX influencing large parts of her life, a good example being how she dresses and presents. As a trans woman myself, this answer delighted me to no end. I, for one, can absolutely 100% relate to the notion of media you experience during such a radical turning point in your life sticking with you. There are plenty of games, shows, music, and books that I still hold very near and dear to me because, as Lilith stated, they were there. All the right things at the right time.

Halfway through our questions, we’ve finally arrived at one pertaining specifically to the development of Bloodborne PSX: “What are some unique challenges you’ve faced developing a game meant to look/play like something made on retro hardware?”

Lilith answers: “So there’s two things, two big things. One is rolling back all of the quality of life improvements we’ve gotten over the years in gaming. Not automatically using keys is always my go-to example.” Something as well I mentioned in my short talk about the game’s gloriously dated feeling gameplay above. “That was definitely very very intentional. Because it’s not just the graphics, right? It was the design sensibilities of the 90s. Bringing that to the surface was very challenging but very fun. Another big part was, since it was one of the first 3D consoles, I wanted to recreate the hype around the fact that ‘ITS IN 3D NOW!’ So if you go into your inventory you’ll see all the objects rendered in beautiful 3D while they slowly spin as you scroll through them.” This is a feature I very much miss seeing in modern video games.

She continued, “I think the biggest one was the weapon changes. Bloodborne’s whole thing was the weapon transformations. Like, you could seamlessly change your weapons and work them into your combo and do a bunch of crazy stuff, and I kind of said ‘that needs to go immediately.’ So now you have to pause and go to your weapon and press L1 to transform it, that was extremely intentional. So once I had those three big things down it all just sort of fell into place. Like the clunky UI and the janky controls. You need jank and clunk, and I think that’s why Fromsoft games scale down so nicely, because they are jank and clunk.”

A point I couldn’t agree with more. Despite all the modern streamlining and improvements to gameplay, Fromsoft’s ever-growing catalog of impressive experiences still contains some of that old-school video game stiffness we’ve (hopefully) come to appreciate. She went on to make a point I was very excited to share here in the article, “It was just a lot of trying to nail the feel of the games and not just the look, right? Like I’m not trying to recreate a screenshot; I’m trying to recreate the feeling of playing this weird game that’s barely holding together because the devs didn’t know what they were doing.” In my humble opinion, something she did an excellent job with.

Fifth on the list was a question relating to her current project, Bloodborne Kart, a concept initially drawn from a popular meme shared around social media sites like Tumblr when the buzz of a Bloodborne sequel was keeping the talking spaces around Fromsoft alight: “Anything to say about the development of Bloodborne Kart or its inspiration?”

Lilith answers: “So first off Bloodborne Kart is less trying to be a simulation of a PS1 game and more just an indie game. It’s not trying to be a PS1 game, I just want it to be a fun kart racer first. Starting off of course is Mario Kart 64, that’s the one I played back in the day. But I looked at other games like Crash Team Racing and Diddy Kong Racing, but also stuff like Twisted Metal of course. I always used those as a template to sort of look at for design stuff like ‘how did they handle what happens to racers after player 1 crosses the finish line.” The next portion of her answer was initially a bit confusing but comes across better when you consider certain elements present in BBK’s battle mode. “And also Halo, like for the battle mode. I had to do a battle mode and it kind of just bubbled to the surface. Split Screen with my sister was such a big part of my childhood. Thinking about Halo multiplayer while I was making the battle mode stuff.”

Her answer to the previous question began to dip into the topic of our sixth question: “Are there any unique challenges or enjoyable creative points that go into making something like Bloodborne Kart?”

As she continued from her previous answer: “One of the biggest quirks of the battle mode I had to figure out was how to tell what team you were on at a glance, and that came back to Halo again. I started thinking about how you could tell in that game and it hit me that the arms of your suit change to the color of whatever team you’re on. It was just something I never even thought of because it’s so seamless. So that gave me the idea to change the kart colours, and that’s the most recent example of me pulling directly from Halo. It’s wild how a small change like that can turn your game from something unplayable to something fun.” I would agree. Tons of small details and things you don’t think about go into making seamless multiplayer experiences. Some of which we take for granted nowadays. She then made a point about one of the most challenging aspects of BBK’s development, “The most challenging thing was definitely the Kart AI. AI is just my worst skill when it comes to game development among the massive array of skills you need to make a game. It’s really hard to find examples of people coding kart driving AI, You know? You need to make a biped walk around you can find a million tutorials online but if you need to make something drive a kart, not really. I was really on my own there. A lot of the examples out there are very simulation oriented. Like cars using suspension and whatnot, but I’m making a kart racer. So I started simple, I put a navpoint down and if it needs to turn left, turn left, if it needs to turn right, turn right. And I just kept adding features from there.”

Moving onto our last three questions, we started to get a little more personal. Question seven being: “What’s your favorite part of Bloodborne Kart so far?”

Her answer was concise in what she was excited about most, quote: “The boss fights.” Short and sweet but she did elaborate. “Translating a big part of Bloodborne is the boss fights. So I made a short linear campaign which is basically AI battles and races strung together. Some of those stages are just boss fights which are unique to the rest of the game. When you make a video game you sit down and you make all your different modes of interactions, and then you make a multi-hour experience mixing and matching all those different modes in more complicated ways. I think the most interesting part is when that style tends to fall away and it ends up building something entirely unique to that experience.” An example she gave was the infamous “Eventide Island” in Breath of the wild, it being a unique experience where the game’s usual modes of interaction are stripped or limited, forcing you into a more structured experience that ends up being a majorly positive one. “That’s what the boss fights are in Bloodborne Kart. They do multiple game mechanics like a chase that ends in a battle mode. Like Father Gascoine’s fight where he chases you, and after you blow up his kart he turns into a beast and picks up a minigun.” That sounds absolutely incredible. It’s very easy to see why she’d pick the boss fights as her favorite element when they’re clearly intended to be such unique and memorable experiences.

Our last two questions veer away from the topics of development proper and focus more on our dear dev’s personal thoughts on the matter. Question eight posits: “What’s your personal favorite part of being a game developer?”

After some thought, she gave a very impassioned talk about something she considers to be the best part of the experience: “When people who aren’t game developers think about game development they think of things like ‘oh well you just get to play video games all day and have fun’ but it’s not! Except for the 2% that is, and it’s near the end of development. When all the pieces fall into place and you start actually ‘making the game.’ Game development, especially solo, you’re so zoomed in on specific parts. Because you’re not making a game you’re programming software that’s what making a game is. You spend months working on different systems and then you actually sit down and make a level, and you hit play and it you go ‘Oh my god, I just made a game’. That part is what sustains me. It’s magical. That’s the best part when it comes to true appreciation of the craft aside from the reception.” An answer that I don’t think I could’ve put better if I tried.

My last question is one that I consider to be the question when it comes to interviewing anyone who works on video games. Perhaps a bit basic, but heartfelt nonetheless: “Anything to say to anyone aspiring to be a game developer?”

Lilith’s answer: “Yes. Just do it. For real. This is what I did and it always felt wrong until I looked at more established devs echoing the sentiment. You cannot plan a game before you’ve started making one. The example I always bring up is the team behind Deus Ex wrote a 500 page design document for the game and almost immediately threw it out when they started development. Just start! You’re going to have unanswered questions and I think that trips people up. Don’t start with your magnum opus idea, start with something simple and achievable. I feel like a lot of people set out with the goal of making a triple-A game, and that’s good! But it can’t be your first game. Game development is creating art, just like any other form of art, and it’s like saying ‘my first drawing is going to be the Mona Lisa’ and it just doesn’t work like that. You need practice and development, and it’s difficult to see that because games take so long and so much, so it’s definitely seen as a bigger undertaking. But it’s still art. You’re still making mistakes and learning from them for your first project. Your next game will be better. View your career as a game developer as a series of games you want to make, and not just one big game.” A perfect response to an otherwise unassuming question.

Lilith’s passion and love for video games were reflected very clearly in every response she gave during my time with her. Her dedication and appreciation for the art form can be seen in every pixel of Bloodborne PSX, as well as the development logs and test builds of Bloodborne Kart. I really do think that the way she answered my final question speaks volumes to the type of attitude someone should take up when endeavoring to make art as intensive as a video game. Whether it’s fanwork of a game that’s important to you or an entirely new concept, do it.

(developer of Bloodborne PSX Lilith Walther, image provided by Lilith Walther via Twitter)

Closing:

If you’d like to check out the positively phenomenal experience that is Bloodborne PSX I’ve included a link to the official itch.io page below the article, as well as a link to the official LWMedia Youtube page where you can check out Lilith’s dev logs, test videos, and animations about her work and other art. Thank you so much for reading, and another very special thank you to Lilith for setting aside some of her time to talk to me about this article. Now get out there and cleanse those foul streets!

Links:

Bloodborne PSX official itch.io page: https://b0tster.itch.io/bbpsx

LWMedia Official Youtube page: https://www.youtube.com/@b0tster

Lilith Walther Twitter page: https://twitter.com/b0tster

#my writing #my stuff #writing #video games #bloodborne #bloodborne psx #demake #article #b0tster #bbpsx #Youtube

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