#she has zero substance

[beardedmrbean]

Kamala Harris appeared to struggle to explain her economic policies and how she will get them through Congress in an interview with CBS' 60 Minutes. 

The Vice President's full interview will air at 8pm ET Monday as part of an election special, showing her repeatedly asked about her plans for the economy.

'My plan is about saying that when you invest in small businesses, you invest in the middle class, and you strengthen America's economy. Small businesses are part of the backbone of America's economy,' she said. 

But when CBS' Bill Whitaker continued to grill her what her plan does and how she would pay for it, Harris didn't offer any specifics, just staying she knew lawmakers agreed with her. 

'I'm going to make sure that the richest among us who can afford it, pay their fair share in taxes. It is not right that teachers and nurses and firefighters are paying a higher tax rate than billionaires and the biggest corporations. And I plan on making that fair,' she said. 

'But we're dealing with the real world here,' Whitaker told her, asking her how she would get it approved by Congress. 

'You know, when you talk quietly with a lot of folks in Congress, they know exactly what I'm talking about, because their constituents know exactly what I'm talking about. Their constituents are those firefighters and teachers and nurses,' Harris replies.

The Democratic presidential nominee released part of her economic plan last week. It focuses on lowering middle-class taxes, cutting food and grocery costs, and lowering prescription drug prices. 

She also talks about creating an 'opportunity economy' for Americans to buy their first home or start a business. 

Voters rate the economy as one of their top issues for the 2024 presidential election. Harris is seeking to distance herself from President Joe Biden, who receives low marks from voters on his handling of the economy.

Biden was hammered for high inflation during his tenure, which led to a spike in prices in groceries, gas and rent. 

'While real gross domestic product growth slowed in the first quarter of this year, growth rebounded to a strong 3.0% in the second quarter. All available evidence suggests policymakers may have managed to bring inflation under control without causing a recession,' analysts wrote.

Harris sat down with 60 Minutes for a pre-election special that will air on Monday night. CBS released some early excerpts of the interview, which will also address the war in the Middle East. 

The news program also asked to interview Donald Trump as part of their special. The former president agreed and then backed out, saying he felt 60 Minutes owed him an apology for some of its previous reporting on him.

Trump appeared to be referring to his last interview with program, which took place in 2020 while he was president. He walked out on correspondent Lesley Stahl.

'They came to me and would like me to do an interview, but first I want to get an apology, because the last time I did an interview with them, if you remember, they challenged me on the computer,' Trump said last week. 

'They said the 'laptop from hell' was from Russia, and I said it wasn't from Russia. It was from Hunter, and I never got an apology, so I'm sort of waiting. I'd love to do '60 Minutes.' I do everything.' 

Harris, meanwhile, is on an interview blitz in the final days of the election.

In addition to appearing on 60 Minutes, she also taped an interview with the popular Call Her Daddy podcast, which has a target audience of young women.

On Tuesday, Harris will be live on ABC's The View, visit The Howard Stern Show, and appear with Stephen Colbert on CBS's The Late Show.

On Thursday, she will participate in a Univision town hall.

Many of the interviews are considered 'friendly' territory for the candidate. Trump employs a similar strategy, often appearing on Fox News.   _________________________

[femmefaggot]

rising from the grave as some combination of mostly [NAME UNKNOWN] and maybe mischief in ways (too fond for my liking)

[maxiemumdamage]

So, something seeing Wicked the Movie made me VERY aware of is how Madame Morrible is kind of…always a bad person. We just don’t see it because it’s all through Elphaba’s eyes — but her kindness to Elphaba further motivates everyone else to be cruel to her!

Like, okay, fine, Morrible is annoyed by Galinda demanding to be included in a seminar she doesn’t have the talent for; were I a college professor constantly pestered by this one kid that I let them take a course they don’t have the prerequisites for, I’d be frustrated too.

But Morrible is frequently outright cruel to Galinda, in a way a teacher never should be to a student. She calls her a disappointment, vain, stupid, and everything else. And the thing is Morrible isn’t factually wrong — we know from Dillamond, who’s much more objective, that Galinda really doesn’t put a lot of effort or substance into her work; she is shallow and thoughtless.

But not only is Morrible way crossing the line of professionalism — her every cruelty to Galinda and kindness towards Elphaba only ensures the latter keeps getting bullied! Because Morrible knows Galinda is popular, that as long as she hates Elphaba the latter has zero hope of a social life.

But to Morrible, that’s a feature, not a bug. The more isolated Elphaba is, the more determined she’ll be to stay in good with her beloved teacher and the Wizard. Pissing Galinda off and demeaning her compared to Elphaba is deliberate.

It just doesn’t register, because viewers identify more with Elphaba, and for her it’s a comfort and solace that her teacher sticks up for her and kicks her bully.

[gaywineauntsstuff]

Every single member of the Batfamily lies about their taste in music

Damian will claim that he only listens to classical music and that everything else is beneath him.

Damian will unironically listen to trashy Arab pop and the absolute worst Bollywood songs known to man (Dick introduced him to them and he hates the fact that sometimes he gets Sheila Ki Jawani stuck in his head during missions)

Tim will put on the most ear grating hyper pop you've ever heard and claim with full chest that these is the peak of humanities capabilities with music (Damian, Jason and Steph have all tried to kill him for this take) He will also play stuff like the living tombstones and sing it obnoxiously loud when he's working on the computer.

Tim however loves his 90s grunge and it's all that's playing in his headphones. (think nirvana, pearl Jam, Melvins, Alice in Chains etc) He has tracked down so many shirts and concert posters and watched every bit of content from the older shows.

Jason will claim he only listens to east coast rap, biggie, Nas, Jay etc and maybe some older metal. He will fight you on east vs west coast music, there will be weaponry involved.

Jason likes rap music... he unfortunately prefers west coast rap and has listened to no vaseline like 500 times. He will deny this till the day he dies...again. (Dick knows and threatens to tell Steph)

Steph will steal the aux and play Taylor Swifts greatest hits until one of the Boys threatens mutiny. Every single one of the bats has had style stuck in their heads during a stakeout at least twice. She will claim that the only rap song she can tolerate in Eminem and the 7/11 is Beyoncés best song.

Steph is an underground fan, think the dude selling mixtapes on the subway type shit. She also unlike Jason genuinely loves East Coast Rap music more than anything and knows every single wu-tang clan song by heart, same with Biggie. Not only does she love the music she also spends any free time binging those "history of rap and its consequences" videos and has been a firm believer that P.Diddy had a hand in a lot of the Death row records well...deaths.

Cass, well everyone thinks Cass has really good taste bc its Cass and she has zero flaws (don't @ me) she never takes the aux and will usually listen to her music while she's chilling or doing stretches. None of them have heard or seen a single one of her playlists except Duke.

its all 2010s top 40s pop music and like the trashy kind too, Beauty and the Beat, Kesha, Katy Perry. It's her turning of her brain time and she will be straight vibing to Rude! by magic or Boom Clap or Shower. she has shown this to Duke, smirked and told him that even if he tried to tell anyone they wouldn't believe him.

Duke is the only one who doesn't... lie. He just hides a few things. Lies of omission don't count as lies when the bats will lie to you about what they had for breakfast, while they are visibly eating breakfast. Duke says he listens to everything and he does. Literally everything. His patrol Jam is offensive bc it with start with Norwegian death metal and immediately switches to "like a G6" followed by kendrick Lamar and then descendants Disney channel movie music.

Bruce... Bruce is just weird, everyone asks him and gets a different answer. Bc he doesn't... like music. Like at all. It's all noise, his mother played instruments so he learned like 14 and he hates how they all sound. He just like vague batwings fluttering in dead silence.

Dick Grayson will obnoxiously play top 40 and radio music religiously around the bats. He claims it's the best music for rhythmic acrobatics and trapeze work and that true! Jason hates this kind of music the most, it's formulaic and holds no substance and drives him insane.

But Dick only listens to that music when he's moving, flipping doing high energy stuff. When he just wants to chill? This man has the most depressing music taste you've ever seen. You know that sad song from ur favorite artist that you can't listen to without crying. Yeah that's his bread and butter. Every single song is just flat out tear inducing, some of these bands have like 100 listeners and he is one of them and it's just their saddest song that reads like suicide note. The titans have conducted an intervention bc its just... concerning. He just thinks it's neat!

[cumaeansibyl]

The Substance

short version: five out of five stars, I had so much fun, for God's sake read the CWs. there are so many needles in this.

further thoughts: I think the viciousness of this movie rests on Elisabeth (Demi Moore) having built her career on promoting the very same unattainable beauty standards that she finds herself in conflict with. It's no coincidence that she's not just an actress, she's a celebrity fitness instructor. Going on TV every morning to tell us all that our bodies aren't good enough. She threw her lot in whole-heartedly with the beauty merchants, she preened and profited, and then she was shocked -- shocked! -- when they inevitably, predictably turned on her.

It's also telling that once she's injected the titular Substance and generated a new, young, beautiful version of herself, what does she do? She goes right back to the same business as before. Being sexier, fitter, more desirable than anyone else. Telling everyone their bodies still aren't good enough. Well, why not? Even her own body wasn't good enough for her anymore.

Coralie Fargeat has zero fucking sympathy for her and I feel the same. Oh, is it hard now? Is it alienating and dehumanizing and humiliating? Did you never bother developing yourself as a person because you were too busy peddling feminine oppression for Dennis Quaid, of all people? Fuck you! Suffer harder! You are complicit!

I would love to know how this lands for conventionally attractive women -- I never put in a sustained effort of this kind because it was made quite clear to me from a young age that the "right" kind of beauty would not be available to me. That comes with its own pain and its own fantasies about a "perfect" version of myself, but I suspect it's a different set.

I also wonder what trans women think of it, because while it's a very cis woman story (in that Elisabeth has always been a conventionally attractive girl and woman) it's also like... about transforming into a more desirable version of yourself, which, come on.

Finally, I feel like there's some disability commentary to be had in here, though that's not a subject I'm well versed in. I did find myself thinking, from time to time, that to many people it would be very tempting to have a body with no pain, a body that always moved easily and performed all its functions with no trouble. Even if only sometimes.

[angeldreamsoffanfic]

“So how did you know?”

“Know what?”

“Y’know, how did you know.”

“Dingus, I’m gonna need you to spell it out for me here, the Russians did a number on how many of my braincells are actually working.”

“How did you know that you liked girls?”

Robin Buckley immediately pushed herself up so she was resting on her elbows, head tilted to catch Steve Harrington’s eyes in the low light of their hospital room.

They weren’t originally even going to go to the hospital, if Robin was being honest. They had just wanted to slip away back to their respective homes, but then Melissa and Richard Buckley caught wind that Robin was hurt. Then the both of them realized that Steve’s parents (if Robin has to use that term to describe them) had less than zero intention of sending anyone to pick up Steve.

Then EMS made the light suggestion of both of them probably needing to go to Hawkins General Hospital… and well, while Melissa and Richard did tend to lead toward more natural remedies… one couldn’t fix a concussion or a drugging with an unknown substance with essential oils and hope.

“Robbie? Did you OD over there?” Steve had himself up on his elbows, easily mimicking Robin. That’s the thing that makes the inside of Robin ache, that he’s so like her. She knows that she’s an only child, knows that, but sometimes Steve’ll just… do something and it makes her question it. Makes her wonder how she spent so long without him, without another brain and two legs and arms and so much hair. “Robbie?”

“No, I am still alive.” Robin slowly spoke, before she let out a soft sigh. “Why do you ask?”

“Like-” Steve huffed as he shook his head from side to side, before he used the one hand that was free from the pulse monitor and saline drip to card through his hair. It’s sleep ruffled, and if he uses product (Robin is sure he does), it’s for sure gone. Steve looks up though, and his eyes are so earnest that it causes something to hurt inside of Robin. “never mind just ignore- fuck - just ignore me.”

“I couldn’t ignore you if I tried, you idiot.” Robin let out a huff, and she winced as the PICC line in her arm shifted as tilted to be able to fully face Steve on her side. “But I just, dingus, this is out of left field for even you.”

“How so?”

“Did you even know that, that people like me even existed until a couple of hours ago?” Robin kept her voice soft, especially as Steve huffed out an indignant sounding sigh. Robin sighs though, and then she cards her own hand through her hair, and forges onward. “I think I’ve just… always known.”

“Always?”

“Yeah like-” Robin shrugged, a careful movement of her shoulders. “When I was like, eight? My uh, parents sent me to this camp thing- like summer camp kind of like what Dustin went to? But with, y’know, with the swimming and archery and dude I was fucking awful at it.” Steve let out a soft and watery laugh at Robin’s rambling, and that gave Robin enough power to continue. “But we uh, had these like songs we had to learn? And there was this uh, girl counselor there that had to teach me because you know, that was her job.”

“Yeah?”

“Yeah, and uh. She couldn’t have been older than I am now but man…” Robin let out a slow whistle, and allowed herself to fully melt into the hospital cot she’s laid up on. “All I could think was that I just wanted to be with her. Like not even kissing because I thought kissing was gross then, still do now kinda but anyway- I wanted to like, hold her hand and shit. Do the cheesy stuff I’d seen in the movies, y’know?”

Steve huffed out his own laugh, and he tilted his head to lean against his pillows instead of facing Robin. Robin watched though, quiet for once, as Steve swallowed once and then twice- before he cleared his throat.

“I knew it existed before you.”

“What?”

“It.”

“Dingus-”

“Girls liking girls.” Steve’s voice is barely above a whisper, even as Robin can hear him gulp in a lungful of air. “And boys liking boys.”

“You did?” Robin kept her voice quiet, gentle, as coaxing as she could- especially when she could see Steve’s throat bob. “Dingus?”

“I…” Steve doesn’t continue, and that’s enough.

Enough to Robin that she pushed herself up, and ignored the pain that ricocheted down her spine like needles. Ignored Steve’s hurried ‘what are-’, as she stumbled out of her hospital bed and right to Steve’s. She made sure to drag her IV pole and the monitor with her, situating it as best as she could next to Steve’s. Robin huffed quietly as the pain trickled down her spine, and she couldn’t help but smile as Steve curled his hand carefully around her wrist and tugged.

Robin got comfortable, let Steve fret over her as best as he could, his fingers only ever-so slightly trembling as he made sure that the line in her arm wasn’t kinked up. They were pressed close, side to side and hip to hip, and Robin tilted her head down until it was rested on Steve’s shoulder.

“Wanna keep going, Stevie?”

“No.”

“But?”

“I…” Steve huffed again, a small indignant noise that Robin mimicked.

They sat like that then, just the two of them for a moment, before Steve continued slowly.

“I’ve never, told anyone this- like I’ve told Tommy H. so much shit about me - but this is… Robin this is different.” Steve speaks in a hurried and stilted way, like he’s stringing together bits and pieces of sentences, and it shouldn’t work.

But it does because he’s Steve and she’s Robin.

And truthfully, Robin likes that. That they’re Steve and Robin. SteveandRobin. RobinandSteve. Likes that the two of them are so in tune that even her own mother didn’t want to separate them.

That had to mean something in the end, didn’t it?

“Tell me, whatever… whenever.” Robin murmured as she turned her head so she could press a soft kiss to Steve’s shoulder. The hospital gown is thin enough she can feel the heat of his skin from up under it, and that’s grounding. Grounding even as Steve drew in a shaky breath, audibly swallowing again. “Whenever you’re ready, I’m here.”

“I didn’t uh, notice Tammy in Ms. Click’s class or uh, you for a reason.” Steve slowly spoke, eyes wet, and Robin can hear his sniffle as he tried to reign his emotions back. “Ms. Click made him sit uh, right by her desk at the front of the room.”

And oh.

Oh.

If that doesn’t immediately settle something that just usually writhes around in Robin’s chest.

“Him?” Robin is gentle, gentler than she thinks she’s ever been.

“Uh, yeah… Eddie Munson?” Steve huffed out an almost dry laugh, the only thing that he does that ever remotely reminds her of his time as his high school “King Steve” persona. “He uh, got this bat tattoo right before that year’s Thanksgiving break and all I could do was just… gawk at him.”

“And then what?” Robin knew she was pushing, searching for information, but she can’t help it. Not when Steve is right next to her, hip to hip and thigh to thigh. Not when he’s like her. In all the ways that matter.

“I went home and screamed into my pillow.”

Robin immediately smacked Steve’s thigh with the knuckles of her left hand- grinning in triumph when Steve let out a squawk of laughter.

“Eddie Munson?”

“What about him?”

“He’s… he’s a total dud!”

“No he’s not!”

“He stepped in my mashed potatoes once! That is totally total dud material!”

“No way!”

“He wants to be like, like a metal singer!”

“He has a band! Dreams!”

“Do you even know if he can hold a tune?”

“Well, no-”

“Total. Dud.”

Robin grinned wide as Steve launched into a very quick defense about Eddie, and she decides then and there that Steve and her? They’ll be just fine.

Especially if she can get Eddie to come into Steve and her’s orbit just a bit, to see if the crush is still there.

Because while Robin may not have all of the gay knowledge in the world, there is one thing for a complete certainty that she knows.

The black hanky that Eddie kept in his pocket?

Well…

Robin chuffed to herself, before she tilted so she could lay on her side- nose tucked into the place where Steve’s neck and shoulder met.

Right before she falls asleep though, Robin does a very important thing on a mental whiteboard.

You Rule: 1

You Suck: 0

hope you all enjoyed! truthfully think this is one of my favorite things i have written. love platonic stobin. <3

[nekropsii]

The difference between Cronus and Meenah vis-à-vis predation is that Meenah is afforded a lot of nuance in her moral failings, and Cronus is not. Meenah also has far more to her character than her moral failings. Cronus does not. This makes it easier and more understandable to be a fan of Meenah despite her grooming of (Vriska) being a major arc than it is Cronus, who is given virtually zero traits or depth outside of being an awful person. Nuance is not the function of Cronus’s character. The function of his character is to be the Worst Character in Homestuck.

Cronus’s entire character is that he is an awful, irredeemable person, point blank period, there is no fixing him, there is no making him sympathetic, there is no nuance here, don’t even fucking try. Meenah’s character is that she is a bad person, and here’s how she ended up this way. She is afforded explanation. She is afforded nuance. She’s given some degree of complexity.

Cronus is an abuser, knows full well that he’s an abuser, labels his actions as abuse, and does not care, because he cares for nothing other than himself, his ability to get off, and his ego. Meenah is an abuser, is aware but in denial of this, cares quite a lot about it, but continues anyway because she thinks her being an abuser is an inevitability that she must accept because of her caste.

There’s more intrigue in there. Meenah also played far more of an active role in her session and in the story, which makes her far easier to like and care about despite her being not a good person. Cronus is there for five seconds, seemingly didn’t do anything interesting in his session other than become a rapist because a clown told him he isn’t Harry Potter, and genuinely just doesn’t have any good reason for being the way he is. There’s legitimately just more substance to Meenah’s character. It’s not even a competition. The only reason some people act like it is a competition is because they’re stupid and misogynistic.

[bonefall]

I know it’s just an idea, the leader ritual, but I have questions I thought of immediately

If a leader prior was driven out, would they still use the exiled leader’s lives as reference for the ceremony?

If a leader is exiled without having lost a life, what would they do instead?

Did Tigerclaw just get pollen a single time for Nightstar, who didn’t actually have his lives, or get stuff representing Brokenstar, or since he was exiled, would was he cleansed with Raggedstar’s lives?

Also it’s a metal as h*ck image imagining Blackfoot being welcomed in a shower of blood for every life Tigerstar had taken that day. It’s such a powerful image in my head, standing there as the blood runs down his fur yet he remains standing there unflinching, face unreadable.

Hmmm...

Previous Leader Driven Out

This is the kind of complex situation where it would depend on what sort of message the new leader wants to send. How much of the Clan stands behind them? Are they trying to court those who don't support them, or are they trying to shame them with what they did?

BB!Nightstar would want to court them, which frustrates the cats who actually put him in power. Deerfoot would have demanded he be anointed by Brokenstar's victims. Let the Clan see the rotten blood and grave soil of WindClan cats and ShadowClan warriors alike; impossible to tell which droplet comes from who.

But instead, Nightstar has someone slash open his forehead. His own blood anoints his fur. "The blood of the rebels who drove him away." A signal that such radical behavior is behind them, a return to normal.

Deerfoot, in the crowd, wishes he would bleed himself dry for it.

In general though-- it would be pretty rare for this ceremony to ignore a previous leader, legitimate or not. The purpose is to "clean away" that which came before, like ending an era. For example; if Icestar chooses to be anointed in acknowledgement of Mistystar instead of Splashstar, she would be including Splashstar's brief rule within her own era.

(Which could be a choice worth making, if she has a point to make.)

Peacefully Abdicated

This is a shameful thing to Clan Cats. You are given your lives to die for your Clan 9 times. This ritual would be pretty extreme, because the new Star REALLY wants to scrub away that association.

It would probably use salt. In the old territory, this is one of the rarest and most useful substances they have. It's a flavoring, it's an effective parasite killer, it's an antiseptic for wounds. Anointment by gold dust, essentially.

For Pinestar, they might use crushed up kibble for a clean break. Tigerkit formative memory unlocked; Sunstar standing on the highrock, furious and disgusted, brown dust streaked through his golden fur and quivering on his angry whiskers.

What was Tigerstar anointed with?

Pollen for Nightstar's illness. Runningnose wouldn't want to jeopardize Tigerstar's legitimacy by revealing the fact Nightpelt was unblessed. ShadowClan cannot go another day without strong leadership...

Especially not in BB where there's a non-zero chance Runny violently smothered Nightstar for briefly looking like he was about to survive his plague LOL. He has immense self control but every time he looks at Nightstar he's biting back the I Have No Mouth And I Must Scream hate speech.

(It massively amuses me that every member of the Mudlizard Family in BB hates Nightstar for completely different reasons. You cant mention politics at Cat Thanksgiving unless youre cursing Nightstar.)

[xenteaart]

the hard way

pairing: vampire!chris x to be vampire!reader genre/warnings: dark romance, mean chris, angst? kinda dead dove, mentions of death, blood and a lil gore (not too graphic tho imo), it's okay in the end??? and they're in love plot: reader is getting turned into a vampire and it's not as cool as she imagined author’s note: obvsly heavily inspired by railway and that SPITTING SCENE. idk it's prolly gonna flop but i wanted to picture that process and a not so hot side of it

“no.” “why not?!” “because i told you so a million times already. we’re not discussing this.” chris spits out and furrows, growing more agitated with each passing second.

“what, you don’t want me to be equal to you?” you ponder desperately while your mind searches for any, any reason at all as to why chris won’t turn you. it’s been getting to you for the last couple of months, and you’re sure you’ve gone through every possible explanation your troubled brain could come up with: he doesn’t love you. he doesn’t wanna spend eternity with you. or maybe it’s a power thing. or, or, or...? this endless cycle of worry and uncertainty has been keeping you on edge for way too long to think clearly now. “gosh, it has nothing to do with equality,” he rolls his eyes and shakes his head. “what is it then?” “drop it.” you snap. “we’ll have to find out the hard way, then.”

you grab the nearest kitchen knife, and it turns out to be the one you use for cutting meat, a chef’s knife as they call it. how fitting. chris barely has enough time to catch up with your madness infused impulse, and when he turns his gaze back to you, the knife is already deep in your guts.

you thought it was gonna be romantic or somewhat dramatic at least. something from the movies where he sinks his vampire teeth into your neck, and just like magic — your eyes flash bright red, announcing the beginning of a new life.

“you dumb bitch,” he exhales shakily and somehow manages to catch you in time because the sharp pain in your stomach makes you lose your balance instantly. you’re still bitter and angry in the heat of the argument and you expect him to be the same way, but when you glance up, chris looks nothing but panicked. “that’s a new look on him,” you think, and it confuses you.

chris growls and sinks to his knees, carefully holding you and trying to move as fast as possible. what you don’t know is that turning can only be done in around thirty seconds since fatal injury. that might explain the rushing and chris’s pure bambi eyes panic but your consciousness is already starting to drift away to hold onto that train of thought.

chris bites into his wrist with unmasked fury, tearing and ripping his own veins even though using a knife would have been much cleaner. probably less painful, too. “swallow. now! come on, don’t you fall asleep on me now, focus!” he grabs your face and presses hard on the jaw joints, making you open your mouth like a puppet doll.

the sickly metallic taste of your own blood at the back of your throat from the internal bleeding mixes up with chris’s thick blood that he generously spits into your mouth, and you want to throw up. your head feels dizzy as your eyelids are getting heavier, your hearing suddenly fails completely as if someone turned the volume down from ten to zero. limbs are falling weak, and the pins and needles in them are so, so far from pleasant.

the thing about turning is... you actually have to die first. be fully, completely gone to be able to come back changed and corrupted, turned to the extent of your DNA having been violently rewritten. that you did not think through enough. the muscles in your throat contract almost on reflex, swallowing and gagging on the gooey salty substance, making your chest heave while coughing strangles you further. the tingles and nausea are so overwhelming and all consuming you actually catch yourself thinking dying would be a relief now. and then it follows as you wished.

you doze off for god knows how long but, by the looks of it, it can’t have been more than a few minutes because as you regain consciousness, chris is still looming over you, his own blood fresh on his lips. he’s blurry, though, everything is.

“come on, suck on me. c’mon, baby, there we go,” he coos as he brings his wrist to your lips, forcefully pressing it into your mouth and leaving you with little to no choice. the phrasing, unlike usual, doesn’t sound dirty or hot now, more like a life-saving command while you’re still so out it. it feels good, though, chris’s blood.

it doesn’t taste so metallic and gross anymore, and the texture feels almost soothing on your dry throat, like hot honey milk on a friday evening. suck, gulp, suck, gulp, suck, it almost lulls you back into serenity, some primal instinct of being attached to your only life line, finding comfort in someone’s warmth and touch and taste.

you wonder how much you’ve drunk already and whether chris will have anything left but you’re so, so thirsty you can’t even bring yourself to care.

what finally makes you stop is the sudden sharp ache in your gums. it feels so piercing the aftershocks are almost reaching your brain and eye sockets, and as you feel your old teeth fall out, a pair of longer fangs cuts through and settles into the upper teeth row. hot tears are stinging your eyes and you whine like a wounded deer, still unable to speak properly. it’s all too much, and you start to regret what you’ve done, and maybe, just maybe that’s why chris so passionately refused to put you through it. this kind of hunger and the animalistic, blood thirst driven rage were never something he wanted to inflict upon you.

your entire body is shaking but it’s not really a fearful tremor, more like restlessness, a new sort of “itch” somewhere deep, deep inside that you’ve never experienced before, the feeling so intense and soul wrenching you simply can’t disobey it. it makes you want to jump up and run.

“don’t worry, i’ll teach you how to handle it.” chris cups your face after taking off his leather gloves so you can feel the comfort of his actual skin. the touch is calming, but barely enough compared to that growing desire and need to satisfy the itch. “you stupid crazy cunt, why do you never listen,” he whispers into your forehead, his lips lightly brushing over your cold sweat covered skin, as he holds you closer, squeezing you against his chest in a protective manner, though the real danger to yourself is now planted within you.

[imawholeassmood]

Read Between the Lines

read it on ao3

Lena reads the review, rubs her temples a few times, then reads it again. There is no way Super_Girl has rated this book five stars and then wrote multiple paragraphs waxing poetic about how fantastic it was. Lena already submitted her own one-star review which included her breakdown of the writing, the characters, and the plot, of which this book had none.

For months, Lena has been seeing Super_Girl reviews pop up on the same books Lena recently finished. She wondered at this point if Super_Girl might be doing this on purpose – reading the same books just so she could rate the book the opposite of whatever Lena did. At first, it was simple - “Loved it!” or “Couldn’t get into this one,” but as of late, the reviews had gotten longer and more descriptive.

Lena herself always used the same formula for reviewing books: overall star rating with a breakdown of her thoughts on the characters, the plot, and the writing. Books, like most things in life, are easy to rate when you understand the evaluation system. Books follow formulas and rules for a reason – it’s what makes them good. A romance novel, for instance, requires a “happily ever after.” Without it, it cannot be considered a romance, and it certainly wouldn’t be a good one.

So, as Lena reads the latest review by Super_Girl, Lena can’t help but leave a comment. Maybe this person simply needs an education on the book rating system.

“What criteria do you use when rating a book?”

It’s a good starting place for this conversation. Lena has amassed quite the following with people interested in her book reviews and the last thing she wants to do is stir up internet drama to damage her good reputation. She knows how easy it is for people to take something out of context.

The reply comes almost immediately.

“Vibes!”

Lena blinks a few times, then closes the browser and leaves her laptop for the night.

**

Super_Girl does it again with another five-star rating for a book that made Lena seriously consider contacting the literary award agencies to complain about their selection. The book sounded like it was AI generated and had zero plot. And the characters? Don’t even get her started.

“How can you consider this a masterpiece?” she writes under the review. “There is zero substance in this book. It’s just a bunch of flowery words that mean nothing and make no sense. If this is your idea of romance, then I’d hate to be your girlfriend.”

Her phone rings and Lena spends the next hour talking with her assistant, Jess, about the priorities for the week and when they can finalize some presentations. Later, as she lays in bed scrolling on her phone, Lena thinks to check her goodreads account. There, under her latest comment, is a reply from Super_Girl.

“Amidst the turmoil of the crumbling world around them, two people take the time to write love letters to each other. What’s more romantic than that?

I want to meet you in every place I have loved.

I want to be in contact with you.

Swoon.”

Speaking of taking things out of context.

While Lena can see Super_Girl’s point, that’s not enough to change her mind about the book. Especially not in the context of it being a sci-fi fantasy that relegated war to a backdrop in much the same way Hollywood did with Pearl Harbor. Don’t get her started. She types out a response before closing the webpage and going to sleep.

“Relationships develop over time. Even if I agreed with your assessment, this book still lacked any real narrative and there’s zero reason to believe these two people would fall in love. They don’t know anything about each other except that they can write a decent letter.”

**

Oh, no, Lena thinks. Her latest read has her questioning her entire belief system about books. She liked the book. Not because it had a great plot. Not because she was rooting for the characters. She liked the book because…it gave her good vibes. She genuinely had a good time reading it, despite it being a complete shitshow. This never happened to her before.

She opens her goodreads page to leave her review and finds that Super_Girl hasn’t read this one yet. She feels the slightest pang of disappointment but pushes through to her review. At the end of her standard format, she adds a new category: vibes.

It takes a few days, and Lena finds herself checking her account every few hours. She’s sitting at her desk and scrolling on her phone when she gets a notification that Super_Girl commented on her review.

“Vibes?!?! I’m SUPER proud of you! And we agree the characters were awful and the plot was weak, but it was well-written.”

She doesn’t even realize she’s smiling until Jess comments about it.

“Oh, nothing,” she says and waves her hand. “Just a literary rival.”

Jess looks at her. “You’re smiling because of…a rival?”

Is that what they were? The word didn’t really feel like a good fit, but Lena goes with it.

“Agreed with me on a point. Can we please stay focused?”

And they do. Lena and Jess go over the latest reports and prepare for an upcoming meeting with one of their international partners. Lena doesn’t think about Super_Girl again until she’s lying in bed and that damn smile creeps backs onto her face.

**

Her next review is not a good one. It makes Lena question the romance genre as a whole. Has the world become so used to being treated like garbage, people can’t even tell the difference between healthy and toxic love?

She’s barely hit submit when Super_Girl comments on her review.

“They were flirting the whole time!”

Lena is still sour enough she doesn’t bother to hold back on her response.

“Flirting where? Being in each other’s orbit is not flirting. Why can’t people just say, ‘I like you and I’d like to go on a date with you?’ instead of whatever BS was happening in this book. Honestly, I’m worried for your love life if you think this is a healthy way to approach communication.”

Super_Girl goes silent for a long while after that.

Lena worries something may have happened and questions whether she should reach out. They haven’t gone this long without a reciprocal review since they started this little dance of theirs almost a year ago. She finds herself rereading their reviews and wondering about who Super_Girl might be behind the screen name. There’s no profile photo, no personal information at all. Just a single word.

Golly.

Lena smiles at that. In fact, she smiles at everything Super_Girl has written. While they may not agree on books, Lena can’t deny that whoever is behind the reviews is a wordsmith who comes across as the sweetest human on the planet.

It surprises her when she receives a notification that she has been selected to read a new release ahead of publication in exchange for an honest review. Lena doesn’t usually agree because she doesn’t want to give people any reason to think her reviews are biased or influenced in any way. She’s about to deny the request, but the cover art depicts two women, one blonde, the other brunette, and Lena never turns down a sapphic story. She accepts the request without another thought.

**

When Lena finishes The Write Stuff, she starts it over and reads it again, cover to cover. The writing, the pacing, and the storytelling are superb. It’s as if the author has studied every article about how a romance novel should be written. The characters are so well written, she has clear images of who each of these women are. She understands their desires, their fears, and their motives. Not only does she care about these people as a couple, but she also cares about them individually in a way she hasn’t cared about a character in a long time. As for the plot itself? It’s perfectly cheesy and still somehow realistic enough to be believable that it could happen in real life.

Lena hasn’t felt this…satisfied by a book since well, since she can’t remember.

So, that’s exactly what she writes in her review.

“I especially loved this line:

I would rewrite history if it meant a chance for a happy future with you.”

When she’s done, she looks up the author and finds that she’s written one other book.

Lena doesn’t recall reading it, but when she clicks on the title, she finds her review posted with a few hundred likes and several dozen comments. One star and zero positive things to say about it. Lena can’t help but think how far the author has come from this first book to the most recent one. It’s an impressive improvement, and Lena Luthor isn’t easily impressed.

Supergirl leaves a comment on her review a few days later.

“It looks like the author has been paying attention to your feedback.”

**

The following week, Lena is staring at the meeting invitation with furrowed brows and a healthy dose of confusion. She presses the call button on the speaker on her desk.

“Yes, Miss Luthor?” Jess says.

“Jess, why do I have a meeting with Supergirl on my calendar?”

Jess is quiet for a moment. She’s quiet so long, in fact, that Lena’s door opens and a blond woman with thick-rimmed glasses wearing chinos and a tucked-in button down steps just inside. She has a nervous smile and fidgets with her glasses.

Lena recognizes her from the photo bio she still has pulled up on her web browser and stands to greet her.

“Miss Danvers,” she says, “please, come in. To what do I owe the pleasure?”

Kara Danvers, author of The Write Stuff, who Lena has been internet stalking for the past week shifts in the doorway. Lena comes around the front of her desk. They stare at each other in silence for a moment before Lena hears a faint “go” from Jess in the reception area. That makes Kara shake out of her stupor.

She brings her hand out from behind her back and holds her arm at full length with a bouquet of…plumerias. Lena can’t believe what she’s seeing. Her favorite flowers which represent love and new beginnings are being offered to her by this stunning woman who wrote one of her favorite books of the year. Lena looks from the flowers back to Kara’s face.

“I like you, Lena Reads” Kara says, “and I would like to go on a date with you.”

[kr-starz]

Hi, ever though of what would have happened if the other ekko had also changed bodies with firelight ekko while he was in the au timeline? the man goes to seek powder for help only to meet jinx and get tied up to a chair and interrogated :3

Oh my GOD! Is this a fun fun fun idea I love ur creative little head anon !!

I imagine these events would happen after act 1 but before act 2, that little span of time where Jinx is know as a rebel symbol of Zaun!

But we know soso very little about AU Ekko so some of my character building for him is gonna be real messy but if I remember where Ekko left off was actually IN Piltover where the anomaly was triggered. I lowkey imagine Ekko wakes up on the cold hard floor of the hexgate.

He's half awake, and a raging headache floods his mind. He was just standing up, did he collapse? He swishes his head around, and this isn't a room or a place he recognizes. He feels around, he wasn't wearing a giant graffitied jacket before. And he has a strange, board-like thing on his back? Okay this is really freaking him out, he needs to find Benzo- or Powder, they would know what's going on.

He gets up, something weird is going on and he doesn't know what. This has to be some strange dream, or a prank? Some weirdly detailed and composed plan to mess with him. Ekko has zero idea why, but he's pretty sure he's not supposed to even be in the building he's in. It's extravagant, too extravagant. His headache urges him to not be seen, so he tries to find himself a passageway that's inconspicuous enough for him to get out quietly.

Ekko makes it out of the building, Ekko's determined, that maybe this isn't a dream. His dreams have never been so, realistic? But this is just wrong. He's staring at the dilapidated state of Zaun, smoke streaming up from the under-city; whilst Piltover towers over the measly little nation. Ekko has to get back home, is everyone okay in this strange dystopian reality? They have to be.

The last thing Ekko knew was that he was in the back of Benzos brainstorming with Powder, now he's stepping into the empty lot of blisters and bedrock, he cautiously walks around. For some reason the lanes seem to give him a bad chill, the tech for people limbs seem so much advanced? There was an unfamiliar substance that stuck to the air.

Walking to the second floor of the unaccompanied space, he hears some creaking. No, talking. A familiar voice behind a door, Powder. Wasting no time Ekko barges into the office, he's met with pink tired eyes, shooting daggers at him.

"Powder-" He yells instinctively, before backtracking to look over her new appearance. She's sitting on a desk rocking a chair back and forth but it doesn't seem like she's willing to sit on it, she's got long braids that seem to go on forever, she's skinnier, and she's got these glowing pink eyes.

Before Ekko has the chance to even do or say anything Jinx has a gun drawn, a bullet already shoots right past him intentionally missing, "What're you doing here boy saviour." She's got a sting in her voice ready to kill, she's standing now and looking to avoid getting close to him.

"Powder- If we could just put that down-" He stutters out, referring to the real gun that she has pointed directly at his head. Ekko was SO ready to run but he felt like if he did she would be hunting him down.

Jinx clicks her teeth, "Don't go calling me that, Ekko." she says his name with so much disdain he's really wondering if he's done something majorly wrong.

Okay, don't call her Powder? He's willing to do a lot if he's held at gunpoint. His heart is pacing out of his chest, but he needs to know what's going on. And what's stopping that right now, is the fact that Powder is holding him at gunpoint.

So disarm her, right? Ekko shuffles a bit forward, which he hears Jinx tightening her grip on the gun. Ekko knows how to fight, it's hard to be in Zaun and not know how to defend yourself. But has he ever gone 1 on 1 with his girlfriend? No! They've trained together and play fought but a legitimate fight? In a strange dystopian world where he suddenly woke up in.

Disarm Powder.

He pushes a foot forward, sprint and ducks towards her.

She shoots, and misses.

Ekko grabs the ashtray off the desk, throwing it at her.

She dodges, and shoots at him.

Ekko barely dodges the bullet, he dashes towards her attempting to tackle her.

Before Ekko could even react, Jinx is behind him, and he blacks out.

Hazy but familiar, he wakes up to a cloth over his eyes, and tape over his mouth. Jinxes humming. So similar yet, it's slightly off. Ekko attempts to speak but what comes out is a muffled groans of discomfort. His arms are tied together, and his legs at tied to the chair he's sitting in.

He feels as Jinx comes to untie his blindfold.

"You ain't my Ekko." Jinx states plainly, gun still in her hand, she's spinning it around like a toy. Ekko furrows a brow, curious about what exactly she means by that.

Running the head of the gun down the side of Ekko's head, "you don't fight like he does. You're sloppy, slow. You don't think like he does, didn't bring your little crew, didn't use your little board." She says, almost mocking him.

The gun to his head makes Ekko feel almost claustrophobic, his heart racing at the threat.

"So who're you. Don't lie now." Jinx asks, her pink shimmery eyes staring at him. Her gun dragged underneath his chin, pointing his head up to look at her.

Jinx rips off the tape enclosing his lips. Ekko heaves as he's released, "you're not my Powder." his eyes flicker over to hers, scanning over her features.

"Damn right I ain't, my names Jinx. Call me Powder one more time and it's off with your head." She holds her empty hands fingers into a gun. imitating shooting off his head as she's talking with her hands.

Ekko swallows, "Jinx," he whispers softly. Confused and honestly a bit scared, Ekko gathers that the girl in front of him, is still Powder and he just needs to get closer to her.

-

Ahgbdbuh this one might be a bit messy but it's a very fun concept and I'd love to talk more about it !!

[balkanradfem]

Did anyone watch the horror movie 'The Substance'? I've seen it because someone recommended it to me, and I saw one of the three directors was female, but now I just have few thousands words of criticism and upset about it. Click if you want to read it. Tw for themes of women abused in tv industry and the fear of aging out of their jobs.

So, the substance is about a woman aging out of her role in television where she runs a fitness program, and she is distraught to realize she's going to get replaced. Sadly she blames her own aging process about it! She gets in an accident, and then a male nurse gives her an usb showcasing 'the substance', a serum that makes a younger version of you come out of your body.

She takes it, and her body opens up to let out a younger version, a different acctress, come out and look at herself in the mirror. I was already upset by this point about the depiction of a woman losing her job for aging and hating herself, and not the industry and the males in it, but now I was in disbelief. It was funny that they wanted me to believe another woman exited from her back and didn't break her spine in the process, whatever, but now she was in a new body, and immediately went 'yas slay look how hot I am' Excuse me what?

I thought, at least one part of the horror would be feeling off and alien if forced to switch consciousness to another body, a body that is unfamiliar, that you didn't grow with, it would be traumatizing. No matter how much more 'socially likeable' a new body was, I can't imagine looking at my own hands and legs and having them look completely different, and being okay about it. It would cause a crisis in anyone, your identity would be in shambles. You couldn't get used to it, you'd have trouble looking at the mirror at all, and would forget it and constantly be reminded of it when seeing glimpses of your own hands, and it would shock and disturb you every time. How would you talk to your friends and family now? How would you deal with people you loved who couldn't recognize you? It would be mentally scarring.

If she had one single friend to talk about this, the entire premise would fall apart because it would become obvious that this is stupid and shouldn't be done.

Watching on it turned out they cut this woman out from any social context of her life. She had no friends, no family, not even any acquaintances. The only person who ever talked to her was one(1) single ex classmate, and other than that, she seemed to have zero people in her life who even knew she existed. But there's nobody like that. Yes, you can be socially isolated, but hardly to the point where nobody in the world knows you exist. If you go outside people memorize you. She didn't have anyone who knew her. She was supposed to be a popular figure on tv. But she didn't exist. This woman had no past, no existence in anyone's world, no connections to other people whatsoever. It made her less of a believable character to me. Nobody can exist completely out of social context of their life. We didn't get an explanation of why she has no family, or friends or acquaintances, or past loves, or anything like that. It was almost like she was now so irrelevant due to her age that the world just cut her out, which is scary but also ridiculous, she looked young!!

Another glaring flaw in the movie was that... the older woman in the movie was so clearly more attractive than the younger. They tried to shoot her face in harsh lightning and highlight whatever they thought was wrong with her body, but she just looked excellent under any kind of standards. What do you mean this teenager is 'hotter' than the original protagonist. She looks 17, she looks like she shouldn't be allowed outside after dark. The idea of her being filmed by older males gave me nausea, get that child away from them. I had to skip most of the scenes with her because it looked like child pornography. They had her wearing breast prostetics to make her look adult and put her in clothing no woman alive would find appealing or comfortable to wear, it was painful, uncomfortable and horrifying.

The entire existence of the younger woman was dehumanizing. She didn't eat. She didn't watch tv. She didn't do anything human. She was a male idea of a 'hot young girl', who only existed to look like what males think is appealing, dance on stage, and get male approval. That's it, we never see her exhausted, sad, commiserating how difficult it is to be around males who objectify you all day, we never see her complain about sexualizing and so obviously ignored sexual harassment she was put trough – the movie acted like sexual harassment didn't exist. Males around her appeared to only care about how much money she could make them and even though that was disgusting too, I don't believe for a second that a woman in that scenario doesn't get extensively sexually harassed. But the movie skipped over that. Like it just didn't matter. She doesn't have mental health issues because she's an attractive female child on television. She isn't human to them.

The younger woman had to switch bodies with her original counterpart weekly, and at first I found these little moments soothing, because the older woman was clearly showing signs of pain, hunger, exhaustion, irritation, depression. I thought 'oh, there's the humanity I was missing!' and was just happy to see her eat something. But then, to my horror, these little moments of humanity were ... demonized. The fact that she was eating was a flaw and a failure in the movie. She was depicted as addicted to food, jealous, bitter, angry and like giving in to any human urge for entertainment and rest was her 'wasting her life'. I was chilled by this notion, because I realized that's how males see female needs in real life. A waste.

Another thing I found upsetting was the amount of completely naked scenes the acctresses had to go trough, because I can't imagine anyone feeling okay and comfortable with being filmed like that. It felt invasive and uncomfortable for me to see. I knew it was done like this for male satisfaction, it wasn't catered to me. It disturbs me to think they felt comfortable looking at that. Female discomfort is a source of pleasure to them.

The movie progresses in the protagonist taking more and more time being in the younger body, resulting in the older body deterioration. She ends up feeling like she's two people, which is logical at least; you would feel like you're someone else if you're a different body, it at least displayed that little bit of 'you are your body' consequences. The male nurse who gave her the substance starts stalking her, and talking to her in public, and I found this part interesting. The male tried to get her to relate to him, said things like '7 days is long' and 'has she started eating at you already', and to me it became obvious that the male nurse knew exactly what this was going to do to her, and did it anyway. Because he felt lonely and wanted a female companion who also switches bodies. He picked her out and victimized her because he wanted company who also suffered and struggled with the same problem, he spread the misery for his own benefit. I thought we were going to look at that? I thought we would unpack that for a second? Male selfishness and bringing misery into female's life for their selfish purposes? But movie said no and we never see him again.

The younger version seems to forget she ever had any more age, and recklessly parties and does public events not caring that her counterpart is getting destroyed, until at the end, they both end up in some kind of monstrous shape, which okay, the extra teeth were fun, add extra teeth on women yes. But she is ultimately killed when appearing in on a social event looking like that. The ending just shows her dreaming about being famous and cheered on by the crowd, and it looks almost like the movie thinks her endless greed for glory and fame did this to her. Like this is her own fault, she destroyed the body she had in pursuit of eternal approval and gratification of a cheering crowd. I was looking at this like, who was this made for? Nothing about this clicks, is this for people obsessed with their own fame? Is this just a made up idea of what the world looks like for women who are trying to be famous? Because it wasn't clicking with any reality I was aware of.

We've listened to women going trough fame and popularity, and we know what these stories entail. First half of it is being introduced to it too young, forced into it by their parents or guardians, being overworked, missing on childhoods and schooling and family time, not getting enough sleep or rest, being pushed into substance abuse just to get trough the day. And then, endless sexualizing, endless situations where they're in the presence of predators and unprotected. The industry ruthlessly rejecting their personality and forcing them to mold into whatever the public wants, or the producer wants, having their identity crashing with the public opinion of them. Lack of privacy, lack of safety being outside, getting harassed and crowded on the street, not being allowed to live a normal life. Having body issues due to being forced to focus on how you look, because you're under constant scrutiny and now your job depends on how your body looks like, developing mental disorders due to lack of control over your life, and due to control you have to have over your every action. Having your opinions and wants dismissed because your word doesn't count in the industry when you're a woman, being forced to hide what people have done to you in private, often suffering sexual abuse and being forced to keep quiet if you want to keep your job. Breakdowns, suicidal thoughts, both fearing to lose relevancy and wanting out of the industry for your mental health, but it's all you've known and you don't know how to function otherwise. Getting jaded, realizing your own value drops with age, learning to despise everyone who took advantage of you and dropped you the second you weren't making them enough money. Being sick and tired of males talking down to you and dismissing your humanity. Not knowing where to turn for understanding and safety, because the charade has to keep on going in order for the industry to go on.

This is what I would expect a woman in the industry to have learned after being put trough all that, and instead the main character was so void of any backstory, any real experiences, any thoughts or criticism about it, any anger or bitterness about the abuse she'd have suffered in there, and was sorely upset about her lack of job security and that she was no longer looking like a commercial. She would have learned from this, that this is an inherently insecure job industry, it's not worth being in it, but she doesn't seem to learn this. She isn't even angry they hired someone else without telling her. All of her anger was directed towards herself. And the movie was not challenging it. It was saying 'yes, it is your own fault, both for aging, and for wanting not to age. Look what you did.'

And by the end of the movie, she was just the same as the beginning, still just longing for the fame and cheers. She is a character who is not allowed to learn from her experiences, in fact seems to have no experiences, even of the things that happened to her in the movie. She cared for nothing but male validation. She only seemed to care about the younger body for the sake of this validation. Even at the very end when she was killed by the same males who she gave everything to impress for, she wasn't mad at them. She just wanted more validation from them.

And I'm watching this thinking, this must be whats inside of a male brain. He did that because thats how he would act in this situation. Males are incapable of learning from experience, so they assume women are too. Males think that having a body of a young female in their posession would resolve all of their needs and desires, so they think for a woman that would work too, in fact that she would destroy herself to get there. The creepy male fantasy of what a woman would do. It was done to validate their dumb opinions.

One thing I was surprised with was the road not taken in this movie, because it had a lot of potential symbolism! The younger woman exiting the woman's body, was reminiscent of birth. When I noticed it's a different acctress, I thought maybe we were making a parallel of mothers and daughters. Because it's a thing that happens sometimes; women with daughters will look at the daughter and feel she is a prettier, younger version of themselves. It reminds them of their own potential when they were just children, before their lives got decided by marriage and male ownership. And when daughters start receiving male attention, due to the flock of predators always creeping by, mothers will sometimes forget that this is a child bonded and dependant on them, who is now in danger, and instead get jealous, and want that attention for themselves. They'll try to vicariously live trough their daughters, get themselves into the spotlight, or win attention of the males attracted to the child. It's a horrifying event each time, I was reminded by it while watching the movie, seeing how angry the woman was at the younger counterpart for partying, being on tv, being in the spotlight that was now unreachable for her. But the movie ignored this cruel reality as well.

The movie's conclusion is just 'this is somehow the woman's fault', while trying to be a movie about the pressure of the tv industry on women to not age. The pressure is real and experienced by all women, so the movie could have been about analyzing the source of it, showing us the other side of it, how dehumanizing and cruel the males are benefiting from this, how it makes absolutely no sense to cater to them or to care about what they think of female age and appearance. It could have been about male selfishness, greed, pedophilia and predatory nature, it could have pointed us in the horrifying direction of women sacrificing so much of their health and life only for males to have financial benefit and sexual gratification from it. It could have depicted how hard work of women is unappreciated and only rewarded with further abuse.

Instead it focused on pulling women inside out to make horror of their bodies, and depicted teenagers as the ultimate goals for anyone. I think that's where I experienced the most horror, seeing the younger version being dehumanized and depicted as a sexual dream, her every private action looking like a commercial, making her into a reduced non-human robot that only acts the way males think women should. And the woman who actually looked like an adult, was not allowed to learn, criticize, or long for anything except male validation, another fantasy that is as far removed from reality as possible.

[dalekofchaos]

Not interested in LIS:Double Exposure

Okay I saw the Double Exposure trailer and I am not playing it.

Multiple reasons.

The Deck Nine IGN article. I will not support a developer that knowingly protected a bigoted groomer and allowed a Nazi to sneak in White Supremacist signs in the game.

Max learned nothing about the first game. Nevermind there is no Chloe, Warren or anyone from Arcadia insight(we'll get to that) Max apparently formed another codependent relationship that she couldn't let go to the point where she's fucking up reality by creating yet another parallel world. Either Deck Nine is entirely unoriginal or Max didn't learn a damned thing

That is not Max. If your defense is "she grew up" I got news for you. I've looked the same for nearly a decade. I've had friends while changing their aesthetic, they look the same. you don’t look like an entirely new person when you age, the new model looks nothing like max there’s barely even resemblance. Also I know, we all change our style as we get older, but Max's style was unique and it made Max Caulfield who she is. It didn't need to change. Deck Nine just Stephified Max. Was it really that hard to give Max bangs? Not just that. No freckles, eyes and eyebrows look completely different. This is not Max Caulfield.

4. No one from Arcadia Bay returned. It's pretty obvious Deck Nine is either keeping Chloe's fate a secret, but it's also clear they are trying to skirt around the issue of the endings without pissing everyone off. Feels like a copout to whatever ending you chose to give a new cast of characters. For the fans who wanted more time to play as Max and Chloe, I feel bad for you, I especially wanted to see Chloe again. So what the fuck was this supposed to be for then?

Though another point; why the hell are we supposed to be okay with the fact that Max is using her power again to save this brand new character we have zero previous connection to? Especially if the game’s gonna try to straddle both endings to LiS 1; seems very insulting to have Max be okay with doing it for a character we have no previous attachment to, but she’s left her girlfriend to die alone, thinking nobody loved her?

Also you had the perfect chance to make a fucking game that has Max save Rachel. I know I just did a tangent about Max not learning anything, but if you were just going to have Max use her powers again, why the fuck didn't you do it to save Rachel from a fate she never deserved? Godfucking forbid you give attention to Warren, Kate or Victoria. I just wanted to see these characters get some screen time, make cameos or give us SOME hint to what they are up to after the events of the first game. But no, we can't have that. We can't be given anything of substance for Warren, Kate or Victoria. Can't learn anything about their fates in the LIS 2 Save Arcadia Bay ending, can't find out Warren or Kate survived the storm in Wavelengths via talking to Steph during the storm anniversary and we can't see them again in DE. I know it's just a teaser, but seriously why even do a new Max game if we don't even get cameos from these characters? Knowing how Deck Nine is, they are just gonna find a way to demonize Warren to paint him like Eliot, regress Victoria's character and not even give Kate the time of day to mention. Jesus fucking christ, I just wanted to see Max and Warren Go Ape, fun Max and Victoria photodates and to see Max and Kate have one fucking Tea date. IS THAT TOO MUCH TO ASK FOR???

5. Deck Nine are literally just swiping DontNod’s characters for the purposes of chasing that brand recognition. It's just copy pasting lighting in a bottle and milking a cow out of this franchise. BTS was remotely successful because of Chloe and Rachel's relationship. True Colors is fun at first, but realize it's just a hollow imitation of the first game. DONTNOD's story was original, fun and unique. I had problems with it but it was still THEIR story on their terms and not developed from a place of corporate cynicism asking for preorders ASAP that come bundled with a box of tissues and bobbleheads of dead teenagers. Read recent interviews from DONTNOD and you can TELL they got burned by SquareEnix over this. I hope they can channel that into something with Bloom and Rage because I’d love to see them recapture that magic again.

I had fears of what would happen if Deck Nine ever got their hands on Max. And looks like I was right to be worried.

To be clear, I think making stories with someone else’s character is great and cool and it’s literally what fanfiction is and technically, MUCH of mass media now IS “fanfiction”. The difference here is DONTNOD deliberately wanted LIS 1 canon left alone, near as I can tell. But no, Square Enix wanted a franchise and Deck Nine was more than happy to milk the cow for all it was worth and Deck Nine has shown they don't understand DONTNOD's characters

The game looks like it's repeating everything about the first game, but none of the charm that made it great. It's beat for beat the same fucking game. Dead friend, murder mystery, but without the ambiance, charm or magic that made the first game good. Deck Nine is completely unoriginal, DE is a soulless cashgrab and their hyperrealism killed the entire essence of the game and its characters.

It's quite literally a copy and paste of True Colors, but with Max.

And when we just look at this. Double Exposure is just soulless. It's style over substance and I knew. I just KNEW that if Deck Nine got their hands on Max it would be half-assed and soulless shit like this. They dared to slap Max's name on a Steph lookalike and then just do True Colors again, but more hollow.

There's something just so disappointing about the change in art style over the years. The art direction in the first game was charming and now it just feels kinda soulless. The awkward chunkyness of the models really made it stand out but now it feels way too smooth

life is strange going from one studios passion project to another’s cashgrab is one of the biggest modern tragedies in the world deck nine they could never make me like you. All the charm of the franchise from the cartoonish artstyle to the episodical releases has been completely stripped away it’s just very disappointing to see.

This meme is literally Double Exposure.

[genericpuff]

ok I don't wanna be mean because public speaking is a difficult skill to really get down, but Rachel really hasn't gotten better at talking on camera and actually answering interview questions with any amount of thought or substance.

I actually have an essay drafted right now about how Rachel herself seems to be the Miles Bron "saying a lot without saying anything at all" type but now ima wait on it because she's giving me way more heaps of evidence to suggest she has zero clue what she's talking about most of the time. Like... her answer literally had nothing to do with the question (which they had TIME TO PREPARE FOR AND EVEN ADJUST IF THEY HAD TO) but it's still trying to be so serious and profound.

Transcript:

"One of my favorite things that I have learned from making Lore Olympus is researching the time in which all the poems were written in and learning how to contextualize the information that's in them so it's relative to the time it makes a little bit more sense, um, a really good example of this is when Odysseus is on his way home and I believe he's a couple of steps away from Ithica and he's on an island and they- the people there are like let's, y'know, participate in basically athletic games and... originally when I read this piece he-he gets really upset and I used to think it was because he couldn't do the sports laughs essentially and everyone was like 'Oh no Odysseus is crying because he can't do sports!' but what he's really crying about, um, researching it is like his loss of what his name means and he's been through so much to get home and no one really remembers who he is and that's why he's crying, um, and learning things like that is-is-is fascinating to me."

Like, not only did she not answer the question, she didn't even conclude her original line of thought which was an example of re-contextualizing Ancient Greek material in the modern day. She just kind of went on a tangent about Odysseus who's not even a character in LO (beyond his one cameo in like Episode 2??) and then wound up nowhere.

Rachel truly is the master at saying a lot without saying anything at all - both in her interviews and in her story.

[constantfragmentation]

Arcane S2 Thoughts

I've had a week to digest this season and well, I guess I have the unpopular opinion of being very disappointed. After the initial flash of gorgeous animation and some ooo's and awe's.... I was left with a bitter aftertaste. I can rewatch S1 loads of time. I don't think I can watch S2 again.

I'm happy for the fans that loved it and got what they wanted or the shippers that got what they wanted. I'm happy for you. Do your thing.

Me? Not so much. Even as a Silco fan (and I admit to squeeing for any footage of him at first), I'm not pleased. Yeah, my young Silco is a nerd, man-bun hottie, but that's where it ended for me. His entire characterization was nothing like the character I fell head over heels for in S1.

Vander's Flashback: I honestly don't find Felicia's inclusion necessary at all. In fact, I think it waters down everything between Silco and Vander. Their knowing her and the kids creates more questions, plotholes, and problems than it supposedly solves.

Why is Vander only in those memories with the kids? It's before the fallout with Silco. Why don't the kids know or remember nice Silco? Why do they only fear him (obv that's from Vander and Benzo, yes?)?

Why doesn't Silco seem to know Powder at Vander's dead body? Why would he kill Felicia's kids? None of it makes any fucking sense if he cared about Felicia. He hates Vander so much, he hates the kids too because he adopted them?

How the hell does S2 Young Silco turn into S1 Silco? Riot really messed this one up. Vander's attempted murder didn't change his entire personality.

It was a rebellion battle. People were going to get hurt and killed. They had to know this. So, whether Silco accidentally killed Felicia (as some fans are debating) or she died, is so damn dumb for Vander to solely blame Silco. Takes the kids, becomes a pacifist FIRST and then decides to (shave and grow younger) kill his brother for the greater good. Doesn't make one lick of sense narratively.

The narrative, characterization and animation inconsistencies don't help from S1 either. The drowning scene doesn't fit the S2 explanation. They're too young. Vander had a beard and appears much older on the bridge. Hell, S2 Young!Silco looks older than S1 Young!Silco. Sloppy, sloppy, sloppy. If people want to kiss Riot's ass, fine, but there was too much that was straight up lazy writing.

Silco's death is just glossed over considering how important he is. Silco did what Vander couldn't. Even without Shimmer, the Underground was thriving. Cait's mother's death/burial/statue gets more screen time and Silco gets dumped in the river. No one seems to question his death or what happened? Yeah, ok.

I'll use this moment to complain about the excessive music video montages this season too. I watched S1 again and the writing and use of music worked in unison and enhanced scenes. S2 felt like scenes in between music videos and it was irritating.

There was so much screentime wasted that could have been good dialogue heavy scenes that S1 was great at. Instead, time wasted on poorly executed plotlines that needed way more time to flesh out (Mel, Ekko and Viktor) and we have slowmo music videos and MCU fight scenes. Hermie's guitar song and Mission Impossible jokster crap was laughable and not in a good way.

Riot tried to pack too much into one season, and it was a mess. This season felt like watching a Marvel movie. Cool action sequences with little to no substance. All the nuance and grit from last season were gone in favor of the 'good vs. bad' trope. All the political-societal issues in S1 were abandoned that were far more fascinating to explore.

Mel has superpowers now? It feels all out of place. Her, Ambessa, and the Black Rose plot have zero time to make it interesting and plausible. She was introduced as this master manipulator/politician and her sage persona feels so forced.

Jesus Demigod Viktor was too much. I was excited for the Machine Herald and the psychedelic Arcane magical multiverse took me out. Making him to be the big baddie and timeloop it around to Jayce felt like a big cop out. Viktor deserved better. Hell, Jayce deserved better.

So much was sacrificed to make the whole Arcane magic THE point of the series when it was one of the least interesting aspects of the show. Hextech for weapons and the continuing problems between Piltover and Zaun was RIPE for storytelling. It seems each act needed several episodes to cover.

Ekko sure as fuck deserved better than that half assed time warp with Hermie. The AU really bothered me. Everything felt wrong. EVERYTHING. Nothing was explained well at all. It felt like complete fan service at the expense of the characters. Before people rip me saying "well duh! It was an AU!". You don't assassinate characters and plot to have a happy ending that insults your viewers.

They turned Zaun (its own cool character) into the bargain basement of Piltover. How is it sunny and pretty? Really? Mirror tricks? Everyone just forgave Piltover after years of oppression?

You're telling me Vi's death saved humanity? Fuck that shit right now. Piltover just stopped because a kid died? Suddenly everything became better? What happened to Jayce? Viktor? Hell, Hermie after decades didn't give two shits about Zaun, so what changed with the Council? Where's Singed? I don't buy it.

I don't buy Jinx/Powder being super normal smart girl. I LOVE JInx, but I believe she had mental issues prior breaking into Jayce's apartment. I don't think Vi's death made that go away (as I don't believe Silco's death did either). As someone who battles with mental health, this is insulting to me as a viewer.

I hated AU Silco. There. I said it. He just forgave Vander? Really? Bullshit. The reason Vander tried to kill him is stupid. A simple letter changed Silco? That fluffy-haired softy is not Silco. I can't imagine that Silco being the one who fought a rebellion. He probably would not have become a mob boss peddling drugs but this AU softboi dad feels so wrong. I never would have stanned AU Silco. Not in a million years.

S1 Silco's traits didn't magically appear because Vander betrayed him. The young S1 Silco had to be similar in many ways to older S1 Silco. Drive, ambition, ruthlessness, willing to die for a cause. I don't see Felicia's death changing that. I certainly don't see Vi's death changing that.

If Vander needed to kill Silco to stop the violence, etc, it's because he saw Silco as a threat to him or society as a whole. S1 Vander is known as The Hound. So, he seems to be violent as well. He takes credit for building the Underground when Felicia credits both 'bozos' for it. So Vander being upset she died and blaming Silco to the point of murder is a slap in the face to fans' intelligence.

I do hate that by Vi's death, everything is magically better. I can't express how much I hate that. AU Powder was irritating and was nothing like my Jinx that I love. Again so much wasted time that could have been better spent on good character driven scenes that actually advance the plot.

Pointless characters. Introduce Isha (who I adored). Make her seem important to Jinx. Kill her and never mention her again. So what was the point of her inclusion this season? Just to make Jinx suicidal? I hated that also. Again WASTED SCREENTIME.

Oh, and Caitvi was a disgrace. I think shippers deserved better here, too. Caitlyn goes crazy dictator because of guilt over her mom. Granted, Caitvi only knew each other for a week-ish? Not a lot of time to make their relationship serious past an infatuation. Cait turns from all her good points last season to Ambessa's padawan.

Don't get me started on that side piece Maddie. Really? Cait you were that hard up? And that long awaited sex scene was a big eye roll. Vi goes to her sister, and shit goes to hell, and a few minutes later, she's fucking Cait in the same cell. Vi was reduced to shit this season.

I mean, these characters just got shafted in every way for a high speed train wreck ending that we've seen a million times in Disneyfied stories. Action sequences were more important than actual character development and plot.

You can't make me believe that one speech from Jayce 'seeing a possible future' suddenly got Zaun to work with and dress up as Piltover soldiers? Really?

I had high hopes for Sevika, and the girl got shit nothing to do except in two episodes. Her seat on the Council feels like a last-minute decision and not worthy enough to expand on.

What made S1 so great was the class divide between Zaun and Piltover and how it affected the characters. S2 decided to scrap that and go with the easy good vs evil trope instead. Even the parallels didn't have the same hit as last season.

I did like Jinx talking to her 'ghost' Silco in the jail cell. He was calming to her in contrast to Milo/Claggor except the implication that she should die (that's what I got out of that).

We didn't even get much from Singed. Yeah, he got his daughter back (in some form) but his story was so blah. We didn't get nearly enough of him and Warwick and what made Warwick.

I guessed a few years ago it was going to be Vander but I didn't like how it was handled.

Too many plotlines all rushed together without getting any decent screentime and explanations that don't confuse or insult viewers intelligence. OR you have to be a LOL fan/player to understand. I never played LOL before S1 and wasn't confused as to the main plot.

I loved all the characters in S1 and felt they were pretty much watered down or assassinated in S2 for an apocalyptical Demigod villain vs humanity battle done to death finale.

The Zaun/Piltover political-societal problems, parallels, corruption, science going wrong, pathway to hell paved with good intentions themes from S1 was so much better in every single aspect.

I'm still a fan of S1 and the characters and frankly, I'm going to ignore 95% of S2.

[psuedosugu]

thinking about suguru with a witch-hunted reader.

“she’s a witch, she has to be!”

“she’s unholy, impure.”

“that girl, she has the devil in her.”

-regular whispers you heard from the inhabitants of the remote village you lived in, their judgmental gazes piercing into you, as they sensed your cursed energy, as they sensed that something was wrong with you.

you learnt to stay indifferent to their words, or at least to look the part, but you would be lying if you said it didn’t get to you sometimes. you often dreamed of leaving for the city, but you had little money and life would be hard, perhaps one day, though.

perhaps their observations weren’t of zero substance, though. while it might not have been particularly demonic, there was something unnatural about you. since the age of 8, you had seen these……things….lurking in the corners and in the dark. they were horrifying, and they only grew more hideous as you grew older.

then, at about 14, you realize that you had this strange connection to the world, particularly the oxygen around you. as you learnt how to harness your powers, you were able to create wind with nothing but your hands, and as your power grew, you realized you could do so much more, condensing air enough to lift, slice, and squeeze items, it was beautiful, but dangerous. you couldn’t let anyone know about your abilities, you couldn’t prove them right.

you slipped up though, of course you did, you couldn’t keep this part of you locked away forever. they had their proof now, they had their warrant to lock you away, planning to burn you on the steak for all to see, for all to celebrate the death of the witch. they didn’t really think it would be that easy, did they?

you killed them, the day of your execution. you killed the executioners and the onlookers, leaving only few to run away. you looked around at the chaos you had created, dead bodies limped everywhere. you were alone, so what now? you grabbed your belongings, stole some money (the townspeople were dead, its not like they would miss it, anyways), and set off on a bus ride, determined to make yourself a life. this was a new beginning, you thought, you were leaving everything behind.

this proved to be harder than you thought, though. with the money you had pocketed, you were able to stay some cheap motel at first, so atleast you weren’t sleeping on the streets, but your money wouldn’t last forever. you resorted to bussing tables at an old diner. the pay wasn’t great though, and you found yourself feeling isolated. you had no one to help you here, you were foreign and alone.

the day you got kicked out of your motel room, you were sitting in a park, unsure what to do, when a strange man approached you. he was tall, with long hair half up, half down, and a strange aura to him. “are you [first-name] [last-name]?” he asked with a kind voice. you eyed the man with distrust, but nodded anyways.

“ah,” he said, “ive heard so much about you. i suppose i should introduce myself. im suguru geto.” he smiled. suguru had heard the hushed bickering of a curse user, one who wiped out a whole village in self defense. he found you intriguing, and a perfect addition to his cause, his mission to eradicate all non-sorcerers, or monkeys, as he called them. “…what do you mean, ‘you’ve heard about me?” you stammered out, eyes slightly widening. he ignored your question, instead asking “do you have a place to stay, miss [last-name]?” you shake your head no.

“well, you can come with me if you’d like. i have a place you can stay, with other curse users.” of course he didn’t tell you the fine print yet, he needed to rope you in first.

you messed around with the words ‘curse user’ in your mind. so thats what people like me were called? you also played around with the idea of trusting this man. he came out from nowhere, and his offer sounded too good to be true, but you couldn’t wave away the comforting feeling he radiated. he was like you, and things couldn’t get much worse than how they were now, you thought, so that settled it.

you went with the strange man, unsure of what would happen to you. little did you know, you would be getting sucked into a life-altering decision.

pt 2 is coming eventually guys dw!!