#sherlock x mary

[theremarkablemrshall]

Thinking about ✨Them✨

[dreaminonao3]

The 10th chapter of The Adventure of the Hertfordshire Elopement is up now!

[kajaono]

I love the idea of Mary and Sherlock being BFFs.

This is why I love their dynamic so much in RDJ Sherlock Holmes. Because even thought they struggle at the beginning they are so supportive of each other eventually

Same goes for BBC Sherlock. This is why I am still mad at the twist season 4 gave the relationship dynamic

Mary and Sherlock against John. Them being the clever ones, John being dumb. How is such a dynamic still fun?

[reallyunluckyrunaway]

Please SOMEBODY make it happen!!!!

[spooksicl-e]

co-parenting<33

[mossycakes]

thinking about sherlock leaving the wedding early😭😭😭😭😭😭😭

[winterdaphne2]

Gay Easter Eggs in BBC Sherlock

(I trust the above requires no explanation.)

Perhaps someone has done this before, but I wanted to put together a compilation of gay easter eggs in the show that I’ve seen other people point out and/or have thoughts on myself. So here it is!

When I say “easter eggs,” I’m thinking of small clues that the show creators included in the set designs, music choices, and other details of the show to reference that Sherlock and John are in love. I’m thinking of things you could miss at first, especially little clues that often require a bit of extra information or require observations across episodes to understand.

Of course, there’s also lots of subtext woven into the show, moments where interpreting the dialogue or visuals in a certain way tells us something about Sherlock, John, and/or the state of their feelings for one another. I’m not sure if I can clearly define “subtext” versus “easter eggs” and explain what distinguishes them, but at least to me, several of the things I’ve listed here seem a bit different from what people often refer to as subtext. Maybe subtext is about uncovering the layers to a piece of dialogue or an action that takes place in plain sight and seeing how that impacts our interpretation of the story, but easter eggs are about spotting smaller, hidden details. I’m not trained in literary or film studies, though, and I’m not trying to be doctrinaire about this at all! This list is just for fun, anyway. (The above image might not actually count as an easter egg, but I couldn’t resist including it here. Indulge me.)

The more I read about this show and the harder I look, the more I think that hardly anything is there on accident. All these easter eggs must have been included on purpose. The creators knew they were telling a love story all along.

I’ve linked to the posts where I initially saw people point these out or to other good sources, and for some of these I’ve added my own commentary/observations/interpretations. I’m sure there are many other easter eggs that I’ve missed! What have you spotted?

John’s PIN in TBB – When John tries to pay for his groceries at the beginning of the episode, we see that his PIN is 743. In ASIB, Irene’s code to unlock her phone is SHER, which would be 7437 on a phone keypad. So, John’s PIN is a clue that he is or will be in love with Sherlock. Source: @loudest-subtext-in-tv, here.

Shaftesbury Avenue, 20m from Piccadilly Circus in TBB – While investigating in Chinatown, Sherlock and John bump into each other at what used to be a cruising spot for gay men in London. Source: @the-signs-of-two, here.

Archer the American in ASIB – In the scene where the American CIA agents try to get Sherlock to open Irene’s safe, the head CIA agent pressures Sherlock by threatening to have one of his men shoot John. The agent says: “Mr. Archer, on the count of three, shoot Dr. Watson.” Ordering someone named “Archer” to shoot John could be a reference to Arthur Conan Doyle’s poem “The Blind Archer,” which is about Cupid and describes Cupid shooting two men who sound an awful lot like Sherlock and John. Source: couldntpossiblycomment, here.

“¿Dónde Estás, Yolanda?” in TEH – The song that plays during the scene with John and Sherlock’s disastrous reunion at the Landmark restaurant is a cover of the song “¿Dónde Estás, Yolanda?” performed by the band Pink Martini. The Spanish lyrics to this song are about searching for a long-lost lover, which is fitting for the scene where John sees Sherlock again for the first time since his fall. Notably, the creators didn’t use the first of the two versions of this song that Pink Martini has released. The band’s first version appears on their 1997 studio album Sympathique and features a man singing about a woman. Instead of using that version, the creators used the version from Pink Martini’s 2011 compilation album A Retrospective, in which China Forbes performs most of the vocals. So, the creators deliberately chose a remade version of the song in which a woman sings about a woman. They chose a gay song about searching for a long-lost lover for Sherlock and John’s reunion. abrae (@tea-and-liminality on tumblr) has a meta with more to say about the use of this song here.

John’s “oscillation on the pavement” in TEH – In TSOT, John observes a potential client standing outside 221B and trying to make up her mind as to whether to come in. Sherlock tells John “I’ve seen those symptoms before. Oscillation on the pavement always means there’s a love affair.” In the previous episode, John came to visit Sherlock at 221B but hesitated on the pavement outside, staring at the door and trying to decide whether to go in. Sherlock’s comment, “I’ve seen those symptoms before,” is a hint that we, the audience, have also seen those symptoms before—with John in the previous episode. Source: @bidoctor, here. (I saw someone else point out that last part about Sherlock’s hint to the audience, but I can’t find that post, sorry!)

Lilac dresses in TSOT – While planning John and Mary’s wedding, Sherlock chooses lilac-colored dresses for the bridesmaids. When John tells Sherlock that he likes the bridesmaids in purple, Sherlock pointedly corrects him by stating that the dresses are lilac. Apparently, “In Victorian times, giving a lilac meant that the giver is trying to remind the receiver of a first love.” So by dressing the bridesmaids in lilac, Sherlock is trying to remind John of his first love: himself, Sherlock. My heart breaks. Source: @asherlockstudy, here.

Putting the horns on Mary and Janine in TSOT and HLV – In TSOT, there’s a shot where Mary gives Sherlock and John a thumbs up before they head out on a case. The way Mary is standing, the horns on Sherlock’s cow skull thing on the wall behind her are placed right over her head. (I always thought this shot looked pretty weird, but now I see that it must have been intentional!) In the HLV scene with Janine at 221B, there’s a moment when Janine steps in front of John in the frame to kiss Sherlock, and her movement positions the horns right over her head. “Putting the horns” on someone means cheating on them. So in both cases, placing the horns right above Mary’s and Janine’s heads indicates to the audience that Sherlock and John are the real relationship in this show. Source: this post from multiple users on the @sherlockmeta blog.

The architecture of Sherlock’s mind palace in HLV – In the mind palace scene after Mary shoots Sherlock, the architecture of Sherlock’s mind palace is based on locations from ASIP. Sherlock literally built his mind palace out of places from his first case with John, illustrating that his relationship with John is what grounds him and that it means everything to him. abrae has some very helpful screencaps of this here (and I would recommend that whole meta, btw!)

The glasshouse scene in TAB – In TAB, the Victorian John tries to ask Sherlock about his sexuality and sexual history while they’re sitting in a glasshouse. In Victorian Britain, “glasshouse” was another term for a military prison. So John, a military veteran, asks Sherlock about his sexuality in a setting that represents where he would have been sent if he had acted upon his homosexual desires at a time when homosexuality was criminalized. Source: @haffieliesel, here.

What do we say about coincidences? The universe is rarely so lazy.

[henrythepug]

I wish the fandom would stop hating on Mary. honestly, I don't care that she got in the way of Johnlock because even while she was alive she was never possessive of John and totally liked Sherlock and lowkey shipped Johnlock. ALSO, SHE WILL ALWAYS BE JOHN'S SECOND CHOICE and there is peace for the johnlock shippers in that. sherlock was always John's first choice but he left. sherlock messed that up. Also, she pretty much died to make Johnlock happen and is also an all-around queen. MARY DOESN'T DESERVE THIS HATE!!! - a Johnlock shipper

[forever-1895]

Domesticity in The Sign Of Four

Can we just take a moment to appreciate the domestic stuff in the chapter The Baker Street Irregulars?

So basically what happens, is after a midnight goose chase (ft. Holmes and Toby the mongrel) and the three of them return to 221B, Watson is tired and in an iffy mood. He goes upstairs to take a shower and a change of clothes, and when he comes down again, breakfast is already laid and Holmes is pouring out the coffee ^_^

After a chat about how nothing new's going on in the case, Watson asks Holmes:

"...Are you going to bed, Holmes?" "No. I am not tired. I have a curious constitution. I never remember feeling tired by work, though idleness exhausts me completely..."

And Holmes then explains to Watson the mystery of the criminal's accomplice, the savage until he notices Watson is tired, and plays a beautiful melody on his violin which he composed himself to lull his friend to sleep...

"...Look here Watson; you look regularly done. Lie down there on the sofa and see if I can put you to sleep." He took up his violin from the corner, and as I stretched myself out, he began to play some low, dreamy, melodious air - his own, no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face and the rise and fall of his bow. Then I seemed to be floated peacefully away on a soft sea of sound until I found myself in dreamland...

Ironically, this is also the story where Watson gets married - some people think that the above is a last ditch effort on the part of Holmes to keep his companion... 🥲😭

[dreaminonao3]

Chapter 8 of The Adventure of the Hertfordshire Elopement is up now!

[holmeswatsonacsaneroxiadalt]

THE SIGN OF THE THREE

For those who have not seen "The sign of three", I will briefly explain what happens in it:

1. Sherlock reveals his love for John

2. John, after Sherlock said those nice words, hugged him happily, VERY GAY

3. Solve a crime, something that both Sherlock and John wanted

4. Sherlock is jealous of John's ex

5. I don't know, but throughout Sherlock and John's wedding, there is Mary, John's girlfriend (if you remember her) dressed in a wedding dress, but sitting at the table where the best man sits.

That was the BEST gay wedding I have ever seen!!!

[anneangel]

Timeline of the relationship between Sherlock Holmes and John H. Watson!

*I had already posted this, but I deleted. I found new information as flipped through my books. So, sorry who had rebloged the previous post that I deleted, but I prefer to delete and rewrite CORRECTLY, ok?

1881 - Sherlock and Watson meet each other, through for Stamford. As per A Study in Scarlet.

1881 to 1886 - Both continue to live together in Baker Street.

1887- Watson tells us that will marry a woman, whose name he never tells us. As per, The Adventure of the Noble Bachelor

1887- Watson is married to a, no name, woman. Although his friendship with Sherlock remains and Watson even stays at Baker's when his wife is out of town. As per The Five Orange Pips.

March, 1888 - Watson remains married to an unnamed wife, according to A Scandal in Bohemia.

September, 1888 - Watson meets Mary Morstan, falls in love with and becomes engaged to her, as read in The Sign of the Four. There is no mention of what happened to the previous wife, apparently he didn't have any children either with her (I think it unlikely that she died, after all Watson never mourns her, and is soon engaged again without bereavement). It's almost as if this previous girl did NEVER exist.

1888 or 1889 or 1890??? - Watson married Mary, as read in The Adventure of the Stockbroker's Clerk. Watson says his marriage took him away from Holmes. But curiously there are some cases after his marriage where Watson is with Holmes and makes no mention of his wife (strange, isn't it?)

*that's confused me in the post I deleted, regarding the date of Watson's marriage to Mary.

Watson mentions one of his weddings being in the summer/spring and another in the fall/winter. But he does not deign to say in which he married Mary. Having met Mary in September, if he married her in the same year then it was autumn, but if he married her in summer then it is 1889.

Still, Watson says that his marriage and return to the medical profession took him away from the Holmes cases, however there are some cases where he seems to live on Baker Street in 1888 and 1889!! And this confused me earlier, whereupon I said that perhaps he was married in 1890, for how can he be married in 1888 or 1889 and also live with Holmes? Lmao.

Yes! It could just be Watson/Doyle being an unreliable narrator. But do you agree that it leaves room for doubts and assumptions/subtext?? correct?

1890 to 1891- The point is that Watson married Mary, because in The Red-Headed League, which takes place in 1890, he is married! Well, as he mentions his marriage in The Final Problem, allegedly stating that his marriage alienated him from Holmes, a case that takes place in 1891, where Holmes supposedly dies.

1894- Holmes resurfaces, and we are briefly informed that Watson's wife has died, apparently he had no children with Mary. So he returns to live with Holmes in Baker Street. As per The Adventure of the Empty House.

1895 - They aren't on Baker Street, aren' t in London, Watson refuses to say why. They weren't out on a case! (Coincidence or not, this was the year of Oscar Wilde's trial who, although married and with children, was condemned for his relationship with men). They are back in end of April and July in the The Adventure of the Solitary Cyclist case and The Adventure of Black Peter case. But travel to norway after that. Return to Baker in September, as seen in the case of the Bruce-Padington plans case.

1894 to 1901 - Time they lived together in Baker Street again. In that time, Watson stops practicing his profession and sells his medical clinic (at Holmes' request), Watson does nothing more than follow Holmes on cases and write them down, curiously Holmes keeps Watson's checkbooks with him (not there is no explanation why, although assumptions are made that Watson had problems with overspending or bet) and Watson helps Holmes get off drugs too! As per The Return of Sherlock Holmes book.

*p.s: in the year 1896 there are cases where Watson says he does not live in Baker Street, as for example in The Adventure of the Veiled Lodger. However, these cases ALWAYS have narrative inconsistencies. And to other cases in 1897 where he LIVES with Holmes, as per The Adventure of the Abbey Grange.

Yes, Watson/Doyle is a miserable and unreliable narrator because many cases have DATES or DATA and inconsistent FACTS that don't fit, so that it's impossible to organize the 60 cases in chronological order, there comes a point where we get out of accuracy and we have to start to ASSUME/suppose/imagine where some several cases take place. As someone who has tried to organize, believe me, it's a never-ending headache, which is why there are different lists of Timelines. So I'm ignoring Watson's inconsistencies as a narrator in order to claim that he lived with Holmes from 1894 to 1901, okay? I'm just putting here the dates given by Watson that don't have apparent contradictions.

1902 - Watson left Baker Street, for reasons he does not tell us. Claims to live on Queen Anne Street. Although he still takes part in Cases and Turkish Baths with Holmes, as per The Adventure of the Illustrious Client.

1903 - Last cases. Sherlock regrets that Watson has left him to marry a woman (another nameless wife of Watson), so the detective is left alone to investigate the cases. As per The Adventure of the Blanched Soldier. And Watson returns to practicing medicine with a good clientele as per The Adventure of the Creeping Man.

1907 - Holmes is retired. He lives with his bees and a housekeeper he doesn't talk to much. He gets along well with the director and teachers of a school close to his house, to the point of visits, walks and swimming on the beach. Sherlock says he sees Watson on weekends. As per The Adventure of the Lion's Mane.

1908 to 1913 - Watson claims he rarely sees Sherlock, because Holmes prefers to send short telegrams rather than letters. Watson continues to write old Holmes cases whenever Holmes lets him. As per The Adventure of the Devil's Foot (which takes place in 1897, but Watson does just tell us until after Holmes is retired).

1914 -The last appearance of both at Canon. Date of the First World War. Watson had not seen Holmes for about 2 or 3 years, he thought that Holmes had become a hermit with his bees. But Holmes was actually undercover as a spy for 2 years on matters involving the war. As per His Last Bow case.

P.s: In the post I deleted mentioned that Watson got married 3 times and claims to have experience with women on 3 different continents. While Sherlock says he has never loved, has no interest in women and has his body as an appendage and is against emotions that undermine his reason. What they both think in terms of homoaffective relationships cannot be exposed since it was a crime at the time. Watson explicitly exposes to the public a fact that he is Heterosexual while Holmes seems to fit in Asexuality. However, narrative inconsistencies, narrative omissions and errors leave gaps for subtexts. Watson also admits to omitting data and facts that could expose clients or Sherlock and himself. So this also adds assumptions for subtexts.

[mozzzz05]

There’s nothing like going through old edits you saved to exploit your feelings

[szczepan-homeless]

I just made a meme xD

[inexpressiblybeatiful]

Wait. Isn't today(18th of May 2024) the 10th(18th of May 2014-18th of May 2024) anniversary of John and Mary's wedding?

Anyway, happy 10th anniversary!!!

(Well, not exactly happy but you get the gist.)

[queerwritersingerdramaqueen]

TUMBLR, I WILL MAKE YOU POST THIS

PREVIEW: 

AKA-NO-KEN YOU ACTUAL PHSCHIC HOW THE FUCK DID YOU GUESS ALL MY GOD CASTINGS CORRECTLY???

AGAIN, WISDOM SAGA SPOILERS SO READ AT YOUR OWN RISK. ALSO MAYBE A TRIGGER WARNING FOR LOVE IN PARADISE CAUSE THAT WAS MORE THAN I WAS FUCKING EXPECTING.

THIS IS SHERLOCK AND BILL'S FUCKING SAGA NOW BITCHES BROS AND NON-BINARY HOES. AND AGAIN, I'M FANGIRLING AS I GO.

So, with where we left off, William's having a minor relapse in his mental state but it won't become too much of a plot point/serious thing. He and Moran are on funky terms but if there is no "reconciliation" in later sagas then We'll figure that out when we get there. Anyway, this saga ain't about him.

(ALSO, I MISSED A FUCKING OPPOURTUNITY

VON HERDER AS TIRESIAS, IM A FOOL)

Anyway, lets get started.

The Wisdom Saga:

Legendary - BILL IS HERE FUCKERS. SHERLIAM'S ADPOTED SON IS GONNA BE LEGENDARY. I really like how this parallels with Canon when Bill only knew William as a genius professor and Sherlock's actually the one who introduces them in a way. It'll set up nicely for when we get to "I can't help but wonder" and Telemachus/Bill has to toss up with the fact that his Dad just removed the twenty year problem but he did also kill a bunch of people (you know, like in canon.). So this starts out with the lights slowly coming in and Bill's "room" has a chair and a few other easily moveable props. This is a very dancey number I'm finding so these props are probably gonna get taken off stage so there can be actors milling around for Telemachus to interact with, I think he'd be mostly weaving between them trying to avoid them while they keep swiping at him. The majority of suitors can be off the stage but Antinous and a few others are up there ready for the "Whatcha gonna do about it, champ?" The lights would change on Boy to a red colour. It would be so cute seeing Billy fight for Sherlock's Honour. I think something really cool that could happen is when Telemachus sings "somebody help me" the lights flash blue for a second like Athena has heard his plea. and at the very end of the song, he punches Milverton square on the nose (in the fake way of course).

Little Wolf - My big idea for this that would absolutely not transfer over to a regular production of Epic the musical would be that Antinous/Milverton is not the one fighting Telemachus/Bill. I cannot really see Milverton fighting for himself and would definitely have lackey's doing it for him; but outside of this AU Antinous absolutely fights for himself. But yeah, Milverton mocks the shit out of Bill while he's fighting somebody. The lights stay red while the suitors and Milverton are doing their thing. When Athena appears the lights turn blue like fighting of the panic of being in a fight. I think this is one of those moments where its so fun having Sherlock as Athena and Penelope cause it's like "Don't worry baby, Mama's here to help." But, onto the super cool crossover intertexuality talk I can't seem to do right now, Sherlock as Athena fits very nicely cause he, alongside William, helps Bill get into the university; so Sherlock being the one helping in this fight reminds me of that. And Athena's "I've no respect for bullies" reminds me of his disdain for Milverton and his methods of blackmail. ALSO, HER PIANO IN THAT PART IS SO FUCKING GOOD I FUCKING ASCENDED. PAIRING IT WITHT HE DRUMS THAT WAY, WHO DOES JORGE THINK HE IS. In a way, this is like showing how Penelope would like to react to her suitors beating up her son (it just popped into my head but kind of like a batman meme, Penelope dressing up as the goddess of wisdom to fuck up her son's bullies). Athena's whole solo there sounds a lot like Sherlock when he was talking to Irene. And when the fight ends and Antinous says Penelope needs to pick a suitor, Athena/Sherlock is very disturbed before he helps Bill up.

We'll be Fine - The thing I love the absolute most about this musical is exploring Sherlock's side of this whole fiasco they were in and giving him a chance to vent some of this frustrations. Because it wasn't easy on him either and he might blame himself a little bit for not being able to help more. Bill knows a little bit about it from gossip and rumour and being a part of the Epic cast for a little while, not too much but between the two of them, Bill understands that Sherlock is letting out a bit of his frustration with the previous problem and the repeat that seems to be occurring, because he's super smart like that (I say seems because in real life, it won't last that long and William is probably gonna be ok and reconciled with Moran by the time we get there. It'll hopefully make sense once we get to the next saga but I just can't keep knocking this dude over he needs to start healing and giving him a less self-jeopardising problem to fight). Even though he and William have worked through a fair bit of what happened and their still going really strong, Sherlock is still worried. Sherlock's super soft on Bill because he's so similar to William. Bill, while sticking to the script, is just subtly reassuring him that it's ok, they'll get through this rough patch and they'll be fine. Sherlock doesn't need to be the first responder. A little bit of it probably comes out as Bill saying "William wouldn't want you to beat yourself up over this," especially when he mentions Athena's friend (William and Bill are also probably really close friends at this point, don't tell me William wouldn't take him under his wing immediately after they're introduced). When Athena calls him a good kid, Sherlock ruffles his hair and then Bill makes a move like someone's calling him and runs off, leaving him for the next part.

ALRIGHT I'M HAVING FUCKING ISSUES WITH TUMBLR RIGHT NOW SO STAY TUNED FOR PART TWO BECAUSE ANYTHING LONGER THAN THIS WONT FUCKING POST OR SAVE AS A DRAFT.

@aka-no-ken I'M COMING SWEETIE AND I'M BRINGING MY WORK WITH ME JUST BEAR WITH ME