#just in case you want to know.

[maaaxx]

my wips are stressing me out so you guys have to hear about it

or not i dont care

Cots

literally fighting for my life out here with this new wip. I could have the first chapter (???) out in like a few days but like,,, i dont want to do that

but im also not getting any immediate dopamine from this so im having trouble working on it.

Im also scared of having a new audience because like aside from a set few people most of my mutuals know me from ihiap and yall are nice and new people scare me

I even gatekeep ihiap, like if you dont know me from ihiap your not allowed to know about ihiap

a lot more people read that fic than i thought and it stresses me out

off track

i do genuinely think cots is going to be better than ihiap because ive had like two years now to figure out how to interact with fandom and im friends with other writers not and have more of a grasp of my writing style than i did before.

so im really excited about this

but i have enough trouble updating ihiap idk about doing two fics at once

but if i wait until im done with ihiap thatll take like two more fucking years

and ill lose focus

and wont do this fic

again, getting off track.

theres still so much that im not sure about with this fic. Like Zuko I think is the main character

But Sokka is EXTREMELY relevant

so i think im going to split the povs

But theyre at opposite ends of the world at any given time and sokka isnt going to (physically) be doing much.

so im not sure how to approach that

also i have no clue what the fuck kataras doing

like miss girl has two options and what she chooses will DRASTICALLY change the story like SHE controls the plot not me.

Sokka and Zuko are just there for the ride

Azula is also going to be relevant

like the story is about them 4 no one else matters

except aang maybe but like hes actually the avatar in this so thats a given

my first story where aangs the avatar!!!

also outlines are hard

and prologues are hard.

Ill be back with more complaints later

Ihiap

I have a love/hate relationship with ihiap. The characters in it are amazing theyre my favorite people ever. Some might make a cameo in cots, i havent decided yet.

REasons i hate ihiap:

-I accidentally stole half my ocs i talk about this a lot and ive been reassured but im not going to get over it. I hate myself

-Its so badly written like half the time There are some parts that i absolutely love and some that make me want to delete the entire fic. Like ive actually considered it multiple times. I hate it so much, so much second hand embarrassment. Is it second hand embarrassment if I'm the one who wrote it???? -Zuko is so ooc he might as well be an oc

-I dont even know twf azula is doing Azula and Mailee is one of the plot holes that drives me nuts. Because like I wrote Ty Lee into a scene but miss girl is supposed to be in the circus by now. I forgot about that part. Also Theres a certain detail about Azula and MaiLee thats going to be very prevelant near the end of book 3 but i forgot to imply or write that in so thats going to come out of no where. -most major events were impulsive and had no value to the actual plot Examples: That stupid soldier dude, the islands thing. I hate these parts and im going to write them out eventually -PLOT HOLES Reasons why Ihiap is the best piece of literature ever written:

-Relationships and characters

So the thing is despite the fact that theres so many things im bad at doing in writing/havent had enough practice yet, there are things that I know that I am great at writing.

One of these things is delevoping relationships.

I'm really good at making people and relationships very complex and this isnt something that someone can change my mind over, like this is something that i love the way i do it.

This is one of the only redeeming qualities of ihiap.

-I love the plot.

I really want to redo this to do the plot justice because i do think it has potential.

Overall i think that ihiap has more good than bad but the mad really does bother me. If your ever rereading and there seems to be some stuff missing or changed its because im eventually going to go through and edit the shit out of it.

As of now the next chapter (chapter 14) has like 600 words. Chapter 15 has i think 445 and chapter 16 is completely done, chapter 17 had like half a sentence, then were done with twbb.

Chapter 16 is where stuff gets interesting.

Im perfectly aware that TWBB is boring but it was meant to be. I needed it to be for Zuko to not go insane and then also develop Tomnooks relationship (because believe it or not theyre not COMPLETELY self indulgement and they are important) and also Sokka and Katara and Zuko needed that sibling relationship. So i needed like a 17 chapter book in between the two main books for that stuff.

I'm so excited for the next book. Especially like the second half. Its also (most likely) going to be updated a lot more frequently than twbb. Twbb was a pain in the ass because there was very little actual plot and it was just day to day stuff. So i had nothing to go off us.

Like Book 1 was all about the crew and Zuko to kind of learn and build relationships and shit and Book 3 is going to be a lot easier because it has a lot of actual plot and a goal and shit.

Totp

" idk about doing two fics at once" miss girl you already are supposed to be doing two fics at once.

Im not even trying with this fic, if your invested, im sorry. I've thought about deleting it but i decided against it just in case i want to come back to it.

Its not looking good though.

This is what happens when i dont outline my fics

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[mamawasatesttube]

BTW... PSA.... even if we arent mutuals if youre in my notes regularly theres a Very high chance i am still fond of you. yes im vaguing someones tags on the compliment the person u rbed this from post. but like. positive vaguing? THE POINT IS im weird abt following ppl but IM STILL SENDING U FOND VIBES...

[indigo6f00ff]

need to share an experience i had 30 minutes ago

(edit: thanks to @walks-the-ages for providing and reminding me to put alt text, sorry it slips my mind alot lol)

[griffinkid]

I've seen "I don't know how to play with toys anymore" a few times lately and just wanted to point out-

Playing with toys looks different for everyone, even actual children!

Playing with toys can look like: 🧸🪁🚂

Taking pictures of your toys and writing captions for them

Brushing or grooming soft toys or toys with rooted hair

Ordering or sorting your toys by colour/species etc

Making up stories, poems or comics about your toys

Dressing or accessorising your toys

Imagining your toys talking to you or each other, forming opinions of their own, etc

Drawing your toys

Taking your toys for a walk outside, even in a backpack or pocket if you don't want to carry them openly

Making lists of the toys you have and where you got them etc

Feel free to add your own ideas

[yeah-thats-probably-it]

Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.

I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.

Would Jeeves and Wooster survive Castle Dracula?

Jeeves

Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.

On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.

Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.

There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.

He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?

He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.

Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.

He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.

There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.

Bertie

Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.

In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.

He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.

I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).

I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.

When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.

[stealingyourbones]

There’s a new drug in Gotham making the rounds, one synthesized by Two-Face’s people; if you take it you will have a 50/50 chance that you’ll experience the greatest high of your life or that you’ll die.

Batman is desperately trying to find the main lab and cut off the production from the source and hasn’t been able to find a lead in weeks.

That’s when Gordon gives him a file that was given to him by a “white haired ghost kid”. It’s a detailed report written similarly to a scientific journal with detailed sources that are mainly first hand accounts from deceased victims of the Two-Face drug.

At the very end of the paper there’s an address to a Gotham University dorm room with a sticky note next to it that says “if you need help with death or the undead. Yours truly; Danny Fenton.”

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[ariaste]

Me: [sees everyone talking about how Assad Zaman was "literally" coming up with RPF about himself and Eric Bogosian in an interview]

Me: ah, fandom's doing its little "interpret an innocent comment in Some Kind Of Way" thing again, let's go find the video and do our own critical thinking about what was actually said here--

Assad: What would happen if I said-- [words that cannot be interpreted as anything but RPF fanfic]

Me:

Me: ok fandom gets a pass on this one actually

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[bamsara]

more trod au stuff specifcially: dreams

IDK if i want dream!narinder to be canon in the AU yet but it's certainly a concept to play around with because I think it's funny if Lamb's dreams are just kinda bittersweet while Narinder's is just that one audio going NIGHTMARE NIGHTMARE NIGHTMARE NIGHTM

[danielsarmand]

guys. guys. guys. look at me. i beg of you to think about it for one single second. do you really genuinely honestly think that armand. 514 years old never turned a human never made a vampire. would make his first and only fledgling OUT OF SPITE? look at me in the eye. come on. i know you don't genuinely think that

[shikisei]

unrelenting truth-seeker

[starcurtain]

2.1 Penacony Spoilers!

I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.

We know:

1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)

2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.

I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).

But this doesn't make much sense to me because:

1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?

2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?

3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.

Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:

1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.

2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!

3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!

But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.

The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.

He had to check in and make sure the situation was still under Aventurine's control.

(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)

Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.

He needed to deliver his note demanding Aventurine stay alive.

He needed to tell Aventurine to come to him if the situation got too painful to bear.

In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.

You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.

But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.

tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)

[minlicious]

i imagine that every time agamemnon proposes a dumb plan odysseus just has to close his eyes and take a really big breath and then he’s just like: okay, but how about we don’t do that because that’s fucking stupid

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today