#she's such a cool villain
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wolfsbanesparks · 9 months ago
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Meant to add this on to my last ask, but who do you think is the scariest Captain Marvel villain? Like, the one you wouldn't want to be near in a 10 mile radius.
Lady Blaze hands down.
Like she is an extremely powerful demon and absolutely ruthless. She's much more intimidating than even her brother and most demons in Hell are terrified of her and her power. 100% the scariest in my opinion.
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villainartist · 2 months ago
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character sheets i made for my relativity falls fic! im a grauntie may warrior, id die for that whimsical old lady
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dukeofdadykes · 7 months ago
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I drew Sage bc I LOVE HER rahHH her powers are so cool I’m so interested to see what they end up doin w/ her!! 😤
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fuusart · 3 months ago
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ESTHER FINCH 🔮✨
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justaz · 7 months ago
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morgana and arthur have a sleepover when they’re teenagers and morgana brings out this summoning spell and arthur is all “magic?!?!?! :o thats wrong we cant do that” and morgana just says “pussy.” and then arthur is helping her set everything up. they light the candles and chant in the old tongue and then BOOM a figure appears but it’s not the mighty god emrys the text talked of, it’s just a boy a couple of years younger than arthur, scared and confused, who answers to the name merlin rather than emrys. while they’re arguing, merlin goes stiff and is like “do you hear that?” and then trails out of morgana’s chambers in a trance and obviously morgana and arthur follow him and they end up way beneath the castle where theres a fucking dragon???? now emrys, the once and future king, and the witch are chillin w a dragon and talking about destiny. none of them are happy about this btw
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utilitycaster · 17 days ago
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Ok so I have to admit. I get like...structurally, why the staff would have soulbinding, because it does add a slight sense of urgency (although between the destruction of the Bloody Bridge and however much time it takes for a resurrection, should there be one, unless Ludinus stashed a clone on Ruidus or the spell takes effect there, I think there's a decent amount of time before he returns). But it is kind of annoying, especially given that Matt notably made resurrection more difficult than it is rules as written and that the games Critical Role/Darrington have put out have both had significantly reduced resurrection abilities, that these evil wizards just keep fucking coming back. The best way to put it is that it makes perfect sense, doesn't compel me though; I think it's pretty widely agreed that Delilah has long since worn out her welcome and Ludinus is pretty much at that point as well. Trent was actually quite interesting in that immortality really didn't seem to be on his radar; Halas is fun because his prolonged existence is the result of someone fucking with him; and the Kryn dynasty is a refreshingly neutral approach to arcane immortality. And more generally I think that while there's a benefit to having villains appear, absolutely wreck the heroes, and for the heroes to learn about them and pursue them and ultimately defeat them, it really is a case of diminishing returns. My potentially unpopular opinion is that I do not in fact find the Iron Shepherds arc to be abrupt or cut short: this group kidnapped three members of the party, killed another, and then the party destroyed them. Three beats. Absolutely perfect. Another would have drawn it out too much. And yeah now that we've heard Ludinus's backstory and the party doesn't seem inclined to dig into any details that would be interesting anyway, and they're either doing what he wanted to do anyway or else will presumably destroy or drive away Predathos, it's like this bitch is still out there? what's the fucking point.
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rogdona · 1 month ago
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cautiouslyyyoptimistic · 1 year ago
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I saw a post once talking about a bingqiu scott pilgrim au where LBH had to fight all of SQQ's suitors, which is a cool concept and all, but have you considered the comedic potential and insanity of a bingyuan Scott pilgrim au where SY has to defeat LITERALLY HUNDREDS of bingge's exes??
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meteor752 · 6 months ago
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What the fuck is up with Hook
Why is he at some random prep school? He’s already got the hook hand, so Peter Pan has already cut it off meaning he’s been to Neverland, also he says he’s a captain so like why the fuck are you here
I hate this movie so fucking much, nothing about it makes sense to me, why is Hades a teenager, why did they make some fankid of a Sofia the first villain instead of using one of the many Disney Villains that exist, why is Maleficent a lackey, why am I devoting so much of my time to try and make sense of this movie
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super-red-lunatic · 30 days ago
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Robo Design by @/OnionPowder_ on Twitter
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lizzybeeee · 2 months ago
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The Lucanis vs Illario story would have had greater emotional depth/intrigue if the writers didn't water down how fucked up the Crows are as an organization.
Just some thoughts about how, out of all the side villains, Illario had some great potential to be a really interesting/tragic character in my opinion.
TL;DR: Zevran Aranai has a knife with Caterina's name on it for good reason and Lucanis/Illario need therapy...or whatever the Thedas equivalent is called...talking to Rook, I dunno
Going into DATV as a new player, or even as a returning one, the whitewashing of the Crows has a lot of the potential complexities of that life simply ignored or barely touched upon. The entire 'Illario vs Lucanis' boils down to: Illario seething in the shadows about Lucanis being the 'best boy'™ of the family while Illario is an after thought - which he is.
Let's be real, Illario is not subtle and immediately comes across as the Scar to Lucanis' 'Mufasa'. It's a questline with a very straightforward villain who has pretty lackluster motivations from what info we're provided - being 'I want power and to be the First Talon'. The game does very little explore what motivations he may have beyond being jealous of Lucanis/wanting more power.
However, if you play the quest line knowing what previous games have set up about the Crows - about how cutthroat and brutal the life is behind the glamour - then you can see that the entire Lucanis vs Illario conflict has amazing potential to be a dramatic tragedy.
We've seen how the life of Crow can affect Zevran - someone who was sold into the life through child-slavery. How interesting would it be to see how the life of a Crow can affect someone who was born into it? It's pretty clear in-game that Caterina intends for her grandchildren to carry on the family tradition - despite the fact that this 'family tradition' has likely led to the deaths of most of her grandchildren and however many children she had.
If there's banter about how Illario's/Lucanis' parents/cousins died specifically I haven't heard it, but the impression I got in-game was that it was likely linked to the Crows/politics in some way? Feel free to correct me! Still majorly fucked up that she pushes her grandsons into this life regardless!
Lucanis/Illario's situation was not like Zevran's - who was sold into the Crow's through slavery, with no one to speak up for him. Caterina was a woman who had power, who knew what the life of a Crow meant, and who still pushed those she 'loved' into it because is consolidated her place in the system. For all the Crows talk of 'family' Caterina doesn't seem to give a shit about them unless if they're contributing to the family business in some way - not to mention the whole 'you fail and we kill you' clause of being a Crow in the first place.
In the 'Wigmaker Job' from Tevinter Nights Lucanis talks about how Caterina hit him [also Illario] with her cane for mistakes and had him spend days without food/water. How he used to hate her but now 'realizes' that it was her way of ensuring he survived the life of being an Antivan Crow. Did it end up protecting them? It likely pushed them both to refine their skills out of fear. It's likely that simply by association with her they would be targets and thus needed to know how to take care of themselves and fight.
But why have him as a Crow in the first place? Why not simply train them well to defend themselves? You can't deny that she doesn't benefit from having her grandchildren in the family business - intentionally wanting Lucanis to take over her position as First Talon. The Antivan Crows are a force to be reckoned with and being one brings a whole lot of power in Antiva - being part of the elite of that group even more so.
If the game showed us the ugly reality of the Crows - the brutality of the lifestyle and how cutthroat the organization is, it could have really added some depth to Illario's betrayal - having it be more than "I want more power/respect" to "this is the result of what you taught me was valuable in life."
Warden: "Do you actually enjoy being an assassin?" Zevran: "And why not? There are many things to enjoy about being a Crow in Antiva. You are respected. You are feared. The authorities go out of their way to overlook your trespasses. Even the rewards are nothing to turn your nose up at."
Illario, bitter about Caterina favoring Lucanis - resentful of the fact that she has already decided that Lucanis will be her successor, being offered power by the Venatori (at the expense of the Crows) and accepting because why not? How different is it from what the Crows do? Isn't power and status the whole point of working yourself up in the Crows? Getting into a relationship with Zara because why not? Isn't sex part of the allure of being a Crow? Why can't he have this? Why shouldn't he have this?
Rook: "When we met, it didn't seem like Illario and Caterina were close." Lucanis: "It was hard to be close to her. Even for me. And...I was her favorite."
Why would he have connections to his family? Why should he? Caterina certainly never seemed to value 'family' beyond what they could do for her and their family legacy. Most of his family is already dead, and of those that remain the only parental figure he has obviously favors Lucanis. We don't have a lot of evidence in-game to show that Illario ever really cared for Lucanis, but the prequel story 'The Wake' and Lucanis' own banter imply that they were practically brothers, best friends. Perhaps he did care and then ceased to at some point, perhaps he didn't at all, or perhaps he accepted that an early death for them both was inevitable like everyone else in their family. Dead now or later - what was the difference? At least if Illario sells him out now to the Venatori then he'll get something from it instead of another dead family member to bury.
It's the tragic result of raising a child in an environment where he was taught and experienced the need for self-preservation at all costs. Constantly threatened, punished, and made well aware of that fact that his life was an expendable commodity. Then, when things in the world went to shit he picked the only option that made sense to him. To save himself.
The irony of the potential fall of the Crows, the fall of House Dellamorte, coming at the hands of one of their own - not because he had a change of heart but because he was taught too well by them. The Crows view those that fail them as disposable, someone to be discarded - if the Crows fail Illario, what is to stop him from applying that mindset to them?
But this would require the writers to acknowledge how messed up the Crows are and we can't do that to our 'Noble Freedom Fighters'™. They'll also need to address Zevran's existence and what lore was established in past games...and we can't have that either lmao.
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w1lmuttart · 9 months ago
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Found an old design I made of star boy back when everyone was rewriting the movie Wish lol
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Went with both their true form, as well as a human form to blend in on earth. Anyway I like this guy so theyre mine now :)👍
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qdkdraws · 9 months ago
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I just realized who Lute reminds me of and just ahhhhhhhh Everything fell into place now.
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They are the the same, your honor.
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annoyingflowerwitch · 7 days ago
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Me finding it out that this is the first look of ons 👀
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fickleartdump · 19 days ago
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come to the dark side fitz. we have (looks inside your mind) your long lost heterosexuality!
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scootersscooter · 4 months ago
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The fact that most of you don't know that Disney Junior's Elena of Avalor is about Elena restoring her kingdom from the clutches of colonization and reconnecting her kingdom with others, nature, and it's own indigenous roots all while dealing with her own baggage after being trapped in an amulet for 41 years, trying to find herself, prove herself, and restore her kingdom to it's former greatness, and have instead chalked it up to "the Spanish princess show" and "bad Hispanic representation" actually keeps me awake at night
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