#she has a theory board

[irrelevant-iguanadon]

Amy Rose you would have loved the fnaf movie

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[lumons]

kind of toying around with the theory that mdr is sorting out their own experiences and memories to create the rooms that gemma is going into. gemma’s rooms happen to be personal in some ways to her (the thank you cards) because mark is the one refining for her rooms. 

when mark asks about the ashes, reghabi tells him that lumon is connected with the coroners and medical examiners and we already know lumon has such a deep place within society given that they hosted the blood drive where mark and gemma met, they owned the clinic where they went for fertility care, and there’s the government official with his severed wife and the baby camp. lumon is everywhere and they’re always listening and they’re always trying to pull the strings. it’s possible that when gemma got into her accident, lumon saved her and part of this was healing her and treating her until she was fully better until they could turn around and say actually you’re not fully better yet and we need to run tests on you. lumon is in a position of power as the rescuers and saviors of her life to convince her and keep her in this place as a condition and price of her life saving treatment. 

and gemma’s probably far from the only one that lumon has done this to. they’re probably getting more test subjects through these horrific accidents and near death experiences and just repeating this research with them. when mark is first shown petey’s map one area notably is the people who live there/never leave. this sort of tells us that gemma is far from the only one and also why would she be the only one when there’s also the work of helly, irving, and dylan to consider, and of course all the other mdr departments out there in other lumon offices. 

this theory would help explain the work the other refiners are doing and make the explanation of what lumon is up to less centered specifically mark and gemma, and instead make mark and gemma just a tragic coincidence of this whole controlling corporate giant.

as to what they’re doing this for i think there’s so many possibilities but i have to assume, as is the name, mthat they’re refining the severance chips and working towards making them better and possibly commercializing them to offer people an escape from various life experiences that might be distressing or unwanted and they need the various experience of humans to do that and therefore the mdr teams are just sorting their different fears and joys and other emotions to essentially test gemma and the others like her with 

[neunhofferart]

what is the age gap between the Broker and Brooklynn? I’m just curious how old the broker is and how long she’s been doing this dinosaur trading venture

Mmhm, of course hehe.

This is a very funny question to me because I remember having this discussion about Santos' age with some of the other storyboard artists back when there was talk about leaning into more of a Killing Eve angle with her and Brooklynn (the final decision on how far we leaned into that was not our decision to make, I will note), and whether or not fans would find an age gap between them 'problematic' if we did lean into it too far LOL.

Because Dichen Lachman was TECHNICALLY around 39 or 40 when Dominion was filmed and took place... but I honestly have no idea if SANTOS is supposed to be that age, as well. Dichen's just got that really ageless look. If you told me Santos was in her late 20s to mid 30s I'd believe it just as easily.

[canidaria]

quick doodle for a fic im cooking up🧑‍🍳

[shyfurby]

I have not posted any of my analysis to reddit yet and I think I might just post it and ghost it. I've already spent too much time looking at other people's threads on there to feel any way good about interacting with folks.

I already went in an added the "I know you're going to bring this up let me save you the time" section which is exclusively touching on the frequent topics of:

"well what about the fingerprint nostrum and finger mimics? He is clearly just a crackpot"

And

"it's definitely some weird elaborate sacrifice to Metyr thing"

[gibbearish]

btw similar to the whole "if you try adderall at a party and it calms you down, get an adhd test" thing, if at some point in your life you try microdosing shrooms with a friend and end up feeling like a functional person for the first time in your life, get tested for depression. like yeah hallucinogens come with elation so youre probably gonna have some "this is the best ive ever felt in my life" vibes regardless, but like. if that in and of itself feels like finally breathing in for the first time in years, thats for sure a sign that something is up with your ability to process serotonin most of the time. feeling better than ever before should be a nice bonus, not a crushing weight off your chest

[wuyushun]

[revvethasmythh]

I am curious about how Liliana and Ludinus' goals differ. Because Ludinus' obvious goal is to eradicate the gods--Liliana's, however, is apparently to free the Ruidusborn from the burden of their powers. How do these two things coincide? Obviously we can see how releasing Predathos causes the downfall of the gods, but why would releasing Predathos help the Ruidusborn? The obvious (though not necessarily correct) conclusion one would jump to is that, in order for Ruidusborn/Exaltants to be free from their powers, one would need to kill Predathos, not just free him. So I'm led to wonder if Liliana is willing to aid Ludinus in achieving his goal (kill the gods) in order to achieve her goal through some secondary effect (however one goes about killing a thing powerful enough to kill the gods). Which I suppose makes some sense, because why would you go to the effort to destroy all the gods only to allow a creature of equal-to-greater power of the gods continue to exist over Exandria? You wouldn't, would you? You'd probably want that to be gone as well

[romance-rambles]

i really don't think that's the problem here. just trust me on this one, babe

+this screenshot activating the clarence simp in me

*chants* mole kisses!! mole kisses!!!

i'm sorry but lbc has rewired my brain. i want to take his glasses off and kiss his mole. want to dangle it just out of his reach and extort him for kisses. you know that one glasses copypasta? i'm willing to brave blurry vision for this man. it's okay i have to squint without glasses anyway

i'm also so mad they just left one (1) mole on his face. what about his hand. what about his neck. what about— *gets shot on account of being horny*

[brobeckology]

pete wentz, howard benson, and chad kroeger are the holy trinity of my music taste. every single artist/song i enjoy can be connected to at least one of the three

[reiding-writing]

hi!! can you write more of the banter between enemy!reader and spencer but like now he goes beyond limits and like tells her the team would be better without her in their lives or something drastic and then she either goes missing or badly injured by the unsub??

404. /spencer reid/

if spencer is going to continue shutting down all of your ideas for leads in front of the team, then you’re going to track the unsub down yourself. you don’t need his approval anyway.

s1!spencer x enemy!reader 5.8k angst. series masterlist. main masterlist.

CW | typical criminal minds violence, spencer is a real twat, details of kidnapping and grievous bodily harm, catatonic trauma response. imagine this like halfway through season one.

The moment you step into the precinct, you feel it in your chest—a tightness, a heaviness. It’s not just the fatigue of being called in at 3 a.m. or the smell of stale coffee and desperation thick in the air. It’s the kind of tension that says we’ve been chasing ghosts and getting nowhere.

You glance across the briefing room. The local PD is gathered awkwardly along one wall, arms crossed, faces pinched with defensiveness. They’re not happy to have the FBI here. You don’t blame them—getting sidelined in your own case is a bitter pill to swallow. But this unsub isn’t playing fair.

“This is the third victim in two weeks,” the lead detective mutters, flipping through crime scene photos projected onto the wall. “Each time, the unsub leaves a note. Always handwritten. Always addressed to us. Sometimes directly to me.”

Morgan leans forward, eyes narrowing. “He’s taunting you,”

The detective scoffs. “He’s gloating. This one said, ‘You didn’t catch me last time. What makes you think you’ll get it right now?’”

“Classic narcissistic behavior,” Elle murmurs. “But there’s more to it,”

Hotch’s voice is calm but pointed. “He’s not just showing off. He’s testing you. He wants to see if he can outsmart us next.”

You shift in your seat, arms crossed, gaze flicking from photo to photo. The unsub’s pattern is clean, almost surgical. No evidence left behind, no usable prints, no DNA. Victims all abducted within ten miles of each other, murdered within 48 hours, left posed—like the unsub wanted the scene to say something.

Spencer sits to your right, scribbling notes in that tiny chicken scratch of his. You pretend not to notice the way he looks over at you when you suggest a geographic clustering theory.

“I think we should be focusing on the clusters—if the unsub’s circling familiar territory, it could give us a window into their comfort zone. Maybe even a home base,”

Spencer doesn’t even look up. “Or they’re using the local geography as a red herring. Throwing us off on purpose. Which is more likely with his intelligence level,”

You grit your teeth. “Or maybe you just don’t like when someone else has a theory first.”

There’s a flicker of tension across the table. JJ coughs awkwardly. Spencer finally glances over, his eyes sharp behind his curls.

“Just trying to eliminate bias,” he says flatly. “You might want to try that sometime.”

It starts small. A glance. A jab. You throw it back, and the fire spreads.

—

You and Spencer used to be good at this—banter, playful jabs, mutual intellectual sparring. It was light. It was fun. 9 months of almost playful hatred. And somewhere along the way, it stopped being any of those things.

You know why, you both do. But you’re still too stubborn to actually address it. So now, every briefing is a minefield.

“He’s organised,” you say, tapping a finger on the evidence board. “He’s probably keeping souvenirs. There’s no way he’s not revisiting these crime scenes in some capacity,”

Spencer rolls his eyes. “That’s a reach. He’s already getting his fix from the letters. Revisiting is more common in disorganised killers with obsessive traits. But, by all means, let’s base our strategy on assumptions,”

You round on him, the heat rising in your chest. “You always do this—cut people down because they didn’t quote a research paper in their suggestion. Not everything is from a journal article, Reid. Some of us work off instinct

He doesn’t blink. “That’s a shame.”

The room stills. You can feel everyone watching you now—JJ's uncomfortable glance, Morgan’s frown, Hotch’s silent disapproval. Elle shifts like she wants to step in, but thinks better of it.

You clench your jaw. “Just because your IQ is the highest in the room doesn’t mean your word is law,”

“And just because you talk louder doesn’t make you right,”

“Alright, that’s enough,” Gideon’s voice cuts through the tension like a blade. “We are not here to flex egos. We’re here to stop a killer.”

You force yourself to look away, biting down on every retort itching to escape. Spencer doesn’t say another word either, but you can see it in the way he tightens his grip on the pen—he’s not finished. Not even close.

—

By midday, the briefing is over and you’re elbow-deep in case files, staring at photos of victims and crime scene reports that blur together. You’re trying to hold onto the idea that this is about the work, not about him, but Spencer’s voice grates in your head like static.

“Victim number two was killed in a different manner,” you point out, “which might indicate a loss of control or a change in the unsub’s emotional state,”

Spencer scoffs from across the room. “Or it might indicate that your profiling is, yet again, based on faulty interpretation,”

You look up slowly. “You’ve got a real talent for being insufferable,”

He shrugs. “Just pointing out the facts,”

“You’re not pointing out anything. You’re just undermining me. Again.”

He walks closer now, arms crossed, eyes full of cold disdain. “Maybe if you weren’t so obsessed with being right, you’d actually be useful,”

Your jaw clenches so tight it hurts. “And maybe if you got over the sound of your own voice, we wouldn’t waste half our cases cleaning up your messes,”

Spencer steps in even closer, and now it’s personal. “You’re reckless. Impulsive. You go off instinct like it’s a badge of honour when really, it just makes you sloppy,”

You fire back without thinking. “You’re emotionally stunted and completely incapable of functioning outside a textbook,”

The words hang in the air like a punch.

Silence spreads. The local cops glance over from their desks. One of them murmurs, “Damn,”

Then Gideon slams his hand on the table.

“Enough,”

His voice is sharp, final. “Both of you. I don’t care how long this has been brewing—this is not the place. You’re acting like children, and you’re making this entire team look like amateurs,”

You glance down, throat burning. Spencer doesn’t say anything. He’s stone-faced, but you can tell from the twitch in his jaw that he’s stewing.

Gideon’s not finished. “I don’t want to hear another word out of either of you unless it pertains directly to the case. Are we clear?”

You nod. Spencer doesn’t move.

“Are we clear?” Gideon repeats.

“Yes, sir,” Spencer mutters.

You don’t trust yourself to speak.

As you start gathering your files, Spencer’s voice cuts through the tension one more time—this time quieter, but not quiet enough.

“You know, we probably would’ve caught him already if you weren’t dragging us down.”

The words hit like a slap. You freeze.

The room goes dead silent.

Spencer looks away like he didn’t just say it. Like it didn’t just split something open.

You don’t respond. Not with words.

You finish collecting your files, slam the folder shut, and walk out of the room without a glance back.

—

You don’t say a word as you walk out of the precinct. You don’t slam the door or stomp your feet—there’s no drama, no outward explosion. Just a quiet, ice-cold silence that coats you like armour.

Let them think whatever they want. Let him think he won.

You move with purpose, jaw tight, eyes fixed ahead. You’re done trying to reason with people who have no interest in listening—especially a certain genius with a superiority complex. You tried to play by the rules, work within the team, but apparently the team doesn't think you have anything worthwhile to offer.

Fine. You’ll do it on your own.

Your phone buzzes in your pocket—JJ, probably, or Hotch, maybe even Gideon trying to pull you back into line. You ignore it. Instead, you pull out your notes, flipping through the photographs you took earlier, the ones the team waved off as nothing—redundant, too similar to previous kills, “unremarkable,” Spencer had called them.

But they weren’t. Not to you.

The unsub had made a mistake. A small one, but a mistake nonetheless.

In victim three’s crime scene photo, the position of the body had been ever so slightly rotated compared to the first two—enough that most wouldn’t care, wouldn’t notice. But the shadows were wrong. There was too much light coming in through a window that didn’t face the same direction as the other houses in the neighborhood. And the blood pattern—it had streaked upward at an angle.

Someone had moved the body. After the kill.

You’d mentioned it in passing. Spencer had dismissed it as “grasping at straws.”

Well, straws were all you needed.

—

You hole up in a dingy motel room a few blocks from the latest crime scene, spreading every case file and crime scene photo across the bed like a map to something only you could see. Your eyes flicker between documents, stringing together tiny inconsistencies—the make and model of the air conditioner in victim four’s apartment, the mismatched doorknob in victim one’s home, the off-center towel rack in number five’s bathroom.

The unsub didn’t just kill these people. He replaced things. Adjusted details.

Controlled them, even after death.

You flip back through the files, heart hammering now, and scan the addresses again. You map them out on the motel’s bedside notepad, drawing circles, checking distances between the apartments and the kill sights. Mixing and matching scenes chronologically or otherwise. And then you stumble on it.

A perfect crescent, not random but intentional. All ten locations arced around a center point—a forgotten stretch of suburbia with an abandoned cul-de-sac, a place zoned for housing development ten years ago that never got off the ground.

It’s the only place the unsub hasn’t struck yet.

It’s also the only place that could tie them all together.

You glance at your phone again. The screen is blank. No new calls. No new messages. Not from the team. Not from Spencer.

And maybe that’s a good thing. You don’t need him to validate you. You don’t need anyone.

You grab your gear, shove your files into your bag, and drive.

—

The cul-de-sac is quiet.

Not in the way quiet neighborhoods usually are, but dead quiet. No birdsong. No dogs barking. Just a biting, eerie stillness that settles in your bones the moment you step out of the car.

The houses are in varying states of decay—some half-built and gutted, others with boarded windows and cracked sidewalks. You grip your flashlight tighter as you move through the overgrown path between two units.

You keep your gun low, your ears straining for sound.

The data you gathered had pointed you to the house on the far end—the only one with signs of recent activity. The windows had been cleaned. The door, repainted.

You creep up the porch, careful not to make a sound. Your breath clouds in front of you, and the air feels colder here somehow. Heavier.

You reach for the doorknob. It turns easily.

Unlocked.

That should’ve been your first red flag.

The interior is dark, but not untouched. A table in the front room is neatly set for two. Plates. Silverware. A bottle of wine. It looks more like a dinner party than a murder scene.

You sweep the room, clearing corners, keeping your steps light. Nothing jumps out at you, but your gut won’t stop twisting.

Then you notice it.

On the wall.

A photo.

Your heart stops.

It’s you.

Snapped from the side, no more than a few hours old. Shot through the window of your hotel room, small map of the city in hand. The image is taped to the wall with surgical precision. Below it, a tiny note, one you have to walk right up to to read.

Congratulations.

You barely have time to react.

There’s a sharp sting in your neck.

You reach up instinctively, but your fingers are already clumsy. You turn, try to raise your gun—but the world tilts violently.

A face emerges from the shadows. Smiling. Calm.

“You should be more aware of your surroundings,” he says, almost apologetically.

And then everything goes black.

—

You drift in and out of consciousness. Time becomes slippery—your mind fogged, your limbs numb. Every now and then you feel something cold against your skin, a tug at your wrists, the uncomfortable pinch of something sharp near your ankle.

When you finally come to fully, you’re tied to a chair.

Hands bound behind your back. Ankles strapped to the legs of the chair with zip ties. Your head throbs, and there’s a metallic taste in your mouth—blood, probably.

The room around you is dimly lit. It’s not the main house anymore. You’ve been moved.

It looks like a basement. Concrete floors, unfinished walls, a single exposed bulb hanging overhead.

There’s a table nearby, neatly arranged with tools—not weapons. Instruments. Brushes. Tweezers. Surgical gloves.

You inhale shakily. You’ve seen what hems done with them before.

“You’re awake,” a voice says behind you.

You flinch as he steps into view.

The man is unremarkable in every way. Tall-ish, average build. Brown hair, clean-shaven. The kind of face you’d pass on the street and forget within minutes.

“You came here thinking you’d be the hero,” he muses, walking around you like he’s inspecting art. “They all do. You think your badge makes you invincible.”

You don’t say anything. You’re still trying to conserve what little energy you have, mentally calculating your options.

He crouches in front of you, smiling. “You found me. That makes you smart. Smarter than the rest of them, maybe.”

You meet his gaze, steel in your voice despite the pain. “They’ll come looking for me.”

“Oh, I’m counting on it,” he replies. “I’ll lead them right to you if I have to. Whether you’ll be salvageable though, is up for debate,”

He walks to the table, picking up a small silver scalpel, running a gloved finger down its edge.

“A portrait is a powerful thing. It’s like capturing a snapshot of a person’s soul. Of course no true portrait is taken without the proper preparations being put in place first.”

You don’t flinch. You don’t show fear.

You just stall.

“They’re going to kill you,” you say evenly. “The second they find out what you’ve done, you’re done.”

He tilts his head, amused. “Then I guess we better speed things along,”

—

The sun had long since set when the rest of the team finally packed up for the night. The precinct lights buzzed with the kind of fatigue only unsolved murders could generate. Tension still clung to every surface, like dust no one could wipe away.

You’d been gone for hours.

And no one noticed.

Gideon assumed you’d taken some space after the confrontation—he’d scolded you both sharply enough in front of the local cops to warrant that kind of retreat. Morgan figured you’d gone to cool off, maybe back to the motel, maybe to follow up on a lead solo out of spite. JJ worried but didn’t say anything, not wanting to stir the already tense dynamic. Elle even offered to call, but Hotch had waved it off.

“She’s probably just blowing off steam,” he said. “We’ll regroup in the morning.”

And Spencer?

Spencer hadn’t said a word. Not one. He’d returned to his paperwork, methodically scribbling notes, analysing patterns, and doing everything in his power to ignore the hollowness you’d left behind.

He told himself you were being petty. Immature. Childish, even. Storming off like a petulant child after a simple observation.

But by morning, the quiet had stretched too long.

The motel clerk confirmed you never came back last night. Your room key remained untouched. Your bed, still made. Your rental car, gone.

JJ’s face turned white. “She always checks in. Always.”

Morgan’s voice was sharper than usual. “She would’ve called if she was going somewhere. Even if she was pissed.”

Elle was already reaching for her phone, scanning through emergency numbers and local hospitals. “We need to start looking now.”

Hotch gave a tight nod, reaching for his radio. “She wouldn’t go dark this long, not in the middle of a case. Not without telling someone.”

Then Gideon walked in with a manila envelope in his hand, face grim. “We just received another message.”

Everyone stilled.

He handed it to Hotch, who opened it slowly, bracing himself. Inside was a note—typed, this time—and a single, polaroid photograph.

JJ read it aloud, voice catching:

“At least one of the FBI Agents you corralled to help was intelligent enough to track me down. Too bad they weren’t prepared for the aftermath.”

Hotch turned the photo toward the group.

You.

Bound, unconscious, head lolled to one side in what looked like a concrete room. Your face was bruised. Blood smeared your temple. Your hands were zip-tied behind you, your body slumped forward like a discarded puppet. The lighting was dim, shadows slashing across your figure like jagged teeth.

A basement. A storage room. Somewhere hidden, somewhere wrong.

JJ gasped.

Morgan swore under his breath.

Elle closed her eyes and muttered, “No…”

And Spencer—Spencer leaned forward slowly, brows knitting as he examined the image.

“We need Garcia to enhance it,” he murmured, already reaching for his phone. “Maybe we can track down the camera. Or a reflection. Or—”

“Well,” he added suddenly, voice clipped, “She obviously wasn’t that intelligent if she got caught,”

The words dropped like a stone in still water.

The entire room turned toward him.

“What did you just say?” Morgan snapped.

JJ’s mouth dropped open. “Spence—”

But it was Gideon who moved first, stepping forward, voice low and dangerous.

“Say that again,” he said, “and I will bench you for the rest of this case.”

Spencer blinked. “I didn’t—”

“No.” Gideon cut him off. “I don’t want excuses. I want action. You think you’re the smartest person in the room? Good. Prove it. Use your genius to get over yourself and find her.”

The silence that followed was heavier than anything anyone had felt since the case began.

Spencer stared down at the photo, jaw clenched.

And then, finally, he swallowed his pride and got to work.

—

He isolated the enhanced image on the screen of his tablet, pushing aside his guilt and anger like clutter on a desk.

Don’t think about what you said.

Don’t think about the way you looked when you walked out.

Don’t think about the fact that you might not be okay.

Focus. Analyse. That’s what he’s good at.

“Lighting first,” he said aloud, mostly to himself.

He zoomed in on the image, filtering the background. The bulb overhead was exposed, casting distinct shadows.

“That angle suggests a single overhead source,” he muttered. “No side lighting. Probably a basement. At least eight to ten feet deep underground.”

He paused, adjusting the contrast on the image. “There’s no natural light at all, which rules out windows. Walls are unfinished. Cinderblock. Mortar lines are tight… That’s not a pre-’80s build. It’s too clean,”

Morgan leaned in. “So what—newer construction?”

Spencer nodded. “Late 90s or early 2000s. This wasn’t improvised. It was planned. It’s structurally sound, like a finished or semi-finished basement that’s just… been stripped down,”

Elle pointed to the corner of the image. “What’s that? Right behind the chair,”

Spencer zoomed in again. “It looks like… rust. A drainage pipe, maybe. Industrial-grade. Not common in most basements unless there’s risk of flooding. That, combined with the cinderblock, suggests this could’ve been built in an area prone to high groundwater. Maybe even flood plains,”

JJ frowned. “We’re not near the coast,”

“No, but if you look at the housing map…” He switched to a digital layout of the neighbourhood. “This cul-de-sac was supposed to be part of a larger development. Half of it was never completed because the land didn’t pass inspection,”

Hotch narrowed his eyes. “He’s in one of those unfinished units,”

Gideon nodded once. “Then we start there. We canvass the entire development. We don’t stop until we find her.”

Spencer looked at the photo one last time. His throat was dry. His chest ached. He thought of what he’d said—we would’ve caught him if you weren’t dragging us down—and suddenly it sounded less like a petty jab and more like a curse.

He looked up at the team.

“I’m coming with you.”

Hotch nodded. “Good. You’re going to lead the search.”

—

The SUV was quiet on the way to the development site. No one played music. No one made jokes.

Spencer sat in the front seat, his fingers tapping a rapid rhythm against his knee. He was trying not to picture you in that chair. Trying not to imagine what the unsub had done in the hours since that photo was taken. But he couldn’t stop the images.

You, bloody and bound.

You, unconscious and alone.

You, thinking no one was coming.

He had no right to worry.

No right to be scared.

But he was.

The words echoed in his head.

“She obviously wasn’t that intelligent.”

He wanted to take it back. Shove it into his mouth and swallow it down until it never existed. But that’s not how words work. They cut, and they cling, and they stay.

When they arrived at the development, the team split up fast. Morgan and Elle took the north end. JJ stayed with local officers to coordinate grid sweeps. Hotch and Gideon led the way into the southern row—newer units, all empty.

Spencer broke off on his own.

He had a gut feeling. It didn’t feel smart. It didn’t feel strategic. But it felt right.

And for once, he let himself trust that instinct.

The fifth house in the row was quiet.

Too quiet.

The front door was slightly ajar. No visible signs of forced entry. No sound from inside.

The front door creaked open under Spencer’s hand. The house was stale with disuse—thick air and thin silence. He moved cautiously through the entryway, gun raised, heart a thunderous rhythm in his ears.

Every shadow stretched too long. Every corner felt wrong.

Footsteps pounded behind him seconds later—Morgan, Hotch, and Gideon falling in silently. Elle and JJ soon followed through the back, their weapons drawn, movements swift and precise.

Then—

A noise.

A soft creak.

Second floor.

Hotch motioned with two fingers, and the team surged upward.

They found him in one of the back bedrooms. The unsub.

He was standing in front of a half-boarded window, arms crossed, calm like he was waiting for them. No fear. Just smug, eerie satisfaction, the kind that made your skin crawl.

“You’re too late,” he said simply.

Morgan didn’t hesitate. “On the ground! Now!”

But the unsub didn’t comply. He moved fast—reaching for something under his coat.

Hotch fired first. A warning shot into the drywall, forcing the man to freeze mid-movement. Morgan lunged in, tackling him with a grunt. They struggled, fists swinging, feet skidding across the half-carpeted floor.

Spencer stood back, watching the scuffle like it was underwater. His fingers twitched against his sidearm, but he didn’t fire. Couldn’t. His eyes were already scanning—behind the man, past the empty bedframe, to the blood on the floor.

He wasn’t thinking about justice. He was thinking about you.

By the time Gideon and Morgan got the cuffs on the man, Spencer was already moving—down the stairs, through the hallway, toward the door at the far end of the house.

There was a lock on it. Heavy. Old.

Spencer kicked it once. Nothing.

Twice.

On the third kick, the door gave way.

The basement smelled like mold, metal, and something sharper—sweat, maybe. Or blood.

The light flickered overhead as he stepped inside.

And there you were.

Slumped in the same position as the photo, tied to a chair, your wrists bound so tightly they’d gone purple. There was blood at your temple. Bruises down your neck. A split lip. Dirt smeared your cheeks. Rips in your shirt.

But you were breathing.

Barely.

Alive.

He nearly collapsed with the force of the relief.

“Hey,” he said softly, kneeling in front of you. His voice cracked. “Hey. You need to be conscious right now,”

Your eyes fluttered, but didn’t open.

You didn’t speak.

Didn’t move.

Spencer's voice dropped lower, to fend with a failed attempt at lightheartedness. “You’re at a higher risk of permanent brain injury if you’re unconscious, and I doubt you need that on top of all of your other issues—”

His hands trembled as he reached for the zip ties, too afraid to touch you at first.

Morgan burst in behind him. “We need medics! Now!” he shouted up the stairs.

JJ’s voice echoed from above. “They’re already pulling up!”

Spencer carefully cut the ties, his fingers brushing your wrist. Your skin was cold. Too cold.

He looked at you again, eyes searching for any sign of recognition. A flicker of life. Of you.

Nothing.

When the medics finally came, they moved with military precision, lifting you from the chair, strapping you onto a stretcher. You didn’t resist. Didn’t flinch. You didn’t even blink.

“Low blood pressure. Likely concussion, threads pulse,” one of them said quickly, checking vitals.

They spoke in clipped medical shorthand as they wheeled you out. The words blurred in Spencer’s ears.

He didn’t follow.

Couldn’t.

He stood there, in that grimy basement, staring at the chair you’d been tied to. The blood smeared into the floor. The shredded zip ties left behind like bones.

He should’ve stopped you.

He should’ve known something was wrong last night.

He should’ve said something—anything—besides the venom he’d spat.

His hands curled into fists.

Upstairs, he could hear Morgan shouting at the unsub as he was dragged away.

“You think you’re clever? Huh? You think this makes you some kind of genius?”

The unsub just smiled. “She came to me.”

Spencer’s stomach turned.

—

Outside, the late morning sun was rising, casting long shadows over the front lawn as paramedics loaded you into the ambulance. JJ stood nearby, arms folded tightly, barely breathing.

Elle was silent, her eyes rimmed red.

Hotch was speaking with local police, organising statements and chain of custody. And Spencer stood off to the side, hands shoved deep in his coat pockets, face unreadable.

He didn’t go to the ambulance.

Didn’t try to see you again.

He didn’t think he deserved to.

You were silent. Still unresponsive. Not out of stubbornness, not anger, but trauma. Something had shut off in you, and Spencer didn’t know how—or if—you’d be able to come back from that.

He hadn’t just pushed you away.

He’d left you alone long enough to almost die.

—

The hospital was a cold place. The sterile white walls seemed to hold no comfort, and the bright fluorescent lights buzzed incessantly, as if trying to shatter the fragile quiet of the room.

But the team couldn’t shake the relief.

You were alive. Not unscathed—far from it—but alive. The doctors assured them you would recover physically, though they hadn’t made any promises about the mental scars.

But there was a sense of something else in the air, something they couldn’t quite name yet.

Gideon paced outside your room, eyes shadowed by a tiredness that went deeper than just the case. Morgan leaned against the wall, arms crossed, his face taut with unsaid words.

Elle was in the hallway, sitting on a chair with her head in her hands, her phone still in her lap. She hadn’t spoken much since they left the house. JJ hovered near the nurses’ station, keeping herself busy with menial tasks, but her face was pale—gripped by some invisible weight.

And Hotch, though outwardly composed, carried the same heavy air of guilt.

But no one felt it as sharply as Spencer.

He was pacing in the hallway, arms stiff at his sides, a muscle in his jaw twitching with every breath. He hadn’t said a word to anyone since they’d arrived at the hospital, and though he’d checked in with the doctor, he hadn’t really listened.

Spencer’s mind was still replaying the look in your eyes when you were pulled from that basement—the emptiness, the unspoken words, the brokenness. And for the first time, he was painfully aware of the distance that had been wedged between you.

The anger, the insults, the barbed exchanges—it hadn’t been just his defence mechanism, and he hadn’t realised how much damage it had done until now.

But now you were silent, and Spencer could feel the full weight of what he’d done pressing down on him like a vice. You were the one who’d been hurt the most—physically—and still, it was his words that had broken you.

—

When he finally pushed open the door to your room, he wasn’t sure what he was expecting.

You were propped up in bed, the sterile white sheets bunched around your body. Your face was bruised—still swollen—but your eyes were open, staring at the ceiling. There was nothing there. No emotion. No spark. Just an emptiness that he didn’t know how to fill.

Spencer hesitated, his footsteps slow and deliberate as he crossed the room.

You didn’t move when he sat in the chair next to the bed. You didn’t acknowledge him at all. Your gaze remained fixed ahead, unfocused, distant.

For a moment, Spencer just watched you. He opened his mouth to say something—anything—but the words didn’t come.

It was only when he spoke, his voice sharp and broken, that the silence shattered.

“What you did was reckless and idiotic,” he said, his tone colder than he intended. “You could’ve died. You left without backup, without even thinking about the risks.” He swallowed, forcing his words to keep coming. “You could’ve—you should’ve—asked for help.”

He paused, waiting for some kind of response. Something—anything—but there was nothing. You didn’t even blink. You just stared ahead, lost in the haze of your own mind.

Spencer’s fingers clenched into fists. “You think this is some kind of game? You think you’re invincible?”

Still nothing.

He leaned in slightly, frustration bubbling beneath the surface. “Goddamn it, I’m trying to help. But you need to stop acting like you’re the only one who matters here. This isn’t just about you.”

Nothing.

The silence stretched on, a taut wire between the two of you, the gap between him and you feeling like an abyss. Spencer couldn’t stand it. His gaze dropped to the floor, a wave of shame crashing over him.

He didn’t understand it. He didn’t know how to fix it.

For the first time in his life, Spencer Reid felt like he was completely and utterly lost.

—

The team began to gather in the waiting room outside your room, and no one spoke. Even the air felt thick, like the stillness before a storm.

It was Elle who finally broke the silence. “I can’t…” she trailed off, her voice catching in her throat. “She… she won’t even look at us.”

Hotch, though normally composed, looked exhausted. His hands were folded in his lap, his eyes shadowed by the weight of the situation. “She’s been through hell, Elle. We can’t just… expect everything to go back to normal.”

Gideon looked up from his place near the door. “No, it’s not that simple,” he said quietly, voice low but unwavering. “But I’ve seen this before. Trauma like this… it changes you.” He paused, eyes flicking toward the door to your room. “She’s going to need time, and we’re going to need patience. But we also need to acknowledge what we did wrong,”

The room grew quieter, each member processing the truth in their own way.

Morgan, who had been pacing with his hands in his pockets, spoke up. “Spencer’s not handling this well. But none of us are.” His voice was strained, but it held a sense of certainty. “We didn’t see it. We didn’t see how bad it was getting for her.”

JJ closed her eyes briefly, guilt flooding her expression. “We should’ve known. We should’ve stepped in. The way she and Spencer were fighting—it was too much. We should’ve told them both to stop before it got to this point,”

“I’m just…” Elle’s voice wavered. “I’m just so angry at him. How could he say those things to her? He was the one who pushed her.” Her eyes were wide, a mix of disbelief and hurt. “He acted like he didn’t even care, like she didn’t matter

Hotch sighed deeply, running a hand through his hair. “We all failed her in some way.” His eyes flicked to Gideon. “And now Spencer’s struggling to process the fact that it’s his words that have hurt her the most,”

Gideon nodded slowly. “There’s no way to fix it right away. But what matters now is how we move forward. For her. Not for us.”

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[moonstruckme]

hello!

Could you maybe do poly!marauders x reader and the boys discovering she has a major praise kink!

It doesn’t have to be smutty or it can be whatever you think!!

(ps: you are such an amazing author and the way you write the marauders together and their personalities is impeccable 💋)

This was fun and funny, thanks for requesting!

cw: praise kink, suggestive ending (no smut)

poly!marauders x fem!reader ♡ 1k words

Remus makes a soft hissing sound. “Is that how you always chop onions?” 

You look at him sideways. “With a knife? Yes.” 

“Don’t be cheeky,” he says, smiling. “You’re going to hurt yourself.” 

You look down at your cutting board, still chopping but now bemused. “I don’t plan on it.” 

James, who’s appeared over your shoulder, makes a similar sound, hissing through his teeth. “No, sweetheart.” He places his hand over yours on the handle of the knife, silently prompting you to stop. “Rem’s right, you’re going to lose the tips of your fingers.” 

You feel a tad defensive of your chopping skills. “I’ve managed to keep them all ‘til now. What am I doing wrong?” 

“Here, let me.” James eases the knife from your grip, squishing in alongside you in front of the cutting board and taking your onion. “See, you want to curl your fingers in a tiny bit so the knife skims off them. Like a claw.” 

You lean over, peering at his hand. “It looks hard to keep a grip like that.” 

“It takes a bit of practice,” he allows. James slices through the onion a few times with smooth, easy motions, then passes the knife back to you. “Give it a try.” 

You try to hold the onion the way he had, looking at James for approval. He taps your pinkie finger, getting you to curl that one a bit more, before smiling at you. 

“There you go. That’s good, now try cutting down your knuckles.” 

“This feels scarier than my way,” you admit, though you do as he says, skimming the knife down your knuckles and slicing through the onion slowly. 

“No, you’ve got it,” James praises. “That’s really good, angel. You’re a natural.” 

Your cheeks are starting to warm from all the compliments. “Thanks,” you say in a small voice. 

“Don’t go getting shy,” says Sirius, coming in to steal a dry pasta noodle from Remus. He bites down on it with a crack that makes James grimace. “You were so vocal about how you knew the proper way a minute ago.” 

“I still like my way better,” you say, recovering some. 

“Right, well do it this way for our peace of mind, would you?” James’ hand warms the small of your back as he watches you work. “You have very pretty fingers, and I don’t think I’m being too presumptuous in saying that we all like them too much to risk it. Plus, you’ve picked it up so quickly.” 

The heat from your face spreads lower. It’s all you can do to squeak out a meek “okay.” You’re grateful when James leaves to return to his own task. 

A minute later, Remus comes over to check that you’re doing what you’re supposed to. He hums approvingly. “Good girl,” he murmurs, pressing a kiss to your hair. All the air in your lungs dries up. “Thank you, darling. That looks great.” 

“She learned from the best,” James quips. 

Remus hums and kisses his hair too before turning back to his work. It’s only a handful of seconds before they realize you’ve not replied. 

“Dove?” Remus looks at you. 

“Hm?” you hum tightly. 

“You alright?”

“Mhm.” 

James and Sirius have turned to look now, too. You keep your face downturned to the cutting board, but you can feel the weight of three curious stares on the back of your head. Sirius prowls over to you like a cat, taking you by the shoulders and turning you slowly. 

“Humor me for a moment?” he asks, smirking. “I want to test a theory.” 

You’re wound too tightly by this point to respond, his smug teasing pushing you to the edges of sanity. You barely have the wherewithal to set your knife down carefully behind you. 

Your boyfriend’s cold hands find your warm face, shit-eating grin only spreading as he takes his time feeling about your cheeks with his knuckles and fingers. Sirius isn’t always the most perceptive of your boyfriends, but unfortunately, humiliatingly, he’s the first to unravel this particular mystery. 

He asks smoothly, “Do you like it when we tell you how good you are, pretty girl?” 

You’re not sure if he can actually feel the flare of heat to your face at the words, but something about your expression must confirm it. Sirius laughs gleefully. 

“Awe, angel.” James comes over to wrap his arms around you from the side, also laughing. “I didn’t know we were winding you up when we talked like that. I was just trying to compliment what a quick learner you are.” 

“She is a quick learner,” Sirius says in a salacious tone. “You always follow instructions well, don’t you, gorgeous?” 

“Stop,” you plead, covering your face with your hands and forcing Sirius to move his. All three of your boyfriends snicker, James pressing a conciliatory kiss to your burning ear. “It’s not like it happens all the time, you’re just being so much right now. You can’t just call someone—call them—” 

“A good girl?” Remus asks you, and you don’t think he’s putting on a tone like Sirius is, you really don’t, but his regular voice is already so nearly pornographic that the heat in your core spreads anyway. 

“Right,” you say weakly. 

Remus chuckles. “I didn’t mean anything by it, sweetheart. Sorry if I put you in an…uncomfortable position.” 

“No, don’t be sorry.” Sirius is giddy, smugness dialed up to eleven. “This is a revelation. Just think what we could do with this. You’ve given us all a gift, babe.” 

“Oh, our poor girl,” James laughs when you try to hide your face in his shoulder. “Sirius is right, this is good! It’s always good for us to know what you like, right?” 

You’re too flustered to reply, but Remus agrees for you, humming contemplatively. 

“You know,” he says, “if I leave this to simmer for a while, we could make it up to you now, dove. I’d feel awful if I wound you up without giving you any payoff.” 

His tone implies he’s at least partly joking, but Sirius doesn’t take it that way. He has you all in the bedroom in thirty seconds flat, your chopping left to wait for your return. 

[ilydeku]

teacher izuku has a girlfriend??

Regardless of the joy and spur he expelled towards the students, Izuku knew how to maintain the steady hand of keeping the class under set composure. Nothing but the intent to teach and the will to learn, an equitable relationship between the two—and it was no question. Being the most loved and favored teacher had its perks, and grandiose respect was one of them.

But no matter how mature a student has grown, having fun will always reign somewhere along their focal point. Even if that fun means encouraging their teacher in his love life.

"...-because a good relationship between your teammates makes for optimal communication, conduct, and cooperation," explained Izuku, pointing from one spot on the board to another, well immersed in his lesson. "Now, considering quirk-"

"Speaking of relationships, are you in a relationship, sir?" A student, a frivolous girl, teasingly pipes in sudden interest. Plenty of students amongst the grade claimed a crush on Deku-sensei. Of course they did: he's sweet, very tentative and understanding to all his students individually, and takes his time to really help and engrave the knowledge he possessed for them to become the best future heroes they could be. That, and mostly his physical charms. So wouldn't it be in his best interest to have a girlfriend?

Little did Izuku know that this inquiry marked the beginning of his first uncontrollable havoc.

For a moment, he hesitated, pausing midway on the convoluted diagrams drawn on the whiteboard. A strange question, but he thought nothing much of it. He turned around and crossed his arms, lazily pointing the expo marker to the girl.

"I'm gonna pretend I didn't hear that. Unrelevant, didn't see a hand raised-"

"Aw, but sir!" She draws out, slumping back in her seat. "Are you?"

Some students began to look at each other and exchange a few grins until the room began to slowly increase in volume and erupt into unintelligible chatter.

"Ahem."

The room fell into silence accordingly, but he could clearly read the expression on everyone's faces. The class was still waiting for his answer, the way they stared and leaned over their desks in anticipation. Izuku sighs and turns back to the board.

"...no, I'm not in a relationship. Moving on, the information I've drawn-"

"Really?" The girl cuts in matter of factly with a tilt of her head. "But aren't you and y/n talking??"

A chorus of engrossed 'oohs' echoed across the room and a very subtle, but defined shade of pink dusted his cheeks at the mention of you. He turned around again and attempted to regain composure of the class.

"Everyone settle down-"

"Y/n L/n? Isn't that (hero name)?? I think she's in the top 20's now."

"Yeah! I've seen her drop by the school a couple times during lunch!"

"Now that I think about it, Deku-sensei does have her come in as a guest speaker a lot..."

It was just one after another, the addition of suspicions and theories now bringing the truth to the surface. Izuku swallowed.

A loose black band around Izuku's wrist caught another student's eye and they stood up and pointed in excitement. "Look!! Deku-sensei has hair ties on his wrist!! Hair ties!!"

"Kids, please...-"

"Wow..I've never seen your class this rowdy before, Izuku!!" That voice. His head snapped toward you in surprised, totally flustered about the situation. The entire class went dead silent and turned to you, standing at the entrance of the classroom. You wave at his kids with a smile and stroll over to Izuku's desk, dropping off a bag of some sort. He watches you endearingly.

"You forgot your lunch at home, silly."

"O-Oh did I? Haha, sorry y/n. Thank you. You're on break right now, right?"

The students watched you both like a show, taking in the interaction, the body language, the words. There's no doubt you two were a thing right? Deku-sensei and (hero name)!!

And just then, you confirmed it with simple kiss on his cheek.

"Bye, Izuku! Be nice to the kids, hm?"

"You know I always am!!"

As soon as the classroom door clicked, the class burst into awe.

"WHY DIDN'T YOU TELL US???"

[avelera]

Going along. with my theory that, "Both Jayce AND Viktor think the other guy is out of their league, which is why they never officially dated." I think one of the misunderstandings that keep them from hooking up sooner stems from how we, the audience, and Jayce see his first encounter with Viktor.

We, the audience, and Jayce see a sequence of events where Jayce met Viktor at his absolute lowest moment. His life's work just literally blew up in his face. Then, when he tries to pitch it to Heimerdinger he's immediately shut down, his future hopes are dashed by his expulsion from the Academy AFTER Mel goads him into talking about magic which turns the rest of the Council against him, his patron (Cassandra Kiramman) abandons him, and his mother calls him mentally unwell in front of everyone in the Council chamber and disavows what she's seen with her own eyes about the magic that has inspired him ever since.

Jayce has lost everything and is ready to end his own life in response because he sees no hope for himself, no purpose in living.

From that perspective, Viktor extending a hand, saying he believes in Jayce's work enough to dedicate his life to working alongside him, is a literal godsend. This senior classmate who is smart enough to earn a spot as the Dean's assistant throws all of that away just to give Jayce at his lowest moment his vote of confidence?

I don't think it's an understatement to say that Viktor saved Jayce's life and from that moment, the moment Viktor gives Jayce back the gem bracelet which was a symbol of Jayce's life and life's work, he is literally giving Jayce back his life and Jayce is determined to dedicate that life to saving Viktor's and making him proud with Hextech. He starts with Viktor on such a high pedestal above him as a result.

Ok, so that's all pretty obvious from the show itself. But what about Viktor's perspective?

From Viktor's perspective, Jayce saved his life, or rather, his career and all his ambitions for this world. When we meet him, Viktor had traveled as high as he can as a poor kid from the undercity, with all his disadvantages, using his own ability. He's assistant to the most powerful man (yordle) in the city on just his smarts alone. But now his life is stagnant.

His ambition was to discover a scientific innovation that would change the world and, possibly, cure himself. And here he meets this scientist, who is younger than him who through an independent study, on his own, has created the miracle which will actually transform this age. And he did it without going through the system (yes he had the Kiramman patronage but he was not telling them what he was working on), without telling anyone what he was working on, without the blessing or assistance of Heimerdinger.

Not only that, but this man is willing to stand up to the most powerful people in the city and say his research was groundbreaking. Then, when everything is stripped away from him, he's prepared to die for his convictions rather than live in a world where he can't advance his research.

I can only imagine this was incredibly humbling for Viktor, to see someone else coming up with the world's most life-changing technology while he was fussing around being an assistant. He takes the leap immediately from, again, working for the most powerful man (yordle) in the city to throwing his entire lot, his career, everything he's earned up to that point, in an all-out gamble to support the invention of Jayce's mind.

And then Jayce is generous enough to let Viktor come on board with him. To call Viktor his partner, even though he wasn't the originator of the idea (and oh BOY is that gonna become a time paradox in and of itself later, did Viktor technically originate the idea when he inspired Jayce with that stone? Where does it actually begin??). Viktor might be an assistant again, but at least he's an assistant to the most important and revolutionary work of this age.

But he doesn't see Jayce's rejection by Heimerdinger in the prison cell, or know what the strategy to survive the trial was supposed to be without the fuck-up of falling for Mel's goading, or his subsequent rejection by Cassandra Kiramman outside the gates, or his mother's rejection of the magical event they saw with their own eyes. He doesn't see Jayce's lowest moments, only the two ideological stands he took both in defending his work to the Council and being willing to die when it's taken from him.

Basically, Viktor could very well see himself as second-fiddle to Jayce in accomplishment alone, then throw in everything Jayce has just naturally, like his looks and his background, and you begin to piece together why both of them might have thought the other was out of his league, and why Viktor fought so hard to create innovations to match Jayce's, or seen himself as flawed and a work in progress until he had such independent accomplishments, and why he would hesitate to confess his feelings to Jayce until he felt he had something to offer in return, not realizing he had already given Jayce the world and literally given Jayce back his life.