#shes literally number one
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yoursminehourss · 11 months ago
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BTWWW who’s ur fave trigun character :3 I HAVENR SEEN/READ IT SO IDK..ASKING FOR A FRIEND
ZAZIE THE BEAAAAAAST
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cenvast · 2 months ago
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"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?
I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.
Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.
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The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.
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On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.
For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.
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Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.
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While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.
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Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."
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Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.
As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.
The other Nakamoto household members also internalize its sexist, classist power dynamics.
For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.
Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.
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It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.
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Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.
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But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?
The short answer is absolutely not.
Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.
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Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.
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Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.
Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.
Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.
Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)
But he cannot and does not avoid consuming food forever.
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Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.
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Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.
Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.
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Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.
Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.
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Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.
But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.
A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.
Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3
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bunnyboy-juice · 4 months ago
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NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???
#personal#i am emotional yes#over the years ive had this blog I've made a few posts abt being femme#nd whether they're serious or jokey..... inevitably someone in the tags goes “ohhh yeah bc pink”#or in the case of what inspired this post: someone going “what about the pink ones” on my praying mantis post#and im just.#sick of it. im sick of femme being equated to pink and frilly girlie behaviors.#im sick of femme being equated to skirts and heels. to makeup. to skincare. to pristine nails exactly almond shaped.#im sick of ppl acting like All femmes aspire to this shit. im sick of femms being reduced to this shit.#and i love pink! i love pink! my phone theme is quite literally just black and pink all over.#im just. so tired of any expression of Femme identity being shoehorned into being a Specific type of femininity#especially as someone who DOES get dysphoric wearing skirts. wearing dresses. embodying the femme aesthetic yall are so set on making#if u guys wanna rb this i truly dont care#i just needed to scream#and this is one small thing#but the 2nd largest category of anon hate i have gotten since making this blog is str8 up homophobia from other “queer” folks#saying i cant be femme bc of how i present. calling me slurs (and using them as such) bc they cant understand femme as anything but that#my wife and i have our users in our personal discord server set as 2 different things of anon hate ive gotten#i have had OTHER FEMMES tell me i am not femme. femmes who Know im femme who still call me butch. femmes who ive corrected and been blocked#-by bc of it. the number 1 largest demographic of queerfolk who have me blocked rn is TME femmes who embody pink also#and i dont think its a coincidence at all. (and i know this bc i go to try and follow these ppl bc they get rbed on my dash & i cant)#and ik their blogs arent deleted bc some of them don't block my wife (tall. white. butch) and it cant be politics cause her and i rb#a lot of the same political shit (fuck. i think she rbs More than i do even. this is genuinely mainly a nsft blog)#and usually i don't say anything but im having a bad day so i get to be angry about this and if anyone fucking tries me i will block u#idc if we've been mutuals 4ever. im judt so tired of feeling like i am not Enough as a femme bc i dont embody this shit#im sick of this lameass lip service to he/him gnc femmes etc when the thin white 50s housewife femme is still what is preferred and loved#im sick of this lamesss lip service when y'all feel entitled to theorizing on other femmes genders bc u cant conceptualize a femme who does#wanna be hypetfeminine. im sick of it. im sick of it. im sick of it.#celebrity bun
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aimseytv · 2 years ago
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my girlfriend handed my this coffee and said “i tried to make a shark” and she didn’t try she SUCCEEDED!
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kimtaegis · 5 months ago
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@ye-xiu's favourite taemin looks ↳ happy birthday, al! ✨
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kagoutiss · 1 year ago
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oot zelda doodle i liked :’-)))
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peaches2217 · 12 days ago
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The more I consider it, the more I’m thinking about actually making Bowser is a set of identical twins and one is genuinely evil while the other is just kind of an asshole canon to my personal ‘verse. That would mean Mario, prior to the events of Untarnished, actually did kill Bowser… but he doesn’t know that, because Actually Evil Bowser’s twin brother immediately steps in for him and no one’s any wiser.
I like to think the Bowsers weren’t particularly close. Koopas are fiercely loyal to their own, but when your brother keeps using you as a stand-in to do his dirty work while he broods and plots when you could be spending time with your eight beautiful children, wouldn’t you get fed up too? Nevertheless, Kamek delivers the news of the King’s death to The Other Bowser, declaring that he’s now ascended to the throne. He expects a lot of reactions: rage, sorrow, vows of revenge screamed into the heavens. But the new King’s actual reaction?
“Well, I mean, can’t say he didn’t have it comin’. He was a real dick, y’know? And I’M a real dick, so if I’M sayin’ it, you know it’s true!”
Bowser #2’s first kingly declaration has nothing to do with funeral arrangements or doubling down on national defense or even revenge against that filthy plumber who murdered his twin. His first decree is made to his children: “Uncle Bowser’s dead! Let’s go karting!”
“I really don’t think your brother’s untimely death is something we should be celebrating, sire,” Kamek admits a while later as he watches the Koopalings and Junior scuffle over karts in the garage.
“Too bad,” Bowser says, looking on at his kids’ antics and beaming with pride. “We’re celebrating.”
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atlas-dr0wned · 1 year ago
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zag puts this up above the entrance to his bedroom and poor nyx has to stand under it
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blood-starved-beast · 6 months ago
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So I've been thinking.
Icarus and Arachne clearly have some situationships going on (Arachne's is triggered when Mel gives her ambrosia and it looks to be mutual unless something else changes). They are both shades LIs (2)
Eris and Nemesis both clearly also have situationships with Melinoe. They are both female god LIs and daughters of Nyx (2).
Moros is highly implied (like the foreshadowing is very thick) to be a potential LI for Melinoe. He is a male god and son of Nyx (1). If we look at the pattern going on so far, we're missing one male god love interest. Who could that be?
Now, it's entirely possible that it's a god not yet included in Early Access and has to be patched in with development. But also. Melinoe has had a parasocial relationship with Hypnos going on since forever. She gives him great reverence/interest with him. She clearly is into babygirl" men. It would be wild, and I say wild, if the final male LI established is Hypnos. Once you wake him that is.
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mvshortcut · 3 months ago
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Perilous Journey AU where Curtain does end up with the duskwort and successfully puts everyone to sleep except it fails because it simply makes Number Two take a twenty-minute nap and then she's up and chasing Curtain with a baseball bat
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elvisqueso · 10 months ago
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"...What is it?" "The drums...they mean trouble. I shouldn't be here—" "I want to see you again—" "I can't—" "Please don' t leave—" "—I'm sorry." "..." "...I have to go now."
—Pocahontas (1995)
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yashley · 2 years ago
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the legend of vox machina | the hope devourer: vex'ahlia vs. umbrasyl
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stealingpotatoes · 6 months ago
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Tales of the Empire (spoilers)
Morgan Elspeth: “My world has been burning since I was a child, why should this world be any different?”
-such a boomer statement, made me instantly dislike her (as if the terrorizing the citizens of Corvus wasn’t enough)
YEAH its wack bc she was a terrible choice to make a short story anthology out of but if they'd actually used their brains they could've made smthn interesting. as it is, her stories are essentially all "morgan kill people she bad" and it feels like someone bullshitting a 3000 word essay on a topic they havent studied. IF INSTEAD they'd made it a sort of mirror to barriss' story and about how people respond to trauma differently, they really could've told a decent story despite her being so meh. like just show how some people don't go "i hope this never happens to anyone ever again" and go against the fascists, some people (morgan, in a good version of this show) become their enemy in their anger and in clawing for their own survival. instead they spent 3 episodes saying literally nothing and pissing on timothy zahn while they were at it
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77ngiez-archive · 8 months ago
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project sekai is crazy because literally every character is queer trans neurodivergent physically disabled or some combination of the above
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I am her, she is me.
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karaspal · 3 months ago
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the girls that get it, get it. the girls that don’t, don’t.
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