#she is a tragedy all over

[bittergirlsworld]

I can't find on me to hate Byeong-In because if you think about his point of view that So-yong tried to killed herself because of how unhappy Cheoljong and the palace life made her and how their family made her so miserable at the point to drive her to depression. He had every single reason to hate all of them, and I always felt that it was very ambiguous the way they wrote So-yong feelings towards him. She kisses him back for some seconds till she snaps. She tells him that in her dreams, sometimes her husband looks like him. She trusts him the most and he was the only one who notice that So-bong wasn't So-yong and STILL protected her anyway. His love towards her mixed with how used and mistreated he was by their family although he was a political genius makes all his actions very understanding. They don't know you like I know, youngest minister of War.

[tragicblondie]

thinking about the ending of dragon age 2 as a mage hawke who sided with the mages at the end of the fifth blight, the warden defeats the archdemon and saves ferelden. they are paraded through denerim to the sounds of cheering crowds. if they don't survive, their memory lives on in a tale of great heroism and sacrifice for years to come. the inquisitor celebrates at skyhold with the rest of their companions after they beat corypheus, the threat finally ended, the inquisition a success.

but not hawke. you can fight with everything you have to support the mages, but there is no grand fanfare when it is over. the villain succumbs to corruption and dies unceremoniously - you don’t even get the satisfaction of striking the killing blow. you can’t get a round at the hanged man to celebrate. it’s time to go. you and your friends can never sit around your table at the hanged man again. you can’t be seen here when the templars come to clean up the mess. nothing will be the same. you have given seven years of your life trying to hold kirkwall together, accepted your accolades and played the part of champion, and you watch it fall apart anyway. and how much of that is your fault? this city has been stained in your blood since before you could remember, since before the blood was your own.

you lost your sister when you lost your first home. even so, you tried to live by the advice you gave fenris - when you stop running, you build a life. the estate that you clawed your family back into stands looming and empty. it is the last place you saw your mother alive, and you still can't bear to touch her things, and you will never even see her room again. bodahn and sandal are making preparations to leave for orlais, orana will find other work with the skills she's learned, and the house will remain, a hollow testament to your family's legacy. gamlen will hear only the stories. your brother fought by your side when it mattered, despite everything. even so, he will stay behind, and you might never see him again.

no, there is no time for a celebration. instead you get a cautious acknowledgement from the templars, a tense goodbye, and then you can never go home again. for the second time. you thought you could build a life, and you tried. you held on as long as you could, you made friends, you fell in love, you clung to the last vestiges of your family, but most of them will be forced to leave your side anyway. you won, but even that wasn't enough.

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[tarth]

I know you feel me, your heart unfulfilled, Like a world with no mother and a home never built, But if this is what you want, Why speak of right and wrong, You still go in for the kill.

AURORA - A Soul With No King

[huntingrays]

i have a personal headcanon that aphrodite actually shipped leo and jason and had plans for them but that hera got in the way of them by forcing jason and piper together. she wanted to dissuade them from being together, since she had very different plans for them and their love lives. so, she tried to be supportive of their relationship, hoping reverse psychology would work and piper wouldn’t want to continue the relationship after her absent mother that she hated approved of them. it didn’t work and she had to watch silently as another case of love and tragedy play out. she watched as her daughter dealt with the loss of her best friends and wondered if she could’ve done something more to stop it from happening or if this was meant to happen from the start and she was another pawn of fate

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[jayktoralldaylong]

You know who they did the dirtiest in Arcane? Apart from Vander that is.

The answer is Mel. My baby girl lost her two boyfriends and I'm tired of pretending like I'm okay about it.

She gave everything to their dream.

"She wanted to use them." YES! At first! At first she thought they were a great investment. Then she came to love them with more sincerity and more care than many other relationships in the show. Sure some of the toxic things she'd learnt from her home tended to seep into the relationship, but she did everything she could to prune that away.

She loved them. She poured everything into their dream. Everything into helping Jayce get rid of Heimerdinger when he wanted to ban the research that could help Viktor, everything to help them both vote for peace and make the council decision unanimous. Everything to get back to them, after getting kidnapped! 🥺 After going through every version of hell, she immediately gravitated to where she would find them, 😭 find the only loves that had ever accepted her without necessarily demanding anything in return.

And Riot just took that away. And I'm tired of acting like I'm okay with it.

I'm tired of everyone saying Mel deserves better than Jayce and Viktor, tired of people shipping her with people she's never met (especially when the aim is just to give her someone who is not Jayce or Viktor), I'm tired of the strong independent black woman stereotype following Mel around when it's the LAST thing that she wants when she only just learnt to be soft with Jayce and open with her heart once again. I am tired of people calling her a manipulator as if her character arc ended there, as if she did not unlearn toxic love and traded it for the gentle bond she then had with her two favourite scientists.

I'm tired of people not acknowledging that she had to leave Piltover, not just because the Medarda family needed her, but also because her boys were gone. The family she had finally made for herself, the family she was willing to abandon her family name for. They're gone and I don't think Riot will ever be kind enough to give them back to her.

Everyone else, even Ekko sort of has a family to fall back to. Mel has successfully lost everyone. The fact that Lest is the closest person to Mel left says way too much about how awful this whole situation is.

And I am TIRED, I am so sick and TIRED, of people acting like she did not love Jayce and Viktor. I am so sick and tired of people acting like Jayce did not love her. It probably hurt him too to leave her behind.

The tragedy of them is that Jayce knew Mel still had the chance to refind her feet, but Viktor had only ever had Jayce, and Jayce would NEVER leave Viktor alone. And it hurts that Mel probably wished she could have gone with them, because now she has to start everything from scratch and barely anyone in the fandom acknowledges that side of her pain and I HATE IT!

(Jayce might have been created for Viktor in League Lore, but Mel was created for Jayce. 🥺😭 Mel was created to love Jayce and they took her baby away.) #HappyHare(Mel)WhereHaveYouBuriedAllYourChildren?TellMeSoISay😭

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[vriska]

togachako really did get done so dirty by the series and a lot of the wider fandom, these two are literally the only two characters i give a shit about bc their dynamic is just so interesting

like the way it becomes a two way obsession and Ochako being forever haunted by Himiko, like Ochako literally admits Himiko's been living rent free in her mind since the night they met, Ochako being the only one who looks and really sees Himiko it just drives me insane

everything could have been different if she had just met Ochako sooner

but it's still bullshit they wanted to kill Himiko off when the whole point is that Ochako wanted to help build that world that would be easier for Himiko to live in, there WAS a place for her in the world Ochako wanted to help create and it's such a disservice to Himiko's character that her whole thing was that she'd been shamed and excluded and called a monster for something she could not help and killing her feels like the story shrugging its shoulders and going 'yeah they were all right to dehumanize her! she doesn't belong here and also she can't get better with help and support, better luck next time tho'

[ash-and-starlight]

.

[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[necrotic-nephilim]

saw you wrote reverse robins too, it always has a thing for me. what's your headcanon about it? any particular ship you like?

oh i ADORE Revers Robins, i wish i got the chance to write it more! i think there's something interesting in the challenge of flipping these characters and trying to see how they would change in each other's arcs. How Tim would approach being Red Hood, how Damian would approach being Nightwing, etc. it's all so interesting to me. some headcanons i have are

i think, making Damian the oldest and forcing him to mature on his own with just Bruce is fascinating. bc it's going to make a *very* emotionally closed-off Bruce. the bulk of Damian opening up happens when he's Dick's Robin, so to make it just him and Bruce destabilizes a lot of that. Bruce chose Dick, but if Damian's the oldest, it's likely he didn't choose Damian, he got stuck with him. which adds to their dynamic and imo makes Damian a bit more stunted in the way Dick is, in that being raised solely by Bruce can make one. emotionally constipated. i do think Damian would be forced to mature a lot faster and would be a very quiet person.

i've mentioned this in a post talking about JayTim in RR AUs, but Tim as Red Hood would be *far* more calculating, imo. i think a lot of the emotion of Jason's actions would be stripped from it. even if you make Tim a killer (such as when Tim is Savior in a future universe) he's never going to be a "heads in a duffel bag" killer. he's going to be planned and methodical about it. (like how he almost killed Boomerang) half of his plans would be hidden from Bruce and i think part of the game for Tim would just be seeing how much Bruce even figures out.

replacing Tim with Jason instead of vice versa is interesting, bc it forces Jason to enter the role of Robin with a lot more caution. i think his backstory still works in a RR situation, street kid Bruce just kinda plucked from nowhere and called Robin. bc Bruce is grieving, and this if the first kid whose mischief sort of reminds him of Tim. but bc there's a dead Robin before Jason, it means he's going to be treated with much more care. and his anger regarding entering a Red Robin role could be interesting bc he is known for his anger and i do think he'd be far more violent about the transition, as opposed to Tim's self isolation route.

for RR, i always always prefer that it's Damian who adopts Dick. usually i like it best as Damian adopting Dick when Bruce is "dead", but i think it also works if Bruce is alive when Dick comes into the picture. it'd make for a stunted relationship bc of how closed off Damian is while *wanting* to do right by this kid, or at least do better than Bruce did. and i think Damian as Dick's mentor figure would make how Dick confronts his anger very different.

as for Steph, in any case where i do a Reverse Robins, mentally know i'm also picturing it with a Reverse Batgirls. and to keep from Cass just not moving around, i'd include Helena's time as Batgirl and thus, Steph is Oracle, Cass is Huntress, Helena is Black Bat, and Babs is Spoiler. which, makes canon ships like TimSteph and DickBabs a lot of fun. also you have a lot of curious things to explore by flipping Cass and Helena's moral codes under their vigilante titles. Cass as an outsider to the Batfam instead of being under Bruce and Babs' wings? could *really* force her to do unsavory things. and Helena with more support could be a bit softer around the edges. honestly, i could make a whole post about Reverse Batgirls too bc i think most RR AUs don't tend to address the women in it, which is terrible. gimme Oracle!Steph. and with Spoiler!Babs, if you play with Babs brother that rarely exists being the person she becomes Spoiler to stop, that could be super fun.

as for my favorite RR ships: i'm a suck for RR!TimDami. i think it's just bc of all ships, that one tends to play with the AU the most, in my experience? which is *so* fun bc Nightwing!Damian and Red Hood!Tim struggling to reconcile is everything. i devour every fick. i'm also particular to JayTim, just bc i think Jason as Robin seeing Red Hood!Tim would *immediately* be too interested for his own good as he copes with his anger of being replaced as Robin. but seriously any RR ship if the worldbuilding is done well will always draw me in. i just adore seeing how ppl explore filling in the logical loopholes and if backstories need to be adjusted or not and how personalities would naturally change in the situation. it's endlessly fascinating to me.

[journey-to-the-attic]

zhao and ik finally come back and lucifer js loses all sense of formality and literally runs and hugs them SO tightly. they r all sleeping in one bed tonight u can’t stop him. they will have scheduled family activities sometime 😤 lucifer is basically like a dejected bird on the floor when they’re gone u have to understand. he’s a dad to a little child. ik will always be his little child. he’s insane.

(nightbringer lucifer saw the ring of light and he takes like an entire hour just to work again bc HE GOT MARRIED???? but damn nb luci is gonna be real sad when ik and zhao leave)

he would deflate into an exhausted sort of puddle for at least one week, if not longer, and the image it has conjured up is so vivid that i need to draw him being pathetic and sad now hang on

satan can't even make fun of him for it because he just feels bad for his incredibly stressed big brother. meanwhile lucifer calls in every single sick day he's ignored over the years in a row and WILL be in the same room as his husband and/or child at any given moment

i feel like zhao would've tried to hide the whole thing with the ring of light, but lucifer KNOWS that that's the wedding ring finger, and he most certainly knows the ring of light when he sees it. it'd be funny if he assumes at first that it's michael who apparently proposed to a human, since as far as he knows that's where the ring was

also ouuu... exchanging one sad miserable lucifer for another one. there's no coming out of this nightbringer situation with all parties happy... awfully cruel for nb lucifer to put zhao and ik in his life, knowing he'd never want to let go, but forcing him to do so anyway

[harmonicabisexuals]

i love cuddy but i find the huddy relationship thematically boring compared to hilson and hameron...it's not her fault tho!! bc she's just not enough of a foil to house like wilson and cameron are. cameron is house's conscious, wilson is his reflection and cuddy is his enabler :/ so the curse of her character is no matter how many times she tries to stand up to house, he will ALWAYS manipulate her, trick her, and eventually circumnavigate her and she will LET him! she'll even help him do it!! cameron and wilson are really the only ones who actually are able to stop him, and half the time wilson isn't even stopping him, he's just pointing out the truth of the matter after the fact...but it's still a point of conflict and something for house to push up against—with cuddy there just isn't that same tension

[fishareglorious]

mom they made the father of hand hygiene ignaz semmelweis into an anime girl vampire

[rvspecter]

look in my head this was s9 darvey