#she’s also a misunderstood mean lesbian

[kittycrumb]

Whats ur favorite twdg character and why?

HALLO! thankyou for the ask.. a have a couple, clementine for obvious reasons, she’s the goat. her character is so strong and soo well written. seeing her grow up and develop makes any sane person enjoy her, she’s awesome. i don’t think i need to explain much further, i could go on and on but no one will disagree with me so no one needs to hear it. heh.

other than clem i really (really) like violet, i love her… so. much.. her being “mean” and cold is one of the reasons why i like her as much as i do, she has so much to her if you break down her character. people dull her down to this mean harsh person that was an after thought of a love interest and has no place acting the way she does, she acts the way she does because she’s realistic, her lines and emotions are so well thought out. she’s so sweet and cheesy i fear im going to implode, the way she acts around clementine is soo 😆😆 i love clemvi so much, i think it’s sooo perfect and cute and oh wow. the dialogue options you get in like every violentine scene are so cute.. it makes me SICK. i think i’m pretty normal about them.. people who dont like vi see her and never try to understand her. when they see she gets angry and frustrated at clementine when you choose to save louis instead they say how awful she is and that why couldn’t she just be an exact copy paste of louis and that louis is better and vi is bad and this and that. if i let someone steal you, lock you up and then expect you to kiss my ass when i come save you how ever many hours later, do you think you would be able to think rationally (in that time where you are filled with so much adrenaline and fear of your safety) or do you think you would act realistically, lose control of your emotions and lash out without thinking. whatever if you’re such a hero sure you can say that you’d think rationally BUT DO NOT CALL VIOLET A VILLAIN BECAUSE SHE GETS MAD you just cannot bare to see a girl let her emotions do the talking in an apocalypse can you. people are such haters. Anyway i love clementine and violet 😆 thanks for reading.. heheh..

[asordidbarwere]

gggggggg

[mono-blogs-art]

Ayaka is in Love with Hiroko - The Lesbian Office RomCom You Needed

Blatant flirting, hilarious misunderstandings, and lesbian shenanigans aplenty - this show is funny, over-dramatic, and most of all gay as hell. Here's my review! Spoiler-free version first, and a more detailed spoiler-y version under the cut. I hope you enjoy!

A quick summary: Overall: 9/10, you should absolutely watch this! Genre: RomCom, with some serious elements and a heartfelt exploration of sexuality Watch if you are looking for... : A silly and fun time, a happy ending, misunderstandings, and character development. Highly recommended to watch this with your partner(s) or your sapphic friends! Watch out for... : Although the tone of the show is mostly comedic, it contains discussion & depiction of homophobia at the workplace and past trauma relating to that Where to watch: Official TL on GagaOOLala, or Fansubs by @furritsubs (highly recommended!)

"Ayaka is in Love with Hiroko" (Ayaka-chan wa Hiroko-senpai ni Koishiteru) is a Jdrama adaption of a manga by the same title. The series premiered this year July 2024 and has wrapped up a short while ago, with a total runtime of 8 episodes of 24 minutes each.

The title of the show already says all; the plot is simple: Junior staff member Ayaka is head-over-heels for Hiroko, her senior at the company she works at. And she has decided to go on the offensive.

There are many obstacles in Ayaka's way: first of all, Hiroko is 13 years older than her (they are 23 and 36), and her superior at the workplace. Hiroko is beloved by both her superiors as well as her staff, so Ayaka's love for her is just one of many. And no matter how blatantly she ups her advances (and girl, she is BOLD), Hiroko is 100% convinced that all the flirting is just misplaced, straight-woman obliviousness.

The irony of it all is that Ayaka is absolutely barking up the right tree, because Hiroko is a lesbian, but has been firmly in the closet at work - something that she has no plans on changing. Her professional life and her personal must stay completely separate, at all cost. The only place she can truly be herself is the lesbian bar she's been a regular at for years.

^ Me when I'm a lesbian disaster doing insane mental gymnastics

However, "giving up" is not in Ayaka's vocabulary. As her seduction attempts keep escalating and being misunderstood, Hiroko's hard exterior begins to crumble bit by bit. Can Hiroko finally overcome her rigid ways, and let herself fall for someone?

Although the show is first and foremost a comedy, both Ayaka and Hiroko as characters are handled really well. They have their own problems, insecurities, reservations about the other, and both have a simple but great arc over the course of the series. Ayaka is discovering her sexuality, something she had never even considered before falling for Hiroko. What does being in love with a woman mean for her future? And Hiroko, who is already very confident in her sexuality, is confronted by her past trauma, and the fact that she's still not ready to come out despite the changing times. And while being undercover has saved her career in the past, it has also made her feel alone and isolated. She likes Ayaka back, but can't allow her true colors to show.

Something that I find very hard to achieve with comedy shows is the switch between funny and serious, and I think that Ayahiro manages this very well. Both of our main characters feel grounded enough in reality that when they get emotional, it feels relatable and sincere. For a silly show like this, striking a balance like that is crucial, and save for a few pacing issues in the later half of the show (that I honestly didn't mind at all), I think the show totally nails it. Ayahiro is not a realistic show, but it contains elements of reality that made me connect to it, despite all the insane shenanigans that go on. And because of that the show made me laugh and cry as much as it did, often in the same episode. It works, and Kudos to the writers (and actors!) for that.

Speaking of actors, one thing I must mention is that the show is very well made. The actors (especially Mori Kanna as Hiroko is the standout for me, she has a natural charisma and gay swagger) do a fantastic job, the leads' chemistry is great. The production overall has some real money behind it, with lots of changing sets that all look great and have been crafted with care. Ayaka's outfits are absolute KILLER, she is giving insane femme energy. The show also looks very pretty, the color graders turn that saturation up to 100 and it fits Ayaka's rose-tinted world well.

That's it for the spoiler-less part, I'll now get into specific characters and plot points with full spoilers up to the end of the series under the cut. If you don't want to get spoiled, I hope the review until now made you want to watch the show for yourself! I hope you enjoy!

First of all I need to disclaim that I have not read the original manga that she show is based on, so I can't compare the series to its original and how the plot is written there. I do intend to read it (I hope it gets localized to German so I can support the official release, but I might check out the English Official TL anyway before that) but for now, I will only judge the series as is.

Ayaka: Our protagonist is a femme fatale, in... another meaning of the word, I guess. She is a disaster, bad at pretty much everything she does except not giving up. Once she has set her mind to something, she will get it done. That leads her to often be inconsiderate and unable to see what others around her are feeling, which goes mostly for her best friend Risa, but also for Hiroko, whose feelings she also fails to consider even when pursuing her. Ayaka has to learn the hard way that her naivete is hurting others, and herself. She hasn't really thought her advances through, simply acting on instinct. But as the series goes on, she takes her feelings and her newly discovered sexuality seriously, and grows comfortable with calling herself a lesbian. She is also unashamedly horny, like, Oh My God, this girl is trying to get laid so bad. This is hilarious and refreshing to see, and although her seduction attempts are often played as comedic, it doesn't feel like she is being ridiculed for her sexuality by the show. Ayaka often crosses boundaries (physical and emotional) with Hiroko, both out of naivite and in deliberate attempts to seduce her. To me this was never truly infuriating, even though sometimes she really did go too far, but for me it always kept in tone with the comedy of the show. Even when Ayaka finally comes out in front of the entire office, she makes it clear that she doesn't want Hiroko to do the same if she's not ready.

Hiroko: Our deuteragonist is probably my favourite character in the show, and I think she's very relatable and well done. As an older lesbian, she's got plenty of experience, having even earned the title of "The Ace" in her lesbian friend circle for being a talented womanizer. But a traumatic experience of losing her last partner due to being found out at the workplace has changed her. She's afraid to get attached, she's unable to let people get close to her true self. So when Ayaka is fighting tooth and nail to get to her, Hiroko is caught in conflict between her feelings of attraction and her past trauma. She does everything in her power to dismiss Ayaka's advances to protect herself, and later when she learns that Ayaka is in fact not straight (duh), she still turns her down to protect Ayaka's (and her own) career. Hiroko is a bit of a conservative - something she's also called out for in her lesbian friend circle - she believes that coming out at work is impossible and irresponsible. And you know, I get it. Not only does she have personal bad experiences with exactly that, it's also not unreasonable to think it would be a bad idea to hook up with your junior of 13 years. Like, I get it girl. Hiroko is clearly attracted to Ayaka, not just physically but also emotionally, because Ayaka is everything Hiroko wants to be but can't. And that leads to Hiroko constantly underestimating Ayaka, even treating her like a child. She thinks Ayaka is not really thinking the gravity of her actions through, and she gets called out for that and has to overcome it. In the end, Hiroko ends up being a character that needs time, and needs to unlearn a whole bunch of shitty behaviour, something the show clearly also shows is being worked on and that Ayaka also respects (more on that later).

Risa: Easily the character I struggled with the most, Ayaka's best friend Risa is complicated. She's very observant but also shy, and secretly harbors a crush on Ayaka. Quietly struggling with her sexuality, she only decides to come out when she realises that Ayaka's feelings for Hiroko are serious. Oh, it's messy! She confesses to Ayaka, who in turn has to struggle with her feelings for someone else, but also not wanting to lose her closest confidant. And to her credit, Risa takes the rejection quite gracefully and continues to support Ayaka in her pursuit of Hiroko. However, Risa also outs Hiroko against her will to Ayaka, which... is just a shitty thing to do, even though she just wanted to help her friend. Good motive, still murder. After the conflict between Ayaka and Risa is resolved, Risa just kind of... is around, quietly worrying in her corner and kind of (in my opinion) overstepping her boundaries with Hiroko. I don't dislike Risa, but I thought her character was not done super well in parts, and although I understand the complicated situation she herself is in, the show doesn't really let her grow as much as the other characters. Anyway, good for her for bagging the hottest chick at the lesbian bar, though. Good for her!

The "break-up": The story's conflict comes to a peak when Hiroko finally realises there is only one way to shut this all down. She needs to fulfill Ayaka's desire, and then turn her down, once and for all. But Hiroko at this point still thinks Ayaka is immature and hasn't really thought her actions through. Ayaka sheepishly asks for a kiss, so Hiroko kisses her. "Now you've achieved everything you wanted." We're done, you can give up on me and this childish crush you have on me. And most importantly, I can let you go, too. Not realising that Ayaka wants much more. She wants a real relationship, she wants the kiss, sex, real emotions, she wants to see Hiroko's true self too. She wants a partnership.

The Finale: With the encouragement of her peers, Ayaka finds the courage to express her feelings to Hiroko one last time. And she finds just the right words to finally get through to her. Hiroko realises how much of an ass she's been all this time, how she ended up hurting the girl she loves and herself by denying herself happiness. This whole scene was so well done (Kudos to Kato Shiho as Ayaka, this is probably her best scene in the entire show), brother I cried so hard. And finally Hiroko can say what she should have a long time ago: "I'm sorry."

One year later: In the show's worst case of bad pacing, we immediately cut from their tearful reunion to "one year later", lol. I don't mind the sudden jump too much, but maybe a bit of a slower fade-out would have softened the blow, because I think a few people probably found this very jarring xD not too bad for me. I was actually positively surprised that we actually get to see the aftermath, see how their relationship has developed a year into it.

I've seen a few people complain about this "no-sex scene" (lol) and I just want to add my two cents. I actually really like how this scene played out, for two reasons. Reason 1 is that it's just very much in-character for Hiroko. We've seen her struggle back-and-forth with the intimacy Ayaka wanted from her for the past 7.5 episodes, and her own internalised homophobia and constant fear of "crossing the line". She's a traumatized person, and it makes total sense to me that even one year into the relationship, she's still struggling with sexual intimacy. Sure, a whole year is a long time not having sex with your partner (even though you both clearly wanted to from day 1) but like... it makes sense for Hiroko. She's still working through the past 10+ years of repression. I do understand how this scene can be interpreted as "the show is afraid to show them being horny and sexy together, they're cowards for making Hiroko so obsessed with Ayaka's "purity" etc" and like, yes, that is a totally valid interpretation, but IMO also a quite bad faith one.

"I'm happy to know you feel that way. Which is why, could you please wait a little more, just until I sort my feelings out?" "What?" "I want to cherish you, Ayaka." "Right." "I'm sorry for everything, Ayaka." "For everything?" "In the end, it seems like I still haven't came out yet. I understand that I'm making you endure something when you don't have to. But… I do want to be with you, and I want to keep my job. I'm really sorry for making you put up with my selfishness."

^ Like, that is the conversation that follows. It's not just about sex for Hiroko, that kind of intimacy holds a deeper meaning to her and she's just not ready for it yet, and trying to sincerely tell her partner that. And when Ayaka reaffirms her willingness to be patient in this scene and is respectful of Hiroko's choice, Hiroko realizes that she's being a stupid coward, and finally makes a decision...

... to come out in front of the whole office, who's been gossiping about their relationship the whole year anyway.

And that is the end of the show!

So really, Hiroko did manage to overcome her fears in the end, and it took her a whole year into a healthy relationship to do so. And I think that is honestly much more realistic than some people would like to believe. Is the smooch in front of the whole office silly and cheesy and over-dramatic? Of course, but that's the entire show so far. And if you think that kiss-and-dip is dumb then I can't help you, I think you just don't like fun.

Oh yeah, and my reason 2 why I thought that no-sex scene was done well is because it's just funny. Ayaka has been DTF since minute 1 of the show, and her still being unable to get it this far into it is just funny. I would have loved a little nod to them finally getting down at the very, very end, but eh, I can live with it like this. They've conquered the emotional hurdles, I'm certain they will cross that other bridge when they get there on their own time.

Conclusion: "Ayaka is in Love with Hiroko" is a great and incredibly funny lesbian show that touched me emotionally much more than I thought it would. It made me cry several times, the production and acting quality positively surprised me, and honestly deserves my Nr 2 spot of favourite Lesbian JDrama after Tsukutabe (which is a 10/10 show) for now. I really hope this type of show gets imitators, adapting relatively short stories into mini-series with great quality. I appreciate the more adult tone of this series, its shameless comedy while still being able to hit serious beats with real emotion. From what I've seen of the BTS, the actors and staff also handled the subject matter with respect and care and had a lot of fun making the show. I don't think a season 2 is needed, but I do hope that the series can inspire more similar works. I love Ayaka and Hiroko, and I'm so happy they got their happy ending, and by God, I hope they have the best sex ever in their beautiful lesbian future. God bless.

That's it from me, thanks for reading, and I hope you enjoyed this show as much as I did! Hopefully see you soon!

[ghouljams]

tbh i think the 141 guys would probably just kill me and leave me in a dumpster somewhere after fucking me so their friends don't find out. honestly, that's most CoD characters. i think the threshold for "depersonalized enough to not care where intimacy comes from" is a lot higher than people expect, and imo only the more monstrous, least 'human' operators would ever even come close to reaching it, though the ones who come close but don't reach it are also nearly guaranteed to murder me. the only "non-queerphobic" CoD character is the lesbian cia milf, but she's still probably queerphobic

Hi friend! I think you may have misunderstood what I do here, which is have fun with characters that aren't real people and thus do not have actual thoughts/feelings/opinions on anything.

I'm not really sure what you were hoping I would say in response to this, but the only thing I can say is: I think you should love yourself more.

I mean this from a place of love but I genuinely cannot see what can be gained from this attitude of "yeah but they'd probably all be queerphobes" especially when you're coming into a very vocally queer person's inbox and saying it. Were you hoping I would agree with you? Or disagree with you? Do you need someone to hold your hand and tell you that it's ok, that these fictional men would love and accept you as you are? I can do that, but I don't think this attitude of assuming the worst in people(especially ones who are what you make of them i.e. fictional) is an unhealthy one.

All I can tell you is that in my fics you'll never run into anything other than acceptance, and that's a promise.

[nekropsii]

Atomic Ask Bomb... 2!!

Hello, all! We are back in the mines immediately, because you all love me and my inbox so much. I still have 200+ more asks to sort through after this and that is not hyperbole!! Oops!!

Content Warning: Long, and Cronus is There.

You can be both. I am both. I think Terezi's easily in the Top 3 of Best Written Homestuck Characters, no competition. AND she compels me.

Mituna Fans and Terezi Fans flocking together like how Gays and Lesbians are supposed to.

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He doesn't have a Recuperacoon. He doesn't NEED a Recuperacoon. Who needs a Recuperacoon when you have a bathtub? You pile a bunch of slime in there, and then you can pop the drain open in the morning and take a shower right there where you just got up. It's convenient. And not at all sad. It's not sad guys.

Let's pretend for a moment that either Vantas would have regular bathing habits for the sake of this joke.

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Even if that's the case, it really doesn't change anything. Insecurity doesn't justify literal actual sexual harassment and sexual assault. What?

People will do anything to excuse random shitty men for being shitty. Sympathy is the favorite weapon in Fandom Misogyny's arsenal. So often will fans pull some random bullshit out of their ass just to say that it's fine that a male character is abusive, especially if it's to women, because "He's Sad", so he should never face criticism or punishment for his actions.

We should all start putting people in blenders. We've let these arguments go on long enough. People are far too bold in their abuse apologia. We need to kill them.

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Yeah. Like, he interests me a lot, he's one of the characters I take the most interest in out of all of the Alpha Trolls. I literally write sov!Cronus. I hate his guts, though. It really is just that easy to be a fan of a character and also fucking hate them. Not once have I ever made an excuse for him. The goal Hussie set out for when writing him was making him inexcusable and irredeemable, down to Cronus literally knowing what he's doing is bad and hurts people, and simply just not caring.

Cronus is genuinely fucking evil. That's the whole point. If you make him misunderstood, if you make him mean well, if you make him lack self awareness, if you make him sympathetic, if you give him any redeeming qualities at all... You are missing the point completely. If you want a sympathetic asshole character, you want Vriska. The point of Cronus is that he's The Worst Character In Homestuck, and that he has zero redeeming qualities and trying to fix him or redeem him is a Hopeless venture. He is beyond saving. Don't you dare even think about trying - to try to make him palatable is to erase Violent Bigotry, Incest, and Child Sexual Abuse. Just don't. Enjoy him as he is, do NOT defang him.

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He truly is the worst! I think we should explode all depictions of fanon!Cronus. Forever.

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Yeah, there's a huge reason why I do not say I'm a fan of Cronus or call him a favorite character of mine or anything. It projects a certain... Image. The wrong one. There's just such a strong precedent for anyone saying they're a Cronus Fan or calling him their Favorite Character being a person who just completely fucking ignores everything about him, or even pardons it, saying it's fine, actually, because He's Sad, or that it's Not That Bad, actually. I can't stand it.

I'm aware there are Cronus Fans who are totally normal, but I cannot help but immediately be wary of them, or flinch for a moment even when they offer the reassurance that they know better. It's a natural response, having been here for around a decade and having been a Mituna Fan the whole time.

Liking characters who are terrible people is fine. Based, even, in some cases. But... It's truly difficult with Cronus, because so much of that fanbase relies on excusing/minimizing/condoning abuse and bigotry. I don't have any qualms with people liking characters that suck, but when a fanbase for a character is so heavily focused on pretending that character isn't a horrible, terrible, awful person who abuses people - even children, even people they're related to, even children that they're related to - for nothing but their own sexual gain... I start having issues. That sets a pretty dangerous precedent, to me.

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It's crazy to me how so much of the apologism is because he's hot. Because he literally isn't. You all have terrible taste.

Let's all appreciate for a moment just how fucking ugly he is. The fan art is lying so bad. He needs a haircut. His shirt doesn't fit him, and honestly looks like women's clothes - you know those women's shirts that have the sleeves that stop halfway down the damn shoulder? He looks like a 16 year old. He's so skinny, and his shoulders are so... rounded and small - which are fine traits to have, but literally every piece of fanart portrays him as broad-shouldered and ripped when the literal opposite is true. You just know he has too much product in his hair. His actual sprite is even worse.

The way his fly doesn't even go all the way up. The way his hair clips into his face. The way he's slightly yellow for literally no reason. The shitty belt. This fucking sucks. He's so ugly. He isn't even hot.

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Mituna having Memory Loss as a result of his TBI is literally a myth invented by Cronus to emotionally manipulate Mituna and perpetuated by Cronus Fans. I think if they were friends in the past, Cronus's actions would be worse, actually.

Could you imagine getting sad that your friend doesn't remember you because of a Traumatic Brain Injury, and your response to this sadness is to abuse and sexually assault them on the regular? What, is that Just Bro Things now? Cronus literally says he targets Mituna because he thinks he can get away with it due to his struggles with communication. The thing about them being buddies in the past was one of his trademark Lies. Because he is known to do that, specifically to manipulate people. Because he is known to manipulate people. Emotionally. Because he is abusive. And terrible. And not redeemable. This isn't rocket science! It isn't rocket science to say that pushing the fault of Mituna's abuse onto Mituna is Victim-Blaming!

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Positively fucking ridiculous that so many people did not recognize their romance within the comic. If they were boys, there'd be no god damn question about it. It'd be up there in everyone's OTP list alongside DaveKat.

I think they're adorable. They're one of my favorite pairings.

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It's great in the source comic, especially during earlier phases of its existence, but the quality deprecates drastically the further you get from that point. I hate it in Fanon and in Dub/Post-Canon.

It's a great off-screen pairing for a lot of lore reasons - namely it being great to let Dave slowly allow himself to love and be loved in private, with no fear of eyes on him. He's never really been able to have privacy before, with all the cameras and eyes on him all the time, and he's never been able to really let his guard down and be vulnerable. He's never been able to love and be loved, safely. I ultimately think they should've kept their relationship mostly private, even after Dave's recovered quite a bit, because sometimes having something just for yourself without that need to perform it is healing in itself. Mental health maintenance.

In Fanon, it seems like pretty standard yaoi, though. Boring. Tired. Literally everywhere. Voyeuristic as always.

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Thank you! My Inbox generally really isn't that bad at all, honestly! Most people are pretty cordial! Anon Hate for me is pretty rare. Thankfully, the Delete Ask button exists, so I don't have to worry about those Anons for very long, lol.

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I hate to say this, but back in my day, plenty of people actually did do that. In fact, people only knowing Homestuck through fan material and then still calling themselves a fan is a big reason why old Homestuck fanon was so bad and so far off the mark!

I have a name for those kinds of fans, because it was such a frequent occurrence it begged for a title. I call them Secondaries. Like "Secondary Source"!

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World's most based triad, I think. Should be real. It's real to me.

7H15 15 MY 91RLFR13NF, L47UL4. 4DN 7H51 15 7UL45 9R1LFR13ND, P0RR1M.

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I think everyone should start watching actual horror movies. I think these people should watch Re-Animator and Bride of Re-Animator. I think this would fix the fandom, because a lot of people are just posting about horror movies without realizing they're posting about horror movies. Go watch a horror movie. They even have more and, frankly, more interesting gay representation than... Whatever Dirk and Jake have going on. Sorry.

If you're a gay man, get some hair on your chest and watch a bunch of horror movies. There's more in this life than anime twinks and skinny white pixel men. There's BlackRom Old Man Pet Play (The Lighthouse, 2019), there's Tormented Huge Dirty Bear (The Texas Chainsaw Massacre: The Beginning, 2006), there's The Bisexual Psychological Torture + Betrayal Chamber (Saw, 2004), there's Dysfunctional Gay Marriage Disputes (Re-Animator, 1985, Bride of Re-Animator, 1990). And way more other ones than I can really list. Expand your horizons.

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Not much. It's a bit mysterious. Here's what Aranea had to say about Mituna in general, which gives us most of the crumbs we have:

The Heir of Doom was once a powerful psionic. He had much to say when it came to warning us a8out the path of doom and destruction we were all headed for, 8ut no one took him very seriously. 8ut one day he lost all those abilities when he 8adly overexerted himself. It's hard to get any specifics from him, 8ut indications are that he applied every last 8it of energy he had toward some great act of heroism, saving us all from some looming threat. Not only did his exertion permanently 8urn out his psychic a8ilities, 8ut it left him somewhat... er. Incoherent. The entire incident is shrouded in mystery. From his limited and scattered accounts of what happened, it seems very likely that Kurloz was with him at the time, as the only eye witness. And of course it's impossi8le to get any relia8le information out of him. I guess we may never know, sadly.

This does say quite a lot, but not really anything specific. We've got some stuff about how he's the session's Cassandra, the fact that the GAoH was NOT an accident (this is the misconception that pisses me off the most, I think - I hate when people call it an accident), the fact that he was protecting everyone from something... The fact that he DOES remember it, the fact that Kurloz was there, as the only eye witness, and refuses to talk about it.

It leaves plenty of room for speculation. A little too much room for me, honestly, but that's fine, I'm not really pressed about it.

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[manic-sapphic]

some sorta silly spop gifs i been meaning to make~

- oh this right here? ^^ def not catra, totally cool w burning one of her 9 lives just tryna get a lil glimpse under adora's dress -

yee, that happened - u seent what u saw

splish splash - how this cat ever take a bath?

a brief illustration on the signs to look for when ur starting to wonder if everyone fcking hates u or ur just real real tired- "when to take a goddamn nap: a 3-sec guide"

tbh, i know this one ain't silly - i just love tf outta this moment too damn much and wanna look at it anytime i check on this post.

only thing that i wish i'd fit in this gif is the few seconds of action that immediately follow this shi- u know, when catra straight up dropkicks hordak so hard (and w almost no momentum built up whatsoever-goddamn u catra) -u know for a sec bro most def thought he just got knocked tf back through the portal the mf'er stumbled into when he came to etheria -

boy, bye-

oh & just more of that baddie- tryna get by & show her unrequited love just how much she still crushin- "gurl, i'd kidnap a whole town just to get ur attention - and i did"

like damn, at least appreciate the gesture adora, geeeeez-

tbh - lowkey hysterical how the princess/rebel alliance basically stormed the fright zone w lil to no plan, and what they did plan- was constantly getting messed tf up- and they still schooled the hell out of these poor helpless horde sillies. kinda makes sense tho- those mf'ers spent most their lives as child soldiers- they been fueled by nothing but some kinda "nutritional (??)" bricks that only come in colors that can most def promise u just one thing: it ain't made of anything that was ever edible.

obvi not the big moment of the dance err'body all about- and hey hey, me too forsure - idk if a full recovery from that damn dip is even something my dumb lil gay brain will prob ever be capable of

- but i also love the lil glimpse just after the dance starts and the frame cuts in closer to them as they start w their lil coy cat & mouse games- cause the look on adora's face at first looks just as into it as catra is. she's enjoying tf outta this whether she realizes it or not-

--then come the taunts that lead into adora basically tackling catra so hard the btch flies across the damn room, then lifts that cat up like she's made of fucking cardboard - her mug allll smug as fuuuuu, ofc --

and u already know. catra's face right here- "oh hell yeah, joke's on u adora- i'm having the goddamn time of my life-- throw me around some more- doitdoitdoitdotisodj- c'mon gurl, you know i been making u lose ur mind all damn night- so just doooo it- .. and then again... but like, then also forever after that too - yeah? u down?"

heheh - but heeeey tho - look who's obvi smug af now haaa - such flirting happenin right here lmao-

hoppin into a wall of fire w 0 hesitation, finally showin how you wanna be all bout like, being adora's protector n shi- damn u catra- u sweet, misunderstood tsundere magicat- who tf said u were allowed to be so fucking cute fr -

"did you just jump into fire for me?"

-fumbles over words as she quickly tries to recover & play it cool- failing hard af at it & replying in fluent flustered lesbian:-

"what!? no! shuddup!!"

jdgjxs hdtgk tho ok

<3

[captainjamster]

A Surprise Exception

Pairing(s): Kate Laswell x F!Reader Warnings: pre-established strained relationship with sibling, non-sexual intimacy, post-sex cuddling and talks Wordcount: 3.2k Summary: Kate really does not like children, and there’s not a chance in hell she’s having any. No one is changing her mind – but someone else might convince her they’re not all terrible. AO3 Link: Right here! <3

A/N: A few notes for this one! This was written all in one go, so I will probably come back to edit it at some point. While I normally write neutral SFW inserts, reader identifies as a woman because I won't write Kate that isn't a lesbian <3 Pre-established strained relationship w/ sibling is an important tag. This is not a generalised portrayal of single parents; this is an insert specifically with family difficulties, and a couple trying to navigate that with understanding but not permissive boundaries. Also, I hate reading baby talk too, I'm sorry! But I can't make a four year old talk like an adult, so her speech pattern just follows the overgeneralisation of grammatical rules most children engage in developmentally. Lastly, child-free individuals have every right to be child-free, this specifically isn't a "MC changes their mind suddenly" fic. Laswell just realises that not every single child makes her want to remove her ovaries

Full fic under the cut <3

“No.” Her voice is firm, lips tight in that frown that you know means business. It doesn’t deter your dramatics, eyes pleading, hands clasped in front of you. “Please!”

“I told you, no kids.” She turns back to the countertop, sipping at the black coffee you’d just placed in front of her. The room basks in the pale sunrise, orange tinting the walls as light shines from the document Kate is already pouring herself over.

“Kate, it’s just one kid –“

“No! We talked about this at the very beginning. No kids, you agreed.”

You inhale deeply, squashing down a frustrated sigh as the pressure of your palms turns your vision fuzzy for a second. “Yes, I know I agreed – but come on!”

There’s a pause as your words linger in the air, and Kate’s shoulders drop. “Come on?”

You reel back, groaning. “No, I’m sorry – I’m sorry, not like that, fuck. I’m sorry. I’m frustrated and I just feel misunderstood, like you’re not… getting it.”

“Because there’s nothing to get; because we both made a very clear agreement when we started this relationship.” Her tone is final, but you don’t back down.

“Kate!”

She exclaims your name in exasperation, swinging back around on the barstool as she white-knuckles the tablet in her hands.

“Okay, okay – just, okay, just hear me out. Please.” You try not to wilt under her disapproving look, but she doesn’t stop you, and you take the opportunity at full speed. “It’s not even for the whole day, just six hours! I’ll take her out to the park for a bit, I promise we won’t track mud in, and we’ll take a bath, I’ll dry her in the bathroom right after.”

Her nose wrinkles in disgust with the shake of her head. “That’s good and all, but our rug? The couch? My office?”

Your head is shaking adamantly before her sentence ends. “She won’t step foot in your office, I won’t even let her go up the stairs, and I’m going to watch her the whole time.”

Disbelief is etched into her frown. “It’s a kid, babe. You’re fantastic, but you’re not magic. She’s gonna make a mess no matter how hard you try.”

Your mouth opens and closes, every retort coming up futile, and defeat quickly sinks in. Your shoulders slouch, a pout pulling at your lips as you take up the stool next to her, slumping over the cool granite top. The sigh Kate breathes is long, putting down the tablet. “Your sister’s asked us for this last-moment shit plenty before.”

“I know, but it’s different this time,” you mumble into your arms.

“And why is this ‘emergency’ any different?”

“Because she said the whole place still smells like insecticide, and she doesn’t trust the babysitter to know what to do if it makes Lottie sick, he’s barely seventeen. I don’t think she’s lying; I dropped off a grocery pickup on my way home from the store yesterday, and it really did stink.”

Kate bites at the inside of her lip, contemplating. “Can we not just give her money for a proper one?”

You look up incredulously, and Kate’s expression immediately crumples. “Sorry, yeah. That was stupid, I know we said no more giving her money.”

You return back to your forlorn position, tracing mindless shapes that leave a quickly evaporating trail of body heat.

“Honey, if we say yes, she’s going to keep asking us. I don’t want to set a precedent.” Her expression is sympathetic as you peer over the ruffled humps of your sleeve, a hand settling on your thigh. “She had time to get a better replacement, it’s not like the house started stinking yesterday. I’m not letting you play unpaid full-time caregiver again.”

You slide your own hand over hers, grip curling around the ring nestled against the base of her finger. “I know Kate, it won’t go that far. She can ask, but I swear, this will be the only time she ever stays at our house until she’s older. If she ever pulls this again, I’ll pack an overnight bag and go over there – I’ll go to our parents, if I really have to.”

“And she’s really going to work this time?” Kate probes, arms crossed. “This isn’t another “oh, I was definitely at ‘work’, but then I went on this date with a cute guy I just happened to meet on my ‘lunch break’ and forgot to block you from seeing the photos on my story?””

“I made triple sure – she sent me her schedule for the whole month, and a confirmation text that she’d be late this morning with a response from her boss. She already sent the interview confirmation when she got it, and she showed me the congratulatory email when we went out for drinks too.”

Before Kate can speak, you hold up your hand. “And I know, those can be easily faked. So, she’s going to share her location with me when – if we say yes – she gets there, and I’ll call her work line at some random point so Lottie can talk to her, to make sure. She’d be putting in more effort to fabricate this than she would actually getting the job.”

The air feels thick as Kate stays quiet – just looks over your face, searching for something.

“I’m not helping.” She concedes after a long pause, and you bolt up straight, slapping a hand over your mouth to keep back a loud cheer.

“I mean it, I’m going to be in my office. I’ll come out for lunch and say hello, I’m not going to ignore the kid. But no begging to play games, no help cleaning up messes or disasters, no picking you up halfway if her legs get tired.” She tilts her head, an eyebrow raised expectantly, amusement in those pretty blue eyes as she gazes at you.

“Nothing, I swear to god, baby. I’ll have lunch ready at around 12, I’ll just text you and you can come down.” You bring her hand to your lips, peppering kisses across her knuckles, making sure to be generous over her ring with a cheeky smile that Kate fondly rolls her eyes at.

==

Charlotte warbles a rhyme she learnt in day-care as you pull into your street, kicking her feet in time with the ticking of the indicator as you stop in the driveway. She makes a loud squawk as you reach for the door handle, a small glare peering up at you through the window to warn your hand away from it. You watch as she tugs at it until the latch clicks, using her legs to swing it open. “I did it all by myself!”

You give her a bemused smile, holding out a hand that she accepts as her little legs stretch to meet the pavement. “Yeah sweetie, you did it all by yourself, good job opening it. You wanna grab your bag, or should Auntie do it?”

Charlotte gives you the most withering look a four year old can muster, sighing loudly as she grabs the straps of her backpack from the floor. “Don’t you know I’m a big girl now? I gotta carry my own bag, Mama said.”

The pressure in your chest hurts as your throat constricts, desperately holding your breath to avoid laughing at the very serious mistake you’ve just made. “I’m – ah, sorry, I’m so sorry Lottie. You are a big girl now, yes.”

All is forgiven as you extend your hand again, and Charlotte skips up the short driveway by your side, backpack clunking with each step. “Was my singing good Auntie?”

You hum approvingly, swinging your arm gently. “It was great, honey. You know so much about bugs!”

She gives you a pleased, toothy grin, her face scrunched up in exaggeration. Before you open the to the door, you halt, crouching down to your niece’s level. She frowns at you inquisitively, gaze moving between your face and the door. “Alright, sweetheart. You remember what I said?”

Her expression dissolves into a sassy squint, nose scrunched up in distaste of your obviously silly adult ways. “Auntie, you told me like – like a million times!”

“I know, I know. Can you say it back to me, just one more time?”

With a roll of her eyes, she takes a deep breath, holding up a finger for each instruction you’ve given her. “Auntie Kate is really really busy, so we gotta be quiet, not be yelling, and I can’t be going up the stairs and being distracting.”

You nod in encouragement, giving her a smile. “And?”

Charlotte frowns, thinking for a moment, before her eyes light up. “And no making messes!”

She throws her arms up as you cheer, her chubby cheeks squished between them. “Yay! Inside now?”

You clap your hands to your thighs, standing up to reach for the handle. “Yep, inside now.”

Charlotte barrels through the door before it’s even fully open, almost pulled back as her bag is caught in the opening, and you catch her hand to stop her from running off. “Hold up, cowgirl! Those shoes need to come off first.”

You shuck off your own, watching as Charlotte tugs at hers, before helping her line them neatly against the wall. Coming out the hallway, to your surprise, Kate is sitting on the couch. You shoot her a confused frown as you walk closer, but she just comes over to meet you halfway, crouching down to Charlotte’s level. “Hey, sweetheart, I wanted to say hi again. Remember me?”

Charlotte lingers near your leg, her hand scrunched up in your pants as she looks your wife up and down. “You’re Auntie Kate.”

She gives a small smile, nodding slowly. “Yep. That’s right.”

Charlotte doesn’t respond, fingers in her mouth nervously. The room is quiet for a second as Kate looks equally unsure, twisting her hands together as she speaks again. “What… have you been up to lately?”

Your niece looks at her owlishly, round eyes slowly blinking.

“I punched a boy.”

Kate’s eyes widen, taken aback with an expression you mirror. “You punched a boy?”

Your niece nods solemnly, looking down at her scrunched up fist with a dramatic reminiscence. “He told my friend – he said, he was really mean, and he said girls can’t ride bikes, and he uhm – he did this,” she explains, making a sharp pushing motion into the air, “and she falled off and got hurted and she was really sad. And then I was sad, and then I did my fist like this and punched him!”

She raises her fist to Kate, a proud look on her small face, and you watch Kate struggle to keep the corners of her lips from peeking up. “Wow, I see. Did you get in trouble?”

Charlotte’s pigtails bounce as she shakes her head confidently, bringing a leg up to point at it as she balances on the other. “Nuh-uh, ‘cos my friend had all the blood on her knee and she was crying.”

Kate nods, clasping her hands together, already out of her depth with the look she gives you. “Right. Okay. Well, no punching anyone or falling off things while you’re here, alright?”

“Alright!” Charlotte chirps, giving Kate the same toothy grin. She gives a smile back before shooting you an impressed but shocked look that you just shrug at, grinning. Kate shakes her head, and you catch and squeeze her hand, pressing your lips to hers appreciatively before she scampers off. “Thank you, I love you.”

The wink she directs your way sends butterflies through your stomach, and they erupt as she calls out, retreating up the stairs. “Don’t worry! You’ll make it up to me.”

==

Charlotte peers down at the puzzle, hands on her hips as she balances the towel on her head. Impossibly happy voices sing from the TV as a show she begged for plays, and you catch a blue dog playing a xylophone with her orange sister when you peak around the corner to check on your niece. “Everything going okay, pumpkin?”

The puzzle is very uncomplete, but she’s been following your advice of finding all the border pieces, given the little pile she’s accumulating concentratedly. “We can get an easier one, honey. 50 pieces is a lot.”

Charlotte looks up at that, unimpressed. “I already did 10 pieces of jigsaw!”

With a shrug, you disappear back into the kitchen, cutting up the last toppings on your board as you call out again. “Alright, that’s fine. But lunch will be ready in 10 minutes, so we’ll take a break then, okay?”

A small grumble of acknowledgement comes from the floor, and you get back to it. Before long, the sandwiches are plated up, and Kate’s salad is in a bowl with her plate. Charlotte makes less fuss than you’d thought as she drags her feet over to the table, clambering up the chair to sit down. Grabbing your phone, you send off a text, shoving it back in your pocket before bringing the plates over. Charlotte eyes the sandwiches, peeking through the layers of bread. “Is it good?”

You laugh, picking up your own slice. “I hope so. Your mama said it’s your favourite.”

“No way!” She perks up excitedly, grabbing a quarter and taking a big bite. Kate descends from her office a few minutes later, cup in hand and making a beeline for the kitchen. She comes out with a fresh cup a moment later, taking a seat across from you. “Thanks for brewing a pot, honey,” she murmurs, scooping up a spoonful of salad. “Have you girls been having fun?”

Charlotte hums through a mouthful, wiggling in her chair. “Shaw ducksh at th’prk!”

Kate tries to hold back a grimace, cringing at the food around her mouth, and you send her an apologetic look as you speak up. “Swallow your food first, Lottie.”

Between chews, she narrows her eyes at you, but swallows before speaking again. “There was a mama and her babies.”

The meal is spent in a very one-sided conversation about your trip to the park as Charlotte earnestly recounts every detail, informing Kate about all the kinds of bugs she found under the rocks. The girl is on a long rattle about the spots on ladybug shells when Kate clears her throat, stacking her dishes together, and Charlotte cuts herself off. “No more food already?”

“I have work to finish,” Kate explains as she stands up, “and I’m sure you’re excited to play with Auntie for the last hour you’re here, right?”

A misty expression crosses Charlotte’s dirty face at the realisation, her bottom lip puckering out. “But what if I goed home and comed back after I sleep?”

Kate gives you a pointed look as she disappears around the corner, and you close your eyes for a moment as dishes clink against the metal sink, silently cursing. “Remember we talked about that, babes? You got day-care tomorrow, and I’ll come see you on the weekend.”

Charlotte brightens up temporarily at the mention of day-care, but you can see the moment she realises it’s ‘stopping’ her from coming over as her expression dampens again. “Can we go see ducks on the weekend?”

“Yeah honey, we can see the ducks again.” You nod, leaning back in your chair as Charlotte shoves the last of her sandwich into her mouth. Closing your eyes, your head falls back until it meets the wooden frame, taking a moment to sink down and relax. But tension suddenly springs back into them as fingers slide under your chin, your eyes opening to meet an upside down Kate.

“Hey beautiful,” she murmurs, and you giggle in her grasp, humming as she presses her lips to yours. “Thanks for lunch. You’re so sweet, keeping me fed.” She gives your cheek an affectionate pat, pulling away and heading to the stairs as you sit up and give her a scandalised look at her teasing praise. Footsteps against the floor patter behind you, and Charlotte darts past Kate to the door before you can question her.

“Auntie Kate!”

Your wife pauses, and you can see her breathe in before she turns. “What’s up, kiddo?”

Charlotte drags her bag over, crouching down and rummaging through its depths to pull something out. It takes you a moment to recognise the scraggly stems and squashed petals, but Charlotte shoves them out in offering with the confidence of someone holding a thousand dollar bouquet. “Auntie said you like flowers, and I thoughted maybe you got no flowers inside, so I got the best ones for you!”

Kate’s face pinches into something you’ve never seen before, and you debate stepping in before she crouches down, extending her hand to take the ragged bundle. “That was really thoughtful of you, Charlotte.” She takes a moment to smell them – more for Charlotte’s sake, you think –, and gives the kid a soft smile. “Thank you for getting me flowers. I’ll be happy to have them in my office now, hey?”

You can see Charlotte’s fingers twist and intertwine as they meet behind her back, shoulders up high as she sways happily, and you can only imagine the grin she’s giving Kate. “You’re welcome!” She chimes, grabbing her bag and hauling it back to the door. You watch Kate take in the flowers as they droop over her hand, standing up as she casts a look over at Charlotte, running back to the table. Your gazes connect as she flickers to you, a grin filling her face as she gestures the flowers at you, to which you flap your hand towards the stairs cheekily.

Your phone buzzes as you turn on the tap for Charlotte, and you pull it out as she dries her hands, tapping in on the photo of the flowers in a tall glass next to her computer.

<< Can’t wait to see yours. ;)

==

“I still hate kids.”

“I know,” you sigh happily into her collarbones, pressing a kiss against a mole there. Her skin is still soured by sweat, and you hum appreciatively at the taste, basking in the post-orgasmic daze washing through your limbs. Everything feels warm, exertion mingling with fatigue to settle across you in a sleepy blanket, and you can’t stifle a yawn that bubbles up.

“She was sweet, though. Thought she’d be more of a menace.”

A hum is all you get out, listening to the patter of her heart.

“We’re never having them.”

Kate squirms at the way you huff in amusement against her skin at the remark, tilting up to give her a look. “I know, honey. Wasn’t planning on changing my mind.”

She grins, running her nails across your scalp, bringing you back against her bare chest. “Thought I fucked that sass out.”

You snort, dipping out your tongue to run against her jugular, kissing the damp trail. “The only thing that recovers faster than your libido is my attitude.”

Kate laughs at that, nudging her leg further up between your thighs to make you squeak. “Now you’re trying to wind me up, close your damn eyes.”

“Uh-huh. I remember them being closed before you reminded me you hate kids.”

You whimper as her fingers tug in reprimand at your hair before resuming their strokes, rustling accompanying the sound of breathing in the moonlight room. There are lights swirling in barely visible colours as you fall further into a world between here and unconsciousness, and you feel weightless, floating in nothingness with the only person you’ve ever wanted by your side.

“… She wasn’t that bad, though.”

“Kate, go to sleep.”

dividers by cafekitsune

[emeldiir]

It’s so crazy to me how even in shows that are supposed to be progressive and queer focused, bisexuality is so misunderstood and misrepresented. I’ve been watching Batwoman with my boyfriend, and the way they handle bisexuality in the show is quite frankly, a fucking travesty.

the show centers on a sapphic couple who have been broken up for a few years, and one of the women (a bisexual) is now in a relationship with a man. Her whole identity is portrayed as if she’s betrayed her lesbian ex girlfriend by being with a man (despite the fact that they’ve been broken up for years) and is seen as an obstacle that needs to be overcome.

The show also passingly conflates bisexuality with polyamory as if this isn’t one of the biggest negative stereotypes that affects the bisexual community.

this sort of treatment happens a considerable amount with queer focused shows and movies, another one of which is can think of is Orange is the Black, in which in the main character, Piper, is bisexual. Pipers bisexuality is a huge part of the storyline, but she is only outrightly labeled as bisexual a handful of times throughout the entire show, and when she IS labeled bisexual it’s accompanied with the description of shallow.

Bisexual representation is abysmally handled in queer media, and I need writers to start actually researching what it means to have a bisexual character, and not simply fall into the dozens of negative stereotypes that are out there about us.

[keyforshort]

Dimension 20 Live Highlights

*Spoilers*

Cast was;

Murph - Riz/Kugrash

Emily - Ylfa (Jet cameo)

Zac- Pib (Pis)

Ally - Kristen

Siobhan - Ruby

Setting - Unsleeping City

Pib oneshotting Don Confetti by eating him and becoming the new Don

Yfla and Ruby immediately play fighting but also kinda real fighting and being unsure of what was happening

Pib: "Wait am I the adult here?"

Pib and Ylfa both thinking the Bodega was Ylfa's grandmas apartment

Ruby commanding the sweets aisle

Lemone coming to life and Gilear (who was a table) making him his bitch

Epona holding a table at gun point and Riz not reacting until remembering it was Gilear

Pib pretending hes a New York native

Riz almost getting oneshot by a disintegration ray until zac reminded him of uncanny dodge, and then getting swapped out for Kug anyway

Riz's reaction to gettting disintegrated was just "ow"

Kug and Pib going for each other almost immediately (I didnt realise Riz had left because Murph started hissing)

Ylfa trying to play Gin Rummy with everyone she meets

Ylfa beating La Gran Gata at Gin Rummy

Pib and La Gran Gata having the most instant flirty energy

Ruby asking everyone if they're Ceresian and Ylfa thinking she means lesbian

Ruby being Ylfa's lesbian awakening

Wally thinking he's in Die Hard

Ylfa holding Chunggledown Bim's ass cheeks closed like a vice

Kristen elbow dropping table Gilear because she misunderstood a plan

Pib getting shoes and renaming himself Pis (and regretting it immediately because the audience would not let it go)

Pissandra

YLFA ADOPTING AURORA NEBBINS

Kugrash kept turning people into reverse centaurs

Aguefort saying "You guys do the plan, while me and Babayaga do something else" "what?" "SOMETHING ELSE"

Chungledown Bim getting a nat 1, Siobhan getting up and spinning in a circle celebrating like 10 times before realising no one else got up at all

CDB getting another catastrophic failure, Brennan sitting on the floor in reaction to it

The cameramen struggling to get Ally in frame when they all got on tbe floor together. Finally getting them in frame and then they FUCKING MOVED AGAIN

La Gran Gata calling him Pib, the audience yelling "Pis!" And the LGG going "No, PUSS IN BED MOTHERFUCKERS"

Jet lives

Will add more if I think of them

[wndaswife]

i hope you know that i have NOT stopped thinking about cheerleader wanda☝️😾just reader seeing her around after a break (which she spent with vision🤢) and having to do a double take because wanda is just a shell of the person reader used to remember :( and and and and we know shes used to playing around with other people but the damage after u and vision is crazy that even at cheer practices her (fake🆘🚨) friends can tell she’s a little off and ofc they all just poke fun and are mean to her and and and… basically ur evil cuz in my head cheerleader wanda just cant win😭😭😭😭

lmfaooooo with every emoji i just imagine the vine boom sound effect

literally tho cheerleader wanda's friends just making fun of how boring she is now and even how unenthusiastic she's become during sex with vision (because he's an asshole and told their friends about it) just makes her feel so misunderstood and trapped in this web of people that's never cared for her, and she thinks she probably won't ever be able to find anyone who actually does after you broke up with her

even one of her friends teasing her and trying to make moves on her and accusing her of just being a lesbian (maybe she is idk) and watching how wanda just gets so flustered and shocked, which also makes her feel worse because she knows it's not even just missing being with a girl, but being with you

[rocicrew]

clarissa mao !!

send me a character and i’ll list

favorite thing about them

she's the definition of poor little meow meow. i love her complexities and flaws. she's a rich spoiled heiress, she has enormous family issues. she tried to kill the family she would die for. redemption arcs in my opinion are not always well written but clarissa's does it for me.

she doesn't shy away from the fact that she has done terrible things for selfish reasons (when you look at it in the grand scheme of things). and while the way her father treated her explains her motivations, they are not excused by it. it is her who decides the person she was is gone, and she's going to spend her second chance making up for the things she'd done. it's honest and raw, and her arc shows that people do improve and change when they receive external support and build meaningful relations. while at the same time it says, some things cannot be amended. you can never bring someone back, but you can try to be good.

she is the subversion of the redemption achieved by one last good Deed or Sacrifice. by the time that happens, she's made peace with herself, with the consequences of her actions and it is a choice for the people she loves while she stops delaying the unavoidable.

least favorite thing about them

i find the lack of not revisiting her complicated relationship with julie a Crime. what do you mean after fighting alongside and joining the crew that found her sister, she would not understand her sister's motivation or want some closure re her death?

(tv wise: girl you Have the worst timing in s6. holden is falling asleep on the railing and you think ah a great time to revisit the horrible acts i did to kill him)

(additional sidenote: nothing more meaningful comes to mind at the moment, at least not something i can articulate well so...)

favorite line

Which meant Naomi had misunderstood. Clarissa had meant, I'm not afraid.

10000000/10 on the pain scale this line continues to haunt me. what an epilogue for her im-

(also her exchange with erich on the shuttle about letting people in their tribes without demanding that they prove they need them, and ending it with her prison sentence,,,,,,,,,, i'm rolling on the floor each time)

brOTP

is there any other answer between clarissa and amos ? i personally cannot see their relations as anything other than platonic with deep devotion. they saw each other's worst parts and decided there's good in there even if they can't quite see it in their own selves at times.

they're mirrors but also kind of foils at the same time ?? amos is never afraid while clarissa is all the time,,, let's not be monsters together,, i want to be there in your last moments,,, ah yeahh

OTP

i do not truly ship her with anyone. i can speculate about romantic dynamics, but it's not super far in the Shipping category. i do think she and bobbie would make out in the roci tho

nOTP

is kind of answered in the previous two ? i do not see her and amos' relationship being romantic (except maybe in the roci polycule kind of thing, which i'm still more drawn to the idea of her and bobbie or a complicated relationship with naomi)

random headcanon

i'm not sure how random it is, because it is a nickname she has in canon. but i personally hc that the roci crew over time begins to call her claire after babylon's ashes. peaches is primarily amos' nickname for her and it feels a step too far to use it. so claire is still a way to signal her new path.

i also believe she's a lesbian tbh

unpopular opinion

i have not seen too many opinions on her. i know a lot of people were put off of her in s3, (i have to say she grew on me later as well) but i can now say that she was Unhinged (in a compliment way)

also i think that there's a tendency for her to be portrayed a bit meek in the time after she's joined the roci crew which is the last way i'd personally describe her. she's quiet and reserved, yes, insecure about her place in that family, but she's also blunt and takes risks and has been shown to be incredibly intelligent and capable. and i think it takes away from her character with all her flaws.

song i associate with them

nothing comes to mind rn, i am also terrible at this kind of associations. always one or two lyrics throw me off.

favorite picture of them

the scene she's introduced, first up close and then the shot of her from behind with the navigation map of the maintenance shutte does thinks to the gifmaker side of me (if only the lighting wasn't so yellow)

[saintsenara]

I’m obsessed with your unhinged ship opinions! They’ve really gotten me thinking about interesting combinations which is such a fun activity for the subway

My submissions:

- Narcissa Malfoy/Petunia Dursley

- Voldemort/Molly Weasley

- Nagini/Crookshanks

- Walburga Black/Barty Crouch Sr.

ahhh, thank you so much @epigaea-repens - light of my life and producer of the finest piece of fan art i've ever seen - i'm genuinely delighted to discover that somebody other than me gets something out of doing these.

narcissa malfoy/petunia dursley

i'm oddly partial to a bit of draco/dudley - entirely because the idea of vernon trying to out-pompous lucius is funny to me, as is the fact that they'd clearly both think harry would care and harry's actual response would be 'who's draco?' - and i have to confess myself partial to this too.

narcissa's narrative mirror is molly weasley - both of these women share a certain fierceness [and, especially, a fierceness and strength one might not expect of them at first glance], but they also share a certain disconnection from the rest of their family, and an undercurrent of loneliness can be detected in their characterisation.

this is present in the way petunia is written too - the implication of canon is both that she's married "up" in terms of social class and that vernon is quite a bit older than her.

[and her fandom reception is a victim, i think, of the aging up of the adult cast of the films - petunia is, at most, twenty-four when lily dies. like her sister, she marries and has children young, even by the social standards of 1970s/1980s britain, and having to take on harry changes the trajectory of her life when it's only just started - i am absolutely wedded to the idea, for example, that harry being placed in her care means that she gives up a plan to have a second biological child.]

she is, of course, also confined in a prison which is directly of her own making - the bland domesticity of her perfect little house, all of which is an artifice constructed so she doesn't have to admit how deeply she once longed to be magic. narcissa experiences the same - i always read her as someone who leans heavily on the gendered conventions of the wizarding world as a way of coping with how utterly both of her sisters defied them, and as being someone who is very concerned with keeping up appearances [hence why her wildness and desperation when she goes to see snape in half-blood prince is so shocking]. i think you can imagine that she runs malfoy manor to have the same nothing-wrong-here vibe as number four privet drive, and i think you can do something very interesting indeed with the idea of two women who live behind masks being forced to drop them when they find each other.

lord voldemort/molly weasley

does, in fact, exist, in the form of a story i will recommend to everyone - come slowly, eden by paimpont - which, like all the best rare-pair fics, takes two implausible characters and creates a genuinely meaningful love story between them, through a lovely character study of molly and her ability to notice when people [and, especially, when people who are very much in want of a mother] are hungry.

nagini/crookshanks

i had to look up crookshanks' gender for this - which is a wild thing to say on a weekday afternoon - so that i could confirm... flopping. nagini's a lesbian, crookshanks misunderstood when she said she liked pussy.

it's fine in the end, though. nagini's got something happening with one of the malfoys' peahens, and crookshanks can go back either to the enemies-to-lovers thing he's got going on with mrs norris or to the soulmates thing he's got going on with sirius.

walburga black/barty crouch sr.

i am completely obsessed with this concept, i don't even think it can be considered a crack ship, and i would like to see it written immediately.

debilitating grief at the son you thought you knew disappearing - whether literally or metaphorically? delicious.

[zoebelladona]

HII i just wanted someone’s thoughts but do u think they’ll make/hint at thaluke in the show bc ik a lot of ppl bc thalia as lesbian and everyone hates the ship but i think it’s such a big part as to why luke does what he does??

i don't know tbh. i would love for them to actually give us some thaluke on the show but the way things are going... i'm still holding out for at least a whisper of it during luke's speech at the end when he betrays percy. everyone can ship what they want and platonic thaluke is just as valid (i would be a huge hypocrite if i said friendship is not enough for you to want to take down the gods). but i believe in the textual evidence (diary of luke castellan) that tells us luke had at least a bit of a crush on thalia (him almost dropping that poison when she kissed his cheek?? him admitting he does as she wills because he thinks her eyes are pretty?? come on). so if the show was following canon thaluke would be inevitable. or at the least it would come up in conversation that luke and thalia at one point had feelings for each other. if i trusted the show to actually make luke a consistent character instead of someone who switches from cartoonishly evil villain to misunderstood anti-hero depending on what chapter you're reading, i think we could get a narrative thread that actually paid off thalia as luke's motivation and also showed us her side of things. they would mean something to each other instead of thalia becoming a hunter of artemis and getting dropped by rick (with no confirmation on whether she's luke's achilles heel like annabeth is percy's or her not being allowed in the scene if his death). But as is... i don't trust the show to do anything, and if they do i don't trust them to do it in a satisfactory manner.

[quillkiller]

regulily bc I don’t think anybody has said that yet?

(Send me a ship and I'll give you my honest opinion on them)

i mean.. it’s not secret that i love them… but!! i actually used to be sooo anti regulily… i had such a hard time getting them to make sense to me until it just sort of clicked (same with bartylus funnily enough). it started out as jegulily, and to be honest i’m still not immune to them, but then i kept being more and more drawn to reg and lilys relationship instead ..

i think i used to hate regulily because lily is so often just characterized as ’girl’. like there’s this weird phenomenon going on where ’girl’ has to be perfect. she has to be a girl boss, a bamf, politically correct, soft but also strong, sexy but not sexualized, kind but not a doormat, the mother of the group while also being independant and fierce. ’girl’ has to be everything because god forbid women are complex and messy. i like my lily messy and repressed, who always feels like she’s hiding a hungry monster underneat her skin. and when i figured out my lily more, the more compelled i was with her and regs potential dynamic !! both repressed and living inside a pre-designed box, both being the bella swan type where they keep being misunderstood while also attracting people to them, both hungry and unsatisfied and yearning and wanting and nowhere to put it :/ both abandoned younger siblings, both alone, both searching for Something <- and they find that something inside each other <3 they’re unlearning and relearning and exploring and discovering things together. about themselves, about each other, about their circumstances, their bodies, desires, wants. there’s a solidarity and quiet understanding between them… 🤍🤍

im not immune to m/f regulily, but 99% of the time i talk about them they’re lesbians !!

[thestobingirlie]

To answer your Byler question: it’s about the slow burn of it all and about the audience that the story will reach. I don’t really know what you mean by “with gay rep the way it is now” because the state of gay rep rn is just two characters getting together after a few episodes of no buildup. Regardless of Will and Mike being white (which I’m going to assume is what you’re getting at), there are very few modern gay stories out there that spend this long on a slow build and the careful construction of a seasons-long sexuality arc. That is what would make Byler so unique if it ever becomes canon, compounded by the fact that ST is the most mainstream of mainstream shows. This isn’t Heartstopper or Schitt’s Creek or another gay show whose audience is limited because it’s targeted specifically to gay people — Everyone and their mother watches it, and that means that everyone will end up witnessing Byler’s story if it happens. That is what would make this special and groundbreaking. 

Of course, no one should be dismissing the importance of Robin as a character on her own, and lesbophobes claiming that Robin and Vickie mean nothing is unfair, but your point about it being the other way around (aka Byler meaning nothing Vickie and Robin as a couple) doesn’t make any sense, as Rovickie has had barely had 5 minutes of screen time together compared to the way Byler has been built up since S1. Even Robin and Nancy got more screen time than them, hence Rovickie’s complete lack of popularity. Stranger Things had the opportunity to make Vickie important in s4 and chose not to do it. It’s no different than any other show, where as you said, the wlw couple is just in the background. It’s nice that ST included a love interest for Robin, but it would have been more meaningful if she was actually a character in her own right. 

(And Robin and Vickie are also white, btw.) 

okay.

first, i would like you to watch more gay shows, because from the sounds of it you are not very well versed. but that’s okay!

second, i mentioned will and mike are white because while there are a lot of white mlm ships around nowadays, that number obviously drops with gay characters of colour, and i wanted to be clear i was taking that into consideration.

third, and i presume this is where our opinions majorly differ, i don’t think will’s sexuality arc has been handled as well as it could have been. and i think if the majority of the audience is unable to recognise that mike is going through a sexuality arc, then byler won’t be recognised as a slowburn anyway.

fourth, other shows have been popular and included gay characters and couples. and people are already calling stranger things a “gay show” because they have one lesbian and one gay character. though i think it’s very sweet that you think people, at the bare minimum, watching byler happen will make byler groundbreaking. a ship isn’t groundbreaking just because it’s been seen by a certain amount of people.

now, you seem… riled by my comparison of rockie to byler lmao. i think you misunderstood my tags. so i suppose there’s a few things to address with this too lol.

so. i very very much so doubt byler has been built from s1, because the duffers didn’t plan past s1. we were never going to see those characters again. the duffers are largely making this shit up as they go along.

a lot of bylers i’ve seen on tumblr seem to have this… obsession with making stranger things the mike and will show, and it just isn’t. and i think they’re doing a disservice to the characters and the ship by imagining this importance.

and i don’t think rockie not having a main part is a bad thing. i want my gay characters to exist past their sexuality. rockie isn’t groundbreaking! so many ships have come before it lmao. but it doesn’t need to be groundbreaking. i’m okay with vickie being introduced this season as her love interest, and robin having a life and arc outside of vickie. that’s how most side romances go. that’s what happened with dustin and suzie! if vickie receives no time at all in s5 and rockie end up together off screen, then yes, obviously i’ll be annoyed at the lack of time given to them. but that’s a problem for future me.

my point was rockie having their moment, and dating, and us watching it throughout s5 would mean more to me than byler happening. not that everyone shouldn’t care about byler rep lmao.

(and i know rockie are white, babe, but wlw shows are being cancelled regardless of if they’re both white)

[queernobi]

I haven't talked about her in years, but I've seen a few snippets of her work lately, and I was reminded just how much Natalie Wynn doesn't really know what she's talking about when it comes to a lot of stuff she chooses to discuss.

I mean, she's good at SOUNDING like she does, especially if you know very little about the topic at hand, but when you DO actually know a considerable amount about the topic, you realize that she either completely misunderstood her sources or really didn't bother to read anything that spoke about it in a substantial way.

(A big example of this was when she tried to say she was trying to come up with a materialist working of trans/nb identity, but used Judith Butler's work as an inspiration. Judith Butler. The person who famously disavows the very IDEA of coming up with a materialist understanding of queer identity. I also think of how she apparently never read about comphet among lesbian women for years, despite her repeated claims before then to have read a substantial amount about queer identity as a whole. Comphet is like...101 level shit.)