#share with me what you thought?

[startanewdream]

I've always wanted to write a scene of mutual agreement and support (friendship is a strong word) between Ginny and Romilda Vane, so here's around 1600 words of something that might have happened during Year 7.

*****

They wait until after dinner to round on her.

Ginny is mildly surprised; she'd guessed they would question her as soon as she got off the train, but perhaps they thought that Snape's speech—not the Headmaster's, she'd never consider him so—might terrify her enough to make her betray everything she has ever believed on. If so, they were very mistaken; seeing Snape in the middle of the staff table, with Death Eaters by his side, only infused her Gryffindor spirit.

"Weasley," calls Alecto Carrow. She has a mind to pretend to ignore her, but the mass of students climbing the stairs seems to freeze with that call, and Ginny has no choice but to answer it, all eyes on her as she walks to Alecto Carrow.

"Yes, Professor." She puts as much spite in that word as she can. Neville and Luna suddenly materialize next to her, and Ginny almost wishes they would stay away, as if there is any protection to be found this year.

Alecto looks her up and down. "That's it?" Her voice is mocking. "That's Potter's girlfriend?"

By her side, Crabble and Goyle nod; their gazes are not as unappreciative as Alecto's. With a shudder, Ginny thinks she will favour disdain any day.

"I thought Potter had better taste."

She buries her nails into her palm. Don't answer, she tells herself, and tries to keep a look of disinterest.

"Where is your boyfriend?"

Her rehearsed answer comes in a bored tone. "I would know if I had any." It feels more than ever that everyone is staring at her.

Alecto doesn't seem convinced, nor do her cronies.

"They were dating," says Goyle, in a whisper that everyone can hear. "Everyone saw it, they were snogging all around the place."

"It's what happens when you are dating someone," snaps Ginny. "We've broken up." She hesitates for a tiny beat. "He dumped me."

This time her rehearsed line doesn't sound credible, despite being the truth. Everyone's gaze seems to burn, evaluating her answer, and, for a moment, Ginny waits for someone to question this, to raise the absurdity of her words: they were in love. As Goyle had noted, anyone could see how they felt about each other; Harry had been beaming the whole time they were together, all those few weeks of sunshine and happiness and hope. Harry wouldn't just dump her—

And then Alecto Carrow laughs.

"I guess Potter already got what he was after, then?" She mocks. "Blood traitors aren't a good value if..."

"Perhaps the girl is lying," another voice pops in, and Ginny turns to see Amycus Carrow joining his sister. His gaze upon her makes Ginny shiver; she remembers all too well duelling him. "Perhaps she knows more than she's letting on—"

"I wouldn't think so," Luna says, her voice as dreaming as ever. "If she knew, she wouldn't be here."

"Harry always kept his secrets," Neville adds, crossing his arms.

Amycus and Alecto share a look before Amycus takes a step forward.

"I will be the judge of that. If we have Potter's precious girlfriend—"

"I am not even his girlfriend anymore!"

It doesn't seem to matter, though. Terror floods her, not so much for herself; there isn't anything that she can share with them, but if somehow Harry finds out that they've got her—their breakup will be for nothing—he is too stupid and too noble to do something reckless—

Amycus grabs her arm; Ginny dives her hand into her pocket, but before she can take out her wand, many things happen. Professor McGonagall appears, Neville points his wand at Amycus, and Romilda Vane laughs nervously.

"Please," she says. "Weasley was his girlfriend, so what?”

That makes everyone draw their eyes to her. Romilda tosses her hair out of her face, seemingly enjoying the attention, but Ginny can see a thin layer of sweat breaking through the girl's careful makeup.

"Harry was always smiling at me, flirting unashamedly, even when he was dating her. I wasn’t the only one either. Everyone knew he wasn't good business. A ladies' man, that one."

Ginny blinks; she is not alone. The year before, when Harry was at the height of his popularity at Hogwarts, everyone's favourite Chosen One, he had drawn many eyes. Ginny had found it bothersome, but she could understand what everyone was seeing: that gorgeous young man with messy dark hair and green eyes, tall and fit, with the added benefit of seeming oblivious to his own charm, almost shy. It had been endearing.

That also was one of the reasons why, when Harry and Ginny started dating, everyone wanted to talk about it. It had been huge news for Hogwarts' standard.

There was no way anyone would believe that Romilda was telling the truth.

"Potter never had any other girlfriend," Crabbe mumbles.

Romilda laughs derisively. "I wasn't his girlfriend, haven't you heard what I just said? He just liked to flirt." She nudges her friend. "Do you remember, Lisa? I told you Harry never took his eyes off me."

Lisa looks terrified, but she nods. "Yes," she confirms in a small voice. "And you—you shared chocolate once."

"Harry dated Cho," someone from the Ravenclaw crowd says, and there's a murmur of agreement.

"I went with Harry to a Christmas party last year," notes Luna. She skips the part where they went as friends.

"I think I saw him snogging a girl behind the greenhouses," Hannah Abbott says.

At her side, a boy nods. "I saw something in the library once."

People start adding comments, their voices mingling in a cacophony. The weirdest part is that Ginny knows no one is lying; people are telling about the times they saw Harry with a girl — only she was this girl, this only girl, but no one specifies that.

"Quiet, quiet!" Alecto sounds annoyed. She looks at Crabbe and Goyle. "Is this true?"

They shrug, lost.

"I saw Potter with Chang at Madam Puddifoot's," Pansy Parkinson confirms, distasteful. "And he went with Loony Lovegood to Slughorn's party."

"That would be Professor Slughorn, Miss Parkinson," chides Professor McGonagall, taking a definite step ahead and placing herself between the Carrows and Ginny. She raises her arm and, almost without a second glance, lowers Neville's still extended arm. "I do not see why a student's romantic life is under scrutiny at this hour of the night, especially a student who is not even here at the moment, but the others have class tomorrow morning."

"This is more important than classes," Amycus spats.

"I remind you this is still a school," Professor McGonagall says coldly.

Amycus' answer is cut by a bored voice. "What is this?" Snape walks, easily opening his way between the students gathered at the door.

"We are trying to interrogate the Weasley girl," Alecto says. "To find out the whereabouts of Potter. She was his girlfriend."

Snape rolls his eyes. "You heard the others. Potter was a lover-boy; that is not surprising considering how his father behaved with his fans." He regards Ginny coldly. "Weasley is not special. I doubted Potter ever shared anything more than a snog with her."

There's an underlying truth in his words that stung her, but before she can react, Snape is already addressing Professor McGonagall.

"Take your students to bed, Minerva. It would not be advisable to be out of the bed at this hour."

Professor McGonagall, who had been frowning at Snape as if trying to figure out something, bristles; there's nothing but repulse in her eyes as she nods.

"Of course, Severus." She turns to Ginny and the others. "Go to the Common Room, now."

And she casts a warning glance at Ginny, who runs to meddle between the other Gryffindor students climbing up the stairs. Her heart doesn't stop beating painfully until she enters the Common Room, and only then she looks back; the Carrows aren't in sight. She doubts this is the last time they will try to question her, but for now, she can breathe easily and give Neville a feeble smile when he looks at her.

"We will watch your back," he whispers.

"It will be fine," she says, with a confidence she doesn't feel. Nothing about her experience at Hogwarts so far gives her any faith that things will turn out well.

And then she catches a mop of black hair.

"Romilda," she calls. Romilda pauses on her way to the stairs.

"Yeah?"

Ginny waits until they are alone to whisper: "Thank you."

Romilda nods. There’s a moment of silence, during which Romilda eyes the stairs as if considering fleeing the scene before she asks: "Did he really break up with you?"

Ginny gulps. "Yeah."

"Oh, I thought—"

"No, it was true."

She waits for some remark; Romilda was truly determined to get Harry the year before, and she had pestered Ginny when she was dating Harry.

"He never actually flirted with me," Romilda says in a rushed whisper. "And you were special to him, I—I spent a lot of time watching him and trying to get his attention, but he never glanced at me... because he was too busy ogling at you."

Warmth spreads inside Ginny; she cannot help her smile. "Harry didn't ogle."

"Yes, all the time. He had it hard for you. Still has, I'd bet." Romilda smiles awkwardly. "Not very womanizer of him."

Ginny's eyes wide. "About that—if anyone finds out that you were exaggerating—"

"I'll talk to my friends. No one is going to say anything."

"I know. I trust you." They look at each other; it suddenly occurs to Ginny that Romilda has no idea, not really, of what could happen if anyone suspects her lie. Romilda never faced a Death Eater. Ginny hopes she never does. "It will be fine."

It's the same thing she told Neville before, but now there's a promise in her voice.

Romilda nods one last time. "Night, Ginny."

"Night, Romilda."

[hinamie]

siren!megumi concept sheet i whipped up in a single-minded fever state fr @uriekukistan

[phantom-chirp]

There are many Akechi lines in P5R that have plagued me, but this is one of the biggest ones, because what

Sir, what are you talking about?? Am I just missing something, what the hell does this mean. Why did you choose to draw that parallel?? Goro???

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[mblue-art]

so like... teeth... fangs, even.........

(silly) xtra under the cut

smfh tfw ur trying to joke but friend snitches you tf out

[demaparbat-hp]

Oh, Lala...

[maddymoreau]

Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.

When asked, “Do you wish to see your father?”

Diavolo responds:

“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.

Along with how Diavolo describe his father.

It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.

Diavolo can tell when others are lying but is unable to understand his father’s intentions.

Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.

His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.

The isolating childhood he experienced riddled with his strict father constantly scolding him.

Despite everything MC is so important to him he wants to see his father again so we can meet.

[lucky-fy]

Please enjoy :)

Two more with spoilers below

[ohitslen]

Something other about his eyes

Bonus! Based on this quick thing I did this afternoon and the idea took a bit more shape and turned into that thing from above uEK

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[hammerings]

tfw you’re each others (literal) ride-or-dies ✊

turning these into charms/stickers soon for a limited preorder 💚

[swampthingking]

andrew’s definitely gotten in trouble with his pr manager for tweeting things along the lines of:

“no mania inducing medication will compare to the euphoria i will feel the day donald trump drops dead”

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[charlie-rulerofhell]

Pick up the pace, pack up the gear Gimme some face, a souvenir Here come the gays, here comes the fear Now we're having fun

[fictionadventurer]

Maybe Jane Austen's real genius was that, unlike other authors at the time, she didn't have long sections where characters share their backstory. Or rather, when she did it, she set it up like a mystery so we'd want to know the backstory.

Instead of having a character be like, "Here's three chapters about my life," soon after showing up in the novel, she'd sprinkle little clues through the story that make us wonder, "What's Colonel Brandon's deal?" and then closer to the end of the story, Colonel Brandon would tell us what his deal was. We'd wonder "Why does Mr. Darcy do all those horrible things?" and then he'd give an explanation that includes a lot of backstory.

And these infodumps always come in response to significant moments of the story. She'd engage our minds and our emotions and then give us the infodump at a point when we care about the information it contains. Compared to some other authors (even some that came long after) it seems like a significant innovation.

[valtsv]

i love revenge tragedies so so much because they have so much potential to explore such a nuanced and complex topic and give it the consideration and care it deserves. revenge and revenger characters are such powerful narrative tools, both of catharsis and self reflection. a good revenge tragedy will not tell you that "revenge is bad, seeking revenge makes you just as bad as the people you're seeking vengeance against, and nonviolence and forgiveness are the only paths to building a better world". a good revenge tragedy will present you with a really difficult and complicated situation, even something absolutely unforgivable, and ask you to consider questions like "will this really help anyone?" "am i doing the right thing, or am i just doing what feels good?" "how far can you go before your quest for self-empowerment and personal satisfaction becomes perpetrating the same violence that you claim to be fighting against?" "what else could i do to help build a better future for myself and others, to ensure that the cycle of violence doesn't continue after justice is served?" "what went wrong here? how did something that seemed so right go so wrong?" and "what would i do in this situation?"

sayings like "those who live by the sword will die by the sword" and "those who fight monsters should take care they don't become monsters themselves" often get oversimplified, misinterpreted, and used to criticize people from feeling justifiably angry at their mistreatment and oppression, and discourage them from seeking the restitution they're owed. but when used correctly, a good revenge tragedy will employ these ideas as tools of teaching and learning, of questioning and discussion, of analysis and communication, and as a reminder to think critically and to think for yourself, not as a moral lesson. and those stories are so incredibly and important and valuable to me, and i believe that they have a very necessary place in the world.