#she looks like a becky

[naenaemarie]

she looks like a becky

[weedle-testaburger]

not to talk about the james somerton thing for the 284837627th time, but I'm surprised no one has pointed out how stupid his 'queer women have it easier' take is considering the fucker literally makes it harder for them by erasing their persecution and even the repercussions they face when making media

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[nobledragonflying]

I just want to say that I love Esther Finch and she is a great villain but she is sooooooo sinister. I don't think enough people realize how terrible she truly is beacuse we mostly see her as a somewhat campy villain. Which she is but she is also so much more.

To start with she goes after Becky Aspen, a little black girl, and, well, Becky is a very vulnerable person because of it. The police and even other (white) people will be less likely to look for her because she is black. I wouldn't be surprised that the police did very little to look into her disappearance. And Esther isn't a stupid woman, she most likely went after Becky because she uses the systemic issues in place that make it easier for her to go after vulnerable girls, such as Becky Aspen.

Not to mention that the police wouldn't have gone after her anyways because she is friendly with them and they are friendly with her. She talks to them like a friend and the police treat her like one. And it's easy for Esther to do because she is a wealthy white woman, why would she be the cause of such a horrible tragedy? She is trust worthy and our friend so of course this wealthy white woman is not the kidnapper/killer. Because she is a wealthy white woman.

More under the cut

The police also show their incompetence/bias in the show by dismissing Crystal and Niko during the Lighthouse Leapers, because they are 1) outsiders in this town 2) are renting at Jenny's so they must be poor 3) not at school so they must be high/on drugs and 4) woman of color, while not mentioned, is something that most likely played a factor in the cops decision to not believe them.

The cop also immediately runs into Esther, who further turns the cop against Crystal and Niko. Esther takes advantage of her position in society, especially to those who are beneath her, to have power and control over them.

And the police will not side with her victims because it is her words over theirs and her word carries far more weight than those of her victims.

After all, Esther Finch is such a poor wealthy white woman and she is so sinister because it reflects our reality of how we (western) society view wealthy white woman.

[smashthegiantkiller]

Every time these two link up, it’s on sight.

On sight I tell ya!

(Courtesy of Johnny Knoxville’s IG)

[notreyev]

hey guys. don't draw juno steel and peter nureyev on your paper placemat at a diner. you're going to have to find a child-friendly way to explain to your baby cousins how juno steel lost his eye

[gunsatthaphan]

“we should do this more often.”

[jamethinks]

on the topic of eyes, one of my headcanons(?) for anya is that she has really big eyes. I mean just massive round pupils. Very much like Donovan and Demetrius but without the strain of exhaustion and soullessness. Her eyes specifically look a bit like Ella Purnell like she's a real starer when she's ready.

and it is very important to her character. One it makes her look young (even as an adult), with a sort of doe like innocence. Keeps her un-intimidating and very trust worthy. But it also makes her look rather creepy, as if she is constantly looking right into your soul. the kind of eyes you cant lie to because one they look so innocent but also so knowing.

i think it would represent her character very well because she is all knowing but people don't know that so it's just kinda creepy. Also think it makes like her fresh out of the 70s giving shelly duval realness.

[a-shadowedvales]

when jane's powers return in season four (and because they were regained by her confronting and accepting her past, rather than being retraumatised with it!) they're stronger than they ever were. when she starts getting a handle back on them, she very quickly comes to realise not only have they affected her, but her mother, too. one of the biggest losses that came about with her losing them was the fact that she could no longer visit terry in the void; while there was no real communication there, it did allow jane to sit with her, and gain a little more connection than she could in the real world. when she first visits the void after their return, it takes her three hours to find terry, something that is both unexpected and incredibly worrying. but when she does, it's something of a miracle. jane's increased strength and control over the void actually wakes terry up from her catatonic state, but only in the void. there's no way to help her mother physically, but she does do so (unbeknownst to her) mentally. terry is reborn in jane's newfound control over the vale of shadows; she becomes the woman she once was, and while her body remains frozen in a "good dream", her mind connected to jane's own allows her some freedom. jane is able to speak to her mother in the void, is able to be held by her, and while it's still unfair and jane cannot stay in there forever, it's something. this only lasts for about eight months, as each visit slowly begins deteriorating terry's physical and mental state, and jane's health begins declining after spending hours upon hours in the void each and every day.

when jane finds out these visits are actually killing her mother on the outside, she deems to stop, but terry expresses the importance of them being able to speak, that she'd prefer to die on the outside, if it meant she could have just a few months with her daughter like this. terry and jane's connection was always so strong, which ultimately led to terry "waking up" in the void, but even jane's newfound strength cannot save her from the harsh realities. each visit nearing the end of those eight months, terry fades more and more, becomes weaker in the void, and her real body eventually gives up. jane's in the void when her mother eventually passes on, and physically feels their connection weaken, like some part of her suddenly becomes lost in the shadows, a part she'll never find again. jane falls into a depressive state for weeks after her mother's death, given she's technically lost her a second time, but soon comes to realise she was lucky to have even shared those eight months together. it was better than nothing at all. there is a proper burial and funeral, (and when jane dies, she's buried next to her mother) which allows jane some sense of closure. she never fully recovers from losing terry, nor from the fact that she never had a proper relationship with her, but she does eventually find some peace with it all.

[tweedfrog]

Alicent's maternity gown serve when she's trying to conceal her baby bump under empire waistlines so she can still stare soulfully at Rhaenyra across crowded rooms

[kyros-tha-soldier]

My cuties having their best time together after ten years 🥺

Also, sorry but I couldn't find the artist, I'm sure they were on japenese twitter but i couldn't find their @, very btfl and amazing art 🙏🌻

[inamindfarfaraway]

Becky definitely becomes Charlotte’s friend in at least one timeline, right? They would get along too well for her not to. Her own experience of being trapped in an abusive marriage and then finding the courage and strength to break out of it makes her help and support a major factor in Charlotte deciding to divorce Sam. From now on, she’s going to live for herself. She starts going to therapy. Everyone is very proud of her. It’s awesome.

Then Becky finds out that the man Charlotte’s actually in love with, and wanting to officially date, is fucking Ted Spankoffski. As any good friend would, she responds with “Oh, HELL no”. Until she realizes while telling him to back off that… Ted loves Charlotte too. Romantically. He has genuine care for not only another human being besides his brother, but a woman. Becky feels like a European seeing a black swan for the first time in history. So maybe, just maybe, he and Charlotte have the potential to be happy together. The security and intimacy of a positive relationship can be conducive to healing from a toxic one, after all; look at Becky and Tom. But this messy former affair turning into something healthy - and indeed, Charlotte’s friends letting it continue at all - depend on Ted doing some serious self-improvement and sorting out his shit. Beacon of belief in humanity’s goodness that she is, Becky is willing to give Hatchetfield’s most notorious bastard the benefit of the doubt. Once.

And that is how out of love and under the steely glare of Becky “I’m Just Lining Up My Shot” Barnes, Ted finally gets therapy.

[doodle-birdo]

RW OSTober

I’ve never heard it in game so I only went off by what I saw in my head. It gave me the girly drowning.

Looked it up after and apparently it’s in the Rot. Honestly, that’s not really surprising.

[eir-trixa]

Someone should really pay for the mental damages Becky gets from this friend group

[skinreflectsthesun]

I wonder if the baristas see my online order and think “not this bitch again 🙄😂”

[freensrcha]

31.03.2023 | 🤍🌊🥹