#she’s literally my favorite companion

[amyreads]

doing multiple playthroughs one by one and not romancing karlach is so hard

[revserrayyu]

One HSR Character a Day Day 41: Serval (aka: revs' favorite)

[lichposting]

It’s been a while since I played an rpg and was completely enthused about all the companion characters…wrathfinder was very close but the size of the cast meant there was kind of an unequal level of attention given to some 😔

[camellcat]

AMY POND I LOVE YOU!! I'm so sorry :(

[eldritchamy]

I have owned Baldur's Gate 3 for exactly 38 hours and I have played 29.7 hours of it on steam

[weisshapt]

endless ocs + ilithiya de vryes

“It will be my birthday soon enough.” “Do you know what you will wish for?” “Don’t I always?” “The last time you were specific with your desire, you were a girl. You asked for a pony.” “Nemetes. The most beautiful horse in the world.” “Since then, you’ve only ever asked for more. More of the world, more of life. More of yourself-“ “More of you.” “Soon.” “You’ve been saying that for years.”

[itsalwaysdark]

dearly beloved you are in the presence of a man who has seen all of dw*

*not counting the original series or the audio or any of the prose or any of the spinoffs and probably other things im forgetting about

[hawkepockets]

actually. 🫷😀🫸 THOUGHTS ON AVELINE

i think aveline is a CORE da2 character, and her relationship with hawke is super super interesting. she’s hawke’s oldest friend in the game & by act 3, maybe the only enduring connection to their homeland & childhood besides the mabari. her voice, her bearing, her stated values are all very noble & movingly fereldan—but her actions both as guard captain & as a party member should be so profoundly disappointing to hawke almost no matter how you play them, which generates a powerful tension. imo it’s really poignant and adds a lot to the game’s central tragedy.

because how can hawke cut her off! but look at how she behaves: ignoring the serial killing & sexual assault of isolated older women and elf girls, baiting the arishok, slut shaming isabela, condescending to merrill. but how can they cut her off? the question is a privilege and a torment!

in this way i think she strikingly complements gamlen. like no matter what gamlen does and says to you, your love interest, leandra, the surviving hawke twin—he’s family and the only way into kirkwall. hawke is not permitted to sever those ties. and no matter what aveline does and says to you and all the women in your party, she remains your oldest friend and the only way back to ferelden, emotionally.

both aveline & gamlen will maintain a warm relationship with hawke as long as hawke tolerates their picking on those in proximity to hawke—but if hawke pushes back with aggressive dialogue options, both will tone match and became sour and hostile. aveline can be really quite awful to a red hawke, and will throw them to the ground and beat them at 100% rivalry. so there’s kind of an underlying challenge in both of these characters: how much will hawke, as gang leader & player character, put up with when it’s not directed at them?

of course, for all the nostalgia that seems to occlude av’s wrongdoings in kirkwall, she’s not really a childhood friend of hawke’s. she was a grown woman when they met, lothering was lost, and the moment was pretty heated thanks to aveline’s hostile templar husband.

and yet hawke is no more reliable & objective in their treatment of the past than varric is. and aveline is what they have! she’s standing in for all of ferelden, all of the past before the blight!

and likewise hawke for her! hawke is the only one left in act 3 who remembers wesley! aveline is the only one who remembers the dead hawke twin!

and as reprehensible as some of her decisions are, aveline’s grief for wesley and her enmity toward the old corrupt guard captain are sympathetic and her voice is sexy and husky and beautiful enough that. well im sorry i just lost the plot for a minute. uh

there’s also the act 3 subplot of the templars trying to take over the city guard, which sets up aveline as the only thing standing between kirkwall’s mages & absolute templar authority in the city. it’s literally her or cullen at his most brainwashed & violent. (to cullen’s credit he also thought it was a bad idea. but i won’t give him so much credit that i believe he’d turn down the position if aveline was removed.) between a knight-commander and a hard place, a pro-mage hawke has to choose the hard place.

so both of my playthroughs i’ve felt like hawke’s friendship with her is at the very least strained, if not completely ruptured, but they have to back her. how much that feels like fucking sandpaper may vary from hawke to hawke.

ultimately i just think she brings a lot to the table. i don’t necessarily understand why she’d be anyone’s all time #1 favorite companion, but you know.

[butchvamp]

i did Lucanis's inner demons quest last night and have some thoughts [everyone groans in unison]

i admit that i definitely have a bias for Lucanis, i really like the crows (or i should say the crows from previous games & the lore around them) and my Rook is a crow so i'm inclined towards him in general.

that being said i feel i'm just. missing huge bits of information about him. he exists entirely in a void. i don't really know anything about his relationships with Illario or Caterina, the game glosses over so much of his role and what exactly he does within the crows (beyond just talking about how he was the Demon and the Magekiller) i suppose it's just too icky for the game to truly acknowledge outside of a few jokes about Lucanis poisoning the gang's food...

i know from seeing people posting excerpts from his novel that Caterina did, in fact, physically abuse him; i figured this was the case considering she's a high ranking member of the crows and thus no doubt had a role in torturing recruits, even if the game pretends like this is a thing that doesn't happen. you get a bit of banter early on where Lucanis, talking about Illario's behavior, says something along the lines of "My relationship with Caterina was complicated, too, and I was her favorite." implying some level of friction between them as well as conflicting feelings about her death.

but then that's it. we get nothing else. this should be a major piece of his story, a part of why he feels the way he does, and exploring Caterina's role in his and Illario's abuse would better expand upon Illario's resentment and make his and Lucanis's relationship more compelling beyond "Illario is a big jealous meanie."

i really wanted to like the inner demons quest more than i did, because conceptually i enjoy going into the fade/Lucanis's memories with Spite, so far Lucanis's quests have felt the most Dragon Age to me (fighting a naked woman in a giant pool of blood + seeing Spite lose control, him and Illario butting heads and having a competitive relationship before this (as the crows all should...), etc. these are fun!) but just like the rest of the game it's still holding back.

when you confront the memory of Caterina all you get are these choices:

none of these are particularly satisfying if you actually know the things Caterina has done... "Your love for him" is actually vile lol

this entire questline is a linear walk through fragments of the Ossuary & Lucanis's memories, there is nothing interesting here, Rook just plays therapist for about twenty minutes and then you make a nothing choice at the end that has no affect on anything at all... and most egregiously, we have learned literally Nothing new about Lucanis that the game hasn't already made an effort to tell us repeatedly (a real problem the game has in general, constant hand-holding and repetition).

there's Quite a bold choice to compare this quest to the Fade section in origins right at the start, with Rook and Spite joking about getting past the guards: "What did you expect, to turn into a mouse or something?" like yes, actually, i did expect something a bit more! even if you want to say the warden does the exact same thing with their companions in that quest, their dialogue is FAR better-- again, Rook's is all clinical therapy-speak (where did she even learn this shit? did the crows pay for her to get a degree in psych and become a licensed counselor?) and in origins, we do actually learn something new about each companion as well as getting to see them interact with their fantasies and/or nightmares. we get nothing here...

we could have seen him and Illario training together, being competitive, the early seeds of resentment being planted between them by Caterina's goading and abuse. we could have seen the guilt Lucanis feels about this, about Caterina's favoritism and how it's affected his relationship with Illario. we could have actually seen what happened to him when he was captured and in the Ossuary, we could have seen some of the horrible things he's had done to him and that he himself has done to become the Demon of Vyrantium, we could have learned more about why the demon inside of him became spite specifically-- because if what Zara's echo said is true, it started as an Envy demon-- so it was influenced by Lucanis in some way. what makes him spiteful? why is it spite that keeps him alive in the Ossuary...? is it spite as in defiance-- defiance of the Venatori, of Caterina's expectations and abuse, in defiance of Illario's betrayal...? unfortunately, Lucanis never really feels spiteful at all. determined to survive the Ossuary, but afterwards, never has he come across as spiteful (Spite is mostly just petty and a bit bitchy).

in my opinion the Envy demon fails because Lucanis was never envious of Illario or the First Talon position, only crushed by the loss of their relationship and guilty over Caterina's favoritism. obviously Caterina's expectations weigh heavily on him, but he knows he's the favorite, and he doesn't envy Illario for not being so-- he seems very aware of the fact that it doesn't equate to Illario having it "easier." but the game barely addresses this, only in weak voice-overs, while the majority of the quest is spent convincing Lucanis that he's not actually a demon. Lucanis is wholly a good guy that only kills blood mages and loves his poor grandma and his inner demon is entirely Literal and just him feeling bad about being an abomination :(

nevermind all that yucky complicated stuff. Illario is Bad and Jealous and deserves to be punished for... doing exactly what crows have always done.

of course it's easy to make Illario look bad when all of the other crows are treated like a found family, when we know that's not the case at all. crows have been competing and scheming and killing each other since origins. this isn't meant to make light of Illario's betrayal (in fact i still think it's quite significant given their history and the two of them being the last of their family) but instead Illario is very obviously suspicious from the start, the reveal of his betrayal was not surprising, it's predictable because, again, he is presented very differently from all the other crows we've seen in this game-- he's the Bad one, and Lucanis is the Good one. no nuance!

in his short story, The Wake, Illario is actually depicted as being extremely remorseful, getting very drunk and reminiscing on old childhood memories of Lucanis while Viago has to carry him home... of course there's no way of knowing the exact intent behind this story or what changed since (published in 2020 and written by Mary Kirby, after all) but either way, we don't get anything like that here. somewhere along the way we lost the depth and complexity of both characters; we don't get to confront this big ugly thing between them because the game refuses to engage with anything ugly at all.

[shoutydwarf]

veilguard spoilers !

literally None of these characters are above b tier for me except davrin and that's carried by him being a grey warden that doesn't need me to therapy speak him into being fixed.

sorry to be a toxic origins bro on main but my favorite characters are always the ones that don't recognize me as the player character pressing the buttons. their development isn't contingent on me making choices for them. they have opinions i don't agree with and which i can't change their mind on, a la vivienne/anders. alistair is one of my top companions because he has LINES in the motherfucking SAND. he will be your brother and/or your lover for the entire game but if you don't put his vengeance above your duty to the wardens, he will leave, if not attempt to seize power and force his ends. same for most all other origins and 2 companions (and inquisition to a lesser degree) - A. the option EXISTS to fundamentally piss them off to the degree they will want to kill you, and B. some of them literally WILL try to kill you. that's how roleplaying games are supposed to work. i am supposed to be a person in this world surrounded by other people in this world and i expect it to feel like that. moreso, i know they CAN make it feel like that, because they DID that in all 3 previous games.

there is no way to fail loyalty missions in VG. characters are so lukewarm that the guild of looting, pirating thieves exercises ethical tomb raiding and does monologue you about it. not a single one has any opinion that beckons you to use your brain cells. these characters do not evoke any emotion from me. i could write whole think pieces on why vivienne has the disposition that she does, why she thinks she's right, why i fundamentally disagree with her but still greatly empathize with her and consider her the best option for divine (out of 2 other companions that are just as complex). i have NOTHING to say about the veilguard companions. there is NOTHING to talk about here.

every single one of their villains are entirely one dimensional and unforgivable. THAT is the true disney aspect of the game. loghain, meredith, samson, calpernia, bhelen, branka, the architect, celene and gaspard, even fucking HOWE all have nuances and complexities to them that, even if you still end up at the conclusion that they're awful, you still have some things to think about. there are reasons leading up to their descents into cruelty and madness beyond just "me wanted power :p for fun :p"

this is also part of why davrin is the only memorable character for me; his villain was someone i knew and, frankly, the only interesting one out of the entire lot but only because she had an entire book's worth of setup. harding's was also great but because of the larger issue with zero catharsis for the titans, i have to kick her down several tiers with the rest of Mid Town.

don't get me started on the hardening system and how it can literally only happen to a single companion as a consequence to a single choice in the entire game. and then that 'hardening' actually has no bearing on their loyalty missions or, in neve's case, their romance.

the game does not make me think at all. it is designed to be consumed but not digested. there is nothing beyond the curtains. there is nothing to discuss. there is no nuance, no spice, no complexity, no grey areas. all that exists to talk about here is "i liked this part" and "i didn't like this part".

it is, like too fucking much of modern media, brain rot soup. and it doesn't even taste good.

[ettadunham]

@sugarbabywenkexing

Also the way you can let Shadowheart make her own decision but not Wyll!

Oh, true! If I remember correctly, the game does that thing with Wyll, where some of the choices have persuasion checks, so you can tell which one he'd prefer, but even then, there could have been an option to at least give that agency over to him to make his own decision. My boy really has been wronged. :(

okay, now that i had a sleep on it - i'm not sure how i feel about the game giving the same choice to wyll and shadowheart but framing it completely differently

[dead-lights]

simblreen 2024 gift #2 // witches of war

ok but I'm obsessed with that hat on Tess. yes, that's kristopher volkov's mom up there on the right.

I have for you a companion to my previous simblreen set - 4 pieces of wall art depicting witches who fought in the war between spellcasters and vampires. These are meant to be older than the previous set, but in color bc magic!

If you're interested in learning more about the Century Conflict (the war between vampires and spellcasters) I compiled information about it from in-game text here.

@simblreenofficial

All of the frames come with all 4 witches in all 4 frame colors, for a total of 16 swatches each.

I don't want to ramble on forever because there's kind of a lot - if you just want to get to the download, follow the link below. Tess's frame requires Realm of Magic. Maria's frame requires Werewolves.

download all here (requires werewolves & realm of magic) [SFS]

or keep reading for:

previews of each frame & individual download links

information about the witches

full-sized renders

list of cc

flora's revelation [SFS]

Florencia learned long ago that the only way to survive chaos is to become chaos. That's her excuse, anyway. Florencia Dillon is an oc spellcaster-turned-vampire who later became Elle DeVampiro's mother-in-law. I don't want to clutter up this post more than I already have, but she shows up in my previous set and you can read more about how I've developed the DeVampiro family here.

keisha's plunder [SFS]

No one knows how Keisha got this frame. Best not to think about it too hard. Keisha Hughes is a premade from the Realm of Magic Sages household. She is L. Faba's predecessor as Sage of Mischief.

maria's historical prints (requires werewolves) [SFS]

Maria understood the importance of photography in maintaining and communicating a robust historical record. She designed these frames to house her favorite moments. She may have gone slightly overboard in duplicating literally hundreds of them on the assumptions that her colleagues would be as passionate about the preservation of history as she was. Someone will find something to do with the excess - they’re really quite cute! Maria Volkov was a Mooncaster (one of the spellcasters who successfully fought vampires by becoming werewolves). She was Kristopher Volkov's mother and died a very long time ago.

tess's discovery (requires realm of magic) [SFS]

After the invention of the camera, Tess began experimenting with different chemicals and development methods in an attempt to invent color photography. Weeks spent inhaling noxious fumes in an unventilated basement led her to one conclusion: Just use magic. Tess Dyer is a premade from the Realm of Magic Sages household. She is Morgyn Ember's predecessor as Sage of the Untamed. According to this trailer, she was the one who ascended them.

1. maria volkov

hat: helia hat by @clumsyalienn

hair: marjorie by @buzzardly28

dress: from victorian visions by @gilded-ghosts

pose: from model poses by @starrysimsie

2. florencia dillon

hat: bewitching hat by @nolan-sims

hair: franny by @buzzardly28

dress: governess dress (SFS)

pose: from simblreen 2023 part 3 by @simmerianne93

3. keisha hughes

hat: harvest witch hat by @litttlecakes

hair: meg by @simkatu

dress: summer swells dress by @gilded-ghosts

pose: from emotions: mix 2 by @akuiyumi

4. tess dyer

hat: bad witch hat by @akalukery

hair: beatrice hair by @simkatu

dress: elphaba dress by @sentate

pose: from 18th century portraits part 1 by @anachrosims

cover

keisha's pose: from halloween magic by @helgatisha

other poses: from simblreen 2023 #3 by @simmerianne93

[hotchfiles]

hotch "representing the bau" hotchner x activist!reader who won't stand for bullshit

not like actual conflict cause we know hotch is a very principled guy

more like

"shit i can't shitpost about overthrowing the government anymore cause my boyfriend is the government" vibes

you have no idea how deeply i feel about this i've actually posted about this because i'm very much against all cops and he's a literal fed ! but

You met in the most conventional of ways, which makes the whole thing even funnier to the outside person. A bar. You noticed him the moment he walked in, too downright gorgeous to be ignored, you stare at him completely shamelessly and get a few shy awkward smiles in return while he sips on his first drink and talks to his companion, who you later learned was Rossi.

He will find it later on that you're not really up for games, but it takes him by surprise when you approach him, card in hand with your phone number and the red stain of your red lips on the other side. He's immediately smitten, being flirted with so openly at his age does wonders for his ego and he makes sure to text you as soon as he gets back to his apartment.

The texting back and forth goes for hours, a lot of flirting, you're much more outspoken than he is, but still you find him hilarious, you will be telling your friends he's the funny one between you two (none of them will believe you, but you like having this only to yourself as well).

You talk movies, plays, music, favorite drinks and by 2AM he asks you on a date. It’s perfect from the get go. He's flattering, compliments your choice of clothes, says he likes the lipstick (the same you used on the card he is keeping safe on his wallet), takes you to a nice restaurant.

You tell him since you made the very first move, he would have to be the one to kiss you, he argues he sent you the first text so you should be the one to do it, in the end none of you know who took the first move, you're just sure you were the one to unlock your apartment door, stumbling along with him as you two passionately kissed.

It's not common for this to happen for him, he's too much of a gentleman, sleeping with someone on the first date isn't the gentlemanly thing to do, you're not attached to those norms so even if he tried to argue, your lips glued to his neck as you worked on his belt took his mind off of it.

It's not until the next morning that he really notices your place: The types of books you had, some revolutionary art pieces and it's then he realizes he has no idea what you do for a living. Neither did he tell you he was a FBI agent. You two talked long hours and career wasn't even a topic (that may be why you caught his heart so fast).

You were a journalist, a writer, quite proficient and known for your progressive ideals and less than civil protests, so when you both realize the differences and the conflict it might bring, the first instinct was to pull away. Forget the whole thing. It was only one date after all.

It's a matter of days for the realization that being apart won't happen, your thoughts are filled with him and his voice and the way he touched you and Aaron can possibly detail every curve of your body and the way you smelled as if he was still in bed with you.

There's a mutual agreement of public discretion, you can't have your readers knowing you're falling for a fed, nor does the media needs any more reasons to write about the FBI.

His team knows though, and so does Strauss, she had to be warned of the possibility of your name popping up in some lists. She reads half of your writings after that, highlighting stuff you should not be writing about (you won't listen to her on it) and the compromise you make is to keep all of your opposition material completely professional, no tweets, no tiktoks, nothing of the sort with jokes about overthrowing the government.

"Did you... Did you just cite and use one of Stalin's books as a resource here?" He asks, he's in your bed, blue boxer shorts and white t-shirt on, completely comfortable with you already, his reading glasses sit on top of his nose like an old man and he furrows his brows, looking up at you. Aaron's interested in what you write, he truly reads whatever you hand him just to learn more about you, he's not the one to try to censure any of it.

"Well yeah... His writings are the easiest to comprehend on the topic." You shrug, not understanding the tone of his question at first.

"Honey... You can't just... Do you know how many... Forget it. Your editor will love it." His poor attempts to talk you down failing each time he looked over and saw your expectant eyes as his opinion is important to you. You smile at his defeat, taking the papers from his hand and throwing somewhere else in the room, his glasses go to the bedside table and soon you're kissing any of his worries away.

[camellcat]

oh, wow, okay. I think s8 is easily my new favorite of the whole series. I am so dead serious when I say there is not a SINGLE episode that didn't have my attention the whole time

like, you lot know how I feel about s1 (never stfu about it, actually LOL). but man. even during my s1 rewatches there are episodes I'll happily skip if I don't feel like watching them, but I can't even imagine being able to do that with s8. it's just so good!!!

plus the special that's after! GOD the paper crowns made a threat on my life. his begging her to go with him, the cheek kiss. the hug!!! him saying he'll hold her hand but that is IT. and her SMILEEEEEE. I'm obsessed with rose tyler's smile but clara certainly gives her a run for her money xD

danny was certainly a heartbreak I didn't expect either! I really grew to care about him and clara, which surprises me since I usually do not gaf about relationships outside of the doctor's, but seeing him hurt!!! good hurt, but still hurt

anyways, I'm sooo excited for s9 to see if it'll be as spectacular as s8

[khruschevshoe]

How Behind-the Scenes Issues Affected the Writing of Doctor Who (Both Good and Bad)

Doctor Who is such a fascinating show to look at from a Watsonian v. Doylist perspective. Like, entirely just from an episode writing point of view:

Twice Upon A Time feels so slow and meandering and even boring in places because Chris Chibnall didn't want to start his run as showrunner and Steven Moffat didn't want the show to lose the coveted Christmas timeslot (ironic, I know) so he bumped the Twelfth Doctor's regeneration from the end of The Doctor Falls (where it makes sense) to the end of the Christmas special

Boom Town (my beloved) only exists because originally there was going to be an episode in its spot explaining that Rose had been molded to be the Doctor's perfect companion (by the Doctor, gross) and the writer didn't have the time to commit to the show

The ending of Last Christmas feels like one inside-a-dream too many because originally Jenna Coleman was questioning whether she was going to leave the show or not and the ending was rewritten after the first readthrough when she decided she wanted to stay for another season

The first five episodes of Season 7 feel like each one takes place in a different genre because that's literally how Steven Moffat pitched it to the writers; for example, A Town Called Mercy was literally pitched as "Doctor Who does a Western"

Not so much a weird one but one I find cool: Eleven's first words and Thirteen's first words were literally written by Moffat and Chibnall respectively, as they were brought in to write the first words of the first Doctors of their runs so as to make it cohesive

The reason why Fourteen isn't wearing Thirteen's clothes when he regenerates is because Jodie Whittaker is much shorter than David Tennant and Russell T. Davies didn't want it to look like he was making fun of the genderfluidity of the Doctor (still think he made the wrong decision, but eh)

Wilfred Mott isn't in the Runaway Bride and Donna's father isn't in Partners in Crime because the actor who played Donna's father, Howard Attfield, died after filming several scenes for Partners In Crime, leading to the character of "Stan Mott" from Voyage of the Damned being written into Partners In Crime as Donna's grandfather

Astrid Peth doesn't die in the original drafts of Voyage of the Damned, but Russell T. Davies wrote what is generally considered one of the most emotional deaths in Doctor Who just because he wanted Kylie Minogue to be able to focus on her music career

Originally Oxygen was written as a prequel to Mummy on the Orient Express, where a corporate representative appeared on a monitor. Said representative was fired for his fumbling of the station and would later live on as the company computer, Gus

During Season 11, Chris Chibnall had to do some major rewrites for many of the one-off episodes, therefore The Battle of Ranskoor Av Kolos ended up being a first draft that made it to screen. He later admitted it was his least favorite episode of the series

And this is only a fraction of what I found in terms of major behind-the-scenes writing reasons. Though I am still totally willing to critique the product that made it to our screens, finding out the reasons behind some of the more badly written episodes of the show really made me feel sympathy for every showrunner of the show as well as appreciate a lot of the good episodes that ended up here despite the short production schedule/unexpected problems (once again, Boom Town my beloved AND everyone's favorite companion Wilfred Mott only exist because of unforseen problems). Absolutely bonkers, isn't it?

[snapscube]

It was pretty funny seeing you gush about Maya during 2-3 knowing what was coming up

that is very very good. i think it's even funnier that somehow i managed to come out the other side thinking 2-4 was still peak ace attorney case writing even though maya was hardly in it LOL but i guess the same was for 1-5 as well.

hey wait a fucking second it's actually so fucked up that my two favorite cases in the game so far are almost entirely maya-absent. what da hell. i just realized that. she's literally my favorite character and she doesn't even get a chance to shine in the best stories LOL.

well okay i guess 2-4 kinda revolves AROUND her in a very key way so that makes up for it slightly, and 1-5 tho it doesn't feature Maya it DOES have Ema who ends up playing a very similar role.

but all i'm saying is that the day they give me a Rise from the Ashes or Farewell, My Turnabout quality case that ALSO lets Maya keep the primary companion role is the day i fucking feast. i hope she's as fucked up and weird as she is in Turnabout Big Top.