#shes a very I Follow Rules That Make Sense both socially and otherwise

[majorasnightmare]

from one mineru lover to another ... can i pleek hear the headcanons you have for her

KICKS DOWN DOOR

YES ABSOLUTELY

some loose context for the headcanons i have for her

the zonai hail from the silent realm and formed 3 major settlements originating from the decaying trial gates, one in the sky islands, one in faron, and one below in the depths (using the eldin gate that had since been buried under hyrules changing landscape). by the time of totks ancient era, the zonai had been slowly and steadily migrating back to the silent realm with mineru and rauru being the last to stay

hailing from the silent realm, the zonai culturally place a massive emphasis on self betterment through trials, self inflicted or otherwise, as a way of marking time through growth, in service to the goddesses

im using the oot elements, so the gerudo get spirit (which manifests as lightning) and mineru gets shadow, linking her to the sheikah and the technology theyll create

rauru and ganondorf are exes who had an EXTREMELY messy breakup before rauru founded hyrule

i can elaborate on that more (and will later) but for NOW

MINERU

so i headcanon mineru as this character thats deeply atheistic and autistic. which doesnt make a lick of sense until i explain it further lmao

mineru, to me, is this person thats deeply materialist, whereas her brother rauru is deeply idealist, and sonia is a staunch spiritualist (which is why her and rauru make such a good match for each other). minerus primary concern is The Real. the golden goddesses are Concretely Real but their influence is negligible. mineru grows up in a culture that dedicates themselves to spiritual self growth through trials of self betterment for, ostensibly, the sake of three goddesses no one will ever see or talk to or be touched by. they exist, surely, because the triforce exists, because their power exists, but mineru will never see them, hear them, talk to them, touch them, or see their hands mold reality. in every aspect she would care about, They Are Not Real. and so ascribing to a cultural norm of "betterment through trial" (needless struggle and self doubt) just. doesnt click for her. why chase spiritual enlightenment when theres shit to do RIGHT here?

shes this kind of gruff, non social person who nonetheless cares deeply and intensely but wants to dedicate her effort and energy to things she considers important. her brothers important. her work is important. vague divine approval? unimportant. shes more concerned with how things tick than the Grand Plan of it all.

a lot of this makes itself manifest in her role (in my headcanons and aus) as the sage of shadow, if you understand shadow as Unseen (Concealed) Truth. why do the islands float? how does zoanite work? what can we do with this energy? what can we make? how can we build on it? shadow magic, imo, requires a strong thread of creativity. its what makes OoTs shadow temple so brutal and the history behind it so heinous. but it isnt inherently bad. its creativity, imagination, the Unreal. its the drawing of a curtain and the throwing it aside. this underlying current, the need to understand How and Why, is what makes minerus cutscenes with this understanding so much more enjoyable to me.

mineru is this character defined by her inventions, whos headpiece mirrors the goggles purah and robbie wear, whos role as shadow, the creator the inventer the counterculture, will be revisited when the sheikah create technological wonders that will spread throughout hyrule. she makes a mech to house her soul to survive the thousands of years into the future. whereas other sages choose a successor, mineru says "youll see me there in the temple my damn self." because if you want something done right you do it yourself!

i headcanon mineru and rauru as hailing from the sky island zonai civilization, and theyre the last hyrule dwelling generation. she grew up watching these senseless tests of courage that just risked major injury for no good reason, and then her baby brother goes off to better himself because he wants to make a meaningful impact in the world, and it just cascades into a dominos of bad decisions. she doesnt put any stock into divine intervention because the only people who can save anything are us. i picture her being endlessly fascinated by her home and the constructs and that curiosity being the foundation for a lot of what she does from there on out. becoming a fantasy mechanic, an inventor, getting down into the nitty gritty of a machine and getting covered in grime and oil but not caring because theres a problem that needs fixing and she has a wrench. voraciously tearing into any book she can find, any historical record, being this treasure trove of information and trivia and history because she cant help but come back to those questions, how?, why?, again and again.

itd be easy to hear her described as anti social and gruff, and see her interpreted as a little standoffish and blunt, and end up viewing her as kind of an ass, and you wouldnt be wrong per se but its really just that mineru only really puts effort into a relationship she cares about, and she really REALLY pro cons that shit. her first and foremost concern is rauru, her little brother, and as the zonai migrate back to the silent realm, her last remaining family. when rauru descends to the surface in search of problems to fix and Be Of Help, mineru correctly assesses his budding relationship with the gerudo royal is one fated for disaster, because nothing good comes from entering a relationship just to "fix them" regardless of how well intentioned and kind hearted you may be. because of this she doesnt invest much into getting to know ganondorf as he interacts with her brother, because shes expecting it to blow up and doesnt want any of that blowback. nevertheless when that comes to a head in the WORST possible way (a situation in the au that results in the creation of the gibdo queen, the first blood moon, the deaths of several gerudo guards and the eventual deaths of koume and kotake, a situation that will then contribute to The TotK situation) mineru beats herself up every day for not being more involved. her brother is sweet, and truly believes in the ideals of the zonai he was raised with, that to struggle is to overcome trial and better ones self, and such an effort is a spiritual responsibility of those hailing from the silent realms, created by divine hands, because of the power theyre capable of wielding. she cant fault him for that, because rauru IS capable of great good and he WANTS to help people so bad, but as mineru surmised years earlier, when your inundated with this concept that You Have Power and your Obligated To Use It, you never stop to think that maybe you arent the best person to solve this issue. you cant use a wrench for a screwdrivers issue. and knowing that, knowing rauru is driven to help but too inexperienced to know what he CAN help with, mineru feels responsible for not stopping him from biting off more than he can chew. (rauru, on his end, solely blames himself)

so shes a bit More Present when he meets sonia and when his idealism leads him to found hyrule, she stays close, but she really can NOT be assed to be dragged into politics because jesus christ. no. but she continues to be like. Peak Older Sister. every time rauru has a problem, shes the one he turns to. every time rauru wants advise, he asks mineru. he loves her a lot and relies on her guidance because he considers her one of the smartest people he knows (she is, along with sonia) and even though most of the time its rauru once again trying to fit a square peg into a round hole, theyve basically been abandoned by the rest of their people (who have written hyrule off as this kind of Fun Ordeal but Not Worth It as they go on being fucking. philosopher kings in a realm of Eternal Silent Trial where you can freely perfect whatever magic bullshit you want without worry of a body count or, ya know, consequences because very little is physically tangible there). mineru isnt going to like. continue that trend, and just leave rauru to it. hes a grown adult for sure, but that just means its his responsibility to grow and change as a person, not that he cant ask for help. especially because she doesnt want him to handle everything alone

so shes hands off with the hyrule business, and plus sonias got a good head on her shoulders, shes a nice balance to raurus Impulsive Do Gooding and helps him move from individual action to Systemic Good (tho that in itself is another one of Raurus Bad Impulsive Ideas because founding a Divine Kingdom of Good is a fools errand). and for the most part mineru is fairly assured that it wont blow up too horribly (*loud incorrect buzzer*) but man. when they show up with zelda.

so raurus very much a "im divinely obligated to help people" and sonias v much a "fate ordained our meeting" type and mineru is very very much Not That. but zelda? zelda is so much closer in personality to mineru, so when rauru and sonia show up with this girl from the future that theyve basically adopted, minerus like "alright you are once again Back On Your Bullshit so im NOT getting Into It" AND YETTT. zelda ALSO cant stop asking how? and why? (because light and shadow are closer than most people think), and zeldas so invested in what makes this tech work, how it functions, what makes it go, and while rauru and sonia try to give zelda the best they can, zeldas also similarly thrilled to get her fancy white dress all gunked up with oil cuz theres a plug that needs reconnecting and mineru cant get her hand thru the gap. they get on like a house on fire and despite herself mineru loves zelda. absolutely adores her. which was NOT on todays to do list, for sure. and so despite herself mineru is now including zelda in her (very small) circle of family and similarly mineru is this gruff no nonsense figure zelda can earnestly talk to whos similarly concerned with the Real and the Practical and how it can be applied to solve our problems instead of omens chasing and prophecy fulfilling. which is why mineru goes out of her way to help zelda in a way she generally doesnt for sonia because well. zeldas basically her niece. and sonia can handle herself. and also zelda loves hearing about weird programming quirks in the constructs. so its really just kind of inevitable

but minerus pursuit of knowledge is why she knows about draconification (and rauru doesnt), and why rauru comes to her for help because thats kind of his habit. its a lot like asking big sis to beat bowser for you cuz you cant get it, and like she clowns on you for it but still takes the controller.

and when rauru and sonia are like "the ganondorf situation is Our Problem and we arent involving zelda" mineru is 100% behind that because uhh YEAH rauru it IS ur problem this is YOUR ex and your series of Questionable Decisions, but also why she throws herself into it because she does still carry that responsibility. she still feels that guilt for not protecting rauru from himself as his older sister, and that so many people suffered, and that now more people she cares about ARE suffering and WILL suffer. a feeling thats compounded by raurus sacrifice sealing ganondorf

understanding how the sky islands float was a childhood dream of minerus, to understand the hand of the divine and make it tangible and real, and while she achieves that, with the help of someone who really truly gets her and her work, the context surrounding it is so grief stricken and heart rending it thoroughly spoils the joy of scientific pursuit, which is probably why it isnt something mineru records in a lot of detail. in a lot of ways mineru loses all the people she considers family to that same Hand of Divinity, which imo makes mineru being atheist more richly thematic and adds to her character. its this combination of "am i being punished for my lack of faith?" alongside this determination to assert your individual power in SPITE of divine influence, taking herself to the present by her own craft and the sheer power of ingenuity and creativity and the aid of an equally learned peer. also her spirit bond is on the middle finger. i love that for her

this is long as fuck so im throwing bonus thoughts in the tags

[originalleftist]

Something I dearly wish more people, especially those who identify with progressivism and the Left, understood is Intersectionality.

I don't claim to be any kind of expert on the subject myself, and I have my own biases and privilege, so take my position for whatever its worth, and feel free to dissect it. But very basically, "Intersectionality is a sociological analytical framework for understanding how groups' and individuals' social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, age, and weight. These intersecting and overlapping social identities may be both empower and oppressing. However little good-quality quantitative research has been done to support or undermine the practical uses of intersectionality." (Wikpedia)

Put very simply, its about how different aspects of someone's identity affect how they are privileged and disadvantaged/discriminated against- and, crucially, how one can be both privileged in certain ways, and discriminated against in others.

I had heard the term previously, and probably had a vague sense of what it meant, but I believe that, as with so many things, I first started to really realize its importance, and the deficiency of awareness of intersectionality, while following the Depp v Heard trial (full disclosure: I actually used Depp v Heard as an example of intersectionality on a college anthropology exam, and I will undoubtably repeat some things from that here, though I do not have the exam on-hand to refer to).

One of the recurring arguments raised by certain Depp supporters (presumably those sympathetic to the Left, or perhaps more astute at manipulating the Left) was basically that Amber Heard did not deserve support because she was wealthy/famous/privileged. A recurring line (and example of how, despite being deeply rooted in Right-wing MRA/Incel ideology, "the Justice for Johnny Depp" crowd coopted Left-wing and social justice rhetoric) was to mock and dismiss Heard's obvious distress as "white woman tears".

Of course, this term is typically used to call out white fragility/defensiveness around race, and white women who play the victim against Black people- not a white woman who is in actual distress because she's being forced to publicly relive r*pe trauma in court before a jeering mob of her r*pist's fans. And the entire narrative ignores that Depp enjoyed far more power and privilege than Heard did (those who claim otherwise are generally adopting the misogynist "Men's Rights Activist" narrative that women are actually the privileged gender in society and are always believed, while constantly making false accusations against men- which was probably their whole point). It also means ignoring that Heard was repeatedly and viciously targeted based on her gender, her sexual orientation as an openly queer woman, and her mental health. Depp was subject to some ableist attacks as well, for example, in that he was stigmatized for the illness of addiction, but Heard, as with most things, got by far the worst of it.

One could and should also point out that much of what was directed at Heard and her supporters-the censoring of her freedom of expression, harassment and death threats against her and her child, abuse of the legal system, etc, as well as the horrific and life-threatening abuse inflicted against her by Depp and previously found to be true by a UK court-would be unjustified against anyone, regardless of their relative privilege, at least assuming one believes in universal rights or the rule of law. But the argument of privilege on Heard's part is itself selective, and misleading.

Now, flash forward to October 2023, for case study number 2. Among the arguments of the anti-semitic Left since October 7th have been that Israelis (primarily Jewish citizens of the world's only Jewish state) do not deserve sympathy or consideration, and that anything that is done to them is justified as "resistance", because they are the oppressors- they hold the power and privilege. Often, this has manifested as attacks not only on Israel and Israelis, but one anyone who supports them- and anyone who is Jewish. Again, one could and should reject outright that atrocities such as murder, r*pe, slavery, and torture are justified against anyone, for any reason. But the premise of the argument, that Israel holds the power and privilege, is again over-simplistic. Certainly, Israel has more economic and military power than Hamas, Gaza, or Palestine. But on a world-wide scale, the Jewish people are still a very small, marginalized, and vulnerable group- and would likely be far more so without a nation capable of defending itself. Jews amount to less than half a percent of the world's population, and the vast majority live in one of two countries- Israel and the United States. Further, regardless of the power disparity that exists between Israel and Gaza or Palestine, it should be self-evidently preposterous to argue that a random Israeli civilian, confronted by a Hamas gunman and facing imminent murder, r*pe, abduction, or all of the above, is in a position of power. But all of this is frequently ignored to try to justify bigotry, terrorism, and collective punishment of Israelis- and, very often, Diaspora Jews as well.

One should also consider how many Leftists have reacted to the war in Ukraine. Ukraine is unquestionably the smaller, less powerful party in a war with Russia, and it is unquestionably the victim of aggression. So, how did the Putinist/Tankie wing of the Left justify supporting Russia over Ukraine? Easy- they just treat Ukraine as an extension of NATO/the US, rather than as a sovereign nation, and argue that NATO aggression and imperialism caused the war, which Russia is then the underdog resisting (this of course is basically a Kremlin propaganda narrative).

Now, let's jump forward to the present, where Joe Biden's political future is being imperilled by relentless attacks asserting, on little to no solid evidence, that he is both mentally and physically unfit to run for or serve as President. One would assume that if any person on Earth is immune to systemic discrimination, it's Joe Biden. He is a fairly wealthy, heterosexual, cisgendered, white, Christian, American man. He basically won Privilege Bingo. And he currently holds the single most powerful position on the planet- one which just became frighteningly more powerful with the Supreme Court's presidential immunity ruling (albeit a ruling they obviously only made for Trump's benefit, confident that Biden would not abuse the immense and utterly unprecedented power that they have bestowed upon him).

And yet, as we saw with Hillary Clinton and Barrack Obama before him, even climbing to the heights of political power does not shield a marginalized identity from attack. Hillary Clinton is a former First Lady, Senator, and Secretary of State, and was a major party's nominee for President. But she was subjected to relentless attacks, some obviously misogynist, and it certainly played a role in her defeat and the election of Donald Trump- a serial r*pist who was taped boasting about being able to get away with grabbing women "by the pussy". Barrack Obama won the Presidency twice- but not without a widespread movement denying that he was even a real American, allegations that he was a "secret Muslim" (which would not be disqualifying for the Presidency in any case), and a backlash that also likely contributed to the election of Trump, a virulent racist.

Biden, as a white man, has advantages that Obama and Clinton never did. But Biden too can still be attacked and treated unfairly based on his association with various marginalized identities. As soon as he showed signs of age and frailty, he was subject to the relentless contempt of our society for the geriatric and the disabled. Add to that his life-long stutter. Granted, Biden has far more power than most to resist such attacks, so it would probably be a big stretch to say that he is a victim of systemic oppression. But these attacks, using ableism and ageism to declare someone unfit for the Presidency, are ultimately also attacks on the dignity of all older and disabled people (there's also a good bit of racism and misogyny underlying it, as at least some of the hyperbole and fear-mongering over Biden's age and fitness is clearly driven by fear that a Black woman might succeed him- see in particular the recent piece in The Washington Post calling for Biden to stay in but replace VP Harris).

So what is my point in all of this? It is that peoples' identities are complex, and that just because someone is privileged-even immensely privileged-in certain ways does not mean that they cannot be underprivileged, marginalized, or oppressed and discriminated against in others. And that if the Left/progressives as a whole had as solid a grasp of intersectionality, and its importance, as they do of privilege, they would be far less likely to fall so easily for fascist psy-ops trying to convince Leftists that no, this whole class of people are okay to persecute because they're actually Oppressors, in order to divide and conquer us all.

Because the thing is: privilege is real. So is systemic discrimination. Certain people and groups of people do have unfair advantages over others based on their identities and how they are perceived, which contribute to bias and must be accounted for and rectified. But this is also true: everybody has multiple different identities. Everybody has ways in which they are advantaged over someone else, and ways in which they are disadvantaged. Some people have far more things that fall on one side of the scale than the other. But you can find something about just about anyone that gives them an unfair advantage over someone else. So if you focus only on that, and define someone's worthiness to receive sympathy accordingly, then you can reframe anyone as the Oppressor, and therefore unworthy of sympathy, and deserving of anything that is done to them.

Of course, one might also cynically argue that many people WANT to fall for that ploy, because it gives them an excuse to engage in harassment, bullying, and abuse; to join in the mob, while pretending to be righteous. I might also observe that the Left's fixation on determining who is worthy of sympathy based on who holds the most power essentially commits them ideologically to always being on the losing side- should any Leftist ever actually succeed in achieving major political success, they will become part of "the establishment", and immediately suspect. And I wonder how large a role this sort of thinking plays in Leftist third party "purity politics", and the infamous "circular firing squad".

[twistedastrology]

Hello there!

Can you talk more about aries mercury? so...not the fool card? Even though they don't "think things through" before speaking? It seems to me aries in mercury is either over-emotional, too forward, too logical, too passionate and so many contradictory things all at once. I would REALLY love to hear what you think about that. Please.

Btw, Capricorn Mercury seems to be the most 'useful' mercury in terms of external/social benefits, in the sense that they have a constant filter that makes them gain respect by others easily. I don't necessarily like their minds to be honest, and they're generally not interested in lots of topics but I have to recognise how handy it could come to people who don't get to wish to discuss/delve deeper in various topics.

I have multiple cap mercuries in my life btw including friends, colleagues and my dear mother with whom--even though she's a Gemini Moon--barely manages to have hobbies of her own or participate in games.

I feel like cap mercury is perfect on the outside, but overly influenced by society's standards, rules and appearance on the inside bc of that filter. Like they don't really "think for themselves"? They're much more focused on appearances than on the content of a text, speech and mercury matters.

Sorry for the ramble. Also, discovered ur blog today and I love the authenticity.

A;

love love love love LOOOOOVE this ask thank u so so much omg- mercury stuff is one of my absolute favorite things to yap abt in astrology and i consider it kinda my specialty bc im mercury dominant myself so 🥳🥳🥳🥳🥳🥳

let's start with aries mercury- in my experience, people with aries mercury aren't necessarily impulsive when it comes to their thoughts or how they talk, unless the rest of the chart says otherwise (mercury square mars especially could do this imo)

my mom has her mercury in 25° aries (so an aries degree) and she's like 99% fire with a cap rising that doesn't do a whole lot bc it's SUUUUUPER intercepted by aquarius- Like literally her whole 1st house is engulfed by aquarius but her asc line is in cap so 😵‍💫😵‍💫😵‍💫

she's the perfect example of an aries mercury in my opinion- she literally Cannot sit still for longer than like. an hour at best. even my gemini finds it slightly annoying but i just follow her around whenever we're talking 😭😭😭

she also has her sun and venus both in aries (venus conjunct mercury) so she's very aries dominant, and she's not very confrontational or impulsive at all- she's not really quick to anger either like stereotypical aries is, but she is pretty easily irritated id say 😵‍💫

in terms of mercury specifically, you can just See the aries influence in like everything she does- her organization isn't the neatest, but she has to have everything put away otherwise she'll lose her mind and she literally can't focus until the kitchen is clean or something-

her mercury goes a MILE a minute just like mine does so in talking to her, we can go from something very normal to the most out of nowhere conversation you could ever imagine- And we have mercury sextile mercury together (albeit a wide orb bc my mercury is 1° gemini 😵‍💫) so somehow we understand the other's chaos perfectly and actually manage to reel the other in without actually doing anything-

shockingly, where my gemini will get incredibly confused and overwhelmed, her aries will come in clutch- a good example of this is a while ago we were playing fallout 76 and if u dont know, in that game u have a stash box with limited storage capacity and it's inevitable that it'll fill up eventually so u have to get rid of a whole bunch of stuff to bring it back down-

i literally got so overwhelmed by that to the point of tears and my dad tried to help (his mercury is in taurus btw) and he literally couldn't bc i refused to open up to him tbh- so he went and got my mom and just her Being in the same Room with me got my mercury to sort its shit out- like she saw everything so clearly and directly, very aries, whereas i was overwhelmed by all the details, very gemini.

so i think aries mercury is actually a Really good placement especially if you have strong aspects to back it up- it can make you see complicated things very simply and clearly OR the opposite sometimes 😵‍💫 it Can make you overlook details and not understand something when it isn't perfectly direct- and i also notice that, at least with my mom, her aries mercury makes her a Little less good with people- only because a lot of people aren't as clear and concise as she would like them to be, and that's when i have to help her figure out what they mean 😭

i think aries mercuries do actually think things through before they speak, they just think so fast that it Seems like they don't- similar to gemini mercuries actually 😵‍💫

i also dont think they're overly emotional or hot-headed as per the aries stereotypes- i think they're actually a lot more calculated than we give them credit for especially since mars is the god of war, and to win a war you need strategy (personally i think aries rules the sun, but mars makes sense here so 😮‍💨)

ANYWYA in terms of CAPRICORN!!!!!

i have observed quite a few capricorn mercuries so i am extremely glad u brought them up-

i think what u said abt capricorn mercuries being the most useful in terms of social benefits is actually kinda real- i do notice that Most capricorn mercuries are similar to libra mercuries in that they are generally very respectful of the things they talk about, at least if they actually respect them 😵‍💫

i have 3 different capricorn mercuries that im using as examples in my head right now- jonathan davis, awsten knight and bill wurtz- if you've seen any of them in interviews, you'll notice they're all very different with the way they talk but i think jonathan davis and awsten knight are the most similar in the respect thing-

those two are both so charismatic and polite in my opinion- and bill wurtz is too but he's a lot more like what you would think an aries mercury would be like- he's very high-strung, at least in the interview i saw, and has a lot of nervous energy and talks So Fast and yet it still seems like his mouth cant keep up with his brain-

awsten is pretty similar, he's got adhd (same 😵‍💫) and talks pretty fast but his pace seems a little closer to a gemini mercury. it's slightly slower most of the time but the speed at which he talks and thinks seems to vary based on what he's talking about.

jonathan is very cap coded to me with the way he talks, and im silly for him rn so i have done extensive research 💔💔💔 But he seems very methodical, yet playful with how he talks and thinks- methodical but you can tell his brain is fully capable of that uranus level speed at the same time 😭😭😭

i think overall cap mercuries absolutely depend on the rest of the chart bc if u saw my beef with earth signs post (or newsletter!!), u'll have seen where i said earth placements are outlines waiting to be colored in by the rest of the chart-

so if someone has too many earth placements or like- a taurus-influenced cap mercury, i can Absolutely see how they could be someone who doesn't seem to think for themselves, or even thinks too Much about themselves-

i also think the smaller range of interests could actually make sense for a cap mercury because saturn is very much about mastery, so the mercury, unless influenced by another element that says otherwise, would hyperfixate on one thing until it masters it instead of a gemini or aries mercury which is more jack of all trades.

i hope this made sense and again thank u soooooo so much for this ask i really enjoyed this topic and if u have any other questions please feel free to send me them!!!!! i love when ppl send me questions it makes me rly happy 😭😭😭😭

[verdantmeadows]

My personal headcanons/alternate endings that I just pretend are canon because, although I think almost everything was done perfectly and is good narratively in TCGF, there's still things I like to imagine otherwise

Shi Wudu still dies (or alternatively, severely injured/banished), but Shi Qingxuan, after becoming mortal, either eventually ascends again in a defiance of fate (which makes some sense since Xie Lian, who doesn't always like notions of fate now rules the Heavenly Realm) or dies prematurely and lingers as a ghost

In that same aspect, He Xuan doesn't really just disappear after getting revenge (asides from a few implications of him). During the course of his deception, he genuinely did grow attached to Shi Qingxuan. Either he or Shi Qingxuan seek each other out and have a complicated relationship although they end up together romanticaly (eventually). They either are able to meet again more easily due to Shi Qingxuan becoming a god or by Shi Qingxuan becoming a ghost and connected to He Xuan that way

Feng Xin never romantically loved Jian Lan. Although it's possible that Cuocuo is still his son, he was in a relationship with her out of compulsory heterosexuality or something similar (as I headcanon him as gay). Part of Jian Lan leaving is probably out of acceptance that Feng Xin can never love her romantically/they never had what she wanted. Or, alternatively, they were in a situation where they were each other's beards. It's possible that Jian Lan deluded herself into thinking Cuocuo was her and Feng Xin's son. Feng Xin never intentionally "killed" Cuocuo (I say in quotes since he likely never fully developed into a baby) but he "died" due to a failed C section that Feng Xin had to attempt due to premature labor or something similar.

Relating Feng Xin, Feng Xin and Mu Qing somehow, eventually, end up romantically involved as well, although the way they interact with each other largely stays the same.

Jun Wu stays imprisoned for a long time, naturally, but eventually manages to dissipate or live a new life thanks to Mei Nianqing's help.

Quan Yizhen and Yin Yu do end up repairing their relationship. It takes Quan Yizhen a very long time to understand and it also takes Yin Yu time to realize and understand that Quan Yizhen has differences that make him unable to exist in the social world that most heavenly officials and the entire world navigate from (since I read Quan Yizhen as autistic and intellectually disabled). Regardless, their relationship starts over not just as a master/disciple but as equals.

Qi Rong manages to return in a physical form, seemingly have to learned very little but in actuality having grown a lot and given up many of his evil ways such as eating humans. He reunites with Guzi and takes on a true paternal role far more. Guzi has aged a few years and genuinely understands the difference between his birth dad and Qi Rong yet still views Qi Rong as his dad. Guzi does not follow in Qi Rong's evil ways but still associates with him. Qi Rong still remains haughty and tries to show off to Guzi but treats him with far more respect and like a true son. Because Lang Qianqiu had been raising Guzi in his stead, Lang Qianqiu ended up also developing a paternal bond with Guzi despite only feeling obligated to care for him at first. Lang Qianqiu is forced to put aside his revenge and hatred for Qi Rong to co-parent with him for Guzi's sake, as Guzi cares for both of them.

There may be more I'm forgetting, but these are all the ones off the top of my head!

[yuelun]

"Once upon a time, she said to me that humans were a weak form of life that she wished to protect with her wisdom, but as she interacted more and more with them, her opinions on them began to change. She marveled at the beautiful complexity of their spirits, the sheer splendor of all they could accomplish through their hard work and intelligence. She told us that to underestimate human potential would be to make a grave mistake. With the smallest amount of guidance, enormous power can be unleashed in them, and a human who has reached their full potential may well be her equal. Someone who could have as much to teach an adeptus as to learn from them."

This is a portrayal of Guizhong/Haagentus from miHoYo's masterpiece Genshin Impact, way too incredibly passionately loved and written by Sae. Guili Assembly fanatic, tag rambler extraordinaire, and sometimes, I do resource/theme things over at iniziare. But more so than anything else, I'm here to love on Guizhong until the day that I die. While I actively write within the days of the Guili Assembly, I have a present/modern timeline.

Some rules can be found under the read more!

The Writer / Disclaimer. Hi, hello, I'm Sae, I'm in my early thirties! Born and raised in the Netherlands, I'm a proud Frenchie at heart living in France at present. While in the GMT+1 timezone, my schedule allows me to be online at the most random of times, as I'm rather of a nocturnal creature. So don't be confused if you see me around hearting your stuff like a stalker at times that would be strange for other Europeans. I'm a little weird.

Furthermore, I bear zero affiliation to/with HoYoverse, Genshin Impact, the character of Guizhong or anything related. Any and all written and visual (excluding reblogs) material found on this blog however are, unless stated or referenced otherwise, entirely my own.

(Very) Lore Heavy. This portrayal will closely follow the events as released and shown by HoYoverse. However, I've only recently gotten into game as a whole (early 2023), so I'm still in the midst finishing the currently released content (slowly progressing through Sumeru at the time of writing), so forgive me if my knowledge about the game does not not extend to all regions; my specialty lies in Liyue for obvious reasons. And don't get me wrong, I can and will talk your ears off about it if you let me. But I digress, for this portrayal, I will take any and all released content (more in 2024 most likely, shh) and combine them into a bigger picture that is formed through rationality and sense, substantiating it with logical motivations and possible inspirations from Chinese mythology (but cautiously and selectively so).

Social Politics. I'm here to write, I don't get involved in social politics of any kind, this includes (but is not limited to): call-out and cancel culture, white knighting in the eyes of anon hate, ship wars, gatekeeping, and real life politics. This blog will venture into mature and sometimes debatable themes, if you're unsure of whether that's up your alley, you're free to hit the unfollow button whenever it suits and pleases you. No ill will! I'm incredibly big on respect, and I happily offer it to you in the same capacity as you offer it to me, it's a two way street.

Mains / Exclusives. Main partners are incredibly far and few for me. While I have long-standing friends on Tumblr whose portrayals I actively trust out of experience to mesh well with my own, they will be subjected to the same treatment as everyone else, as to avoid unfair bias. While I do not and will not tie anyone down, as I do not require the practice of mains to be reciprocated by any means whatsoever; I do insist that if you choose to return it, to give me the decency of your activity and priority, as you will receive both from me. In essence, this means that you will get priority, and along with that, your portrayal will be the one referenced in my meta (if you agree with its content, of course, but I'll inherently involve you) and in my interactions with others. My current exclusives are:

Osial: ozeanum

Shipping. I will be writing essays on this, as this is not a conclusion that I came to lightly by any means (and other popular pairings like Rambler/Guizhong will be elaborated upon), but this blog will operate within the belief that the dynamic of Morax/Guizhong to have been one of a romantic nature. That aside, I'm not interested in any shipping wars and/or debates about pairings and dynamics. We are, ultimately, here to write what we want to write and with who, regardless of substance or motivation. I don't judge what you write, and you don't have to judge what I write. Let's keep it at that!

[m0tel6mxzzy]

monet de haan; an essay if u will

the way monet could admit to attempted murder and i just could not hate her character. she does terrible things to others but it often comes from a place of feeling like she has to control situations with others to be deserving of their love and attention.

she reminds me so much of blair as i do an og gg rewatch, specifically that one episode in s2 where blair and chuck are making a bet on vanessa and blair chooses to hurt vanessa directly by revealing it rather than admit she liked chuck, and still takes every opportunity afterwards to deny her feelings, making having hurt vanessa the moment she seemed to win over chuck worthless.

blair will disregard jenny the way monet will disregard zoya and they will continue to make the same mistakes, and no matter how malicious they act, the constant plotting and scheming is all they know. “it gives them a sense of purpose,” monet says, but really it also gives monet purpose to rule over others and for once feel like she has the upper hand in a world that otherwise reminds her that due to her race and sexuality, she’s never really fully a part of it.

the same way monet does not need to scheme to get people to love her, but just like blair they both have inattentive, emotionally unavailable mothers they feel pressured to succeed to win the attention of. if they can’t have the motherly heart of the person who equates wealth and emotional distance with unconditional love, why not get that from people who so easily worship them? they have endless reminders that their mothers are the cause of the luxury they get to float in and reap the social benefits of, but also their burden with the high expectations it comes with.

monet would rather make two younger students follow her around and do her bidding, giving her endless “yes” answers than luna, who does accept her and know her behavior by now, have her bring her to reality and remind her of how her mother makes her feel. it’s very lonely at the top, and it doesn’t feel good for monet to “win” if it’s not luna she’s doing it with, power be damned. so it takes a little vulnerability for her be forced to no longer hide behind her minions and have a 1 on 1 personal talk with luna.

luna reminds monet of the person monet currently is that her mother resents, so she wants to detach from that so she doesn’t have to feel just how hard her mother’s words have hit her, making her delve further into status and popularity no matter how taxing.

with julien, jules reminds her of who her mother wants her to be but monet just cannot fulfill and make her proud with, as julien now wants to clean up her image and go to college. monet lets her guard down around her mother, she really does love her but is so unused to the idea that the way she is spoken to is not normal.

so it especially hurts when she finds out that girl she was interested in was faking being a lesbian for clout when no matter her wealth, that there’s always going to be people in her rich lifestyle that disregard her for being a lesbian. including her own mother, who uses that as an excuse to justify her father’s affair which had been hidden from monet.

and that it is clear monet wants to be loved and is aware she has done awful things to others. and that her mother, the moment monet found out abt her parents mistress, was basically told “i’m the reason you even get to be an out and proud black lesbian so therefore it’s ok for me to hide an entire marital relationship your father is having with another woman from you.”

i’m so sorry to go off on what is an unorganized tangent, at the same time gg is not the same w/o blair, ggrb is not the same w/o monet. there would be very little conflict without them.

[supercorpkid]

5th dimension

Supercorp, Kara Danvers x Daughter!Reader, Lena Luthor x Daughter!Reader, Alex Danvers x Niece!Reader

Word count: 2750.

Please check out the notes in the end :)

It’s the first thing that you see when you go downstairs for breakfast early in the morning after the big party. Kara is in her super suit leaning over the kitchen island. Lena is next to her, sitting on one of the high stools, and Alex is on the other side talking to them. This obviously doesn't look good for you, after you just sneaked out the night before.

You honestly thought you would get away with it. If Kara had seen you last night, if Lena had noticed her car was missing, or even if Alex had figured you and Jamie weren’t really in the Fortress, they would’ve done something immediately. They wouldn’t let you enjoy the party in your super suit, then sneak back home pretending you did nothing wrong. Right? It’s what you hoped, anyway.

But when you woke up today, and checked your phone, you knew there’s no way in hell they don’t know. Of course they don’t follow stupid teens on social media, but there were a lot of pictures of you hanging in this party. A lot. An absurd amount. So, obviously, first thing in the morning you got an alert on your phone for a piece called ‘This Super Knows How To Party’.

Ah, damn.

So when you see the three of them, suspiciously waiting for something in the kitchen, you turn around in silence, ready to make your way back upstairs when you hear, “Good morning, sunshine.”

You bite your lip. Ah, crap. You turn around to see all of them staring at you, with not so friendly faces and raised eyebrows. “Good morning, mommy.”

Kara smirks. Well aware you’re using ‘mommy’ to try and make her side with you. Pathetic for someone who was just claiming to be rebellious.

“You, um, what brings you by, so early on a Saturday? I thought you would both be working.” You gulp, walking in a little bit closer.

“Well, we wanted to come in and talk to Alex to make sure it was actually ok for you to stay here.” Lena answers and you raise your eyebrow, wondering if that’s all this visit brings.

“And I was telling them how good it is to have you here with Jamie, and that you two are having a really fun time. Right?”

“Mhm.” You force a smile out of your lips, still scared to do more.

“Why do you think we’re here?” Kara asks, hands on her hips, and a fake concerned look on her face.

You see, they might know everything about you, but you know them very much as well. This feels like a weird, staged play. Kara is standing there with her heart on her throat, giving you a sheepish smile, in a very uncomfortable pose. Lena is looking too soft, which would be a relief if your last two interactions with her weren’t so downright bad, so you know it’s impossible for this sweet little face of her not to be an act. And Alex has her interrogation room face.

They obviously want the truth out of you. But they want to get it without asking, otherwise they would lose their upper hand. And you could just come out and give it to them. But you're still raging at the fact they can come here and stage this little scene, but they can’t be there for you. So no, you’re not going to give them the truth just yet. They want a weird, staged interaction? Sure. You can give them that. You can join their play.

“To be honest, I thought you and auntie were working on the case and mom got lost on her way to L Corp.” You shrug, faking a sense of relief that doesn’t make justice of how you actually feel. “But good to know you took the time to come all the way over here to ask her if it was ok for me to stay, but couldn’t quite do such when I needed attention.”

“Well, if we’re also being honest-” Kara says with a little hint of skepticism with that word. “There is something else we’re here for.”

“Oh?”

“You see,” Lena takes it away and you look at her. “I managed the crisis at L Corp. And Supergirl caught the invisible threat that was terrorizing National City.”

“Oh!”

“Yeah! So we thought-” Kara starts and you’re sure they’re going to ask you to come back home. But you don’t know if you want that yet. Sure, being a rebellious teen doesn’t make any sense if they’re not being absent and aloof, but you thought that if you left they would make a bigger deal about you coming back. You didn’t expect these weird faces and blank stares. You expected hugs and forehead kisses and apologies. “Well, your mom and I thought-”

“That we could go on a little vacation.” Lena completes and you furrow your eyebrows, completely lost.

Did they go totally bonkers?

“Huh?”

“Yeah.” Kara agrees, adjusting the non-existent glasses on her face, then smoothing her hand over her suit when she realizes she is dressed as Supergirl, and not Kara. “We were thinking, you would stay here with your aunts, and we would go out of town and work on our stuff.” She says looking at Lena, and they share a look.

“Wait, wait. So let me get this right-” You probably missed something. There’s no way in hell they would just go on vacation with things this distressing between the three of you. “Two days ago, you weren’t going anywhere with your problems. I needed you both, but hell,” Kara hardens her features at you, but doesn’t interrupt you. “Your problems were too hard. And now that I came to stay with Aunt Alex, then suddenly you handled everything and now are leaving on vacation without me?

You can’t believe this! Here you were, thinking they were going to ask you to go back home, and here you were lying to yourself you didn’t know if you wanted back yet. But now that you know they don’t want you back it’s when it dawns on you, you really just want this to stop and go back home. Snuggle with them on the couch and watch a dumb little family movie. You just want your best friends back. You don’t want to lie anymore. You want Lena to look at you and know exactly what you’re thinking and feeling. You want Kara to tell you that you are her heart, you desperately want that again.

But, apparently, they have other plans.

Lena seems to be considering the information. “Well, you did say for us to deal with our old crappy habits.”

“Do you have to deal with them on vacation? You can do that from home?”

“We could.” They look at each other again, agreeing with their heads. “But, um, kid, there’s more we need to work on. And honestly, we’ve worked so hard this past week, we just want to be trouble-free somewhere far away from here.”

Trouble-free.

Kid-free.

Got it.

“In that case, I’m really happy you two handled your life and death crisis all alone.” You don’t even fake the sarcasm in your voice. You literally gave Kara the means to go after the threat in National City. You gave Lena plenty of ideas of how to deal with the L Corp crisis, and you’re sure she used at least one of them. But sure, they’ve worked so hard, they deserve to be trouble-free.

You feel stupid. It’s a really odd feeling for a genius. You feel like a silly little girl, waiting for her moms to notice her. You broke rules! You sneaked out to a party, took Lena’s car without permission, compromised your secret identity, showed a totally different side of the Supers; you thought this would surely call their attention. Even if it was a bad kind of attention and not the one you actually wanted, still you were sure they were going to see you.

But no, here they are talking about going on a vacation, and leaving you behind. Here they are telling you that no matter what you do, you won’t have their attention. You were so foolish. So, so dumb for someone so smart.

OK, then.

“Well, I’m glad my absence made things easier for you.” You try to hold down the pain inside you, holding the tears that are threatening to fall from your eyes. “I wouldn’t want to make Aunt Alex's life so damn hard as well, so I think it’s best if I just… Disappear.”

Kara looks like she’s about to panic. Her heart beats fast and her breath itches. She holds her hands up, about to launch herself into a ‘no no no’ sequence.

But before that, Lena stands up on her chair with wide eyes. “That’s not what we’re saying.”

“You might as well.”

You know, the thing with being a (dumb) genius is that sometimes Lena thinks she might have shut down an experiment before it was successful, when in reality it was on the palm of your hand, on your phone, this entire time. Coordinates ready, fully downloaded, ready to go.

“But no need to worry, go on to your little vacation. I’m happy to comply.” You’re one touch away to have the portal opening in front of you. “I should go on a vacation of my own.”

“No, no, no, no, no!” Kara finally launches herself into the sequence and you touch your phone, portal opening in one second, you cross it, and one second later it’s closed again.

Let them have a nice fun time without you. You can’t believe you thought they were going there to get you, when they were actually there to tell you they needed more time away from you. Well then, have it. You’re perfectly safe in… You look around. Huh, this sure doesn’t look like Storybrooke.

You look down on your phone to see that somehow you’ve changed the location to where you were going. Oh great. Where the hell did you get yourself now?

“What are you doing here?”

“Mxy!” You scream, hand on your chest, when a familiar figure shows up in front of you out of thin air. You look around the nothingness of the room. “Where am I?”

“Fifth dimension.”

“Uh.” You look at your phone. How did you end up here? “I sure wasn’t aiming for here.” Then you look up to him. “So, um, where’s everything?”

“What do you mean?”

“Isn’t this your home? Shouldn’t you have, like, I don’t know, at least a chair to sit on?”

“This is pure magic, buttercup. You want a chair? Here.” A chair appears behind you, and he throws in behind, making you fall in it. “Not comfortable? Have an armchair then.” It changes right under you. “Couch? Bed? Trampoline?”

“Ok, I got it!” You say when you feel your body bouncing back on the trampoline. “If you can have all that, why did you go for this all-white, void look?”

“Oh, I’m downsizing.” He shrugs. “And you’re not supposed to be here.” You’re up on your feet and there’s nothing under you in a second.

“I know!” You grab your phone again. “I was going to Storybrooke, but apparently I pressed something wrong on the portal.” You look up to him. “Oh well, it was ok to see you again, I guess. I should go now.”

But you don’t move, no matter how many times you press the button, or switch the parameters, nothing happens.

“I’m sure you’ll figure it out eventually that third dimensional science doesn’t work against fifth dimensional magic.”

You lift your eyes at him, looking unamused. “I’m sure I will.” You growl. “Ok then, how do I leave?”

“You know, the good and old fifth dimensional magic.” He gives you a little smile and shows you his fingers. He doesn’t look like he will help, though.

“Hey there, my good fellow Mxytopololik-”

“That’s far from correct but go on. I want to see how this goes.”

“Well, remember that time you took me to the future in another reality and left me stranded there?” You ask and he gives you a chuckle remembering about it. You press your lips, not finding it at all fun. “This would be a good time to help a girl out.”

“Lucky for you, I do have to make it up for people that I wronged.” Mxy rolls his eyes, annoyed. “Stupid 5th dimension rule.”

“Oh, how sad for you.” You fake it, but he doesn’t seem to enjoy it. “I mean, um, can you give me a little hand, buddy? Send me back to the third dimension? You can drop me off on any Earth, really. I’ll find my way back to my Earth.”

“I’m surprised on why you would want to go back there.” Mxy says, snapping his fingers, and a large TV appears in the middle of the room you’re in.

The TV starts playing the scene you just lived. Your moms saying they’re going on vacation, and you standing there looking like you’re about to break into an ugly cry. You were, anyway.

“I wouldn’t want to make Aunt Alex's life so damn hard as well, so I think it’s best if I just… Disappear.”

He pauses on this sentence. And you look at him biting your lower lip.

“You did. You disappeared.” You harden your jaw. Sure you disappeared, but this was far from what you wanted. You wanted to be in the arms of a loving family right now, not in a void from an imp from the 5th dimension. This is nothing like the vacation you said you were going to. “Why would you want to go back to them? They wanted to go on a vacation without you.”

“Maybe they didn’t mean it.” You don’t know if you’re trying to convince him, or yourself. All you know is that right now you’re very sorry you’re stuck here and staying at Aunt Alex’s house looks a lot better than what you’re doing.

“Oh, toots. Whatever you need to tell yourself.” Mxy gives you an evil little grin.

Ah, fuck. Stupid imp is right.

You sit on the floor -since there’s nothing on the room- and you can’t hold the tears anymore. From that point on, you’re just saying a bunch of nonsense in between your tears and hiccups. You’re loud crying, muttering, in a hunched posture. Mxyzplk looks lost, like he has no idea on how to calm you down. You don’t think there’s anything he can say that can do that for you right now.

“You’re right! They don’t even love me anymore.”

“No, no. That’s not what I said! They love you!”

You lay your back on the floor, and curl yourself, in a fetal position, clinching your face, feeling like your erratic breathing is getting stuck in your lungs. “I hate it, I hate all of this. I want to go home. This is the worst day of my life.”

“Now, that cannot possibly be true. You came really close to death a handful of times.”

“But at least I knew they loved me and that they were going to miss me!” You feel the hot tears wetting your pajama’s shirt and Mxy looks like he is about to snap.

“Ok, enough with this.” You’re up on your feet after a snap of fingers. Your tears are dried with another snap. “You won. I will show you their reaction to your leaving.”

“What?” Even though you’re not crying anymore, your voice still comes out small.

“Here. All the possible outcomes from your little stunt. These will show your moms’ possible reactions.” He snaps his fingers again and you see a bunch of tapes on the floor.

“Tapes?” You look completely lost. “May I introduce you to hard drives? You know, even pen drives would make a better job at storing this.”

“You really are your mom’s daughter.” He sighs. “Do you want to watch them or what?”

“Ok, geez. No need to get defensive.” Although you do understand why he is. You are a little bit annoying. A second ago you were curled on the floor crying, and now you’re being a nerd about tapes.

“So what are we watching first?” He asks, and you kneel down to read the titles.

“This one.” You give the first tape to him. He sets everything up. A couch appears in front of the screen, popcorn and soda too. He puts the tape in and looks at you, waiting for your permission. You sit back on the couch, nods, and he presses play.

Notes:

Hey guys, Superkid is in the fifth dimension watching tapes (like momma, like daughter). And I thought it would be fun to write the tapes you would like to read. So here's a list of tapes I thought of, you can comment which ones you would like to 'watch' and I'll write that and post 1 drabble every day next week (total of 5).

Tape 1: Kara and Lena don't care and go on vacation.

Tape 2: Kara and Lena get depressed over SK disappearing.

Tape 3: Lena goes on a solo mission.

Tape 4: Kara goes to other realities/universes.

Tape 5: Lena goes full Luthor and kills Supergirl.

Tape 6: Kara gets maniac and kills half of National City.

Tape 7: Jamie has to tell Maya SK secret identity (good reaction).

Tape 8: Jamie has to tell Maya SK secret identity (bad reaction).

Tape 9: Kara and Lena split up.

Tape 10: Everyone’s reaction to SK disappearing (all of her family and Maya).

Let me know in the comments which ones you would like to read, please and thank you! ❤️💙

[tnystrk-exe]

Estocolmo 3

Hannibal x Reader

Masterpost

First Chapter

Warnings: 18+ thigh riding, in a public setting, degration, cockwarming

Word count: 6k

Chapter Three

Maybe you hadn’t thought through about going to Hannibal’s dinner party. In the moment you had just missed the sound of his voice. His touch… Okay, you were motivated by other things than how much fun you would have at this little dinner party of his.

However you had to pull a lot of strings and work extra shifts, just so your bosses would even consider letting you off for a couple days. You were a valuable worker, one that would damage them to lose, but pettiness didn’t know any bounds. The stress was adding up. Still you trudged through it all. Not one to ever want to end up on Hannibal’s bad side.

You didn’t like making the perfect, polite ones angry. Loud anger you could handle. You were used to it. Quiet anger was just upsetting. He’d be upset you let him down, but he wouldn’t say it right. A soft sigh followed by a half meant it’s okay would probably be the most he’d give you. Disappointing him was a no go.

“I can’t wait for you to leave.”

“You’re so good at making me feel loved.”

“You know I do!” She laid back in your bed, arm’s comfortably behind her head, “But since you planned yourself a date. I did too.”

You grabbed clothes and threw them into a small duffel bag. “The chick from work?”

“God I wish. Can't work up the courage.”

“Don’t tell me you called up Reggie,” you laughed.

“Don’t tell me you got called up by Hannibal,” she mocked your voice. “Look! We’re a team! You can get dicked by someone that doesn’t deserve you. And I’ll romance a very pretty woman the entire weekend.”

“When is she getting here?”

“I’m shooting the text the second you’re out that door.”

You sighed, “You replace me so easily.”

“Oh baby,” she cooed, “Remember who’s leaving who.”

“A couple of days. You could be lonely for a few days.”

Alex walked you out. Stressing that you had to text her throughout your drive. It was only a three hour drive, but a lot could happen within that time.

All in all it wasn’t a bad trip. Monotonous without your usual partner in the passenger seat, but not bad. Your nerves bit at you. Hannibal’s social presence really was everything to him. Your head ran though countless ways you could mess up the night. Ultimately you wouldn’t, you knew that, but your brain sure did like to torture you with the idea.

“Everything will be fine,” you told yourself as you parked alongside the manor. Staying in the car for a moment you built yourself up. It was Hannibal. He knew about your home life. How you took your coffee. The things you’ve allowed him to do to you. Probably some understanding of things that he hadn’t done to you yet. A knock on your window pulled you out of your thoughts.

Opening the door you got out of the car.

“You weren’t thinking of running away, I hope,” Hannibal greeted.

“I wasn’t. Nerves,” you admitted. “It’s usually just the two of us, y’know…”

“Darling,” he scoffed, adjusting a piece of your hair, “I have no doubt in my mind that my companions wouldn’t adore you as much as I do.”

You moved to grab your bag, only for Hannibal to immediately take it from you. “You say that now, but that’s only because you’ve become accustomed to that certain charm I have at three in the morning after a night of studying. I’m not sure I can be as adorable to all of your friends.”

“Anyone that thinks otherwise has no place in my home.” Hannibal grabbed your hand in his own, leading you to the manor.

Once the front door closed, he wasted no time pulling you close. The kiss was long and rough. Both attempting to make up for lost time in the limited minutes you had. A soft moan from you made him press you against the door, the bag that had been in his hand long forgotten. His hand pressed lightly against your throat as he pushed a knee in between yours.

It was a long while before he pulled away. He rested his forehead against yours. “I’ve missed my favorite plaything,” He spoke into the shared air, “You’ve been away so long.”

“Your favorite?” You asked, looking at him dazed.

He smiled, mischief in his eyes. “I’d wager they couldn’t kiss you so well you’d look at them like they hung the stars after.”

“I do not!”

“Of course you don’t, darling.” He picked up your bag. “Come, we should start getting dressed.” You followed Hannibal up the stairs to his room. Apparently yours too, at least for the next couple of nights, since he emptied the contents of your bag into an empty dresser drawer. “You’re more than welcome to explore if you do get uncomfortable. I know meeting a sea of people can feel overwhelming.”

“I’m just afraid I’ll be out of place.”

“You’re exactly where I want you to be,” he disappeared into the walk-in closet, “The other’s are decent enough people. However, it makes sense that such divine beauty doesn’t fit in amongst commoners. I’d never dream of you finding yourself their equal.”

You walked over to examine the drawings he had hung on the wall next to his bed. “I’m not sure I’m worthy of such high thought.”

He came back, placing the suit and dress onto the bed. Standing behind you, he wrapped his arms around you, resting his head on your shoulder. “I really do mean it, beloved. You’re strong and intelligent. As much as I’d like to, you won’t allow me to pull strings and help you. That’s more than most of the crowd coming over tonight. They haven’t faced hardships like yourself and I. Don’t allow yourself to be treated less than and, please, tell me if anyone makes you feel that way.”

You turned your head, kissing his cheek. “I’m not sure I believe it, but I’m grateful for the thought.”

“I simply must make it my mission to prove it.” He inhaled deeply, “You’ve changed your perfume?”

“I liked the one you bought,” you said simply, getting out of his arms, you looked at the dress he had gotten you. The piece of fabric was easily the most expensive thing you owned now. It didn’t match his suit, but the two certainly complimented each other. “You really didn’t have to.”

“I want to,” he went to open another dresser drawer, pulling out a small box, “Consider it all a graduation present. You worked hard and deserve a reward for it. We didn’t get a chance to see one another before you left.”

“You’ve had these since then?” You asked.

“Of course. How could I resist an opportunity to find you a gift? And with Alex so graciously allowing me to buy you a dress, I figured tonight would be a wonderful time to give you your gift.” He opened the jewelry box.

“Hannibal,” you gasped quietly, the jewelry glimmered brightly, “It’s beautiful.” Usually you weren’t one for objects, but this was also the most thoughtful thing you’ve ever received. Hannibal had taken the small bits he knew of you and picked out the perfect pieces of jewelry for you. It was the feeling of being known so well that made it special.

“The second I saw this set I couldn’t help but think of my darling girl. Would you like me to put the necklace on you now?”

You quickly shook your head, “After I get dressed, please. I wouldn’t want to risk dirtying it while I’m getting ready.”

“In that case, I’ll show you where you can get ready.”

You grabbed the things you needed to make yourself look presentable and followed Hannibal to the bathroom. To your surprise he started to undress after he hung up his suit and your dress. You shrugged it off and set your stuff on the counter, you were more than comfortable with him and you and Alex had taken to doing similar in your cramped bathroom early mornings. The shower turned on while you took out your makeup. His humming filled the otherwise quiet room.

When you were pleased with how your makeup looked, you moved on to fussing with your hair. The shower shut off and your eyes wandered briefly in the mirror. You watched the show as he dried off his chest and followed the towel up as he dried his hair. He caught your eye, brow raised, you shrugged and sent a wink his way.

You got undressed, tossing your clothes in the hamper as you did. Walking over to the dress you felt the fabric between your fingers, studying the intricate pattern that was sown on to it.

“You don’t like it, darling?” Hannibal asked as he buttoned his shirt. “There’s another in the closet, but I was hopeful you’d like this one. You'd look stunning.”

“Admiring,” you stated simply, “Wait there’s another?”

“There’s a show, I’d like to see tomorrow. I figured it could be an outing for us.” He checked himself over before styling his hair. “This is ‘Making it worth my while’ as Alex said.”

“Han, you know better than to listen to Al.” You sighed, “I’m grateful, I honestly am. It’s just embarrassing. I really can’t give you anything in return.”

Hannibal came over to you, holding one of your hands in his. “They’re simple trinkets of my affection. In the end they all mean nothing. YN, you grace me with your presence and time, which is something that can never be repaid in form. I hold you dearly, your time is more than I deserve.”

You stood on the tips of your toes kissing him gently. There was all the time later for a rougher touch. Now you just wanted to feel him pressed close against yourself. A brief flick of thought asked if you really wanted this to just be a fleeting thing between friends. Pulling away, you gave him one final kiss to the side of his mouth.

“You’re allowed to give me one gift a month,” you teased, as you grabbed his tie and set to work on tying it for him. “You’re not my sugar daddy, as much as Alex wishes you were.”

“And you’re welcome to set as many rules as you’d like when it comes to this. However, what’s forcing me to follow them?” His hands grazed along your sides, “We both understand who makes the rules, don’t we little one?”

The part of you that had become accustomed to that particular tone, faltered slightly. “Hannibal, we’re not always in sessions,” you reminded him as you tightened the tie, “You can’t just have your way.”

“Why not?”

You shook your head, annoyed, “Or you can do what you’d like. It’s your wallet after all.”

“I’m sorry,” he apologized immediately, “I don’t want to offend you.”

You let it go, there was no use to fight over this. “It’s okay, you’re only teasing right?”

“May I please see you in the dress?” He asked, lightening the mood.

You turned, returning to the piece of elegant fabric. Carefully you pulled it on. He really was excellent when it came to fashion. The dress hugged the right places and accentuated everything wonderfully. Hannibal stepped behind you once again. Zipping the back for you, his fingers trailing up as he did. Carefully, he moved your hair to the side as he fixed the necklace in place. Dipping his head down, he kissed that spot on your neck he had quickly learned turned you to putty in his hands. You leaned against him, angling your neck to give him better access as a soft moan escaped. His teeth grazed gently against your neck, he seemed to toy with the idea of making a mark before backing away. As much as he’d enjoy to see it blossom, he knew you had many first impressions to make.

You whimpered at the loss of contact. Suddenly realizing just how much you had missed him.

“I know, little one,” he sighed, pressing a kiss on the side of your ear, “but we have a night to get through. After this, I belong to you. We will have all tomorrow for each other.”

“Promise?”

“Promise.”

-

The dinner party was beautifully done. Of course it was. Hannibal never spared any expense, let alone when he was trying to impress. He had introduced you to a couple people, they were nice enough, but you just couldn’t find a connection with them. You definitely steered clear of Bedelia. That woman was intimidating to a whole other degree. Definitely someone you could actually see Hannibal going after. You wondered why he didn’t.

An hour into the dinner party, you slipped away. He had said you could explore and honestly, without him you weren’t much for conversation. You had already gotten a snide look for saying you worked at a bar on nights, but they didn’t hold much interest for you either. All the conversations you had heard were meaningless droning. People constantly trying to one up another or bragging about something new they acquired or some business deal.

So it was safe to say no one noticed your absence. Well maybe one extremely observant man.

You found yourself in his library, taking residence in a nook next to a window. Hannibal’s sketch book in your lap as you looked over his drawings. Each drawing looked like he must have spent hours on it. You marveled at his talent, watching the range go from almost romantic to grouesome. Some things could be recognized as his take on art pieces, and landscapes, while others seemed to be originals. The originals were darker in nature, but you supposed it made sense. He saw death as something comforting and could be considered beautiful. Of course it would translate into his pieces.

The door opened, revealing the man that occupied your thoughts at the moment. “Is everything alright, darling? No one bothered you, I hope.”

You smiled up at him. “I’m fine. I just wanted a break, I’m getting a little bit of a headache.”

“Oh?” He touched your forehead with the back of his hand, “Are you feeling well?”

“I’ll go back in a moment,” you promised himas you brought his hand down to press a peck onto it, “Go enjoy your party.”

“They can keep themselves entertained for a while.”  He took a seat next to you, pulling you to rest against him. “I could use a moment too.”

You couldn’t stave off the smile that played on your lips to get to have him to yourself. He made you feel comfortable and honestly you were out of your element at this party. Hannibal rested his head against the wall. That left his neck vulnerable and you couldn’t resist placing a kiss on it.

“Why must you insist on acting up when we are alone, darling girl?” He hummed quietly, his hand entertained itself absentmindedly drawing things on your thigh.

“I missed you,” you insisted. “Not just like that. We used to spend a lot of time together.”

“It has been a long time. I’m sorry about that.”

“I had your number too. I’m not completely out of blame.”

“Well, you’ll find a way to make it up to me.��� He tugged you closer, “You’re too far.”

You straddled one of his thighs, placing your hand on his shoulders. “I’m sure you have a couple ideas of how.”

“A couple.”

Leaning in you caught him in a kiss. His hand started to trail lower, you caught him by the wrist before he got to his destination, placing his hand back on your hip. With his original plan voided, he bounced his thigh against you, the hands on your hips helping you grind down. You couldn’t help the moan you let out. Letting him continue until you remembered the party happening not so far away.

“Hannibal,” you whined against his lips, “Not right now.”

“But you sound so sweet, darling, don’t mind them.” He continued his earlier assault on your neck, this time not thinking twice before sucking his mark onto it. “You look so beautiful tonight. I know you can give me one before we’re missed, you’re always so good for me. Don’t you want to be good?”

The growing lust clouded your judgement. Hannibal’s soft words and the gentle but perfect rhythm he was working on made it hard to find any reason to argue.

“Yes, daddy,” you sighed softly, “I want to be good for you.”

The door opened again, followed by a dramatic gasp, “Hannibal, having dessert before the rest of us?” The strange man eyed you, “Plan on sharing?”

Hannibal had been quick to tug down the dress that had rode up, keeping you safe from prying eyes. “Unfortunately, I’m not one for sharing. If you don’t mind waiting in the hall. I’ll meet with you in a second.”

“Oh, I’d much prefer to stay. Hello, what’s your name? Is Hannibal keeping you entertained?”

You hid your face against Hannibal’s shoulder, your face burning to the touch.

“Shy thing isn’t she, daddy?”

“I really must insist you leave now,” Hannibal said, the anger evident in his voice.

“Fine, killjoy.” You heard retreating steps and the door closed again.

“Of course out of everyone to find us it was the gossip,” he sighed to himself, dropping a kiss to the top of your head, “I’m sorry about that, love.”

“I told you not now,” you said, pulling away and going back to your seat beside him.

“I know. I’m sorry,” he kissed the back of your hand, “I thought we’d have a couple more minutes before someone looked for us, let alone find us. Let me handle this and then you’ll never see him again.”

You nodded. “Can I go to the room for the night? He made me feel… strange.”

“Darling,” he cupped your cheek, a sad look in his eyes, “this is your home more than anyone else out there. Don’t let him ruin the night for us. I’ll make sure he’s gone and stay by you the rest of the night. Does that sound okay?”

And true to his word he was, he had escorted the man out quickly once he found him. However the Gossip was apparently a fast worker, because a couple people did give you lingering looks. Though they were quick to save face if they so much as thought Hannibal noticed. Whatever they thought didn’t matter. You were two grown, consenting adults that enjoyed each other’s company, be damned what others thought. Throughout the night you kept telling yourself that, hoping to cut the embarrassment short. A couple times you caught yourself, thoughtlessly intertwining your fingers with Hannibal’s when you were less than sturdy. Each time he squeezed your fingers gently, quiet reassurance that he was there for you.

-

You woke up the following morning. Hannibal was still asleep beside you, it must have been early. He looked sweet in the mornings. Relaxed, not as stiff as he usually was, his hair sticking up in places he’d immediately flatten out once he woke as he greeted you with that deeper more accented voice that accompanied the mornings. You pressed a kiss to his chest, before carefully removing the arm that was sprawled across your stomach.

Looking at the clock, you considered the time. There was enough if you worked quickly. Standing up, you grabbed one of your shirts and shorts. After freshening up, you made your way down to the kitchen.

It was different. You hadn’t toured much of the home, let alone know where anything was, but you gathered your bearings fast enough. The things you needed had been placed somewhat similarly to his old home and you set everything onto the counter. Protein scramble, fruit, and pancakes seemed like a good option today. The pancakes, he had taught you to make when you asked where the box mix was and obviously he wouldn’t stand for you not knowing how to make something so simple from scratch.

Your phone played music as you set to work, washing the used dishes along the way so there wasn’t too much of a mess.

As you were plating the food, you heard Hannibal call out your name.

“Kitchen!” You called out.

He was quick to meet you, “Darling, I could have made you breakfast. You should have stayed in bed with me.”

“I couldn’t sleep any more and you looked too sweet to wake,” you poured two cups of coffee and prepared them to both of your liking, “Figured why not play domestic for a while.”

“How did you like it?” He asked, walking over to take the cup from you.

“Eh well you know, the domestic life,” you shrugged, feeding him a cut strawberry, “I like to let my partner sleep in on Saturday’s and make them comfort breakfasts. Sometimes they ruin breakfast in bed by coming down too early, but what can you do?”

He chuckled around the bite of strawberry, “I’m sorry, beloved. I’ll stay put next time.”

“Yes, you will.” You stood on the tips of your toes to press a chaste kiss to his lips. “But I’m not too angry at you. I enjoy your company.”

His fingers toyed with the hem of your shirt. “Aren’t you usually sporting my shirts on these mornings?”

“I didn’t want to ruin one of them.”

“You couldn’t ruin a thing if you tried. I’ve got more than enough for you to steal away when you go back home too.”

“I only took them, because someone made a habit of messing up my shirts.”

“And your reasoning for keeping them, little one?” He grabbed the plates, “Come along, the mornings have been wonderful recently.”

You grabbed the cups. “You should’ve come and picked them up the same way I had. It’s your own fault they aren’t back where they belong.”

The afternoon was spent in each other’s company. Hannibal had insisted he’d wash the remaining dishes and asked you to pick up his sketchbook and pencils from the library since you were going to find yourself something to read. You did as asked, before returning outside. Setting his things on the table, you went to go sit in a sunny spot of grass.

It wasn’t long until Hannibal rejoined you outside and took a seat.

You glanced up curiously after a while, he was sketching away.

“Anything I can do for you, beloved?” He asked, not looking up from his work.

“Just watching.”

He hummed in response.

Some unease settled in your stomach when you remembered why exactly you were over here. What was the harm in voicing it? “Hannibal?” You waited until he looked up at you, “You’re okay that we haven’t slept together yet? I mean… I know that’s why I am here.”

It was true, the lingering looks you had gotten at dinner, paired with the small embarrassment of realizing one of Hannibal’s love bites got to bloom in front of them all threw you off at night. You had tried to let yourself go, let him have control of you for a while, but you couldn’t go past taking off some clothes and letting your hands feel the other. He didn’t mind when you didn’t want to do more. Always the gentleman. Instead he settled you against his chest, an arm keeping you close, quiet conversation and long breathtaking kisses filled the night.

“I’m not one of those little boys you’ve found,” he stated, seeming to be mildly offended, “I enjoy our quiet moments just as much, if not more. Sex is something else we could do together, nothing more. It’s not everything, little one. You’re not here for that purpose. What I enjoy is your company and I’ll take it any way you give it.”

You tilted your head looking at him closely, he mimicked you, narrowing his eyes at you playfully. That made you laugh softly, you decided he was being honest and not covering up his disappointment with sweet words. Patting the grass next to you, “Sit with me.”

“YN…”

“Please?” You asked, sweetening the pot with a pout.

He shook his head but gathered his things, soon joining you. Resting your head on his shoulder you looked at what he was sketching. The scene was you at the present moment. Half faced toward him, book in hand, completely relaxed, and more perfect than you ever dreamed of being.

“That’s an exaggeration, I’m not that beautiful.”

“That’s where we must differ, my love,” he kissed your temple, “Try as I might I’ll never be able to draw you with the dignity you deserve. It’s a poor imitation of the way I perceive you.”

“You’re a ridiculous man,” you said fondly, “Though I suppose I’d like to keep you around a while longer.”

“Suppose” he scoffed, “ You’d be lost without me.”

You stuck your tongue out at him childishly and went back to your book.

-

“Darling, I do adore when you take care of yourself, but we’ll be late if you don’t hurry,” Hannibal said, leaning on the bathroom’s door frame already dressed for the outing.

“It’s not my fault you always manage to get the bath perfect,” you groaned, getting out of the bathtub.

Hannibal walked over, grabbing a towel on his way. “I’ll run you another later.”

You took the towel, drying yourself off. It was nice to see a rare impatient Hannibal. There was more to that calm and collected demeanor he usually had. “You’re cute when you’re excited about something. Where are we going?”

“I got us tickets to the opera.”

“Really!” You lit up at that. When he talked about the shows he had seen before, he’d get so much more animated. It would be nice to experience one with him. “Which one?”

“Die Entführung aus dem Serail,” he answered, taking you in with a smile, “but darling, your excitement may go to waste, I’m afraid.”

“I’ll be quick!”

With you keeping your promise and Hannibal’s quick driving, it didn’t take anytime to make it to the opera house. There was time to spare and Hannibal socialized a bit, introducing you to other regulars. You exchanged pleasantries and let Hannibal control the conversation as you looked around the place. Some people you recognized from last night. One person you saw nod towards you whispering something to his companion.

“I didn’t think he’d be one for cradle robbing,” you caught the man say, as he eyed you up, “Lucky man. Reckon I could steal that little piece away?”

You subtly moved closer to Hannibal, feeling the heat rise to your face.

Hannibal turned his attention to you when the others started talking amongst themselves. “Are you alright?” He asked quietly, tucking away a strand of your hair that fell out of place.

“Yeah. I’m great,” you lied, knowing he’d probably take offense to any minute comment made about whatever kind of relationship the two of you had.

“Are you certain?” The tone of voice saying he knew you were hiding something. He always seemed to read you so easily. In that he knew you’d continue to deny anything. “Would you like to go to our seats now? The show should start in a couple of minutes.”

“Yes, please.”

Hannibal grabbed your hand in his, leading you away from the crowd. To your surprise he took you to a private balcony above the rest of the audience seating. “Since, it’s your first time, I figured privacy would do us well. No distractions,” he paused for a moment, “No one to get into that pretty little head of yours.”

“I just don’t enjoy all the looks and comments,” you sighed, allowing him to pull you down onto the seat with him. “I love spending time with you. It’s just soured by people that don’t mind their own.”

“It’s not ideal, but we mustn’t let them ruin our nights. With this kind of community, people make assumptions and talk. Darling, I really do insist you tell me when someone makes you upset.”

“I know, I know. Guess I should have braced for it more. I’m just not used to these kinds of things. When we’re alone it’s easy to just exist together. Just us.”

“I understand completely. However, I do enjoy that we finally got to leave the house. You look absolutely breathtaking tonight.”

You smiled at that, “Well, you do seem to have an eye for what suits me.”

“That, I do.”

Leaning your head on his shoulder, you breathed the comforting scent of his cologne, “I’m sorry I let them get to me when we're supposed to be enjoying our time together. It’s not fair to you.”

“They get annoying,” he gave your thigh a gentle squeeze, “Of course you’d take offense for us. There isn’t much we can do besides understand that we’re here for the right reasons. Though, it does get under my skin to see you affected so under my care.”

Soon the crowd made their way to the seats and the lights dimmed to near black. When the music started Hannibal whispered translations into your ear. You got caught up in the story between watching the characters go through their woes and Hannibal’s gentle voice guiding you through every detail. It was easy to see what Hannibal saw at these events. They really were thrilling to watch. Still it wasn’t so much the show, but getting to know another side of the man in question.

You looked at the man beside you, a happy smile plastered on your face. “Thank you for bringing me, Hannibal.”

“Anything for you, my love.”

“Your love?” You challenged teasingly.

A couple times he had thrown around the pet name. You didn’t take it for much. He was a sweet, old fashioned man, you had decided to believe. A sweet nothing that neither of you minded. Still you couldn’t deny the slight softness you felt from the moniker.

“You’ve promised yourself as all mine before,” he reminded you, “and I take no issue in claiming what’s mine.”

“That was said when I was drunk on you.”

“Deny all you’d like, sweet girl, you’re still mine.”

Hannibal tilted your head up slightly to kiss you. You couldn’t find it in yourself to care about why the music crescendoed in that moment. Not when he was kissing you with more passion than you had ever felt. He had a way of making it feel like you were the only beings in existence. Hannibal bit at your lip, asking for more, and you gave it to him without a thought. You’d do whatever he wanted at that moment. Still you couldn’t help grabbing his wrist when his hand found it’s way up your dress. He swallowed the helpless moan that slipped past your lips greedily.

You pulled away from him, your hips grinding onto his hand on their own accord. “Hannibal, I-“

He hushed you, “You’re missing a very important part of the show.” His hand didn’t let up from its ministrations as he continued to translate for you.

You went to cover your mouth with your hand, but Hannibal stopped you short, placing it back at your side. A quick mummer of be good was all he offered, not once stopping the pace he had set. You choked back the moan when he pressed against a spot that had been long neglected since the last time you paid him a visit. The music being so loud was your only safe haven, still, you pressed yourself further into Hannibal, hoping to hide yourself further from any wandering eyes that might look away from the show. Embarrassment and lust built with every thrust of Hannibal’s fingers. The former was getting increasingly easier to ignore as Hannibal pulled you closer and closer to your end. Pressing your face against his neck, you bit at the skin there in a cheap attempt at revenge for what he was putting you through.

Hannibal’s fingers stilled. A quiet chuckle met your ear when he heard your whimper of protest, stopping your hips as you attempted to help yourself. “Such an easy thing to toy with, you're nothing more than my own personal whore.” He didn’t miss the throb around his fingers at those words. “You’d let me use you however I’d like wouldn’t you?”

You gave a lazy nod as he brought his fingers up to your mouth. Eager to please him, hoping he’d let you finish, you opened your mouth and sucked his fingers clean. Behind your back, you felt him working himself out of his pants. Taking his hand away he adjusted your dress higher before pulling you on to his lap. With his other hand the head of his cock teased your clit, you forced yourself not to complain, knowing he’d go on longer if you did. When he finally pushed into you, you couldn’t fight off the moan of contentment as he filled you completely. Turning your head, you caught him in a languid kiss, caught up in only him despite the performance going on.

“Please?”

“What do you need?”

“You.” You shifted your hips slightly, “May I please move?”

“I’m sorry, little one,” you caught the slight upward twitch of his lip when you looked at him in disbelief, “I’d rather use you at my leisure.”

You whined in frustration, leaning against him knowing he’d play a cruel game. This time he offered no translations, keeping you entirely focused on the feeling of him buried deep inside of you doing nothing to help relieve your need for him. When you did manage to distract yourself, he circled your clit and gave a few sharp thrust, just enough to bring you back where he wanted you. His hand continued, changing the rhythm every so often so you’d stay aware of your position.

“I’ll be so good,” you begged helplessly.

“And yesterday you had been so against it despite having our privacy in the library,” he reminded you, pushing in and out of you in a too slow pace, but at least he was moving, “What was it that was missing, hm? The audience that could look up and see me using what’s mine?”

You didn’t know what had changed. Not truely. Maybe it was the couple of glasses of wine you had drunk throughout the day. Perhaps it was just finally getting what you had wanted for so long. Honestly, you couldn’t find yourself to be curious enough to find out.

“I wanna cum,” you told him, swallowing the embarrassment.

“I don’t know, darling, you’ve tried to find comfort with others. I really can’t say I approve of the notion. Suppose, I could just use you for your worth and leave you dry.” He groaned into your ear as you clenched around him, he sped up his thrust, “There’s my good girl, you like the sound of that?”

“Hannibal, please,” you whimpered, “I’ve wanted you for so long.”

“Beg for it.”

“I’ll never look for anyone else again. It was so stupid to think anyone else could make me feel as good as you.” Your breath hitched when he struck deeper, “I've been so desperate for you.”

“That’s all so very sweet, but that’s not exactly what I want to hear.”

You whined quietly as you tried to figure out the right combination of words to get you what you wanted. “I’m just yours… No one else’s… You’re the only one, I’m so sorry…”

“See? Was it so hard to apologize for your misconduct?”

You shook your head.

He pinched your thigh. “Words, darling.”

“No, daddy,” you moaned, as his hands guided your hips to move with him, “But I’ll be good for you now.”

“I still don’t think you deserve to cum, you pathetic thing.”

“You’ll let me?”

Hannibal’s hand grabbed your jaw roughly, making you look at him. “Next time I won’t be so generous. Understood?”

You swallowed down the slight twinge of fear that had worked its way into your system. “Yes, sir.”

He pushed your face away. “Work for it yourself.”

Tag list: @charc0al-grey @songofcosplay

[snafu-maniac1]

Zuko deserved better

So I rewatched Avatar the Last Airbender recently and let me tell you......

I wanna murder several people.

Looking back on this entire series I’ve come to notice something. I watched the show just like any other audience member and only saw the good and the bad characters. One of these prime examples is Zuko. Zuko’s redemption arc has been praised as one of the greatest in history, succeeding where others have failed. But watching it all again......it wasn’t redemption. Not to me personally.

Before everyone gets angry and defensive at me, please finish reading my post and hear what I have to say. I do not wish to start any fandom wars or discredit or disrespect anyone’s opinion, this is just my personal psychological analysis of Zuko’s character....Sigh and let me give you a warning.

It’s gonna be LONG. 

So if you’re not interested or don’t want to hear it or don’t feel like reading something this long that’s fine, you can go ahead and just click away and ignore this post.

Starting from book 2. 

Now you may be wondering why I’m starting here and not from the start of Zuko’s childhood but I first want to address the one question everyone had been wondering since the series 2 finale. What would have happened if Zuko hadn’t sided with Azula?

My answer is.....that wouldn’t have happened.

Everyone’s been focusing on the entire arc where Zuko was struggling to accept that the war was wrong and how Iroh was trying to get through to him when he tried to capture Appa and afterwards, but here’s something everyone tends to ignore.

Why didn’t Iroh try sooner?

Why didn’t he try to stop Zuko before Aang came, before he’d gotten so deep and desperate to the point that he continuously committed heinous acts to capture the Avatar? People would justify it by saying Iroh wanted Zuko to realize the wrongs of his father and Nation by himself to shape him into his own person. But that is in no way the appropriate way to approach a physically, psychologically and mentally unstable and abused child. Zuko was a thirteen year old boy when he was burned and banished. This is where we go into his childhood. Zuko was raised like any other Fire Nation citizen. As we’ve seen in book 3 and in the Pirate comic book, The Fire Nation citizens were led to believe that the other Nations were ‘savages’ and ‘barbarians’. It villainizes the Fire Nation even more. The very fact that they would spread heinous lies against other people when they themselves were responsible for the war that ruined so many lives. But when you realize, what Sozin and the other Fire Lords did was a solid battle tactic. Making the opposing side out to be these horrendous monsters. Making lies or accentuating every one of their worst traits to dehumanize their enemies so that the people would not have any qualms about fighting them. All of the Fire Nation schools were taught these lies. And Zuko was no exception.

Zuko was a member of the Royal family. And from what was shown in the Avatar series, the Royal family was isolated from the rest of Fire Nation society. Zuko had no way of knowing what the other Nations were really like, no way of knowing the truth about the war and no one had bothered to explain it to him. The one person that could have, did NOT. And yet people had expected him to just automatically know that he was being lied to and that his people were the villains. Zuko’s only social exposure was with Fire Lord Azulon, Fire Lord Ozai, Dragon Of The West General and Crown Prince Iroh, his cousin Prince Lu Ten, his mother Princess Ursa and his younger sister Princess Azula and her friends Mai and Ty Lee. All of whom believed in the Fire Nation propaganda and all of whom had no problem in participating in the war and making jokes about burning Ba Sing Se to the ground. Zuko was under scrutiny and aggression from Ozai. Ozai was Zuko’s ‘handler’, his ‘groomer’. He groomed Zuko into a certain type of submissive and obedient behavior. Zuko was not allowed to show any type of emotion otherwise he would suffer severe repercussions. Ozai and Azula taunted Zuko for having a sense of compassion and with how he was ostracized in a war loving family, he began to believe his behavior and way of thinking was unusual. It was like Azula said to Mai, “Your mother had certain expectations of you and when you strayed from them you were shot down.” In Zuko’s case, the expectations he strayed from resulted in severe punishment. Ozai was willing to permanently disfigure and traumatize Zuko when he was a thirteen year old boy. It’s not unusual to think that his punishments towards Zuko would sometimes very likely be physical and many people even write alternate universes of the Avatar series where Ozai was even more abusive than he already was. He was a manipulative man who brainwashed his daughter into being his perfect, obedient little slave and manipulated his son into questioning his own sense of reality. He would tell him that Azula was born lucky and he was lucky to be born, cementing Azula’s view of herself of receiving everything she wanted and turning her personality toxic while he made Zuko feel inferior and faulty. If there was something wrong with him, his father would tell him and he needed to fix it. But he never could. He strayed towards his mother, who like Iroh, abandoned Azula because of Ozai’s manipulation and did nothing to help her like they ‘helped’ Zuko.

When Zuko was thirteen he wanted to ‘prove’ himself to his father by attending one of his war meetings. Zuko very likely only wished to do what his father wanted because by then, Iroh had abandoned him when he left after the Siege of Ba Sing Se, his mother disappeared and his grandfather and cousin were both dead. The only ones he had left of his family were his father and sister who both abused him and he only wished for their approval and their affection. Humans need mutual affection. Children who do not receive affection from their parents, tend to not take that type of neglect well. Because people need affection to properly function. Our parents love us from when we are young and that emotional connection is something very important to every human being’s mental state. However, Zuko’s only source of affection, his mother, was taken away from him. Azula herself, had no source of affection. Not from her mother, who thought she was demented from her father’s brainwashing, nor from her brother who feared her, nor from her father who used her as a tool. Returning to the day of the Agni Kai, Zuko wished to be of use to his father, he craved his affection because that is what the abuser does. They make you believe they are the only ones who can validate you and if you do not abide by their rules or follow their orders then you mean nothing. Zuko for the most part from what I could see in the flashback, held his promise and did not speak. But when he refused to back down when his people were in danger, Ozai was not pleased. This is because he is an abuser. He is Zuko’s ‘handler’ and when someone who is abusing another person witnesses this type of behavior, they have a feeling of loss of control. They desire control, they crave it, over the abusee especially. So when Zuko showed empathy towards the Fire Nation citizens and did not do as Ozai wished, he decided to ‘rectify’ that. In the most BRUTAL way possible. An Agni Kai. A public spectacle where he would establish dominance over his son, over his pawn and he would make a show of it. He would show everyone that HE was the one in control and NO ONE could defy him. When Zuko refused to fight Ozai, because of his love for his father, Ozai only saw that as a weakness. Ozai is a psychotic man. The fact that he did not have any problem in burning his son so cruelly shows that he does not have any sense of morals. Going back to Zuko, a thirteen year old child at the time, he had just been punished for disobedience, for straying from his father’s expectations, in the worst way possible.

Zuko did what many people would say is the right thing to do. He tried to defend his people from a cruel man intent on sending them to their deaths. But in doing so, he had defied his father and was punished for it. He was punished....for trying to HELP people. His life was essentially DESTROYED and he was thrown out of his home...for trying to help people. For showing empathy towards others. He was punished in the worst way possible for defying his father. His entire perception of right and wrong was thrown out of balance. He was taught that the war was right and that the Fire Lord, his father, was all knowing. And his mother tried to teach him kindness and her lessons of kindness got him punished. The amount of physical and mental damage he had sustained from such a punishment would in some cases be irreversible. Iroh was right there with Zuko and he did nothing. I CAN understand why he did not step in during the Agni Kai. He had been gone from the Fire Nation, his brother had taken the throne and he could have very well himself been punished severely for intervening. However, why did he allow Zuko to continue to believe he was the one at fault? Everyone of us has seen Zhao, has seen the way he treated Zuko during his banishment. Zuko very likely spent those entire two years before Aang’s arrival, being subjected to that type of behavior from everyone around him. All of them blamed him, all of them very likely said that he’d deserved what had happened to him. No one was on his side. He ended up turning aggressive and cruel towards others, because that was the way his father behaved and it was his empathy towards others that got him punished in the first place. He said in The Storm ‘the safety of the crew doesn’t matter’, just like the general that called the 41st division ‘fresh meat’. It was easier for Zuko to lash out at others and be aggressive than to let them see his vulnerabilities and hurt him for them again. It was the same with Song and her mother. Ozai tried to force him to be cruel, he tried to groom him the same way he did Azula. They dehumanized the other Nations and Zuko behaved the exact same way he was expected to. ‘Their compassion would cost them’. It was exactly the way his father wanted him to be. It was what Iroh did not wish for him, and yet despite claiming he thought of Zuko as a son, he did not in any way try to convince Zuko to give up his quest during the two years he had been searching for something that at the time was believed did not exist. The only instance we were shown of Iroh saying anything against his search, and even that is a stretch, was in the Western Air Temple episode where Zuko has a flashback of Iroh telling him that ‘destiny was a funny thing’ when Zuko said it was his destiny to capture the Avatar. Iroh had time to run the White Lotus, an antiwar organization for two YEARS maybe even longer and he did not think of taking two MINUTES to talk to Zuko, to ease him into realizing the wrongs of the war. Okay, yes he could have passed it off as character growth. But how do you expect a person, surrounded by people telling him he was at fault, he had no choice, either obey or never come back, to realize something like that? How do you expect an abuse victim to accept help all by themselves when their abuser forces them to depend on them? Did Iroh take him to some Earth Kingdom villages to see that they aren’t the vicious savages the Fire Nation portrays them to be? Did he take Zuko to the Southern Water Tribe to see the damage done to them at the hands of his own country? No. Instead he acted like an oblivious old man who had no interest other than Pai Sho and speaking proverbs that Zuko could not hope to understand.

Two years Zuko spent looking and looking and he turned desperate to the point that he was willing to do anything to go home. And then The Avatar finally returned. And then the people that Zuko was raised to perceive as brutal savages continued to stand in his way. And did Iroh intervene? No. He still did nothing. He allowed Zuko to continue his pursuit and turn into the worst possible version of himself. People say that Zuko should own up to the consequences of his actions. And he should. But would he have done those actions had Iroh stopped him earlier? Would he have done any of the things he did when the only remaining adult figure in his life had told him otherwise? Would he have listened to Iroh? The answer is yes. He was willing to do what Ozai had expected of him so why would he not listen to Iroh with time and patience instead of waiting till the last possible moment to do so? Children don’t automatically know right from wrong from the moment of their birth. They are taught by their parents, by the adults in their lives and Zuko had Ozai as his parental influence. And Iroh knew that. He knew the type of man his brother was and he did not try to overwrite his brother’s abuse to help his nephew until Zuko was already on the path of no return. When they became refugees Iroh still did nothing until they got to Ba Sing Se and until Zuko, again in an act of desperation, tried to capture Appa. That was when he FINALLY decided to step in. Three years since Zuko’s banishment, sixteen years of his father’s influence and abuse and he decides the very moment his nephew is close to the brink of insanity is the perfect opportunity to DESTROY his entire world view. He had worked day in and day out for two years before Aang appeared, only for his uncle, someone he TRUSTED, to tell him it was all for NOTHING. Two years of TORTURING himself. A year of fighting against his Nation’s enemies and SUDDENLY he’s being told it was all for nothing. When Iroh and Zuko reunited, Iroh told him he found his way again ‘on his own’ like how Zuko told Ozai he had to learn everything ‘on his own’. And they were both right. Zuko had no one to help him. He had to suffer through so much on his own, without anyone’s help and they’re SURPRISED he acted the way he did. When everything came to ahead in Ba Sing Se with Katara, people thought ‘Oh Zuko has changed he’s going to help Katara.’ And when he did not they HATED him for it. 

The reason for this is because Katara was the ‘good guy’ and Zuko was the ‘bad guy’. Black and white. Katara and Zuko shared a moment of understanding from both losing their mothers and Katara offered to heal his scar and he chose to side with Azula and both Katara and the viewers saw this as a betrayal on Zuko’s part. This assumption however is completely unjustified and unfounded. Everyone sees Zuko and the Fire Nation as the bad guys. The villains of the story. But Katara and the Water Tribes and Earth Kingdom were the bad guys in the Fire Nation’s eyes. Katara was the ‘savage’ standing in the way of Zuko going home. The Avatar was his home’s greatest ENEMY and THREAT. Had the situation been reversed and Katara had to choose between Zuko and the Water Tribe and her brother and father, people would have supported her choice because they were the good guys. Zuko’s people were the bad guys so it had to be the wrong decision and a betrayal to Katara and Iroh. But Zuko was an unstable, traumatized child who did not wish to believe his people were bad, who did not want to fight his home after he spent so long trying to capture Aang, his home’s greatest THREAT and ENEMY. Katara hated Zuko because he represented everything that the Fire Nation did to her family. And Zuko hated her because she was the ‘savage’ keeping him from his one way home. To Zuko, Katara was the bad guy. And looking back at their moment of sympathy where Katara said he betrayed her trust I can only ask one thing....how could Zuko have known that Katara wasn’t trying to trick him? Now, the viewers would automatically respond ‘Katara’s not like that! She wouldn’t do that!’ but the fact is, we the viewers KNOW Katara. We know she’s not that type of person because we got to know her through out the series. Zuko does NOT know her. To Zuko, she’s just another faceless enemy out to KILL his father. He chose Azula’s side because he could not accept what Iroh was saying to him because why hadn’t Iroh said so sooner? He did not want to join Aang’s side cause this was the AVATAR. The one out to KILL his FATHER and take down his HOME. When Zuko returned, he was conflicted about what he had done because he had begun to see how wrong his father and sister’s behavior and The Fire Nation’s war truly was. And Iroh cemented that further by proclaiming Zuko’s struggle was because of Roku and Sozin’s conflict when that was clearly not the case. Zuko was groomed and brainwashed by the Fire Nation propaganda like every other citizen but he was not dispelled from that belief by anyone. No one tried to make him question that belief. Iroh did not try to ‘help Zuko’ until the very last moment in Ba Sing Se. People believe Zuko betrayed Iroh because that’s how it’s supposed to be when Zuko was the ‘bad guy’ and Iroh was the ‘caring’ Uncle and ‘voice of reason’. And yet he did not think to ‘reason’ with Zuko before this entire mess even started. He did not in any way try to disrupt Zuko’s view of the other Nations or his father. In my opinion, IROH was the one who betrayed ZUKO. Iroh KNEW the entire time that what Zuko was doing was wrong. Zuko was a child who was not allowed to think for himself and Iroh KNEW Zuko was brainwashed by the exact same propaganda he himself had believed before he lost his son. If Iroh, who had believed in the Fire Nation for so many years, was unable to realize the wrongs of the war until his ADULTHOOD when he lost his son, how in the world did he expect a 13 year old child to do so? And Zuko became even more unstable and then he chose the Fire Nation.

When he realized it was wrong and went to join team Avatar, they were reasonably mistrusting.

Zuko’s redemption arc from a simple perspective, from team Avatar’s perspective was very well done. Team Avatar did not know what Zuko had been through. To them he was just another Fire Nation monster who had hurt them. To the audience, he was just another Fire Nation monster who had hurt the good guys. No one would think that deep into a fictional character’s perspective or psychological and mental state. No one would think past the ‘good guy’ and the ‘bad guy’. But one thing I cannot justify is Katara’s accusation of betrayal towards Zuko. As we have mentioned, Zuko and Katara were enemies who had a mutual hatred towards each other before his ‘redemption’. They had one single moment of shared empathy and understanding and that is NOT the basis for earned trust. What would Katara have done had she been in Zuko’s shoes? Fighting her enemies, fighting people she sees as nothing more than monsters and she has to choose between her long time enemy and her sibling and her home and her family. If she was in that position, she would choose Sokka and Hakoda and Aang and the Water Tribe over Zuko in a heartbeat because those are her FAMILY members and her FRIENDS and people would justify her because she’s the ‘good guy’. The hero. But Zuko is the villain so his actions automatically AREN’T justifiable. I understand Katara’s mistrust towards Zuko because of their history and because again, she doesn’t know anything about him or what he went through. But she cannot expect him to just automatically leave behind everything he’s ever known and ever believed in because of one single moment of understanding. Zuko should have done everything he could to make it up to the group because he owed it to them and they again, did not know any of his reasons for hunting them. But Zuko does not deserve to be labeled simply as ‘a bad guy turned good’ when he was NEVER a bad guy to begin with. When he was never even mentally stable enough to make that type of decision for himself. In today’s day and age Zuko and Azula would have BOTH ended up in a mental institution. And after all of the things he went through, Zuko was the one who ended up going back to Iroh and apologizing when Iroh was the one who abandoned him and then Zuko at 16 years old ended up as the leader of a nearly fallen apart country. He had to suffer through insomnia, assassination attempts and mental instability and abandonment. Iroh left to Ba Sing Se and only made two appearances in a total of SIX comic books after the end of the War and one of those was entirely brief. So while Iroh gets to enjoy the rest of his life selling tea, Zuko has to suffer the consequences for what his family did. He was also abandoned by Mai which brings me to another point.

Zuko’s toxic relationships.

Some people say they dislike Mai because she is emotionally abusive towards Zuko. It never occurred to me before but looking at it now, I have to say that I agree. In the comics after book 2 had ended it was shown that Azula used Mai’s childhood crush on Zuko to manipulate him into going back to the Fire Nation with her. And Mai.....I don’t even know how to get started on the entire mess that is their relationship. Mai is a person who does not like emotion. She doesn’t like to express herself and immediately shuts down anything even close to emotion. The same applies to Zuko. Zuko is a very emotionally unstable and insecure person. And instead of reassuring and calming him, Mai immediately cuts him off whenever he loses a handle of his emotions and just flat out ends their relationship on the spot. She gives Zuko no explanation, just gets angry at him and then all of a sudden when Zuko can’t take anymore and explodes she suddenly says she cares about him. Their relationship is toxic. Mai demeans his problems and things that trouble him. Quote “I just asked if you were cold, I didn’t ask for your whole life story.” when Zuko was nervous about going back home. She demeans his guilt towards Iroh and tries to make him feel better by ordering servants around. And then in the Boiling Rock episode she attacks him for his letter which is reasonable on her part, but there is the problem that despite being Zuko’s girlfriend, up until that point she was Azula’s subordinate first and foremost and she could have tried to let Azula know. Still was a shitty way of ending their relationship, I’m not gonna act like it wasn’t but I still wanted to put that perspective out there just for thought. Not to mention how she ended things in the comic books. The trust issue I understand. But I don’t understand how ONE single mistake would lead to her just immediately ending things instead of at least TRYING to work it out. She could have listened to him and seen why he was so upset and scared of messing up that he went to Ozai of all people for help. She did not stick by him when he needed her and that was what forever ruined their relationship for me. 

In simple terms, Zuko was a bad guy who became a good guy and redeemed himself.

In psychological terms, Zuko was an abuse victim who was brainwashed since his childhood, blamed for it and made into a scapegoat while his sister ended up in a mental institution because of her father’s influence and because the same people who ‘helped’ Zuko didn’t think she deserved it too.

So from what I’ve seen while rewatching the series....

Zuko never needed redeeming. Zuko needed help.

And he didn’t get it. 

[recurring-polynya]

10. A character/ship I didn't enjoy/think about as much before you wrote about them

I mean it's all of them, the whole Renji Rukia Byakuya dynamic. I did enjoy Rukia before but you dug into a bunch of aspects of her and why she's such a contradictory person who is capable of such grace and also being a massive goober and how both parts of that are inherently Rukia.

I liked Renji okay but I absolutely love the tenderness you bring out when you write him in situations that aren't shit's fucked gotta fight!! Incredibly invested in him being the guy who tackles paperwork and filing the same way he tackles a battle, by getting his ass kicked repeatedly until he wins.

Byakuya I am afraid to say I actively made faces at and then you wrote his internal processes and I was like oh that makes sense my brain is also like this so of course he falls back on The Right And Proper Way To Do Things because he does not have the knack for social situations other people do but there are rules to follow except nobody else follows rules as much as you do so you look super uptight and cold and doing otherwise is so hard but the feelings you can get from extending yourself a little bit are worth it.

I dropped off reading Bleach ages ago actively but I liked your writing so much I tried reading it again. It's a really brisk and fun read whenever they're doing downtime stuff but the fight scenes are so long! I love it when you do fight scenes, though, because you explain what people are doing with their spirit venting and tactics and such in a way I find easy to parse. The Momo v Rukia all rounder ruled so much! Every time you write Momo I go "man Momo is so cool I wish there were more Momo fight scenes in canon". I've been trying to write fanfiction for her but writing is hard! I respect you a ton for the volume you put out and the effort you have put into refining your craft.

(Fanfic Asks for the Asker)

I tend to assume the only way anyone ever finds my fanfic is by deliberately going to ao3 and searching the Renruki tag, so it always takes me utterly unawares whenever people say I have improved their opinion of them for the better.

Byakuya, I get, tho. I get comments constantly on how much people like the way I like Byakuya, which is slightly mystifying because I make faces at him all the time, too. I actually think that's the secret to writing Byakuya. I have read fanfic by people who like him too much and they have all these explanations for how he was tortured by the decisions he has had to make and how he truly is so noble and caring. I, on the other hand, never apologize for Byakuya. I try to explain what he was thinking, but he's still frequently insufferable and makes people (mostly Renji's) lives harder than they need to be. His entire role in my fanfics, though, is proving that difficult people are still worthy of love. I have to (grudgingly) love Byakuya because Renji and Rukia love Byakuya. This has, in turn, caused me to occasionally be kinder to myself, which sucks ass, but what can you do???

Sometimes I think that I don't write Renji very well because I love him too much. I mean, people seem to like the way I write Renji, but he's sort of...drifted...away from his canon characterization. Oh, well. Rukia, I love about the proper amount.

Thank you for liking my fight scenes, because I do not feel confident at all when I write them!! I have trouble parsing fights, too, so I try to contextualize more than choreograph. I know more about jet engines than sword fighting, which is why I include a lot of reiatsu dynamics. I also always want to write about tiny characters like Rukia and Momo schooling big meatheads, which the more reiatsu-based mechanics allow for.

I think Kubo cannot allow Momo to fight in canon because she is absolutely feral and cannot be contained. We get little glimpses of it sometimes:

the flashback where she runs back to save Hisagi after considering the matter for 0 seconds and Renji and Kira have to chase after her, spewing apologies for defying orders

the time she tried to throw hands with Byakuya for being mean to Renji

the time she attacked Kira and two other vice-captains had to hold her back, but only one to hold Kira

the time she caught all of the Tres Bestia in a kidou trap and then called them buffoons.

She deserved a signature fight in the TYBW, but since she didn't get one, I will just keep writing fanfic where she gets to kick ass and live her best life.

[pochiperpe90]

Here comes “The Old Guard”. Marinelli goes to Hollywood, alongside Charlize Theron.

“Alone, fragile and immortal.”

A story of love, friendship and compassion with an ancient warrior and a young African American, who has just discovered she is immortal, as protagonists. Because the world needs women and courage knows no gender differences. 20 years after “Love & Basketball” and after “The Secret Life of Bees” and “Beyond the Lights - Find Your Voice”, Gina Prince-Bythewood comes to the action movie with very clear ideas on how to reinvent the rules. We talked to her over the phone while she was in Los Angeles during the lockdown. 

A superhero movie that doesn't look like a superhero movie. Is that why you decided to make it? 

Absolutely yes, when I read the script I realized that despite the fantastic genre there was a very realistic background. These characters are real and it's easy for the audience to relate to them despite being immortal. They fight for goals and reasons that people understand. The more realistic the film, the more viewers can reflect themselves in the protagonists. 

In fact, the most fascinating aspect of the characters is their vulnerability: they are immortal, but up to a certain point, which is a paradox. They too have to deal with the sense of the end. 

There is a possibility that they may die, that their immortality is interrupted, that they still suffer from their wounds, and this brings them closer to us. The public still feels sorry for them when they see them in danger.

Immortals suffer, and not just physically.

Many think that being able to live forever would be extraordinary, but no one asks what this really means. Immortality has consequences: it can be a gift, but it can also be a curse.

And we don’t know why immortality fell to them. 

The thing I loved about the graphic novel and the script is the fact that there is no explanation. Not only do we not know it, but neither do the protagonists. But it is a trilogy and therefore there is still a lot to tell.

Could you offer your contribution to the script? 

It was a great script, with great roles based on the graphic novel so I stayed very true to the text. With the author, Greg Rucka, we wanted to reflect on the fear of taking someone's life, the one that sometimes overwhelms soldiers in war, whose psychology is often neglected. Hollywood films have never been very concerned with this aspect, as if killing had no consequences. The protagonists are forced to kill, but if someone has been doing it for centuries, for others it’s the first time. 

What struck you about Luca Marinelli? 

I could talk about him for days, I love him, he's the actor that all directors dream of having on set. He loved the character and gave him life in a very credible way. Between him and Marwan Kenzari is born a great complicity, necessary between two people who have been together for centuries. Luca's eyes are full of soul, his Nicky is the heart of the group, he’s the most sensitive character of all of them. 

Charlize Theron, who is also one of the producers, has an increasingly and more torn body.

Charlize has already played roles like this one, she is very credible in the genre of action and has been helpful to who had never faced it before. From her, who really worked hard, others learned to do the same. She is very credible in the role of a woman who lived for thousands of years.

Matthias Schoenaerts, on the other hand, has an insidious role. 

He embodies the tragedy of immortality, loneliness, betrayal. He is the actor who most resembles his character in the graphic novel. He wanted to make the film at all costs because he had never measured himself with the action genre and felt he had things to express. 

The film underlines how today it’s no longer possible to hide, images can capture you at any time. 

In a scene near the end, when the immortals look at photos and articles about them, they truly become aware for the first time of everything they have done to protect humanity. They understand the power of images from which they continually try to escape in order to hide their identity. 

And then we talk about science and profit. 

In the film, people from different places join forces to protect the world, a need even more relevant today. Yet it is increasingly evident that profit matters more than human lives. 

Do you think the film industry is becoming more inclusive with women? 

Things are finally changing and I am grateful that, despite having no other action films on my resume, I have been entrusted with The Old Guard. I am grateful for the trust they have placed in me. It should be taken for granted by now that women are capable of coping with any film genre and I think how much pressure from the industry Patty Jenkins, who directed Wonder Woman to success and opening the door for many of us, went through. But the door must be wide open because there are still few who have such opportunities. 

In your opinion, have opportunities grown with the arrival of platforms like Netflix? 

Netflix wasn't afraid to trust a series of directors. Which studio would have produced Roma or Irishman? He has the courage to make films that Hollywood deems too risky.

The Golden boy

“Luca Marinelli, as we have never seen him before: in his Hollywood debut, he becomes an immortal and fights with Charlize Theron to save the world.”

Just before the lockdown he was one of the jury members of the 70th Berlinale in the city where he has lived for years - and he swears he had so much fun watching three films a day. The audience awaits him in theatre in the role of Diabolik, in the film directed by Manetti Bros., but on July 10th he arrives on Netflix with The Old Guard, the action movie that sees him alongside Charlize Theron. And where he plays the Italian Nicolo, Nicky for the group of immortals he belongs to. Directed by Gina Prince-Bythewood and based on the graphic novel by Greg Rucka and Leandro Fernández, the film offers Luca Marinelli an insidious superpower, an endless love and a new opportunity to demonstrate his talent as a true champion. We reached him on the phone and he, less shy than usual, told us how he became a secular "superhero".

How did you get to the project? 

I auditioned in London, where I later returned and met the director. Lastly, there was a final meeting between me and Marwan Kenzari. We made a scene together and then they announced to me, "We'd love for you to be Nicky." 

What struck you about this character? 

The story fascinated me because it tells of immortals as if they were the damned. Nicky and Joe live this condition as a gift because they are linked by a wonderful love story and they are not alone. They met in an absurd and paradoxical situation, during the Crusades, ready to kill themselves. They did it a hundred times and then they looked at each other and fell in love. But others suffer from it, like Andy and Booker. In a beautiful scene, Booker, played by Matthias Schoenaerts, explains what happens to them: they see the people they love die and blame them because they cannot prevent it. And they are tired of watching the world repeat itself following the same dynamics. They fight to save people, but everything seems to go on the same way. Only in the end will they discover what they have done and what they are doing. 

How did it go with Charlize Theron? 

Well, it was wonderful! As I read the script I said to myself: am I really going to make a film with Charlize Theron? And hug as well! I was very excited and intimidated already while reading. She is an extraordinary actress. In the scene where we are at the table and everyone tells Nile something about us, Andy tells her what we are and it was nice to see her running and venturing into the midst of emotions and thoughts. Sometimes I got distracted and didn't say my line. But Charlyze is also a crazy athlete. You have to be really athletes, otherwise you don't survive at the end of the day. And Charlize is an athlete of the body and the heart. 

What about her athletic training? 

We got together a month before shooting to start working with the stunts. I had to get some athleticism back: when I arrived and they looked at me I think they were a little worried. We had to become familiar with martial arts and then we switched from the sword to other weapons and to hand-to-hand combat. We prepared scene by scene, including the choreographies, different for each fight, and each of us had his own rubber reproduction of the sword. It was an unforgettable training.

The immortals come from different places in the world. How much of Italy is there in Nicky? 

Apart from the pronunciation? They still laugh at some of the things I said. Marwan and Matthias, but also Charlize, speak Italian at different levels and every now and then I enjoyed shooting a few sentences to which they could answer me. 

Did you offer your character something that wasn't in the script? 

Well, being in such a group, shy as I am ... I tried. I have always focused on the bond between Nicky, Joe and the other members of the group, because I am interested in discovering what is inside a character, his feelings, how he looks at the world, what excites him. Nicky has lived for centuries, but still greets the people he meets in the desert with a smile, inside him there is the flame of an infinite good. Each character has a different sensitivity and their own armor. Nicky is perhaps the least armored one.

The challenge was also to make people believe in a love story that has lasted for centuries. 

Marwan recites a beautiful monologue in which he talks about their love story. I hope that each of us, in their short life, can say the same thing about the person they love. 

You’ve already had superpowers in “They Call Me Jeeg”. What is your relationship with this genre? 

I like it very much and I think that both films, very different from each other, have a very interesting soul. In Jeeg Robot, Enzo Ceccotti uses his superpowers to help others, taking on a social responsibility. In The Old Guard the protagonists put themselves at the service of others, even if no one has asked them to. “This is what we do,” they repeat over and over to each other. What they do is save people, participate in what they think is right. 

How do you think they would react to protests on American streets and around the world?

I don't feel like playing games, mixing reality and fiction on a terribly real subject like this. I think that in reality, outside of any cinematic fiction, it’s fundamental to fight for equality, within society, but also within ourselves. To go back to our film, if in a microscopic way we manage to carry a message in that direction, I would be very happy. 

What director was Gina Prince-Bythewood? 

She is always ready to listen, and I am someone who asks a lot of questions even at inappropriate times. She always had great patience and was very attentive to the emotional side of the film, to the interiority and beauty of the characters.

CIAK Magazine - Luglio 2020

Just wanted to translate this old interview for the non-italian’s fans ^^ (sorry for my English)

[ghostietea]

Furuba autistic headcanons

With it being April, or autism acceptance month, I wanted to finally drop my list of characters from Fruits Basket that I read as autistic! This is based a lot on my own experience, as well as that of other autistics I know or have seen talk online. I hope some people can get something out of it, feel free to tell me what you think 😊, though please refrain from getting upset that I would dare suggest your fave is autistic.

Hanajima

Before becoming able to better control her powers, she would be constantly overwhelmed by the things she heard to the point that she couldn't even really go out in public. This reads a lot like sensory overload.

Constantly picked on in school because other kids thought she was weird. Eventually reclaimed this weirdness and turned it into a whole persona.

Seems to talk usually in a relatively flat tone.

Had trouble socializing with no friends outside her family until middleschool.

Has a very funny, dry sense of humor that I find very similar to a bunch of autistics I know, including myself.

Hatsuharu

Listen. You have seen the funky little man, you have seen the way he talks, the way he acts around others. He is, and I mean this in the best way, a weirdo. I do not know how you could look at him and see a neurotypical.

Once again, like Hana, Haru is funny in a way that feels very autistic.

Very flat, dry, tone delivery. Sometimes just Says Things that make everyone else go huh??? Suuuuper blunt. Doesn't emote facially a lot of the time.

When this man sees a social norm he doesn't get he WILL NOT follow it. Pierces his ears just because his hair got flak, defends Momiji wearing whatever he wants because sometimes y'know the social rules are just dumb and don't make sense. Especially dress codes.

Sometimes says things not befitting the current tone of the situation.

Represses (masks) a lot of his emotions, leading to outbursts that seem uncharacteristic.

His main childhood trauma revolves around adults branding him as "dumb" and ridiculing him. Haru, however, is super smart and wise!! Just in an offbeat way that not everyone may get.

Machi

Reads as very "flat" emotionally to the point that others would call her boring. Also has a flat vocal delivery.

Relies on specific habits or ways of doing things or else she gets super upset (her hatred of imperfection.

Has trauma surrounding adults completely misconstruing her intentions and thinking she's doing something malicious when she's not.

Generally behaves in a way that's hard for others to understand, one of her formative moments with Yuki was him saying he wanted to "see how the world looks" through her eyes.

Once again, trouble socializing.

Tries super hard to please her parents but in the end they still see her as somehow inherently "defective."

Listen. A lot of this one and the last two are mostly vibes, hard to verbally define. You just have to look at them and trust me.

Tohru

Displays behavior very reminiscent of masking throughout the story, a huge part of her arc is about how she hides a lot of herself and has a very controlled persona. I think it would fit very well if she had other autistic behaviors that she suppresed also it helps explain why she is relatively socially adept, it's learned behavior to make people like her more.

Yes she is very good at saying what others need to hear, but especially early on she is pretty blatantly imitating her mother's words. She only gets better at getting through on a more personal level later on (see her with Rin and Akito v. early series Tohru). She does this by relating her own experiences, a very autistic way of showing empathy that often gets us written off as self centered. The way she relays things her mom said could also be seen as this, and she even worries at a few points that she's being insensitive for going on about things like that.

While emotionally repressed she is hyper empathetic and feels other's emotions so strongly she cries.

Her speech patterns are all imitated from her father and she often copies verbal things from others (see Ritchan-san). Noted in canon that people think her way of speaking is slightly off/not befitting of someone her age. Additionally, her father was polite more sarcastically, while she plays it straight and sometimes takes things very literally or fails to get the message, indicating trouble with reading tone. Has numerous strange verbal tics, including saying parts of her internal monologue out loud without context.

Very expressive with her hands including waving them around and flapping them up and down.

Does have a bit of trouble with accidental insensitivity in social interactions, like how she constantly fixates on her mom and realizes that might bug the Sohma.

Has trouble paying attention in school since it doesn't have much to do with her interests

Her only friend until she was a middle schooler was her mom

Has a pretty unique outlook on things compared to others, people seem to think she's pretty eccentric. There's always a "this girl is nice but in an odd way, she's our weirdo and we love her" vibe.

Sometimes has an "inappropriate" emotional response to situations

Has a lot of trouble with change, similar to Akito. Which oh, look at the time, next hc coming up.

But first, a disclaimer. It is cathartic for me to read Akito this way, but with that reading comes the baggage that she would, mayhaps, be showing a more negative side of things... It doesn't bother me since it's a joint hc with other characters and she does develop at the end but yeah, general villain hc baggage. This is in no way me trying to excuse her being The Worst being autistic doesn't absolve you of being able to do wrong . Also, a lot of these points can and do have other explanations related to her upbringing, but things can be for more than 1 reason. With that said, she really strongly comes off as autistic to me, in a way that's sorta hard to explain. I wrote a lot more for her than the other, both because I felt I needed more to convince people and that this headcanon was more sensitive and I needed to be careful in my explanation. Also hey! She's my special interest within a special interest.

Akito

Shown to have a dislike of summer weather due to heat and brightness, could be due to sensory issues in tandem with sickness things. Also covers her ears when people raise their voice sometimes which is partially her trying to shut down opposition but also 🤔 can read a different way. She'd also avoids louder Juuni like Ritsu and Ayame because she can't handle them.

Wears pretty much the same outfit every single day. Said outfit is also pretty loose fitting.

Always seen sitting in a pretty unconventional way. Evidence:

Of course this is also the isolated in a cult thing and there is a level of her purposefully doing things to intimidate but: doesn't follow a lot of social rules (overly touchy with strangers, legit doesn't get that what she's doing is wrong, ect.). Repeatedly confused when people indicate she should act otherwise without explanation. Has a breakdown when this comes to a head and approximately says that "they" shouldn't expect her to know "common sense" if "they" never explained it to her, that the way that she was was her "common sense."

Often talks in a way uncharacteristic of her age when shown as a child in a more faux mature/pretentious way. Might just be the translation and idk how to explain it but her speech as an adult also seems off from what one would normally use in conversation. Additionally, when she tries to fake being friendly in her intro chapter, it comes of as extremely stiff and unconvincing.

Generally displays behavior that could be thought of as childish as an adult, but a lot of this behavior could also read as autistic (covering ears, emotional deregulation and meltdowns, ignorance of basic social norms, ect.). It's also important to note that she knows that this behavior makes her seem younger and more helpless to the older zodiac and uses it as a manipulation tactic. Has issues regarding people treating her like a child or only hanging out with her because of pity. While she does weaponize it, we can tell that this grates on her, as seen with her finally blowing up on Kureno, which is partially triggered by the maids saying some sorta infantalizing stuff about her. Irl, a lot of autistic adults and teens struggle with being infantalized for our behavior generally or treated as little babies that can do no wrong. Even in fandom, you see people doing stuff like jumping to call autistic adult characters, such as Entrapta from Shera, "minor coded." It is also common for us to have at least one bad experience with someone hanging around us out of pity. This is something that really gave me a similar feeling in Akito's arc. She's not a baby and she can understand and do better if she is given the chance to learn and break from all the freaky cult indoctrination she's been subjected to instead of just being constantly enabled. In the end, a lot of her growth is represented by her showing that she is capable of changing and being independent.

Shows particular difficulty with socialization, often sits by herself spacing out at social events. A lot of her fear is rooted in the fact that she doesn't know how normal relationships work, becoming overly reliant on the curse because she doesn't know how to make friends.

Clings desperately onto the notion of being "special" and in some way superior to others to be worthy and to make up for perceived inherent "flaws." It's the nd gifted kid burnout vibes for me.

Easily bothered by things that don't bother others. Feels emotions very strongly to the point of getting physically ill and has bad emotional regulation.

Relatively good at reading others in an analytical sense (though has more trouble when it comes to seeing how they feel about her since she's wildly delusional) but brings up her observations in a very cold, detached way and hurts people even on the rare occasion she didn't mean to. Has extreme trouble connecting to others and understanding their point of view. This makes her come off as pretty unempathetic even though that might not fully be the case. Also thinks that people like Momiji are trying to look down on her when they try to empathize with her. A lot of why Tohru can get through to her is that she manages to convince Akito that she's not condescending by relating shared traits and experiences. As I said earlier, autistics often empathize by sharing their own experiences with someone, and I know I often have an easier time confiding in other autistics because of a fear of being seen as lesser by those that don't understand me. I think the connection between these charachters and the way that Tohru manages to reach Akito like that while others couldn't makes a lot of sense through an autistic lense!

Additionally, when Akito herself gets around to trying to help others instead of just projecting trauma, she tries to reach out to the old maid by relating back to her own experiences. This however, doesn't work.

Has "cold" emotional reactions sometimes even to things that do make her upset. For example, how sort of calm and detached she acted after her father's death can make her seem uncaring. However, we know that this event did mess her up a lot and she is still (poorly) dealing with a lot of grief from the death of her father years later.

Copies mannerisms from others, the most blatant example is with Ren, who she directly parrots lines from as a child to Yuki.

Partly just her posturing, but gestures a lot with her hands when she talks. Also seen several times clutching her hands in her hair.

Deals extremely poorly with the idea of things changing to the point that it is a driving force of the story.

Does not understand when people tease her.

Ect. Ect. Ect. Listen, I could go on for ages but just trust me, the mean gremlin lady is autistic.

[oswald-privileges]

ALL RIGHT BUT YOU ASKED FOR IT

Power of Three as a series is just. full of weaknesses, most of which come down to poor continuity and structure. I'm not gonna try and fix ALL of those, bc that'd be laborious as hell, but I will pick out things that I feel are the most egregious as case studies.

What Po3 does have, tho, is an absolutely shining strength in the concept of its three main characters. After twelve books of Blandly Heroic Protagonist Syndrome, Jayfeather is an absolute godsend. He's angry! He's rude! He's unhappy! He's not nice. I Love Him And He's My Son. Lionblaze has his invincible pride (hah) and emergent bloodlust, and Hollyleaf has her moral absolutism and certainty. These are good starting points for characters. Sadly, the lack of continuity undermines what could have been three really good character arcs.

So! I present to you:

HOW TO MAKE "WARRIORS: THE POWER OF THREE" NOT COMPLETELY SUCK ACCORDING TO MY PERSONAL TASTE; A NON-EXHAUSTIVE, NON-CONSECUTIVE LIST BY ME

ONE

- Have there be a persistant, overarching series threat. Sol is a character with amazing villain potential who does literally nothing except hang around, and do exactly 2 Bad Things completely off-screen. This Is Not Good.

- Instead, have him be present from the second book onwards- initially introduced as a friendly but enigmatic outsider who is slowly revealed across the series to be a complete black hole of a personality, a social parasite quietly rearranging whatever community he's a part of to just-so-happen to benefit him as much as humanly possible. His "preach individualism not starclan" methods are not so much values as one strategy out of many. (to those who know me- yes i have a type. no i will not apologise.)

- Maybe his ultimate goal is to dissolve and centralise the clans or something so that he can live out his life as a political puppetmaster in all the cat-luxury he likes. idk it's hard to imagine overall stakes for this rewrite BECAUSE THE ORIGINAL DOESN'T HAVE ANY

TWO

- For gods sake you don't have a series based on the premise of "the main characters develop super powers" and then only have the second power confirmed by the end of the fourth book. I understand the first book mostly focusing on Jayfeather- his powers are obvious from the start, he's got the strongest personality of the three, he gets access to most of the prophecy plot stuff because of them. But you NEED to have the other two show an interest in something concrete happening to them beyond that, and you need to at least hint towards the other two having something unique to them even if nobody clocks it yet.

- Have Jayfeather tell his siblings about the prophecy by the end of book two at the latest. The amount of time he spends noodling around not sharing it with them is inexcusable. It's not that it's out of character for him to hang onto a secret for a bit, it's just that there's no point and it slows everything down. It would be equally in character for him to go to his siblings and be like "look, i'm SPECIAL. well you as well but ALSO ME". Boy starts off as desperate for recognition, what can I say

THREE

- Have Jayfeather discover that StarClan don't withhold signs or information on purpose for the sake of "building courage and faith" or whatever nonsense. Seeing and communicating the future is metaphysically very difficult, so interpreting signs and messages is a genuine skill, or even an art. The cats of StarClan, however, really are just ghosts, much more similar to living cats than the currently living believe. This is the impotus for Jayfeather's discarding of his reverence for StarClan, which remains consistent throughout the series.

- Have Hollyleaf and Jayfeather both still change their cat careers in the first book, but put place more attention on the fact that they basically switched jobs. Have a scene where they end up yelling at each other, because can't the other see how lucky they have it? The tension breaks when they realise they've both lost something important to them- Jayfeather his chance to prove he's as capable as a sighted cat, and Hollyleaf her path to helping her clan in the way she thinks is best. They commiserate together, and reluctantly promise to do the best they can with their lots, so they don't waste the path the other wishes they'd taken. This closeness is eroded over the series as they disagree more and more on the subject of StarClan and its role in their moral choices and obligations.

FOUR

- Speaking of Hollyleaf! I nearly threw my phone across the room when the first Omen of the Stars book claimed that Hollyleaf "worked so hard to discover her power to help her clan". Where, Ms Erins??? I would have LOVED to have seen that!! Hollyleaf expresses absolutely no concern over the details of what power she has/will develop, and only has a couple of scenes even touching on her ambitions to help her clan. She has some vague ideas about becoming leader and like one scene where she gets to do some leadery things, but that never gets followed up on. What does happen is that the whole "warrior code" thing becomes more and more a part of her personality (for no clear reason) until she snaps.

- Hollyleaf going off the deep end is something I wanted so badly to get into and be moved by, because I could see where it comes from! Her moral certainty is fascinating, especially since it's based in something as abstract as the warrior code- which, when you think about it, isn't really... anything. There's no concrete set of rules that make it up, no traditional wording or cat philosophers, not even any fables. It's a handful of agreed-upon, common sense rules- don't cross boundaries, don't take prey that isn't yours, respect your ancestors, and don't murder. That's it!

- So, combining the above points, I think Hollyleaf not being one of the Three should stay, but both the audience and the characters are given good reason to believe she is. By around the third volume, make it so that Hollyleaf has found that her power is to get cats to "Do The Right Thing"- i.e. what she wants them to do. She sneaks off often to see Sol, who teachs her how to use this power. Her siblings are concerned about this new power, having already gotten a glimpse at what Sol can do, but she's confident that she can only use this power for good. Volume-specific plot happens, Sol manipulates her into causing him to win, she is shocked and horrified, and vows to stick ridgedly to what she knows is right i.e. The Warrior Code

- However, the more fervently she tries to stick to this abstract idea, the less it gives her results, the more her power seems to be failing. Believing that StarClan is taking her power away from her, she becomes caught up in a faith-guilt spiral that puts her in the position to snap at the end of the series. By that point it's clear to her siblings that Hollyleaf has no power- she was just very, very good at persuading people to do what she wanted.

FIVE

- Lionblaze is a girl now because I Said So. This Cat Is Trans And There's Nothing You Can Do About It.

- Her relationship with Heathertail stays the same- childhood sweethearts who are torn apart as they begin to understand the nature of the societal divides that exist between them.

- This can be used to contextualise the whole "half clan/outsider blood" thing as a cultural contradiction. In reality, inter- and outer- clan relationships aren't at all rare. They can't be, otherwise the whole society would be inbred out of existence in like five generations. But if at least one society of humans can spend a good 200 years pretending Sex Is Bad And Sinful Actually then cats can have persistant cat-racism in the face of all logic. Heathertail clocks this contradiction, Lionblaze doesn't.

- Her relationship-to-power arc doesn't need changing all that much either, other than starting much sooner and being more consistent. At first, she's completely overjoyed by her power, since unlike her siblings, it lines up so well with her ambition- become the finest warrior any of the clans have to offer. As the berserker rage aspect becomes more prevelent, she becomes more and more disturbed by the fact that she isn't disturbed by what she can do, and that she doesn't want the escalation of her power to stop.

- Tigerstar still does his thing, but Brambleclaw knows about it. He recognises the signs from when his father used to visit him, and tries to train Lionblaze in his own way. She ends up caught between wanting to be a good warrior, and testing the limits of her power.

SIX

- Jayfeather can stay basically the same because he's my perfect little angy boy and nothing needs to change. His arcs can be strengthened by having a more robust relationship with Yellowfang where they try to out-bitch each other, and coming to terms with his internalised ablism. Maybe he has a chat with Mothwing about faith a couple of times. Him furiously lashing out at being offered help transitions into an acceptence and understanding of his abilities more naturally. He never stops being A Grumpy Old Man.

- All fucking past-lives unexplained time travel goes in the BIN. Doesn't fucking happen. You can have that lore dump sprinkled across the books, or come from going deep into the tunnels and having a surreal meeting. Make it properly eldritch-level scary, shake Jayfeather's confidence in the idea of them being just a bunch of ghosts.

SEVEN

- Have the way Brambleclaw and Squirrelflight present very clearly as parents to the Three be explicitly, textually unusual. One of the things I liked so much about the first series was an almost total lack of emphasis on who was mated with who, and who was related or not. It felt very real to how feral cat colonies form, where raising kittens is a communal job. This gets completely dropped the moment series 2 starts and now the cats have monogamy.

- This emphasis on the family unit and fostering close relationships between parents and kittens is deliberate on the part of both Leafpool and Squirrelflight. Their aim is to cover for Leafpool so she doesn't lose her role as medicine cat- something she already gave up Crowfeather for before she was pregnant.

- In that little bit of backstory, have a robust reason for both Leafpool and Squirrelflight to leave the camp while Leafpool is pregnant and giving birth, possibly one that ties into the present day story in some minor way. I don't know how, it would just make that element of the story a lot more ground than "we left, the kits were born, then we came back and everyone was cool with it"

- When it comes to the "I am Not your mother" reveal, Jayfeather and Lionblaze are confused and hurt that they were lied to, but come to the reasonable conclusion that well, since they were raised mostly by Squirrelflight, saw Leafpool often, and are loved by both, they don't hate her. Lionblaze has something of a crisis over being half-clan, possibly initiating an attempted reunion with Heathertail. Jayfeather is more concerned with how other cats will think it makes him lesser, something he's still sensitive too.

- Hollyleaf, meanwhile, completely fucking snaps at the way her mother Violated Part Of The Code. It's a completely irrational reaction, but expected because she's been growing more and more reliant on The Code for the whole series, and less and less stable in her attempts to aid her clan and train to be its new leader.

- Squirrelflight is the one to murder Ashfur. This is easy to work out while reading- she's literally the only one of the four with a motive who isn't a perspective character. The mystery is less around finding out who did it, and more about why she did it (it's very ambiguous as to whether it was an accident or not). The main tension comes from who finds out when.

- Lionblaze is shocked, awed by how far she'd go to protect the three of them, and reassures her she did the right thing (as a way to salve her own uncertainty over her own longing for violence). Jayfeather makes it all about himself because he's Jayfeather- upset that he didn't know immediately, instead of, you know, figuring it out in a few hours because he can basically read minds. They try their best to hide it from Hollyleaf, who is already rattling around the final volume as a full-on antagonist, but are unsuccessful. This almost costs them something incredibly important- possibly Squirrelflight's life.

EIGHT

- the whole plot with the Tribe Of Rushing Water is a MASSIVE can of worms that could be removed from the series without issue. As it is:

- Characterize the Tribe as uncertain of how to fight other cats, because yes, they haven't had to do this before. DON'T characterise them as pathetic, doing whatever their leader says without thinking, and with ancestors who have Given Up

- Have some of the Tribe be really good at the violence. Worryingly good. Have others be sickened by what they're being asked to do.

- Have some of the clan cats reflect on what they've done. Hollyleaf would be all for introducing this society to jesus The Code, but even she might be horrified at being thanked by a tribe cat who can't wait to get out there and win themselves glory, only to be killed a few hours later

- The Tribe begin a new tradition of marking the walls in the mud they use as camoflage in order to commemorate their battles, and memorialise the fallen. One of the characters reflects on the fact that in a generation or two, the Tribe will feel like it's always been this way. How many of their own traditions- those that feel almost like natural law- started out the same way?

- Have Sol as the leader of the invaders, or maybe having insinuated himself into the tribe as a "mediator" and doing his charismatic cult leader thing.

NINE

- Cinderheart isn't a reincarnation of Cinderpelt. She's just named after her bc Cinderpelt saved her mother from a badger. this is because I think the reincanation thing is stupid and I can't think of a way to make it good.

TEN

- No more using tails as hand gestures like covering people's mouths. Never. None of it. It's expunged from existence.

Disclaimer: I haven't read Omen of the Stars yet, so I can't account for anything that might happen in that series that's grounded in Po3. I'm like... two thirds of the way through the first volume. I'm Not Impressed.

[sparklingchan]

Chapter 4|| Stormbringer- Stray Kids Demigod AU

Pairing : Reader(fem.) X Felix

Word count : 1.9k+

Warnings : Fight scenes, injuries but nothing too intense.

Genre : Romance, Demigod AU, fluff, angst.

Description: The day of the Capture the flag game arrives and there’s no denying that you and Felix make a wonderful team. Somewhere in the back of your head, you make a quiet note to have him by your side even when the real quests start.

A/N : Y’all I’m so bad at writing action scenes XDD I swear I’m trying to get better at it.

Enjoy!

SERIES MASTERLIST ||  Click here for introduction to the story and glossary and here for the Stray Kids demigod diaries!

Game mornings have always been your favorite.

Leaving out having to wake up early, you love everything else about game mornings; the little cheer song Apollo kids go about singing, the freshly cut fruits at breakfast which are otherwise a rare sight, camp students being all nice to each other which again is kind of rare, all the Satyrs moving here and there with banners and swords and arrows. The camp feels livelier than ever.

And to Felix, this sight is a complete different world. Almost like a pleasant dream.

Felix watches all the excited kids move around the camp, the jumping Satyr, the hearty breakfast and a new, foreign glow on your face as you sit across from him, explaining the game to him once again.

"Weren't you paying attention the first time?" You deadpan when he asks you to repeat, your front teeth nibbling against your lower lip in annoyance.

Felix smiles sheepishly and tilts his head with a shrug of his shoulders, as if to say 'Not really.'

You end up explaining it to him again because who could ever say no to that smile.

"So Capture the flag game is played in different ways by different Camps all around the world. As for Camp Levanter, we have a special set of rules that are to be followed."

"We're divided into two groups, which are further divided into smaller sub groups. Each group only has one purpose - to capture the flag that has been hidden at the Athena temple on the hill behind our camp. We can use dummy weapons to stop our opponents from getting to the flag first but we're not allowed to fatally hurt anyone or use our powers. Whoever gets to the flag first, wins. Do you understand now?"

Felix nods with a tense smile.

"I'm nervous, y/n." He later goes on to admit as Minho and Eden declare the beginning of the games and call over the participants near the starting line. You glance at him and he is fidgety, like a middle schooler going to his first date. He wears a loose black t-shirt with a pair of extra baggy pants and his fingers play with the blonde strands of his hair.

When he catches your gaze, he smiles ever so sweetly.

You look away.

You feel the adrenaline course through your own veins as you gently pat his shoulder, "We're gonna win this. Trust me."

The other participants soon gather at the starting line, the competitiveness very much distinct in their sharp glances and quiet snickers, a contrast to how it were this morning. You'd never been one to be nervous before and today, you feel more confident than you've ever felt before. You wonder if the boy standing beside you, with his fingers tight around the sharp wooden sword, has something to do with this sudden confident outburst.

"Alright. Everyone, get ready!" Minho grabs everyone's attention with his loud voice, "And.....GO!"

Eden blows the Horn and you turn to look at Felix, sending him a wink,

"We're winning this, Lee."

*

A few seconds into the game and you realise that Felix and you make a bloody wonderful team. He's good with the sword while you're good with the arrows, he has sharp senses while you have sharp reflexes.

Your opponents attack you at the most random, unexpected moment but the both of you happen to defeat everyone of them and move closer to the temple, climbing through the thick mountain forest.

"You know, I didn't think we'd make such a great team. " Felix admits, panting and wincing as a tree branch brushes past a bruise on his arm, "You're not that bad, eh?"

You manage to giggle just before an arrow wheezes past you, missing you by a single inch.

Your heart as if stops beating for a second.

"Shit! I thought we were leading!" You hiss, falling on the ground.

Felix gets ready to defend your vulnerable position, his sword raising in alarm.

While on the ground, you quickly grab an arrow and position your bow in the direction from which the opponents' arrow flew.

You hear crunching of leaves and branches and quiet whispering.

"They're here." Felix mutters.

The footsteps get closer and closer and before you know it, Felix is tackled aggressively onto the ground. You turn around and shoot your arrow, almost blinded by the suddenness of the situation.

"Goddamn it, Han Jisung!" Felix groans as he wrestles for dominance over Jisung, who is laughing almost maniacally.

"Jisung, I swear to-" you are about to get up and run towards the wrestling duo, but an arrow falls onto the ground, just near your feet.

Its your arrow.

"I underestimated you, y/n. You seem to be a pretty good archer." Changbin appears from behind one of the trees, a visible bruise on his cheek from where the blunt, rubber arrowhead must have hit him.

"And I, you." You respond, grabbing another arrow and stretching the string of your bow, "We're going to win this, Changbin. You might as well get going before I bruise your pretty face again."

Your words come from nowhere but a place of playfulness and competition, but Changbin's eyes turn dark.

You quickly run over to cover Felix, who seems to have gained dominance over a very tired Jisung, all of Jisung's arrows having fallen out of the case and onto the ground.

"I could say the same for you." Changbin approaches you, a wooden knife in one hand and a spear in the other.

He attacks and you dodge, smooth like a cat.

"Felix! Go! Get the flag!" You yell and hope Felix realises that Jisung is too tired to keep up a good fight, "Quick! Go now!"

Felix jumps from a panting, sweaty Jisung and runs towards the temple on top of the hill, his footsteps momentarily slowing down as he turns around to look at you, as if for reassurance.

You nod, "Go."

Your eyes turn to Changbin, who has his head tilted with a smirk on his face.

"I have always been a better runner than Felix, you know."

He tries to run past you but you grab the back of his shirt and drag him back, almost slipping in the process. Reflexively, he grabs your hand and forces his shirt out of your fist while you struggle to keep your feet flat on the ground.

Changbin is strong, you realise, extremely strong so when you try to throw in a punch, he dodges it easily.

Your brain is running wild now; your only motive being distracting Changbin from running after Felix.

"He won't go easy on you just because you've grown up together, you know." You say, almost mockingly as he tries to get out of your tight grip. You wonder if his shirt collar might tear because of it.

He scoffs, not bothering to answer but instead reaches for his wooden knife. And in the blink of an eye, the knife slashes across your forehead.

"Oh, God!" You groan, clutching the burning area on your forehead. Your body once again falls onto the ground, your vision extremely blurry.

With barely an eye open, you see Changbin run up the hill but you're quick to move and grab his feet such that he trips and falls down. You drag him down further, while he struggles to climb up.

Your heart beat is in your throat, your vision almost zero and your entire body is as if on fire. You pray to the Gods that Felix comes down the hill with the flag because in this state, you could only hold onto Changbin for so long. And not to mention Jisung who's slowly getting up with loud groans and complains falling out of his mouth.

As if on que, you hear footsteps hurrying down from up the hill and soon an enthusiastic voice follows,

"Y/n! We won!"

You wish to run up and hug the man but in your state, all you can do is let go of Changbin's leg and let out a sigh of relief, followed by a giggle.

"Told you, didn't I?"

* You often find yourself thanking the makers of Camp Levanter for making the Zeus cabin as far away from the others as possible that afternoon. It gives a much needed sense of privacy and the luxury of being able to choose when to socialize.

"I hope it doesn't leave a scar behind." You mutter to yourself, tending to your wounds on the verandah of your cabin.

You dip a cotton ball in an anti septic lotion and gently dab over your forehead, wincing when it stings.

"Need help?" You hear a heavy voice from near the staircase of the cabin and your heart jumps a little at his sight, "If you don't mind."

You run your eyes over the various purple and red marks on Felix's body and you pat the space next to you on the floor for him to come sit on.

"Your friend is dangerous." You remark when he settles down, flashing him your forehead wound.

He shrugs guiltily, "He's just a little aggressive, that's all. He'll come around."

Felix shifts in his seat and takes the cotton ball from your hand, silently volunteering to clean your forehead wound.

The sting is still very prominent, but Felix's other hand rubs comforting circles on your cheek to ease the pain.

"Minho told me that you met mom." He mutters after a few seconds, his lips turned down into a frown. Almost as if the news upset him.

"Yeah, I did." You admit as he applies an ointment and then fixes a bandaid over your wound.

"Have you never met-"

"No, I haven't. I don't know what she looks like or sounds like. My father never told me and she never bothered to show herself." Is he angry that his mother met you and not him?

You purse your lips, the sudden rise in tension making you uncomfortable.

"Hey, hey. I am not angry at you in particular." Ah, Aphrodite kids can feel auras. "I just wished she'd come to meet me as well. I don't know why she doesn't. " he mutters.

"Well," you start, "If it makes you feel any better, she did tell me that she wants you to go with us for a quest. Says its important for you to go."

Felix's eyes glimmer with a sense of relief. "Really?"

"Yes, of course and I'm sure she'll meet you soon." You reassure him, though you yourself weren't sure what Aphrodite might do. She isn't the most motherly entity, according to Hyunjin and the other Aphrodite kids.

"Do you want me to go the quest?"

You are applying the ointment on the bruise on his cheek when he decides to drop that question, catching you off guard.

"Why would my approval matter?" You ask.

"It matters." He almost whispers, "To me."

Heat races to your face at his unexpected yet sweet words. You know you shouldn't feel like this, you shouldn't get flustered because of a boy you met only a couple of days ago but under his unsettlingly calm gaze, you find yourself melting. Bit by bit.

"Okay, enough talk." You shake out of the trance, "Go to your cabin and rest. We leave tomorrow night. I hope you paid attention while Minho was explaining the quest or do I need to repeat it?"

Felix giggles, shaking his head, "I paid attention."

He jogs down the small stairs of your cabin and waves you goodbye, making his way to his cabin.

"And Felix,"

"Yes?"

I want you to come with me to the quest.

"Don't forget to have Ambrosia before bed. It'll help your wounds heal faster."

Oh, silly,silly, y/n!

[bunnys-beetlejuice-blog]

Ok since u wanna challenge:

Spin the bottle beetlands style! Guess who?

honestly i guess weegee but only because they always have attitude with me smh

He told Barbara once that he wasn't a social butterfly, and he meant it. Hanging with a bunch of people from school, on purpose, sounds plainly miserable to him. How she and Adam convinced him to even come to this party, well... He's still not really sure what happened. One moment he was staunchly refusing, on the principle that he hated everyone attending, and then Adam had taken his hand, and Barbara had twirled her hair on her finger, and both of them had batted their eyes at him, and all of a sudden his mouth was agreeing to whatever they wanted.

Seems human beings do have powers, after all. So that's about the long and short of how he finds himself at this little human party, surrounded by all these other teens. There's music playing, some trendy top hits garbage he wouldn't be caught dead listening to, otherwise, and from the smell of it, there's definitely drinks being poured, though Adam and Barbara seem ignorant of that. He's led around by his hoodie sleeve, his partners very attentively making sure he's not able to start a fight- they know him so well. Instead they settle into a group on the floor, chatting and drinking and just sort of, casually sitting around in a circle, doing nothing much. "We waitin' for somethin', here?" he asks, as he flops on his ass, and a girl responds by taking a bottle that's sat next to her, chugging the remaining contents, and placing it in the middle of the circle. "Just more players, dude." Oh. OH. Barbara looks interested, Adam a bit nervous, and BJ, well... he's not sure how to feel. The game is played, the bottle spun. The logic of the game is not exactly hard to follow, but he does grimace at the wet sound of lips on lips that couples make when they kiss. Human spit swapping... gross in a very enticing way. "Human beings don't have to make that noise," he says, leaning over to Adam. "They could just kiss quietly.. That's a noise that humans invented." "Oh my god, I know, right?" Adam returns, and then goes quiet, because the person on his other side has just finished, and now it's his turn.

He looks at his partners nervously, then gives the bottle another spin, honor bound by the rules of the game to kiss whoever it lands on, even if it's not his preference. Luckily for him, the demon sitting next to him isn't about to let any of these other losers steal kisses from his boyfriend. The bottle lands on Barbara, very intentionally. BJ watches the sweet kiss the two of them exchange, all flustered but pleased. The two of them settle back to seated positions, faces red, and then BJ reaches out, and spins the bottle, and he forces it to stop on Adam. The group around them all give a little "Oooooh!"

"Two kisses in a row," BJ smiles. "Lucky dog. Comere, Sexy." It's not like he hasn't kissed Adam before, but in public, while being watched, is new. Barbara leans forward to poke and tease them as BJ cups Adam's face, pulls him a little closer, and kisses him. His senses are overwhelmed briefly. Adam smells nice, Adam feels good in his arms, Adam makes a cute little noise when BJ pulls away and bites at his bottom lip. It's maybe a little too steamy of a kiss for a party game, since the two of them have actual chemistry, and it leaves both boys a little flustered. Barbara's looking more red faced than she was a second ago, and she reaches out, gives the bottle a spin, and again, he forces it to stop on himself. "My lucky night," she smiles brightly, and then she gets the same treatment, a cupped face, her gentle hands pulling slightly at the sleeves of his hoodie as they kiss, and a little bite when they have to part. "Jesus, you three, get a fucking room," someone mutters, as Adam and Barbara, both a little overwhelmed, lean over, and rest their heads on either of BJ's shoulders. BJ, for his part, is smiling wide.

Maybe parties aren't so bad after all.

[youwontlikethisblog]

Betty, My Betty! Part 2.5 (Hopefully the last one)

Alrighty, I think this will be my last post for tonight? This morning? But it is still in the same vine of Armando being possessive so he is the main subject of this breakdown but I will also be discussing Mario a lot here so this in an attempt to be the final post regarding this episode will be a lengthy one.

Again I accidently bought the bootleg version of the novela so some scenes and episodes are missing as well as the chapters aren't titled.

We are in the same episode of Armando reacting to Betty having a boyfriend.

Right now Betty is exiting her office, she just hung up the phone with Nicolas who warned her that they needed to pay a loan to the bank because their 24 or 27 days were up.

Mario is leaning over Armando's desk and Armando is leaning forward as they are both discussing and whispering (that part is so short you can't really pick at what they're talking about but you can imagine what it is. I'm assuming that while Mario was telling Armando not to question or judge Betty on her personal life that Betty was in her office on the phone with Nicolas and when Mario leaned forward to talk to Armando Betty was about to end her call so they are essentially talking about how to go about finding out who Betty's boyfriend is) something I cannot hear. As Betty fully exits her office Mario moves from being up front to in the back of the room by the doors that take us to the meeting room. He looks Betty down and up as if checking her out.

This small frame(I don't know if when they were whispering it was them arguing over Mario's proposal of the plan or if Mario hadn't proposed it yet and it was just them talking about how to find out who Nicolas is because again, since this bootleg version isn't the complete one some scenes are missing so I could be wrong about this one! but the episode I saw on NBC showed the exact same scene so I'm going by the first "(red)" in the paragraph above) allows us to depict Mario coming up or starting to scheme the plan.

We know Mario Calderon will screw anything that has legs, wears skirts, and breathes and consents that is(<-hopefully). Every woman who has had a seggsual relationship with him has said so. Marcela warned Paty about it before they got involved so I'm assuming that in this scene Mario is checking out Betty to see if it's possible for someone to really love(lust) her and if not than he needs to figure out a plan and a way to convince Armando to follow through said plan.

When you're writing a novel you write down the key points you want to make but as you imagine certain scenes you really delve into detail of characterization. You make sure that whatever happens in that scene that your characters behave as themselves. So you really spend time getting to know your characters. This is a general rule of thumb for any creative writer. The plus of being a novelist or writing literature is that you can really go deep into details and write scenes in really long poetic ways. I don't know how to write scripts but I've read some from TV shows I've watched and they are written differently than a novel. Scripts have more dialogue than poetic descriptions and they are usually blunt with what the writer wants from each character in that scene.

For example: (Take this with a grain of salt I don't know how to write scripts I am going off based on how I've read them)

Ana walks into the room. The camera focuses on her face. There's lighting outside and we see the lighting flash on her face.

Julian turns to see her. He is surprised to see her. He thought she was dead. He stands up slowly. The camera focuses on his face and then Ana's.

She smiles at him, tears forming in her eyes.

"Is that re-really you?" He stutters. He then walks slowly towards her.

In a script you write where the camera goes, where the actors move, the facial expressions, the mood of the room, and so forth. Yes directors do have a say on how they choreograph scenes and actors can add their own two cents but script writers have a pretty good idea of everything that is going on the scene and why it is. If in novel writing(that's not the correct term) we focus a lot on how the reader will imagine the scene and being able to correctly and artistically discribe it as well as how they will understand it because we are not focusing on visual cues like script writers but rather focused on using words to be able to paint a inner visual picture than in scripts the writer usually focuses on tone and movement. The same rule still stands though; show don't tell.

Why do I even bring this up?

This helps us understand that what is shown here isn't just an accident. We aren't being fed what we're told, we are being fed what we see. What we see is the final vision of the writer. Fernando Gaitan was the only one to write this novel and he wrote every detail with the intention of it to mean something.

I have no doubt that the actors added their own flavor as they are excellent actors and the reason why we were able to fall in love with these character. The directing is amazing as well. The scene cuts, the frames, and the choreo are amazing(tho some stills are funny and y'all know which ones) but the writing has a lot to do with it. If anyone is a script writer or knows what that's about correct me if I'm wrong!

I say this because what we are being told and shown is that Armando had feelings for Betty and not a crush like Betty did. He actually cared about her, as a friend. I know many don't agree with that because Armando was a crappy boss. We see them always interact as boss and employee but the reason why I continue to bring up the fact that he started to blur those lines is because we were being told and shown that.

Armando is mechanical. He is emotionless to the outsiders. As he once told Betty that she probably thinks he is a man of ice and later on in the future we see Betty daydream telling Marcela that she knows Armando acts like he's got a heart of stone but deep inside of him he needs a lot of love. However Armando isn't a man of iron and he tells that to Betty himself.

We are told this but what are we shown?

We are shown an erratic, often driven by emotion, and neutronic person. Now the people he has surrounded himself with aren't the most loving and welcoming people. They are pretty judgy and stuck up. So often the emotions he shows and knows how to distinguish well are anger, frustration, and most of all being erratic with the emotions mentioned above. These emotions drive him. The people around him think that he is a man of stone and that nothing moves him. However we then meet a woman who isn't like that at all or like any of the people he has surrounded himself with.

This person is kind, loving, respectful, and sweet to everyone. She loves her job, loves her friends, loves her family and secretly loves her boss. In a very poetic way Betty is color in an otherwise black and white world. She brings warmth to Armando and because they work so closely, how is he not supposed to be affected by this? How is he not supposed to be changed and moved by this?

He is an awe of her morals, of Betty's qualities and her general presence and though we aren't bluntly told this by the characters themselves we are shown this and it's not by accident and not by mistakes of post production.

Take a break if you need it.

It isn't an accident that we see Mario so much in these scenes just standing in the background taking it all in because he truly is the mastermind behind Betty's downfall. He truly mapped out and planned the way to seduce Betty and how to manipulate Armando and didn't even care if it hurt her or his best friend. What he cared about was that his best friend remained President because titles mean everything to him. As we saw in the past when Armando and him were arguing over the deal with the Panamanian fabric seller, while Armando focused on how it not only affected him and the major shareholders but everyone, Mario reminded him that he was also a minority shareholder, but a shareholder nonetheless. Armando's inner turmoil was that he was jeopardizing the livelihood of not only the company's shareholders, and his family but the entire company's employee roster while Mario was more focused on himself, telling him that he too had a lot to lose but not understanding what really weighted down Armando's shoulders.

Think about it, Mario in a sense is a leech. He gets the crumbs of women Armando doesn't want. If I'm not mistaken in the spinoff Eco Moda Mario himself says that women only ever showed interest in him because they wanted to get close to Armando. Mario lives off of the crumbs of Armando, not only with women but socially. Armando is one of the major shareholders of Eco Moda, he's attractive, charismatic, and an important figure in society and not only among the Fashion world like Mario is. Mario Calderon wasn't going to let his best friend lose the title of being President for anything because than it would be bad for him. It would be bad for his reputation to have been his close friend and accomplice to Armando while also being a part of a disastrous presidency term in the company.

Mario is charismatic, one could even say a lot more than Armando seeing as I myself even like him even when I know all of this about his character. I find him funny, charming, and at times endearing but of course that's when you look at him on a surface level.

Mario Calderon is despicable. He is downright selfish and egocentric down to the bone. He maps out this plan so easily because he knows his two victims well. He has seen Armando's disagreements with Marcela, he has witnessed first hand Armando's change towards Betty and silently observed Betty's interactions with Armando. He himself has thrown out his conclusions on Betty's actions by a simple snip bits of conversation that he's either been in the room to hear or heard from Armando himself.

Who better to make Betty fall in love than Armando? Because Betty has those feelings there and who better to do be the one to do this than Armando? Not only because those feelings are there but because Armando can stomach the job. The man who is confused about his feelings and behaving erratically and emotionally driven than Armando?

Because Armando proposes for Calderon to do it. At first Calderon is grossed out by the idea but Armando presents everything telling him he isn't the boss, that he has no morals and he was perfect for the job. Mario agrees with all of that, even asks for a bigger percentage of shareholding and Armando agrees. This gives us the understanding that Mario would be willing to seduce Betty.

I realize this contradicts my own personal opinion that Armando agreed to do this because it meant he was saving Betty from Nicolas but lets remember that Armando was afraid to face those feelings and he wasn't even aware that they were there. Here Armando and Mario weren't talking about love, as he thinks Betty is so in love with Nicolas that he is her eternal love and that Nicolas would take advantage of that and poison her against them, they are talking about seduction, meaning seggsual. Which I've said before Armando thinks lust is love and therefore that if he ain't wanting to jump they bones in that instant that it cain't be love therefore my mans thought he had no feelings for Betty(idk why bc we do get two scenes where he checks her out briefly (I am sure of this because it's the episode where Betty tripped and was limping and when Mario brought it up Armando asked if she didn't already walk like that, if he had been noticing her walk than he would have been aware of the limp but his eyesight went from the top of Betty's head all the way down. Do with that information what you'd like :)) and where he gets jealous when Charlie Zas kissed her cheek(someone once said that they were celos de jefe and excuse me ma'am jealousy is jealousy and a normal boss would not feel that. If my boss or manager ever did that I woulda done been fired in that instant))

Take a break if you need it.

Okay return back to this scene.

While Calderon does this mila second rundown of Betty, Armando and him share a stare. Either Armando wants the room to himself or is looking at him for a confidence boost. Then Mario nods and lets him know he'll leave them be.

Armando sticks to the script by not removing his trust from Betty. Instead he encourages her and congratulates her on doing things well.

In this scene while Betty has been entirely focused on the work at hand and being professional Mario was busy assessing the situation while Armando... is hard to read here. He is keeping himself composed rather than being emotionally driven or erratic or neurotic. In truth he is showing one of his best traits so far, composure. When he is sure of what he wants to happen Armando is really good at keep composure, feelings at bay, and controlling the situation. Something he later loses as he begins to get more lost and confused in his own feelings and understanding them.

Betty here is endearing, honestly I find Betty endearing at all times lol. She's super cute and such a good sport since her character is written to capture your heart, not by sympathy but by empathy. Again just like Armando how are we not supposed to be affected by such a sweet character? Constantly putting her feelings aside for Armando's, who hasn't done that? We empathize with her because at some point or another we've been her and ironically it's the exact same reason why we sympathize and empathize with Armando because at some point or another we've all been there where we let the worse get the best of us and we've learned to live with it and deal with it same as he.

As Betty starts to leave the office Armando calls her name, stands up in a slow but steady way showing us that he is the one in control in this situation. His tone is controlled but not enough where you don't hear that resent.

"Betty you didn't hadn't told me you've got a boyfriend"

Betty looks taken aback by this behavior of his. As she stares at him a bit shocked and rocks on her feet, seeming uncomfortable with this but also worried.

Armando proceeds to say "and that that boyfriend is Nicolas Mora, your friend from university. The one you've got in Terra Moda" Notice how now there is a waiver in his voice and he no longer is being as composed or in control of his emotions. As he for split seconds allows those emotions of jealousy and possessiveness to sweep through his tone of voice.

In this scene Armando isn't so much giving us body language as he is stiff, showing nervousness and discomfort himself, often we see this whenever Marcela is interrogating him but he is giving us tonality in voice.

Again the sequence as he names the list of what and who Nicolas is shows priority. First, Nicolas is Betty's boyfriend, that guy she's talked about who she went to university with, and she's got him working in Terra Moda. His priority: Betty has a boyfriend. He knows who said boyfriend is and he knows what he does.

Betty tells him that she doesn't have a boyfriend: "Ay ay no Doctor, eso no es cierto." Betty normally has a waiver her voice whenever she's nervous or scared so it's not unlike her to have it here, she smiles and chuckles nervously. In translation what she says is lost so by interpretation this is what she said "Hmm? No sir... um that's not true."

Armando's tone is now accusing her. He seems angered by Betty's "denial" as he tells her "It's not true? I heard it-" we then get a frame of Betty's reaction. She is truly concerned over this as we later find out at the end of the day that she was worried that it could cause Don Armando to build distrust towards her. Again we are shown that Betty is keeping it all professional whilst Armando isn't.

"I heard when Bertha told you, right in front of me. [Y'all] started gossiping, didn't notice I was there. You both forgot about me, no Betty?"* He is shaking as if agitated and he sports a cocky smile because he feels like he caught her in her own lie.

[*]This could be taken in a double sense. In his eyes Betty was so excited about hearing that her "eternal love" called her that she forgot he was in the room and in a figurative way, Betty forgot him.

Betty's understanding of his behavior is rational. He's upset that she withheld vital information from him after she told him she had nothing else to hide(when he interrogated her the previous night) and this is related to a professional work related situation.

Armando now sports similar traits to that of Marcela when she is looking for reasons to act out on her anger. Armando is agitated as stated before and while Betty goes to explain herself Armando grabs his glass of whisky, not taking his eyes off Betty and drinks(cantinero, otro whisky!(Now his behavior here is very interesting because as he grabs the glass to drink from it he takes in a deep breath. At first I interpreted this for anger but after seeing it a few times I realize it's panic. While at first he was composed and sure of what he was feeling which was anger, now he is faced with uncertainty from feelings he doesn't recognize and he doesn't know where this conversation is going to head or how he'll react or feel so he enters panic mode)). She tells him that it was something the cuartel came up with because she once mentioned Nicolas and since then they haven't gotten it out of their heads that he is her boyfriend "I don't have anything with him."

Then relief starts to wash over him as Betty's final words are reassuring him that she doesn't have a boyfriend. In this frame Armando no longer has a drink in hand and he doesn't seem as tense as before.

"Definite? We're sure of that?"

Betty chuckles and nods and his tone of voice returns to being soft spoken and calm, even hopeful as he tells her "Okay, okay it was only curiosity." (What kind of curiosity tho?;))

Betty leaves his office and has a slight smile and was on the brink of a daydream when Sofia interupts her from doing that.

I have this dumb theory where Aura Maria and Freddy are in some way a parallel of Betty and Armando except that Aura Maria takes on the role of Armando while Freddy takes on the role of Betty and if y'all want I'll write a post explaining this.

Take a break if you need it.

Skip a scene we've got Armando interacting with Freddy. Usually everyone pays the burnt of Armando's anger and in this scene he looks anything but angry. He actually humors Freddy which allows us to know that after that conversation with Betty, he has one less problem(you know the one that topped all the others). He then laughs at Freddy(I find it ironic that Freddy told him that what Jenny and him have is strictly professional at which Armando laughs and repeats the same thing. The reason I find it ironic is because we as an audience know that what J & F have is not strictly professional and the conversation Armando just had with Betty wasn't strictly profession. In other words, Fernando Gaitan has a good sense of humor) and tells him to show him his lil dancy dance and leaves to go to Mario's Office.

When he enters his office he informs him he spoke to Betty about that infamous boyfriend.

"What did she say?" Mario asks.

"Well no, that she doesn't have a boyfriend." his smiles and says happily. He the catches him up on the gossip.

While Armando is now showing an array of emotion and excitement Mario is poker face, fidgeting with his pen and studying Armando.

He tells him "You know what this means? That I'm a happy man!" he chuckles and looks around the room as if really taking in the news and letting the relief settle in. "What a relief, finally some good news today, ah" he says the final part as if he were an italian chef. This lets us know that Armando is truthfully relieved to find out that Betty, his Betty is single and that he is still her special man.

In the previous post I talked about how Armando went about listening his excuses to start drinking early that day and how he basically went going from his smallest problem to the biggest one as he says that the one that topped all of his other problems was Betty having a boyfriend.

See, all his other problems were a cause of stress and anger, emotions he is very familiar with so they don't disconcert him however, jealousy or fear of losing Betty, are new territory for him that alone freaked him out but the fact Betty had a boyfriend was enough to just push the boy just close enough to the edge he needed a drink so early in the morning because it was anguish.

Mario tells him he has never seen him so relieved and happy to find out a woman doesn't have a boyfriend to which we pan out to see Armando roll his eyes and slouch against the chair, annoyed at Mario's insinuation once again.

Mario reminds him of the last time he saw that same expression on him which was when he found out some woman was separated from her husband. Armando then tells him not to diminish the good news because it meant Betty hadn't ommited any information from him.

To really bring this post to the full potential of it being analytical let us break this down.

Why was it important for him that Betty not omit information from him? Especially relating to something so personal and intimate of Betty's life outside of the office? (Again the argument that this is only about Eco Moda and Terra Moda are disproven in the previous post).

[EDIT: Sometimes as I write I've got two ideas at the same time and forget to finish writing them. It wasn't only important for the reasons mentioned below but because he does in fact want to know more about Betty as he later tells Bertha the same thing].

Armando went through the five stages of grief.

Anger, denial, anger, denial, more denial, and then moving on.

He did not accept that Betty had a boyfriend therefore when she told him she didn't he fully believed her, didn't ask more questions.

For Armando Betty's character means a lot. I don't mean the individual personification of Betty as a fictional character in this novela I mean as in her inner self and what she represent. To him Betty represent stability, comfort, unconditionality, honesty, and most of all fidelity and loyalty and the last three qualities are what he is always naming. If she withheld something from him it would mean that Betty was no longer that. She no longer would be an object of reassurance and comfort but like everyone else she'd become an unpredictable and untrustworthy individual in his life. Some one more that he needed to keep at arm's length or pretend around.

Armando has gotten a taste of being around someone who doesn't judge him when he is himself and doesn't hold it over him when he makes mistakes based on his neurotic nature or anger issues. Instead he has been around someone who understand he's like that, someone who is patient and knows how to call him out on it and how to handle his erratic behavior so he has learned to let his guard down little by little and found a niche of comfort in his assistant but if she lied to him it would take all of that away. It would be betrayal in his eyes.

That's why it was so important to him that Betty didn't keep secret from him. Especially seeing as they were forming a friendship that was based on honesty and respect towards each other. This explains why that was important to him. It's important for him to have trust in her.

However we ain't kidding anyone because his reaction was possessive over Betty because Betty has given all of these things to Armando, who has never really received them without some fine print, and he doesn't want to share her with anyone else. This is possessiveness and it is not love or romantic. It is a toxic trait because not one person belongs to someone and Armando feels that Betty belongs to him. Be it romantically, platonically, or work related, a person is a human being and they do not belong as an object or property to anyone.

Armando is a very emotionally immature individual and this shows us that.

Mario then proceeds to be his classical self, which is to sow the seed of paranoia in his best friend as he starts to point out that her friends wouldn't be saying that if Betty hadn't given them a reason. His hands clasped in front of him show a position of power. Right now he is holding the cards and he is well aware of that.

Right as he see the reaction he wanted from Armando he leaves him to ferment so to speak in the paranoia he has left in him. Armando becomes nervous all over again and susceptible to it.

He is left with himself and he says "Y quien es el.." now if you're hispanic or latino you'll find the humor in how that scene ends as he starts to sing in a sorrowful tone a very romantic and a song that I'd say most listen to when dealing with a break up "y en que lugar se enamoro de ti?"

Which translate to "And what is he like? and in what place did he fall in love with you?"

I won't read too much into that as I'm sure it was written in for humor or added in for the humor effect as we've had some pretty heavy emotionally driven scenes in this episode but I do think it's an ironic placement of humor.

Now to bring the final scene that I will be discussing regarding Armando finding out about Betty's boyfriend we come full circle with Armando asking Bertha about it.

He acts charismatic, composed and professional to get Bertha to talk to him.

"The subject is the following: I've got a long time working with Betty and It's just until now that I find out she's got boyfriend. Do you know who he is?"

"Well like really know? No, because she's so reserved"

He then with a pierced mouth nods. Again those feelings are creeping back up. I get it. He's feeling paranoia, distrust, betrayed, hurt, offended, scared, jealous, possessive and angry but this proves what I mentioned about Armando having his guard up at all times because he doesn't show any of this to Bertha, at least not enough where she picks up but because we as an audience are given so much detail regarding his character, we can.

Quickly he asks her "And you don't know how long she's been dating him?" brings us full circle again. The same tone he had with Betty when he told her that he was in the same room as her when Bertha said that she had a boyfriend, minus the smirk and actual reaction of his, once again proves that Armando knows when to show his reaction and how to be in control and composed.

Bertha proceeds to tell him the "actual" story in which she tells him "dating dating? No, but he does have her eating from the palm of his hand because she's stupidly in love with him." and we hear Armando gasp and say "No." we then get a frame of his face which shows us... the opiset of happiness, joy, relief, tranquility, peace, serenity but with someone trying to be composed.

Bertha tells him that Mariana read her the cards and said that he was Betty's dream man and that he was going to change her life and she was going to change his life. I don't care for that but for the sake of this breakdown I'll mention it.

We know that Betty's dream man is Armando, not Nicolas. However everyone else thinks it's Nicolas. Armando's facial expression shows someone once again panicking.

He not only finds out that Betty has boyfriend, now it turns out she didn't just omit something from him but lied when he asked her and to top it off she so happens to be stupidly in love with him and on top of all of that he is Betty's dream man and to finish it off, he will change her life and she will change his life in the mildest of riches, meaning with Betty becoming the sole owner of Eco Moda and Terra Moda, making her rish rish $$$.

This is when it no longer is just about his mixed up feelings for Betty but now the entire livelihood of his family and everyone that works for Eco Moda.

Eco Moda is Armando's pride and joy. He does love that company which is why he started that scheme in the first place because he didn't want to lose it, let his father down, prove Daniel right, and throw away 30 plus year of his father's work and life time(Also as we're told because of his goals). The company means a great deal to him and in ways he's not aware of yet, so does Betty.

However someone is aware of this, not to the deep knowledge that Armando has regarding whatever he thinks he is feels towards Betty but they've got some sort of idea regarding this and they innact and come up with a plan to secure the company, the presidency, and his statues and reputation.

Step one: Tell Armando that he needs to make Betty fall in love with him to secure the company. Women in love will do anything for the one they love therefore if he beats Nicolas to the goal we secure the company. It worked with Paty(he's stupid so his logic doesn't work)

Step two: Convince Armando that he is the right candidate for the job. If that doesn't work, manipulate him with paranoia and make him fear Betty. If that doesn't work, tell him you were sure that Betty was in love with him before you found out about Nicolas.

Step three: Tell Armando I will be in charge of all the corny details because he will freak out and get way over his head and ruin the plan.

Step four: make fun of him.

Step five: Go on a trip and write a letter that explains the entire plan in detail and leave it on my desk without telling my secretary to not let anyone touch it or go near it except Armando so that she can go into my office, and I know how she likes to be nosy, and she can then think it's in the wrong office and give it to her assistant who takes care of all of his stuff, literally, and she finds it, reads it and does exactly what I was afraid of and made my best friend afraid of as well and that will then bring her downfall, his downfall, therefore the entire company's downfall.

Step six: never realize how stupid I am or take full accountability for it and apologize sincerely for all the wrong and harm I have caused.

Obviously I'm not saying Armando is innocent or that he didn't do anything wrong. He did. He allowed his best friend to manipulate him when he said he wouldn't listen to him again(the panama thing), he allowed his best friend to make fun of Betty and was a coward to admit his true feelings not only to himself but to his best friend. He was a willing(felt guilty for it but nonetheless willing) participant in the plan.

By now breaking down these past episodes and scenes allows us to understand where Armando was coming from so we can sympathize just a bit for him and his confusion and how he was so easily manipulated by Mario, however this doesn't mean he isn't guilty. At the start of it he too to some degree thought no one could love Betty, (yes we later find out that he did care for her as he tells Mario that he feels endearment for Betty and he looks relieved to find that out. I will be breaking down that scene when I get to it) because of her physicality (I already talked about this but when the time is right I will go into deep detail regarding this part of Armando's character).

It is eleven AM. I have been writing this post for the past seven hours and I am beat and tired. I hope this makes sense.

Once again, 'til next time.

HAHAHA OKAY I FORGOT TO ADD SOME COMMENTARY ON THE REST OF THIS SCENE.

[Edit:

Bertha proceeds to tease Armando about him liking gossip and being Nosey. He gets annoyed at her but in order to get the information he wants he stays composed and tells her that he just wants to know about Betty.

"It's not that[I like gossip], it's just that this is about someone who is really close to me everyday-who I work really close with- and truth be told I am a little curious about Betty's life. You know, one just imagine her a little ugly and with boyfriend...? You know? Why don't you tell me the whole thing?"

At first he is a being defensive while trying to justify the fact he is being nosey. His tone then changes to endearing as he tells her "truth be told I am a little curious about Betty's life." and his face goes along with the tone as he says "you know, one just imagines her a little ugly-" he catches himself and say "and with boyfriend...?"

Overall what we have learned here is that Armando is really good at dismissing his feelings on the spot, suppressing them, and running away from them(I too do that and it's a pain in the butt). He does this as a sport.

Bertha then tells him "The thing is that Betty doesn't like it much for you to know about her private life." and this again offends Armando as he straightens his face and stares at Bertha in shock and as Bertha says "How is it, Sir..." and he quickly sits down to listen to her. "that this morning when we left your office she pulled me aside and told me that she didn't want you to know about her intimate life?" he rubs his chin, eyes still on Bertha and whispers "Really?"

Armando knows that Bertha can't tell half a gossip so instead of asking her to keeping telling him, practically begging her to tell him the whole scoop he manipulates her by saying "If this is going to cause problems then don't tell me. Let's leave it as is, Bertha, thank you." his tone is somber to tug at her strings, how could she possibly leave this man curious over this juicy gossip? and how could she not tell the whole story? Especially because it's her boss?

Bertha chuckles and tells him that she, of course is going to tell him, that she is dying to tell him. Armando then tells her "Well then if this is between us two it doesn't leave the planet, go on, tell me how did it go?"

Armando starts to bit his nail as he listen to Bertha start from the beginning.

She tells him word for word what Mariana said about Betty's dream man. She's obviously describing Armando, but to everyone else that's Nicolas, so the impression or idea that Armando now has of Nicolas is that he isn't some loser or nerd or some nobody but he is an important man who is the type of man woman lust over. They will have an intense relationship that will be strong and that the man is fundamental for her life.

This describes a man that is both important and that will be for sure in Betty's life.

Now Bertha goes on to describe the man Betty told them about. He is desired by woman,tall, handsome, strong, isn't rich but has money, has a big car, and his name is Nicolas Mora. However Betty clearifies that she has nothing going on with him, that she just likes him and she feels a strong attraction to him but that nothing has happened between them.

Then Mariana tells her that something will happen because it will change both of their lives.

Take into account that though Betty's life in a personal aspect hasn't changed much in the professional aspect it has. She's got a respectable job, a boss who values her work ethic and her enough to hand over his company which means she's could be rich. She's abandon some of her morals to collaborate with her scheming boss and is doing things that aren't morally correct.

Armando's life has changed not only professionally but personally. For one he's begun to let his guard down and given more of himself to a woman he isn't in a relationship or knowingly attracted to, his relationship with Marcela is only getting worse and Betty is usually the center of their biggest fights, he has now built a friendship with said woman built on trust and respect, something he has never done with any other woman and of course professionally he has sunken his and his family's company into debt.

I'd say Armando's life is changing a lot and that's not even the peak of it. Betty's life is also changing a lot and they haven't even started dating.

Armando is aware of how Betty's life is changing on a work related level so he obviously believes everything Bertha is telling him because he knows things she doesn't know.

Impatiently and annoyed Armando tells Bertha to explain what she means by "it's going to change their lives." which again since he "knows" things Bertha doesn't, therefore Tweedledum has sowed the seed of paranoia and Tweedledee has given it the perfect terrain for it to flourish so Armando is now listening to Mario's voice that Betty could turn against them though the important thing to note here is that Armando isn't mistrusting of Betty instead he is really mistrusting of Nicolas, because again, who could really fall in love with "ugly" betty. Except that's a joke on it's own because the idiot was already having feelings for her.

They are interrupted by Guti Guti and this is where I will end this post.

Truthfully until next time. ]