#she emotional af

[p4nishers]

can we talk about how much queer and trans joy was this season? maggie and nina. they/them muriel, saraquel, beelzebub, even GOD. "you're a good lad" "im not actually, either". that one shopkeeper and his non binary spouse, played by a non binary actor. beelzebub and gabriel. shax, nina and maggie all thinking azi and crowley were together. also yes i'm gonna mention: crowley and aziraphale's kiss. it's just, i get that everyone's hurt and so am i but can we please focus on how beautiful this season was to us? we got so much and i'm so happy, despite the ending.

[terra-sketches]

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3

[duusheen]

The funeral

[dailykugisaki]

Day 331 | id in alt

Kugisaki looking for curse bindings on people my beloved.

[wexhappyxfew]

thinking deeply about vivian ratcliff. grew up in fort collins, colorado with a good family, a good childhood, filled with many homemade dinners and pastries after meals and flowers in pretty, passed-through-generations vases. her family had a big farm that’s been there for hundreds of years through the ratcliff family and she spent many summers riding horses, tending to the cows, chickens, pigs and her ma’s honeybee farm. they make quite the profit. she’s kind and conscientious, aspiring teacher, and a happy-go-lucky, calm-cool-and-collected type of girl. she’s content with where she is in life. and she wants to do things, see new places, read and learn all there is. and then she meets boyfriend-turned-future-husband when her dad needs a handy-man and james pennington shows up. she attends the university of washington and completes a program for teaching but goes into the military after graduation because of an opportunity to shoot and fly - and, with a war on, she could kill two birds with one stone and see the world and do something for it at the same time. with her parents a little less than happy and her boyfriend shipping out to the navy, viv takes this in stride. heading to utah, she gets a gig on a plane as a turret gunner before being accepted into Silver Bullets under captain birdie faulkner, the first female pilot of the war for america. the crew builds up, the friendships form and Silver Bullets is the finest B-17 there is. she writes to james, she keeps up with her family and friends back home, she goes to the flying club, and takes early morning runs around base. she’s content. things are good.

then, captain faulkner is KIA. flying a regular bombing run - freak accident with the shrapnel flying through the air. killing her right in the midst of the sky. viv remembers how numbed and equally freaked out francis was - how’d she manage to land a plane and maintain composure? lieutenant annie bradshaw is the newest replacement and finds herself next as the newest pilot of Silver Bullets. viv thinks things are okay, things are looking up.

then, a letter comes in. james pennington is KIA. her world seems to shatter. everything seems to crack open and equally fall apart. she’s half in a spiral and half trying to keep it together in front of everyone else. no one should see her like this. she hardly wants to see herself like this. annie bradshaw and the rest of the crew seems to pull her through; most surprisingly, so does everett blakely. he was always more in the background, a handshake, a comforting pat on the shoulder, willing to check in and move on his way. an all-around gentleman. then, she starts to notice him. at breakfast, at dinners, before missions, after missions, glances through the interrogation tables, before bed when cigarette butts were stubbed out and last minute conversations were held. everett blakely was always there.

then, the Silver Bullets crew is split across half of europe. and yet again, with 40% of the crew MIA, viv is sent to operations and is suddenly stepping into a world where her hands are filled more with pencils and papers and maps then a gun. yet again - without annie bradshaw and francis montez, who became a pilot for a new B-17 crew with quite an annoying co-pilot, viv feels more alone than ever. until ev blakely is there. always there. again. they grow closer than they ever had - breakfast together, sometimes even lunch and dinner, cigarette breaks, sharing coffee breaks, finding moments to take a glance throughout the operations room. moments viv didn’t think much of. until she was heading out for the night and ev invited her to the flying club for a drink and a dance.

and then the war ended. and everyone went their separate ways. and reality hit. and it hit hard. james pennington’s funeral, the reality that the man she was going to marry is now dead, and her family, torn at the edges, crumbling. she’s hurt, filled with a grief she can’t untangle and is lost between what to do and what else there is left for her. until everett blakely starts writing. and doesn’t stop writing. writing the Silver Bullets girls were on thing, but writing ev blakely was different - in his words, his phrases, what he talked about.

they decide to meet, and everything comes flooding back. like the crash of high waves, just as fast, just as harshly. and she doesn’t feel herself turn away like she would. and suddenly, she doesn’t want him to leave. and for the first time in her life, he doesn’t. he stays.

[aaandbackstabbed]

Goldie: I’ve only ever said I love you to three people. My dying brother, my nephew and my dying husband. And I only regret one of them.

Della: which one do you regret

Goldie: your bastard uncle he pulled a 180 on me and survived and now I look like an idiot

[flowerofmayhem-personal]

the RinShi brainrot is EXTREMELY strong rn I can barely sleep but I need sleep ya’know? Kato giving me ch144 and all the moments has me a mess help

like how am I gonna stop thinking about this moment and Shiemi being a flustered mess over Rin? they are so freaking cute I love them sm 🥹💗

[modernchemical]

lineup sketches from my break at work.. all grown up! (by god click for better quality)

[lifeofcynch]

vivziepop haters are so obsessed with her it’s concerning. i see right through you. every time she sees success with her projects and creations you come out of the woodworks with petty insults and gross misinformation. if you don’t like her or her art, you do you, but it’s pathetic that it’s 2024 and you’re still diminishing the work of a bisexual latina just because that work doesn’t fit your hypersanitized media tastes and because she, like literally every person on the internet including you and i, did and said stupid shit in her teenage years. it’s fucking exhausting to watch, please shut up and find something better to do with your time.

i don’t want to have discussions with y’all, you’re too toxic. i just needed to get this off my chest because it’s bothered me. just block me if you feel called out by what i described and you don’t care.

[125storejuice]

Ah!!!!!!!

[wavesoutbeingtossed]

Feeling bold enough to say thanks to @taylortruther’s anon answers today that I’m kind of glad the muse question is so murky/questionable/mixed/however you want to put it on TTPD if it makes listeners understand that Taylor is a storyteller first and foremost and the narratives she tells in her music don’t need to be literal or linear or obvious for the songs to be powerful and meaningful.

The events may or may not always be truthful* but the emotions always are and that’s what matters. It is art, not a deposition, and for that we should all be grateful that she can paint a picture so beautifully.

[jewishcissiekj]

Cassie Sandsmark should get to be a sad girl again. She should get violent. Angry. Desperate. She should feel love and deep hate. She should decide never to forgive someone. Push some people out of her life.

She needs to feel a burning love, not necessarily romantic, which would make her do some crazy shit. She should be mad and furious and let her feelings guide her. She should reconnect with her emotions, and feel some real happiness with the people she loves. She should scream and shout and feel pain and punch some shit just for the sake of it. She should be emotional, driven by her feelings, and maybe even kill someone. And god does she need to kiss some girls.

[veradune]

Hmm, terribly torn right now between telling an increasingly distant friend of fifteen years 'hey can you stop oversharing your pregnancy drama with me because I'm literally going to therapy/occasionally suicidal over my guilt about not being a mother and I'm annoyed that you spent the last decade going on about how much you absolutely hated children'

VS.

Ignoring any further messages ever from her and burning the bridge (which I'll then probably regret in a few months and beat myself up about forever)

[shackld]

not to be sinful at 4pm on a wednesday but

chief would honestly be a lovely top. she knows how to read people, it's literally eighty percent of her job, and would just guide s/o's hands so well :) i think she also has a thing for body worship-

[waywardsalt]

im actually going to tear into totk’s dragon’s tears/ memories rn bc i remember feeling distinctly unsatisfied with them when i got all of them so im just going to write some general bullet points about them, about what i dislike or maybe what i do actually like about them, leaving out both master sword scenes and the mummydorf one because i’m here to talk about the stuff in the past not that

- off the bat (i play this game in english btw so all of this is based on the english text and translation i am aware some stuff is slightly different in other languages) im not really a fan of how the descriptions of all of the tears is just a literal description of what happens?? i think my issue with it is that some of the text is a little bit too in depth, as in it just tells you literally everything about the scene. this might be nitpick-y but i personally dont like it

- what’s up with zelda saying ‘but that must mean...!’ at the end of the scene. is it suggesting that she’s made the realization that rauru and sonia are the first king and queen of hyrule? because they literally tell her that like ten seconds before. i guess it’s suggesting she’s realizing she’s in the past but... idk the texts says ‘she’s left startled by a suspicion that she’s heard those names before’ yeah theyre the first king and queen of hyrule?? they tell her that. they tell her their names and that they are the first leaders of hyrule is she just now connecting the dots that she’s in the past? that’s what the next cutscene implies. but all of the surrounding dialogue and the description don’t suggest that that’s what she’s realizing i feel like this was kind of muddled in the translation

- why did sonia elbow rauru he was just standing weird he didnt say anything this isnt a nitpick im just confused. is it because he’s not being very empathetic towards what zelda’s going through? she elbows him and then she goes and talks to zelda why even elbow rauru. ordinarily you elbow someone like that if you mean for them to go do something why elbow someone if you’re going to do the thing you want anyways

- why doesnt zelda offer to help with the purah pad or anything like that. what happened to her sheikah tech fascination from botw. not even as someone actually familiar with the technology who could give mineru some points as to how it works

- what are sonia and zelda doing behind rauru when he shoots that insane fucking beam at the mulduga swarm they’re clearly doing something with their stones but like... are they amplifying rauru’s power somehow?? what do time powers have to do with the beam of light i dont- what were they doing please the text description only mentions him using his powers so are sonia and zelda just... supporting his powers? idk man

- dragon tear #5 is a whole can of worms with its worse-than-oot reenactment of that one scene from oot. why the focus on sonia and her tear btw. i mean yeah she dies to motivate rauru and zelda but like. why not aim for the new girl who probably doesn’t know how to use it as much and is probably more likely to be separate from the king who can shot insane lasers. im really not a fan of this scene for how strongly the game sides with rauru and zelda being passive and judgemental but ganondorf is literally the best part of it there’s a lot of character in just how he picks up his sword and stands up to leave

- putting memories 6 and 7 together just because of how there was just. no fucking care put into the idea of zelda learning to use her time powers. memory 6 zelda talks about wanting to use her time powers and sonia gives her tips on how she could use it and visualize the use of it and then in memory 7 she can just use it perfectly with great control and timing. why even bother talking about her nothing yet understanding how to use it when the very next scene she just uses it like it’s nothing. how much time has passed we get nothing to show us zelda trying to practice this power just. nope. she’s good she can use it perfectly. also more awkward dialogue sonia saying ‘what a picture zelda paints of him’ as she is. looking directly at zelda. change the line to like, ‘what a picture you paint of him’ she is literally looking right at zelda so why would she say it like that

- generally i feel like memory six should have been before 4 and 5 (4 being where she uses some power to... support??? rauru and it being before memory 5 so that there isnt this weird break in between the memories concerning ganondorf.) memory 6 does not have anything to do with memory 4 or 5 so just put it earlier so there isnt a weird shift in focus between the two big ganondorf scenes

- good god they introduce the idea of sonia and zelda being aware of ganondorf using a fake zelda but theres literally nothing about it having been a problem or them having experience or like. anything. they just TELL you that they know and suggest that it’s been like. a thing for a bit??? also obligatory ganondorf’s face model rigging is fucked comment he’s still the best part

- the pacing of these memories is just weird in general, memories 7 and 8 being separate but the same scene is strange when other memories are long as fuck but cover one event each, plus theres clearly barely any passage of time between memories 7 and 8 it almost feels like they were split up to fill space or just because otherwise it’d be... too long? man idk

- ‘queen sonia needs you!’ girl she is DEAD good fucking luck doing anything to help her

- ganondorf’s horse and its armor both look sick as fuck i really wish you got to see more of it outside the memory it appears in

- everything about the original sages honestly sucks. they aren’t characters they’re just walking macguffins. they have no names and are not relevant or mentioned or make any appearance until they are needed by the story. why does the zora sage talk about getting word about the attacked gerudo village in this scene when like. they’ve all met up and have clearly. been together for a bit. when she gives them the news it’s clearly the first they’ve heard of it... but... why would she wait until this moments to give this info unless for the benefit of the player watching the scene. why does the ZORA sage have this news and not... the gerudo sage?? what’s with the masks. they’re all made of zonaite or whatever sure theyre gifts from rauru but like. i hate that it kind of denotes them being subservient and lower than him and the zonai. honestly i really hate this scene in general mostly because of the uncomfortable showing of how rauru absolutely holds power over them and despite them being leaders as well they are expected to be wholly blindly loyal to him. rauru only gives them these stones when he needs their aid and they swear loyalty too him soon after but you also see that sonia and mineru have stones, too, so they’re clearly withholding these things despite it being kind of reasonable for him to give each race their own secret stone as further proof of their pact? there is so much shit to be said about the imperialistic themes or whatever in this fucking story and i really hate it

- i do kinda like how the next scene shows you that the one rock in the corner of that first hidden room in the forgotten temple is sonia’s grave

- zelda’s phrasing and description of how she and link found ganondorf is weird to me ‘he’s still alive’ ‘he lives on’ girl that was a mummy. he was not moving until you got there. he’s undead at best as far as you know. this is def a nitpick but eh. also the reliance on link is a... bit odd when zelda does not actually know that link is safe until she gets the master sword. its fine but still. also her shell-shocked expression after rauru talks about her being in the past for a reason is a bit... it doesn’t fit her emotion it’s kind of similar to the expression she had when sonia was killed

- the memory about the imprisoning war starts with practically the whole story up until now being repeated back to you by mineru with a decent amount of bias on mineru’s part and while it’s fine because of some of the extra stuff you learn but it does a lot more telling rather than showing when it comes to the actual imprisoning war and... idk the whole thing about their ‘fight’ kind of falls flat when you don’t actually see any fighting you just see that the sages have gotten their asses beat. i think it would have been a little interesting if in the god-awful repetitive sage-awakening scenes they had actually showed you the og sages fighting ganondorf instead of just. slow-mo freeze-frames for whatever. once again ganondorf if the best part of the scene

- the rest of the memories are fine idc

i get the feeling that the japanese-to-english translation was either all-around rough or somehow rushed, because some of the phrases in the game as well as some of the dialogue is really awkward and... could have been better. i don’t know how it works but it feels like a lot of it was very literal, direct translation and no one at noa thought that it ought to be tweaked just a little bit

these memories also do a fuck-ton of telling rather than showing and it really is like they don’t really trust you to connect the dots, and some of it does come off like they either didn’t want to make more memories or ran out of time or something. i felt like the memory of ganondorf just summoning his monsters and riding on his cool horse could have been a bit longer to actually show us the forces of hyrule fighting him and having a hard time with it

a lot of the character animations doesn’t have a whole lot of personality to them, ganondorf is the character who had the most distinct and interesting movements. rauru and sonia had their... singular movement (rauru putting a hand to his chin and sonia taking zelda’s hands) and zelda was kind of just... standing around and reacting to stuff, and neither mineru nor any of the other sages had any really interesting animations asides from mineru’s coughing fit in memory 16 (plus her reclining chair that was a nice touch). very few of their movements really express anything about the characters besides some really baseline values or traits.

the ordering of some memories is kind of odd, the excessive flashbacks in memory 17 are a bit much, the telling rather than showing, the sometimes awkward dialogue, a lot of the scenes are characters just... talking at each other, you don’t actually see very much of hyrule in the past or any characters beyond the main four, and it really did nothing to actually get me to care about these characters at all.

tldr i dont like totk’s dragon tears