#she’s definitely way more than that

[eydilily]

your pearl is one of my favorite designs for her i’ve ever seen <3 her face shape feels so right, and i love how you draw her hair. by way of a request, have you ever drawn her as an avian?

thank you so much! pearl's design is definitely my favorite to draw :')

ive done a bit of practice with pearl and grian as avians but that was way before i started posting hc publicly! ( these ones are new :D )

also played around with an alternate version! i dont know much about birds but i saw the australian barn owl and took more inspo from them

[oceanwithouthermoon]

saikis powers are a vital part of him so it makes sense that people who dont know about them cant truly understand his whole self, but its also very silly to me when people act like its the ONLY important part of him... people act like his friends that arent in the know are completely blind to who saiki is, but i feel like that kinda means you missed some major points... he cant keep his powers a secret forever and it DOES matter, but he can still be loved and KNOWN without knowing about them... hes still human, he still has a personality, he still has regular likes and dislikes, etcetc

his friends perspectives on him may have been wrong at first, but they CHANGED... they know him and love him, and theyll KEEP loving him the SAME once they know of his powers...

​some people cough cough cough in this fandom like to reduce saiki to JUST his powers and its so obvious that you just. missed everything. you didnt absorb anything from the show, you just saw it and went "ha, everyone thinks hes just a guy when hes actually super cool and powerful" no no no, he IS cool and powerful but look a little closer and at his core he is still LITERALLY JUST A GUY 😭😭😭

hes such a guy.....

[carouselunique]

They had a bit of a chance encounter on a day where Blueblood was dealing with something that was very difficult and was so caught up in his emotions he didn’t even care that he was in the garden getting grass stans on his coat and Ditzy, with her natural impulse to cheer ponies up, didn’t even notice or care that she was flying into the palace gardens when she saw someone sat in the rain.

At first he was definitely going to call the castle guards to come apprehend this strange filly with the odd eyes who was intruding when this was the last moment he’d want to entertain any desperate debutantes, however she surprised him by not fawning or anything, not even caring about his status, just putting one of her fluffy wings up and asking if he needed somepony to lend an ear.

“Don’t let my eyes fool you, my ears work just fine!”

She was incredibly disarming and while he didn’t reveal everything about why he was upset, he found himself talking about his feelings to her. And she made such cheerful remarks, and was very comforting. In the end, he felt better and she came to check on him the next day, even sharing a blueberry muffin with him. He remarked that he’d never seen her around before, and that he wouldn’t mind terribly seeing her more often.

The rest, as they say, is history.

[untitled-tmnt-blog]

I absolutely HAD to draw something for @phoebepheebsphibs's DTIYS (based on this pose)! I decided to mix things up a bit by experimenting with a more limited color palette, which was a pretty fun challenge.

[aflawedfashion]

Trevor & Hetty & Thor | Ghosts 2x04

[tatiejosie]

Merry yurimas besties!!!!! milf4gilf robot yuri for the soul!

They're often on my mind. The universe where the GDA actually defeated Omniman and captured Invincible has a female Cecil and Donald. There's so much matter to work with!!

[oregoncoastfox]

Just the two best lancers I own hanging out and having a great time bonding over being ancient, often-hated and almost always misunderstood beings who just want normal lives. Just a relaxing girls' day at the beach doing what anyone would enjoy.

Art by the eternally delightful @wishem

[momentomori24]

For as much of a raging, misogynistic monster Jimmy is, especially towards Anya-- sexually harassing her, treating her with no respect, constantly belittling her and her work and worth, being generally extremely inconsiderate, ect-- I never really got the impression that he hated her, surprisingly. He absolutely resents her for the pregnancy he forced on her and envisions it as a monster out to hunt him down, sure, but he still included her in this delusional fantasy of a happy birthday celebration. In his mind, she's shown as encouraging and adoring, referring to him as their Captain Jimmy, showering him that recognition and reverence he always wanted. It's interesting, because given how he acts towards her, you'd think she'd be more silent and out of the way-- or better yet, not included at all considering how hard he tried to block her from his mind in comparison to Daisuke, Curly and even Swansea during the guilt sequences. But she is included, and not at all in a negative light.

To me it doesn't really seem he hates Anya personally as much as he hates everything she means for him. For as little respect as he has for her, he seems fine around her in general. He doesn't really seem to mind her when she fawns over him, when she exists in their group as an active member, because I imagine those traits about her wouldn't be present here if he did. He doesn't really mind thinking about Anya, her being on his mind at all-- until he has to confront what he had done to her, the consequences of his actions, the way her pregnancy would negatively affect him and how he should feel guilty and owe her an apology more than everyone else. Then all of sudden she's physically nowhere to be seen, the memory of her banished to the darkest corners of his fractured mind-- suppressed and buried, where he'll never have to think about her again.

In this celebratory delusion, she's allowed to exist. In the guilt sequences, she is not. Her absence has nothing to do with her and everything to do with him.

[moeblob]

Yeah! I haven't read any fics focusing on them but I have seen that they exist! And also there's like a five sentence interaction in a fic I read ages ago that lives rent free in my brain. I think about it all the time when I draw Sixty.

[lynxfrost13]

EULR-S2313 “Holt”

Awesome artfight attack of her by archivebottles on twitter ^^

Holt time let’s go!!

- she’s an old EULR unit that works in Sierpinski-23’s medical wing, she takes care of both replika repairs and patching up gestalts. She’s known throughout the facility as one of the better medical units due to her experience and patients often request her not only for her skills but her company (she’s a terrible gossip even by Eule standards!).

- Holt was given her name from her tendency for hand holding both professionally to comfort her patients, and to generally show affection! Those who know her well also know that her name comes from her stubbornness for a EULR. When she sets her mind to something she refuses to let it go!! She does not take no for an answer! Especially when she’s caring for patients!

- She has a petty grudge against Storch Sieben. No one knows why, but the two of them don’t like each other and can’t be in the same room for very long unless someone wants a shouting match

- When a certain Kolibri unit had an accident in the mines, Holt fixed her face and then after learning that the Kolibri had lost her bioresonance and was being considered for decommission, pulled some strings and kept the decomm request at bay. This initially caused some friction between her and Kolibri, with Holt wanting to keep her alive and well, but Kolibri feeling purposeless without being able to hear her cadre. Although they got off on the wrong foot they grew close and spent a good deal of their spare time together (cue much teasing in the Eule dorms)

- Holt and Kolibri eventually became lovers, Holt had had a crush on her for a while and finally worked up the nerve to confess it. Kolibri felt the same and the two kept their relationship under wraps due to the already tense situation Holt had created in preventing her Kolibug’s decommission request. They still had each other and were happy for a few more years at least (there was much teasing and even more kisses in that time, they loved each other dearly)

- The mysterious illness infecting the replikas of Sierpinski-23 eventually claimed Holt though. During the infection she worked hard to try to treat ailing replikas, or at least bring them some comfort before they had to be put out of their misery. When Holt began showing signs of sickness, Kolibri stayed by her side in the medical office as her condition worsened to the point that she couldn’t recognize her lover at all.

- Holt couldn’t control herself and was confused and scared, she attacked Kolibug when she came to check on her that last day. Kolibug killed her in self defense and remained by her beloved’s side afterwards.

[ashes-in-a-jar]

My feeling right now about the cast

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[stuffyflowers]

I hateee when ppl use the fact that cerobas story revolves so heavily around chujin to act like her character is devoid of substance bc cerobas character being so heavily defined by her loved ones is the point!!!!! She’s incredibly self-loathing, she’s implied to care more about disappointing her family than any injury to herself, she sees herself as the sole cause of all her loved ones’ suffering and pain!!!!!! Of course we’re not going to find out that much about her own personal interests and desires, she herself doesn’t care about them, especially not now! She doesn’t think she deserves to follow her own dreams! It’s her duty to carry out a blatantly horrendous plan left for her by chujin because she views everything he does as more important than anything she has to offer! Her arc is not only her letting go of her idolisation of chujin but in conjunction learning that she can be she can be her own person, stop living in her late husband’s shadow and accept help from the people who love her. She can be needy.

[bearimba]

Silver doesn't need another father. He's already got one of those, technically, but the man turned out to be a weak, cowardly bastard who couldn't face his own problems let alone raise a child. The way he sees it, there's no need to set himself for more disappointment. He's got a roof over his head and food to eat, and that's far more than he could ever depend on in the last... however many years he'd been living on the streets. Lance and Clair are annoying as hell, but while he's training in the Dragon Den, he doesn't exactly have much room to complain. Not out loud, anyways.

Lance doesn't particularly want to be a dad either. He's already got too much responsibility on his plate as Champion, and this kid clearly needs so much more emotional support than he feels like he can provide. Simply convincing him to move into his guest room was enough of a struggle, and it only really worked because Lance had promised Silver he could "earn" his keep. What the hell is up with that, anyways? He's not sure what Silver's past looks like, and he's not about to go prying, but the bare minimum he can do is make sure he doesn't have to rough it out in the woods anymore. At least Clair seems to be having fun training him...

Clair is more than ready to be an aunt. The other two refuse to admit to caring for each other, but unlike them, she's not afraid of something as stupid as her emotions. The brat's slowly but surely been mellowing out during his training, and her idiot cousin has actually been taking care of himself for once in order to be a "good example." Silver has even caught on to calling Lance "old man" like she does, on account of those ugly-ass reading glasses the all-mighty Champion has to wear, and she couldn't be prouder. Best part is, she doesn't have to spend a dime except to treat the kid every so often! That's a win in her book if ever there was one.

[juiceastronaut]

Im too lazy to hunt for the screenshots AND I recognize that its happened at earlier parts of the story BUT

Laois protecting Marcille from the falling icicles is just the EXACT reason her and Chilchuck stayed despite everything (besides Falin for Marcille of course). Despite the two of them not understanding him, despite them being put off by his mannerisms at times, despite their varying levels of discomfort around monster food they KNOW at the end of the day Laois has their backs.

He will do everything in his power to keep his party safe with zero hesitation or convincing and he does so because he genuinely cares about them. He might not know how to time a Morale Boosting Speech for when people *dont* have a mouth full of food, but they know he'll be there for them when they need him the most.

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.