#she has an amazing style of doing things and is a complex character despite many surface annoying traits

[truestfeeiing]

idk why people say misa is stupid. she played her cards amazingly as the second kira to get light's attention, she thinks on the fly at the yotsuba arc to follow up on and protect matsuda, she has strong initiative to trick higuchi on her own and uses rem to her advantage, she blindsides mogi by doing a switcheroo with her friend... and the whole time she has one strong value: love.

in the end, she even starts a cult for kira to continue his legacy. in addition to being, essentially, the final girl, she is also a strongly principled character with her own ideas of what to do. i'm misamisa defender until i die!! <3333

[xiaoshengnu]

𝕸𝖞 𝕵𝖔𝖚𝖗𝖓𝖊𝖞 𝖙𝖔 𝖄𝖔𝖚 (2023)

overview : episode no - 24 | genre - wuxia

yun weishan has only ever known darkness. brought up and honed from a young age to become a spy under the mysterious sect wufeng, she longs for freedom. the drama begins as she is sent on a mission into the gong family, the enemy sect of wufeng. if she succeeds, freedom she gets. surrounded by schemes and treachery with possible death looming on both sides, yun weishan must navigate the dangerous waters of the gong family and her own turbulent emotions towards her target, gong ziyu.

l⃣e⃣ t⃣’ s⃣    b⃣e⃣g⃣i⃣n⃣

YALL THIS DRAMA. THIS DRAMA. this drama was simultaneously the worst and best thing I have experienced in a long time. however, if I could only use one word to describe this drama, it would 100% be stunning. the drama is absolutely stunning. from the music to the costuming to the makeup to the actors- this drama's visuals is quite frankly something never seen before in chinese dramaland- its so dark and brooding and so cool. the plot on the other hand...? let's get into it.

o⃣u⃣t⃣     o⃣ f⃣     t⃣ e⃣ n⃣

𝖕𝖑𝖔𝖙 - 3/10

𝖆𝖈𝖙𝖎𝖓𝖌 - 7/10

𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘 - 7/10

𝖕𝖗𝖔𝖉𝖚𝖈𝖙𝖎𝖔𝖓 - 10/10

𝕠𝕧𝕖𝕣𝕒𝕝𝕝 𝕒𝕧𝕖𝕣𝕒𝕘𝕖 - 6.7

o⃣u⃣t⃣    o⃣ f⃣    f⃣ i⃣v⃣ e⃣

𝖍𝖎𝖉𝖉𝖊𝖓 𝖌𝖊𝖒 𝖛𝖆𝖑𝖚𝖊 - 💎💎💎💎💎

[ honestly, this drama is pretty unique I have to give it that much. in every way. the characters? the premise? and the style? I think the visuals alone grants it it's five gem value. ] 

𝖗𝖊𝖜𝖆𝖙𝖈𝖍 𝖛𝖆𝖑𝖚𝖊 - ✨✨✨

[ despite the plot that is quite literally held up by like two stitches, I would probably rewatch it for the characters, but probably not think too deeply about the drama's construction as a whole because honestly- it would frustrate me to no end. ]

‘keep reading’ for detailed review

 𝖕𝖑𝖔𝖙 - 3

okay- hear me out y'all. I know people absolutely LOVE this drama and I am one of them, but I have to admit the logic in this plot sucks ass. like it really sucks ass. recently i heard a youtuber describe the characters as people who thought they were zhen huan but in reality were just a bunch of xia dongchuns and it really made me laugh- and guys... unfortunately, its true. some of the methods that the characters use to scheme and idk "verbally spar" honestly were just so- sigh. so ridiculous.

generally speaking, I felt that the drama didn't really have a "thread" or a central purpose, which I think is mainly a result of the build up to the ending. it failed to answer so many questions and instead made it worse by creating even more. overall, the plot kind of just felt like wading through a gigantic mud marsh with pointless confrontations and plot points popping up everywhere. the scriptwriters gave the drama a super complex framing that they just weren't able to do justice. two powerful sects and two people from completely opposing sides. one is an assassin-spy that initially (?) yearns for freedom and one is the leader of the sect that she is trying to destroy. add to that all the scheming that goes on the gong family. and a lot of childhood trauma. that's a shit-tonne of emotion and plotting to deal with which you can't realistically develop to a good quality within just 24 episodes.

I also got the vibe that the scriptwriters were scared to pin point any of their characters down for the sake of mystery, which honestly instead of making the drama better, really just made it worse. so many characters' motives were constantly doing 180s and big revelations were thrown in without any evidence of it being interlaced with the rest of the drama (I'm looking at you Big Plot Twist At End of Drama). like, the general concept was amazing, show-stopping, fantastic, never seen before, but then came the execution and it all just sort of fell apart.though I did enjoy the plot and watched the show until the end, ultimately I felt that there was honestly just too many frustrating flaws to justify it getting anything higher than 3. I loved the drama all the same though, the concept, the music and cinematography was just insane.

𝖈𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘 - 7

ugh all the characters in this show where literally sO COOOLLL. they all had such distinctive characters, styles and personalities, it was amazing. honestly, literally never seen before. their tragic backstories were so so heartbreaking. while plot wasn't fantastic, the drama was pretty good at establishing and handling the characters and their emotional attachments to each other. its kinda funny to me that for a drama which marketed romance as it's main thing, the non-romantic relationships were so much better written. I loved yun weishan and yun que's relationship to their master han yasi and the relationship between xue chongzi and xue gongzi. and omg, gong ziyu's relationship to lady wuji? brought me to tears.

speaking of the romance department; I found it really hard to invest in the ships. while I approved of all the pairings and thought a romantic dynamic between them would be very interesting, it did feel like the storytelling was yet again lacking. I couldn't be sure wether I could really invest and ship the romance between shangguang qian and gong shangjue bcs both their motives were so unclear, and neither of their feelings towards one another were never really explored properly? and while I definitely understood yun weishan's attraction to gong ziyu, I didn't really get why gong ziyu loved her and risked so much for her which made some of his actions seem really silly and hard to stand by. overall, for the romance, i think I liked what it had the potential to be than what we actually got.

𝖕𝖗𝖔𝖉𝖚𝖈𝖙𝖎𝖔𝖓 - 10

Y'ALLL. time to talk about my absolute FAVOURITE part of this drama. THE PRODUCTION. the colouring, the lighting, the sets, the cinematography?? the makeup? the music? the costume design?? THE COSTUME DESIGN?? its quite obvious that a huge amount of the budget for this drama has simply been poured into the design, like I've seriously never seen a drama shot like this ever before and it was absolutely insane (though they definitely had to cut down on the cast and extras, the whole drama has this weird kind of empty feeling for a manor that is so rich and famous and so tightly guarded, like yun weishan didn't even get a personal handmaiden) I remember seeing the trailers for this show and literally screaming- the drama itself did not disappoint. I would even go as far to say that I would watch this drama completely just for the aesthetics.

𝖆𝖈𝖙𝖎𝖓𝖌 - 7

in my personal opinion, no complaints about the acting, it was pretty great. although it's pretty dramatic at times and everyone speaks at the volume of a whisper, at no point in the drama did I get taken out of the show by the acting. esther yu really slayed in her new assassin role which was so fun to watch especially since most of her roles thus far have been rather cutesy and light- and her marital arts scenes ate- in fact all the martial arts scenes ate in my opinion. I think even the side characters did fairly well, it was all very nice. no complaints.

.

.

𝖇𝖔𝖓𝖚𝖘!!

favourite character(s) : 

yue gongzi ( who doesn't love an angsty angsty man? he's literally the definition of that teary wet cat meme and I love that for him ) 

xue chongzi (yet another angsty man- you can see a pattern forming lmao- his arc at the end was literally so heartbreaking. one of my favourite characters from this show fr. )

.

𝖙𝖍𝖊 𝖈𝖗𝖊𝖜 (source mydramalist)

lead actors : esther yu, zhang linghe, lu yuxiao, cheng lei

director : guo jingming, luo luo

screenwriter : guo jingming

[maaaxx]

my wips are stressing me out so you guys have to hear about it

or not i dont care

Cots

literally fighting for my life out here with this new wip. I could have the first chapter (???) out in like a few days but like,,, i dont want to do that

but im also not getting any immediate dopamine from this so im having trouble working on it.

Im also scared of having a new audience because like aside from a set few people most of my mutuals know me from ihiap and yall are nice and new people scare me

I even gatekeep ihiap, like if you dont know me from ihiap your not allowed to know about ihiap

a lot more people read that fic than i thought and it stresses me out

off track

i do genuinely think cots is going to be better than ihiap because ive had like two years now to figure out how to interact with fandom and im friends with other writers not and have more of a grasp of my writing style than i did before.

so im really excited about this

but i have enough trouble updating ihiap idk about doing two fics at once

but if i wait until im done with ihiap thatll take like two more fucking years

and ill lose focus

and wont do this fic

again, getting off track.

theres still so much that im not sure about with this fic. Like Zuko I think is the main character

But Sokka is EXTREMELY relevant

so i think im going to split the povs

But theyre at opposite ends of the world at any given time and sokka isnt going to (physically) be doing much.

so im not sure how to approach that

also i have no clue what the fuck kataras doing

like miss girl has two options and what she chooses will DRASTICALLY change the story like SHE controls the plot not me.

Sokka and Zuko are just there for the ride

Azula is also going to be relevant

like the story is about them 4 no one else matters

except aang maybe but like hes actually the avatar in this so thats a given

my first story where aangs the avatar!!!

also outlines are hard

and prologues are hard.

Ill be back with more complaints later

Ihiap

I have a love/hate relationship with ihiap. The characters in it are amazing theyre my favorite people ever. Some might make a cameo in cots, i havent decided yet.

REasons i hate ihiap:

-I accidentally stole half my ocs i talk about this a lot and ive been reassured but im not going to get over it. I hate myself

-Its so badly written like half the time There are some parts that i absolutely love and some that make me want to delete the entire fic. Like ive actually considered it multiple times. I hate it so much, so much second hand embarrassment. Is it second hand embarrassment if I'm the one who wrote it???? -Zuko is so ooc he might as well be an oc

-I dont even know twf azula is doing Azula and Mailee is one of the plot holes that drives me nuts. Because like I wrote Ty Lee into a scene but miss girl is supposed to be in the circus by now. I forgot about that part. Also Theres a certain detail about Azula and MaiLee thats going to be very prevelant near the end of book 3 but i forgot to imply or write that in so thats going to come out of no where. -most major events were impulsive and had no value to the actual plot Examples: That stupid soldier dude, the islands thing. I hate these parts and im going to write them out eventually -PLOT HOLES Reasons why Ihiap is the best piece of literature ever written:

-Relationships and characters

So the thing is despite the fact that theres so many things im bad at doing in writing/havent had enough practice yet, there are things that I know that I am great at writing.

One of these things is delevoping relationships.

I'm really good at making people and relationships very complex and this isnt something that someone can change my mind over, like this is something that i love the way i do it.

This is one of the only redeeming qualities of ihiap.

-I love the plot.

I really want to redo this to do the plot justice because i do think it has potential.

Overall i think that ihiap has more good than bad but the mad really does bother me. If your ever rereading and there seems to be some stuff missing or changed its because im eventually going to go through and edit the shit out of it.

As of now the next chapter (chapter 14) has like 600 words. Chapter 15 has i think 445 and chapter 16 is completely done, chapter 17 had like half a sentence, then were done with twbb.

Chapter 16 is where stuff gets interesting.

Im perfectly aware that TWBB is boring but it was meant to be. I needed it to be for Zuko to not go insane and then also develop Tomnooks relationship (because believe it or not theyre not COMPLETELY self indulgement and they are important) and also Sokka and Katara and Zuko needed that sibling relationship. So i needed like a 17 chapter book in between the two main books for that stuff.

I'm so excited for the next book. Especially like the second half. Its also (most likely) going to be updated a lot more frequently than twbb. Twbb was a pain in the ass because there was very little actual plot and it was just day to day stuff. So i had nothing to go off us.

Like Book 1 was all about the crew and Zuko to kind of learn and build relationships and shit and Book 3 is going to be a lot easier because it has a lot of actual plot and a goal and shit.

Totp

" idk about doing two fics at once" miss girl you already are supposed to be doing two fics at once.

Im not even trying with this fic, if your invested, im sorry. I've thought about deleting it but i decided against it just in case i want to come back to it.

Its not looking good though.

This is what happens when i dont outline my fics

[greensaplinggrace]

do you have any darklina fic recs?

I certainly have a few! But first I want to clarify that I don’t really read fic when I’m writing it, and since I have so many fics in the works right now, I haven’t really been reading a lot of fanfiction. So this list probably won’t be as extensive as it could be.

Here are some other great fic recommendation posts, however:

DARKLINA FIC RECS by @vicioux

DARKLINA FIC RECS // part ii by @vicioux

Darklina Ruling the World Together Fic Recs by @clubofthestarlesssaint

Tumblr Ficlets

Aleksander’s First Memory by @kestrafagnor

Fivan Talk About Darklina by @jomiddlemarch

a little light in the great, big dark by @valkyrhys

Alina tells Mal she’s with Aleksander by @lorsanbitch

Darklina week day 5: intimacy & touch by @starlesscne

AO3 Fanfiction

if it ain’t me by larry_hystereks (Incomplete - 10/13 Chapters)

alina’s in her second year at Yale when she meets aleksander at one of his frat parties.

a hookup with the potential for more, only if alina wasn’t still struggling to piece herself together from last year’s breakup.

or: alina, zoya, their trust issues, and the men that fall for them

---

I’m only at about chapter 6 of this fic currently, but so far it’s one of my all time favorite Modern AUs. The characterization for Alina and Aleksander is incredibly well done, and the entire fic itself is so feminist and queer in such a refreshing way. Aleksander and Alina are bisexual as fuck, both with their own separate complex lives, and much of Alina’s own traumas and relationships are explored outside of Aleksander.

There’s some Zoyalina, with Nikolina friendship and endgame Zoyalai. There’s some mystery and some tension, but nothing too extreme, and a lot of the fic is merely an exploration in growth and overcoming one’s history and learning how to move on in healthy ways. I love it.

She Wears a Collar (With My Name) by Ceris_Malfoy (Complete)

She is immortal, and whatever lingering hints of humanity she may have once had have long been bleached from her heart.

I will grant you one wish, boy, if it is in my power to do so. What does a Shadow Smith most want?

"You," he answers.

Written for Darklina Week 2021 - Day 2: Role Reversal

---

This piece is just exquisite. This author’s writing style is one that I particularly enjoy. Their stuff is always so uniquely composed and crafted, and this one especially is a work of art. The way Darklina as a relationship is portrayed in particular is fascinating to me because it’s a role reversal but it’s still so complex. Aleksander’s character is nailed.

the bright sun was extinguish’d by athousandwinds (Complete)

Somewhere, deep in the dark forests of Ravka, a boy grows up on stories of Sankta Alina of the Wastes, the Sun-Scorched Saint.

---

This fic is just straight up magnificent. It’s so engaging and I love love love the way a role reversed Aleksander who joins the army is portrayed. He reminds me so much of Demon in the Woods Aleksander, as if he’s exactly what a grown version of that young boy would be. When I say I adore his characterization in this I’m not lying.

If I wanted any completed fic I’ve read to have a second chapter, it would be this one.

Winter in the Little Palace by redisxwing (Complete)

Written for Yuletide 2020.

Baghra and Alina's wildly different perspectives on the Darkling, and how things could have gone if nobody listened to Baghra.

Warning: Baghra is written as a harsh and arguably abusive parent, and this is darkfic about that relationship, with a side of shipping. Everything is terrible (except the parts that are pretty much okay).

Canon divergence pretty much as soon as Alina gets lessons in summoning.

This fic is likely not compatible with King of Scars (or any subsequent work).

---

As is said in the summary, this one makes Baghra a bit more extreme. If you’re a fan of Baghra, this fic probably isn’t for you. But since I’m not a fan of Baghra, I had no problems with it.

My biggest praise for this fic is in regards to the character interactions and the POVs. There’s a brilliant grasp of unique perspective and how to convey it, and that talent is carried over into the way character interactions are brought to life in the text. Also, there’s a scene where Alina gets kind of protective of the Darkling, which is one of my biggest weaknesses when it comes to Darklina.

Good Ideas by FelixRivers (Complete)

Alina Starkov had a very good idea. Aleksander Morozova would definitely agree. (or: Alina wants to go camping and Aleksander won't complain)

---

This fic is just straight up adorable and hilarious. They’re such a cute couple and Alina’s POV is great. It’s just pure fluff and humor 💕

I’m not a bad girl, but I do bad things with you by SanktaJenya - @sankta-arya (Complete)

Winter had been hard on Old Baghra and Ana Kuya was worried about her, so she decided that Alina should make the trip to her cottage on the other side of the woods to bring her some food and kvas. On her way there, Alina meets a stranger...

Darklina Red Riding Hood/Company of Wolves AU

Darklina Week, Day 4, Fairytales

---

This fic has a splendid grasp of tension and atmosphere. It’s very enchanting and dark and intriguing, and it nails those aspects with absolute precision. I love the style and the way the fairytale is incorporated into the narrative. It’s truly a masterpiece.

The Wretched by @aceofnowhere (Complete)

“We are strangers, but I want to help.” He growls at her, mocking and mistrustful. “I understand,” she said. “You think I am one of them. I certainly look like one of them. But I want to help you. Will you let me?” Prompt: fairytale. Alina saves a dragon.

---

Okay so I’ve mentioned this one before as one of my Top 5 fics of all time and I still stand by that. I can’t even describe why I love this fic so much except that the pacing is amazing and the prose is stunning and the story is beautiful. Aleksander is a dragon and Alina is a witch, and their relationship is just so...interesting and fascinating and lovely. I would literally kill for this fic. There’s such a softness to it as well. Such a tenderness. Idk, I just really love it.

Show Me Who You Are (I Want To Know) by Ceris_Malfoy (Incomplete - 12/?)

Alina takes her future in her own hands and makes her own decisions.

---

This is a great “what if Alina had stuck around after the reveal” rewrite. It doesn’t have Mal bashing and in fact still writes them as close friends, which is something I’m fond of in Darklina fics. Aleksander is allowed to be soft and Alina is allowed to be powerful, and I really enjoyed the take on their dynamics as a power couple wherein Alina is given a lot of control.

There’s something to be said for the way Aleksander is written in the scenes where he must be honest and earnest with Alina. I really enjoy the way they both come to equal ground, and I’m even more fond of the way Alina is allowed to grow darker without losing her light. She also engages a lot with quite a few other characters, developing tons of friendships and alliances on her own that help strengthen her as an individual character.

on this bridge between starshine and clay by @rhea-imagined (Complete)

"His breath narrows for a moment, his fist clenched tight before he forces himself to loosen it. She is his only opportunity for salvation, but vulnerability is not a cape he wears easily. “In those days, there was less prejudice against Shadow Summoners. But everyone fears the dark, in one way or another.” He does not look at her as he waits for the penny to drop, half-hoping it stays suspended in the air."

In which Alexander comes clean to Alina and tells her about his true identity in hopes that this will help convince her to take down the Fold.

A rewrite of the fountain scene in episode four, with a good!Darkling that is trying to make amends.

---

This is my all-time favorite good!Aleksander AU. He’s kept in character despite the major changes made to his motivations, and Alina is given a lot more agency in her own story. It’s the first fic in what might become a series, but it can stand alone beautifully.

I love how Aleksander and Alina’s relationship is allowed to grow tense without breaking, and how it’s a clear sign of change but not abandonment. I love how both characters are able to think for themselves and become self-aware and are given the chance to think critically. I love the character interaction so much because it’s honest and fresh and engaging. Everything from the smallest action to the most off-hand thought is in character and meaningful and incorporated with an amazing style of writing. It’s a very refreshing piece, and the writing only makes it that much better.

Bunnies of a Feather Stitch Together by Ill_Ratte (Complete)

"Just as Alina called to the light, gathering and twisting it into a ball in her hands, the door swung open.

Kirigan blacked out the door frame. His appearance enough would have surprised Alina, but there was something clutched in his arm, something dark and floppy. It almost looked like the stuffed toys that had been passed around to the younger Orphans." - Alina and The Darkling bond over a love of soft things

---

Soft stuffed animal shenanigans. Bits of trans!Aleksander, which I’m very fond of, as well as just a lot of fluff with a bit of something bittersweet and sad in a good way.

Half Lie by Ill_Ratte (Complete)

"Baghra always talked of the demon that had stolen her daughter." Or, Alina learns the hard way that the Darkling isn't the only one who deals in half-truths

---

This one is trans!Aleksander, and it handles it in a very interesting way. It’s quite sad, and deals a lot with Baghra & Aleksander’s relationship through Alina’s POV. I want to give a warning for transphobia, because it does center around that a lot as the premise, but it really is worth the read if that isn’t a trigger for you. This is one of my favorite trans!Aleksander fics, and the way it handles emotion and grief and pain is quite extraordinary.

The CEO and Helioseismologist by mrthology (Complete)

Aleksander Morozova doesn't get sick. He's the CEO of one of the most successful companies in the world, one that he had built from the ground up with blood, sweat, and tears. He exercised daily (usually), maintained a healthy diet, and kept himself fit.

He wasn’t sick.

Too bad no one believed him. And too bad Genya decided to call Ivan to take him home before also calling Alina to take care of him.

Maybe, just maybe, being sick wasn't so bad. Especially not when he has such a wonderful girlfriend.

---

Both of the fics in this series are great, but I love this one in particular because I’m an absolute sucker for hurt/comfort. Anyone who’s been on my blog for a while knows that it’s my all time favorite trope to read, and this fic fits the hurt/comfort trope to a T in the best of ways. It’s very tender and in character, and Aleksander and Alina are so soft with each other. It’s adorable and really makes you feel for Aleksander, and the caretaking is done perfectly.

All the different layers of dark (thousand little suns) by Anuna (Complete)

One month after the Winter Fete, Aleksander returns to the Little Palace, and Alina has been missing him.

Or

Episode five canon divergence in which Alina had never left Os Alta.

---

This one is soft emotional hurt/comfort smut. They’re both so open and vulnerable with each other, and it’s so beautiful to read. I love the writing style and the emotion in this one. It makes my heart ache in the best way.

An Honourable Man by liviy695 (Complete)

A reimagining of the scene after the winter fete. Alina catches a glimpse of a caring Darkling after he returns from integrating the Conductor. Plus, no Baghra interference.

---

This one is what it says on the tin, in that Baghra doesn’t interfere and they’re allowed to talk after the Darkling interrogates the Conductor. But more than that, it’s a great imagining of how a scene where Aleksander reveals Marie’s death would have gone. There’s a sort of quiet to it that I appreciate, with grief and solemnity weighed against care and vulnerability.

I see the real you (even if you don’t, I do) by Anonymous (Incomplete - 8/?)

A series of questionable decisions lead Alina to meet the Black General a bit earlier. Butterfly effect ensues.

---

I’ve only read half so far (I hadn’t realized it had updated!! 👀👀) but I’m already in love with this fic. Alina’s dialogue and perspective is perfect, her relationship with Mal and the other cartographers is great, and I really enjoy how much personality she has. Aleksander is so smitten, but more than that, his characterization is soft but not weak. It feels almost as if he’s swept up by Alina, instead of the other way around, and I quite like that.

Of parenting by Anuna (Complete)

Alina finds out how her husband handled yet another parenting situation.

---

This is pure adorable Darklina parenting fluff and I live for it. Yet it doesn’t lack depth and in fact explored Alina and Aleksander’s relationship with parenting quite well.

i have a longing by LRCee - @ladylyannastark (Complete)

“So, Alina Starkov, risk-taker, how did you end up being editing’s newest wunderkind?”

Alina Starkov is rising in the publishing world. Singlehandedly responsible for editing (see: rewriting) the hottest book of the year, she lands a coveted spot at Morovoz Publishers. It's the position she's always wanted, at the biggest publishing house in the country. Life is perfect. That crush on her boss though, that's gotta go.

---

OKAY! I LOVE THIS ONE SO MUCH!! Let me tell you, as someone who is not too fond of Boss/Employee dynamics, I was very wary going into this fic. But boy did it deliver in a way that was perfect for me.

The relationship that develops between Aleksander and Alina is complex but healthy, and it never feels as if there’s too much of a power imbalance or anything that would make Alina feel forced or unhappy. The tension lies purely in how she fears others will perceive her, and not in how unhealthy her relationship with Aleksander is. For somebody who’s often attracted to unhealthy ships, I have to say that my favorite fics are usually ones that don’t have that type of dynamic between the characters. This fic delivers on that.

Also, Aleksander’s POV surrounding his struggle with his Russian heritage and his feelings for Alina is amazing, and has some of the best writing and characterization I’ve seen.

You receive: an evil demon; I receive: human souls by @aceofnowhere (Complete)

The next morning while she tried to tell herself it was a dream, that of course there wasn’t a fucking demon in her house, she found a note taped to her fridge.

“You might eat this shit,” it had written, “but I would like some fucking souls please.”

Darkling Week Prompt 7: free choice. Alina has a demon in her house.

This is absolute crack, and I have no idea what the fuck is wrong with me.

---

May I just say that this is the most fun I’ve ever had when reading a fic. It’s interesting with a bit of mystery, and Aleksander as a little shit of a demon is hilarious. Alina in this fic is great too. It’s such a unique take on her POV, especially when you reread it after knowing the ending. 10000/10, this fic is brilliant in every way and I love it.

I had been lost to you, Sunlight by BrytteMystere (Complete)

A Girl became a Woman, became a Sankta, became a Goddess.

Or: An Immortal Alina calls upon merzost to reunite with the Prince of Shadows she lost long ago. She may have lost herself in the process.

But then again, maybe time and endless wars did that instead.

---

You really just have to read this one to get it. It is utterly haunting and fascinating in the best of ways. The writing style is strange and novel and fits so well with the story being told. The composition of the fic as a whole is genius.

I Look Inside Myself (And See My Heart Is Black) by Ceris_Malfoy (Complete)

"When is a monster not a monster? Why, when you love it, of course."

Written for Darklina Week 2021 - Day 6: Favorite Quote • King & Queen • Monster

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Once more, this author comes through with an absolutely breathtaking writing style and story. The imagery is elegant yet brutal, simultaneously horrifying and glorious. There’s a certain way these stories are written, like fairytales, where the beautiful becomes the macabre and becomes ever more stunning because of it. It’s very dark but in a good way - an almost bewitching way.

Afterlife by @aceofnowhere (Complete)

“You are asking me to leave?”

“Not asking, shadow,” she said. “Telling. Time to get unlost, loser.”

Day 3 Darklina Week prompt: Modern AU (I mean, barely)

Alina expels ghosts from purgatory.

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@aceofnowhere once again bringing the best of the paranormal to the Grishaverse. Literally everything you write is amazing idk why I’m even pointing out individual fics when I could just rec your whole page. But anyways!! This is fun and interesting and Alina is a badass. Aleksander is, of course, compelling and dark and kind of a little shit, and it’s all incorporated seamlessly into an existential paranormal narrative.

Once Upon a Shooting Star by Ceris_Malfoy (Complete)

"But most of all, she was drawn to a vast darkness that reached out above all of them, a void so hungry for companionship that she knew she could fulfill."

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Let. Alina. Be. Feral!! Anyways, I clearly have a type when it comes to storytelling, and it’s whatever the fuck this person has got going on. Feral!Star!Alina is literally the light of my life. Her interactions with not only other people but the world in general are so well done, but my favorite parts about this fic are the numerous ways her relationship with Aleksander is described and depicted.

I love the dark and light imagery, especially with how it’s portrayed as them filling in the gaps of each other’s lives and supporting each other instead of trying to block each other out. There’s such clear passion and joy and love and devotion between them. The central focus of this fic is on her and Aleksander’s relationship, the interplay between them and their powers and the way her light fills his loneliness, the passing of adoration and trust and reliance between them. It’s very beautiful and I love it.

A Blaze of Light by Keira_63 (Complete)

They discover the Sun Summoner in the burnt-out remains of the Shu laboratory in which she has spent the last seven years of her life.

Or, the Darkling finds himself with a Sun Summoner whose greatest wish is to burn Shu Han to the ground. He is happy to oblige her.

---

👀👀 Badass Alina and Badass Aleksander. The ultimate power couple, and Alina burning a path through Shu Han before they both burn a path through the world together. The darkness and rage in this one are handled very well, and the way that rage turns to coldness and then resolve is done so well. This fic is very cathartic and also very furious, and reading it is certainly a trip down emotion lane.

One more for the Road by Rist (Complete)

He returns to the war room shaken, and finds an Alina that cannot leave without at least having tried.

---

This one hurts so much but its soooo gooood!!! Very smutty but also very tender and very bittersweet. Sad and soft all at once. I just... love the way Alina and Aleksander are written so much, and Alina’s complicated feelings for him are explored in such detail and depth. This one is truly worth the read.

[immaturityofthomasastruc]

Gabriel Agreste: Interesting Villain, Horrible Character (400 Follower Special)

I'm honestly surprised more people didn't want me to talk about Gabriel, especially with how often I rag on how horrible of a person he is. But, three character analysis posts later, and we're going to talk about why the main villain of Miraculous Ladybug is a real letdown.

Gabriel Needs to give the Whining a Rest

The interesting thing is one of the few things I actually liked in Season 3 was Hawkmoth. His plans actually made sense (for the most part), and by playing the long game, he managed to turn Chloe against Ladybug and deprived her of several key allies. Granted, Season 4 immediately undid the latter, but I was still impressed by his strategy.

Generally, one of the better aspects of Gabriel as a character was just how over the top he was as Hawkmoth. Keith Silverstein is clearly giving it his all with his performance, and he is just so enjoyable to watch as a cartoonish supervillain.

And therein lies the first major problem with Gabriel as a character. While he is fun to watch as a simple supervillain, the show tries to give him more depth and unintentionally makes him worse.

In Season 2, when it was revealed that Gabriel was Hawkmoth, many fans speculated on what he needed the Miraculous for, until the Queen Bee Trilogy showed it was to save his possibly dead wife, Emilie. The idea of that is so the show can give more depth to its main villain, and I think it's an interesting idea in concept. After all, the road to Hell is paved with good intentions.

The problem is just how radically different Gabriel is normally compared to how he is as Hawkmoth. He always goes on about how he's “doing this for Emilie”, but it's hard to really sympathize with him when you consider he constantly gives evil monologues and evil laughs, really getting into the supervillain role. And let's not forget all of the “I'm going to wear Ladybug's skin as a suit” faces he loves to make.

Clearly this man is the picture of mental stability.

Gabriel's motivation for being Hawkmoth when compared to what he actually does as Hawkmoth is shady enough, but the thing is that the writers clearly want the audience to at least feel a little bad for him. They want to make the audience sympathize with him despite the way he acts with or without the mask. Without Miraculous Ladybug, he is routinely putting innocent lives in danger and never once shows regret for his actions. All he talks about is how “he's doing this for Emilie”, or that “he'll get their Miraculous soon”. There's no real reason to feel bad for him other than “because the script says so”.

Let's compare Gabriel to Malcolm Merlyn from Arrow. His big plan in the first season of the show is to create a machine that will cause an earthquake to destroy a crime-infested portion of Starling City, claiming to be trying to help everyone, but it's clear he is only doing it out of revenge for his wife getting killed by a criminal from that part of the city. In addition, throughout that season and future seasons, he always makes sure his plans lead to him benefiting in some way, showing he isn't just some noble man trying to achieve his goals with a less than noble method.

If we got some moments that showed that what Gabriel was doing was selfish, it would make him a more complex villain. But we don't get anything like that. What do we get instead? Well...

I Could Really Care Less About Emilie Agreste

We have known Gabriel's motivation has been to save his wife for a little over two years at this point, but at the same time, it's hard to believe that motivation because of how underdeveloped Emilie is as a character.

There have been a total of two lines in the entirety of the show that explain what happened to Emilie, and they're both vague as hell. One of them was from “Feast” that implied Emilie used the broken Peacock Miraculous.

Adrien: My mom used to have dizzy spells… just like Nathalie.

And the other that outright tells the audience what's happening to her in a clip show that most people will skip.

Nathalie: As I've watched Emilie falling deeper into an endless sleep, my sadness for her has deepened, too

That is literally all we get for an explanation, and nothing else. We have no idea of what she's like as a person or what her relationship with her family was like other than Gabriel and Adrien saying they miss her. Other than the way the narrative says she's important to Gabriel and Adrien, we don't really have a reason to care about her as a character. There have also been some lines that imply she went along with Gabriel's questionable parenting techniques, like how he was apparently only homeschooled as a kid (Origins) and never had a birthday party growing up (The Bubbler), so how do we even know if she's a good person? In fact, why not set up this question as a mystery to make the audience wonder if Gabriel has another reason to bring Emilie back?

It ultimately turns Emilie into a plot device and not a character that Gabriel and Adrien only bring up to make the audience feel bad for them, and meant to justify Gabriel's actions by saying that he's “doing this for his family”.

But hey, if he's doing this all for his family, surely Gabriel's redeeming traits come from his relationship with Adrien, right? Right?

As a Parent, Gabriel is Far From the Best

I've talked about this briefly before, but parenting in Miraculous Ladybug is written in such a black and white way, even by the standards of this show. Parents are portrayed in one of two ways. They're either amazing people who love and support their children unconditionally, or they're awful people who treat their own children like trash. And much like a lot of things in this show, there are times where the latter is treated like the former.

There are so many times where the narrative insists on making you see Gabriel as a troubled, but wellmeaning person who tries his best to be a good parent to Adrien, but it is far from the truth.

I'm not going to beat around the bush. Gabriel is a terrible parent. Like, he is awful at being a parent in so many ways, even before you find out he's Hawkmoth. In his first appearance, “The Bubbler”, he delegates getting Adrien a birthday present to Nathalie, his assistant. He literally can't be bothered to take time out of his schedule to get his own son a present for his birthday. And as the show goes on, he becomes more controlling and forbids Adrien from going out with his friends in other episodes (Captain Hardrock, Silencer). While this could be used to show Gabriel getting worse, it's never acknowledged in-universe, with Adrien continually defending his father essentially keeping him on house arrest.

“But IOTA!” You might say. “Gabriel has made efforts to bond with his son in some episodes.” While that might be true, most of those come right after his Akumas have almost gotten Adrien killed. He only hugged Adrien and made an attempt to learn more about him after Simon Says invaded their home, he only decided to watch that movie Emilie was in with Adrien after Gorizilla nearly dropped him off a building, and he only hugged Adrien again in public after he was turned into a gold statue by Style Queen.

In fact, let's talk about how Gabriel acts in the Queen Bee Trilogy. He actually decides to quit being Hawkmoth, but it's not because he realizes all the damage he's caused. Instead, he gave up because his “magnum opus”, a stronger than usual Akuma that only got the advantage on Ladybug ironically because of dumb luck, failed. Sure, he says he can't keep putting his son in danger, but he rarely ever acknowledges that he does so in the first place. When Riposte wanted to fight Adrien, Hawkmoth did nothing to stop her other than giving her a stern warning earlier on and nothing else. Where was this attitude earlier?

Hell, even then, he immediately goes back to being Hawkmoth as soon as he sees an opportunity, not even a day after his “mAgNuM oPuS” blew up in his face (because I guess Scarletmoth was just Plan B). If he made such a big deal about caring for his son, why didn't he try harder to spend time with him? Has he ever had doubts about what he's doing before? If Chloe didn't show up as Queen Bee, was he going to follow through on his promise and try to be a better father to Adrien instead of trying to get Ladybug and Cat Noir's Miraculous?

And yeah, the whole irony is that Gabriel is doing this for his family when he is unknowingly fighting his own son, which could lead to some interesting drama if done right. The idea of how Gabriel would react to his son being Cat Noir could really lead to some internal struggles for him to go through. But then we got “Cat Blanc”, which shows just how terrible of a character Gabriel is.

In an alternate timeline where he found out his son was Cat Noir, what does Gabriel do? Does he try to steal Adrien's Miraculous while he's sleeping? Does he reconsider his actions or realize he was endangering Adrien's life?

NOPE! He just decides to akumatize him all while emotionally tormenting him, before causing the end of the world.

This is honestly one of the most appalling things I've ever seen in any TV show, because it's basically an abusive father ordering his son to listen to him all while referencing his (kind of) dead mother to back up his point. And rather than use this to show how despicable Gabriel is, the episode decides to blame Marinette for this happening. Yes, according to the show, her present to Adrien caused several events to happen which caused Cat Blanc, but this logic makes no sense. It's like blaming the JFK assassination on the man who sold a gun to Lee Harvey Oswald, instead of, you know, Lee Harvey Oswald.

Not only was this episode yet another excuse to blame Marinette for something that wasn't her fault, it leads into the biggest problem I have with Gabriel as a character.

Sympathize with Gabriel? Surely, You Jest

After everything I've gone over regarding Gabriel as a character, after all the awful things I've talked about, are you really surprised that I don't feel bad for him at all?

Gabriel is just an awful character and a despicable human being, but the show just keeps wanting me to feel bad for him. It's just so hard to when you consider everything he's done has made him anything but sympathetic. I'm just saying, it's kind of hard to feel bad for someone who tries to start World War III with the only justification being “i'M dOiNg It FoR mY fAmIlY”, especially when he treats his family like crap.

The writers go out of their way to show how horrible Gabriel is as Hawkmoth/Shadowmoth, but they think because they throw in a few moments where he looks conflicted, we'll immediately feel bad for him. What makes so many people interested in seeing Chloe become a better person is that they can tell she's the victim of a troubled upbringing, and know that because she's only a teenager, she still has room to grow as a person, represented by having more honest moments of vulnerability. Gabriel is a grown man who once caused the apocalypse because of how terrible of a parent he is, and has even fewer sympathetic moments than Chloe does. Which one of these two is supposedly irredeemable? The answer may surprise you.

But the frustrating thing is that this kind of villain could have worked. Instead of making him this mustache-twirling psychopath, show how much Gabriel regrets what he has to do, but keeps pushing onward despite all the lives he's risking if it means that he can save his wife. Instead of making Gabriel like Lex Luthor, make him like Mr. Freeze, who is basic a better written version of him.

But as it stands, there's a good reason why Gabriel gets little to no respect as a character in the Miraculous Ladybug fandom, as a villain, or as a father.

[iamthekaijuking]

A review of Kaijumax and its themes

(trigger warning for mention of dark topics. Also Kaijumax spoilers)

Something that continues to amaze me about the kaiju genre is just how versatile it is. Its ability to mesh with just about any genre is no doubt a reason why it has persisted for what is gradually creeping closer to a century. And of course the best kaiju media always has something important to say sociopolitically, and indeed that commentary is part of its dna. From warnings of nuclear weapons, to failings of a current government, to nationalism and even the state of the economy. But these are usually topics that affect pretty much everyone. Very rarely do you see a piece of kaiju media that says something about topics more personal or about the people in society who have the least power.

Kaijumax is one of those few.

Created by @zandercannon (who I’m pretty sure has abandoned his tumblr) and published by oni press, Kaijumax tells a story of kaiju in a prison system, and the drama that entails. The kaiju are stand ins for marginalized groups and criminals this time, and while using city flattening monsters usually isn’t a good choice for representing these people, I think it works here because Zander has gone out of his way to make sure that humans are the ones with the power in this setting. The kaiju really do feel like minorities that society loathes often for hypocritical or even little reason.

Most review companies say Kaijumax is a cult classic (somehow it’s a classic even though it finished this year?) and this is a rare occasion where I agree with critics. Kaijumax is a must read if you can get your tentacles, claws, or whatever monstrous grabby grabbies you have on it.

So long as you can stomach it. It’s not gory or gross, but Kaijumax is one of the darkest pieces of media I’ve ever consumed in spite of its fun art style.

What I specifically want to talk about though is the messages it tells us and moments that define them. Of course this also includes spoilers.

Volume 1 sort of sets us up, and introduces us to everything. Usually we follow Electrogor and indeed he’s the main character in volume 1. Right off the bat we’re shown the brutality of prison life with gang violence and with nobody Electrogor can trust even though all he wants to do is get back to his kids and take care of them. Corruption and racism is rampant in Kaijumax prison. I should warn though that Electrogor does get r*ped off screen so that’s a potential trigger.

Volume 2 follows Electrogor breaking out to get back to his kids and one major theme for a few issues is…

Racism. There’s also quite a bit about the Thin Blue Line. We also see how Electrogor’s kids have been holding up in his absence and… it’s not the best. Electrogor and his daughter Torgrax produce uranium on their backs and in this setting uranium is a hardcore drug for kaiju. In order to make ends meet Torgrax has essentially been selling her body to support herself and her brother. She’s technically selling drugs but it plays out like prostitution. Despite the wild setting, this does unfortunately have parallels with real life. Many families in poverty have to resort to typically unsavory professions and crime just to get by.

Volume 3 has Electrogor and his family return to Kaijumax and this time it’s all about a gang war and abusive parents (Electrogor isn’t one of the aforementioned parents, don’t worry he’s a good dad). We also witness Whoofy (a Minilla expy) and his downward spiral due to his guilt complex over not being able to do anything while his father Apewhale and his gang destroyed cities. There’s also a bit of domestic abuse too.

Volume 4 shakes things up by showing us the women’s half of Kaijumax prison and we get to see some stuff about ptsd and more domestic abuse.

In volume 5 Pikachu’s ass gets the chair! Okay technically it’s a pikachu expy who’s the leader of a Pokémon and other mon games inspired gang. Most of the volume takes place in the court room and Pikadon’s case is morally grey, although he never tells anyone what actually happened and appears as a remorseless killer to everyone. He technically did kill someone cold blood and his reason for doing it was actually justified. We also get a bit of stuff about a character having been groomed (in fact that word is the title for one issue) and a Kaijumax inmate becoming horrified to learn that his boyfriend is the closest a kaiju can be to a pedophile; a literal child predator. Sprinkles the unidragon totally deserved to be choked to death for that.

Volume 6 is about an alien invasion touches on how the system in which we live in is absolutely fucked and that the true monsters in power do everything they can to stay in power and flatten anybody opposing them underfoot. This is the final volume and Kaijumax ends on a pretty bittersweet note. Telling us that the world we live in is ruled by complete sociopaths who will replace you at the drop of a hat, and that you have to play the long game and count your blessings.

Pretty dark stuff huh?

Of course Kaijumax isn’t all doom and gloom. There are plenty of fun and lighthearted moments, and my favorites have got to be when War of the Gargantuans expies perform the entire original godzilla film as a rap stage play, and when two team rocket expy lawyers in volume 5 show up fashionably late to court and perform the team rocket intro but lawyer edition. What I’m saying is Kaijumax can be fucking hilarious when it wants to, and is saturated in references and love for not just tokusatsu media but 90s animated shows and old anime. Some of these references are really obscure too. For instance I had no idea what Science Ninja Team Gatchaman was before reading volume 2.

Some of the references though are sprinkled into the dialogue through the various slang the kaiju use, which is very fun and clever. A lot of the dialogue references are godzilla related as that pretty much comes with the territory of being a piece of kaiju media, even if the setting of Kaijumax takes more after Ultraman. It should be noted though that in early Kaijumax these treaded close to actual slurs, but Zander and his writing consultant took note of this and laid off on the parallels, so if it seems a little much at the beginning, don’t worry, it doesn’t stay that way long.

At the end of every issue is also a few pages of extra stuff too, and this is where Zander does some Q&As and movie reviews, and tells you what little character you should keep in eye out for in the issue you just read. Sort of like a kaiju case of Where’s Waldo?. Usually it’s Grubbzo.

The art of Kaijumax evolves with each volume as well. With volume 1 being pretty good but by the final volume it has stylized and improved to such an extent that Kaijumax could be considered a sort of artist’s journey.

And speaking of art; I made fanart of my favorite characters!

Whoofy is actually pretty easy to draw but he was a lot of fun. Basically just a tube with limbs.

Here’s Kaijumax’s resident kind hearted hustler Giant Monster Terongo Terror of Pago Pago. He’s basically just a vaguely pterosaur shaped kaiju a la Rodan but I decided to see what he’d look like with more actual pteranodon anatomy. His color changes a lot over the story from blues to greens, so I took a middle ground and made him mint. I also tried making him throw peace signs but it just looks like he’s missing his thumbs.

And finally the main character of the show Electrogor. His design is really fun and has an early 2000s/90s monster feel to it. He’s obviously meant to be a nondescript bug kaiju but always thought that he could be a crustacean before realizing you could easily apply insect anatomy to him (so I guess still technically a crustacean). I also used Matt Frank’s art of him as reference too. He’s a little off proportions wise but I’m pretty proud of him.

That’s my Kaijumax review. Hopefully it was comprehensible.

[citrus-cactus]

Finished the story of Psychonauts 2 last week! It was really good. Like, REALLY, really good. I don’t have anything profound to say, but here are my thoughts if you wanna read ‘em. Obviously there are SPOILERS BELOW, so click at your own risk if you haven’t played into post-game! (FWIW, I HIGHLY recommend playing this game as spoiler-free as possible. And play the original, while you’re at it!).

Here’s a pretty tame spoiler that I don’t think anyone will mind me sharing though: RAZ IS A CUTE. JUST LOOK AT HIM:

Things I appreciated:

Raz asking permission before entering almost every brain

PET THE GOATS

BOBBY DANCE

Getting to see Whispering Rock a couple of different ways! Actually, the theme of showing events from multiple perspectives (and the different forms of trauma resulting from certain events) was really good.

Raz helping the Psychic Seven help themselves. The game is so gentle with these old damaged hippies. SO GOOD.

QUEEPIE AND FRAZIE and just… all the Aquatos, man. What a group.

The family being given space to grieve together (important) before yeeting their middle boy into the whirlpool (badass). And them still having a lot to unpack/figure out post-game. It’s complicated, man! Of COURSE they wouldn’t have it all figured out yet!

Larry and Pam! LOL.

SAM BOOLE, WTH. Best dialogue tree in the game??? XDDDD

WHOMST in-universe put the graffiti on the back side of the funicular? Oleander?? :O

I have not finished the Scavenger Hunt yet, so idk if Raz gets his clothes back. I’m betting not *shakes psychic fist at Norma* XD

Powers and combat were all really cool!

ANIMATION! ALSO!! REALLY!!! GOOD!!!!!

I’M STILL LOSING MY DANG MIND OVER RAZ’S ARCHETYPE, good god. Double Fine, you mad geniuses, how DARE you stage a Zim/Gir reunion in the year 2021??? If anyone has ever equipped the pin that mutes that delightful little paper lad, I cannot emphasize enough how dead you are to me XD

I thought Cassie sounded a little like Mona Marshall?? The credits proved me wrong, but there were several moments I thought “…maybe??” (I have a much easier time ID’ing her when she’s playing a boyish character than a woman, whoops!)

So much symbolism in the brains! “Subtle” is maybe the wrong word to use, but between some of the throwaway dialogue, the different subsections in each, and the different set designs, most of the mental states just felt more… complex? nuanced? than the first game.

I don’t actually know if I could pick a favorite level! Compton’s Cookoff was definitely the most unique (I would have appreciated the option to try the food challenges again, but “getting the best time” is obviously NOT THE POINT, so kudos to the game making it about the story/character and not about the player here!), and I really enjoyed the paper-and-book-aesthetic of Cassie’s! Bob’s boss battle was one of the most poignant, but the 60’s psychedelic aesthetic and Nona’s different layers were really creative and fun. I also liked that we got a few different styles for Raz (especially in the 2D sections!) but I always could have used more!

On that note though, CENSORS! IN!! SEQUINS!!! XDDDDDDD

THE MUSIC!!! My husband and I JUST realized that Peter McConnell scored the Sly Cooper series as well, so we have newfound RESPECT and AWE for this guy’s ability to write absolutely fantastic music in so many distinct styles and genres. Both of the songs w/ lyrics also slap.

The return/spiritual successor of Goggalor (Pootie-lor???). Amazing. Incredible. Did not expect it, loved it for how narratively important it was. The ending in general just made me quite emotional.

The post-game conversation between Truman and Lilli. Maybe I’m reading too much into it, but it absolutely RADIATES Tim Schafer dad/real-life daughter energy.

The Grulovia level was a really interesting way to introduce a villain. Based on every level previous, I was actually prepared for the game to offer some sympathetic facet of Gristol (such as finding out the ride was something he had been conditioned to think from a lifetime of hearing an idealized version of the story from his parents, and it was somewhere he would go to rationalize his actions despite not really believing them… or something), but obviously the longer you spend there, the more you realize it’s something he constructed himself, and he is actually delusional (er, delugional) about Maligula and his family’s legacy. Really sets up an interesting parallel with Raz, in a way. Gristol’s mental state is essentially that of a child… but Raz is an ACTUAL child, and demonstrates more maturity, empathy and understanding than both Gristol the kid (see the Mental Vaults) and Gristol the adult. Kind of amazing he was able to fool a whole building full of psychics for as long as he did (and I guess he was a fine mail clerk too??), but tl;dr I like how the game’s “true” villain is the only one who is unable to change/experience any sort of remorse for his actions (maybe the jury’s still out on Dr. Loboto though XD)

A little concerned that Hollis said Gristol’s fate was to be “experimentation,” and only corrected to say “therapy” when questioned by Raz. UM. This game does make it part of its point showing us the flaws in the Psychonauts, both as an organization and as individuals, leaving them in a bit of a mortally grey area (who are clearly mismanaging their resources if they have a whole Motherlobe of agents doing who-knows-what and their primary source of funding is running summer camps for psychic children). I am… definitely concerned about what Hollis said (as well as Otto’s assertion that he would be picking up where the Seven left off!), but I guess I can accept it as part of the theme that no one and nothing is perfect. Maybe that’s sequel fodder though??? (hey, I can dream about Psychonauts 3, can’t I? XD)

Genuinely though, I’m just… SO PROUD OF RAZ. He’s going to be such a good agent someday!!!*cries forever over one begoggled psychic acrobat son boy*

[purplepenntapus]

Rating Versions of Harry Osborn: Updated

Wanted to redo this post with a more comprehensive and inclusive list of Harrys

616 Comics: 

Just such a good and complex character. The OG Harry. His relationship with Peter just adds so much depth to every Green Goblin arc because of the inherent conflict of Peter knowing he needs to take down Norman Osborn, but not wanting to hurt or lose his best friend. (If you’ve read Kindred no you haven’t.) He’s still... ugly... I’m sorry 616 Harry... I love you so much but they did you dirty... Some artists do their best with what they have but... I’m not a big fan of western comic style in general so that doesn’t help. Has three failed marriages by the time he’s 30 because he’s gay and deeply closeted.  8/10

Spider-Man the Animated Series (1994):

The Harry plotline in this show reeeeally doesn’t feel earned, because the first time we see Harry having an active role in the show, he asks Peter to move in with him because Norman wants him to have a responsible studious roommate  (a detail from the comics I was EXTREMELY excited to see play out), and Peter comments that they barely know each other. Ultimately they live together for all of one day before Peter decides to move back in with Aunt May. The next time we see Harry, MJ calls him Peter’s best friend, despite the fact that we haven’t seen Peter hanging out with—or even MENTIONING—Harry since the last episode when they were basically strangers. Really it feels like he’s just there to cause romantic drama as the guy MJ graciously settles for when she gives up on Peter. I found the whole goblin plotline kind of boring and lacking in depth.  3/10

Raimi Trilogy:

I was never interested in Raimi Harry until after I started liking and exploring other versions of Harry, because I just thought he was kinda a shit friend. He’s a pretty strong character overall, but his motivations aren’t as obvious. He’s torn between his love of Peter as his best friend, and his bitterness towards Peter for being the man his father wished he was. I don’t think Raimi Harry really wanted MJ, he just wanted to get back at Peter in a way by taking someone that HE loved. However I feel like his characterization kind of sways back and forth between sympathetic and not depending on how he’s written in the scene, and it disappoints me that the thing that gets him to stop tormenting Peter is the butler telling him out of nowhere that Norman died from his own blade, rather than any real character development on his part. 6/10

Spectacular Spider-Man:

I still haven’t watched all of this show because I... can’t STAND this version of Peter... but I’ve watched many clips with this boy and he’s just... so sweet... He only wants to be loved and keeps getting his heart broken. Deserves better. On everything. He deserves a better father, a better best friend, better love interests, everything. I do really enjoy the way they incorporated 616 Harry’s drug abuse into this show with the Globulin Green, it was a very clever way to incorporate that aspect of his character, but tone it down for younger viewers. I’ve watched the scene of him getting “unmasked” as the Green Goblin about a million times it’s very good. 8/10 

Ultimate Spider-Man:

I love him. Most people fear drifting apart from those close to us, so watching Harry struggle with the new and increasing distance between him and Peter as Peter seemingly makes new, “better” friends is downright heartbreaking. Especially when he overhears Sam implying that Peter only hangs out with him for his money which is something he’s clearly experienced a lot. (Seriously Sam what the fuck.) I also love his struggle with Venom throughout the series as a metaphor for his anger and bitterness, it’s never truly gone even when they work hard to remove it. It’s always there to bubble back up under extreme amounts of stress, especially when Norman is involved. (Also this isn’t a Norman review, but USM Norman is the only version of Norman Osborn that has rights and he works hard to be the father Harry deserves.) Had an honest to God meet-cute with Peter like come on???? Its unfortunate how much they cut back Harry’s role in the third and fourth season, I really would have loved to see more of him. Threw a party specifically so he could ignore Peter to his face because he was jealous and I respect that level of pettiness. 9/10

Spider-Man: The New Animated Series

I didn’t think it was possible to create an uglier Harry than 90s Harry but this blonde, fuck-boy lookin creepass came and proved me wrong. Who the FUCK is this?? Doesn’t have any recognizable characteristics of Harry Osborn besides being rich and hating Spider-Man. Also just... look at him. I wouldn’t trust this man anywhere NEAR my drink at a party. #NotMySon -3/10

The Amazing Spider-Man:

He’s okay. I think he has some very emotional scenes and good chemistry with Peter, but it’s dampened by the fact that he wasn’t present in the first film and had to share the second with like two other main plot lines. Ultimately ends up being the least sympathetic version of Harry Osborn because he became the original Green Goblin and killed Gwen, rather than following in his father’s footsteps. That’s not to say he’s a completely unsympathetic character. He has a strong motivator in his fear of death, and I do think the choice they made for his character were interesting and could have developed really well, but they didn’t get the chance since the franchise was dropped. 5/10

PS4 Spider-Man:

ABSOLUTELY ADORE HIM. WISH WE GOT MORE OF HIM. HAVING YOUR EXPECTATIONS OF HARRY OSBORN BROKEN AS YOU SNEAK AROUND NORMAN’S PENTHOUSE AND LEARN THAT HE’S BEEN SECRETLY STRUGGLING WITH A GENETIC DISEASE HE’S BEEN HIDING FROM HIS BEST FRIENDS FOR YEARS WAS -chef’s kiss- GENIUS. PLEASE GIVE US A SECOND GAME WITH VENOM HARRY. 10/10

Marvel’s Spider-Man (2017):

Still easily my favorite version of Harry Osborn. When I first began watching the show I was startled by their decision to make Harry a science genius like Peter because it was so different from their usual dynamic, and many people who aren’t fans of the show point to this as something they dislike. But I actually ended up really loving the decision. It gives a different flavor to Harry in how he reacts to the events of the show and how we interpret his character traits, while still being very inherently Harry Osborn. Harry is jealous of Peter, he loves him dearly, but there’s always this ember of bitter envy ready to burst into anger whenever the plot creates friction between them. This is one of the defining traits of their relationship and in most versions it’s not hard to understand why. Peter has what Harry wants. He’s intelligent, he has potential, and most importantly he’s loved. Peter is the son Harry knows Norman wishes he had, and that creates a wedge between them. Marvel’s Spider-Man changes this dynamic. Harry can easily stand toe-to-toe with Peter in terms of intelligence, and in fact they often work together to create things or solutions Peter couldn’t have come up with on his own. That initial wedge between them isn’t there, creating a very endearing and loving friendship that we know is doomed to sour because it isn’t enough. MSM Harry could be the person Norman wants him to be, and that places the full weight of his father’s impossibly high expectations on his shoulders, always within reach but never quite achievable. So it makes a lot more sense why Peter initially has a low guard towards Norman (as opposed to some other series where Peter seems oddly dismissive of Harry’s justified complaints) and Harry’s own steadfast loyalty to his father. On the surface Norman seems like a perfectly loving parent, he encourages his son, he created an entire school for him when he was wrongfully accused of sabotage, it’s only when you start to dig deeper into their relationship that you see the subtle manipulations and the issues Harry has from constantly chasing his father’s approval. This creates a Harry who is desperate for validation and extremely sensitive to rejection, which colors his relationship with Peter throughout the show. I’m still mad he got nerfed in the second and third seasons because Disney is homophobic. TLDR: I may be biased ... Infinity/10

MCU:

Where is he? Who knows? Man missing in action.  ?????/10

[definitely-not-a-wasp]

I'm okay with a bunch of disorganized rambling honestly 😂. But if I had to narrow it down then I guess I want to know about main and side characters and how they compare to the original?

I know that tumblr is the Prime Site for disorganized rambling, but I have perfectionism issues. But that is a great question, nonnie, and I will be happy to ramble is a slightly less disorganized fashion.

When reading Maximum Ride as a somewhat-formed adult who discovered they enjoy English classes about 3.5 years ago, I noticed that JP, when writing, doesn't understand consistency. At all. Which means, in many ways, I have a free sandbox to work with.

Spoilers for my rewrite WIP, because I strongly believe that if a story would no longer be good if one had spoilers, then it wasn’t a good story in the first place.

I'm trying to keep the backstories the same, plus or minus the scientific method and a few characters (RIP my OCs. I want to bring you back so bad but it wouldn't fit with the thematic narrative). I've mostly kept their (starting) abilities the same, too. Without further ado, I'm going to introduce some WorldBuilding. (If I'm good at nothing else, I'm good at world building)

First off. Logically.

How are they getting Cable?

How are they getting internet?

How are they getting money to eat and stuff?

JP's answer: handwave it off. Sometimes you need to ignore logistics for the sake of plot. This is an answer I'd accept from an author that I like, such as Julie Kagawa, that makes amazing worlds, characters, and narratives that I will happily handwave a few things that wouldn't work in the real world. James Patterson, on the other hand, did not make any of that; he made a cool concept, some good rough-draft characters, and nothing else, and therefore this is an unforgivable sin.

Wasp's answer: They are not getting any of that.

Introducing Cottagecore.

The house is off the grid. Solar Panels and a wind turbine create electricity. They have their own well. They grow their own food, raise livestock for eggs, milk, and wool, and trap fish for meat. They get money through dumpster diving and pawning. They still have to steal half of the necessities they can’t make themselves. They do have a TV, but it can access about three channels on a clear day. Internet is only a thing when they go to the public library.

Giving the flock a background that’s heavy in farming and livestock rearing shores up the plot holes mentioned above, but in my opinion, ties the flock more tightly to the environment, thus giving them something tangible to lose when they have to leave the E-shaped house. Because they’re not just leaving a house and a safety net— they’re leaving their entire way of life with no promise of getting it back. It also gives them a tangible connection to the earth in case I want to actually pursue the global warming themes.

Main Characters

Maximum “Max” Ride (Birthname: nonexistent)

First off, I'm letting her be Latina, James Patterson.

In the original, Max was very much the headstrong, independent, action girl. Leaning into Strong Female Character (TM), but overall she had a strong, solid foundation and enough character consistency through the first three books for me to not have to just make an entire new character. However, I felt that she was, in some ways, a bit too Action-Girl and Strong and Capable. Yes, Max is incredible and competent, but she’s also fourteen. She’s a child.

In the rewrite, Max’s character is still headstrong, independent, capable, and sometimes not the best at listening to others. All of that’s the same. But she’s that way not because of girlboss energy, but because there’s no one else to do it. She doesn’t want to lead, necessarily. She wants to get some rest and let someone else handle the problems life keeps throwing at her. But she knows if she did that, the responsibility of leader would fall to Fang and Iggy, and she can’t ask that of them. She doesn’t want to place that burden on anyone else (Look, there’s a reason I chose Ayano’s Theory of Happiness as one of her signifier songs, okay?). Her narrative is very much centered around burden, and also around loss. She lost her cultural heritage when she was taken away from her birth family, she lost her childhood to being a leader, she lost a good deal of her friends to the school (RIP my OCs), she lost Jeb, and then she lost her stability. And she’s going to lose a lot more before the end of the story. So a lot of her character arc deals with learning that there are some things she can’t fix, some things that can’t be recovered. She can’t get the E-shaped house back. She can’t get her Little Baby Angel back, even after they rescue her. She can’t get her friends back from the school. And instead of working so hard to recover those or find something to replace them, she has to learn to live with that sense of loss and move on with her life without feeling guilty for leaving things behind. And she has to learn that asking for help and sharing her burden is selfish or weak.

Other changes I made that don’t necessarily fit into her narrative arc, but you asked for rambling so rambling you shall get:

Max hallucinates, because mental illness is also a prominent theme in the rewrite. She doesn’t have a psychotic disorder, but her C-PTSD causes visual/audio hallucinations, especially when she’s stressed or sleep deprived. 

Max ends up having a Gender Discovery throughout the story and goes by He/She pronouns eventually. I don’t know when, but it will happen.

As far as genetic modifications/special quirks go, she can fly faster than the rest of the flock, but not 300 miles per hour. She averages about sixty mph with diving speeds of 240. She cannot breathe underwater or shut down her organs on command. She also has the Super Special Power to predict the weather, but that’s not because of genetics, it’s because she has chronic pain in her right arm that gets worse when weather fronts change.

Her favored weapon is her trusty rebar that she picked up from a condemned building. I think she’s going to name it eventually but I don’t know what yet.

Fang (Birth name: Gabriel Xue)

In canon, Fang is characterized in early books by being the “dark, strong, silent type”. He’s probably the most reserved member of the flock, to the point of falling into the Brooding Mystery Man trope in parts of the book. They care a lot, but they’re not the best at conveying that, especially with the younger members of the flock, and at times their high empathy leads them to making mistakes. Despite the high empathy, he’s often compared to a robot due to his lack of expression and external emotions.

Well, first change is that they’re not a man, so jot that down—

If Max’s narrative is centered around burden and loss, I would probably say that Fang’s is centered around humanity and moving on. None of the flock was treated as human while in the school, but Fang was more often than not treated like a wild animal due to “behavioral issues”, and therefore had and continues to have a difficult time considering themselves real and alive, let alone human. This manifests through a several different ways— where in canon Fang definitely had a ‘fight’ reaction, in the re-write they have a ‘freeze’ or ‘shut down’ instinct. They’re selectively mute for multiple reasons (including derealization, jaw pain, the fact that they didn’t learn how to speak until they were 10, and genuinely forgetting it’s something they’re capable of), a period of Cotard’s syndrome, and a tendancy towards self-loathing and self-sacrifice. In short, Fang is still halfway stuck in the mindset that most of the flock grew out of when they escaped in the school, and doesn’t know how to move past it.

Much of their character arc revolves around not necessarily seeing themselves as human, but learning to treat themselves as human even when they don’t feel like one (or even feel real), and knowing that just because they don’t feel human all the time doesn’t mean anyone else can treat them the same. They never start easily expressing their emotions, and they’re always going to be selectively mute, but they learn to accept that those aspects of themself aren’t character flaws or signs that they’re sub-human. 

Other additions to Fang’s character include:

They don’t get their hair cut in New York. It stays long through the entire series. They have the longest hair in the flock by the end of the series, and they can wear it in so many styles.

Fang uses they/it pronouns because themes of reclaiming the weapons used against it and, more importantly, Gender.

They’re actually really good at spelling compared to the rest of the flock, because they and Iggy communicate with Print-On-Palm when they’re nonverbal, and they’re nonverbal for some pretty long stretches of time. 

They and Max have... zero romantic tension. At all. There is none. The number of times Max calls them her sibling/little sibling in the first arc alone is staggering, and that will not change.

Igneous “Iggy” (Birthname: Jamsetta “Jamie” Griffiths)

I’ve talked about Iggy before. Canon doesn’t give us much to go off of, but from what’s shown, he’s smart, sarcastic, has sharper edges than Fang and Max, and also has a sizable ruthless streak. So that’s what I have to go off of.

The big difference between Iggy and Fang&Max is that Iggy has a much better memory of the School. Most of the flock have areas (months or years) that they don’t remember, or people that they’ve blocked from their mind, but Iggy... doesn’t. So he’s the one that remembers all of the other AVIAN test subjects that were old enough to have names and identities but died due to complications. Max might have the burden of leadership, but he has the burden of memory. And that has lead to both a massive fucking guilt complex, because why did he survive when they didn’t, and, as mentioned above, a ruthless streak that he doesn’t shy away from.

Which is to say, by the end of the story, Iggy has the highest kill count.

I love, love writing Iggy next to Max and Fang. I love writing Iggy next to Gazzy and Nudge. Because, I say this with all of the love of the world, but Iggy is not a good person. He is loyalty and love incarnate, and the world can burn down if he and his siblings are safe. Max and Fang will always try to save as many people as they can. They will wonder what’s wrong with them the first time they kill and don’t have a mental breakdown about it. They are good in a way that Iggy is not. He’s okay with killing Erasers. He’s okay with killing humans. He’s okay with killing people who might not necessarily deserve it, if they show themselves as a threat or are simply in the blast radius. He knows perfectly well that most of those Erasers he’s murdering are four and five and he is okay with that, because a lot of the AVIANs were that age when they died. (Yeah, in the rewrite it’s not Fang who has an issue with Ari; it’s Iggy who wants the 7-year-old wolf-boy dead.) 

And this is, of course, juxtaposed with Iggy being really, really good with Nudge and Gazzy (especially in the beginning). Because, again, he actually remembers being a child. He remembers a lot of kids that died and is therefore fiercely protective of the kids that didn’t, as well as fiercely protective of the innocence that he never got. So he’s the one that cooks their favorite foods when they’re having a bad day, always makes time when they want to talk about something, and convinces Max to let them go to that toy store in New York because, yeah, he Max and Fang aren’t kids. They never were. But Nudge, Gazzy, and Angel can be. (And if he has to be a murderer to preserve that, then he’s perfectly okay with that.)

He and Angel don’t get along very well, though. The telepath doesn’t like hanging out with the person with the most clear memories of the school.

Other additions:

Iggy is trans and says trans rights

He also has paranoid episodes, because C-PTSD. Sometimes they’re very helpful. Sometimes they are not.

I actually decided that he’s one of the flock that doesn’t meet their parents. I know in canon he did, but I always found that very clunky because it didn’t add to his character. He was one of the characters who, until it was convenient for the plot, seemed to care the least about his family. I’d much rather give that to a character whose arc would benefit from it.

Iggy! Gets! Older Sibling Rights! Seriously, he’s two months younger than Fang, he is just as capable.

Iggy does not know braille because Jeb decided it wasn’t necessary for him to know. Iggy is also the best speller in the flock, because Print-on-Palm was the only way to talk to Fang for a solid year. Yes he mocks everyone over this.

Iggy is the only member of the flock that enjoys swimming and can take into the air from water. Everyone else in the flock is incredibly jealous.

Nudge (Birthname: Monique Robinson)

If Iggy is defined by his memories, Nudge is his polar opposite. She was seven when she left the School, but she has next to no memories of it. She is missing a lot of time in the first year she escaped. And that causes... a lot of things. It makes her feel disconnected from her older siblings, it gives her the ability to function in society in a way the other’s can’t, it lets her feel less grief over the ones that didn’t make it and she doesn’t remember, it makes her feel guilty that she doesn’t remember what she’s old enough to know. 

Basically, in order for me to keep the character of Nudge as I saw her (more extroverted, not afraid of the world, fascinated with humans like her siblings aren’t, desiring to fit in instead of isolate), I had to put a little bit of distance between her and the flock. Of course, she loves them— that will in no way change— but she’s old enough that she should remember the school (and her dead friends) unlike Gazzy and Angel, but she can’t, and she very much fears forgetting the flock if anything happens to them. So she’s trying desperately to keep the flock close and wants desperately to experience the world at the same time, and doesn’t know what to do when she can’t have both. That’s her biggest character conflict throughout the series, along with that in-between area where she’s not quite where her older siblings are but understands so much more than Gazzy and Angel, and where she stands in that.

So yeah. Nudge’s journey is that in looking for belonging in the world, in her family, and in herself.

This is why she’s one of the ones that gets to find her parent, James Patterson. 

Other additions include:

She never straightens her hair. Never. Her resources at the E-shaped house aren’t perfect, but she still has learned how to take care of her hair and has a few styles she cycles through.

She becomes the default person Max sics on people when the flock is trying to befriend them. Also their de-facto diplomat around strangers.

As in canon, she does take some time away from the flock to expirience ‘normal life’. This does not last long due to the stress of being separated from her siblings/not being able to help them and [REDACTED]

Nudge is... not the only person in her head. I’m not focusing on it much because she doesn’t actually know and neither does the flock (I don’t know if they ever figure it out during the series, either), but she has dissociative identity disorder. She’s not aware of her alter(s?). Her alter isn’t super aware of her, either. 

The alter that I’ve developed is named Oxy and is not super aware of the outside world. In her eyes, she’s still seven and they’re still at the School. She would not recognize the body as her own if she looked in a mirror.

Nudge actually leaves the flock for a while to pursue her dream of living a normal life. She deserves it. She learns how to make muffins and the basics of software development. These things are unrelated.

Gasman (Birthname: No first name, surname “Falk”)

Honestly, writing Gazzy is kind of hard for me. Partially because I’m not great at writing kids, and partially because I feel like he’s a pretty surface-level character in-series that... isn’t super compelling in canon. But even if that’s the case, I try to treat all of my characters with respect, so here we go. In my rewrite, he escaped when he was four, which was half a lifetime ago for him, so his memories are ill-defined. Therefore, he managed to circumvent a lot of the trauma that the rest of the kids have, and not in the way Nudge did, which is by creating an elaborate blockage in her memories. 

Which means Gazzy... really doesn’t know how to deal with all of this traumatic stuff happening. So much of his development turns out to be a coming-of-age narrative. Learning how to deal with the horrors of what his siblings grew up with. Learning the fears that they had the entire time. Losing his innocence when everyone around him never had it in the first place, and being so terribly alone because of it. Because, really, how can you explain such a deep loss to people who never had what he had? How can they help in a way that matters?

Also, relationship-wise, I’m slowly deteriorating the relationship between him and Iggy. Slowly. Or, changing it, at least. Gazzy hero-worships Iggy in-series, and for good reason, because Iggy is super cool, especially in the eyes of an eight-year-old, and especially when Iggy has taken care to cultivate parts of his behaviors to be child-friendly. Part of growing up is seeing the flaws in your heroes, and Gazzy has to learn how to deal with it. End of the series Gazzy is much less closer to Iggy than beginning of the series Gazzy, and neither of them are really okay with that, but they learn to live with it, because that’s really all they can do.

Notes:

I’m keeping the mimickry! It plays a bit of a bigger role because that’s how Gazzy learned to talk. I’m debating whether or not he has his own voice or if he just borrows the flock’s as he sees fit. He also uses it to scream really loudly and occaisonally burst the eardrums of Erasers.

At one point he cosplays as Jessica Jones. No you don’t get any more context than this.

He has a horrible sense of fashion.

I’m changing his name eventually because it sucks. He’s either going to change it to Gannet, Garrison, or Ivy Mike temporarily, and permanently to Zephyr. (I never said I was going to make his name GOOD, because he’s eight, but it’s changing. You’re welcome.)

Angel (Birthname: No first name, surname “Falk”)

It’s just... a completely different character, at this point. I’ve changed so many things about her in an attempt to make her consistent and act like a six-year-old and work in the whole “telepath before she has a solid sense of identity”, so it’s a different character. Also, I’m tired of writing coherently or in paragraphs, so have some interesting facts.

She has epilepsy! Super severe epilepsy! I think she might also develop juvenile MS in the future because her brain has so many scars from being a fucking six-year-old telepath. There’s no way she could get out of that unscathed.

She has more memories of the school than Gazzy, but only because she keeps accidentally reading the minds of Max, Fang, and Iggy. On a related note, she interacts with Iggy as little as possible.

The mind reading means that she has a hard time developing as a normal child with a normal sense of identity or reality. She can’t tell how much people are individual people and how much they’re just extensions of her. Conversely, she can’t tell how much of herself is actually her instead of the thoughts/opinions/identities of someone else. It’s... kinda fucked? But also super not-her-fault. 

She’s albino because white wings. Also, because I thought it was cool. This also means that her vision sucks, though. Also she has the biggest straw sunhat and the most stylish sunglasses a six-year-old can have.

She’s responsible for Max shaving her hair off.

She has the highest swear count because I think it’s funny. She’s the only person allowed to say the fuck word in writing. Everyone else can only say ‘hell’ and the occasionally ‘damn’ but she can say whatever she wants for dramatic and comedic value.

She is NOT THE FUCKING VOICE, J*MES P*TTERSON.

Honorable Mentions

Jeb

I’m skipping Jeb because of how little I care about him. He’s a little bitch, next character.

Ari

STILL HASN’T BEEN REVEALED AS AN ERASER. I’ve been writing for 50,000 words and he’s over here saying ‘nope nope not yet, not dramatic enough’. He’s had speaking lines but has refused to make himself known to Max. I am so frustrated with this seven-year-old wolf-child that I’ve already considered how I would kill him, if I decide I want to kill yet another child in my writing.

So, my main thoughts for Ari is that he... really just drew the short end of the stick in every possible way. While Jeb didn’t sign him up for Eraser expirimentation, he didn’t do anything to stop it, and pretty much cut his losses when he realized this expiriment made a wreck of his ‘perfect, unflawed’ son, because Jeb doesn’t consider children of any species to actually be humans. So, Ari really hates his dad, which makes things complicated, because he also really loves his dad and really wants his approval. 

Which means that he also really hates Max, because she’s the child that always got Jeb’s time and attention, even when Ari was human. I think, on some level, he knows that trying to tear Max down to a less-favored level isn’t actually going to help his situation— infighting for the love of an abusive parent won’t make them any less abusive— but he’s also seven, and his development is already severely stunted due to becoming an Eraser, and he doesn’t see ‘leaving ITEX’ as an option like the Flock does. ITEX is his everything. It’s all he’s ever known, and they tell him he’s doing the right thing, and he wants them to love him. He wants his father to love him. He knows that if he ever questions ITEX, his father will never love him. So it must be his older sister that’s ruining his life and being a horrible child, and once Ari drags her back down to his level, Jeb will realize who the best child is and love him properly again.

Ari, on an even deeper level, does care for Max quite a bit, because she’s his older sister and he wants that to mean something in a way that ‘Jeb being his father’ obviously doesn’t. He wants what she made for herself, and he hates the Flock because she loves them and obviously doesn’t love him. 

Ari, if anything, is the product of neglect, and both loves and hates everyone who shows a chance of caring about him. And he’s seven, so he can’t notice these patterns, let alone break them.

So. Notes!

He doesn’t look like an adult. I thought that was gross and unnecessary. He’s seven, but he looks closer to thirteen or fourteen. Still young enough that he looks like every Eraser’s little brother, and the Erasers high-key treat him like it.

On a related note, he’s the only Eraser who can talk. The others don’t have the mental capacity or vocal structure to replicate human speech, but they can understand language (at about the level of a two or three year old) and are very good at nonverbal communication. This is why Ari managed to climb the ranks despite only having three years of “service” and also looking like a tween.

He doesn’t have an expiration date because that is SUCH a stupid plot point.

I’m giving him a chainsaw! I don’t know how, I don’t know when, but he deserves to have a chainsaw and GODDAMN I will give it to him.

Emergency and Gene

The OCs that I love and also killed pre-series. They don’t have any scenes, because they’re dead, but their deaths greatly effected Max, Fang, and Iggy, and they are very commonly referenced. Their voices are probably Max’s most common hallucination, to the point where she sometimes pretends they’re ghosts that she can talk to. They’re not ghosts. They’re dead.

Dr. Valencia Martinez

I’m actually keeping her pretty close to canon— loving, supportive, the type of person to take in a gsw victim with minimal questions. The difference is that rather than kindness fueling her actions, it’s incredible guilt. She has three goals surrounding Max: Give her as much support in any way she can, teach her as much about chicane culture as possible, and never let Max know that she’s her birth parent.

(She’s probably going to fail at AT LEAST two of those, but it’s the thought that counts.)

Notes:

She has a pet fox named Robin Hood that she rescued from an exotic animal salesman that got arrested.

I think I’m going to kill her. I don’t know yet, but it’s on the table.

Anne Walker

Y’know, the fake FBI Agent. Who’s not actually a fake in my story because I hated that plot point. She’s genuinely an FBI agent who put the Flock into pseudo-witness-protection in order to build a case against the Institute of Higher Living, accidentally got attached to her prime witnesses, raised them for a few months, realized a [SPOILER] and promptly had to let them get the hell out dodge.

I really like the Anne Walker that lives in my head. She is a VITAL part of the Flock’s development, their mental/emotional recovery, and adding to their safety net to fall back on. She serves them as their first adult role model, and is the first adult to show them what parent/child are supposed to look like from a healthy perspective. Though she has several fuck ups, she becomes someone that the Flock genuinely trusts and loves, which makes it all the more difficult for them to leave when [REDACTED].

Notes:

She and Max do butt heads initially, because Max is paranoid and also afraid of becoming uneeded. This ends up being incredibly important because Max needs to learn how to live and find meaning in life without being the designated Leader/Parent/Big Sister

Anne, at one point, sits the entire flock down to teach them about consent, which was something no one ever talked about with them before. She goes in talking specifically about consent in a romantic/sexual sense (because they’re fourteen and that’s something they need to know), but quickly turns into a full-fledged no, people are NOT allowed to do that to you, what the FUCK.

She’s responsible for giving the flock a laptop. It’s because Angel is online schooled (bc telepathy makes actually learning difficult) and was therefore provided with a computer.

Anne is also allowed to swear, but only when it’s funny.

Michael “Grey” Rivers

Aka Grey from the Sewers Aka GR3Y H47 Aka Mike from the Bronx Aka Gifted Child Syndrome Incarnate Aka Would-be-in-MIT-if-his-parents-weren’t-horrible. He’s my son, your honour.

Basically, his backstory boils down to him being a genius, getting into MIT at 14, his (horrible) parents wanting a perfect child who could “make it out” of the Bronx and represent his family/neighborhood/borough to the world. When he inevitably failed their expectations due to stress, a schizophrenic-spectrum disorder that completely alienated him from the rest of his support network, and refusing to take his psych meds because the side effects were horrible and they made it harder to think (and therefore pass his classes), they kicked him out. He fully intends to go back to MIT when he turns 18 and has control of his finances/scholarships/medication/therapy.

So that’s how the flock meets him. 

Mike ends up in a very prominent support role for the flock both in technological persuits (helping them track their parents, helping them get information from ITEX, trying to disable Max’s chip and failing multiple times until it becomes a matter of personal honour—), in helping the older members of the flock figure out how to deal with hallucinations/delusions (because he’s actually been to therapy, unlike them), and in being one of the only people who talks to them and helps them without any ulterior motive. He’s not trying to build a case against ITEX/The Institute of Higher Learning, he’s not double crossing them, he’s not plagued with guilt. He just genuinely wants to help them, and they genuinely want to help him, and that’s their first introduction to a healthy, non-codependent relationship.

My many disorganized notes on Michael Rivers:

He’s from specifically Morris Heights, Bronx, NYC.

He would say that his last name is actually Rivera, but his grandparents changed it to Rivers so it would sound more English, and his family has been in America for so long that he doesn’t know much about any Latino heritage he may or may not have. He identifies as African American, not Afro-Latino. He’s just bitter that his family felt the need to change their surname to have better opportunities in New York.

Nudge aggressively befriends him pretty much the moment she meets him, bullies him into teaching her how to code, and he very quickly adopts her as his pseudo-little-sister.

His delusions in the book seemed to involve government conspiracies, but as that’s the one delusion that is proved correct in the book, I’ve decided it would be best if his delusions and reality intersected a bit less if I don’t want to write him having a manic/paranoid episode in the second scene he has screen time. So his delusions are more based on “none of this is real”, “someone is recording everything I do and setting me up to fail” and “my ill-wishes on people can and will come true if I dwell on them too long.”. Government conspiracies are one of things he is skeptical about because he thinks most conspiracies are either “CIA admitted to this twenty years ago” or “antisemitism”.

He’s taking online free college classes that don’t actually give him any college credit, but they have good information and help him feel like he’s working towards something. He plans to double major in computer sciences and electrical engineering, minor in marine biology. He’s wanted to join NOAA since he was twelve and he is nothing if not stubborn.

There you go. These are my characters, now. I have custody.

[rainbowsky]

The Wolf Reviewed

Spoiler-free section

My life is divided into two eras: ‘before seeing GG as Ji Chong’ and ‘after seeing GG as Ji Chong’. I will never be the same.

GG is magical in this series, and Ji Chong is among my absolute favorite characters of all time (I am actually in love with this character, which is heartbreaking given the fact that he’s fictional). The show also has many interesting characters and some exciting storylines, and in spite of some of its flaws this series is quite good. Highly recommended.

Of course there’s a lot more to it than that, but I can’t give a full review without spoilers. Here’s the rest for those who have already seen the series.

Spoilers under the cut

OK, where to start?

The Characters

There were so many great characters in this story and overall I found the performances of all of them well-acted and exciting to watch. I especially loved Ji Chong and Yao Ji. Both were complex, mysterious characters who stole the show every time they were onscreen.

Ji Chong was incredible. Everything about him was over-the-top amazing. I can imagine that GG must have identified a lot with Ji Chong because he has a similarly gallant, charismatic and kind personality. Seeing GG perform a character like this was mind-blowing because of the harmony between them in spite of their physical differences.

I could go on and on about how much I love Ji Chong as a character but if you’ve seen the series you already know how great he is. I truly fell in love with that man. He was everything I love in a person, and in such a beautiful package. I loved his nimble mischievousness, his rebelliousness, his fierce independence, his devotion to those he loves, and above all, his integrity.  With one exception that I’ll get into later, everything he did in that series was consistent with the image I had of him and it made my heart melt.

And it was pretty insane to see GG go from the thin, twinkish, bubbly and somewhat diminutive Wei Wuxian to the rugged, masculine, mature and level-headed Ji Chong. Not only because of the personality differences between the two characters, but also because of the physical differences. They look like two entirely different people. Ji Chong looks so tall and imposing in the series!

It’s impressive to see GG’s acting ability shine through in these roles. He has such a gift for acting, and for drawing viewers into the hearts of the characters he plays.

Yao Ji was another character that really impressed me. She had so much intensity and complexity, and her character arc was so strong. She was also just incredibly well styled and she looked breathtaking in every single frame she appeared in. The various headpieces and hairstyles she wore were stunning, and her sidekick Zi Shen was an aesthetic marvel.

I also really loved Ma Jing. Despite the fact that she was often used for comedic effect, her character was quite nuanced and multidimensional. I loved her loyalty and strength, and the depth of the love she had for Ma Zhai Xing really shone through in every scene she was in.

The entire Night Fury group was also amazing. I loved them as a team and as individuals, and the trajectories their characters went through were interesting and engaging. I was really invested in what became of them. When Wen Yan died I was gutted, and I was grateful that Hai Die and Mo Xiao had such a satisfying conclusion to their story.

I also adored Butler Shi. What a great character. He reminded me of one or two guys I know hehe. He had such a warm, endearing quality about him.

I’m realizing that I could sit here and name almost every character in this series. Despite some of the problems that I have with it, I’m reminded that the characters are exceptionally well-realized in this series.

The Story

Overall I have to say I was pleasantly surprised by the story. It was exciting and engaging, and there were some very interesting side conflicts and intrigues. There was an overall sense of adventure and plenty of action, some really emotional moments and even comic relief.

When you think about it, almost every character had something deeper going on outside of the main plot, and those side/back stories were really interesting and varied. There was complexity to the characters and their motives and experiences without it overcomplicating the plot.

The romances were not my cup of tea. I’ll get into that later on. But despite being the thread that ran through the entire story, they really didn’t feel central to it and it was easy to simply enjoy the show while putting aside the annoyances I had with the romances (I did this primarily by consciously choosing to take the story at face value, and choosing to believe that Ma Zhai Xing really was through with Prince Bo).

The show did a great job of getting me engaged and keeping me interested, giving me a story that was complex without being confusing, emotional without being too sappy (with some exceptions). The action, fight scenes, battles, etc. were exciting without feeling fake and cliche. There were some well-choreographed scenes.

I really can’t complain about much. I mean, there were times when I was watching this series that I thought I hated it, but in retrospect I can see that I really loved it in spite of some of the flaws, which I’ll discuss in a moment.

The Soundtrack

The soundtrack was quite good, even if it felt repetitive when I was bingeing the show. So many songs have stuck with me since I finished the series. I especially like Backflow by Jolin Tsai (second-last song on the playlist I linked). Of course I would have loved a song or two with GG, but the soundtrack we got was memorable.

What I hated

I really struggled with some aspects of this series.

I found Bao Na mostly unwatchable. She was incredibly annoying. As a character she had all the traits I dislike. Whiny, stalker, demanding, emotionally immature, jealous... I really couldn’t stand that character for a lot of the series.

It’s true that she started to redeem herself a bit through the course of the series but she never really evolved into someone I wanted to see more of. I definitely had some moments where I liked her and sympathized with her, but mostly she grated on my nerves.

I also hated Prince Bo through most of the series, and found it insulting that I was expected to view him as the protagonist and cheer for him to win the princess’s heart. I felt that the ‘love-hate’ thing between Prince Bo and Ma Zhai Xing was overplayed to a point where I lost all sympathy with Prince Bo and desperately wanted him to die a horrible death through much of the series.

His behavior didn’t reflect someone who was in love but wanted to protect her. Much of his behavior was excessive and gratuitous, much worse than was necessary to achieve its stated goal. He was incredibly emotionally and psychologically abusive toward Ma Zhai Xing to a degree that was often really hard to watch. Especially his near-rape of her.

This is a man that I didn’t want to see redeemed. This is a man I wanted to see burned alive. No one who truly loved Ma Zhai Xing would be even remotely capable of the actions Prince Bo took.

I will admit that he did begin to redeem himself in my eyes a bit later in the series, but not to where I could ever see him with Ma Zhai Xing. I don’t think that’s the sort of treatment one can ever redeem in a relationship. He might be able to redeem himself, but not the relationship. There are some lines, once crossed between people, that one can never come back from.

I actually felt that Yao Ji was a much better match for Prince Bo than the princess was. They were true equals with similarly difficult pasts, and similarly dark deeds to redeem themselves from. They were in so many ways perfect for each other.

Ji Chong and Ma Zhai Xing were a better match because they were more natural equals in terms of personality, values and life paths. There were tremendous parallels between the two of them. Although I ended up feeling she didn’t deserve him.

So for me, it was really difficult to get invested in the love stories I was presented with. Ultimately I found them all very unsatisfying. The people I wanted to see together were treated as unsuitable for each other in ways that were completely unbelievable, and the people I was expected to want to see together had unconvincing chemistry and incompatibilities that I couldn’t overlook.

Seeing Ma Zhai Xing die in the end was an OUTRAGE. Especially when I read about the director’s rationale for that decision.

“Her thought process on killing off “Zhai Xing” was that “King Bo” had done so much for her that it was time for her to do something for him. “Her character had matured the most in the series. Dying for Wolf Boy is the best ending for this identity of hers. To me, this perfect ending is even more in line with her character’s growth.””

I found that shocking. I couldn’t disagree more with this sentiment. She wasted so much of herself and her life for Prince Bo. He treated her like crap, and he didn’t ever truly do anything to redeem himself from that behavior. He should have been the one to die.

In my opinion, REAL character growth for Ma Zhai Xing would have been to see her overcome the fixation with Wolf Boy and with Prince Bo and just move on with her life.

I will say this, though: By the time Ma Zhai Xing died in the show, her character had already been so utterly and thoroughly decimated beyond all recognition via the Prince Bo housewife trajectory that there was no point in her surviving.

The absolute worst moment for me, though, was Ji Chong ending up with Bao Na. Talk about adding insult to injury. This is the one thing that Ji Chong did as a character that ran against my understanding of him as a character.

You could have done anything at all to Ji Chong, including killing him or turning him into a villain, and it would have been less of an insult to me than putting him with Bao Na.

I do try to interpret his invitation for them to travel together in a non-romantic way (despite the fact that in the world of the show there’s no way that a princess is going to go traveling with a prince without her reputation being ruined unless they are a couple). But when I tell myself that he took her traveling to get her away from court and give her some life experience - as friends only - then it becomes less of a bitter pill to swallow. I could see him doing that for her, and I could see them developing a strong friendship through their travels.

I just can’t see them as remotely romantically compatible. Not on any level.

I found it completely unconvincing that the most emotionally mature, honorable person in the entire series who had the healthiest boundaries and a lot of worldly experience and intelligence, would have any interest whatsoever in someone as emotionally immature, childish and inexperienced (and with no boundaries whatsoever) as Bao Na.

I would have preferred it if they’d framed that whole thing as him being a sort of big brother/mentor figure to her.

I felt like I saw chemistry and compatibility between Bao Na and Fourth Prince Chu You Ze, and I would have loved to see them end up together. They were much more at an equal footing. I was expecting that to be the outcome and it would have been a sweet one. They would have made a cute couple.

Final thoughts

The romances in this story seemed fixated on unhealthy, often misogynistic power imbalances and they were really, really hard to watch. Not just in terms of Prince Bo and Ma Zhai Xing but also the ugly Ji Chong and Princess Bao Na hookup they tried to get me to swallow at the end. I hate that kind of ‘love’ story. I prefer seeing actual equals find each other in the great wide world.

However, pretty much everything else about the series was excellent. Ji Chong owns my heart and I only wish I could see more of him. GG completely blew me away and far exceeded all of my expectations.

Overall, I really love this series and will definitely be rewatching it.

[nighttimepixels]

TALK TO US ABOUT MASS EFFECT I HAVE BEEN AN INSANE MASS EFFECT/SHAKARIAN TRASH PERSON SINCE 20-FUCKING-11 AND LEMME TELL YOU THOSE FEELINGS HAVENOT TARNISHED A SINGLE FRACTION IN THOSE TEN YEARS OH MY GOOOOOOODDDSSSS!!!!!!!

I DEMAND A PLAY-BY-PLAY UP TO THE MINUTE OF YOUR REACTIONS TO EVERYTHING!!!!

you are so valid and I totally see why everyone I've ever mentioned it to loves the hell out of it

aksdjlsdfj I meannnn if you want to hear my rambling about it then hell yeah

Okay, gonna put this below the cut to save everyone else XD also- since I'm not leaving this Mass Effect obsession anytime soon, if you're not interested in seeing occasional posts about it, please feel free to block the tag "night plays ME"~

(mild spoilers ahead??)

((also for real I mean it when I say this is rambling as hell lol, apologies and no stress if absolute no one reads all this))

OKAY SO Mass Effect 1-

Stars help me, I was honestly hooked right from the start?? Like even in Legendary Edition (the combined trilogy just re-released in one "can play it on one system + minor improvements", for anyone who doesn't know) where it's smoothed out, of course it's obvious that ME1 is a decade old... but the foundation for these relationships are all there and gods I love them already.

Like - Kaiden right off the top is a delightful good fightin lad, what the hell. I've heard that he's viewed as 'bland' by a good portion of the fan community but I dunno, he's a delight and even more complex by the time 2 rolls around and you encounter him on Horizon, it was honestly Ashley I was way more meh about - mostly because before you can learn about her family history/etc, she comes off as hella xenophobic and I was immediately offended for my growing space family that she didn't like/trust all the aliens around, pfff.

(she gets redeemed a bit through further actions/evolving thoughts, but I thought in retrospect it was a bummer that they didn't flip the order there, give her a chance to be liked before the complicating factor of being so rude about aliens >:c that then she could grow from... ah well. Apparently she has a good arc but uh, let's just say I chose Kaiden at the "key junction" in the latter part of the game so I won't be seeing anymore of Ashley uh... anytime soon, haha.)

Garrus??? Is??????? The ABSOLUTE best???????????

I liked him from the start, I'm always a bit of a sucker for a rogue-detective "the system won't bring this bastard to justice, so I've got to" type and all their moral shadiness XD But he just gets better, honestly, and where I'm at in ME2 (right before the Reaper IFF mission, as of typing this, with everyone's loyalty!) I am only digging myself deeper into this hole-

-*wheezing* okay anyways -

Wrex is AMAZING I love fightin' middle-aged krogan bastard, gods. Liara is great too, I'm a sucker for a wlw relationship (playing fem!Shepard, so) - buuuut I'll admit she's a bit more one-note in ME1. Last week while I was still on ME1 I remember hearing (while trying to dodge spoilers) that her arc is really good, though. I think they leaned a little hard on the 'innocent but sexy' sterteotype on her (so despite the yikes aspect of a few of the things I've learned in ME2, lol, I actually really like the complexity that's been added to her character.)

Saved Liara first, so by the time I got to Noveria and had the standoff with Benezia there was the chance to have emotions over Liara having to face her TwT and of course, I made the questionable but quality decision to free Queen Rachni heheh. no ragrets

More than a blow-by-blow of my choices though I totally wanna take the chance to say that even in the mild jankiness of ME1 (goddammit, the Mako.... please..... please just go up this impossible cliff I just want to resource hunt-) the way that the lore, both obvious/key to main plot and the lesser/filler/background/world-building kinds... I just love it. It incorporates it well, you can go ham in the codex learning more, or just dive into the basics - it's clearly a complex galaxy (and they do an even better job in 2 of fleshing it out further), and it never really felt overwhelming. It was pretty natural figuring it all out-!

Plus the interesting implications of resource hunting amongst the sapient races, and the little side missions you better bet I did every one of- there's so much rich depth in the story if you do 'em!! (And that lead with that Keeper side mission...? Looking back, damn, clever foreshadowing-!!!)

And oh my gods, Ilios??? hell yeah. I loved that mission so much, especially having Garrus & Kaiden with me when talking to the hologram/computer, and more than anything, that last sprint in the Mako trying to get to the jump before it closed-???

yeet the boi-

Also mannn I love a good setpiece, and having to go up the side of the elevator, space-side?? such a cool setup!!

Plus it felt good having been Paragon enough (as simple as the good v bad vibe system is, I don't hate it, lol) to avoid one of the Saren fights, ngl. And the er, "second fight" with Sovereign-Saren.... hell yeah

... I'll admit I had to double check my choice re whether to save the Council. I did in the end, but I swear, sometimes the way they phrase things I'm like ".... okay but Garrus is right, defeating Sovereign is more important than these few leaders??????" woops. Listen, priorities, is all I'm saying..... (￣ヮ￣|||)ゞ

'Course later they emphasize (in ME2) that there were 10,000 people on that same ship and I was like well I wouldn't have second guessed if I'd known that, I mean c'mon-

Also I did indeed romance Liara in this one, so I got that scene ;Dc But,,,, I also knew by the end that I was totally gonna romance Garrus in 2 since he's an option then finally,,,,, lemme tell you the guilt as I waffled over whether to romance Liara bc of it. hahaha.

Aaaaand Mass Effect 2-

So I'm only up to right before the Reaper IFF Mission, so I don't know the ending, etc etc lol. That said, I've just finished every side mission I've found with the exception of the Shadowbroker Quest and the Arrival Quest (I've heard the latter basically leads into ME3, and the former is best either right before the Omega 4 jump or in postgame).

So from the start - fuck yeah fuck yeah what a high adrenaline start Shepard noooooo but also yes save Joker aH-

The motion comic too hot damn nice job

I loved this setup, seriously - especially forcing Shep into this situation, having to work with/for Cerberus, and the compelling reasoning given behind "why" they do what they do (I especially found it a good point that the Salarians have the Task Force, the Asaris the Commandos, the Turians the- etc... like, true, when you put it like that, having a similar group advancing human interests/solving human interstellar problems is pretty reasonable...). That said, I love too that it really isn't shied away from how Cerberus is nonetheless fucked up - or its at least done fucked up stuff.

Listen, I still think some messed up stuff is gonna be revealed in 2's endgame......... after that Horizon mission and the Collector's ship???? TIM I SEE YOU YOU SHADY MF-

aaanyways lol...

I'm so so glad on a gameplay level they nixed the Mako style exploration. A few Hammerhead missions are fine and a lot more focused than the slippery ass navigation in that glorified ATV, pfff. The probes are a neat way of getting after similar resources - and more importantly, having good levels and some good hubs (the Zakera Wards, Omega, Ilium, etc) is way way more fun than having a more 'sprawling' space that is.... a lot of empty nonsense, lol.

Then there's the fact that we get Joker right off the bat and you can interact with him so much - and him and EDI??? Get out gods I love them. Kasumi is so right when she says they sound like a bickering old married couple lol. I have a terrible feeling that some shit is gonna happen with EDI..... but I don't think she's evil as-is, at least.

Side-eying the hell out of those "access forbidden" parts of her that she doesn't even know.... and the fact that her AI core has a locked door access................... something's gonna happen gdi LEAVE OUR ADOPTED AI ALONE.

(Also Joker pls stop fracturing your thumb on the mute button)

Also please save me there are so many hot aliens in this game,,,,, the xeno/monsterfuckers really comin' through strong in the sequels............... doin' the lord's work........................................

In general, I love how many levels ME stepped up in two with complexity and interwoven narratives!! Like, to the point it'd be almost a drag to replay ME1, even though it was fun going through it (if occasionally a bit tedious with the cookie cutter rando planet science/mine facilities, lol). Like, just from how fun and interesting ME2 is, mostly! more of all the pre-introduced races, plus new ones, plus more filling in of intragalactic politics, and more interesting implications of all these space-faring races mixing....

Also gods WREX and his planet holy shit,,,,, fuckin' hell yeah my man get their shit together and also adopt Grunt yes good-

And Mordin??? My singing semi-evil scientist best friend forced to confront his choices more than he thought he ever would have???? With some of the best ongoing general report chatter of all the companions??

(when I tell you I choked on my coffee when I talked to him after confirming romance choice w/ Garrus and that 'pamphlet' and 'anaphalactic shot if ingesting-' kajsldkfjsldfjk)

Like, fuck, the fact that they actually dive into the mixed morality and horrors of the genophage, and you can confront Mordin on it, for good reason, yet he still stands his ground, until finally some bits of his loyalty mission seem to... affect him, and I'm guessing might set up things for 3 with him? Unsure, but either way, damn, the fact that they start to dig into it...

And Taliiiii my beloved forbidden alien wife TwT her loyalty mission was SO GOOD. I love how varied they all are?? Getting to defend her and discover what she'd unwittingly been a part of-!!

Zaeed is a bastard but tbh I love that he is and that he's unapologetic in him - and Kasumi omg, best thief. A heist?? Gods, yes- I love our couch lounge chats XD

Samara is..... illegally.......... she's an illegally powerful and beautiful and eloquent MILF...........................

(.... listen I'm sapphic as hell and I'm kicking my own ass for picking her up last aksjdlfksjdfl - but her loyalty mission, damn. And seeing how there's this interesting cultural subset, and the struggle with the Asari in that they unquestioningly accept/respect justicars, but also know that the impact outside their culture is a diplomacy nightmare waiting to happen-)

,.,,,,,T,,, Thane,,,,,

I am weak for morally implicated murder dads okay?? And that voice??? His mannerisms?????? How you first see him, and that prayer after assassinating her...???????? And his history/his people's history with the hanar, gods I love how messy it is, it feels so much more real!

Also Jack is a mess and I love her (and want to get her some therapy, omg), and her and Miranda nearly duking it out after you've done both their loyalty missions??? so good and makes a lot of sense-! Honestly I would love more interactions between teammates on the ship, but there's already so much the devs had to balance I can't blame 'em for minimizing, heh. But suffice to say I also love Miranda and Jacob, even if I'm softest for my alien crew XD Hell yeah Jacob, we'll get loud and spill drinks on the citadel indeed TwT

.... I could write a whole essay on how much I love Garrus oTL Perhaps because he and Tali are the throughlines from 1 on your 2 crew, I have some of the strongest feelings about them... but genuinely, he was one of my favorite companions in the first game, and how you find him as Archangel in two? Getting to help him fight his way out after he's gone nearly 48 hours straight fighting off three gangs alone, jfc. His vengeance quest and what can happen there.... That line? fuck me, that line -

It's so much easier to see the world in black and white. Grey? I don't know what to do with gray...

How DARE you come for my heart like this, devs holy shit

(also, some other choice faves so far from the series from him include We can disobey suicidal orders?? and This wasn't in my training manual... [in 1, if you have him with you @ th Thorian fight] and his whole.... pop the heat sink - in his romance ;Dc)

asdasdfksadjfkl like I said I can write an essay on him PFFF suffice to say I'm very looking forward to his romance scene and where things go in 3

But yeah gods I'm just gonna keep rambling if I'm not careful lol. Gods I don't even know what to talk about it's all so good and while I can understand people roasting the obviousness of Paragon V Renegade (v neutral) choices/alignments, I think they do a pretty damn good job in 2 of pushing it further - to the point that there were some times that I accidentally got renegade points and I wasn't that mad, haha. There's so much fun in the interactions that I just have a good time anyways~

I have so many thoughts about TIM (The Illusive Man) and Cerberus.... theories evolving galore............... and like, what the hell!! Omega 4 going to the center of the galaxy is such a cool twist, goddamn - though my heart still breaks at losing Kaiden (his line if you haven't romanced him?? about feeling like he lost a limb when he lost you??? holy shit.... but I also can't blame him for not trusting Cerberus to the point of it affecting his ability to trust Shepard... like fuck Shep go after himmmm) I'm really excited to see where that goes since he comes back in 3, and what the fuck happens with Cerberus bc while I love the fact that obviously there are a lot of people in it for the right reasons, doing good work, there are those that are doing the opposite, and I have a very bad feeling about where TIM will end up landing....

All that said though I need to do the Reaper IFF mission (where I'm lightly spoiled as to getting That Boy, but not how/what happens to make it so - just that it's apparently wise to have all your side missions done before getting him...) and the actual Omega 4 jump. So we'll see what happens and what I think about it from there heheh!

.... major kudos and genuine props if you made it here to the end, I am so sorry for not editing on condensing all this, and appreciate you so much ;w;

[minghellafine]

Full interview below.

The first thing Max Minghella does when he joins our Zoom call is ask me about the weather. It wasn't just a conversational cliché though, he really wanted to know what it was like where I was. I tell him I'm in New York City, where spring can surprise you with a day that's colder or warmer than it looks. This particular day was chilly. "I'm always cold," he interjects, "I'm reptilian. My body finds a way to keep me cool." He shivered as he spoke, sitting in his sunny backyard in Los Angeles wearing a T-shirt. I checked the temperature right after our call. It was 80 degrees in L.A.

Despite any discomfort, Minghella is just really happy to be at home. Unlike the millions of people who spent 2020 in quarantine, he was working on season four of The Handmaid's Tale throughout the spring and summer."I'm sort of jealous of people who have this moment to pause and reflect," he says soberly. "Even with all of the trauma it's caused and all the things that obviously were detrimental, I know a lot of people who've had big life changes in the past year."

He acknowledged, however, that creating something in a time when everyone wished they could escape was ultimately a lucky thing. "There was a ubiquitous sense of gratitude," he adds.

Outside of the global pandemic, the dynamics on set had shifted — this season, his co-star Elisabeth Moss (or "Lizzie" as he affectionately calls her), was a director. "She was amazing on set," he explained. "Just very in control and it ran super smoothly. When I saw the episodes she directed, it just kind of blew me away. Her style — it's very cinematic and it really underlines the sci-fi elements of the show. It has a real kind of scope and confidence to it. I think she's a real filmmaker."

RELATED: Marvel's New Face Danny Ramirez Has the Range

Minghella's character Nick has an interesting arc this season too –  he's realizing his role as a senior member of the Gilead ruling class, but also still in love with June [Moss]. It's a complex character that challenges you as an audience member. He is the brooding love interest, and while you may root for him and June to be together, you also have to see him for what he is: an architect of a world that kidnaps women and uses them for childbearing.

What made the previous three seasons of the show even harder for viewers to digest was the fact that people so badly wanted to believe there could be a good guy defector — maybe even Nick — in a room full of bad guys. During those years, many people felt that the dystopian elements of the show were reflective of the nationalist agenda being put forth in the United States by the Trump Administration. So much so that a group of protesters famously wore Handmaid costumes to protest anti-abortion bills and Supreme Court Justice Brett Kavanaugh's confirmation hearings. Without saying much about the parallels in the show — other than chalking them up to "pure coincidence," Minghella felt the Handmaid's Tale, whose protagonists are anti-Gilead, are "on the right side of history."  He added diplomatically, "Ultimately, I'm most proud because I think it's really great fiction."

I get the sense that the pursuit of "great fiction" is something that consumes Minghella. He's someone who appreciates art (he got his big break in 2006's Art School Confidential), and his parents are Anthony Minghella, the late award-winning director of The Talented Mr. Ripley, and actress Carolyn Choa. He loves details (see our earlier weather conversation). Even the way he talks about Los Angeles has a story-like quality. He tells me about how he knew when the city became his home after a feeling he got driving past the Silver Lake 7-Eleven. As he told it, I pictured it like a scene in an indie movie starring Zach Braff.

"I had this sort of pathological obsession with movies from birth. [My mother] worked for the British equivalent of the Motion Picture Association, so she would watch three films a day. By three or four years old, I was just kind of an obsessed movie person." It's his favorite movie, Beverly Hills Cop ("I think I saw 100 times by the time I was eight years old," he says) that inspired another big role he was working on during quarantine: Minghella stars as a detective opposite Chris Rock in the Saw franchise spin-off Spiral: From the Book of Saw.

"The movie was so serendipitous for me. I feel like I almost manifested it in my life," Minghella muses. "There's a line very early in the movie where we're investigating these crime scenes and we come to a grizzly one. My character looks nauseous. Chris's [character] says to me, 'Are you okay?' And my character says, 'Yeah. I mean I'd been dreaming about this since I was 12-years-old.' And that was a very kind of weird line because it's just true."

Now at 35 years old, Minghella is feeling settled. He is still a "film nerd" that gets giddy with each new opportunity, but he's less anxious about the results. Next thing on his list? Vacation.

"I'm hoping in May once the movie comes out I can run away somewhere."

Read on for his cheesy would-be campaign slogan, his fast-food weakness, and the time he escaped a tornado while working on a film with Blake Lively.

Who is your celebrity crush?

Mary Tyler Moore.

What's the last thing you do before you fall asleep?

I listen to 1950s radio shows. Usually Dragnet. I was researching a project in that period briefly and got sort of into the radio culture of that time. And now I find it incredibly soothing.

Favorite villain?

Hans Gruber.

Describe a memorable dream.

I had a recurring nightmare as a child in which my grandmother turned into a cat. So Tom Hooper's Cats was very traumatizing to me.

First album you ever owned?

My mother bought me the Top Gun soundtrack on audio cassette.

If you were required to spend $1,000 today, what would you buy and why?

I would do anything to help a distressed dog.

If you ran for office, what would your slogan be?

Some kind of tacky pun using my first name. "Take it to the Max," or maybe "Max on, Max off."

Name one place you've never been but have always wanted to go.

Easy. Japan. I went when I was one, but I don't think that counts.

What's the most uncomfortable outfit you've ever worn?

I did a film called Art School Confidential and I had to wear a beret and I found every moment of it truly humiliating. I remember being completely traumatized by it.

Describe your first kiss.

My first kiss was at a bus stop. I was 14 and I lied and told the girl that it wasn't my first kiss, but I think it was probably immediately evident that it was.

What's one dish you're always tempted to order if you see it on a menu?

There are so many things. That's the sad answer. French fries is the truth.

Favorite on-set memory?

I did a movie called Elvis and Anabelle with Blake Lively like 100 years ago and we shot in Texas. There was a tornado one night that forced us to evacuate the set and we had to sort of drive off in a hurry. I put on this song by The Knife called "Pass This On" in the car which is very dramatic and cinematic. The tornado was sort of in pursuit of the vehicle while we were speeding away. And it was just far enough that it wasn't life-threatening, but also a radical visual. That's one of my favorite life memories.

The Handmaid's Tale season 4 premieres on Hulu April 28, and Spiral: From the Book of Saw hits theaters on May 11.

Photographs by Emily Malan. Grooming by Sonia Lee for Exclusive Artists using La Mer. Polaroid Photos by Max Minghella. Special thanks to Polaroid. Production by Kelly Chiello.

[kirishwima]

what quirks do the mysme characters have ?? would they go pro ?

this has been sitting in my inbox for so long and ive been wanting to answer it cuz i LOVE the crossover of bnha x mysme!!! so after long deliberation, here’s my lengthy, ranty answer-and if you wanna talk more about quirks or bnha p l e a s e hit me up im always happy to talk about this ;u;

YOOSUNG:

- I think what'd really fit him and be adorable af is if he could talk to animals, kind of like Koda!!

-He manifested his quirk earlier than most-at about 2-3 years old, and his parents found out after they found him crying because their house cat called him, and I quote, 'a bag of flesh and bones ready to eat'

-At first he didn't like his quirk much-something about seeing a cute chihuahua and rather than that high-pitched funny bark hearing 'i will MESS YOU UP' can be scarring to a kid

-Eventually he came to love it though! He found out it could be so useful when interacting with injured animals

-For this reason, rather than going pro, I think he'd become a vet once again!

ZEN:

-Do not even argue with me on this one baby boy would have a Siren quirk!

-Singing certain melodies can have different effects on people-one melody can lull them to sleep, others, more dangerous ones, can make them feel fear, anger, agression etc

-It took him a while to learn what melody and pitch of voice triggers each emotion, and for a while he was afraid to sing-his parents calling him a monster over it didn't help either :(

-Yet he insisted on using this power for good. He worked hard, memorised each melody and even created more complex ones, and would only use them if he had to!

-(I feel like he might also have some mild regeneration quirk maybe passed down from one parent cuz who said we can't have dual quirks? Not the Todorokis thats for sure)

-I feel like he'd be kind of like Hawks, in the sense that he's more of a celebrity than a hero; everyone knows of Zen the knight!

JAEHEE:

-ok at first I was writing a plot for a speed quirk but THEN i had this idea, you'll have to bear with me as I ramble through it: Jaehee has a matter manipulation quirk.

-Soph, what the heck is that, you ask? Well, here's the breakdown of it

-Jaehee can manipulate particles around her on a 4m radius. That means she can manipulate anything, change its shape, position etc-and with enough effort, eventually can also manipulate time IN this radius only.

-Think like matrix-style, bullets flying, but the moment they reach Jaehee, she manipulates them to slow down and they just casually graze by her as if nothing ever happened-ITS A BADASS QUIRK OK

-It's a little OP though, so as a drawback, she gets exhausted easily while using it, so it has quite the cooldown period.

-Despite the cool quirk, I don't think she'd want to go pro. All she ever wanted was to live her life quietly. But with a quirk like that, she's bound to get into crazy situations all the time.

-Now I want a fantasy-comedy show of powerful quirk-bearing Jaehee aaaa

JUMIN:

-I think he'd have a quirk like Shinso's! The moment you address him, he can, if he wills it, manipulate the person as he sees fit.

-But, unlike Shinso, Jumin can do one more thing with his quirk-Thought manipulation/Insertion. He can think of something, or simply voice it (for a stronger effect), and convince the other that this was their thought/idea

-i.e: Jumin, sitting across a potential company partner, smirking as he thinks to himself 'I want to sign that contract'.

-The partner, eyes wide while scanning through the document 'hm..yes, I want to sign this contract. Why didn't I want to earlier?!'

-He actually keeps his quirk a top secret, since the moment it manifested; no one would ever want to work with him face to face if they knew, now would they?

-Plus he's afraid deep down, afraid of people being scared of him.

-So he doesn't go pro; he keeps this quirk a secret, and god forbid anyone tries to find out about it.

SAEYOUNG/707/LUCIEL:

-Electric quirk!!! Electric quirk!

-Sae with little zaps coming out his fingertips grinning menacingly 🥰🥰🥰 id let him electrocute me

-Similar to Denki but minus the 'go dumb if overuse' thing; you're on my blog and we love angst and gore here, so here’s the catch:

-if he overuses his quirk, he starts to become vulnerable to it too. After all, it makes some sense-we have neurons firing signals in our bodies in similar fashion that electricity is conducted. Were you to touch a wire, not only is it very dangerous, the current MUST be conducted. So with electrical injuries-there’s always en ENTRY and EXIT wound, where the current came into and exited the body.

-So overusing his quirk can cause severe damage to himself, and is a reason why he’s riddled with scars-on his arms especially, but also legs (an often exit point for currents), back e.t.c.

-He found out about his quirk whilst protecting his brother. He…didn’t mean to use it. It terrified him. But it was a means of survival, and he was ready to use it no matter what.

-I really feel like someone form LoV would try to convince him to join them-and if they were to protect his brother too…he just might’ve.

-If we’re ignoring canon and going into a full BNHA universe, then I think Saeyoung would definitely go pro! He’d want to help people, and he’d be such an amazing hero, loved by so many people <3

V/JIHYUN:

-This is soo biased given that V’s my baby, but mmm, i really feel like he’d have a healing quirk, WITH a regeneration quirk mixed-this is my absoloute favorite quirk idea, and here’s why:

-How this quirk would work, is that he’d be able to take on any injury someone may have, big or small, so long as it’s not lethal-dead is dead after all. He can also heal significantly faster than average via self-regeneration, so he’s virtually overpowering, right?

-Well, here’s the catch:

-Anytime he takes on an injury or damage, he feels all of it-every single thing, and whilst the physical injury vanishes, the pain lingers, longer than it should. It does go away eventually, but taking on massive injuries is jarring and can scar him, physically and mentally.

-If we follow canon, after his eyes are hurt-his quirk deals with it, healing the tissue fast, yet he keeps injuring it himself, hating his quirk for the very first time.

-If we go full bnha AU, then he’d try to train his quirk as much as possible, and would go pro, but as a support hero, helping the injured after fights e.t.c.

SAERAN/RAY/UNKNOWN:

-Hmm, I’ve been thinking about this, and here’s what I’m thinking: I think Sae’s quirk would be bloodbending.

-Essentially he’d be able to use it in 2 forms; one is that he can use his own blood to form weapons, support items e.t.c (think blood swords….badass)

-The other form, is that he can bend the blood of others-anything with blood is doable, human or not, so long as there’s an injury, no matter how minor, for him to drag the blood out of. He can’t bend it whilst the skin is completely unpunctured, as cool as that would be, and he can only use it on one person per time.

-I think he’d hate his quirk at first-consider it hideous, monstrous e.t.c. He’d cry about it, his brother comforting him, reassuring him the only monsters out there are people judging him for a quirk he has no control over.

-If we go with canon: Rika DEFINITELY makes him use his quirk even when he doesn’t want to. He hates himself for it, spiraling depeer into her clutch.

-If we go fanon: He’d definitely be scouted by the LoV, but he’d never accept their offer. He instead wants to become a hero, and put his quirk to good use, to protect others. So I think Sae would go pro too!

[tuiyla]

So I finally watched The Owl House

I wish I’d do this with every show I watch but it seems like only a lucky few get the She-Ra style rant of love treatment. Well, I finally watched The Owl House after my dash having been flooded for the past couple of weeks and I have some thoughts. Slight spoilers below.

First off, I love the whole vibe. I had a faint idea that this show would be about magic but I didn’t know much before watching - except for one thing, we’ll get back to that. The way it builds its world and deals with magic, though, is so refreshing. And I just have to mention here that I laughed out loud at all the Harry Potter jabs, they were hilarious. I expect we’ll learn much more about magic and its users as the show goes on but as far as the first season goes the introduction was really solid. It strikes the right balance between leaving things to the imagination but being more than “wave wand and magic happens”. It’s colourful, it’s creative, and I even like the ovens and school tracks, despite knowing that the story is about not conforming to those. It makes the Boiling Isles unique and make me want to learn more about the world even beyond the characters and the main plot.

TOH also presents a world that’s much more macabre than I was expecting from the Disney Channel, not that that’s a bad thing. I found myself thinking of Adventure Time at certain points and pondering, at scary moments, how kids would react. I think kids love this, though, and besides, nothing can be more scarring than Courage the Cowardly Dog was. It’s not that terrifying, of course, just daring enough to stand out. Overall the show has what I would classify as more of a Cartoon Network vibe than a Disney Channel one, but I admittedly haven’t really been following many Disney shows. In any case, I dig it. I dig the weird creatures and the beautiful backgrounds and I appreciate how alive the Boiling Isles feel. It doesn’t take long for TOH to immerse you in its world so I’m for one am hooked.

I make a big deal of loving the world itself because rarely does it happen that world-building stands out to me so soon in a series. I do love carefully constructed fantasy worlds but for the most part I’m more interested in the characters themselves. Here, I’d say it’s close to being a 50-50, which is something that even Avatar can’t say with its elemental masterclass in world-building (which is mostly because the character depth there is unrivaled but still). So yeah, kudos to The Owl House for achieving this. From Luz’s glyph magic to the covens and the titans, I’m excited to explore this world more.

Now, the characters. The real meat of any story. Starting with Luz, I have seen some criticism that she’s a generic hero so far, the “I’m a weirdo”, heart of gold, upbeat variety. I don’t think this makes her bland, though I do admit that being told over and over again that she’s weird makes me less engaged, even she’s also shown to be weird. I like the message of her arc and that the chosen one trope was deconstructed almost right away. I like that she’s relentlessly enthusiastic and kind to people and I like that she doesn’t have to get more bitter in order to get development. Instead, she learns from her mistakes but keeps being herself and brings her unique spirit to the Boiling Isles. We need protagonists like Luz, not just because she’s latina and bisexual but because her learning process doesn’t involve cynicism. Sure, there is a lot she needs to learn but her heart is presented as an asset and a sort of source of magic. I’m excited to see where her story goes, for sure.

I’m gonna write briefly about the other characters before I get to my favourite one. Eda is super cool and I quickly got over the fact that she’s not Beatrice Horseman, lol. She embodies such a youthful energy but the show also allows her to be a middle-aged woman comfortable in her own body - well, owl curse notwithstanding. Also, her relationship with Lilith is one of my favourite parts of the whole show. Eda subverts so many of the mentor’s traditional tropes and I’m here for it. I kinda thought she was the villain based on her design and when I didn’t know anything about the show but hey, happy she’s not.

I don’t think I’d even seen a picture of King before starting to watch the series and at first I thought I’d get tired of him real quick. He’s the type of character who can get really annoying instead of endearing really fast if he’s not given any depth or charm, both by way of writing and voice acting. Luckily, I ended up liking King and his antics. His design is indeed adorable and Alex Hirsch is a genius. The only time I felt like he went too far was, perhaps surprisingly, in the book writing episode, “Sense and Insensitivity”, but even there going too far was the point. So yeah, King’s also great, there’s much potential in his backstory and general character.

Alright so really quickly, other characters: Willow and Gus are generic best friend characters and though they already have other things going on, I expect more development as the series progresses. I like that Willow is actually super powerful, just not in the way people expected her to and Gus is clearly also talented despite being younger. I’d be happy to see more of the other kids, get more familiar with Hexside. Edric and Emira are fun characters but they were really shitty in their first episode so I was kind of surprised they weren’t more of a nuisance to Amity later on. I’m all for supportive siblings so I wouldn’t mind a good relationship between the three but I feel like it’s more complicated than that with the Blights.

Finally, I also have to mention that Hooty is... well, quite something, isn’t he. Much like with King, I thought he’d be much more annoying but somehow the show is self-aware enough that it makes Hooty tolerable. I’m almost always torn between feeling sorry for him and being thoroughly weirded out, and I think that’s the intention? It’s fitting that he’s the titular character as he embodies the tone of The Owl House well in my eyes. He’s there for the comedy but there’s just enough there to hint at something more. Very bizarre, strong CN vibes, here for it.

Now that I’ve written a paragraph more about Hooty than I expected to, let’s talk about Amity. Listen, no other character stood a chance to be my favourite as soon as I learned Mae Whitman voiced Amity. That woman gave me Katara so now I have a quasi Pavlovian response to her voice. I’d also say that I knew more about Amity going into the show than I did about any other aspect of TOH. I heard somewhere that she started out as an antagonist, I knew her parents were abusive, and the reason the show blew up on my dash and my general online bubble is the Grom episode. Lucikly I only saw stills of Lumity beneath the crescent moon but the pure Sapphic energy of that was enough to gay migrate me to this show. I’d like to note it here though that The Owl House is a good show in and of itself, the queer rep is just a nice extra. I’m gonna spend the next couple hundred words going on about Amity and her crush on Luz but I don’t value only that. The Gay Migration is great and rep is great but I’m also grateful to have a solid show behind it. That being said.

I’m a total dyke for Amity Blight. I was very biased before even being introduced to her character but I genuinely find her to be fascinating and she has great potential. She’s developing quite quickly, like much of The Owl House, but an arc not being stretched out for several seasons before getting a rushed conclusion is refreshing. The progress hits all the beats and the only note I have is that I want more. She starts out as a generic bully but the opportunity to be more is there from the beginning. We find out early on that she used to be friends with Willow, we see that she works hard and values honest work. When she becomes Luz’s rival, it doesn’t last long before Amity shows that she’s open to new perspectives. That’s not to defend or even justify her earlier and nastier moments, Amity was rude to both Luz and Willow. But through all that, she becomes a complex character who does bad things but isn’t a bad person and grows when she gets the space to. I think that’s neat.

Luz’s decision to befriend her might be cartoon logic but as someone who subscribes to the “kill them with kindness” ideology, I can totally relate. Amity’s softer side doesn’t take long to show and “Lost in Language” is such a great episode to show how complex people can be. Again, I was already biased when it came to Amity but she’s consistently shown to be capable of self-reflection and growth when others give her the chance. I think her past and potential future friendship with Willow is a great way to explore many different topics and I’m trusting the show to do it justice. I also can’t wait to meet the rest of the Blights, if only to get me some angst and further develop Amity. I half expected Grom to take the form of her parents. Too dark for Disney? Well, we don’t know Amity’s dynamic with her parents, exactly, but there’s so much subtext and potential. I love what we’ve already seen from her but I’d also say that she has one of the greatest potentials in the show.

Another way in which this potential manifests is Lumity, of course. Again, they’re developing quite quickly but that doesn’t mean it’s rushed. I’d love to explore Amity’s crush more and what Luz means to her. The Grom episode surpassed all expectations, still and gifs don’t do the stunning dance sequence justice. The animation is so smooth, the colours are amazing, the music is on point and the Sapphic vibes complete the picture. Poetic cinema, truly. Molly Ostertag and Noelle Stevenson are really out there giving wlw animation fans everything we ever wanted, huh. It also warms my heart that the crush is made very clear, not just by Luz’s name being on the note but by the delightful gay disaster that is Amity in “Wing It Like Witches”. I never thought I’d ever see such a relatable useless lesbian in animation so kudos to Dana Terrace and the whole crew. Wow, how far we’ve come.

So yeah, Amity is a funky little lesbian and I’m a 100% here for her gay disaster moments, but I also love where Lumity is going thematically. They’re great as foils and I’m hoping that they won’t get together at the very end. Look, I love me some Bubbline, Korrasami and Catradora, but it’s time a wlw relationship had the chance to exist onscreen and not only in the last episode. The Owl House has a great chance to do that. I know the creators don’t want romance to be the main focus and I respect that, I think the world they created deserves to showcased and explored to its full potential. Lumity could be a great subplot though, as representation on the one hand and as a thematically interesting dynamic on the other. Plus, Luz and Amity are just cute and sometimes, it’s as simple as that. Oh, and also the whole Little Miss Perfect thing? One of the best fandom discoveries I’ve made in a long while. Not only is the song truly perfect for Amity, I love that Joriah Kwamé went on to write Ordinary as well. This right here is why fandom is beautiful.

I think that’s about it for season 1 initial thoughts. The moral can be a bit on the nose at times, especially in the early episodes but the show is ultimately for kids and I appreciate its message. Interesting world and magic system, good characters, great potential for later seasons, just a well put together show that I’m really glad I started watching. I’m kind of sorry I didn’t keep up with season 1 as it was coming out but I would not have been able to wait between episodes. The pacing is good overall, deffo moves fast but I wouldn’t call it rushed, and the “filler” episodes still add something to the story. I’m not sure if I would still feel like the show moves at a fast pace if I hadn’t binged it but in any case it isn’t rushed, the necessary beats are all there and have time to sit. I’m going to watch as it comes out from now on so hopefully season 2 will arrive early next year.

Oh, and: I’m very new to the fandom, barely just found out about Little Miss Perfect, so any and all tidbits, fun facts, and fic recommendations are welcome. Also if you just want to chat my inbox is always open!

[sifeng]

Review: Love and Redemption

While I first started watching this drama out of pure curiosity of why people claimed it to be “the second most tragic drama” (after GMP, of course). While there are certainly aspects of this show that could be better, I find it fair to claim that it is a wonderfully made xianxia, and certainly one of the best in the genre within this decade. 

Plot:

According to legends, the god of war saved the heavens in a deadly battle against the demon a thousand years ago. Both fell from the heavens and disappeared from the world. Chu Xuan Ji was born to the world lacking in the six senses which makes her rather clueless and inept. She befriends Yu Si Feng, the outstanding head disciple of Lize Palace who falls for her, thus beginning a xianxia romance that is entangled with the conspiracies from the past. The Zan Hua Tournament is being held in the Shaoyang Sect and its leader Chu Lei has two daughters - his trusted eldest daughter Chu Ling Long, and the youngest daughter Chu Xuan Ji who is lazy and terrible at martial arts. When Yu Si Feng and Chu Xuan Ji meet through a coincidence, they forge a friendship with each other. Yu Si Feng falls for Xuan Ji despite the harsh consequences that he must face as it is forbidden for students of Lize Palace to fall in love. Meanwhile, Ling Long clashes with Wu Tong after she criticized his foul actions at the tournament. In retaliation, Wu Tong accidentally injures Xuan Ji and gets expelled. Having recovered from her injuries, Xuan Ji promises to concentrate on cultivating. Four years later, Xuan Ji and Yu Si Feng meet again. Si Feng wears a mask due to a curse that can only be broken if he finds true love. 

Cast:

Cheng Yi (成毅) as Yu Sifeng (禹司凤)

Yuan Bingyan (袁冰妍) as Chu Xuanji (褚璇玑)

Liu Xueyi (刘学义) as Hao Chen (昊辰)

Zhang Yuxi (张予曦) as Chu Linglong (褚玲珑)

My Opinions:

Plot (My Rating - A-):

First of all, I quite like the pacing in this drama. As the matter of fact, towards the end I actually feel like some things were rushed, not dragged out. It’s never a show that allows you to press the fast forward button, because 1. the tragic moments are super intense and dramatic, and 2. you don’t dare skip over the cute/funny moments because you know there won’t be many left. Second of all, I really appreciate that the writers of this drama really decided that they were going to make the most tragic drama ever. They really dedicated themselves to that craft, and I think they succeeded wonderfully. In terms of plot points, I absolutely loved the whole 9 lifetimes idea. It really brings out the tragedy and beauty of Yu Sifeng - he will do anything to protect those he loves, especially Xuanji. I would not complain if every single lifetime was made into a 45 minute episode, though that would be 405 more minutes of Sifeng being tortured by love on top of the infinite amount of minutes that already exist in this drama. 

One problem I had, again, was with the misunderstanding that separated our two leads. I understand that this misunderstanding was one that had to do with the morals, backgrounds and fates with both of them, and thus was obviously meant to be a separating factor, but with the way the two characters were written, it felt odd that it created such an amount of misunderstanding. Overall, the plot was good, it didn’t have any revolutionary ideas, but it turned up the tragedy factor and had consistent pacing (if not too rushed towards the end). I’m sure there were probably a few plot holes here and there (one of which is why is it so easy to destroy that huge jar thing towards the end? If that’s what’s keeping the universe at balance, shouldn’t it take more than just one Yuan Lang to destroy it?), but overall, solid plot.

Characters (My Rating - B):

Sifeng is an absolute angel. He’s probably the most heroic lead in a drama who acts totally out of selflessness, who will help his loved ones no matter what pain it puts him through, and who can remain so kind, so unbothered mentally by whatever pain everyone puts him through. However, that doesn’t mean he doesn’t have faults. He acts irrationally in the face of love and he often mistrusts the people around him. He’s a very complete character that not only evokes viewer’s sympathy, love and admiration, but also makes sense when taking into consideration his morals. He rarely does things that are out of character. If I were to rate just his character I’d probably give an A+.

But, there are other characters in this drama. I do like Xuanji, not as much as I like Sifeng, but I like her more than most drama leads. Despite the whole lacking six senses thing being a super confusing plot hole of sorts (like she clearly likes people in the beginning, Linglong, Minyan, her father, and dislikes people, Wu Tong, but isn’t she supposed to be unfeeling? Also she screamed out of fear when she fell using the teleport tool etc etc), I liked how she wasn’t stupid, but simply naïve. She’s actually a pretty smart person, especially in the first half of the drama, when she defended Sifeng against the Five Sects, and then Minyan after he was caught from Tianxu Tang. She didn’t let herself be manipulated by her father or Hao Chen, but rather thought for herself, took into account what she knew of their characters and came to the correct conclusion that the Five Sects were being stupid. I found myself a slight bit annoyed when she took the Five Sects side on the whole Mosha Xing issue, but given that the argument was no longer Sifeng vs. her father, but rather demons vs. humans, I can sort of understand why she didn’t trust him. Also, he did lie to her a bunch of times so, I suppose that adds to the fact. Though, she failed to use the trait that I used to really like, which was the ability to take logic and character into consideration. Did she really think that Sifeng never loved her? Because like, with all the evidence right there in her memory, I find it hard for anyone logical being to come to that conclusion. Also, I really like how she eventually became as loving of Sifeng as he was of her. She was literally willing to destroy the world, and herself, just to save him. 

As I have said before, no one likes Hao Chen, and that’s good. He’s obviously written to be a character that you should dislike, not only because he gets in the way of Sifeng and Xuanji, but because he is clearly so biased against demons (despite the fact that most demons aren’t even bad at all); because he manipulates Xuanji/God of War so many times and doesn’t even feel guilty whatsoever; because he always says “for the three realms” and yet happens to do things that will completely destroy the peace of the three realms. There are things to like about him, like I am pretty sure that he does actually care about the three realms, and he does want there to be peace, but his ideology about peace, and love, and war are just so skewed that he ends up doing the opposite of what he wants to do. 

Other characters were mostly likable, like Linglong, Zi Hu, Teng She, Minyan (most of the time), Xiao Yinhua, Ruo Yu (sometimes), Wu Zhiqi, etc etc. Some were evil for no apparent reason like Yuan Lang (why does he want to control the three worlds? What happened to him in the past for him to become this power hungry? If these questions were answered this character could be sooooo much more compelling) and Wu Tong (again, why did he start out so violent and cruel? I understand why he become a demon and helped them, but like does he not realize that it was clearly his fault first?) Also, the Heavenly Emperor seems like such an odd character. I understand he is the emperor and so he shouldn’t hold his relationship with Bailin and Xixuan above their faults, but like why was he so okay with like letting a totally faultless Xi Xuan endure several mortal trials all ending with painful deaths? And if that was because he was being a good and fair emperor, why does he let a game board decide fate? He also just stood there while the world was ending, and it took Xuanji to convince him to help her. I would like to know more about this guy and his complete lack of ability to care about anything.

So overall, while I think the main characters were written very well, with complex characteristics, some of the villains were just left tools to push forward the plot. 

Acting (My Rating - A-):

So first of all, Cheng Yi’s portrayal of Yu Sifeng was absolutely amazing. He brought out all of Sifeng’s traits super well, from shyness initially to the cruelness Mosha Xing to his loving gaze at Xuanji to the heartbreak in tragic parts. I’m pretty sure he’ll become a star after this show, and can I just say, he totally deserves it!

(Like can you see the pain in his eyes?)

I was pleasantly surprised by Yuan Bingyan here. I really like how her acting style changed along with the new role she took, as Xuanji she was bright and cheerful, as God of War she was heartless and cruel. You can see in the nine lifetimes that the way she reacts to Sifeng’s death slowly changes. Her crying scenes need a little more emotion, but overall, a super stable performance. 

Chemistry/Romance (My Rating - A):

The chemistry was just amazing. I find it interesting that their kisses slowly got more and more passionate as time went on. 

I think part of the reason they have such good chemistry is because of the acting. Like oh my god their tiny reactions to when the other gets hurt really gives it away that they love each other. 

The romance was also written nicely. While some people complain that Xuanji didn’t suffer enough, I feel like they don’t have to be equal in suffering in order for them to be a good pairing. You could tell from the very beginning that Xuanji liked Sifeng in a different way from other people. And the fact that they went through nine lifetimes together, each one when Sifeng died because of Xuanji... it just makes their romance so much more epic. Add that with good chemistry, good kisses, and good acting, well of course people love this ship so much! Xuanji would destroy the world for Sifeng, because the only person that matters in her world is Sifeng. Sifeng would put himself through ten lifetimes of torture just so Xuanji can be happy, because so long as Xuanji is happy, he will be happy. 

Music (My Rating - A): this one is simple. Just listen to the soundtrack and you’ll understand my rating. I didn’t give it an A+ though, because while all the songs are great, there isn’t one in particular that I love. 

Costumes (My Rating - A-): Sifeng’s costumes are really pretty. Some of Xuanji’s are pretty too, they get prettier as the show goes on, but some of the ones early on were kind of meh.

CGI (My Rating - A+): the best CGI in a cdrama. Just look at the scenes where Sifeng shows his wings! 

Overall Rating: A-

Recommend For: People who like xianxia dramas and dramas that try to incorporate a lot of themes. People who don’t mind their heart breaking a thousand times while watching a drama. People who want to find a couple that you have to root for. People who like super epic guzhuangs with lots of subplots, mythology, reincarnations etc. 

[carewyncromwell]

The Cinderella AU is back...and with it, a proper introduction to the character who fills the “evil stepmother” role -- Carewyn’s cold, cruel grandfather, Charles Cromwell. If you’d like to learn more about Charles and his family’s canon counterparts, you can consult this post, but to summarize quickly, in Carewyn’s canon, Carewyn’s mother Lane ran away from home to elope with a Muggle, which ended up protecting Carewyn and Jacob from Charles’s emotionally abusive influence. (At least until R started going after them, because hey, what d’you know, in Carey-bear’s canon, Charles is R’s leader.) But in this AU, Carewyn has to answer to Charles for some reason...so yeah, that doesn’t bode well, does it? You’ll just have to read on to learn a little more about why that might be...

Fashion changed very dramatically during the Renaissance, thanks in large part to the cross-pollination of different cultures and influences that came from more extensive travel, the growing popularity of published works, and royal funding of the arts. Pre-Renaissance men’s fashion, at least for the nobility, was very big on oversized sleeves, which ended up creating a more “top-heavy” frame. (Just look at most portraits of King Henry VIII.) As the Renaissance went on, though, trunk hose (which creates that kind of “bubble butt” look that we’re used to seeing in William Shakespeare Halloween costumes) became the latest fad, shifting a man’s frame to be much more “bottom-heavy.” Women’s fashion briefly flirted with wide trumpet sleeves (as one can see in this portrait of a young Elizabeth Tudor, later Queen Elizabeth I), but by the time the 1550′s were over, rounded sleeves grew much more popular. Fitted sleeves also went in and out of style in a lot of Europe throughout the 16th century, though sleeves were considered a special feature on gowns, so they often had a lot of embellishments, such as paneling, embroidery, or puffs. One exception to this rule, however, was in Italy, where fitted, detachable sleeves that could be used on multiple gowns became fashionable. Fashion in Italy in the 16th century was notably understated and modest compared to a lot of Europe, which tended to favor a lot of ornate beading and embroidery -- there were even laws on the books restricting how “bedazzled” women’s fashion could be. One such law even banned stripes, as it was considered wasteful to use two different kinds of fabric just to make a pattern. That being said, there were plenty of people in Italy who said “screw the rules” and worked around them anyway. Carewyn’s dress in this picture is somewhat based on this design, but with some tweaking, most notably with a fuller skirt and more ornate and puffy sleeves.

Previous part is here -- whole tag is here -- and I hope you enjoy!

x~x~x~x

When the end of the month arrived, Andre requested that Carewyn come to his chambers bright and early in the morning. Carewyn had anticipated that the prince had some extra duties for her to attend to, but instead, he immediately led her over to a corner of his bed chamber that he’d drawn a curtain around. When he pulled the curtain back, he revealed a full tailoring station inside his walk-in closet, complete with organized rolls of fabric, various jewels and beads strewn about over a table, several unfinished hats stacked on the nearby desk, an entire separate wardrobe of unfinished pieces, and several mannequins with fine fabrics half-pinned on them.

One mannequin, however, was wearing a completely finished, luxurious dark scarlet gown. It was made of about six different fabrics, all cut and sewn together in a complex tapestry of folds and textures and trimmed with many sparkling beads and jewels. Also lying on the floor just in front of the dress was a pair of heeled shoes made of off-white cloth with red and white roses sewn into the toes.

Carewyn couldn’t help but gape. Andre was grinning from ear to ear.

“So?” he asked. “What do you think?”

Carewyn glanced out the side of her eye at the prince, over to the dress, and back.

“Did you...make this, your Highness?” she asked, amazed.

Andre laughed. “Carewyn, please, it’s ‘Andre.’ But yes! I got inspired while working on your shoes, so I stitched this up to go with it. ...Do you like it?”

Carewyn walked around the mannequin to look over the gown, not daring to touch it. She’d never seen so many fine fabrics on one dress before -- velvet, linen, silk -- and all the embellishments must’ve taken full days to finish --

“It’s -- well, it’s extraordinary, your -- Andre,” she corrected herself very quickly noticing the prince’s pointed smile. Even she was finding it difficult not to smile too. “The beading on the sleeves, the lace work -- the alternating wool and cotton paneling along the bodice...it’s worthy of an artisan!”

Andre looked clearly both incredibly pleased and impressed. “You have an eye for detail, Carewyn!”

His face burst into a bright white grin as he bent down and picked up one of the off-white cloth shoes.

“I’m pleased you like it,” he said brightly. “I thought it’d be the perfect thing for you to wear today. Lord Cromwell sent a message to the palace asking Father if you could return home for a visit -- so I worked all night to get this done in time so that you could wear it for your outing with your new shoes.”

Despite her best efforts, Carewyn couldn’t completely keep the dismay and discomfort she felt off her face.

“What? Oh -- oh, your Highness, I -- ”

“Ah, ah, ah,” chided Andre, “what have I asked you to call me?”

“Andre,” Carewyn corrected very quickly, her eyes drifting up onto the dress rather than at Andre, “this dress is...truly beautiful...but it befits a lady of status, not -- ”

“It fits you,” Andre said, undaunted. “I used the measurements from your uniform fitting. It should fit you like a glove -- or better.”

Carewyn felt like her stomach was shriveling up. She hated turning away such a lovely gift -- under any other circumstances, she would love wearing it out and about. But...

“That...that is...it’s so kind of you, to use me as your template...”

Or “dress-up doll” -- that is what the Queen said I would be, isn’t it?

“...but I simply couldn’t wear such a gift on my visit...not when I have no comparable gifts to bring my cousins. Many of them are around my age, and...and well, I know Heather, Iris, and Dahlia would be very upset, knowing I got to wear such a beautiful dress and they didn’t.”

None of her cousins had ever been very respectful of Carewyn’s personal belongings. Not long after she first arrived, her aunt Pearl’s two bullying sons, Kain and Arsen, stole her jewelry box while she was sleeping and sold both it and its contents for pocket change. Her youngest cousin, her uncle Blaise’s bratty son Tristan, had once thrown a bottle of red wine out the window that shattered mere feet away from Carewyn and soaked her dress so badly that it never washed out. Even Iris had -- after Carewyn caught the eye of one of her suitors who’d come to call -- ripped the sleeve off Carewyn’s dress so badly that she had to hide from sight for most of the day, until she’d managed to sew it up enough that her chest wasn’t exposed. Carewyn had had to hide her mother’s old dress from her cousins for years, for fear they might steal and/or ruin it.

Andre frowned deeply.

“Well, I hardly can send along anything for your cousins without knowing their measurements,” he said with a quick glance at the wardrobe full of unfinished pieces.

His face then brightened with an idea.

“How about this -- I’ll order you. I order you to wear this dress on your trip home, and to have your cousins give you their honest opinion of it. Then you must bring their opinions back to me. Goodness knows I could use some feedback -- and maybe a few new ideas, if they have them,” he added with a teasing grin.

Carewyn opened her mouth to object, but Andre cut her off.

“As your prince, I command you to showcase my work to your family,” he said through a broad grin. “Am I clear?”

Carewyn really, really didn’t love the idea -- but she had to concede that she could use this to her advantage. She needed a stable place at the palace in order to achieve her goals, and she could help maintain that stable place at the palace by justifying to Charles why she had to be there. And Charles’s whole interest in her being there was to try to endear the Cromwells further to the royal family, and maybe even secure one of her Aunt Claire’s daughters a space in that family...

So, with a heavy sigh, she put on a small smile and inclined her head respectfully.

“Very well, Andre. I’ll wear your work proudly.”

And so Carewyn set off for the Cromwell estate on horseback, dressed in the new shoes and dress Andre had made for her. The shoes were lovely and fit perfectly, but they were rather impractical for walking around outdoors. Carewyn thought to herself that she might have to continue wearing her old shoes when she returned to her palace work, if for no other reason that she hated the thought of getting them scuffed up.

As to be expected, when she arrived, her cousins reacted very hostilely to her appearance.

“Well, well,” sneered curly-black-haired Kain, “what do we have here? Playacting as a lady, little Winnie?”

“All hail Lady Cinderwyn, Duchess of Dust!” sniggered his similarly dark-haired brother Arsen.

He reached for her wide skirt, but Carewyn -- remaining on her horse -- steered herself far enough back that he couldn’t reach.

“I wouldn’t damage this, if I were you,” she said as coolly and levelly as she could. “It’s not mine.”

Arsen and Kain exchanged a mocking, wide-eyed look and an “oooooh.”

“Are you a thief now, little Winnie?” asked Kain. “How far you’ve fallen -- we might need to call the castle guard on you -- ”

“Cinderwyn’s a thief!” crowed tiny Tristan in a sing-song voice. “Cinderwyn’s a thief!”

Claire’s three daughters looked a lot less mocking.

“You have some nerve, stealing clothes from your betters,” spat dainty, brown-haired Heather. “Grandfather should lash you within an inch of your life -- ”

“I haven’t stolen anything,” Carewyn said very firmly. “Now I wish to see Grandfather. I have a message from the Prince he’ll want to hear.”

“Grandfather’s inside,” said Claire’s gangling, button-nosed son Elmer with a crooked smile. “I’m sure he’ll enjoy your new look, Lady Cinderwyn...especially with the finishing touch!”

He jumped right into a mud puddle that splashed everywhere. Carewyn just barely avoided the spray, but when she moved back, Dahlia and Iris successfully grabbed hold of her velvet brocaded skirt and yanked hard in either direction, as if trying to rip it.

“Iris -- Dahlia --  ” said Carewyn, her voice growing colder and harder as she struggled to hold in her temper and emotion as best she could, “if either of you have any ambition to marry his Highness, I would strongly suggest letting go of his dress this instant!”

All of Carewyn’s cousins stiffened.

“His dress?” repeated Dahlia, looking outraged. “You mean to say you took this from the Prince?!”

“He bid me to wear it, for my visit,” Carewyn shot back fiercely. “Or would you have me oppose his Highness’s will?”

“You...arrogant, pretentious, ungrateful little rat!” shrieked Dahlia. She tried to yank Carewyn off her horse, and there was a slight struggle as Carewyn tried to both comfort her horse and prevent Dahlia from dislodging her.

“Now, now, children,” said a very coldly serene voice, “a little less noise there.”

All of the Cromwell children looked up to see Charles Cromwell striding across the lawn. He was dressed in black, gray, and white with a dark red cape with black trim, and he supported himself on an ebony-wood cane with a dragon’s head carved out of black zircon for a handle. Behind him were Carewyn’s aunts, Pearl and Claire, with their husbands, as well as her uncle Blaise. All three of them were looking over Carewyn’s outfit disapprovingly -- Blaise looked particularly irritated, his upper lip curling as he rested a hand on top of Tristan’s shoulder that made the small boy flinch.

Iris and Dahlia were still clinging to Carewyn’s skirt, but they’d frozen up like startled cats when their grandfather appeared.

“Grandfather -- ” stammered Iris, “W-Winnie’s a no-good thief -- she stole this dress from -- !”

"I have stolen nothing,” Carewyn repeated coldly. She stroked her horse’s white mane several times to soothe it.

Pearl too had come up to rest a hand on Arsen’s shoulder and was looking at Carewyn very critically out her own almond-shaped blue eyes -- most of Carewyn’s family had them.

“Is that so?” she said, her voice a low growl in her throat. “Explain, then, what gives you the nerve to show up here dressed in such obnoxious clothes.”

“It’s positively garish,” added Claire in a higher, simpering tone from her comfortable spot in her husband’s arms, mirroring her sister’s disapproval like a child would imitate their older sibling.

Carewyn raised her eyebrows very coolly. “Prince Henri will be very disappointed to hear that. He worked very hard on this.”

This startled all of the Cromwells. Blaise looked scandalized.

“And I suppose that makes you think the Prince favors you somehow?” he spat, his eyes flashing dangerously as he released Tristan’s shoulder and approached Carewyn’s horse. “Rather than just thinking of using you as some saucy little tart and then discarding you, just like your wretch of a father did your mother -- ”

"I think nothing of the sort,” Carewyn cut him off coldly.

Don’t you dare talk about my mother.

Charles, the least visibly startled, took a few steps forward. Iris and Dahlia finally released Carewyn’s skirt so as to get out of the way, and Charles came to a stop about three feet from Carewyn’s horse, his own almond-shaped eyes locked on his ginger-haired granddaughter’s face.

“I believe you owe me a full report, child,” he said quietly. “Stand before me and give it.”

Carewyn’s red-painted lips pursed as she picked up her skirts and descended from her horse at last. She looked up at Charles with a very stoic expression.

“Prince Henri learned that I would be coming to see you, as per your request,” she explained. “He commanded that I wear this dress, for my visit. He’s heard about my cousins and desires Dahlia, Iris, and Heather’s opinions on it. Then he requested I deliver their feedback back to him this evening.”

The time limit was a flat-out lie, but one Carewyn knew she could get away with. She did not want to stay at the Cromwell estate overnight -- she’d rather sleep on a lumpy old cot in the servants’ quarters than on the floor by the kitchen fireplace. 

Claire looked at Charles, her face breaking into a rather eager expression. “His Highness wishes to hear from my daughters? He must have heard from the rest of the court of their extensive talents -- ”

“Or at least purported talents,” said Blaise under his breath with a rather cynical look. “Seems the rumor mill is working well...“

Pearl shot Blaise a glare, but Claire didn’t seem to hear him -- she had already whirled on Carewyn.

“Tell his Highness that the dress is a work of art, fit for a queen!” she said insistently. “And make sure that he knows that there are much better models for his work here, at the Cromwell estate -- Iris has a far superior build, Dahlia the most perfect shoulders -- ”

“I suppose Winnie can do far worse than inanely fawning over your daughters’ target on their behalf,” said Blaise in a rather cutting voice. “Mindlessly swooning certainly worked for you.”

“Blaise!” Pearl snapped reproachfully.

Charles’s eyes drifted over Claire and her three anxious-looking daughters thoughtfully.

“...What feedback...do you believe would most please his Highness, child?” he asked Carewyn.

“He appreciated it when I noticed the details,” said Carewyn. “I would think if anyone had any creative ideas to add onto it...or perhaps constructive criticism...he might react well to it. His Highness is very interested in fashion and tailoring...I’m sure he would appreciate knowing someone who could indulge in that passion with him.”

He must be awfully lonely, locked up in the palace all the time. It’s no wonder he tried to find things to do indoors that could bring him some joy, if he’s unable to go much of anywhere...

Charles’s eyes flitted over the silk and ornate beading on Carewyn’s sleeves.

“His Highness certainly does have an eye for finery...has the royal family come into additional wealth recently?”

“I don’t think so,” said Carewyn. “The castle staff is very limited. And although the nobility are all dressed and fed well and the castle is decadent, the staff is frequently short of common necessities like nails and coal for the fire. Not to mention the staff’s rations are sparse.”

Iris gave a loud, haughty laugh. “Ha! Probably just as well -- you could do with getting some of that meat off your thighs!”

“Iris,” said Charles very sleekly, even as the rest of Carewyn’s cousins sniggered.

His lips curled up in a smile that didn’t touch his eyes.

“...It seems that the King and Queen are indeed in need of our family’s charity. But we must indulge their pride. It’ll be far easier for them to accept help from a future daughter-in-law and princess than simply from a loyal servant of the realm. Carewyn -- you shall report back what his Highness wishes to hear. Customize three answers for Heather, Iris, and Dahlia -- one fawning, one critical, one creative. Whichever answer he likes best, we will then pursue that route with the cousin you’ve assigned to it.”

His almond-shaped blue eyes narrowed ever-so-slightly upon Carewyn’s face.

“And once we’ve secured an invitation from the Prince...I expect that you will step aside, to make room for your cousin to make her move.”

Carewyn’s expression didn’t shift.

“I’m not interested in courting princes,” she said lowly.

Heather, Iris, and Dahlia can knock themselves out. Andre will see through them sooner or later, and it’ll be all their own fault.

There was a cold, diamond-like glint in Charles’s eye. “...Yes...you truly don’t care to chase any man except for your brother...do you, Carewyn, my dear?”

Carewyn tried not to blink or look away.

“You have news of Jacob?”

Charles sighed airily. “I’m afraid not, my dear. I know he’s well, of course...but news from the War front, as you know, is simply impossible to come by...”

“You know he’s alive,” Carewyn shot back a bit more sharply than she meant to. “That doesn’t mean he’s well. No one could be doing well out there.”

“And yet I’m sure you’re happy that the first is guaranteed?” said Charles. “At least, so long as you do your duty to your family, and to me?”

It was a warning, but it was done so delicately -- it was like his voice was flirting with a threat, rather than flat-out making one.

Carewyn’s lips came together tightly as her gaze drifted to the ground.

“You know I wish no harm to come to either you or Jacob,” Charles said softly. “Losing a child was terrible enough, losing grandchildren as well...well, it would deeply upset me. And per our agreement, you are the one who must shoulder the burden of your brother’s and your debt to me...particularly since you have no dowry and no possible claim to my estate. Remember, Carewyn...you are responsible for how you are treated -- and for how Jacob is treated.” 

Carewyn’s eyebrows knit tightly together over her closed eyes.

“...Yes, sir.”

“Good. Now then -- rehearse the answers you plan to give to his Highness with your cousins. I wish them to sound convincing, so that when one or more of them is invited to the palace, they will be able to play their part appropriately.”

Carewyn hated every minute of hashing out responses with Heather, Iris, and Dahlia. Like their mother Claire, they and Elmer were all “follower” type personalities who tended to echo whatever they thought would please others -- so Dahlia, Iris, and Heather were constantly trying to steal each other’s ideas to “improve” Carewyn’s answers, despite all three of them supposedly needing to take three different approaches as part of Charles’s plan. Even the three girls’ hostile attitude toward Carewyn largely came down to her refusing to follow their direction, despite her lowered status in the family giving them authority over her -- something that, Carewyn believed, they would never do if their positions were switched.

When Carewyn was finally ready to leave (and successfully avoided Tristan’s muddy hands when the wickedly grinning little boy forcibly tried to hug her goodbye so he could leave stains on her dress), Blaise pulled Charles aside. As the male heir of the Cromwell legacy, Blaise had always followed in his father’s footsteps most, but there was one thing they didn’t agree on.

“Father,” he said, his voice very low in the back of his throat as he watched Carewyn ride away at a fast gallop, “I don’t approve of her returning to that place.”

Charles smiled coldly. “You always have disliked sharing your toys with others, Blaise.”

“It’s a bad influence!” said Blaise, whirling on his father. “We can’t monitor what she does, how she behaves -- who she speaks to -- how can we hope to keep her, if we consistently open her cage?”

Charles’s eyes, the same color and shape of all of his children and most of his grandchildren, sparkled with something crueler.

“Ah, my boy,” he said sardonically, “you have much to learn about cages. Physical cages have strong bars, but ones easy to see and constantly weathered. But a cage forged carefully in another’s mind...can become so strong that the prisoner willingly chooses to stay.”

Charles turned on his heel, his lips curling up further still even though his face remained so doll-like and emotionless.

“As weak and overemotional of a thing she is, Carewyn is far more like you and me than Lane ever was. She’s very resourceful and she’ll do whatever she has to in order to get what she wants -- and that drive fuels everything she is and does. It may make her spirited, but it also makes it so that as long as she sees Jacob’s life in the palm of my hand...so too will she be.”

Blaise’s eyes flickered with a strange skepticism. “And...if Jacob’s life were ever not under your sway?”

Charles’s expression grew even more detached and emotionless as his smile faded and his eyebrows raised.

“...Would Carewyn really want to contemplate what state he’d be in, if he weren’t?”

Carewyn couldn’t be happier to leave the Cromwell estate behind. She didn’t slow down her horse’s pace until she’d reached the outskirts of the market, well after the manor house was out of sight. Only then did she slow her horse down to a leisurely trot, so that she could enjoy some time on her own wandering down the village streets before heading back to the palace. The castle staff wasn’t expecting her back to work until the following morning, so she could take her time.

Unfortunately for Carewyn, there was another reason her cousin Tristan’s hands had been so muddy -- and that reason soon became apparent when Carewyn reached into one of the pockets on the side of her saddle, thinking to temporarily change out of the pretty shoes Andre had given her and were now pinching her feet for the ride home. When she reached into the pocket, she instead found the tiny snake that Tristan had stolen out of the reeds by the nearby pond.

With a scream of surprise, Carewyn flung the snake to the ground -- the snake arched back, hissing angrily, and that in turn spooked Carewyn’s horse. With a loud, scared whinny, it reared back, bucking wildly.

“Whoa!” cried Carewyn. “Whoa, boy -- whoa!”

Several passerby turned around at the sound of the noise. A few looked like they wanted to help, but were too warded off by the horse’s kicking feet. Carewyn tried desperately to calm her horse, stroking its mane with one hand and clinging desperately onto the reins with the other, but it was no use. She wasn’t strong enough to wrench her horse into submission. And so when the horse gave a particularly violent jerk, Carewyn was thrown right off.

“AHH!”

Out of nowhere, someone dashed forward. Carewyn ended up slamming right into them, and the two landed roughly in a heap in the dirt.

Carewyn watched her horse gallop off the street, her face very tense and distraught. She then looked down at the person she’d landed on top of, and she gave a visible start.

Her “hero” was a man about her age dressed in modest clothes with tanned skin, slightly-too-long dark hair, and a beard. His sparkling black eyes were squinted slightly as he winced in pain, but nonetheless shone with some concern as he looked her over.

“Are you hurt, Lady Cromwell?” asked Orion.