#she sees how much she meant to him

[bacchuschucklefuck]

she turns, makes direct eye contact with you, smiles,

[54625]

"Have you no more memories?"

I am made of memories.

"Speak, then."

[art-is-kayos]

Dantlings

Bonus charon:

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[stagefoureddiediaz]

Something something about Bucks ‘boy crush on Eddie’ meaning he’s ready to move past Abby and his ‘oh’ moment on Eddies couch meaning he’s ready to move past Tommy and how both of them are connected to Eddie.

Its the parallel of those moments - that Buck is talking about Eddie being a really great dad in the first one and then doing something to help Eddie be a great dad and in the second, Eddie choosing to go to El Paso to be present in Christophers life - so he is still a Dad and Buck doing something to Help Eddie achieve that goal.

There is something about how both have conversations with Maddie connected to them about crushes or special people and are both about Eddie being a parent and about Buck facilitating Eddies parentalness that connects much more than the accidental coming out to Maddie scene does - that scene is more isolated where as both the crush scene and the new one sit in a sequence of paralleling events

- in S2 - Abby has left - Eddie arrives - Buck meets Chris - finds out Eddie needs help - talks to Maddie who talks about his crush and plants the seed about Carla - Buck gets Eddie over under the guise of helping Maddie move and introduces him to some one especially - Carla.

- In s8 - Tommy leaves - Buck goes to Eddies - Buck talks to Maddie who talks about the universe bringing him a special someone - Jee is paralleled with Carla as a special someone - Buck essentially gets over Tommy by discovering that Eddie is going to be moving and helps him with his appointment with the realtor.

Something something about the concept of tommy being paralleled with Abby, about Abby telling Buck he got her half way to who she was supposed to be (or whatever the line is) by opening the door to the world outside of her mom and it leading her to travel and find her person but how it also got Buck half way to who he is by showing him what a ‘grown up’ relationship looked like - and the idea of stepping in with someone. How that parallels with Tommy getting Buck half way to who he is supposed to be by opening the door to his bisexuality showing him that aspect of himself. But also how Tommy is alt Buck and also alt Abby and how Eddie is Sam - who was in a different state to California and how Eddie is going to end up in a different state and how it feels like Buck growing is about him becoming that alt version of himself and how buck is on his journey to find himself in the same way Abby was - only without the physical travel to Europe - but how Europe was a metaphor for broadened horizons and working through issues so Buck broadening his horizons and working through his issues is him kinda reverting to Buck 1.0 and sleeping around (eat pray love) as he figures out his abandonment issues and then goes after what he wants. How Abby went to stay with her brother - with her family when she got back and that is where she met Sam - and Buck going to El Paso - to his family is leading him to Eddie (which is why there is a bit of me that thinks he will go to El Paso and have his actual ‘OH’ moment there)

[jesuis-assez]

↠ Tim & Lucy ↳ 5x04 - The Choice

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[stop-breaking-my-heart-dragonage]

You ever think about how in spite of knowing their exact locations, the game never gives any indication that templar Carver has reported his mage sibling, Merril (a blood mage) or Anders (an abomination) to his superiors?

I do think about that a lot, even though I tend to ignore the Templar Carver route because I know Warden Carver to be true in my heart and soul... but I totally get the appeal of Templar Carver within DA2's narrative, y'know?

It's so fascinating, really. I've never played a run with Templar Carver, I just can't bring myself to do it, so I know I'm missing out on smaller details of it. From what I do know, this drives me crazy in the best way possible.

Deciding whether to bring him or not to the Deep Roads is such an important choice, not only because it affects his fate, but how it affects his relationship to Hawke. He tells you that he wants to go, he makes it very clear that it's important to him that he goes, too... and Hawke can just leave him behind and it hurts him. I don't think that registers enough with some people just because of how Carver is, like it doesn't matter what Hawke's motivations are [staying behind for his safety, not wanting to bring him, thinking someone should stay with Leandra, etc] it still hurts him because it tells him that Hawke doesn't need him, and Carver wants to be needed.

And yes, there are other contributing factors to why he joins the templars, but it doesn't matter what your relationship is to him, it doesn't change the fact that he doesn't turn Hawke or his companions in.

Sure, the meta reason is it's a video game and you're playing the main character. You're never in any actual danger of being captured by templars, and you're not going to lose your companions to them that easy.

But if we look at it through the narrative and Carver's character, that's when it gets interesting. You can max out his rivalry and be an utter asshole to him [there's a point where you can call him a brat and mock him for being stuck in your shadow, like Hawke can be real cruel about it] but it doesn't matter, you're still his sibling. He even makes a remark about how you might not know what that means [referring to leaving him behind] but he does. He refuses to kill Hawke in the end when Meredith makes the order, too.

Which can I just point out that Hawke has the option to let Bethany die in the end if she's with the circle and they side with the templars? Just saying, Carver NEVER does that no matter what, but Hawke has the option to betray Bethany like that and it's fucked and interesting and it makes me want to eat my chair-

As for Merrill and Anders, I think he knows that if he turns either of them in, then the chances of Hawke being brought in as well skyrocket. They're all friends, they're in the same group... bring one in, and you'll probably get the other two.

I also think Carver just genuinely likes Merrill. Yes, I'm a Carver/Merrill shipper, so I have a bias, but even if you remove anything romantic from their dynamic I believe that's true. Of all the companions, Merrill is the only one who doesn't make fun of him, or find him annoying, in party banters. He never snaps back at her, like he's never defensive with her, he's just a little awkward and nice.

Like, HE'S SO NICE TO HER! He tries to find common ground with her! She asks him about "swording" and he's taken aback by her saying he's good at it, but you KNOW that if someone like Anders asked him the same question, he's be all, "shut up, you're stupid, stop talking to me >:["

Think back to that banter Carver can have with Aveline post-act 1 where they're talking about how the guard wasn't the right place for him [hard disagree with you there, Aveline] and Carver says he was a bit of a tit, wasn't he.... and every companion will agree except Merrill. She doesn't say anything, whereas other companions like Anders will be like "ugh maker YES" and if you have a purple Hawke, they'll go on to other ways Carver was a tit like?? I think Carver and Merrill got along and he doesn't want to turn her in because she was nice to him! And she's a blood mage! He knows what will happen to her if the templars get ahold of her! He doesn't want to see her made tranquil or killed!

At that point, he's witnessed what bad blood mages can do, assuming you've brought him along for those quests, but even so. He knows Merrill isn't like that and he likes her, so of course he's not going to turn her in despite that being his literal duty.

Then there's Anders who Carver doesn't like. If you're in a romance with him, Carver will tell him that's why he doesn't turn him in but c'mon Carver, you know that's not the only reason. My theory is Carver may not like Anders and he knows the man's got a spirit of justice inside of him... but Anders also runs a free clinic. If he's ever taken in by templars, then so many people [including a LOT of Fereldan refugees] will be without free health care and will suffer for it. I think in Carver's eyes, Anders might be irritating but he doesn't more good than harm. Carver knows first hand how shitty refugees and poorer people are treated in Kirkwall. Anders' clinic is the one place they can go for help and actually get it, and he's not going to be the one to take that away because the templars say "magic bad."

So yeah, I'm not as informed about the Templar Carver route, but I do think about how if I did do that route, he wouldn't betray Hawke or their companions no matter what and what that says about him.

[sincerely-sofie]

*Skitters up to you on all fours and drops this in your lap, then scrambles up the walls and onto the ceiling and immediately falls asleep*

Comic time! Lucky wakes up in the middle of the night and has a chat with Sen in this one.

[ryllen]

my builder looks so similar with haru, i started to think they are long separated twins

[starscr0ss]

im thinking about celestia and the abyss being literal opposites (chaos and order) and im thinking about childe and lumine being sort of embodiments of that, just not in the way we think. after the latest natlan quest its clear to us what the fatui intends and what they want- i think the tsaritsa more than anything loves humanity, which is why she directly opposes celestia who are known for bringing down different civilizations. childe, as Her weapon and Her blade is an extenction of that: he's a blade forged by the abyss, bathed in Her holyness, meant to strike down those who sin. lumine (talking solely about traveler lumine) is the literal sister of the prince of the abyss, she has clear ties to it and at this point in the story still is hesitant about fully opposing him (i love angst). her entire story revolves around chaose and disrupting celestia's (and the fatui's) order. isnt that fun

i think what childe longs for the most is control- control of himself, his life, his powers, his story, his fate. i think what lumine wants the most is freedom, which is just another phacet of chaos

anyways. you see it. the themes are theming

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[grahamcarmen]

[lesbiradshaw]

bradley & carole moodboard for suffering purposes

[xchronicles]

I am so tired of seeing arguments against J/C, saying that Kate never wanted them together on Voyager because it would blah blah blah. Guess what? We are in agreement and we understand why it was necessary, especially when you consider the context of the time when the show was made. We fully support why it had to be done that way back then.

But times change; narratives and characters evolve, and views and perceptions shift. If anything, Voyager's inability to ever have two adult characters discuss their feelings ended up falling into another trap - they had Chakotay go after the 'prettier and younger' girl. You know what kind of message that sent to girls and women? You can have the most profound relationship in the universe with someone, yet he will still pick the prettier girl over you, even if they have nothing in common.

Prodigy had the perfect opportunity to subvert expectations by making them canon because, in retrospect, the 'will they, won't they' dynamic was predictable.

It was stated multiple times that they were afraid it would completely take over the show, but I don’t see almost anyone mentioning that this is exactly what happened with Wesley. Every podcast I listen to spends 50% of the time talking about Wesley, while the main Protostar crew is hardly ever discussed. J/C is also mentioned in passing. It all became about Wesley. In trying so hard to avoid falling into the imaginary J/C trap, they ended up in a much worse one, where all any Trek fan wants to talk about isn’t the Protostar kids or J/C, but Wesley and Wil Wheaton.

 ¯\_(ツ)_/¯