#she does this often

[cayennesugar]

Found this photo perfect for Quickshadow because she has rocker boosters and canonically can be airborne for a short period of time 💀💀💀

[gainprincess]

She's thinking about her girlfriend's absurdly massive tits.

[rozetheeuwu]

Cal: You sure you got this by yourself?

Hardy: Hey man, don't worry about it!

Hardy, turns to look at Cressilda: You're gonna have a safe and fun time with uncle Hardy, ay?

Cressilda: *baby gibberish*

Hardy, turning back to Cal: See?

Cal: Hmm, alright. Call me if you need help, please.

Hardy: Yeah yeah, come on you have places to be!

Cal: Alright... (He kisses his baby goodbye) Thanks Hardy, see you later.

Hardy: No problem man!

Hardy, waits for Cal to leave and turns to the baby: Alright now how- About... We...

Cressilda: (gone)

Hardy:

Hardy: Oh FUCK.

Cressilda, from somewhere in the house: Fuck!

[halalgirlmeg]

Cats will have you looking everywhere for them, panicking calling for them and be sitting on your bed snug as bug. And give you that long blink, like don't bat your eyes at me!

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.

[demigods-posts]

percy doing better than annabeth in college is one my favorite developments in the rrverse. if we reflect on percy and annabeth's academic upbringing. annabeth living at camp allowed her to receive accommodations for her adhd and dyslexia and surround herself with like-minded campers who had the same limitations. whereas percy was ridiculed, belittled, and routinely humiliated because of his adhd and dyslexia. even more so, percy's friends and family leave him out of the loop on so many important issue (no chb orientation film, no information about the great prophecy) which perpetuates his subpar confidence and self-esteem in his skills as a student and a demigod. but going to college at NRU changes his mindset because he receives the accommodations he should have gotten years ago and fucking thrives to the point of getting higher grades than annabeth — a person he deems way smarter and more prepared than him in every way. the most important thing percy is learning now is that a supportive environment makes all the difference, and he is more capable than he initially thought.

[sage-nebula]

Thinking about how important it is that Wendy is a part of the Pines family. (Because she is, as much as Soos is. It's why she's in the family photos, such as the one representing Ford's happiness at the end of The Book of Bill.)

We don't know too much about Wendy's home / family life. Unfortunately, we don't a single Wendy-focused episode, and we don't get to learn too much about her outside of how she interacts with the main characters. But here is what we do know:

Wendy is the oldest of four siblings, with three little brothers. Wendy herself is 15. We are never given ages for her brothers, but given the photo that she shows Dipper of her younger self in "Double Dipper", I'm guesstimating that the youngest Corduroy brother (Gus) is about 6 in the present day. This is because young!Wendy was wearing braces and also noted to be "freakishly tall" for her age, and Gus was wearing a diaper in the photo (but standing on his own). Braces can take two to three years to be removed, and Wendy doesn't have them in the present day, meaning she was probably around 11 or 12 in the photo. Meanwhile, Gus was in a diaper but able to stand, meaning he was probably a toddler, likely around 2. So in the present day, Wendy is 15, Gus is around 6 (depending on if Wendy was 11 or 12 in the photo), and Marcus and Kevin (the middle brothers) are between 14 and 7.

Wendy's mother died when she was young. Given the age of Gus in the photo, we can estimate that Wendy's mother died when Wendy was, at youngest, 11 or 12 -- so, three or four years pre-canon. (Because any earlier than that and Gus couldn't have been born.)

Wendy's father is Manly Dan, who shouts just about every line of dialogue he has and routinely breaks things, including in his own house, albeit sometimes by accident. He also spends most of his time in a biker bar, though we do know that he does love his children. (e.g. is seen with the boys on both family fishing day and Summerween, is seen taking Wendy out for breakfast in "Dipper vs. Manliness").

Dan is the reason why Wendy has a summer job. As she says in "Gideon Rises", "If I can't work at the Shack, my dad's gonna force me to work at my cousin's logging camp up north." This implies that Wendy has to work somewhere, per a rule of Dan's.

In "Into the Bunker", Wendy has this to say when she comments on how she's excited to be going on an adventure with Dipper and Mabel: "It beats cleaning up after my dad at home." She says this with a frown, in a grousing tone. We're then treated to a clip of Dan breaking apart the cabin as mentioned above.

In "Society of the Blind Eye", before she's about to have her memories erased, Wendy confesses thus: "I'm stressed like 24/7. Have you MET my family?"

Wendy dreams about her mother every night. The glimpse of her dream that we're shown depicts her receiving a comforting hug from her mother.

The conclusions that I draw from the above are thus: prior to her mother's death, Wendy had what amounts to a normal family life in Gravity Falls. The Corduroys were a two parent household, her mother was there to help balance Dan out and raise the kids (Wendy included), and Wendy could, well . . . be a kid. It's possible, even, that some of Dan's more worrying traits (such as spending the majority of his time at a bar) didn't exist when Wendy's mom is alive. It's pure speculation on my part, but it's possible that Dan feels compelled to go to a bar to be aggressive (and drink, even if we don't see it because it's a kid's show) because that's how he processes his grief over his wife's death, away from his children's eyes and ears. He's trying to be a responsible father and not hurt his kids, while at the same time still not handling things in the most healthy way.

But back to Wendy. Once Wendy's mother died, the dynamic in the Corduroy household shifted. Dan was hit by the tidal wave of grief that comes with losing a spouse, as well as the sudden onslaught of being a single father to four children, one of whom was very possibly still in diapers. And if my speculation is correct and that he took to going to the bar to deal with his grief, then who is left to change Gus' diapers and get him potty trained? To operate the stove or oven or microwave to make sure that the boys (who would all be under age 10 at this point) got fed, and to make sure she got fed herself? To, in her own words, "clean up [her] dad's messes" when he was at home to make them by breaking apart the house with his own head?

Wendy.

Wendy was a child herself when her mother died, but she was the oldest child, potentially freshly into middle school while the boys were still in elementary, and the oldest daughter to boot. The girl, expected to know how to do "girl things" like cook and clean. I'm not saying that Dan told her to do these things, but we know from Wendy's personality that she is protective of those who need it (e.g. Dipper and Mabel) and, more importantly, that's her home and her family, and she does love them (she makes this clear in the Weirdmageddon episodes numerous times). She wouldn't let her little brothers starve, wouldn't let her youngest sit in a filthy diaper, would try to pick up the house if her dad and brothers wouldn't. Wendy would step up to do it out of necessity, even if she hated it and felt stressed out about it, especially while also feeling the crushing grief that comes with having lost her mother.

So Wendy, having lost her mother at a young age, probably had to step up into a pseudo-parental role in her own house, trying her best to fill the void that was left by her mother's passing even though she was only a child herself. And this is why she's "stressed, like, 24/7." Because not only are her father and brothers loud and chaotic (especially with Dan raising the boys into miniature versions of him), but because it's her responsibility (spoken or no) to keep the house in as much order as she can. It's little wonder that, outside of the movie that she and Dipper are watching in the beginning of "Into the Bunker", Wendy seems to spend as little time as possible in her own home.

So, how does this fit into it being important for Wendy to be part of the Pines family? Or, worded in a better way, why it's so important that she has the Pines as a second family, and the Mystery Shack as a second home?

As I said above, once Wendy's mother died, her ability to be a child in her own home effectively ended. Again, to make it clear, Wendy doesn't hate her family. In fact, it's the opposite; the Weirdmageddon episodes make it clear that she still loves her father and her brothers very much. But "Society of the Blind Eye" also makes it clear that they stress her out. She has a lot of complicated feelings, something that's understandable given her complicated situation.

But because she has to help keep the house together when she's at home, that means she can only really be a kid (or teenager, as the case may be) when she's outside of it. She has a lot of fun doing this with her friends, but sometimes a teen does need a home to relax in. And for Wendy, that home is the Mystery Shack -- and yes, that includes when she's on the clock.

Now, I know what you may be thinking: it's stated that Stan is a terrible boss, that he barks orders, that he yells -- how is that any different from her father? Well, I'll tell you how: the only time we actually see this is in "Boss Mabel", in which Stan being a boss who yells and barks orders at his employees is a plot point meant to create the conflict for the episode. Otherwise, we never really see Stan being an awful boss, and in particular we never see him being hard on Wendy. In fact, I would argue we see the opposite.

Here are things we know about Wendy's behavior at work, and Stan's response to her behavior at work:

Wendy constantly reads magazines while working the cash register, often right in front of Stan. Stan never tells her to put the magazine away.

Wendy often puts her feet up on the counter. Stan never tells her to take her feet off the counter.

Wendy goes up to the roof "all the time, every day" to the point where she has a chair and cooler up there. ("The Inconveniencing"). We don't know if Stan knows about this or not, but it's hard to believe he wouldn't if Wendy goes up there as much as she says she does.

When Stan told her to hang signs up out in the woods, she said, "I would, but I can't . . . reach . . ." while making no effort to get up to get the sign, and not removing her eyes from the magazine or her feet from the counter. Stan simply said, "I'd fire [. . .] you if I could." i.e. she got away with it 100%. ("Tourist Trapped")

When Stan double checks with Wendy and Soos that they'll wash the bathrooms while he's gone, Wendy says, "absolutely not" with a salute. Stan laughs and then says to stay out of trouble, not caring at all. ("The Inconveniencing")

Wendy was supposed to work the ticket stand all night at the party. She quit about ten minutes in and blatantly joined the party. Stan had to have seen her. He did nothing. ("Double Dipper")

Wendy claims in "Boss Mabel" that Stan doesn't let her have friends at work. In contrast, we see Robbie visit her at work all the time throughout their relationship (e.g. "Fight Fighters", "Boyz Crazy"), and Stan even comments on "is that the guy that's always making googly eyes at Wendy?" but otherwise has no problem with it. So again, it was a conflict invented for "Boss Mabel" that otherwise doesn't exist.

And that is just off the top of my head. The point is, Wendy is perhaps treated the easiest of the staff at the Mystery Shack. She's blatantly lazy and snarky and the most Stan ever does is grouse that he would "fire [her] if he could."

And this is a good thing.

The Mystery Shack, even if when she's on the clock, is clearly a place where Wendy can relax. It's somewhere she feels comfortable, rather than stressed. Yes, she's working -- but she's putting in the barest minimum effort because the stakes are the lowest they could possibly be. Because even though Stan grouses and complains about how little she cares, he won't fire her. He says he can't, but let's be honest, he could. One could argue that he'd be out a cashier, but he already is when the school year starts and Wendy has to go back to school. The Shack doesn't close down then, so it wouldn't close now if he fired Wendy.

But he won't fire her, because he knows that if he did, she'd be sent up north to her cousin's logging camp, a job she would hate and that would add on to the stress she already has from her home life. Stan has been in Gravity Falls for 30 years; he's been there since before Wendy was born. He knew her mother. He remembers when her mother died a few years ago. He probably saw how Dan's personality changed, how Wendy's personality changed from a more carefree little girl to a little girl who had to act more carefree than she actually was because she won't ever dare let anyone know she's anything but tough as nails, kinda like the guy he sees when he looks in the mirror. So he'll grouse at her about her laziness, and she'll complain about how much she hates having to work, but he'll also never hire another cashier even during the school year when the Shack maybe could use the extra help, and she knows that he both has an orthopedic back pillow and where it's kept, and that's as much as either of them will say about it. (Source for the orthopedic back pillow: "Soos and the Real Girl").

Wendy spends time at the Shack that would otherwise be spent at her home. When she decides to leave Tambry's party early, she goes to hang out at the Shack and watch movies with Stan, before the twins or Soos arrive ("Summerween"). She's likewise hanging out with the Pines and Soos watching television despite work clearly being over in the beginning of "Dreamscaperers". Wendy can relax at the Shack, can be in a home environment where she has no responsibilities, where she can simply be a teenager without also having to be a pseudo-parent. She can be a big sister figure to Dipper and Mabel without the added responsibilities of having to make sure they're fed and brought up right. She can be snarky with Stan, and he'll be snarky back, and there are no risks or consequences at all.

It's important that Wendy is a member of the Pines family, because here there are no complications for her. She loves her original family, but things got difficult when her mother died, and they won't ever stop being difficult. But things aren't difficult with the Pines. In a way, being with the Pines is as comfortable as the hugs she gets from her mother in her dreams every night. Being with the Pines feels right. It feels safe.

It's good that Wendy has them. It's important that Wendy has them. And fortunately, she always will.

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[dootznbootz]

Thinking about how Telemachus has heard "You are just like your father" by so many people for most of his life. How different yet refreshing it is to hear said father tell him warmly "You're so much like your mother".

[nativegirltapes]

can we talk about the first time angel calls drew “daddy”?

oh absolutely. i'm glad you asked bc i've genuinely been thinking about this so much lately................

⋆·˚ ༘ * 🍰

thinking about drew asking for help with some home project that he’s working on, “y/n! can you come help me real quick?" and you come running into the room, where he's wearing a sleeveless tank and his biceps are practically screaming at you.

"hey baby," drew flashes a smile at you. "sorry, i know you were relaxing."

"it's okay." you say softly. it really was okay. getting to see drew all sweaty and big, you wanted to tell him to forget about this stupid project and meet you in his bedroom. "can you hand me the wrench over there?" he pointed to the ground where you found the said wrench. "okay, daddy."

drew's head had never jolted in your direction so fast, he looked like he seen a ghost. "don't call me that."

"whyyyyy?" you pouted, stepping closer to drew, tugging on his tank top. "because i like it."

[bonicedemandarina]

live laugh love Betty Grof, truly nobody is doing it like her

Click for better quality, also maybe zoom in a lil bit for some cool details

Actually lemme make it easier for you, closeups under the cut

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[fuumiku]

It was Maid Day today yesterday a week ago so I got struck by inspiration to draw the worsties, and it ran away from me into a whole AU where they’re coworkers at a maid cafe. She’s a med student & this is just a part time job, and this is his depression job while he gets his life back together. He needs something he can be workaholic about to forget what it’s like having a personal life and personal issues. He’s actually the accountant, but the new hire janitor (Izutsumi) doesn’t show up for half her shifts and is a sloppy worker, so he gets the extra work of doing her job on top of his because he’s undervalued and overworked. Of course, janitors also have an uniform to keep the aesthetic cohesion as they go about cleaning the place, of course.

Senshi’s the part time cook you only see slivers off, he’s kind and warm when you do see him and have a chat but most shifts he’s in and out the kitchen without a trace. Laios and Falin are regulars because Falin and Marcille are besties & in the same med school, Laios accompanies Falin as she visits her friend at work and gets hooked on the food. Chilchuck has to remind Marcille to work instead of chatting with Falin for an hour, and next thing he knows she’s distracting him from work too. That’s it that’s the AU. Inspired by this idol AU fanart a bit <3

This was not meant to be birthday gift but well…… Happy bday Chil!!!

Read from left to right

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.