#she’s MY ideal version of a watch dog which is to say

[muttsandmustelidae]

“great danes are fantastic watch/guard dogs” my great dane while there’s a strange man (plumber) in the house:

[nortism]

What the Ghosts have been watching on TV

Everyone

Channel 4 Home renovation shows: They're free with ads and there's an infinite amount of them so Alison puts them on for the whole gang when she and Mike have work to do in same way people put on YouTube videos for their dogs. This has backfired slightly as all the ghosts now have very strong and conflicting opinions on how Button House should be renovated.

The Great British Bake-off: A whole family event, they all get very invested. Kitty thinks Alison Hammond is the funniest person in the world. The Captain feels normal about Noel Fielding. As well as a watching it live, I'm sure they've also watched the whole back catalogue together.

Mama Mia: This where the Captain learnt his ABBA songs from. Pat and Julian enjoy the nostalgic music and I think the others are just bewitched by the story and music

Robin

Anything David Attenborough: For obvious reasons. I think he'd get a kick out of trying to do his voice. The others sometimes join in.

Cunk on Earth/ Britain: I think they've got a similar attitude towards history and I think he'd find serious historians trying to answer silly questions incredibly funny

Horrible Histories: He watches this with Kitty, they both find poop jokes funny.

Humphrey

Antiques Roadshow: I'm not sure why. I honestly think he's just glad to watch anything.

Mary

Gardener's World: I think she misses being able to look after plants and I think she'd be endlessly fascinated by how hosepipes work.

Mio Mao: She loves them fucking plasticine cats. She will not stop singing the theme song

Honestly think she'll watch anything with anyone and would get invested, she seems like the ideal person to watch telly with.

Kitty

Ru Paul's Drag Race: I think they all watch this every so often but Kitty is invested. There's bright colours, fun outfits and drama, it's definitely Alison's go to when she needs Kitty distracted.

90s and 2000s romcoms: I believe that every couple of weeks Alison and Kitty have a "girl's night" where they watch all the romcoms that Alison used to watch with her mum, mostly because I love watching romcoms with my mum and Kitty deserves that. Kitty is particularly fond of Twilight.

Thomas:

Any Jane Austen adaptations: He watches them with Fanny as they were both big fans when they were alive (its the only thing they agree on). Kitty also joins sometimes. His favourite is the 1995 Pride and Prejudice tv show.

Fanny:

Grey's Anatomy: I haven't seen it but my mum's a big fan and there's millions of seasons, I think she'd pretend she's not that into it but she definitely is.

Call the Midwife: Same as above.

The Captain:

M*A*S*H: I've seen about half an episode of this but it seems to be about fit young men in a war so it sounds like his thing. Probably Pat's recommendation.

Our Flag Means Death: I think Alison has been trying to sneakily show Cap gay media under the pretence of saying "it's just a fun show about pirates". I think the whole gang watched it together. The Captain definitely didn't cry at the end of season 1 why would think that?

Pat

Taskmaster: I think this is one they all watch together but it's definitely one of Pat's favourites. He probably attempted to set up his own version of the show with the ghost which ended horribly.

Doctor Who: I think he watched the original run when he was alive and was absolutely ecstatic to find out they made more. Julian makes fun of him for it.

Julian

Have I Got News For You: Has been airing since 1990 so he definitely watched it while he was alive. I think he likes to keep up with current politics but not in a very serious way so this is his middle ground.

Succession: I haven't seen this show but it seems to be about horrible men in suits being horrible to each other which seems right up his alley.

The Thick of It: Speaking of horrible men in suits being horrible. I think he watches this with Robin who has absolutely no idea what's going on but just laughs when Julian does and they have the best time. Julian is constantly pausing to add his own anecdotes

What We Do In The Shadows: Alison put this on as a 'let's show the Captain it's ok to be gay' show and the Captain was immediately horrified so Julian adopted it. He identifies with Lazlo.

[roxannepolice]

hi!!! hows it goin i’m here to dump my thoughts about simm!master/lucy vs ten and martha cause i have MANY. also a disclaimer before i begin that i’m white and that likely does color my experience as a viewer compared to a BIPOC viewer. anyways: i’ll start with ten and martha because by sound of drums we’ve spent all season watching them and its that already established dynamic which i think lucy/saxon are meant to parallel in a way. you have ten very much still grieving rose and his entire planet, which makes him try and push away any new companions for a bit. but he’s still looking for - and i think needs, in a way - this kind of connection where he can depend on someone, and ideally they could depend on him. however. ten sucks at this second bit. for the entire season. so he’s in need of this connection despite not wanting any whatsoever, emotional intelligence completely out the window right now since he’s grieving x2, and martha unfortunately walks in right in the middle of this. so you get this dynamic really starting from i’d say the shakespeare code wherein martha is carrying a lot of the weight in their relationship. ten will entrust her with the most deeply personal shit (like his memories of gallifrey, his feelings on losing rose, even in 42 where he’s like "i’m scared i’m so scared" where he depends on martha for emotional support) and then when martha’s like hey can i get some support here or something ten’s like “uh sorry all out too busy being sad” i mean that's a bit exaggerated/summarized but thats the vibe they have. in the beginning he doesn't even admit she’s traveling with him! he’s all “just one trip” “just one more” and refuses to make a concrete decision that martha really needs him to make already. and despite this emotional unavailability shtick ten still relies on martha quite a bit! off the top of my head you have 42(martha freezing/unfreezing ten as he screams in pain), blink (they get sent back to the 1960s… and only martha gets a job???), and. human nature. wherein martha endures racial abuse alongside lesser shitty working conditions in order to ensure the doctor doesn't get his body possessed or something. and in the middle of it this human version of the doctor falls in love with another woman(after basically uh leading her on for the whole fucking season) (sure maybe unintentionally but that's not the point here) who. also was racist to her she's not even a nice person. and her only friend in this godawful place gets possessed. and human doctors a dick to her. and i think. i reflect on it and i come to the conclusion that ten very much does expect martha to just… do his job for him sometimes. handle all the dirty work like making sure human him doesn't get distracted or hurt or die. and still immediately after is like haha we are in 1960 now. i will not get a job what is that. why do you want me to “communicate” or “pull my weight” you’re traveling across space and time lol.

and the master and lucy are a darker extension of this dynamic that i actually haven't really seen people talk about much!! the master is very clear about why he married lucy, and there is no love/admiration/respect whatsoever in there. it is purely a means to an end - her family gets him influence, and she helps him carry out his plans. he gives nothing to lucy, only takes. which is in itself a mirror to ten & martha - the audience knows ten isn’t intending to be malicious in how he treats martha throughout the series, but when paralleled to lucy & the master i think you really get a sense of the harm this can cause down the line. what resentment this kind of dynamic can lead to. and ALL THE WHILE martha is walking the entire planet for a year to save all of humanity while ten hangs out aged 100 with his little tent & dog bowl & seething sorta-ex-husband-boyfriend-whatever. i mean he doesn't have the best time either but he also doesn't have to do that much and also is perhaps a bit too happy about not being the last time lord to fully grasp that hey, uh, humanity's in pretty dire straits right now. martha watches as the master turns earth into a living nightmare, slaughters millions of people on a whim, turns ten into a 900-year-old tweety bird, and tortures her family for a year, only for ten to go “guys dw i can fix him lol we’ll just live in the tardis for eternity together” as if she hadn't had to fight for that too. and ten is still shocked-pikachu-face when she goes “yeah no i’m leaving. i gotta get out.” and that is very much similar to lucy's moment in a way! where she sees the doctor forgiving(without really considering everybody else's opinion on the Past Year), martha's mom talked down from killing him, even Jack is talked down from his confusion at the whole idea, and i think in that moment she goes. okay. you guys can forgive. you guys can let him walk away having just taken, taken, taken everything without any repercussions. i meanwhile have this gun and two years of pent-up rage coursing through my veins. and both of these moments - martha leaving, lucy firing the gun - come at a shock to the doctor and the master. i mean you can see the master's little "oh" face when he gets shot. even if he plays it up like he expected it after i don't think he considered it before. and i think on a certain level neither really expected to be called out like this - ten because he’s got the emotional intelligence of a baseball bat, the master because he doesn’t think humans are capable of wiping their own asses - so in both of these moments in LoTL theyre like "wait i didn't know you could do that"

anyways tl;dr thats why i think lucy and the master are a darker parallel to the doctor and martha in their own way. which feeds into the rest of the finale where the master is just showing the natural extremes to who the doctor is - this is that toxic dependency taken to its natural worst possible place, where you treat someone as a tool rather than as a person. the master's generally a great foil to the doctor but the series 3 finale is just a fantastic example of it i think.

OMG, thank you so much for sharing your thoughts like this! And I love your thought process here so much.

First, absolutely, Martha is the case of right person, wrong time... which is probably what makes hers my favourite companion arc - as I like to put it she travelled through hell and pulled her Virgil (because yes, the Doctor absolutely always has this guide role that brings Virgil to mind, at least in companions' first episodes) to the Earthly Paradise in the process. There's a lot of debates going on about whether Ten was leading Martha on, because on the one hand - well, he's very clear he's not into her romantically, on the other - ok, bitch, you made it clear the kiss doesn't mean anything, but also you hit off with flirtatious winks and end showing off time travel while also casually showing off your Adam's apple. Yeah, a girl can make deductions. And you're right that this superficial frankness is mirrorred in Master's relation to Lucy - though if anything he's crrepily keen on playing a caring husband, what with the 100% performative hug he gives her while the Toclafane are hacking a journalist up. Though I suppose in his head this is what the Doctor does as well when they comfort their companions. And let's give it to Ten - when he said he's not going to let Martha *checks notes* fry in a small capsule in far space because of a sentient sun, he does bend head over tits and does as promised. But historically it has happened that the Doctor's reassurances were hollow (future, but kind of most painful in Twelve assuring Bill he's going to de-cybermanize her only to later admit yeah not really an option... considering Saxon was there to witness this, I wonder if he marked this in his Notebook (of Rassilon) of Spiting the Doctor).

Ten's handling of the chameleon arch is kind of pathetic, thanks for pointing that out! Like, ok - if the Family gets a whole Time Lord lifetime it is a genuine threat to the universe, but his attitude of oh I'm just going to spend three months as a human in a random timespace, what could possibly go wrong, and anyway, Martha will be there to clean up any mess? is a mess. I do like John Smith's romance with nurse Radfem, though, not in the sense of shipping them, but more of an appreciation of the concept: a classic victorian/edwardian romance, but when you look at it from the persective of a BIPOC servant... it kind of becomes apparent both parties are dickheads. This does tie back to the Master in a way, because I think... want to think... that by the time the Doctor went oh no, we're better than a tyrant maniac that spent a whole year destroying the planet and torturing everyone in the room specifically, so we're not going to execute him, I'm going to put him in my nice spaceship and we'll have nice cuddle movie evenings instead, she was already hardened by the fact that he put her in an (unintentionally) tailor made emotional torture room for three months only to later reveal oh yeah, I could absolutely have handled them all along. Is just higher moral ground, innit?

I guess as all best foils do, the clue lies in the diffrences, though, right? Both Martha and Lucy end up deeply disillusioned with their respective semi-immortal twinks from space, but in one case there is still a disillusioned friendship (Ten's surprised Pikachu face, excellent comparion) and in the other there's only hate - and for good reasons! And where the Doctor grows to really respect Martha (and I wouldn't say he started off dismissive, I mean he is impressed when she tells him oh no mister, a doctor isn't something you just are, you have to earn the title) and is not just saddened but... humbled?... by her leaving, the Master shows up in EoT and is like Hey, my widow, did you miss me, hope you haven't remarried, that would be awkward to explain in the registry office :D!

*sigh* I suppose this is why tensimm is so special to me. It's 20 seasons of foil dynamic condensed into 5 hours. It really shows how thin the difference between the Doctor and the Master is. And how in the right circumstances, including the loss of the handy mirror villain to show how things can go wrong, a madman with a box can turn into an eldritch horror deciding the future of the universe. So, again, thank you so much for poining out yet another excellent parallel!

[sburbian-sage]

Okay, dreamselves are really pissing me off.

When I started playing the game, The concept made sense to me. A version of yourself that's a little more honest to who you are inside, and maybe has some minor anatomical differences, like a trans player having a dream body that matches their gender instead of sex.

Even this kind of annoyed me. There were all kinds of tweaks I wanted to my body that I would call similarly minor, but that didn't show up. But whatever, I guess.

But I have this one lady this session. A Witch of Hope. She has this really complicated instrument that's basically a hunk of junk when she's awake, but she can play it perfectly when she's asleep.

Why?

Because she can apparently just decide to temporarily GROW EXTRA ARMS AS HER DREAMSELF.

What. The. Fuck. WHY is my dreamself not my fursona then, if the changes can be so major? I sure as fuck don't want my current body, I feel at peace when I look at art of how I want to be, I feel like I've imagined the differences in how my muscles would work and so on such that it wouldn't render me useless with dysmorphia...

So why? And for that matter, I can't even replicate the extra arms trick, and apparently it's so easy for her that she can't advise me, she doesn't know how she's doing it.

I checked the glitch FAQ, and it mentions the extra arm thing. Says it's related to your class, and that there's a list of class dreamself differences in chapter 26. There isn't.

I'm a Maid of Heart this session. Is there anything cool my dreamself CAN do? If I roll Witch, will I be able to edit my dream-body freely? Do you happen to have a list like the FAQ implied should exist?

Yeah, the Sburb Glitch FAQ is pretty comprehensive, but between the data errors and GG getting into edit wars with himself, sometimes information gets scrambled. No offense to the guy but I still have the "Title Gender ratios" article archived because it was really fucking funny watching him earnestly trying to dive into the game's math and then it accidentally devolves into like, gender phrenology.

I can't help you with the body image/dysmorphia stuff. Or wanting to become a furry, or whatever it is that's going on here. So I'll just move on to the parts I can help you with.

On the topic of the Witch, first of all you're kind of goofy for asking the Witch to explain how she did something. "Doing weird shit and not explaining how it works" is literally her job. Second of all, if there would be any class particularly adept in doing weird stuff with their dreamself, it would be the cryptical classes. Dreamselves are mildly mutable, and prone to flights of fancy, which gels well with the imperative to complexify and interact with weird, unclear things. In any case, Witches growing extra arms is pretty consistently reported, so that's one mystery solved.

As far as Maids of Heart go, I can't say that I immediately know what "Maid" or "Heart" means for dreamselves (then again, "multiple arms" doesn't exactly scream "this is intuitively a Witch thing" either). But putting that aside, you have the ability to edit your own Heart Thing/Soul/some people call it the "Shine" or "Shiny" but I don't do that. That's literally your sense of self, and while most Heart abilities are turning the Soul into an attack, or applying a temporary effect to it, you can also edit that. Since the Dreamself is a lightly idealized version of yourself, you could try directly editing your own self-image to be closer to what you want to look like. Not a dog, but something else. Of course, that is if you think "plunging my own hand into my chest and doing psychic self-surgery to induce dysmorphia so my dreamself responds to it" is a good idea. Which it probably isn't, but nothing ventured nothing gained.

The dreamself abilities are fundamentally gimmicks though. Walking through walls (pretty sure this is a Void thing even though my first thought is that if anything this should be Space) is a more useful gimmick, but despite every Witch being able to start cosplaying as Asura's Wrath, I haven't seen any Witches incorporate this into their Sick Strats. I imagine either because it's situational (it only works if you need more arms), or because dreamselves act kind of stupid if you don't have a high sleep ratio. Speaking of which, you might unlock or notice any abilities your dreamself has if you improve your sleep ratio, which you can do by improving your sleeping skills, which you can do by, essentially, properly tiring yourself out so you want to get a restful sleep. I'm just frontloading the "it's all gimmicks" statement because you seem weirdly upset about a feature I've never really noticed. I can get the wish fulfillment of your dreamself making you look like The Man Your Man Could Look Like, but temporary extra arms sounds kind of lame.

Oh, and speaking of being upset, if you really want your day ruined, try grabbing a pencil as your dreamself and writing or drawing something. Your dominant hand flips when you're dreaming. Pretty weird, huh?

[bitch-butter]

a podcast rec list

a list By a babe For babes of my fav and completely subjective podcasts (focusing primarily on smaller pods that people might not know about already but have given me many lols and expanded my wisdom).

My Year in Mensa

i always rec this pod to people who don't engage with a lot of podcasts because the episodes are pretty quick, it's a limited season, and jamie loftus is like pod royalty now but she wasn't really when she first made this so it's charming to hear how she's changed and yet stayed the same. essentially she joins Mensa as a joke and comes to discover that they're not like Charming Nerds as you would expect but that in actuality there's a very deep conservative bend to the whole organization that leads to a lot of in-fighting and bullying. it all culminates in jamie attending their annual conference, and she has some Really wild encounters there. also, IQ tests are complete and utter bullshit <3  

No Dogs in Space

what can i say except i love Marcus Parks (LPOTL would be on this list but everybody srs about podcasting kind of knows them already) and his Onions on music are Exactly right. if you are at all interested in the history of punk bands, alt bands, experimentalists, or just want to hear some folks who Know what they're talking about dissect some awesome music you can't do much better. i rec starting way back in the stooges era, but all of their series are fucking awesome.  

Saving Sex and the City 3

Lara is my fav podcaster of all time ever, she has another pod below that i recommend, but this one is so niche that it's ridiculous but it spoke so Distinctly to me at a point in time. basically if any SATC fans remember the beautiful universe we lived in pre-And Just Like That you'll know that there was a huge dust-up when the planned SATC3 movie was cancelled bc of Kim Cattrall and her Ways. Lara, like me, was deeply affected by this injustice, so she started this podcast where basically she and a different guest each episode storyline what a potential SATC3 movie would have been, and they range from an additional season of the show, to body-horror exploitation movie, to spy saga. it's funny, it's light, and it's so, so crazy i can't help but love it.

Mother, May I Sleep with Podcast?

one thing to know about me is that i'm obsessed with Lifetime movies and will watch pretty much every single one that comes my way, and Molls is so on my level. she's a pod queen, and she uses this one in particular to dive so deep into Lifetime movies that they cease to be farce and become Intensely high-stakes drama which is my brand honestly. every episode is like 3 hours long, which is my ideal length of a podcast episode because i hate having to stop what i'm doing to mess with my phone, and all her guests are hysterical. 

Babe?

the pod that made me who i am today. sometimes i'll be halfway through a  joke and i'll think 'did i hear this on babe' bc they are Such a portrait of an era. it's now defunct, but it's brief run was So iconic and hilarious and so deeply, deeply The Way We Were in 2017. it's just two friends shooting the shit every week, and they're both incredibly funny and yet go so deep with each other and are so insanely dysfunctional that ultimately the podcast disbands lol episodes 1-30 with Ryan are the best, but i enjoy Lara's solo version, too.

Dead Eyes

if you like Band of Brothers and have not listened to Dead Eyes legit what are you doing lol basically, Connor Ratliff was hired to play the role of Winters' orderly, Zelinsky, in ep 5 but he was Personally fired by Tom Hanks who said that he had "dead eyes". The whole podcast is like solving a mystery that's not really a mystery, and exploring how this one moment reverberated through this guys whole career. It's extraordinary, and you get to hear some fun tea and backstage stories ~

The Haunted Objects Podcast with Greg and Dana

spoooooky and silly. Greg and Dana Newkirk are the real deal, they have a traveling museum of haunted/cursed objects people send to them, and a few of them do have genuine and interesting stories attached to them, so each episode they dive into a different piece of the collection. Such a good listen if you're interested in hearing from people who have a lot of experience in High Strangeness and personal paranormal investigations but aren't Too deep down the "I Know What I Saw!!!" rabbit hole. 

[ryuuaka713]

Soukoku & The Red Camellias

Ok, I have been thinking a lot of this lately, so I am just gonna let this all out.

You guys know this official art, right? Right?

This is literally one of my most favorite SKK official art. Like I legit thought that this is a fan-art until I saw an entire comment section in pinterest basically summarizing: “I can’t believe this is NOT a fanart”. I literally lost my shit that day because MY GOD this is so CLOSE! I’ve been in the BSD fandom since January, and I have been obsessing over Soukoku since Dead Apple. 

But anyway, this official art--I showed this to my sister who has no idea what the anime is about, and I wanted an opinion from an outsider in regards of this official art just for the fun of it. And guess what she said: Apart from being GAY, she thinks that their relationship is almost similar to Romeo and Juliet (YEP! HER EXACT WORDS!). It is interesting, not just because these two act more like an aggressive version of R&J (or the anti-thesis of it), it is also the fact that the more I looked into this pic, the more I can see the whole bitter-sweetness to it.

So I decided to look up the meaning of Camellia flowers in which these two have been associated with by the fandom.

(OK, the next thing I am going to say will be something that not everyone will like. But please, hear me out)

I notice a lot of people (shippers to be precise), say that the Camellias represent love, desire, and longing. This meaning is based on WESTERN interpretation. But what about the JAPANESE symbolism of it?

In the Wikipedia version for the Hanakotoba (Japanese Floriography) the (Red) Tsubaki (the Japanese name for the Camellia) is indeed associated with “Love” (not far from the Western interpretation), but what’s interesting is that it also says: “Perishing with Grace”. Ok, Wikipedia is not entirely reliable, so I decided to do more research, and from what I’ve gathered, the Camellias are associated with Love (Again, derived from Western influence or the source is not that reliable), Divinity, and finally--Death.

So technically speaking, the reason why Tsubaki is associated with the divine is that it is used in tea ceremonies because it does not interfere with the scent of tea. Furthermore, it somehow evokes a sense of sacredness (whether directly to a Kami or not) to it, and you can see why this is almost in the same threshold as the Cherry Blossoms in terms of Japanese associations. Indeed, the Tsubaki is called the “Japanese Rose”, and very much like the Cherry Blossoms, these flowers carry a heavy meaning--Death.

Brutal as this may sound, I think the subject of Death behind the flowers is something that connects the most to Soukoku. 

But before I go over that, it should be known that the Tsubaki is associated with “Noble Death”--this comes from the imagery of how the buds of the flower, when wilted, falls as a whole immediately instead of petal by petal. And many called this blossom as a form of “bad luck” because it resembles Decapitation. With that being said, the Tsubaki can be related as a symbolic imagery of a Samurai’s death (since the process of their execution involves having their heads cut off). And thus, it should emphasize the unwavering loyalty of the warrior (it makes sense as to why the petals are intact with the bud--but this is just my interpretation), and why the flower symbolizes a “noble death”.

Now what does got to do with Soukoku?

This applies more to Chuuya as the whole “sacredness”/”divinity” of the Tsubaki can be easily associated with the fact that he possessed the God of Calamity. And because Corruption means total destruction, Chuuya’s fate is literally death like what the Tsubaki implies. However, what I find even more interesting is that after reading how these flowers are associated with the samurai, this is very similar to Chuuya’s case. Chuuya in BSD is the personification of loyalty, specifically to the PM. 

With his relationship with Dazai, it is a little bit different since Chuuya never wants to be his Dog (the most common symbol of loyalty). But what’s interesting enough is that he remains--CONSTANTLY trusts Dazai. In other words, he knows his motivations, trusts him, and would immediately jump into action. Chuuya would go as far as using the very thing that will kill him while keeping in mind that Dazai has a plan (e.g. Dead Apple). With that being said, this is exactly why Chuuya is the one who seems to be watching over Dazai while the latter is sleeping in the official art above. And the fact that the flower just rests on his open palm is well-connected to the aesthetic and “grace” of the Tsubaki. Chuuya’s corruption is brutally horrible, but the concept of his loyalty and trust is something that we can at least admire about him.

What about Dazai? Well, this is the part where things get a little complicated. One thing for sure, the whole death symbolism can be easily associated to his suicidal tendencies. But even so, this is still tied up (literally and figuratively speaking) to his relationship with Chuuya. Dazai said that his ideal suicide should be “clean and proper”--in other words, without burdening anyone. And yet, his death will always be tethered to Chuuya’s. This is seen when they are 15 when Rimbaud proposed that he must kill both Chuuya and Dazai to protect his crimes. This is again brought up in (SPOILERS!!!) Stormbringer when Mori brings up that if Dazai decides to give up and die, no one would save Chuuya (END SPOILERS!!!). In short they are inseparable. 

And because of that, Dazai can see how he can easily influence the fate of his partner-- the very same person who is prone to death despite his desire to live. Thus, one of the reasons why he fights side by side with Chuuya. it is not just Chuuya’s complete trust in him that makes their partnership effective, but it is also his recognition of the boy’s desire to live. And that’s why we have this official art:

In this official art, it is not as delicate as the first one, but we see the Camellias again. This time, it is Dazai holding the flowers, and he is clutching them in his fists. Personally, I see this as him grasping to that life-line while Chuuya is using corruption. While Chuuya, his corruption and the camellias are about the concept of potential death, in Dazai’s case--the camellia serves as a “reminder of death” (not the actual death). Thus, why he is clutching them. After all, he recognizes that Chuuya doesn’t want to die (unlike him). Not to mention, Chuuya would willingly lay down his life to him (and vise versa). In other words, it just shows that with the symbolism of the Tsubaki, both characters--despite the “hate” they have for each other--are always connected, and it is through Death. Death because of their circumstances, or because of their characterizations.

Furthermore, the complexity of Tsubaki being this beautiful flower that is considered as sacred, a love token, and a symbolic imagery of death--parallels so much with the complexity of their relationship. I am not going to dive in further with the analysis of their relationship since I know a handful of people who are excellent in doing that. But what I’m saying here: the Camellias are not only a love token, the same way you can’t say that Dazai and Chuuya’s relationship is like a love-hate relationship (it is way more complicated than that).

With that being said, there is bittersweet connotation in their relationship. It is Romeo and Juliet in a sense that they are connected by tragedy, regardless whether they are in the same organization or not.

And that’s it, thanks for reading my ted-talk!

[serenheist]

How Blackpink acts when they’re angry tarot reading Jennie and Lisa edition

Jennie: moon rx, queen of swords, the Leper king, revenge 23.

Jennie:

Welp Jennie is definitely not a forgive and forget type of person lmao. Idk why this popped in my head but I got when she’s really pissed, she’s highly likely to spill all your secrets and drag you like she really doesn’t care. Like extremely critical and will say anything to get under your skin. You really don’t wanna be on her bad side. And I’d be careful of telling her stuff because if she gets mad enough she will use it against you.

I find it interesting how 3/4 cards are holding swords and how the leper king and queen of swords are nearly identical and holding the swords in their right hand and one holding a head and the other holding a lantern. I’m getting she likes to put people on the spot when she’s mad at them because she wants to embarrass them. Also with the moon reversed I get that she isn’t very good at hiding her anger; it’s always pretty obvious because she’ll become more icy and aloof. She’s too honest to hide when she’s not angry even if she tries. If she gets into an argument with someone she will never back down, her belief in herself and her ideals are very strong.

The other person will literally have to just be like “okay fine” cause you just can’t win. She doesn’t like negotiating with people “do this or gtfo” basically. Lmao why does “don’t hurt yourself” by Beyoncé pop up in my mind. I think that song really encompasses how she is when she’s angry. I like when the cards reflect her birth chart because this is so much scorpio moon and moon conjunct pluto behavior. And of course I assume this is all for a more extreme situation and not like if someone ate her toast she’s suddenly gonna fuck up your whole life and have her dog shit in your cereal. At least I don’t think so but I’d pay to see that tbh.

Lisa: knight of swords, 8 of swords, Osiris, glided regret 5

Lisa:

Okay this isn’t from the cards but I just got that the thing that causes Lisa to get angry the most is that she doesn’t feel like she’s getting paid properly or enough. I know this is cliché and pretty sure already known but I got it’s specifically a woman so maybe the female ceo? (I clarified with an extra card and got queen of wands so I assume it’s a woman in power in the company) That uses company money for personal use. This also isn’t new info because I’m pretty sure there was news of this months ago but idk.

Anyway when she’s angry I don’t think she’d hesitate to go off on someone tbh and say some harsh things to get back at someone. She doesn’t care if she’s going against the grain or acting controversial she just impulsively does things when she’s mad. Though she might regret the things she says later on with that gilded regret card at the end but in the moment she’s not thinking in an emotional way but more logical and cynical.

It mostly gets triggered when people try to box her into things or suppress her ideas which is ironic considering thats yg’s hobby. She has a lot of ideas running through her head and ready to take action but she hates the fact that she has to ask for permission for everything and watch most of her ideas get shut down. I think because she’s not afraid to take risks but others aren’t willing to take the same risk or trust her and it pisses her off. It’s like she has to do a watered down version of her ideas.

Ending random ramblings: I didn’t wanna mention the Lisa money thing but I swear to god it always pops up for her. I always rolled my eyes at people who said she wasn’t getting enough money or whatever when she has these huge brand deals and whatnot but yeah Lisa is not playing around when it comes to money. I have a personality reading for her coming up and there’s a similar theme in that one too. I really think Lisa is gonna take off solo one day and if she doesn’t I’ll be really surprised because she’s too free spirited tbh.

Jennie always confuses me because she simultaneously comes off as dominant sometimes and other times she’s something else Idek. Every time I do a reading on her I always think that something is off. I’m doing a whole ass childhood reading on her because I’m nosy af and because I wanna see why she is the way that she is. I also wanna do a personality reading on her so if you have questions about her personality then send me ideas. (Or of anyone else too)

I was gonna put all 4 members together but I haven’t finished Jisoo yet and I wanted to put something up after 800 years before I become more rusty than I already am. So she’ll be with Rosé. Also yes this is me acting as if I didn’t just ghost this blog for 87 days lmao.

Btw thanks to the anon who requested this back in May lol

[mypoisonedvine]

Getting In Tune | Chris Evans x reader fluff

summary: taking house calls as a piano tuner doesn’t usually mean meeting hot guys… mostly just old ladies who offer you lemonade, which is great and all, but did not prepare you for an appointment to tune chris evans’ full grand.

word count: 3.7k

warnings: swearing, dirty jokes about pianos, allusions to nsfw things?? vaguely?, mostly just fluff and flirting and awkwardness

Checking that the address on your worksheet matched the one on the door in front of you, you reviewed the nature of the appointment as your boss had written out for you: 

Customer: Christopher Evans

Appointment type: Warranty tuning and check-up

Arrival time: 10 a.m. 

You checked your watch and saw that it was 9:58, but hopefully that wouldn’t bother him too much.  Leaning forward, you knocked on the door and waited.  You could hear a dog barking inside, running up to the other side of the door as someone unlocked the bolt and cracked it open, poking his head out while he held the dog back with his leg.

He seemed a little surprised to see you standing there, made even more apparent by the fact that he was obviously wearing pajamas— specifically, a baggy tank top and gingham flannel pants.  A few tattoos were visible on his arms and collarbones, though you tried not to stare at them or anything.

“Did you not know you had an appointment today?” you asked him.  When he didn’t answer, you tried to give a bit more of a prompting.  “I’m here from Boston Steinway…?”

“Right, right,” he agreed, “uh, let me put the dog out, and… put on a shirt…”

“Good idea,” you suggested, “I’ll be here!” 

He smiled at you one more time before shutting the door again, his footsteps shuffling away as you waited for his return.  Thankfully it was a nice day out so you weren’t too cold in your work uniform (yes, you felt like a total dork having to wear a polo with a nametag on it, but such is the life of a piano tuner).  When you heard the dog run into the backyard, and the sound of Chris coming back to open the door, you took a moment to straighten yourself in hopes of looking like you’d been waiting patiently.

“Come in please,” he offered as he opened the door one more time, wearing a navy sweater and jeans now (and a NASA ball cap, for whatever reason) and stepping aside to invite you in.

“I hope I didn’t scare you too much,” you smiled as you stepped past him, letting him shut the door behind you, “a lot of people forget when I’m supposed to show up, trust me.”  You shuddered as you remembered those times you caught people in a lot worse than pajamas.

“No, I knew somebody was coming today, I just… wasn’t expecting…” he trailed off.

“A girl?” you finished for him with a smirk.

“I… yeah, I guess I wasn’t expecting a girl,” he laughed, looking a little embarrassed.

"Well, piano tuning is a real boy's club," you joked.  

"Is it?" he asked sincerely.

"Um, no, not particularly."

"Oh."

After an awkward moment passed while you cringed internally at your failed joke, he finally guided you across the house to where the piano was; you set your toolbag down beside it, stepping back to admire the instrument.  “It’s gorgeous,” you told him.

“Oh, thanks,” he smiled a little.  “Yeah, she’s a beaut.”

“How long have you been playing?” you asked.  “Or are you one of those people who keeps it mostly for decoration.”

“Decoration?” he repeated incredulously.  “Do people do that?”

“Yeah,” you nodded, “more often than not I end up doing cosmetic repairs instead of internal ones because families are basically using this as the most expensive object possible to put framed family photos on.”

“That’s ridiculous,” he scoffed, “I mean, I’m sure I’m not using this thing the way it deserves, cause I’m still not very good at it but… yeah, at least I play it a few times a week.”

“Good, it deserves that,” you agreed.  “Mind if I…?”

“Oh, go ahead,” he prompted, stepping back and motioning for you to touch the piano.  You didn’t sit down, just leaning over to do a quick scale up and back down.  "Anyways, I think it's mostly fine but those higher notes are getting kinda squeaky…" he mumbled.

"Right,” you noted, messing around with the keys near the top to check what he’d said, “well, they do that, especially out here with these cold winters making the strings tighten up.  Should be fixable."

“Great,” he smiled.

“Alright, pretty girl, let’s take a look at your guts,” you grinned, groaning a bit as you lifted the heavy lid to see the strings inside.  "It's in great shape,” you observed aloud, “this can't be more than a few years old."

"Yeah, I got it pretty recently actually.  It's never been tuned before."

"Oh, this is its first time?" you smirked, leaning in to whisper to the strings: "don't worry, I'll be gentle."

He blushed a little as he laughed, making you pretty sure your joke hadn't gone too far.

“You, uh, don’t have to be around for this part,” you informed him.  “I mean, unless you want to, but it’ll just be me messing around in here for a few hours.

“No, I’ll give you some space,” he decided, “just let me know if you need anything.  Do you want, like, water or something?”

“I’m fine, but thanks,” you dismissed, “just continue as if I wasn’t here.”

“Oh, you don’t wanna see that,” he disagreed, looking like he regretted saying it as soon as he finished his sentence.  You felt your face warm and hoped he just meant that he’d be eating cheetos out of the bag in his underwear and not anything more… mature.  

As he awkwardly shuffled away, you opened your toolbox and got to work.  Your first task was to get a pitch reader so you could figure out how well-tuned each string was— you set that on the soundboard and got to work testing keys and reading the little digital display of your device.  Once that told you how much work each key needed, it was easy to just put your tuning hammer on one pin at a time, loosening or tightening until the pitch was just right.  You couldn’t just start at one side and tune all the way up to the other, oh no, there was a very specific ideal tuning order that you’d memorized by now: first the middle strings of the octaves from C3 to C5, then the one of each of the unison strings in the double bass section, then the middle strings from C5 to C8, then the lower single bass strings, then every left string of all the unisons from C3 to C8, then the rest of the double bass section, and finally all the right strings from C3 to C8.

Easy peasy, right?

It actually sort of would be, if you hadn’t gotten stuck on the unison bass string of E flat 3, your tuning hammer suddenly unable to turn even when you tried to brace yourself against the piano for some leverage.

"Um, Mr. Evans?" you called out.

"Yup!" he answered, swinging out from the entryway instantly— he must have been waiting just outside, which made you feel a little like you were being spied on.  

"Would you maybe come over here and use your manly-man strength on this?"

"My what now?" he laughed, walking towards you.

"You know," you explained by flexing your biceps and making a sort of serious face; your charades version of what a muscular man looked like, apparently.

"Oh, I see," he nodded, "my—" and he repeated the charade, except it made your face warm and your eyes all but bulge out of your head.  That was him jokingly flexing?!  What did he look like when he was actually trying to show his muscles?

You tore yourself from that train of thought as he leaned over the edge of the piano, gripping the tuning hammer you'd left on the pin there.

"This one?" he asked.

"Yeah, just give it a little nudge counter-clockwise, please."

He did it like it was no trouble at all.

"You could've at least pretended it was difficult," you rolled your eyes.

"No, you loosened it up for me," he winked.  WINKED.  Was he trying to kill you or something?  "Chris is fine," he said abruptly.

Chris is fine indeed, your brain supplied instantly.  "I'm sorry?" you choked out aloud instead.

"You can call me Chris, I mean," he explained.  "You called me Mr. Evans before."

"Oh, right," you nodded.  "Chris.  Thanks for your help with that, Chris."

"Sure thing," he smiled.

Just as the conversation began to lull, you could hear the dog whining and scratching at the back door, and you felt so guilty that he had been left outside.  “You can let the dog back in, you know,” you suggested, “I don’t mind.”

“I shouldn’t,” he shook his head, “he’ll jump all over you and stuff…”

“No, really, it’s fine, I love dogs,” you assured him.

“Alright, just prepare yourself,” he chuckled a little as he slipped over to the back door to let the dog in.  Running past his owner instantly and straight to you, you knelt down to let it lick your face as you laughed.

“Hi puppy!” you greeted.  “Oh, thank you for the kisses, it’s nice to meet you!”  He calmed down a bit when you scratched behind his ears, wiggling and putting his paws up on your knees.  “What’s his name?” you asked, turning your attention to Chris who had his arms crossed and a prideful smile on his face.

“Dodger,” he informed you with a nod.

“Aw, hi Dodger,” you cooed at the pup, “I’d sit here and pet you all day, but your dad’s not paying me to play with you— apparently.”

Chris laughed a bit as you stood up, and Dodger actually took it pretty well, dashing to curl up on the nearest couch as you got back to work on the piano.  

“I’m just about halfway done,” you informed him as you started to move on to the next string, occasionally plucking the string to test that the pitch was right.

“I’ve never heard a piano plucked before,” he observed, leaning in to watch you work.

“Yeah, probably better to just stick to hitting the keys,” you smirked.

“Psh, anybody can do that,” he scoffed, “you could invent a whole new genre of music!”

"I'll leave the musical experimentation to you," you decided, "and I'll stay on this side of the action board."

"See, I didn't even know that was a part of the piano," he admitted.

"And that's why you're on that side."

You two chatted while you worked— he asked some questions about you, you asked some questions about him, classic small talk sort of stuff.  He managed to keep it interesting, though, and keep you laughing throughout the whole conversation.  It was significantly more fun than you usually had during house calls like this, and instead of distracting you it actually seemed to help you keep your focus.  It was easier to talk to him when you could keep your eyes on the strings anyways: looking right at him was sort of overwhelming.

With the last string adjusted, you slipped the tuning hammer into your back pocket and dusted off your hands as you stepped back to admire your work.

"That's it?" he asked as he stood up from the couch, noticing the signs of completion.

"It is if it sounds good!" you smiled.  "Go ahead, take it for a spin," you suggested.  "Play something and tell me if it sounds how you want."

"Okay," he nodded, slipping around the bench and sliding onto it.  He took a breath before he placed his hands on the keys, but then suddenly stopped and set them back on his lap with a sigh as he turned to you.  "Um, it's a little weird with you watching me."

"Oh, are you not used to performance?"

"Not outside of my family and friends and stuff, no."

"I don't really have to be here for this part, as long as you're happy with it then that's fine," you shrugged, "but you know, I wanna be able to fix any issues while I'm still here—"

"No, it’s not a big deal," he shook his head quickly, "I should get over myself.  I guess it's just scary cause you've probably heard people a lot better than me play…"

"Don't worry about that," you laughed, "just play something, really, I won't judge."

He spun back to face the keys, placing his hands on them— for a second you wondered if he struggled to hit just one key at a time with those thick fingers, but you pushed that thought away quickly.

As he started to play, you found yourself focusing on the music more than the sound of the keys like you should've been.  He was good, actually, although you could hear the hesitance in the way he played.  He didn't rush as much as most people did, though; he was savoring the piece, one note at a time, and you let your eyes fall shut as he continued to play.

You broke from your trance when he suddenly stopped, repeating the phrase he'd just finished and stopping on the same note.

"Does this one sound kinda… off to you?" he asked.

"Um," you paused, "play it again?"

He poked the key with one finger a few times, and you frowned.  "I can't really tell." You stepped forward and leaned over his shoulder, caging his body in accidentally as your arms wrapped around his shoulders to fiddle with the keys in front of him.  You rested your knee on the bench beside his legs, not even realizing that it was a massive invasion of his personal space until you were already in it.

He moved his hands out of the way so you could repeat the phrase, and although you didn't hear anything wrong, you felt the key sticking.

"Oh," you mumbled to yourself, "it's the key, not the string."

"Can you fix it?" he asked looking up at you.

"Yeah, I—" you stopped in the middle of your word as you looked back at him because his face was really close, so close that his bright blue eyes were burning right through you; so close that you completely lost your train of thought.  "I can fix anything," you finished softly.

"Great," he whispered back, eyes seeming to glance down to your lips quickly before moving back up to meet your gaze.

You cleared your throat as you stepped back, giving him space again as you nervously crossed your arms.  "It's probably just something stuck under there or whatever, but I can order a replacement key if not."

"Right," he agreed with a nod, sliding to the side of the bench to give you room to fiddle with it.  You grabbed your smaller toolkit and sat beside him, starting with your flashlight to see if there was anything hiding underneath there.

Moving to peer behind the action frame, you realized it was a problem with the hammer hitting the string— or, more specifically, with the mechanism that kept the hammer balanced.  All you had to do was reach in with a long screwdriver and shift some parts around, and it seemed to be back in working order.

“Play it again?” you requested, and he slid back to the middle and started the piece over.  He grinned when he reached the part he’d stopped at before, flying through the phrase without stopping.

“Hey!  You fixed it!” he beamed.

“I’m a genius,” you shrugged, smirking a little.  He stopped playing and you found yourself a little disappointed by that, unexpectedly.  “Any other musical ailments I can magically cure for you today?”

“Unless you can make me a better sight reader, that’ll be all,” he smiled, standing up from the bench.

“Ah, if I could do that, I’d be using that power on myself.”

He shrugged; "Fair enough."

"Well, I'll leave you to it then," you announced as you put the last of your tools away and picked up your bag.  "Hope I didn't disrupt your day too much."

"You did, actually— in a good way," he grinned.  "I definitely learned a lot more than I was going to just watching TV and drinking beer."

You followed him back to the front door, which he opened for you.  "You can always give us a call if you need anything.  Um, anything piano-related, that is.  Tell the dog I said goodbye, okay?"

Chris smiled a little, softer than his normal expression.  "I'll be sure he gets the message."

As you got back in your car, you took a minute to just catch your breath for the first time since you'd gotten here.  Trying to be funny and cute and charming when all you wanna do is stutter and gawk and melt is exhausting!  As enjoyable as it was, in a certain sense, you were relieved at the idea of returning to your routine— which typically did not include super hot dudes chatting you up at work.

//

“This must be a mistake,” you shook your head as you showed the work order form to your boss, “I was at this address two weeks ago, the piano’s in perfect condition.”

“Well, he has an unlimited warranty, so either something happened since you were there last, or you fucked something up when you were there last, or he’s just determined to get his money’s worth out of us,” she explained without looking up from her computer.

You sighed and left, heading back to the same address and hoping you weren’t about to get chewed out for somehow ruining Chris’ like-new piano.

Knocking on the door, you found yourself chewing your lip as you waited for him to answer the door.  You were a little surprised when he answered in a button-up and slacks— entirely opposite to pajamas, although you sort of missed that get-up if you were being honest.

“Hey,” he greeted with a grin, stepping back to motion for you to come inside.

“Hi,” you responded awkwardly as you stepped past him.  “Is... everything alright with the piano?  I didn’t damage it, did I?”

He cleared his throat as he shut the door behind you, the size of the hallway forcing the two of you to stand slightly closer together than you would’ve personally preferred; it was hard to focus with him so close, sometimes.  “No, no, it’s not that,” he answered, “the piano’s fine, I just…” he stammered a little, starting over.  “Uh, there was something I wanted to ask you about last time, and I called the Steinway store but I couldn’t figure out how to call you specifically, so I just had to make a new tuning appointment.”

You furrowed your brow with confusion, not sure why someone else on the phone couldn’t answer whatever question he had, but decided to let him go through with his thought.  “What did you wanna ask me?”

“Uh, I just wanted to ask you… out,” he finished plainly.

You paused as you processed that.  “Out?”

“Like, I was wondering if you’d wanna… go out, with me.”

You hoped your face didn’t give away all of your shock, but at the same time, you figured it probably did.

He winced as you continued to stare at him in silence.  “I’m kind of out on a limb here,” he reminded you.

“Right, I’m sorry,” you shook your head, “um, I guess I’m just sort of surprised because you’re, like… hot, and stuff.”

“And stuff?”

“Yeah, like… nice…” you explained.

“Hot and nice?” he laughed.  “Slow down, you’ll give me an ego.”

You laughed, too, and less nervously than you expected.  Feeling the rare urge to be spontaneous, you scratched your neck as you prepared to propose an idea.  “Listen, so, this might be crazy but... I have another appointment today, at the Symphony Hall— it’s a final tune-up on the pianos and harps before this massive concerto thing and they always let me stay to watch the performance afterwards.  If you came with me, I could get you in for free.”

“Really?”

“Yeah, I mean, you probably have better things to do today—”

“I don’t,” he refuted.

“And if you just wanted to, like, get lunch some time then that would be great, I just thought I might as well invite you to hear the chamber orchestra from the best seat in the house,” you shrugged.

“The best seat?” he questioned incredulously.  “And where is that?”

“The rafters,” you laughed.

And that was how you and Chris ended up sitting on the steel catwalk suspended on the ceiling of the Boston Symphony Hall, dangling your feet over the edge as the sounds of the concerto echoed out from the stage, over the silent audience and, finally, up to you two.

The music was incredible, if a little quiet from where you were listening, and so soothing that you felt compelled to close your eyes and focus on the sound.  You were partial to the piano, as always, but the violins and cellos in harmony made your chest warm unexpectedly.  Or maybe that was from the feeling of Chris’ gaze on you, as you opened your eyes to find him looking at your face rather than the performance below.  

“What are you looking at me for?” you asked him with a nervous laugh.

“For fun,” he shrugged.

“Doesn’t seem very exciting,” you scoffed, looking back to the stage.

“Oh, it’s exciting,” he mumbled his reply as he returned his gaze to the performance as well.  

Your cheeks burned when you heard that, in spite of the fact that it was actually a bit drafty in the auditorium.  Even though your nerves were buzzing with anxiety, a rush of bravery struck you and suddenly you were leaning your head onto his shoulder.  Just the warmth of him through his shirt— hell, even the smell of his cologne— somehow managed to relax you and energize you simultaneously.  His hand gingerly slipping around your waist was even better.

After this many years of tuning pianos, it felt like you were getting yourself in tune for the first time.

[youuuimeanmee]

Eren Meta From 139

Many people believe chapter 139 butchered Eren's character because of this scene.

Because out of nowhere, Eren's motivation is to reach Mikasa's choice to satisfy Ymir's wish; thus, everything he said from the beginning about his motivation is all lies or meaningless.

No. And I'm no writing this to justify or condemn him. This post is more for myself, because I'm trying to understand his character.

Now let's see at his words. "All of it, was to arrive at that result. That's why I moved forward." What does he mean by it? Which actions?

This.

All the events, starting from ch 123-139, are going according to Ymir's wish.

Right after Eren told her to decide for herself.

She wants to end the world, at least 80% of it. She wants to push Eren's friends to stop him, even if they have to betray their nation. The Battle of Heaven and Earth, all of the clusterfucks in chapter 135-138 happens because it's Ymir's will to push Mikasa to make a choice. She chooses to end the titan curse after she gets to see what she wants.

Ymir did all of this, she watched all the events that unfold because Eren released her.

Then, what about Eren's will?

This is why I'm okay with the idea of Eren following Ymir; Eren doesn't have a reason to reject Ymir's wish because he got what he wants. He got the future he saw on the medal ceremony, the eradication of titans. He got the "freedom" to flatten the earth, and if his gamble paid off, he'd get his friends' safety; because they will become the world's savior after they stop him. It's a win-win situation, thus, putting him in a position where he becomes Ymir's ally and stands by her side.

The reason why Ymir chose Mikasa is not clear, but Eren had a hunch and it's something he could relate to; another reason for him to not object to Ymir's wish. It has something to do with that day when Mikasa practically confessed her love for him, the day where he could use the Founder's power for the first time. I leave this scene up to your interpretation.

What about Eren's will from before 123? What did he try so hard to achieve?

This scenery. Aside from the eradication of titans.

Here's the thing. Doesn't matter if fate favors you or not, you have to work hard to get what you want. To work hard, you need to know the reason. I take Isayama's artistic choice that the future memories he saw are fragments without context; he doesn't know why it happens the way it would. So, even if he saw the scenery, even if he saw the eradication of titans, why he has to go to hell first? Why he has to go through all of the suffering? Why he has to keep moving forward? He doesn't have to; but the world, destiny or whatever keeps feeding him reasons to move forward, until he reached a conclusion that the titan world is fucked up system and has been going for far too long. For Eren, this needs to end, and he wants to reach that scenery no matter what.

This is the man who saw how unforgiving the outside world is. The fact that a little girl got eaten by dogs just because she's an Eldia is proof that a subject of Ymir can never gain freedom, can never gain the privilege of human rights the way a normal human does. (I suggest you to read Gross' monologue from ch 87). The man saw how the world keeps pushing Paradis to be the source of evil without listening to what the other parties have to say. The man is manipulated to euthanize his own people as if Eldia doesn't deserve to be born. He saw the fucked up history of titans from 2000 years ago. He was so disappointed the world is not like in Armin's book, it's not like his ideal world. So he wants to wipe it away. He wants to bury the history and the civilization that created it, deep to the ground. He wants to destroy every last one of those animals, that's on this earth; titans or humans alike. He wants to leave the surface a blank plain. This is his ideal world, his freedom.

Eren said it himself. Even if he didn't know that his friends would stop him; even if it's not Ymir's will, he'd still trample the earth. To me, the reason why Eren commit genocide, the reason he said to Armin is no different than the reason he said to Zeke.

It's just the way he is ever since he was born.

A freedom seeker.

The wording is different with the receiver. With Zeke, it's different, because he's trying to make a point that this is who he is. But with Armin? He is going to die, with his best friend as his judge. He knew exactly why he wanted it: because he is free, ever since he was born. But somehow he couldn't say it outright with confidence. Maybe he's afraid to be judged as a monster by the person closest to him, or maybe he started to question his definition of freedom. Because to me, his eyes look like wonders.

Now. What is freedom? Many people believe that any acts out of violence is not freedom. But to Eren, that is freedom, his freedom. There's a meta that perfectly explains Eren's version of freedom, up until he did the rumbling. This is my highlight from that meta:

So freedom is the power of the individual to do as one wants. When you do something, you are imposing your internal desires onto the external world. If freedom is thus the power to impose your individual Will onto the outside world, then whoever has more power has more freedom.

This concept was highlighted when he told his friends in Paths that he's free to destroy the world and they're free to defend it; meaning that they're bound to clash, and they have to fight.

Freedom is not good. Nor is it bad. It is a force beyond good and evil, and that is precisely why it is terrifying. This, I believe, is why so many baulk at the idea that such a ruthless manipulator could be the avatar of freedom in this story. What I have always loved about SNK is how it delves ever deeper into its themes as the story goes on and discovers such fundamental paradoxes that your understanding of the idea is changed forever. If this is the horrifying face of freedom, perhaps we should not be free.

I don't know how much Isayama's involvement in this, but Grisha's commentary from the Lost Girls captures this concept perfectly.

For Eren, that "great power" is his own concept of freedom: A world without oppression. Doing what you want to do. He's free to protect his homeland by whatever necessary, whatever cost, and leave the rest of the world as an open plain.

Usually, the more we're obsessed with something, the more we stray from our humanity. After witnessing firsthand the vision-he-so-called-freedom, he doesn't know how to feel. He gets what he wants, but he's not happy at all, only the hollow scenery remains.

Eren realized how messed up he is, even before he did this. He tried to reach out to Mikasa that night after he saved Ramzi, to save his humanity left. It's one of the reasons why he asked her, "what is he to her?" Surely if he was loved –even after he killed those men when he saved her that day– would mean he's still human, right? And by running away with her, he could live in peace, maybe he could free himself from his obsession. But he's doing it so half-heartedly, that when everyone interrupted them, he just... let it go. He didn't bother to sneak with her or anything. He couldn't let go of the future he saw, he's losing himself to his desire/inner demon, to his obsession of freedom. Or maybe he's winning over his pathetic self so he could focus on what he needs to do? One could interpret this scene as Eren trying to break free from his obsession for "freedom." One could interpret this scene as Eren trying to break free from the shackles of his conscience. It's up to you.

Eren's outburst over Mikasa in this chapter is his pent-up feeling over her. It is, but after I write this meta, maybe it's more than that. It's because she's the proof of his humanity left. Many, many times, Mikasa is there to stop him from ruining himself. Mikasa's love creates a subconscious understanding that she will always be there for him. That's a part of her that he loves, and by feeling love, it means his humanity still exists. If Mikasa chooses to move on with another man, it means she will forget all the times they had together, she will forget the most human side of him. The only person who loves him as who he is, his home, would be lost. He would be lost. That idea scares him, even though he knows he doesn't deserve her love after everything he has done.

One more thing; another reason why Eren doesn't mind to be stopped, aside from Ymir's wish will get him what he wants –as I already explained. People argue that the conflict won't end until Paradis or the rest of the world remains; thus, Eren's half-hearted genocide is meaningless. No. No matter how angry he is that he wants to eradicate everything, he has enough maturity to understand, even back from the Battle of Trost, that humanity is far from united even if they're faced against a threat beyond human understanding. During the after-party night before the Battle of Shiganshina, he accepts that great power comes from joining ourselves together. We all need to find our own roles. Humans are created differently, because of times like this. By sparing the rest of the world, it keeps both Paradis and the world from collapsing. By keeping the diversity of people, someday it will open a path for peace because it's a part of human nature to try to understand each other; he learned it from the SC. Eren believes Armin could take him there, after he died. Maybe he forgot all of that because he's too caught up in his hate and anger up until 122, the same way he forgot back in the days.

Even if it's not explicitly explained in this chapter, I'd like to think that Eren got plenty of time to reflect on this matter when he did the Rumbling, to fill the emptiness he felt after he reached what he wants wanted.

Eren wins in the end, but at what cost? This chapter is calling out his tyrannical mindset, and it's great to see him realized his error, even if it's too late for him to go back.

Maybe this is what Isayama decided to focus on the last chapter, even if it's rushed. Maybe he (or his editor, idk) wanted the ending to focus on the protagonist's story about humans vs titans. The way Eren is so determined to wipe it out from this world, no matter how messed up his method, no matter how much he suffers, it doesn't matter if it's predestined or not. Because "freedom" is what he seeks ever since he was born. Because Eldia, every person deserves to be born in this world. Yes, every person, including everyone he killed. He knew the gravity of his action and choose to accept his death. Maybe it's the reason why Isayama doesn't delve into the aftermath of genocide further.

He wants the ending to be about Eren Yeager, The Attack Titan's journey about Attack. On. Titan.

[blackswaneuroparedux]

Anonymous asked: Have you watched Lupin? What did you think? (And are you a fan of the books or other adaptations of the character?)

The short answer is yes, I have seen Lupin on Netflix. Overall I enjoyed it so long as I suspended my disbelief at certain things.

Unfortunately it took being struck down by Covid and being bedridden for me to actually to binge watch the whole series. So I was behind the curve when my friends, French and those outside of France, started to talk about it around me. I had to beg them not to give away spoilers until I had seen it all.

It did surprise me that it won rave widespread reviews outside France because usually French drama series don’t travel very well outside of France. I’m sure even Netflix had no idea how successful it would be for them. I’m sure being in Covid lockdown had something to do with it. In any case I don’t begrudge its success as it’s well earned.

However I wasn’t too surprised that within France itself the French reviews were decidely mixed and divisive. The critic at Le Point painfully hit the nail on the head when he wrote, “Le plus gros défaut de l'ensemble reste la pauvreté des personnages, tous unidimensionnels, caricaturaux et aussi épais que du papier à cigarette.“ - loosely translated as, ‘the biggest flaw of the whole thing remains the poverty of the characters, all one-dimensional, cartoonish and as thick as cigarette paper’.

There’s a growing amount of good French stuff on TV and streaming services but a non-French audience will not have had the chance to have seen all of it yet. I can think of any number of French television drama/dramedy/cmedy series that are much better than Lupin with better plots, characters, and even a truer perspective of French society and even modern day France (Dix pour cent (Call My Agent!), Le Bureau des Légendes, Engrenages, Baron Noir, and Paris Police 1900). But you would be hard pressed to find anything that comes close to Lupin just for the sake of something fun to watch during the Covid lockdown.

What makes the current generation of home made French television series so interesting is how much of it is a reflection of France’s own anxieities about itself and its role in a increasingly English speaking dominating world. In a funny way it sees itself as defiant plucky Asterix fighting off the Roman American cultural hordes from totally invading their Francophone culture.

For sure, it has societal and racial issues stemming from its colonial legacy and issues of immigration and integration (France has the largest Muslim population in Europe). However it seems to want to ‘resolve’ these issues through the almost sacramental adherence to French secularist ideals rather than American inspired ideas of social justice and equity. There’s always been something very admirable about the French - from the time of General de Gaulle and perhaps before - always swinging from snooty ambivalence to outright antipathy towards the influence of American culture ‘americanising’ French culture (no to Walmarts or fast food chains for example).

Is it any wonder then that Netflix’s ill-conceived American series ‘Emily in Paris’ was widely hated and mocked within France for just perpetuating those lazy American tropes of Paris and French culture?

Personally I know Francophile Americans, long resident in Paris, who were frankly embarrassed and spent a lot of time apologising to their French friends. I have one American friend who has told me that she was so mad that she would have blind folded Emily and shoved her hard in the car boot and drive her all the way to the poorest of the banlieues in the grimey crime saturated suburbs of Paris - Seine-Saint-Denis came to mind - and dump her preening arse there. She would slap her and tell the spoilt entitied brat to make her own way back home - you know, to her spacious apartment in one of the most expensive arrondissements of Paris that of course(!) any American intern working for French marketing firms can afford.

I digress. My apologies. Watching this God awful show gives me PTSD.

Onto Lupin.

Thankfully Lupin doesn’t try to play to non-French tropes of what Paris is or isn’t. It does skim the surface of current discontents within French culture and society (race, class, power, and money) but ever so lightly so as to not get in the way of just spinning a good crowd pleasing yarn. It invites you to have fun and not to think too much. I have to be honest and say I enjoyed it as long as I suspended my disbelief here and there.

Lupin refers of course to the character Arsène Lupin, the French gentleman thief who stole jewellery from Parisian haute bourgeois and aristocracy at the turn of the century. Lupin, as written in the novels and short stories by Maurice Leblanc between 1905 and his death in 1941, was the archetypical anti-hero, a Robin Hood who stole from those who deserved it but kept the loot himself. He was often portrayed often a force for good, while operating on the wrong side of the law.

Lupin never really made much of an impact outside of France as he had within France where is revered with many French film and television adaptations. In England, we already had a Lupin type character in the form of A.J. Raffles, a cricket playing gentleman thief with his aristocratic side kick, Bunny. E.W. Horning’s stories of Raffles’ daring heists proved to be quite popular with the British public when Raffles first appeared on the scene in 1898. And even later Leslie Charteris’ The Saint took over the mantle from Raffles as the gentleman thief/adventuring Robin Hood.

I think Hollywood tried to introduce him to an English speaking audience (legendary actor John Barrymore even played him) but he didn’t really take off and eventually they found their gentleman thief archetype in Sir Charles Lytton aka The Phantom (played by David Niven and Christopher Plummer) in the Pink Panther movies. So Lupin never got the English audience he deserved.

I first got wind of who Arsène Lupin was when I was growing up in Japan as a child. As strange as it sounds Lupin was big in Japan especially after World War Two. The Japanese did their own take on the Lupin character using Japanese actors and plot lines but it was Lupin.

I don’t know how exactly but I remember watching these scratchy DVDs of these Lupin inspired films. I think it was one of my parents’ Japanese friends who was mad for all things Lupin and he had studied French literature in France. Jogging my memory I now recall these black & white films were done in the 1950s. One starred Keiji Sada and the other version I remember was with Eija Okada (he was in Resnais’ classic film, Hiroshima Mon Amour) as Arsene Lupin called (I think) Kao-no Nai Otoko. I didn’t understand most of it at the time because it was all in Japanese and my Japanese (at the time) was pitiful, but it looked fun.

There was even a Japanese manga version of Lupin which was called Lupin III, - so named because he was the grandson of the real Arsène Lupin.

The 1960s manga series spawned generations of TV series which I do remember watching and finding it terribly exciting if somewhat confusing.

It was French expatriate friends whom my family knew that introduced me to the real Arsène Lupin. They had a few of the books authored by Maurice Leblanc. It was in French so I read them to improve my French but enjoyed the story along the way.

I also remember them showing me scratchy episodes of the 1970s Franco-German TV series ‘Arsène Lupin’ with the monocle wearing Georges Descrières in the lead role. It was a classical re-telling of the adventures of the aristocratic gentleman-burglar and very family friendly viewing. I don’t really remember much of it to be honest.

It was some years before I actually started to read more of the Maurice Leblanc’s novels and short stories collection. I have them all now. I was a teen and I remember being stuck in a snowed in a Swiss Alpine chalet and with nothing else to do but pull out a few dog eared books from the bookshelves belonging to our French host and read to pass the time.

I read Les Dents du tigre, Arsène Lupin vs Herlock Sholmes, and Les Huit Coups de l'horloge and thoroughly enjoyed them in the original French. I was already reading classic detective and mystery novels (Sherlock Holmes, Poirot etc) so it was natural to read the adventures of Arsène Lupin.

I haven’t got around to reading all the novels and short stories but I have read most of them and I enjoyed them all immensely. In the same way Conan Doyle, through Holmes and Watson, manages to conjure a convincing picture of late Victorian and early Edwardian England, so Leblanc manages to give us a taste of Belle Epoque France through the eyes of his suave gentleman-thief, Arsène Lupin.

Indeed it's a lot like reading Sherlock Holmes in that you're always trying to figure out how he did it, but the difference is that you are rooting for the bad guy. You can’t help but be drawn to this gentleman thief who is charming, comic, playful, and romantic and generous. Lupin is not an intellectual puzzle-solver but first a master criminal, later a detective helper, who maintains his curious ethics throughout his adventures. In this regard he is very much the anti-Sherlock Holmes; and I wasn’t disappointed when I actually read the story where Lupin faces off with Holmes himself. Brilliant!

I’ve also seen the 2004 French movie with Romain Duris in the Lupin lead role and it also starred the majestic Kristin Scott Thomas and the sexy Eva Green.

It was a decent adventure flick and it was a clear confluence of different Lupin novels (The Queen's Necklace (introducing Lupin's childhood), The Hollow Needle (where the treasure is the macguffin of the story), The Arrest of Arsène Lupin (the gala on the ship as a backdrop) and Josephine Balsamo, (one of Lupin’s most memorable opponents in the The Countess Of Cagliostro).

Romaine Duris, a fine classical actor, was I felt miscast because he didn’t have Lupin’s levity of wit and be at ease within himself. I love Duris in his other films but in Arsène Lupin and even in his other film, Moliere, he seemed ill at ease with the role. Perhaps that’s just me.

The latest Netflix adaptation (or reimagining to be more precise) is a welcome addition to the world of Arsène Lupin.If you don’t over-think it, it’s bags of fun.

Omar Sy is immensely likeable. Sy is a deservedly a big star in France - he won the best actor César for “The Intouchables,” an international hit - and has played forgettable secondary characters in big-budget American special effects movies (he was Chris Pratt’s assistant in “Jurassic World” and a minor mutant in “X-Men: Days of Future Past”). It was reportedly his desire to play Arsène Lupin, whom he’s compared to James Bond (“fun, funny, elegant”), that led to the series, created by British writer George Kay. And it is on his charm that the series largely, though not entirely, rests.

So the basic story revolves around a jewellery heist. Sy plays Assane Diop, a first-generation French-Senegalese man in contemporary Paris. A collection of Lupin stories, a gift from his father - whose undeserved fate Assane set himself to avenge in long-delayed, Count of Monte Cristo style upon a criminal tycoon - has made the actual Lupin books a foundation of his life and profitably illicit career. This fan-ship goes as far as borrowing practical ideas from the stories and constructing aliases out of anagrams of “Arsene Lupin,” a habit that will attract the interest of a low-level police detective (Soufiane Guerrab as Youssef Guedira) who shares Assane’s love of the books. (That the detective also shares an initial with Lupin’s own adversary, Inspector Ganimard, is possibly not a coincidence.)

Among the many comic delights of Lupin, is an unspoken one. Time and again, the show’s hero, master thief Assane Diop is able to slip into a place unnoticed, or by assuming a minor disguise that prevents witnesses from providing an accurate description of him to law enforcement.

Why is this funny?

Because Omar Sy is six feet three (and, since most actors are short, seems even taller), is roughly as wide as soccer pitch, and is memorable even before he flashes his infectious million-Euro smile. This is not a man for whom anonymity should be possible - even allowing for racial bias in a majority-white country, Assane would be memorable and distinctive - and Lupin seems cheekily aware of this. Like the various incredible sleights of hand Assane deploys to pull off his thefts and escapes, his ability to be anyone, anywhere, is treated more as a superpower than as something even the world’s greatest criminal would be able to pull off.

At one point, when he’s slated for a cable news appearance as a much older man, we learn that Assane is also a master of disguise. The revelation of this skill arrives with a wink in the show, and it feels pointless to ask where he learned it, or how he affords movie-quality latex and makeup. Or rather, asking the question feels wrong.

We know this is impossible, the show seems to be asking its viewers again and again, but isn’t it so much fun?

The performances and the production - it has that particularly European filmic quality of feeling natural even when it gets stylish - keep the series warm even as the plot is made up of incredulous contraptions that require everything to go right at just the right time and for human psychology to be 100% predictable. Its physics are classical rather than quantum, one might say, and like the world itself, which becomes more curious the deeper you peer into things, it is best handled along the surface. You do not want to take too much time working out the likelihood of any of this happening. Just go along for the ride.

Somehow, though, it all works because Sy is so magnetic and charming that questioning plot logic feels wildly besides the point. Though he never looks appreciably different in his various aliases (including one ill-conceived live-TV appearance done under old-man makeup and a thick beard), he changes his posture and voice ( if you watch it in French that is) enough to allow for the willing suspension of disbelief, in the same way that any lead actor as Superman has to do when playing Clark Kent. But Sy and the show are at their strongest when Assane is just being his own Superman self, utterly relaxed and confident in his own skin, and so captivating that his ex-partner, Claire, can’t really resist him despite ample reason to.

If Assane seems practically perfect in every way, he is not perfectly perfect. His most obvious failing is that his criminal shenanigans and revenging make him less than reliable in his daily life, affecting his relationships with ex-partner Claire (Ludivine Sagnier, whom non-French audiences might recognise from “The Young Pope” and “The New Pope”), who despairs of his inability to show up on time to see his son Raoul (Etan Simon). Like Sy, Sagnier brings a lot of soul to her part - though onscreen far less, she’s as important as Sy to the series’ success - and the two actors have great chemistry. Also impressive and key to creating sympathy are the actors who play their flashback teenage selves, Mamadou Haidara and Ludmilla Makowski. Really, you could do away with action elements and build a series around them.

This is a pity because Lupin often fumbles its emotional reveals in other parts - the story of Diop being torn between his job and his family feels like wheel-spinning, rather than genuine emotional intrigue.

Soufiane Guerrab is wasted in the Young Detective Consumed by the Case role and spends most of this season pinning colour printouts of book covers to cork boards and getting waved off by his colleagues, who are all blinded or otherwise hampered by careerism.

But to my mind the weakest link is the villain himself and his daughter. Veteran actor Hervé Pierre hams it up as Hubert Pellegrini, a business tycoon who is the patriarch of the Pellegrini family. He just comes across as animated cartoon villain with no character depth (think moustache twirling Russian villain, Boris Badenov, in the Rocky & Bullwinkle cartoon shows). He just emotes anger a lot without any nuance or hint of complexity.

Even Clotilde Hesme who plays the daughter who is unaware of her father’s criminal tendencies is miscast. For the record I adore Clotilde Hesme as she one of France’s most talented classical actresses (that non-French outsiders will not have heard of). She is a classically theatre trained actress and is one of the best stage actresses of her generation that I have ever seen. I’ve seen her in plays where she is just mesmerising. She has said before that she’s more comfortable on the stage than she is on the screen. And when she has been on screen she still has been a powerful presence. She’s actually won a César too. Here in Lupin, she seems to have no agency and looks bored with nothing really to do.I really hope they give her more scenes in the next part of Lupin.

The series is at its best when following Diop enacting his plans, and when revealing each one from a different vantage, making us privy to every moving part like a magician revealing his secrets. The show captures the momentum of a clockwork heist, the tension of sudden obstacles and the ingenuity of improvised responses, with thrilling precision (especially in “Chapter 1 - Le Collier de la reine,” directed by Now You See Me’s Louis Leterrier).

Lupin is also politically incisive when it wants to be; it brings to mind Ladj Ly’s Oscar-nominated 2019 film Les Misérables, which adapted the broad strokes of Victor Hugo’s novel about the 1832 Paris Rebellion, and modernised the story by focusing on the police brutality faced by non-white Parisians.

Lupin opens with Diop disguised as cleaning staff and entering the Louvre after-hours, alongside dozens of forgotten, anonymous non-white workers as they pass by “La Liberté guidant le people,” Eugène Delacroix’s famous painting of the July Revolution of 1830 which replaced France’s hereditary rule with popular sovereignty.

Before any semblance of plot or character, Lupin centres broken ideals and promises unkept (without giving too much away, the show’s primary villain has much more nationalistic view of French culture and history which merely adds to a cartoonish caricature than a complex character). The rest of the episode is about valuable jewels once owned by Marie Antionette - one of the most recognisable symbols of wealth and extravagance in times of extreme poverty - which are put up for auction by the Pelligrini family, and bid on by other wealthy collectors with bottomless purses and no sense of irony.

Granted, beyond this auction subplot, explorations of race and class are largely limited to individual interactions, but the show continues to refer back to (and implicitly comment on) its source material in ways that wink at the audience. An elderly, unassuming target of Diop’s schemes seems like an unlikely victim at first - Diop, though he acts in his own self-interest, usually displays a moral compass - until this victim reveals the colonial origins of her wealth, immediately re-contextualising the ethics of the situation, in a manner that Leblanc’s stories did not. (The show is yet to apply this lens to Arsène Lupin himself, who Diop treats with reverence, but that’s a secondary concern since Lupin is entirely fictional in-world).

Barring some nagging structural problems - like cutting to flashbacks when things are getting exciting, or epilogues that feel ten minutes too long - Lupin mostly works. It plants a few personal seeds early on, which it keeps hinting at without fully addressing, but by the time its scattered elements come into focus, the show finally figures out how to weave them together, and delivers a mid-season cliffhanger that renders many of these flaws irrelevant.

Lupin manages to have fun even with an antiquated premise - the story of a suave con-man who charms his way through high-profile robberies - while adding just enough new spin on the concept to feel refreshing. Omar Sy may not have much to work with, but his alluring presence makes Assane Diop feel like a worthy successor to Arsène Lupin.

Lupin isn’t going to win César, BAFTA, or Emmy awards, or even turn heads for its ability to develop tertiary or even secondary plots or characters - that doesn’t really matter. You’re there to see a difficult hero be difficult and heroic - everyone else is there to be charmed, vexed, or eluded by them. Sy’s performance bounds off the screen, and is almost musical. He floats through scenes like he glides over the roofs and through the back alleys of Paris; he outmanoeuvres his foes with superior literary references and sheer athleticism. He is irresistible and also good at everything he tries, even kidnapping.

I would encourage anyone to watch Lupin for a fun care free ride. But the only caveat I would make is watch it in the original French.

If you don’t know French then put on the subtitles to understand (that’s what they are there for). The real crime is to watch this (or any film or television series) dubbed in a foreign language. It’s disrespectful to the actors and film makers and it’s silly because it’s comical to watch something dubbed over.

Please watch it in the original French.

Then go and read the books. You won’t regret it.

Thanks for your question.

[zalrb]

OKAY. SINCE ANONS SEEM TO BE INTERESTED. HERE IS MY DAWSON’S CREEK 1X01 REVIEW.

@jayciethings​ IF YOU ARE INTERESTED.

1. I think the opening scene does a good job in establishing the central struggle of the season and it does it in 3 minutes: 1) things need to change and Joey wants them to 2) Dawson doesn’t see why anything has to change and doesn’t see what Joey is trying to say 3) burgeoning sexuality 4) Joey-Dawson friendship.

2. I also think the Joey-Dawson friendship is also established really well and it’s actually a time where dialogue and action work in tandem. They give a brief history/overview of their friendship: “you’ve been sleeping over since you were 7″ “i’ve seen you pick your nose, scratch your butt” while also showing them watch tv, playfight and ultimately end up sleeping in the same bed, like they did when they were 7.

3. I actually don’t find the dialogue as annoying right now.

4. I will forever be angry that they didn’t pay to have the original music with their scenes because Dawson’s Creek is not Dawson’s Creek without “I Don’t Wanna Wait”.

5. “He did it again, he grabbed my ass.” “Like you even have one.” Joshua’s delivery is perfect because it’s resigned and un-offended.

6. “I’m Jen.” “Oh right, the granddaughter from New York.” That actually isn’t clunky. It’s a good way to do exposition.

7. “You look different.” “Puberty.” LOL Joey Whitter sass.

8. Honestly, at least so far, Joey’s behaviour makes sense for a 15 year old girl who is in love with her best friend who doesn’t see her as a sexual being and then has to watch him salivate over The New Girl. No, that isn’t Jen’s fault but sometimes people on this site act like teenagers or adults for that matter don’t have messy and not-so-great emotions/reactions to things. Unless, apparently, they’re men who are rapists and serial killers, then the understanding is boundless.

9. It’s actually refreshing to hear “Mr. Leery” “Mrs. Leery” since teens in shows now just call adults by their first names, which I would NEVER do. I still can’t do that. If I had to address initiumseries’ dad it would be Mr...

10. I also think it’s funny that this dialogue is being made fun of but this kind of cadence and irony is the kind of thing shows go for now -- Riverdale tries to emulate this and I would argue Euphoria tries to do an edgier version of this. Like Nellie insulting Pacey, that kind of tone is what they’re trying to go for with Cheryl.

11. I’ll admit this is more fun than I thought it would be so far.

12.  I LOVE WHAT’S EDGY FOR THE NINETIES. SHE IS IN A SUNDRESS. SETTLE DOWN.

13. “I have it on pretty good authority that mothers have excellent sex.” LOL Pacey, dick move.

14. Renting The Graduate, how on the nose.

15. THEIR CLOTHES ARE SO 90s.

16. The soundtrack pisses me off so much.

17. Oh Dawson. I knew so many self-important, I’m-so-deep-I-like-these-kinds-of-movies or -this-kind-of-music boys in high school. Like I find it so typical that he thinks his obsession with Spielberg would interest Jen.

18. Dawson taking Jen to his studio is like Klaus taking Caroline to sees his drawings.

19. Oh man, I remember being a kid and watching these teen shows with my cousin and seeing how Capeside High School was with everyone on a quad and throwing footballs and being like HIGH SCHOOL IS GOING TO BE LIKE THAT and my cousin just being like

20. I like how Dawson’s Creek is the whitest show and they still managed to have more Black extras than Gilmore Girls.

21. Dawson and Jen actually have a nice chemistry. But everyone is coming on super strong with Jen and she’s just kind of like, this seems normal.

22. The film teacher is a dick for no reason. I’ve had my fair share of dickish teachers but this is excessive right off the bat.

23. Lol poor Jen, she really is trying with Joey.

24. I like how a status of Joey’s class is the fact that her sister is engaged to a Black man *eye roll*

25. I don’t know of any school where teachers ate in the cafeteria with the students. In my school there were teachers who supervised the cafeteria but that’s it. Wow, I spent like no time in my high school cafeteria.

26. “I’m having a climax issue”

27.  Tamara, Ms. Jacobs, you should be in jail.

28. I like how this school LOOKS like a school.

29. Ugh, a trans jokes. Ugh, there was so much of that in the 90s.

30. “Nothing has to change. We can talk about anything.” Honestly, from a screenwriting point of view, this is a solid pilot. I remember in a screenwriting class I took, we studied The Social Network and every 10 pages someone calls Zuckerberg either an asshole or a jerk or something in that vein as a way to reiterate a key part of the theme of the movie and while I don’t have the pilot script in front of me, DC does reiterate the theme of the season frequently without it being repetitive.

31. The dialogue isn’t as hyperbolic as I remember tbh. And I’m going to say it again, shows are aiming for this, even the one episode I saw of the Winx Saga, when they try to flirt about mansplaining, when she’s fighting with her mom about how she’s not a feminist, they’re trying for this. But DC manages to make it more natural and it’s because the Core 4 have a charm. Even if you hate Dawson.

32. Who is Dawson’s dad. Is he in something else?

33. No, I just think he looks like Dr. Cox.

34. Dawson’s rant about sex not being important is hilarious. Yes, Dawson, you’re just pursuing Jen out of intellectual and philosophical desire.

35. I like how Joey is supposed to be a tomboy just because she’s the only girl/woman in Capeside who doesn’t wear a sundress.

36. Poor Jen.

37. Joey is super dramatic, I get that, but I kind of love it because I’m going RELAX but the way I would to a teenager. Like CALM. DOWN. Also “all I do is understand” is something that we needed to see more of before that argument.

38. Dawson, you never ask anyone else any questions about themselves, lol.

39. “How can you say you were just renting a movie??” Pacey is such a fifteen year old and I do wish the show would just ... let him be one? And what I mean by that is Pacey is supposed to be the friend with the edge, the fact that he “pursues” Ms Jacobs is supposed to attest to that fact, it’s framed as taboo and yet they’re presented as being on equal footing, even the way her date moves to grab him out of his seat when the fact of the matter is, he’s a kid, and if the show didn’t actually make the Tamara/Pacey relationship a storyline and made it about another way teenagers have certain idealized perceptions of relationships or apply kid knowledge to adult situations which still makes them kids, it would’ve been interesting too.

40. Dawson is literally dressed in different shades of beige. If that doesn’t say everything you need to know about his character --- which is intentional. But like jfc man.

41. I love that they can’t say “masturbate” so she has to say “walk your dog” I LOVE THE NINETIES.

42. And you know what, after that question was asked, the sheer heartbreak on Joey’s face and the sadness in Dawson’s eyes is done really well.

43. LMAO SO ANGSTY. No one does angst like the 90s.

44.  And legitimately, the ending of this pilot is great screenwriting because a change is noted, the beginning of the episode, Joey does end up staying the night, the end of the episode she leaves because they both realize it’s true that things are changing and yet Dawson answers her question about what time of day he masturbates and to who because they’re still Dawson and Joey. And that’s the way a pilot should be written.

OK. I’ve done it.

[1morefairytale]

Prompt 30: Abstracted

((Hooboy. This one is not good. But it's done!))

“You know I wouldn’t normally ask this of you. I wouldn’t normally ask anything at all, really, because I know you’re busy with your own things and I don’t want to inconvenience or bother you because I know that irritates you, but I don’t think I can do this without you and it’s not the sort of thing that I can ask anyone else. I definitely can’t ask anyone official for this. Not that I’m saying that someone official would be better or anything. Because in this case? They wouldn’t! But I recently learned that I’m not especially good at climbing-- “

Malika had just walked in the door of the La Noscean daycare when she was accosted by… whatever this was. She’d only come here because it was the closest safe place where she could get some sleep in a bedroom that had been specifically set up for her. She didn’t have any interest in watching over children, or getting to know the members of this free company as dear friends, or, really, interacting with anyone here at all. She definitely hadn’t had any plans to have a conversation about… whatever this was… with the green-haired, goody-goody Raen who worked here.

“Uh.” Malika said blankly and then blinked as she tried to figure out what in the seven hells was even being asked of her. “Hi, Saachi.”

“Oh, I’m sorry!” Saachi grimaced. “I should have said hi first.”

“No problem,” Malika assured her. Then, pretending she had not heard any part of the rambling request at all, she began moving towards her room. “Goodnight.”

“Oh,” The Raen flushed slightly, embarrassed to be put in a situation where she had to make the request all over again. As far as Malika was concerned, she didn’t have to make the request again. She’d hoped that her walking away from it would make the polite Raen too uncomfortable to attempt again. Alas. “Oh. I was hoping I could ask you for a favor. Which I’m very sorry about because you look very tired. And I wouldn’t normally ask you but--”

Oh no. Not the whole thing all over again! Malika closed her eyes, took a deep breath, and then smiled when she opened them again. “Right. Ok!” She put a hand up to stop the poor girl. “Tell me again what you’re wanting? But give me the short version. Like the very very very short version. Like the one sentence version.”

“Ah. Ah hah,” Saachi chuckled nervously, fully aware that she was very bad at giving ‘very very very short, one sentence version’ of anything. “Right. So. I need you to steal something.”

Malika’s eyebrows shot right up. Her ears did too. She was suddenly interested.

“Oh no.” Saachi lamented. “That was one sentence on its own. I’m really bad at--”

“It’s fine, it’s fine,” Malika assured her. “And being a ‘hero in training’ as you call yourself, you don’t steal things, huh”

“Not usually,” Saachi answered a bit awkwardly. “It’s less about trying to be a hero and more about--”

“Ok. So what am I stealing? Why?”

Saachi took a deep breath and exalted it slowly through her nose to calm her nerves. “It’s really really bad is why. Gods knows I wouldn’t ask if it wasn’t really really bad...but it is. If I were better at climbing I’d do it myself. I wish I could do it myself. But I’m slow and noisy and this is really a matter of discretion because the person involved doesn’t have a great record of being trustworthy and--

“Saachi,” Malika said again patiently. “What am I stealing? Why?”

“On a job with the Adders my team uncovered a magical artifact. It’s a book. It has no title. It’s got a very simple binding and a very basic brown cover. It looks, honestly, just like a blank journal. It didn’t even look very ancient to me. Like you could just find this journal in any bookstore in Eorzea. And that’s exactly the problem. It’s not a blank journal at all. Well, I mean it kind of is? The thing is--- this is a book that hasn’t been written… yet. It writes itself as you read it. The way the scholars talked about it is that it is a book that is created somewhat out of time and can’t be written until it’s read. But for the person who does read it, it can lead them to-- well, the scholars said insanity is the best case scenario.”

“The best case scenario is going crazy?” Malika didn’t have the energy to ask how a book could possibly be “out of time” or not be written until it was read. She definitely didn’t have the energy to listen to the theoretical explanation of it at this moment either. She was certain it wouldn’t lead her to any greater understanding of how artifacts worked and that it would definitely just eat up more time. “What’s the worst case?”

“They think it could be like some kind of contagion. Interaction with the person who read the book could make the people around them crazy.”

“Ah,” Malika answered. “Ok. We’re on the same page then… Apologies for the pun… Anyroad, it sounds really really bad. It also sounds stupid, strange and unlikely. But,” she sighed, “No more so than any other artifact I’ve heard of, I guess.” It would be forever a mystery to Saachi and Malika both what could inspire people who made artifacts to create items like this.

Malika shook her head, “But if you found the book and gave it to the Adders, why am I stealing it?”

“Well, it looks like any other blank book, remember?”

“Uh huh.”

“So… one of the Adders on the job got it confused with another book. They took and vaulted an actual regular book and this led to that, I guess, and now an Ul’dahn noble has this book. We can’t just go asking for the book--”

“Why?” Malika asked, unconvinced. “My guess is that if you knock on someone’s door and ask to have a blank journal because, and I quote, ‘Best case scenario: If you open the pages and read it-- don’t ask me how you read a blank journal, you just do-- it will make you insane. Worst case: it makes everyone insane.’ that they will probably have a lot less interest in using it as a diary for all the things they get up to and people they push around day to day. Hard to get much out of being a wealthy asshole if you’re too crazy to enjoy it.”

Saachi frowned and then shrugged her shoulders, conceding the point that it would, certainly, be difficult to enjoy being a noble if narcissism was somehow replaced by full-blown madness.

“Well. It’s just as likely that hearing that they have a powerful artifact that could have such a devastating effect on people would make them want to -keep- the journal and use it as a weapon. As you pointed out, this is a very influential and wealthy person. This noble, in particular, enjoys collecting rare items. Getting this item, even just asking for it, would surely have political repercussions. So we’d really prefer they not even know about this.” Saachi wiped her hands, sweaty from nerves, on her apron and continued. “Which is why, ideally, we’d get in without anyone noticing and switch that book for an actual journal. Then they’d never even know what happened. But the house is staffed. There are maids, butlers, guards, dogs, the works. And we suspect the book will be on the third floor in the study, the library, or the bedroom. If you can get to the backyard of this place without being seen, you can get into the windows of each of those locations. But you have to be quiet.” Saachi wrung her hands nervously and sucked on the inside of her cheek. “And you can’t be caught.”

“Ok, boss. So you want me to sneak around this well-fortified mansion after climbing to the third floor, evading all possible people that could be up there--”

“--and any alarms,” Saachi dutifully pointed out.

“--And any alarms. Right. Try to find this specific non-descript book in possibly a study or a library that will be full of books and hope I get the right one without opening it to make sure and replace it with this decoy blank journal?

“...Yeah.”

“Great!” Malika laughed. “This sounds stupid, horrible, tedious, and impossible. I’m in.”

Saachi blinked and relief washed over her face. Her eyes widened and a giant, appreciative smile spread across her face. “Really? You will? I can’t thankk you enough! It’s a really good thing that you’re doing. Heroic even! It could potentially save so many lives.”

“You just have to give me your necklace.” Malika motioned with a nod of her head to the opal choker the Raen wore around her neck. Correction: that she always wore around her neck.

Saachi’s hand instinctively went to it and her relief completely vanished. “My necklace? I… I but… why?”

Malika shook her head. “Doesn’t matter why. Do we have a deal?”

The why, of course, was that it seemed to be an item that held extreme personal significance to Saachi. Items of significance were the only items Malika ever really cared about acquiring.

The Raen felt the opal in the center of the choker with her thumb, her expression far away as she momentarily went back in time to when she’d first acquired it. It was a look Malika knew well. It was the look people always had when they were about to give up something they loved. A shot of guilt crawled up through Malika’s stomach and then through her veins. She rotated her shoulders in an attempt to get it to slide off her. She could no more stop her compulsion to take people’s most treasured belongings than Saachi could stop her compulsion to be a big damn hero. But Malika wasn’t a big damn hero. She wasn’t a hero at all. And she wasn’t about to stand here and let Saachi confuse her for one either.

“Ok,” Saachi said, unfastening the necklace to hand over. “But I’m going to get it back.”

Malika’s eyes widened with surprise. She hadn’t expected that. “And how are you planning to do that?”

Saachi, face resolute and proud, and a stubbornness in her eyes that Malika was unaccustomed to but had heard about before, answered, “In a sentence: I will steal it back if I must.”

The Miqo’te grinned. Her tail swished. And, for one moment, she stopped thinking of Saachi as every other goody-goody she’d ever met. “Really? I thought you said you can’t do that.”

“I can’t climb to the third floor quietly to steal something. I never said I can’t steal at all.” She gestured to the choker with her head in the same manner Malika had moments previously. “So that is only yours until it’s not again. Please go get the artifact back.” And from her bag she withdrew the very simple, very plain decoy journal.

Malika chuckled and put both items in her bag and bit back the urge to make a crack about hiding the choker on the third floor of some building. Instead, she simply said, “You got it, boss.”

[foodbytesback]

The New York State Fair Easily Has Some of the Fried Food I've Ever Had

Every August, the talk of the town (my hometown, Syracuse, to be specific) is always the Great New York State Fair.  And this year, the talk is mostly about how multiple food vendors had pulled out.  

This made me a little nervous at first, but it turns out that this was mainly referring to Dinosaur BBQ, Gianelli Sausage, and Tully’s (a sports bar chain famous for its chicken tenders).   Maybe these are big draws for people coming in from out of town, but the first and last ones have stand-alone restaurants I can go to year round, and I can buy Gianelli sausage in just about any grocery store around here, so I personally don’t really associate any of these with the Fair. 

So when I later heard that a.) many of the still-existing stands were trying out new things, b.) attendance was way down this year (for incredibly obvious reasons), thus eliminating any long lines to discourage me,  and c.) admission fees are only $3 everyday (as opposed to $10 most days with occasional $1 days), I figured surely this must be the year to go, right?

Unfortunately, my plans for a perfect day at the fair didn’t go quite as I was expecting.  Mainly, the only day I had free time to go happened to also be nearly 100 degrees.  Even after skipping the grogginess-inducing wine slushies, that’s just not ideal overeating-then-walking-it-off weather.  My sister complaining the whole time that she couldn’t find a place that did fried cheese curds (like….. just get fried anything else girl what are you doing) didn’t do much to improve the enjoyability of the day.  A couple of stands, such as one doing fried gator mac & cheese and one that I’ll mention later, didn’t have the things that I had read online that they were doing, further throwing my plans out of sync.  Ultimately, I was only able to stomach 3 different stands over the course of about 2 hours before calling it quits.

The good news is I didn’t get sunburnt this year.    Thank you, bottle of sunscreen that’s 3 years past its expiration date but still worked somehow.  Also, there’s whatever the fuck is going on in that butter sculpture.  

Fried Cauliflower with Thai Chili Sauce (Veggie Patch)- $8

Holy shit- a vegetable! It's still fried, of course, but it IS vegetables.  The batter is crisp and doesn’t break apart or fall off the cauliflower, the cauliflower itself is cooked through while still being toothsome, and the Thai chili sauce (while still being that sorta generic, Mae Ploy style sauce that's sweeter than it is anything else) does work really well with the cauliflower.  It's simple, but it’s good.  And, having been cooked to order, was probably the freshest thing I ate all day.  

8/10

Philly Cheesesteak Fries (Big Kahuna)- $12

One of my favorite things from my 2019 trip to the Fair was the Caramel Crack Fries, and I was keen to try their hotter counterpart, the Flamin’ Hot Cheetos Fries.  Unfortunately, they had to simplify their menu a little this year, removing both of those, but they did have this spiritual successor. 

The beef is a sickly grey and a little underseasoned when eaten alone, and many of the fries, while still cooked through, are a little on the pale and limp side.  This is not really the end of the world, though, since fries with this much wetness on them weren’t going to stay crisp for long anyways.   (Also, this is neither here nor there, but this year they’ve gone with a crinkle-cut as opposed to 2019’s straight-cut)  The cheese sauce is yellow goo from a can (the cans were proudly stacked up by the register), which- you know what? Is how the cheese on a cheesesteak SHOULD BE. The peppers and onions have been cooked down almost to the point of mush, but still taste like peppers and onions. Everything, when eaten together, tastes good, it's just a little hard to look at. the fact they put it in a dog food bowl doesn’t help.  And I can’t help but feel like it was this giant bowl of slop that killed my appetite for other, potentially more interesting, offerings.

5/10

Chicken and Waffles- (Oh My Darling + Luna Loca)- $12

I’m doing my best (and, in my opinion, succeeding) to ignore my previous disdain for stands at the fair that are just simplified versions of local restaurants that you can eat at anytime when judging this collab between 2 somewhat trendy downtown restaurants that I’ve never been to (because I don’t know where to park, ok?).  Slightly more worthy of judgement, however, is the fact that it was ready mere seconds after I ordered it, cluing me into the fact that these are not being made fresh.  

Is that even that big of a deal, though?  The chicken wasn’t as dry inside as I would’ve expected from something that had been sitting inside a hot box for who knows how long.  The breading was still somewhat crisp, and was well seasoned, including some kind of spice that wasn’t present upfront but lingered on the palate.  The waffle was very crisp, and had an incredible, unique crumb on the inside (Maybe from a yeasted batter of some sort? I don’t really know enough about baking to say for sure.), but was also very dry.  The icing drizzle over the top mostly clung to the chicken, providing no relief for the dry waffle.       

If it had been made fresh, it would have easily been the best of the 3 things I had that day.  But I personally feel that part of the appeal of eating fried garbage is watching it emerge from the fryer, glistening with grease and obliterating your mouth upon your first bite.  If nothing else, it was good enough for me to want to try their stand-alone restaurants (as soon as I figure out where to park).

7/10

Final Verdict:  It’s hard to say if there’s any real big showstoppers this year, but I don’t think I can say it’s gone downhill at all either.   If you want fried food but typically don’t like pay the $10 admission fee or dealing with crowds, it’s worth going this year if you’re vaccinated.  And if you aren’t? I think they’re giving out shots at the fair, actually.  So go kill 2 birds with 1 stone and get vaccinated already dude wft.

[echidnapower]

EP’s FanFiction Master Post

So this is something I should have done a long time ago on my previous account, but better late than never. For those of you who find me, this is going to be a place where you can find all the fics I’ve written over the years. This will be added to over time as I fight to revive my muse.

It’ll be categorized by fandom, so you can quickly find what you do or don’t want to read. Here we go.

Pokemon

A Valentines Dream Come True -  It's Valentines Day, and a certain redheaded Gym Leader is finally getting to enjoy it with the boyfriend of her dreams. During their time together, they get into a little discussion about dreams, and Ash doesn't wanna tell her his! So to get him to spill, she tells him her dreams...when she finally learns Ash's dream...will both their dreams come true? - Based on a drawing from @miyatoriaka​, which can be found HERE.

AAML: Diamond and Pearl Version -  Follow me as I remake the DP episodes in order and in sequence, all so I can add the biggest star besides Ash himself. Misty! Watch her and Ash's love grow as they go on their journey. The absolute LONGEST story in my portfolio, and you will see my writing evolve the longer you go on. Be prepared for a massive read that even now is STILL going.

All I Want For Christmas Is You -  It's Christmas time and the Ketchum household is hosting a party with all of Ash's friends. But while Ash and Misty dance around their feelings for each other, another Sensational Sister is about to find herself in a situation she never could have expected, but she'll be darned if she lets it slip through her manicured fingers. (Spinoff of @hollylu-ships-it​‘s "A Christmas in Kanto" comic which can be found HERE.

Best Friend -  "Why? Why did I have to be so stupid as to make the mistake of falling in love with my best friend?" - Story told in Misty’s POV.

Blessings From Heaven -  I'm Ash Ketchum, and I'm getting married today! But how did this come to be? Through God's devine planning is how. Here's my story: I'm marrying Misty. - Warning for religious themes, told in Ash’s POV.

I Miss You -  Misty misses Ash terribly, and it's affecting her emotionally as she's more irritable than usual, if that was even possible. But Daisy has a plan to get Ash to come and see Misty again. Will her plan have the desired effect? Or will it cause something she never could've seen coming? - Based on a trio of drawings from the long lost Simply-Nicole. The old art can be found on my dA page HERE, HERE, and HERE.

I’m Misty, and You Are? -  Misty tells the story we all know and love...literally. She's telling the story. Based on artwork from the long lost Simply-Nicole, which can be found on my old dA page HERE.

Keep The Faith - This time it's May and Drew getting married, and it takes place in the "Blessings From Heaven" universe. Warning for religious themes.

Looks -  It's Ash's birthday and all of his friends have gathered together in the woods to reminisce on the time they spent traveling with their favorite Pokemon Trainer. But something's about to happen that could change the way that Ash and Misty look at each other forever…the question is, is it for the better?

Lovesick -  Kenny is feeling strange...he feels like he's sick...but is he really ill? Or is he just lovesick?

Madam Zara -  When Misty decides to get experimental with her appearance, she finds herself in the hands of a world-famous beautician named Madam Zara. With most of Misty's makeovers ending less than ideally, will this be the one to shatter the mold? And how will Ash react? - Based on a drawing and idea from @hollylu-ships-it​ which can be found HERE.

Our Own Sunset -  Ash and Misty watch the sunset together, but Misty's bothered by it. - Set in the AAML: Diamond and Pearl version universe.

Pokeshipping Week 2015 - My first time participating in Pokeshipping Week ever, hard to believe it was five years ago.

Pokeshipping Week 2016 - This year of Pokeshipping saw me collab with @hollylu-ships-it​, you can see the art she put together on her Tumblr page.

Symptoms of Love -  Ash and Tracey are hit by a Vileplume's Stun Spore, and Misty has to fend for herself in order to find a cure. But once she gets Ash back to health, Ash still feels many of the same symptoms from before. Why is that?

Tell Me I’m Pretty -  It isn't easy being the youngest sister, especially when your oldest sister is getting married and you're the only one without a date for the once in a lifetime event. Misty can't help but feel like she doesn't measure up somehow, but a surprise visit from her closest friend is sure to make her feel pretty once more. - Inspired by THIS piece from @hollylu-ships-it​.

The Road Not Taken -  When Ash gets some bad news from home, he goes into a depression and starts doubting both himself and the choices he's made. But luckily, someone is there with him to remind him he's loved and cared about. - Based on yet another drawing from @hollylu-ships-it​. Look at it HERE.

Warmth -  It's New Years Eve, and the recently married Ash and Misty Ketchum are ready to host their first ever holiday party at their home together, but when a snowstorm makes it so no one can arrive safely, Misty is saddened. But will they really end up spending their New Years Eve alone? Or will surprise visitors warm their hearts?

Super Robot Monkey Team Hyperforce Go

Iron Girl -  A robot girl who hates the fact she's a robot...will she realize just how important she is or will she continue to simply wallow in self-pity?

War Between the Living and the Dead -  The war between the living and the dead has begun, and the Hyperforce has to go up against their biggest challenge yet. But with help from their allies across the galaxy, they can triumph! Or can they? This is my take on what Season 5 would've been, plugging plotholes and making sense out of a series that left us all hanging.

Buzz Lightyear of Star Command

Reflections of a Legend -  Buzz Lightyear Personal Log - Stardate 92893.81. I don't quite know how to explain this, or what I'm feeling, so I guess I'll just start talking and tell you what's on my mind. There's someone I just can't get out of my head, and truthfully, I'm not sure I want to. - This is a first-person dive into Buzz’s character.

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Kim Possible

Angels Watching Over Me -  Kim and Ron are going down a dark path that could eventually end in their own destruction...literally, not figuratively. When the Sloth dangles over a cliff that holds their fate in the balance, who will come in their time of need? How about...someone they never could have dreamed? - Based on a true story, warning for religious themes.

Busted -  Hana wants cookie, Hana tries to get cookie, Hana gets caught trying to get cookie.

The Running Back -  All-star Running back Ron Stoppable is about to face the biggest challenge of his life. He's got just a few seconds to win the championship for the Middleton Mad Dogs, but more importantly to him, he's got just a few seconds to make his girlfriend proud.

The True Meaning -  Both Ron and Kim are well aware of the true meaning of Christmas, and that's why they're volunteering at a church's Bethlehem Revisited event to spread the word. Kim's happy to help and all, but...why is Ron calling her such a weird name? - Warning for religious themes.

Trick or Treat -  Kim is pulling a trick on Ron, will it be a great treat, or is he about to suffer the wrath of Kim Possible? He has no clue, yet.

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Fillmore!

A Promising Tomorrow -  Takes place immediately after the end of the episode "A Forgotten Yesterday." Fillmore's lost two of his old friends now and needless to say, he's tired of losing people to the darkness he was lucky enough to escape from. Luckily, Ingrid's there to show him that his efforts to rehabilitate his delinquent friends haven't exactly gone to waste. There's one person who's benefited.

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Miraculous Ladybug

You’re Loved -  Adrien Agreste, Chat Noir, different identities but more alike than he would like to admit. No matter who he becomes at any given time, there's always something very important missing in his life. Will he ever find what he's looking for? Or is it possible he's always had it and never realized it?

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Beyblade

We Are One -  Kai gave it his all battling against Brooklyn and his bit-beast Zeus. Now, after his close brush with death, Kai must summon the strength to go and support Tyson before disaster strikes the world. But there's no way he's strong enough to do it on his own...but thankfully, he won't have to, which is what Kai is about to learn. Sister story to "I Can't Lose You."

I Can’t Lose You -  A week after Tyson's battle against the evil bit-beast Zeus and his trapped blader Brooklyn, the world is slowly making its way back to normal. Kai managed to survive and is recovering in the hospital, and Tyson is getting some much-deserved rest. But when Kenny comes to tell Tyson that Hilary has quit the team, he loses it, and goes to find out why. My first Beyblade story.

Save a Dance For Me -  With the all new BBA launching with a gala to celebrate the occasion, Tyson finds himself in the uncomfortable position of needing to ask someone to be his date. He has someone in mind, but will his greatest beyblading rival get in his way and turn out to be his greatest rival in love?

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Teen Titans

Healing Touch -  With several Titans pairing up, the lingering emotions are taking a toll on Raven's empathic senses and causing her to lose control of her own feelings. When she gives in and does something completely crazy, it's up to Beast Boy to pull her out of a dark place and bring her back to the light. - There is accompanying artwork from @hollylu-ships-it HERE and HERE.

More Than a Hero -  I've learned a lot of lessons under Batman, he taught me everything I would ever need to know about being a superhero, about being Robin...but Starfire taught me how to be Dick Grayson, and she taught me how to fly. - Story from Robin’s POV, accompanying artwork from @hollylu-ships-it​ is HERE.

Robin Rising -  Life is good for Dick Grayson, he's the leader of a team of superheroes he's blessed enough to call his family, and he's about to turn 18 which he figures will open up a whole new world of possibilities for him. But when his old mentor and "father" calls in, showing that he captured a criminal that had eluded the Titans forever, things get flipped upside-down. - Multichapter fic which is part of a much larger universe, plenty of accompanying artwork can be found over on @hollylu-ships-it​‘s account. Go give her a follow and fav.

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Sonic the Hedgehog

A Light in Darkness -  A small band of heroes go back in time to try and prevent a cataclysmic event that would eventually destroy all of creation as they knew it. But what is the nature of this threat? How dangerous is it? And how far will they have to go in order to stop it from viciously destroying all they hold dear? Features a deep cast of Sonic characters, and a very special OC owned by @e-vay​

Anonymous -  For Shadow the Hedgehog, Christmas doesn't mean what it means to his friends and the rest of the world. Instead, he has a self-appointed mission he needs to carry out. But this year, he may find something that he's never really had before, and it could change the way Shadow sees Christmas for the rest of his life.

Christmas Wishes -  For ten years, Amy Rose has only wanted one thing for Christmas, and she's finally come to accept the reality that she'll never receive it. But a conversation with Rouge rekindles her hope and her Christmas spirit. Will she be let down again? Or will her one wish finally come true this year? Read to find out. (Sister story to my other story titled "Anonymous")

Comfort In the Storm -  When a thunderstorm strikes and leaves Cream quivering in fright, it's up to Tails to find a way to alleviate his crush's fears, and maybe even give her a reason to enjoy thunderstorms instead of fearing them.

Cream Adventure DX: Author’s Cut -  A redo of an old story. Cream finds a strange statue in the meadow, and she knows just who to go to to figure out what it is, but she gets more than she bargained for when she goes looking for him. What happens?

Dreams of an Absolution - Silver lays awake at night and reflects on his life in this apocalyptic world Iblis has destroyed...but most of his reflections revolve around a certain fire girl with lavender fur. He wants to be happy with her, but a warzone is a bad place to kindle love, and so every night he lays awake, and dreams of an absolution.

Relations -  Knuckles has a problem. He's in love...but...that presents a very unique problem...or does it?

Running to the Point of No Return -  Sonic is the fastest thing alive, and Amy is told that that's the biggest obstacle keeping her and Sonic away from each other. But what's she supposed to do to keep up with him, when there's NO ONE fast enough to keep up with him?

Scars -  Some things that happen in life leave scars behind that go with us for the rest of our lives. For Miles "Tails" Prower, such a thing happened to him in the depths of space many years ago...the loss of his first true love...though the pain weakens and the scars fade, they never go away completely, and Tails has learned to live with and embrace that fact.

Seven Rings and Five Fingers In Hand -  A redo of the final battle in Sonic and the Secret Rings, Sonamy style!

The Heart of Chao - Chao are adorable little creatures, and they make great pets for anyone who's looking for something to take care of. But there's more to chao than just being cute, they're filled with more heart and love than anyone can imagine, and that can sometimes lead to bringing others closer together. Here are just a few stories of that very thing happening to our favorite characters.

Trapped In This Machine -  Sonic has seemingly fallen madly in love with Amy, but is this sudden romance truly sincere, or is it only skin deep, hiding something sinister underneath? - Inspired by a drawing from @e-vay​, found HERE.

[thenightling]

Why I do NOT think Over The Garden Wall’s ending is secretly sad

Recently I came across a comment from someone who believes Over The Garden Wall actually has a sad ending and Greg and Wirt and doomed, that the ending is false because of the lyric “Loveliest ...lies of all.”   I have to admit I was initially worried about this being potentially true too.  But then I remembered a few things that reassured me. A few things made me certain the end is not false.

1.  The phrase “Loveliest... lies of all”:  At first this worried me too that the frog was giving a wink-wink / nudge-nudge that this wasn’t really how it ended but how the boys would have wanted it to end but then I realized something.  He actually sings "Loveliest lies of all" at the start of the first episode too.   So if the end is a lie so is the whole thing.  So this makes the concern moot, doesn’t it?

2.  “What is a story but a lie?”:  Some people call fictional stories "lies" and The Unknown is a land of stories. A similar reasoning is how Marvel evolved Loki from God of lies to God of Stories in the comics.   

3.  The Over The Garden Wall comics are supposed to be canon:  The Over The Garden Wall comics (from the same writer) indicate all the stories ended the way the afterward claimed.  

4.   The end scene is supposed to show how the boys touched the lives of those in The Unknown:  We have been told that the ending is supposed to show how the boys impacted the lives of those in The Unknown.  Why do that if only that one part is a lie? 

5.  It was all real on some level:  The Bell still being in the frog’s stomach indicate that the adventure was at least partly true.

6. The opening and closing bookends:  There are things tied together that the boys would not have known in order to imagine the happy endings for the lives they touched.  For example, the fact that the gristmill (now mostly repaired) was owned by Beatrice’s family and the dog from the first episode was hers.  The boys didn’t know Beatrice had a dog.  The boys also didn’t know what the woodsman’s daughter looked like. We only saw her in the preview segment of the first episode.  And Lorna’s ending was the most probable since Auntie Whispers turned out to be a fairly nice person (even if she didn’t think of the obvious way to get rid of the spirit).   There’s a preview (in the opening segment of the first episode) that ties directly to the ending and the boys wouldn’t have been aware of either.

7.  A sad conclusion doesn’t match the rest of the mini-series:  All of Greg and Wirt's adventures ended mostly happily already (”O Potatoes and Molasses: The school is saved via fund raiser and the gorilla was Jimmy Brown all along,” the frog choosing his human companions over fame and fortune, the Potsfield folk just letting them go after their two friends were dug up, Adalade defeated, Lorna de-possessed and deciding Auntie Whispers is her family after all for loving her and looking after her through the ordeal, And the crazy old tea seller (who might actually be the ghost) finding love with his business competitor.  So there's no real reason the ending should be false considering how far fetched the previously established stories played out. 

8.  Purgatory isn’t a bad place by its original definition:  Yes, I’m aware that there’s a high chance the boys are in purgatory, or some place between realms.   There’s also a chance they are in The Dreaming (realm of dreams and stories) or a combo of the two.   But purgatory is not necessarily a bad place and you sometimes CAN return to the land of the living from purgatory.  It’s not like the Dante’s Inferno video game or Divine Comedy (which is Bible fan fiction, by the way).  Even if Dante’s Divine Comedy did influence Over The Garden Wall so did Goethe’s Faust  (part 2 of which had a sweet ending) and a bunch of other classic stories.  And purgatory is supposed to be a place between here and it is indicated that it is where forgotten stories (folktales / faery tales) must play out.  And most of those were designed to have happy endings.  

9.  The references and homages don’t fit a bleak ending:  Yes, some old Grimm Faery tales have very dark endings but the raw blue print for Over The Garden Wall comes from American folktales, vintage New England post cards, and 1920s to 1940 cartoons, which usually were whimsical and had happy outcomes.   You can see the likes of Betty Boop, The Wizard of Oz, and even Shirley Temple’s Animal Crackers in my Soup in loving homage.  

10. Tome of the Unknown: They were helping forgotten stories reach their conclusion.  That’s why the original working title was “Tome of the Unknown.” (Which Lorna is reading in her final scene, by the way.)   The fact that Lorna is reading the Tome of the Unknown (the book of stories the Unknown characters are supposed to be from) suggests that the boys actually helped these characters play out their stories like faery tale characters in an Enchanted Forest.

11.  A sad ending doesn’t really match the established tone. They were mostly sweet forgotten stories and folktales too from the looks of it.  If Beatrice was turned into a bird by a bird for throwing a rock why is it so hard for us to accept a witch’s scissors could turn her back?  I was worried the scissors would actually mutilate her too but I think we’re just too used to that sort of thing today.  Older stories were not so cynical which brings me to point 11.         

12.  Projecting cynicism and dark expectations: I saw similar projected darkness with some people watching The Shape of Water and thinking the end was wishful thinking even though we had already seen “The Asset” use healing powers.   And Guillermo del Toro said it has a happy ending.  The Rugrats aren’t dead and Angelica is not just imagining them either.  Sometimes things actually just are wholesome.  They don’t need to be edgy.  

13.  I’m aware of what was considered early in the production:  Just because an author considered making something darker than what was made doesn’t mean the finished product is darker too.  People also like to bring up that in the “original“ Peter Pan the boy was a villain and did awful things but that is not the version that became a beloved play and children’s book.   That was essentially a prototype version that no one cared for.   

14.  Sequel?: Though it’s not likely the show’s creator (Patrick McHale) will do it, there were sequel considerations for Over The Garden Wall, which would require those stories to have ended the way we saw them. 

15. “If Dreams can’t come true then why not pretend?”  I’ve heard this lyric used to try to claim the ending is false but one could argue that all of the stories the boys encounter in Over The Garden Wall are dreams.  And what is the sure way to make a dream become real?  “Fake it until you make it.” In other words... Pretend.  So the boys may have turned those stories (including their endings) real.  Pretending and belief.  Believing something strongly enough that is how you make an ideal real.  

To quote Death in the novel Hogfather by Terry Pratchett.:  “ THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET”—Death waved a hand. “AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED.” "Yes, but people have got to believe that, or what's the point—" MY POINT EXACTLY.”   He goes on to say people need to believe in these things in order for them to “Become.”   

This is how you make concepts real, through pretending and creating belief in the idea.

So in a sense what he’s really saying here can be seen as “Make it real.”

[purplesurveys]

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Are you and the last person you kissed in a relationship or just friends?  I don’t keep contact.

Has anyone ever pointed out that your laugh was unusual?  Hmmmm, I don’t think so. I feel like that would be the type of comment that would get to me so I definitely would’ve remembered it.

Would you get a lip piercing?  I don’t plan on getting any piercings.

Nose piercing?  Nopes.

What are you currently waiting for?  For this fucking day to end so I can be closer to Thursday and to the weekend.

Do you have feelings for anyone?  Nah.

Have you ever run over an animal?  Nope. I’ve had extremely close calls with animals who suddenly dart into the road, but fortunately these have all been situations wherein I got to hit the brakes with nobody behind me.

Have you chewed gum after someone else already has?  That’s disgusting, no.

When people sneeze do you say ‘bless you’?  Sure, out of habit and just to be polite.

When was the last time you were on a bouncy castle?  I don’t think I’ve ever been on a bouncy castle, but I’ve been on a lot of bouncy other things haha, like inflatable slides, soccer balls, Anpanmans, etc. The last time would probably be a nearly a decade ago; I definitely haven’t been near one in a while.

Have you ever went on a bouncy castle whilst drunk?  Well no, because the ones I’ve been on were situated in school fairs, which is the last place I would want to be drunk in.

Have you ever entered an art competition?  No, I have no justification to join one haha.

What is one thing you will never do? Try hardcore drugs. < Same. 

What is one food that you detest?  Pineapples.

Did you have a rebellious phase growing up?  Yeah I was a bit of a handful to raise, but I’m in firm in my stance that it had a lot to do with the way I was raised. I grew up mostly without a father figure because my dad worked abroad and I felt neglected by my mom who had her own shit to deal with. There was no stable support system to lean on, so I ended up lashing out a lot in my puberty years. Unfortunately everyone else just saw a rebellious child and not a plea for help.

These days when I show off my achievements on social media, I’ll see congratulatory comments from my mom’s friends and she’ll usually go on about some “late bloomers grow with time” narrative and it pisses me off because nobody knows how much I’ve had to grow and mature and learn how to be happier all by myself, all from scratch. If I had just received the proper care and attention early on, I wouldn’t have had to do any catching up to begin with.

What religion were you brought up with? Roman Catholic.

Are you still that religion?  Jesus no. I darted out of there as soon as I gained the consciousness to think about these sorts of things.

Do you often find yourself questioning your future?  Sometimes, but I do my best to not let it get to me.

How many friends do you have on Facebook?  Over 670.

What sort of music did you listen to when you were in high school?  I started with punk rock in the first half of high school, so I had my Rancids, H2Os, Against Me!s, Cro-Mags, etc on my iPod. It evolved a little bit towards more indie, folksy sounds towards the latter half - Banks, alt-J, Hozier, Twenty One Pilots - which I largely attribute to the crowd I was part of at the time.

What pet names do you use with your significant other?  I’m pretty straightforward so baby works out for me. Other, more specific pet names just grow naturally with the relationship, I think.

What’s the name of the store you usually get your groceries?  S&R.

Have you ever seen a theatre show?  Yeah. Most of them have been required.

What’s your favourite vegetable?  Broccoli or bell peppers.

Have you ever missed a flight?  Never. I’ve experienced several delayed flights, though, which is always such a hassle especially if the delays happen in provincial airports since they never have any recreational offers to keep passengers from getting bored other than TVs that run the same damn five ads.

Do your neighbours have any pets? Have you ever met them?  Yeah, a lot of have dogs. I’ve met some.

What color is your bedroom door?  Brown.

If you were ever to become famous, would you grow annoyed at fans?  Only towards obsessive ones who wouldn’t give me time to breathe or would go so far so as to stalk me or my loved ones. But I am a fan too, so I imagine I would actually be understanding of those who would ask for pictures or whatever as long as they were polite and not at all intrusive.

Have you ever met your favourite band/singer?  Nah. I am terrified of meeting celebrities HAHA so I’ve always shut down the chance. I’m pretty sure I would actually turn down the chance to meet BTS if I hypothetically suddenly got the magic keys to that door.

Are you embarrassed by any of the songs/singers/bands you like?  No. I feel like that sort of thing just happens in like high school, when your friends are still a bit judgmental. Nowadays I don’t see why I should be embarrassed of anything I like, especially if it’s not hurting anyone.

Have you ever written a story?  I’ve made attempts but was always terrible.

Think of the last poem you wrote: What inspired you to write it?  My homework that required me to write said poem hahaha.

Do you have a chance with the person you like right now? 

What’s the weirdest thing you were scared of as a child?  Watching commercials at night. It’s still a slight fear of mine but it’s mostly dissipated now.

Are there any embarrassing stories your family tells about you?  About me? No. I don’t have a lot of those since I was a really shy kid who barely moved a finger anyway.

In your opinion, what is the funniest TV show?  I have a *really* soft spot for Perfect Strangers, which I actually revisited yesterday :) The show was never super popular so it’s near impossible to find clips online, but when I checked YouTube I did see a slight increase in short snippets from the show so I had a really fun time binge-watching yesterday.

What is the maximum number of children you’d ever have?  Three, but that’s pushing it. Ideally, I’d have two so my first would have company.

Have you ever been concerned you had a serious illness?  Mental ones, yes.

Are you comfortable with who you are?  For the most part, yes.

Would you date someone even if you knew you’d get made fun of for it?  No. Why would it be any of their business?

Does popularity matter to you at all?  I mean, yeah in the sense that I honestly aspire to be well-liked by as many people as possible. But I don’t necessarily want to rub shoulders with popular kids.

Would you ever consider homeschooling your children?  Continued from sometime this week ider. No. I don’t think I’m capable of teaching, and generally I’d want them to be able to learn in a more open environment where they can have regular contact with different kinds of people.

Who told you about the band/singer you are currently listening to?  Well Angela got into them first and since we’re best friends, there was a certain point where she just decided to loop me into conversations that involved them. I was impossible to sway for a long time, but then one day a video compilation of them showed up on my feed, and for some reason I actually watched it, and I watched all the way through, and I was immediately intrigued – particularly by J-Hope haha. I then asked Angela to tell me more about them and the rest was...financially irresponsible history HAHAHAHA

Do you ever read fanfiction?  OMG yes. Funny you should mention that because my favorite author uploaded a brand new fic this morning, which I obviously couldn’t get to all day because I had to go to work. I’ll be reading it in all its 44,000-word glory tonight :D

Would you rather die in a plane crash, ship wreck or fire?  Plane crash. Instant and mostly painless.

What are your top five favourite TV shows?  Breaking Bad, BoJack Horseman, Friends, The Crown even though I was never able to continue it since...andddd that’s all I got.

What is your favorite superhero movie?  Not a fan of superhero movies.

If you died next week, what would be the cause of death?  Stress from overworking. I’ve FINALLY started to consider taking a leave for the first time this year because I’ve just realized just how fucking exhausted, burned out, and overwhelmed I actually already am from having no rest at all in the last 13 months.

Have you ever taken a break from Facebook or other social media? Why?  Yes, I do mass deactivations when I’m severely depressed. These days I can’t really afford to that anymore, though, since my work is closely tied to social media.

Who is the most talented person you know?  Probably Andi.

Are you currently platonic friends with anyone you’ve had sex with?  No.

Where did you and your current interest go on your first date? 

Have you ever experienced two people fighting over you (physically or mentally)? What happened?  Nah. I’ve had two people like me at the same time, but there was never any tension to watch out for since they mostly didn’t know each other.

Have your parents ever thought you were gay? What happened?  I think they know I dated Gabie and that we broke up because they’ve stopped asking about her. Everyone knew we were best friends, so the fact that they’ve avoided her as a topic for a whole year is able to tell me something.

Are your parents more liberal or conservative?  Dad’s on the liberal side, mom dances around on the spectrum a little bit. I know she’s fine with things like tattoos and having LGBTQ+ co-workers, but she’s also conservative especially towards matters like religion.

What year are you going into at the beginning of the next academic year?  No longer in school.

How far away does your closest family member live?  A few footsteps away.

If you’ve seen both, did you prefer the Disney version or the Tim Burton version of Alice in Wonderland?  It’s not my type of movie/genre to begin with.

Would you have sex before marriage? Why or why not?  Yes. I don’t see the big deal; I’ve already done it anyway.

Are you more liberal or conservative?  Liberal.

Who is your favorite Harry Potter character?  Ooh not sure. I haven’t gone back to the books in a while, so I don’t remember if there was anyone I had an attachment to.

What’s the worst that could come out of letting gays marry?  Nothing.

What’s the most sexual thing you’ve done?  Had sex...I guess? And a bunch of stuff that comes with it.

Name something that you are against.  Racial discrimination.

Why are you against it?  Because it is infuriating to see, and it shows me the very same treatment can happen to me or my family as well and that scares me, especially since some people turn particularly violent towards people of color.

Have you ever played the Tomb Raider games?  No.

Do you like it or hate it when your partner is clingy?  I imagine I wouldn’t enjoy it if I’m not as into whoever my next partner would be.

Beatles or Rolling Stones?  I don’t listen to either.

When was the last time you changed your opinion on somebody?  Not so sure about a whole change in opinion because that hasn’t happened in a while, but I grew more grateful for my manager today because I finally mustered the strength to tell her that I’m begin to struggle mentally with work and she not only encouraged (read: begged) me to file a damn leave for once, but she also got sushi delivered to my place.

What was the last thing that made you feel proud and why?  Andi was telling me about their day today and how they handled being misgendered by a prof, who then proceeded to throw a fit when he got corrected, and how they, again, maturely handled said fit. I was proud of them because there are a million ways that incident could’ve turned out, but they dealt with it in an extremely mature and calm manner considering they were the one who was wronged.

Do you feel uncomfortable when people you hardly know confide in you?  If it was about an extremely personal problem I would probably be taken aback at first, but I still would definitely make some time for them and help in however way I can, since they apparently trust me enough to confide.

What was the last thing to fascinate you?  The music video for My Universe! Super cool to watch and I love that they made a short film out of it too.

Is there a certain noise/sound which scares you?  Doors being slammed shut, because that’s what my mom does when she’s furious. She did that when I was a kid and she does it to this day, so I get extremely nervous when I hear the sound, even if it happens by accident.

Do you have a favourite microorganism? Nope.

Out of the people you know, whose birthday is next?  My cousin Bree.

If you have pet fish do you bother to name them?  I did when I had them as a kid.

Do you keep your eggs in the fridge?  Yes?

Have you ever owned chickens?  Nope.

When did you last listen to music?  Like five minutes ago. I tried to have a jazz playlist on but I realized I wasn’t in the mood for music so I changed my background noise to have a random VLive on instead.