#she’s genuinely so invested

[lgbtlunaverse]

Horrible thing to say but I think there's a real chance Jiang Yanli was both of her parents' least favorite child and knew it and just kinda. Had to go on with her life knowing that.

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[fure-dcmk]

im prob the only one here but EXCITED FOR MOMIJI AND IORI SHENANIGANS!!!!

.....and okita too. ig 🙄

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[o-vera-nalyzing]

look i totally get it’s all love now but genuinely every kipperlilly sympathizer that only talks about how it’s so valid she hates the bad kids and how she’s a side character getting fucked by the main characters simply just feels like they themselves have hella side character syndrome and are relating to kipperlilly a bit too hard and might need to consider that they’re only a side character if they convince themselves they are

(my tags explain it a bit better but i was too lazy to copy them up here)

[onceuponalegendbg]

“But I walked out the door anyway.”

…

“Wolfgang said he was too sick to get out of bed, so I walked away.”

The way she basically says the same thing twice… how you can infer that it’s hitting her that she shouldn’t have left him by himself. If she’d stayed maybe he wouldn’t have gone to the Boiler Room. Maybe he’d have avoided death.

Maybe he’d have told her what was happening.

Ugggggghhhhh.

[bitchthefuck1]

Rewatching succession it really is wild to see Kendall and Shiv convince themselves over and over again that they can "fix ATN/Waystar from the inside" only to completely abandon their morals the minute it gives them a strategic advantage.

When they're on the outside it's an endless diatribe about how evil and rotten the company is to its core, but the second they get the slightest whiff of power they suddenly decide the problems are actually really manageable and that with the right leadership it could be a force for good, and like...the saddest part is that they genuinely seem to believe that.

[lukaskyle]

THE WALKING DEAD: THE ONES WHO LIVE | 1.03 "Bye"

[blue-rose-soul]

A thought had occurred to me. What if whatever living things that come in contact with Lucifer, their souls are tainted and they go to Hell. So with Alastor's mom, Nicaise had interaction with Lucifer, after she die, she went to Hell.

I imagined in one scenario both she and kid Alastor in hell, had to fend themselves against sinners, hellborns and exorcists in every extermination day. Nicaise may have to learn few tricks while kid Alastor go monster on who would dare to harm his mother.

Maybe because I want to see interaction of Nicaise and Rosie while Alastor play with the cannibals children.

Another scenario would be when Alastor die, he reunited with his mother but then feel angry at everything because out of all the people he had known, his mother does not deserved this fate.

He would probably be overprotective of Nicaise leading him to be anonymous radio demon instead of broadcasting his victims. Probably will see the hotel as a haven because exorcists can't harm hellborns and Charlie can use that to her advantage.

Well, first of all, that would be very very unfortunate for anyone who served Lucifer drinks on his vacation. Or just bumped into him in the crowds.

But it would also make for a pretty interesting scenario. I doubt there's anyone who could exist in Hell for any length of time without being changed by it. Even Charlie brushes off getting a bit of some guy's brain stuck in her eye. Nicaise knew how to hunt a bit so she at least already knew how to use a gun. It didn't matter to her that Alastor had these bizarre powers, he was her boy and she was going to protect him!

I do think she'd try to go to Lucifer for help, once she learned who he is. The problem would be that he wasn't really accessible to her. It's safe to assume that Lucifer's home is somewhere in the Pride Ring, but there's nothing in the overhead map of the Pentagram that appears to have some link to Lucifer or any of his motifs, aside from the Hazbin Hotel itself.

It could be his home is somewhere outside the ring of mountains that surround the Pentagram. Or maybe it's up on that red... moon? The body floating near Heaven. Lucifer can create portals so it would be accessible to him, I think. Or his home could be hidden down in the sprawl somewhere but regardless of where exactly Lucifer lives, it's not someplace regular sinners would be able to just stroll up to.

So Nicaise and Alastor are pretty much on their own, but at least they have each other to rely on. And that allows them to at least maintain a sliver of their own humanity. As hard as Nicaise tries to protect Alastor, however, Alastor is so much more powerful that it often ends up the other way around. She gets a job playing piano at a bar, insisting that Alastor remain home and safe, but after the first night Nicaise comes home covered in bruises Alastor starts sneaking out to follow her, and when he sees the bar patrons getting handsy with his mother he goes ballistic. He wasn't trying to turn the patrons into chuck beef, exactly. Or, it would be more accurate to say, he didn't realize he could.

Nicaise lost her job, but worse was the look of abject horror on her face at the carnage Alastor had caused.

Nicaise's expression haunted Alastor. Hell, he scared himself. He was still a ten-ish year old kid at this point in mind as well as body, and he didn't know how to reign in his emotions to prevent more explosive outburst like that. He was scared and vulnerable... Ripe for a deal to be made.

Nicaise meets Rosie while out looking for a new job. She made her way into Cannibal Town by accident, and unfortunately encountered some less friendly residents who zeroed in on her as potential prey. Nicaise was able to kill two of them and in doing so attracted Rosie's attention. Rosie came to see what the commotion was and to try to settle things, by which I mean crush whoever was disturbing her peaceful Cannibal Town like an insect. But when Nicaise pointed the gun at her and declared that she didn't care if Rosie was an Overlord, nothing was going to stop her from betting home to her child, Rosie paused. Child sinners are extremely rare, and don't generally last long in Hell. The only child sinners we've seen so far are in Cannibal Town, so I like to think Rosie might have a bit of a soft spot for kids and takes any child sinners she comes across in Hell under her wing. She calls off her cannibals and invites Nicaise to her parlor for tea.

The meeting ends with Nicaise getting a new job and a modicum of protection. Non-cannibals aren't allowed to be residents of Cannibal Town and Nicaise refuses to eat demon flesh (at first) but Rosie sets her up with a new gig at a music venue in Cannibal Town and a guarantee of safety for her and her kid while they're within Rosie's territory (Rosie's playing the long game here; she's fully intending to recruit Nicaise and Alastor into her following). It's all suspicious but Nicaise can at least return to Alastor with the good news that she has a way to put food on the table.

Only when she returns home, Alastor is gone.

Alastor reappears the next morning no worse for the wear to find Nicaise frantic. She checks him over for injuries while he insists he's fine. He won't tell Nicaise where he disappeared to though. It becomes apparent soon after that something about Alastor is different. As the weeks pass, Alastor gains control over his powers extraordinarily quickly. He stops causing random outbursts of green flame or exploding lights. Suddenly he can melt into shadows at will and pop out wherever he pleases. And creepy little dolls appear out of nowhere to do his chores for him or make mischief around the house. As relived as Nicaise is to see him learning to control his abilities, she can't help but be suspicious of this sudden mastery.

Shortly after, Overlords begin to disappear.

[vvienne]

I literally woke up in the middle of the night like God will dark rise is so fucking screwed. The line that’s like. “Everyone wanted to kill the Dark King.” What’s the part where he looks at Violet helplessly, haunted, almost pleading for mercy? But of course he reveals nothing of substance to anyone. Elizabeth is too young to understand but the reader knows what “Her relationship with that boy was…unnatural” can mean. Tying him to bedposts? Failing to strangle him? What else? Never not even once seeing beyond a mythological identity Will himself didn’t know he had? What did he think was the reason? That he was just intrinsically hateful? Of course he says nothing. Of course Violet can’t trust him- he’s given her nothing as painfully real as what she’s given him. So he gives her the sword hoping at least he can die at the hands of someone he loved, but even that doesn’t work out - she gives the sword to a Visander still furious at SARCEAN. The pattern continues; no one looks at Will, who vomits when he realizes what’s happened to James, Will who is much of a liar and killer and sneak as Elizabeth accuses but nonetheless wants to be different. Even when he doesn’t remember his own past. There’s no way out for him that doesn’t hurt. Hope this obsession passes soon given the one and a half years of waiting required for book 3

[burr-ell]

I didn't want to make this post by @utilitycaster even longer than it was or derail from the immediate subject, so I'm making my own to discuss these frustratingly apt tags:

#tangent but the best way to put it is that there is a FRIGHTENING lack of empathy among a certain set of shippers #and every other character is constant collateral and right now Orym's on the chopping block#but like. feed fcg the coin? guests merely exist to make the relationship happen? Orym would be happier dead? #how dare ashton express they have also experienced trauma? shitting on every past deity-aligned character? it's a real pattern.

Because I was reminded that this is also, by my estimation, the reason a lot of people were genuinely upset with C3 Percy. Some corners of the fandom had spent months building up fanon where Percy, one half of one of the most iconic CR ships (and therefore a huge form of potential validation), would do everything in his power to make Imodna happen bring Laudna back to life and get rid of Delilah. And then Bell's Hells actually met him, and it turned out that under the circumstances, Percy was an individual with his own thoughts and feelings about death and fate who'd had thirty years to reflect and had reservations about resurrection even laying aside the Delilah situation.

It didn't matter that he explicitly said he wasn't rejecting the idea of bringing Laudna back entirely. It didn't matter that he had very good reasons to behave this way, reasons that the entire fandom was reminded about rather viscerally less than a year beforehand. It didn't matter that once he was assured there was no threat, he was actually really helpful and genuinely kind to Laudna in particular. If he wasn't immediately accommodating to fanon and validating the juggernaut ship, he was an irredeemable asshole who deserved to be "humbled" by having his wife and close friend go behind his back despite any reasons they might have to be concerned. (Which, to be clear, they didn't do, but the "nyah-nyah, Vex and Pike totally OWNED that rich old geezer cause they're strong women who do what they want!" sentiment was very obnoxious and I was pleased to see that Matt torpedoed it.)

[spiralsandeyes]

jude perry....

[steeltwigz]

Saw a post abt the Sonic movies that was like "plz filter negativity posts better" which is GOOD AND TRUE you should be doing that. Ok. But then they kept going to imply that the criticisms of the Sonic movies are all entirely Personal and Ignorable and not like. Usually abt the horrific copaganda, misogynistic writing, and Paramount's disgusting zionism.... Guys a lot of ppls problem w the Knuckles show wasn't JUST a bastardization of Knuckles' character or thinking Wade was annoying or whatever, but like was focused on the grotesque Zionist message from that one episode 😭😭😭 you can enjoy something and still recognize that it has intrinsic and huge glaring flaws and talk abt them. I think actually you Should be speaking up abt the misogyny, zionism and propaganda the SCU supports and discusses, ESPECIALLY if you like the movies! Its important to be able to recognize these things in media and admit that even media you personally enjoy can be deeply problematic, instead of hiding it away and pretending those HUGE FLAWS aren't issues actually....

[yarart4ever]

Watched KFP4 and... with no spoilers...

I fucking loved it. actually. wtf-

EVERYONE HAS BEEN SO DOOM AND GLOOM ABOUT IT BUT LIKE- I GENUINELY LIKE IT?? LIKE A LOT??

I actually found it funny, sympathised with the characters and actually got SO EXCITED over stuff I saw in the film?

idc what nobody says, this film was fucking great. I had so much of my opinions changed for the better after watching and I am relieved about that tbh-

was it the best film in the franchise? by all means no. is it still a really great film and I am more than happy to acknowledge it as part of the franchise? hell yes!

I have a bit of criticism about the dialogue but I had a dandy good old time and I kinda already wanna watch it again despite JUST watching it today

[ikilledamanforthisurl]

the way Vane secures his place as a Favoured Captain by allowing his crew to systematically SA Max is disgusting and insidious & the way Elanor uses Max's SA to basically get Flint a second ship and potentially secures her own role in their pirating business venture is, similarly, really fucking disgusting and insidious