#shannon diaz you will always be famous | Explore Tumblr Posts and Blogs

milenadaniels · 3 years

Text

Actually, Truly, 14k - Buck/Eddie, Helena POV, post-s4 (AO3)

Isabel calls to tell them Eddie's been shot on a Thursday afternoon and by lunch on Friday Helena and Ramon are landing at LAX. When they land, they learn Eddie's already home recovering and has been for two weeks.

----

Or, Helena (and Ramon) tries to find a way back into Eddie's life and doesn't know what to make of finding Buck around every corner she turns.

Isabel calls on a Thursday afternoon and by lunch on Friday Helena and Ramon are landing at LAX. Their son’s been shot, again, in the line of duty. But this time, instead of being thousands of miles away and out of reach, he’s just a short plane ride away.

Isabel insists they come to her house before going to the hospital but she doesn’t blame COVID protocols for keeping them away from the hospital, so they spend the car ride over imagining the worst.

A complication with surgery.

Permanent damage.

A coma.

The news they receive is that Eddie’s fine, and he’s been home and recuperating for two weeks already.

Helena retreats to the living room while Ramon and his mother fight in the kitchen. They’re yelling in Spanish and for once she wishes she’d never learned.

“Escúchame, Ramon,” Isabel tries to interrupt. Listen to me.

The yelling continues because Ramon doesn’t listen. It’s not his strong suit. Nor is it Helena’s.

Helena paces the length of the living room and holds her phone in her hands, thumb over Eddie’s name in FaceTime, not pressing down.

Eddie’s been home for two weeks.

Isabel hadn’t told them for two weeks.

But Eddie hadn’t either.

They hadn’t seen him in person in nearly two years, and he hadn’t called them since their last fight over a month ago.

Still, Eddie was shot in the streets by a sniper and he didn’t call them.

Mom, listen...

The last time they spoke, it was a phone call, not a video chat, maybe because at that point just the sight of each others’ faces was enough to set them all off. In that phone call, Eddie spoke of a friend whose family was somehow worse off than their own, but who, miraculously, were finally making the effort to fix the broken ties between them in therapy.

“Mom, listen… I spent a long time being angry with Shannon instead of trying to reach out to her and now Christopher is never going to have her in his life again. I don’t want that with you,” Eddie said, his voice brusque but calm, measured. “I don’t want to grin and bear it when you call or when we visit. I want to be glad to pick up the phone, I want to be excited to see you all at Christmas, I want you to be part of our lives. But I can’t do that without you meeting me halfway.” He was resolute, but he was pleading too. “I don’t want to spend the next ten years of our lives like this.”

But the idea of therapy was anathema to the Diaz family and it took only Ramon’s dismissive scoff to reinforce her own distaste of the idea. They called Eddie back to say they had no intention of paying a stranger to tell them everything was their fault and he was blameless.

They didn’t get another call after that.

“— my son!” Ramon yells at Isabel in the kitchen.

“Because, mijo, when you come here, you don’t see your son! You don’t see him living here, growing, Christopher thriving! You don’t see how when you come up here you bring sadness and misery when you should bring joy and comfort.” The words are too close to what Eddie said for them not to have spoken about it together. “By the time I knew he was hurt, he was already out of surgery and doing well. If he wasn’t, I would have called immediately.”

“Oh bueno, so you’ll tell me my son is dying but not that he’s okay?”

“Ramon! Escúchame.” It’s not often that Helena gets to bear witness to the steel in Isabel’s voice, the one she passed down to both her kids. It’s in fine form today. “He was doing well, and had all the help he needed. As soon as things stabilized, I called you. Keep acting like a fool and see if I call you at all next time.”

“If you call? Are you —”

Mom, listen…

“Ramon!” Helena snaps, surprising them all.

“Ramon,” she repeats, more calmly this time. “Listen to her.”

The shock on Isabel’s face almost makes her smile, but her heart is too heavy to commit to it.

“Helena, two weeks she —”

“Our son was shot, and he didn’t tell us.” Helena says, her voice trembling. “Our son was shot, he could have died, and the last thing we would have told him is we weren’t willing to fight for him and Christopher. Weren’t willing to — what? — put our egos aside? Our pride? For one fucking minute to listen to him. To listen to what he needed.”

Ramon’s eyes widen and he hangs his head with a sigh.

Helena faces Isabel, her phone tucked in her palm against her stomach.

“What can we do? We’re listening.”

——————-

Ramon walks it off and Helena helps Isabel in the kitchen in exchange for a promise they’ll go over to Eddie’s for supper. She’s been making care packages for Eddie and Christopher since the shooting, and she’s working on a pasta sauce while Helena starts on her famous banana brown sugar bread — Eddie’s favourite.

“How is he, really?” she asks once her dish is tucked into the oven.

“As well as can be expected,” Isabel replies, throwing spices into the pot with an ease Helena never grew into. “He was tired for the first few days, but now it’s like a broken arm. Uncomfortable but not so painful.”

“How long is it supposed to take to heal?”

Isabel casts a suspicious eye her way as if she can anticipate the date of Helena’s return flight adjusting already, but answers, “they say 6 to 8 weeks. It’s for the bone to heal, mostly, in his back. The rest should be sooner.”

Helena broke her wrist years ago, when the kids were nearly teenagers, and it was three months of hell trying to manage a household one handed while Ramon spent most of that time travelling across Texas.

Who’s helping him? Is Carla back in the picture? Is she working overtime? How can he afford that on sick leave? Is Pepa or one of the cousins going over? Is his girlfriend there? Who’s helping with Christopher? How is he managing?

The questions — all genuine and well-meaning, all a shade too accusatory — are on her tongue, pressed to the back of her teeth to keep from escaping. She’s entitled to answers, even if she doesn’t like them. She knows she has the right to at least know how her son is caring for himself and her grandson while he’s injured. If he’d told them when it happened Helena could have been here in a heartbeat to help, but no, Eddie’s just as stubborn as they are, just as prideful. He’d rather suffer alone than accept their help. Fine. But she’s still his mother, and Christopher’s grandmother. She raised them both. She has a right to—

Mom, listen…

Helena takes a deep breath in, anchors herself in the mixed scents of the rich sauce and the sweet bread cooking, and breathes out. Isabel sends her another look but says nothing.

————-

Helena cries when she sees Eddie, and cries a bit harder when she sees the apprehension in his eyes. Her baby boy looks a bit pale, but he’s standing on his own two feet and answering the door himself.

“Oh, sweetheart,” she murmurs, wrapping him gently into her arms, mindful not to press into the sling or his back.

“Hi, mom,” he says quietly, like he’s trying to gentle the stiffness in his voice.

She releases him, but not before pressing three kisses into his temple, always three. One for each of her kids.

Ramon steps into the space she leaves when she continues into the house and from the corner of her eye, she sees him cup the back of Eddie’s head and take a good look at him. For Ramon, it’s the equivalent of collapsing to the floor in tears.

Helena quickly toes off her boots and makes room at the entrance for the others behind her, which also puts her first in line to catch a sight that nearly knocks her down.

“Who is this young man I see?” she cries, throwing her hands wide to gesture at her grandson. “Last I saw you, you were just a little tyke. Now look at you, you must have grown three feet!”

Christopher giggles and Helena smiles in return as she folds him into her arms, but it’s forced. She’s not lying — he’s grown so much more than she expected. She hasn’t seen him in person since Eddie’s graduation and while video chats are priceless, they didn’t capture this growth spurt.

She can’t believe she let this happen. That she went from spending most of everyday with this little boy and now she’s missed out on two years of his life. Can’t believe Eddie kept him fro—

Mom, listen...

Supper goes well enough. Eddie never truly shakes loose the tension in his shoulders; he trades many looks with Isabel, seemingly spooked by his parents’ behaviour. He talks a lot more than he usually does, probably out of nervousness. But overall, they let Christopher take the reigns; they’re all more comfortable with that. It’s been too long since they’ve last spoken and Christopher is full of stories about his school and his friends.

“Buck says we can go to the Griffin soon. It was closed because of COVID. But before, I went with my class and they made a comet right in front of us!”

Buck. It’s the third time his name has been dropped at the table since they sat down.

She first met him, briefly, at Eddie’s graduation, but didn’t really register him as someone in her son’s life until Eddie and his crew stopped off in El Paso for dinner on their way home from fighting Texas wildfires. Buck had been cropping up in Christopher’s and Eddie’s stories for months by then and she was curious to properly meet him in person. He had seemed...young, she remembers.

“The Griffith Observatory,” Eddie corrects fondly. With Christopher, at least, it’s impossible for him not to soften.

Eddie’s only eaten half the pasta on his plate but Isabel seems satisfied. Helena bites down on the impulse to encourage him to eat more. To remind him he needs his strength to heal quickly for his little boy. She does lift the basket of garlic bread in his direction, because she can’t help herself. He eyes the basket warily as though he expects her to do more, but when she doesn’t, he shakes his head with a small smile of thanks.

“Yeah,” Christopher agrees, “it was cool but we didn’t get to stay long enough to see everything. And if we go later, Buck says we can see real meteors in the sky.”

Fourth mention.

“Christopher is on an astronomy kick,” Eddie adds redundantly.

“Wait, I gotta show you —” Christopher is sliding out of his seat before anyone can stop him and racing down the hall to his bedroom.

“Oh, honey —” Helena grips the arms of her chair out of reflex to jump up and help him — he doesn’t have his crutches, he’s only using the wall for support and he’s wearing socks — but Eddie looks over when her chair creaks.

He can’t really expect her to just sit here while Christopher—

Mom, listen…

They can hear Christopher make it to his bedroom without injury, so Helena slowly settles back in her chair and Ramon clears his throat. “He seems...okay. More okay than I would have expected.”

Eddie keeps his eyes on his father for a beat too long, assessing the comment for any hidden messages.

“He’s a resilient kid. Buck stayed here with him while I was in the hospital, so his routine wouldn’t get messed up. I think that helped a lot.”

Fifth ment— wait.

“Buck stayed with him?” The words — the tone — are out of her mouth before Helena can stop them.

On the shortlist of people she expected to hear stayed with her grandson to watch him and care for him, alone, while his father was in the hospital — Isabel, Pepa, Carla, or even Ana — Buck’s isn’t a name she expected to hear. A coworker — an unrelated man with no children of his own, over Christopher’s family? Over Christopher’s own aide? Over a schoolteacher?

Eddie’s jaw squares up and he sits up in his chair. Like light gray rain clouds suddenly turning dark, weighty with an incoming storm, a heavy tension builds in the air between them.

“Look!” Christopher exclaims as he rounds the corner, nearly throwing a thin, blue hardcover book on the table. Eddie catches it before it can slam into Christopher’s leftover pasta and sets it down on the table for him. “It shows all the things we can see in the sky over the whole year!”

Christopher climbs back into his chair and opens the book up to a random page, describing everything he seems to have nearly memorized already. By the time he reaches the upcoming meteor shower, the tension at the table has dissipated enough for Helena to excuse herself to the bathroom and not have it come off like a passive aggressive storm-off.

She washes her hands with soap pumped out of a fish-shaped dispenser that wasn’t here the last time she visited and trains her eyes on the basket of gauze, scissors and tape tucked away on the shelf above the toilet. That wasn’t there last time either.

Her baby boy was shot by a sniper. In LA.

A bullet tore through the body she created and almost took her son from her forever.

Mom, listen...

But only after she’d almost pushed him so far away he might never come back.

The tears well up again and she sniffs through them, blinking up at the ceiling until she’s back under control.

As she pivots to turn the light off, she spies a purple toothbrush resting on the ledge just above the sink. The other two toothbrushes are electric — one adult-, one child-sized — and stand on the counter.

—————-

Helena and Ramon meet the infamous Ana by accident.

When they leave Eddie’s house on Friday, Helena sends a text message to say what she couldn’t manage to say to his face — that they’re here for him, in whatever capacity he needs, that they’ll take their cues from him, even if that means giving him some space.

To that, she receives a, Thank you.

When she asks for the contact information of the therapist he had scoped out for them, she gets a phone call.

“Not to look a gift horse in the mouth,” her son says, “but are you just doing this because I got shot?”

“Honestly? Yeah,” she laughs mirthlessly. “I’m sorry to say it took our baby boy nearly dying to get our heads out of our ass.”

Eddie huffs a laugh on his end. “Well, I’ll take that silver lining.”

After that, Eddie invites them to a restaurant for brunch on Sunday, but when they reach his doorstep, they find it already occupied by a woman who’s just rung the doorbell, holding a casserole dish in her hands.

When the door opens, Eddie takes in the three of them, his eyes wide and apprehensive.

“Ana, I wasn’t expecting you,” he says, his eyes darting over her shoulder to his parents. He’s smiling, though there’s a clear strain in the corners of his eyes and mouth. They’ve been critical about Shannon for so long — and with good reason, nothing will change Helena’s mind on that — no doubt he’s expecting them to hate this new woman on sight.

“You’re Ana!” Helena exclaims with a wide smile, imbuing her voice with as much welcome as she’s capable. “Hi! It’s so good to finally meet you!”

When Eddie releases the breath he was holding, she knows she was on the mark. Ramon follows her lead and invites Ana to brunch with them on the spot and won’t hear her protests about intruding.

Eddie, of course, doesn’t protest at all but invites them in so Ana can store the casserole in the fridge — it takes both Ana and Helena’s organizational skills to find a spot for it among Isabel’s and Eddie’s tupperwares already invading all available space — and he can finish getting ready. He was already dressed in a nice polo and jeans but when he comes back from his bedroom it’s in a smart button-down he must have struggled with out of sheer stubbornness. Both his parents and his girlfriend are in the house and still he didn’t ask for help.

Eddie and Christopher decide to hop into Ana’s car and Helena asks loudly for directions to keep Ramon from insisting they should all ride together.

“So how long have you kids been seeing each other now?” Ramon asks when they’ve been seated at the restaurant.

“Nearly 7 months now, I think, isn’t it?” Ana replies, looking at Eddie with a dazzling smile — she truly is gorgeous. Eddie was still talking to them when he started dating her so they know she’s a schoolteacher turned vice principal but to meet her in person blows all their other expectations out of the water. She’s lively and sweet, patient and understanding, Latina — a big plus in Ramon’s books ironically. Eddie picked well this time.

Eddie hesitates a moment and nods. “Yeah, that sounds right.”

Every now and again, he squirms in his chair, like he can’t quite settle in and Helena wonders when his last painkiller was taken. But when he catches her face, she smoothes her worry out into a cheeky smile that says I like this one. He smiles back and there’s nothing she can pinpoint exactly but something about it makes her uneasy.

Eddie’s too quiet as they wait for their food, his face pinched, and just when Helena’s about to break, Ana does her the favour of asking gently, “Are you feeling okay? Do you need to take anything for your arm?”

But Eddie shrugs off her concern. “No, thank you. Next one isn’t until noon.” He taps his phone twice and she smiles.

“Sorry, I forgot. He’s got them all on timers with a special ringtone. He’s so organized,” she tells Helena and Ramon with a sunny smile, rubbing her hand down his good arm. “I have one multivitamin and I forget to take it half the time.”

“Buck set it up,” Eddie defers, and Helena schools her face not to react; even at brunch Buck is with them in spirit.

Ramon either takes no issue with the mention or doesn’t register it. He takes the opportunity to share how his new pharmacy pre-packages his heart and arthritis medications into AM and PM slots and Ana listens attentively. Eddie’s fingertip taps absently against the phone case until their food arrives.

Christopher ordered a waffle, and with Eddie indisposed, Helena is already moving to help him when Ana beats her to the punch again. Helena tucks a smile away as Ana leans over and starts cutting the waffle up into smaller pieces.

“He can do that,” Eddie says when he notices Christopher sitting back in his chair, realizing only when Ana startles that his tone is sharp. His voice is softer when he follows up with, “Right, buddy?”

“Yeah,” Chris agrees, picking up his own cutlery with enthusiasm despite his hands being nearly too small for them.

Eddie throws an apologetic grin Ana’s way and brunch continues peacefully, though the stiff line of Eddie’s shoulder never does quite soften.

Mom, listen…

————-

Their first therapy session takes place in Isabel’s kitchen at Eddie’s request. Isabel thinks it’s so he has the option of leaving when he needs to (in other words, when he gets fed up and runs) but Helena hasn’t missed how Eddie has been careful to keep them away from his home since the first day they saw him.

They’ve seen Eddie and Chris numerous times in the week and change they’ve been in LA — more than they’ve seen them since they left El Paso — but always outside of the house. Sometimes they pick Chris up from school, sometimes Eddie and Chris come to Isabel’s for supper, sometimes they go out to restaurants or other outings, but they haven’t been invited back to his home again. She wanted to believe it was because he was hiding the news that Ana had moved in but that’s been shot out of the water both by her ringing the doorbell and an errant comment at the end of brunch about how she hadn’t seen him since the welcome home party.

So it’s out of pettiness, then. Stubbornness. Out of pig-headed inability to accept that he needs help and willingness to believe that they’re making an effort to meet him on his own terms.

She tries not to let it rankle her, tries to find some of that resolute commitment to letting things be and not push. But the next thing she knows, she’s yelling about it to a stranger at Isabel’s island counter.

To be fair, the session with Dr. Jamieson wasn’t going great to begin with. It’s awkward as hell, the three of them balancing on stools, squished in next to each other to try to fit into the screen, but also trying to keep the laptop close enough to still hear her and not have to shout. It’s happening while Chris is at school so they don’t have to worry about keeping him distracted but they can’t exactly ask Isabel to go wait in the LA sun for an hour so she doesn’t overhear, so it’s basically a given that she’s the fourth person on this virtual couch from the next room over.

And beyond that, Helena has kept her mouth shut for over a week which is frankly more time than anyone would have bet on, including herself, and given the opportunity to express herself freely...well…

“You want space? We’ve given you nothing but space since we got here. How much more can we give you, Eddie? You’re hundreds of miles away from us already. Forgive us for feeling the need to check in on our only son who almost died last week,” she yells, her hand nearly colliding with her coffee mug as she gestures.

“Last week?” Ramon echoes with a bark of dark laughter.

“Oh, no, that’s right,” Helena picks up. “I’m sorry! Not a week ago! Nearly a month ago! Because apparently we don’t warrant even a text when our only son almost dies, but that’s not enough space?”

Eddie rakes his fingers aggressively through his hair, his lips pursed.

“We have to move to Mexico,” Ramon continues blithely. “Is that enough space? No, better yet! Sweden! Your family still lives out there, no? We can live on their farm. Completely different timezone, we won’t even be reachable.”

“Yeah,” Eddie bites back, a sour grin blooming on his face, “that’s what I want. I ask you to give me some breathing room — to respect me, my life — and you translate that into living in a fucking commune in Sweden. And you wonder why we’re in therapy. I can’t talk to you, you don’t listen!”

Mom, lis—

“Listen to what, Eddie?” Helena yells, getting out of her seat to pace. “Listen to the months of silence you’ve sent our way? Because we either get on board and blindly cheer on every mess you get yourself into or we don’t get to know you anymore? Don’t get to know our grandson?”

“I never kept him from you — you have our number, the phone didn’t ring. That’s not on me.”

“Because you would have picked up?” Ramon exclaims, pushing away from the island to better look back at their son. “Easy to claim when it’s after the fact in front of the doctor.”

“So now I’m a liar! You raised a liar?”

“I think we’ve gotten off-track,” Dr. Jamieson’s tinny voice interjects from the laptop.

In the bottom right hand corner of the screen, only Eddie remains in the frame.

————

Firehouse 118 was a lively crowd at Eddie’s graduation but it’s nothing compared to the party thrown at the Grant-Nash house in honour of a new probationary firefighter.

Dr. Jamieson pointed out the self-fulfilling prophecy that Eddie protecting himself from criticism and pressure by withholding details about his life in LA was leading to his parents’ growing insecurity over not knowing anything about their son and feeling the need to intervene more and more.

The solution? Let them in on his life and trust that they could hold themselves in check.

For that, even Ramon was in agreement that maybe therapy wasn’t a load of shit after all.

So here they find themselves welcomed into this beautiful and loud home nearly three weeks into their stay in LA. They were allowed to pick Eddie and Chris up so they arrive together but Christopher peels off immediately to find kids his own age.

It’s impossible not to feel the warmth of family radiating from every inch of the home so when Eddie’s shoulders seem to loosen a little as they walk in, Helena can’t find it in herself to begrudge him.

“Well aren’t you a sight for sore eyes,” a woman around Helena’s age drawls, crowding into Eddie’s space for a delicate hug he doesn’t hesitate to return. “Though I could have done without seeing another one of these for a few hundred more years,” she says, gesturing to the sling. “How much longer?”

“Another month if everything checks out,” Eddie says, releasing a sigh.

“It better,” she warns with a twinkle in her eye that says if she learns he’s been aggravating his injury there will be hell to pay.

The woman, they find out, is Athena Grant-Nash, wife of the 118’s captain and consummate host. While Eddie splits off “for a minute”, she leads them to the main area for drinks and introductions before leaving them to mingle. Captain Nash — Bobby — meets them with appetizers and introduces them to the Lees, the de-facto parental figures of the young man who just joined the team.

From the spot she claims at the edge of the dining room, Helena keeps an eye trained on Eddie outside. She feels an itch under her skin knowing it’s been nearly twenty minutes and Eddie hasn’t checked on Christopher, but she knows she shouldn’t go herself. Eddie can do everything on his own, right? He can look after his own kid at a party.

She can, however, go to the washroom and take a peek at what Christopher’s up to while she’s wandering, and that’s exactly what she intends to do.

But for now, she watches as Eddie criss-crosses through the crowds of the patio, prompting a localized burst of cheers at each stop as he reunites himself with teammates he hasn’t seen since the shooting. She recognizes the woman who was on the trip to Texas but the rest conjure only the vaguest memories of Eddie’s graduation and the occasional picture on Instagram — before he stopped posting that is. Just one more way they’ve been iced out.

But he seems happy, almost carefree in a way she realizes she hasn’t seen with her own eyes in...longer than this trip, actually.

Probably years, if she’s honest.

And it occurs to her, slowly, creepingly, that her son is outside, smiling freely and easily, surrounded by people he’s made his new family, while Helena stands inside watching his life through a glass window in a stranger’s house.

Mom, listen…

She swallows past the lump in her throat and sighs. Ramon’s arm comes around her waist and without looking at him, she knows he’s had a similar revelation.

Their next therapy session is in a few days, and they’re not going to fuck it up again.

There’s a late arrival to the party, one of the only people in Eddie’s life she can recognize — Buck. He’s as tall as she remembered but he looks a shade less young now maybe. He greets everyone with a hug or kiss on the cheek as he moves through the party, and bestows a cheer and an enthusiastic hug on Albert, the guest of honour.

When he moves on to the patio and approaches Eddie’s circle, however, the cheerful, long-awaited reunion of best friends she expects doesn’t happen. They catch each other’s eyes for a few beats and share a welcoming smile, then the conversation resumes as if nothing of consequence has happened. Buck doesn’t even linger long, heading back into the house after a few minutes.

When the cake starts being doled out, Eddie returns to meet them at the table and accepts the plate Helena offers him. Helena is scouting the yard for a chair he can sit on to eat when Buck reappears.

“He couldn’t be pulled away?” Eddie asks in surprise.

“Nope,” Buck replies with a grin before turning to them. “Hi, Mr. and Mrs. Diaz. Good to see you again!” Before they can return more than a smile, Buck continues, “he’s cheating at Unicorn Temple with Harry. Not even cake can pull him away.”

Eddie rolls his eyes and smiles. “My son is not a cheater.” To them, he says, “Buck thinks that whenever he’s losing at a video game, it’s because his opponent is cheating.”

“Not always! Just when they are,” he replies with exaggerated emphasis before scooping a piece of cake onto a plate. “I’m gonna go hide this in the fridge for him for later before it’s all gone.”

Eddie ducks his head and smiles down at his plate, and the questions are building up behind Helena’s teeth again.

Christopher’s been playing video games all this time? Is it an age-appropriate game? Why is Buck checking on your son? Why is Buck saving him cake when nobody asked him to? Why—

But Eddie looks up with an uncertain expression and says, “there’s a table out there if you guys want to join me.”

So Helena stows her questions and says, “that’d be great.”

They eat the overly-sweet cake in peaceful silence until Ramon casts an eye around and says, “you must be glad about the new firefighter. You won’t be the baby on the team anymore.”

Eddie snorts. “I’m 33 and my kid is nearly a teenager — and that’s totally not freaking me out at all,” he adds wryly. “Besides, I was never the baby of the team. Buck is younger than me and forever a kid at heart so I was never in any danger of it.”

“Oh god, don’t remind me that Christopher’s growing up,” Helena only half-jokes. “I can still barely believe he’s old enough to hold his own head up.”

Eddie huffs a laugh and Helena banks it as a win.

“Do any of your coworkers have teenagers?” Ramon asks. “Might have some words of wisdom to share.” Since you won’t ask us, is unspoken and politely ignored by all.

“Athena’s daughter May is just leaving the teen years now, but after her, Christopher’s the oldest. Harry, Athena’s son is 9 and Denny, Hen and Karen’s son just turned 8. It’s great for play dates but not for getting advice on what’s coming up unfortunately.”

“Karen,” Ramon echoes.

Eddie’s fork pauses on its way to scoop some excess icing off his cake and his back straightens.

“Hen’s wife,” he says curtly, daring.

Helena wants to roll her eyes at the posturing. It’s 2021, who cares who anybody loves. She knows Ramon doesn’t, not really, not anymore. It’s a 50-year-long reflex to make a comment, one they’ve been working, if only to have some semblance of a civil conversation with Sophia while she works through a degree in women and gender studies.

But she knows that excuse isn’t going to fly with Eddie.

It hasn’t flown since Eddie was 20 years old and realizing he’d lost a good friend to his father’s caustic words. And Helena can’t ever go back and examine the hurt in Eddie’s expression with fresh eyes. Shemanages to forget about it most of the time until something happens to dig it out of the cold, hard ground and shove it in her arms.

Mom, listen...

But she’s come to LA because she wants to be in her son’s life, in her grandson’s life and she can’t be a coward now.

“They’re a gorgeous couple,” she says, almost too loudly in her enthusiasm. “Are they thinking of having more kids?”

Eddie turns his assessing eyes to her and is mollified by her effort. “Yeah, they’re foster parents now. They’ve fostered three kids so far.”

“That’s great,” she says sincerely. Then, accidentally on purpose and only in part to bring Ramon back to a safe topic, she asks, “Does Ana want a large family?”

Eddie sees through her attempt, but nods. “Yeah, she loves kids.”

Helena doesn’t miss Ramon’s approving nod, or the dark look that passes over Eddie’s eyes when he catches it.

“Was Ana not able to come tonight?” Ramon asks.

“I didn’t ask her,” he answers, his voice a shade too casual. “This is more of a team thing.” As if they hadn’t just been discussing the other families all around them.

“That Ana—” Ramon begins but is interrupted by the arrival of Christopher with a hint of blue icing on his nose and Buck following behind him with two paper plates filled with cake.

Christopher sits backwards on the picnic table bench and uses his arms to lift his legs over while Eddie watches but doesn’t offer to help, and when Christopher is set, Buck places one of the plates in front of him with a plastic fork stuck in the top like a flag.

“Buck was finally able to pull you away, mijo?” Eddie asks as Christopher digs in.

“No, May took her room back so we can’t play on her tv anymore. Harry’s gonna ask his mom if we can play in her room.”

“Yeah...” Buck draws out, sharing a dubious expression with Eddie over Christopher’s head, “I wouldn’t hold out for that, bud.”

“Maybe you can teach the others how to play Scrabble!” Eddie suggests.

Christopher’s nose wrinkles, “Scrabble is boring.”

“Hey!” Buck protests and takes a forkful of Christopher’s cake in retaliation, which prompts Christopher to yell and attack Buck’s cake back, taking much more than a forkful.

The commotion draws attention to their table and Helena’s gearing up to tell Christopher to settle down when she catches Eddie’s eyes on her, waiting.

Helena looks back out to the backyard to say, People are staring.

Eddie looks back impassively as if to say, Let them.

Mom, listen...

Helena swallows her impatience, her anxiety, her embarrassment.

“Hey,” Buck calls, his mouth half full of icing, “did you take your 6?”

Eddie hesitates and that’s enough for Buck to swallow and look put out, already turning and lifting a leg out of the confines of the picnic table.

“Did you turn off your alarm again?”

“I didn’t turn it off the first time, I don’t know what happened.”

“What happened is it woke you up at 6am and you turned it off because sleepy Eddie makes bad life choices.”

Eddie rolls his eyes. “You don’t have —”

“Right pocket?” Buck interjects, already walking away.

“Yeah,” Eddie sighs.

Christopher looks at him and shakes his head with exaggerated disappointment.

“Don’t you start,” Eddie warns, scooping a fingertip of icing and dabbing it on his son’s nose too quickly for him to duck.

Christopher shrieks and reaches for his cake fingers-first.

“Oh no, no,” Eddie laughs, catching Christopher’s fingers with one hand. “Truce, truce.”

Christopher doesn’t look interested in a truce and Eddie’s other arm is in a sling, so Ramon quickly pulls the cake out of Christopher’s reach, and then Buck’s abandoned piece and Helena does the same with Eddie’s.

“Not fair!” Christopher cries, still reaching.

“Your dad’s hurt, mijo, you can’t attack him with icing while he’s healing,” Ramon says reasonably. “Wait till he’s all better.”

“He’s fine!” Christopher declares with the confidence of a trauma surgeon as he tries to climb up on the bench.

Eddie’s not in a position to pull him back down and Helena doesn’t know how far they can take their non-interference but she’s not about to let her grandson hop over a table to fall into three plates of cake. She’s half-decided she’s going to pick up the cake and walk it back inside when Buck returns, depositing a glass of water on the table and a small white pill into Eddie’s palm before swooping in and tickling Christopher’s sides.

He shrieks loudly, gaining looks from all around the backyard, but it gets his butt back down on the bench and Buck sits back down next to him, boxing him in between himself and Eddie.

“What happened to our cake? How’d it get all the way over there?” The plates are very easily within Buck’s reach; it’s a question for Christopher’s benefit.

“Dad got me like you did!” Christopher cries indignantly, pointing to his nose. “I’m getting him back!”

“Oh man,” Buck nods seriously before his finger darts forward, swipes the icing from his nose and brings it to his mouth. “Mmm, this is better than the one I got you with. You sure you don’t just wanna eat it?”

Christopher looks unconvinced.

“How about this?” Buck ducks down to whisper loudly. “You call a truce with your dad, and then I’ll steal all his icing and we’ll eat it.”

The icing on Eddie’s cake is mostly piled in a corner of his paper plate. He’s never been able to stomach the pure sugary sweetness of store bought icing.

“Okay,” Christopher nods back, reaching out again for his plate but without making grabby hands.

Ramon assesses him for a moment before taking the chance to push the plates back within reach.

“Hey, Eddie,” Buck calls deliberately. “You should take your medication now.”

“Thanks, Buck,” Eddie replies with a smile that conveys an eyeroll. “I’ll do that now.”

While Eddie pops the pill and takes a very long drink of water, Buck “sneakily” pulls his plate towards them and scoops all the piled icing onto his own plate before pushing the cake back to Eddie’s side of the table.

Christopher laughs and pushes Eddie’s plate an extra few inches away out of spite.

Eddie plays the disappointed victim passably well with a half-hearted gasp and a shake of his head. “You little thieves.”

As promised, Buck doles out some of Eddie’s icing to Christopher who immediately protests at the amount left on Buck’s plate.

“Hey, when you’re a big guy like me, you get more icing. Keep eating your proteins and you’ll get there in no time.”

Christopher accepts that easily enough. “I’m gonna be tall like dad.”

Buck scoffs, “Aim higher, kid. Literally.”

“I am barely two inches shorter than you,” Eddie laments, not for the first time, it sounds like.

“It’s practically three. Are you really going to lie in front of your parents?”

Wouldn’t be the first time, is on Helena’s tongue because it’s been hours since she could speak her mind, but she holds it in.

“How was the trip from Texas?” Buck asks them suddenly, bringing them back into the fold of a scene they'd never left but somehow stopped being a part of. “Flights have new restrictions on them now, don’t they?”

Mom, listen...

When the party is winding down and they walk outside to the driveway, Eddie surprises them by offering them both a hug.

“Thank you for coming,” he says sincerely, though Helena hears the underlying “and behaving” and can’t help but bristle.

“Thank you for inviting us, mijo,” Ramon says; his turn to save Helena from herself.

And when Eddie lets them know he and Chris will be getting their ride back from Buck, Ramon takes Helena’s hand and they smile almost sincerely as they say their goodnights.

—————-

The next week happens to be Isabel’s 80th birthday and Helena and Ramon keep themselves busy by helping to throw a party that will reunite every vaccinated member of the family in the area (they’re not about to take a chance on Isabel’s health).

Things have been getting better with Eddie. They had a second therapy session, again at Isabel’s island counter, where they lasted a good 25 minutes before devolving into yelling. The next day, Eddie asked Ramon for a ride to physical therapy, and easily accepted his father’s offer of lunch after the appointment.

Then, when Helena asked if she could pick up some groceries for him and Christopher, she was refused — in no small part, she thinks, because he still won’t let them in his house — but instead of going off on him, she channeled that anger and resentment into nearly buying out Costco for Isabel’s party. It felt like progress Dr. Jamieson would be proud of.

That’s why, despite the party officially kicking off around 11am, they’re just past supper time and all tables and counters are still nearly buckling under the weight of the food. They’ll have to send everyone home with leftovers if the flow of people stops. Isabel’s front door has been a turnstile since this morning and Helena knows from experience it’ll likely stay that way until the late hours of the night. Most recently, Helena’s daughters made their appearance, and it’s not at all the reason Helena is back in the kitchen.

Despite coming from opposite ends with different travel distances, Adriana and Sophia arrived within a half hour of each other, a move Helena saw through instantly. The idea that her children coordinated to arrive together instead of risking the possibility of facing their parents alone sets a fire raging in her heart, and she realizes suddenly that she isn’t prepared to be hypervigilant of her every word with all three of her kids here now to push her buttons.

So, she retreats to the kitchen.

She doesn’t expect one of them to follow her in.

“I heard you guys were doing therapy,” Adriana volleys as she approaches.

Helena cracks open the tray of chocolate chip cookies and starts plating them, her face angled down so any kneejerk expression of distaste isn’t as visible. “Apparently, that’s what the cool kids do nowadays.”

“It is,” Adriana agrees, the bangles on her wrists clinking on the countertop as she reaches for the box of oatmeal cookies to plate. She’s a year into her Master’s in communication. What she intends to do with that is a mystery to them. So much of their kids’ lives are a mystery now. Helena closes the lid of the cookie tray hard and relishes in the snap of the plastic groove into the tongue.

“Paying a stranger to tell us when and how to talk to each other is cool,” she bites. It’s not posed as a question, just a bitter acknowledgement.

Adriana is quiet and Helena starts plating mini quiches onto the cookie platter just to stay occupied while her daughter walks away. Sophia is a yeller, she stands her ground and gives as good as she gets. Adriana, however, is a runner, just like Eddie.

But Adriana doesn’t leave in a huff. She turns to the counter and grabs a second platter, moving the mini quiches onto that one.

“It’s cool that you’re open to trying,” she says. “I think that, in any family where there’s love, there’s going to be hurt. And the longer we stay stuck in that hurt, the harder it becomes to talk about it without causing more. We get stuck in patterns that we can’t break out of, and people on the outside can be the best ones to point out those patterns and help you break out of them to get to what you actually, truly want to say.”

Helena knows what she actually, truly wants to say. That’s not the problem. The problem is that none of her kids want to hear it.

“I see a therapist,” Adriana continues. Helena stills and looks at her daughter, calmly arranging the mini quiches into concentric circles. “Since my last year of undergrad. When things got really hard and I couldn’t understand why. They helped me. A lot. Helped me figure out what was wrong and how to get myself through it.”

“You didn’t tell us,” Helena says, her voice thick.

“I know,” her daughter replies simply. “I didn’t know how. I’m telling you now because what I actually, truly want to say is that I’m proud of you and dad for doing this. And maybe if you don’t hate it...maybe we could try a session later too.”

There’s an offer in her daughter’s words, an open hand reaching out. But in that hand, Helena sees her failures as a parent, the judgement of the world for failing her kids, and she doesn’t want to reach her own hand out.

Mom, listen…

Helena looks at her eldest daughter, almost a stranger to her, with an entire life Helena is only starting to realize she has no part in. It hurts — it always hurts when the kids pull away but to realize she didn’t even know the extent of it...she wants to hurt back.

Mom, listen…

But she’s trying so hard to break those patterns Adriana speaks of. So instead, Helena thinks of the therapist’s advice leading them into a piece of Eddie’s life they wouldn’t have otherwise gotten to see and swallows past the indignation in her throat to reach down and find the words she actually, truly wants to say.

“You say when, and I’ll be there.”

———-

The sun is setting when Helena finally agrees to get off her feet and just enjoy the party outside while the cousins take over the serving and cleaning. There are four generations of Diazes gathered around but for the first time ever, most of the cousins are young adults, not teenagers, and it’s nice to be able to pass on the hosting responsibilities to them for a bit.

The sky is clear, the sunset resplendent from Isabel’s backyard, and the conversation is flowing easily. It’s a beautiful evening, warm with a gentle breeze cool enough to let her lean back against Ramon in his lounge chair, one of his arms wrapped loosely around her hip.

For the first time since getting Isabel’s text, Helena feels something like peace wash over her and she almost feels bad for the thrum of vindication in her stomach when she spots Eddie slumped comfortably in an armchair, his legs propped up on another chair.

He’s at home here.

Yes, he was at ease at his captain’s house but this is family, this is where he can really sink into the love and comfort and rest. With his aunts and uncles, cousins and sisters around to take care of him. And Christopher, who spent the afternoon running around and chomping down on all the sugar he could get his hands on, slumped against him, nearly asleep. This is family.

She knows he could find that peace back in El Paso, they both could. Eddie had friends there, and his parents, who knew his son better than he did for most of his life. And there are fires in El Paso same as there are in LA, but less smog, less general insanity.

But Eddie’s a lot like his parents, too much like them maybe, and once he’s decided on a course of action he can’t be swayed. So Helena has made peace with it. Rather, she’s made peace with pretending to be okay with it while she waits for him to come to the realization that he should move back.

And in the meantime, if they can mend this thorniness between them, then maybe she and Ramon can make more of these impromptu trips. Maybe even convince Eddie to come home for Christmas this year. At the very least, go back to regular video chats.

But all that ruminating feels far away right now. She’s moving gently with the rise and fall of Ramon’s chest, and she’s so close to slipping away to the feeling of contentment when a new arrival makes her open eyes she didn’t realize she’d closed.

“Feliz cumpleanos,” she hears someone say in half-decent Spanish from the front door on the other side of the side yard fence.

She doesn’t recognize the voice as yet another cousin or uncle, but Eddie shakes Christopher’s shoulder gently, and says, “hey, guess who’s here.”

It takes a moment, but the words penetrate Christopher’s sleepiness. His eyes pop open and he shimmies out of Eddie’s lap and into his crutches to power walk over to the gate just in time for it to open, admitting Isabel, holding a beautiful bouquet of flowers, and a sheepish looking Buck behind her.

“Buck!” Christopher yells.

Buck’s smile widens and he immediately opens his arms. “Hey, superman!”

Buck crouches down and Christopher throws his arms around his neck, crutches and all. When it’s time to break apart, Christopher’s still hanging on and Helena feels a stab of dark vindication at what’s about to happen, and the look Ramon sends her way tells her she’s not alone. Because Christopher is now officially in the double digits, and while he’s always been an independent kid, becoming 10 years old was a big deal for him and his perceived level of maturity, and apparently the year he decided no one was allowed to carry him anymore.

And now Christopher’s tired and in the grip of a powerful sugar crash. He’s not going to suffer any indignities, and Helena knows she should feel bad about not trying to stop Buck. About just watching this play out to see him be rejected. But she wasn’t expecting to see him here, in this safe haven of Isabel’s backyard, in this space for family and loved ones, and it rankles her. It feels like everywhere she turns in LA, she finds him there. And his being here is just another nail in the coffin of Eddie stubbornly refusing to let his parents back into his home. That he would call his friend to this party just to avoid letting them give him a ride…

So she’s a little bitter, a little resentful of the persistent, low-key rejection. Sue her. Eddie has made it clear he doesn’t want them interfering anyway so this is on him.

“Christopher,” Eddie calls, a warning to not make a scene.

Buck looks over Christopher’s shoulder and smiles. “He’s fine,” he says.

Then he’s heaving Christopher’s body up into his arms and onto his hip and Christopher…

...Christopher slumps down over Buck’s shoulder like a baby koala. No sound of protest leaves his lips. His face, if it shows any displeasure, is hidden behind Buck’s neck.

And when Eddie gets up, it’s not to intercede, it’s only to grab the errant crutches before they hit something, and to pull his own armless chair out for Buck to sit on because apparently Buck is staying, and apparently Christopher is staying with him.

“He’s a bit old to be carried around, no?” Ramon says with a bite, because he can’t help himself.

Eddie, who’s been watching his son fondly, barely bats an eye. “He gets cuddly when he’s tired, and Buck’s nearly the only one left who’s big enough to carry him.”

“Ah, that’s why you spend so much time developing these,” Pepa says with a sly smile as she pinches at Buck’s bicep. The same familiar pinch she gave her own grandkids’ cheeks.

“Gracias a Dios,” Isabel adds meaningfully.

“That was adrenaline,” Eddie dismisses with a teasing grin.

“That was 100 squats and 50 pushups a day,” Buck returns blithely. “...and maybe a little adrenaline.”

“What’s this?” Ramon asks before she can.

Instead of prompting more teasing, the mood falls slightly and everyone looks to each other.

Finally, Eddie sighs. “When I got shot, Buck army crawled under a ladder truck to get me out and lifted me into the truck to get to the hospital.”

It strikes Helena suddenly, shamefully, that in the shock of finding out they’d missed the event itself, the hospital stay, and two entire weeks of healing, that they’d never circled back around for details on what actually went down the day it happened.

She never thought to wonder how he got off that street. How he got to the hospital. Who might have saved his life.

And she wishes she were a better person then. Wishes that learning Buck saved her son’s life overpowered her irritation at having him sitting here in Isabel’s backyard like he belonged here when Helena herself barely felt like she did herself. It does help, though.

“They released the street footage of the shooting,” Pepa continues quietly. “It’s on YouTube. Before I even knew it happened, Marguerita from church just sent me a link saying ‘they said it’s a Diaz, do you know him?’ and I saw.”

The idea of her son’s shooting being passed around like a cat video makes Helena sick, but Pepa lamenting how she hadn’t known when she learned about it in a matter of hours and sat on it for weeks…

“I wouldn’t recommend it,” Pepa says decisively. “But they have an angle where you can see our Buck here go and get Eddie, pick him up like he doesn’t weigh a thing and get him into the truck to get to the hospital. Probably why he’s alive today. So gracias a Dios for those squats.”

Eddie and Buck are both looking away, both looking safely at Christopher while the table digests the news.

“If you were looking for a story of something really dumb, I can point you in the direction of another video of Buck,” Eddie says, his tone jovial but his eyes strained.

“You need to let that go,” Buck says in a definite whine.

“Do I?” Eddie asks. “Abuela did you see the video of the firefighter who went up the crane all alone?”

“Dios mío, Buck,” Pepa laments.

“Did you send it to me?” Abuela asks her, pulling out her phone and her glasses to check.

“No, mamá, it was an idiot firefighter but I didn’t realize it was the one we knew.”

“In the middle of an all-out declaration of war on firefighters,” Eddie begins, quietly for Christopher’s sake, but impassioned, sitting up in his chair, “this idiota and his squat count climbed up a crane ladder, completely exposed and defenseless—”

Buck looks pained. “I was wearing a bulletproof vest and a helmet. And that’s the job sometimes—”

“The paramedics’ job, actually, which you aren’t. So, no, that wasn’t the job.” Eddie’s tone edges into something darker without his meaning to. He takes a drink of his lemonade looking for all the world like he wished it was a beer. “And you know that or I wouldn’t have found out about it from Chim a month after the fact.”

Helena clenches her jaw tight and squeezes Ramon’s hand even tighter so neither of them can say, So you have a problem being left in the dark too?

“Buck,” Isabel sighs with disappointment.

Buck winces. “It was before— ” He cuts himself off, his wide eyes darting towards Helena and Ramon of all people.

“Hmm,” Isabel answers noncommittally, as if to end the conversation.

Just then, Sophia brings out a platter of bite-sized desserts, making the rounds of the whole circle for people to pick at before leaving it on the table. The opportunity to move on is there. That doesn’t mean they’re interested in taking it.

“Before what?” Ramon asks, his tone is forcibly casual.

The silence that greets Ramon’s question is heavy. Guilty. When Helena casts her eyes around, she’s greeted by stiff shoulders and a mix of apprehension shared between her son, her mother- and sister-in-law, and Buck.

Mom, listen...

“Before what?” Helena repeats, her voice uncompromising.

———-

The fight they have in Isabel’s guest bedroom is a Hall of Famer. It’s a screaming match, no doubt about it. The doors from the bedroom to the yard are all closed but there’s no question every member of the family — and Buck — can hear every word.

“Do you really hate us that much?” Helena demands. She’s crying but she doesn’t know if it’s heartbreak or fury, she just wishes it’d stop so she could lean into her anger. “Genuinely, honestly, Eddie.”

“I don’t hate you,” he protests, keeping his own voice down, making it seem like they’re irrational for their anger.

“Bullshit,” she spits.

“You must!” Ramon adds. “You hate us so much that you have to hate your sisters too? Your cousins? You would rather leave your only son to a stranger, some gringo coworker, than with family? That’s how much you hate us? Hate our name?”

“Our name?” Eddie shoots back incredulously. “What are you talking about, our name? We’re not royalty, papi, and Chris’ name would never change.”

“You would leave him to your coworker,” Helena stresses, disgust dripping from her tongue.

“To my best friend,” Eddie retorts, “who Christopher adores, if you haven’t noticed. And who adores Christopher right back.”

“That’s not normal, mijo,” Ramon warns.

“Jesus christ,” Eddie seethes. “Please do not star—”

“What kind of single adult man bonds with another man’s child like that?”

“You’re describing a tío, you understand that right? What, you think it’s weird that Pepa loves me like her own? You think Sophia should stay away from Chris too?”

“That’s family,” Helena argues.

“And they’re women!”

“Ramon, shut up,” Helena snaps.

“Buck is our family, and he’s a man, and he’s got the biggest heart of anyone I’ve ever met. If anything happened to me, Christopher would be taken care of like if I was still here.”

“Buck, the one who nearly got him killed in the tsunami? That’s the same guy right?” Ramon throws out, his eyes a little wild as he paces.

“The one who saved his life in that tsunami, despite being injured and then some. And the one who’s saved my life more times than I can count, including from being gunned down on the street. We’d both probably be dead if not f— ”

“Isn’t he the one who’s family is worse off than ours?” Helena recalls. “So he has no family, no support, no girlfriend even! So a worse position than you’re in now. That’s what you want to leave him with.”

“He doesn’t need a girlfriend to raise Christopher right, I don’t! And he has a great sister, he has the 118, he has Carla, and he has our family. You think Abuela and Pepa would shut the door on him? He’d be here every Sunday, with Christopher, just like I am.”

“And what does your girlfriend think of this?” Ramon presses. “The vice principal, she thinks this is normal?”

“Ana doesn’t have anything to do with this,” Eddie says, frowning.

Helena balks. “You think the woman you’ve been seeing seriously for nearly a year has nothing to do with long-term decisions about your son? You think maybe she wouldn’t want the option of taking Christopher in if something happened to you?”

“That’s not happening, he’s going to Buck and that’s final.”

“What’s going on with you and this gringo?” Ramon asks suspiciously. “Are you even going out with Ana or was that another lie?”

“Ramon, don’t go there,” Helena sighs, her heart clenching. That’s all they need in this clusterfuck, that layer of pain.

“No, let’s go there because you know what?” Eddie asks darkly. “There is no one on this planet I trust with my son more than Buck and yeah, if we need to lay it all out there, that includes the two of you. I know you love Christopher, just like I know Shannon loved him, but that’s not always going to be enough. Buck isn’t going to fill my son’s head with ideas about the wrong kind of way to love someone. He’s not going to tell him he’s not good enough for his family to love him or support him. Buck’s going to make sure Christopher grows up to follow his heart and find whatever makes him happiest in the world, no matter what that looks like.”

“How could you think—”

“What if he grows up to be gay?” Eddie asks pointedly, staring his father down. “You’re telling me you’re going to be the one to help him pick out a suit to go to prom with his boyfriend?”

Ramon purses his lips but tries, “it’s a different world now,” as if he hadn’t just tried to make crass insinuations just to hurt his son.

“Okay,” Eddie says, not believing him for a moment, “what if he’s trans? Tells you at 15 that he’s a girl and he wants to transition. You’re going to get him on hormone therapy?”

“Eddie that’s not—”

“What if he’s 20 and he tells you he got a girl pregnant by accident and he doesn’t know her enough to love her, and he’s not ready to be a father let alone a husband?”

Helena tries to speak but her throat is suddenly too tight for words to get out.

“You gonna tell him he’s not a man if he doesn’t marry her anyway?”

Ramon says nothing.

“Christopher is going to Buck, and that’s final.”

——————-

Helena and Ramon don’t show up for the third therapy session.

Their plane tickets were only for three weeks, originally, and as the days run out, they don’t talk about extensions.

———-

Helena is sitting out in Isabel’s backyard, trying to conjure up that feeling of serenity she got to bask in for all of two minutes the night of the birthday party.

It’s not working.

They’re going back to El Paso tomorrow, leaving their relationship with Eddie in worse straits than when they arrived.

There’s always been a tension between them and Eddie, but there’s also always been love and respect, and that love and respect formed a polite barrier around the things they couldn’t talk about. It kept their relationship safe. Kept them from getting too close to real honesty where things hurt in ways that couldn’t be walked back.

It feels now like that barrier has fallen. That Eddie’s finally reached the limit of what he could hold back and now there’s nothing to help them pretend everything is okay. Nothing to help Helena believe this is all something that could blow over.

That’s to say nothing of Christopher, who’s never felt as far away as he does now, even while they linger in the same city, only a couple dozen blocks away.

Helena scrolls listlessly through her phone’s camera roll for the last few weeks. There are pictures of Christopher mostly, but Eddie and the rest of the family are there too. It hurts to notice how Eddie is markedly happier in the shots where he’s looking away from the camera. Away from her.

Mom, listen…

Helena opens up Instagram and lets herself forget for a moment that anything is wrong. On Instagram, there is only joy and fun. And Buck.

Eddie hasn’t posted anything to his account in months but starting from the end and working backwards, Buck features heavily. He’s in at least a third of the pictures, usually with Christopher. One of the posts includes a short video that she watches. It’s of the day they unveiled the adapted skateboard, and it nourishes her soul. There’s no sadness here, or tension, only pure radiating happiness and excitement. It’s magical.

And it’s meaningful.

Mom, listen…

Helena is out of her chair and pocketing Isabel’s car keys before she can talk herself out of it. The drive to Eddie’s house is made with a carefully blank mind. She knows if she lets herself think about what she’s going to say, she’s going to spiral and get to a place where all this fear and sadness turn dark and ugly, and she can’t afford to risk it.

Finally, she’s knocking gently on a front door she’s only seen three times in the weeks she’s been here.

Buck answers the door.

————-

The house is quiet when Helena steps in.

She doesn’t bother taking her shoes off this time, she’s not sure how long she’ll be allowed to stay. But she notices that the space where her shoes would have gone is taken up by a pair of large boots she imagines fit perfectly on Buck’s feet.

Buck disappears into the living room and she follows quietly after him. The lights are off but the muted tv glows brightly enough for her to see Eddie reclined on his back on the couch, sleeping, and Buck sitting down on the edge of the coffee table to shake his arm.

Eddie’s always been a light sleeper, especially after the army and Christopher. He doesn’t wake easily now.

He’s wearing the sling, but it’s the only indication that anything is amiss with him. There’s no sign of pain or worry on his face, no tension in his shoulders. He’s practically melted into the recesses of the couch. He’s a picture of comfort. And why shouldn’t he be? He’s in his home, away from family, from expectations, and judgements. Just him and Christopher. And Buck.

Eddie finally takes a deep breath that shows his body is coming around but his eyes stay closed. Buck is murmuring something but she only catches, “ — mom — here.”

Then, at last, Eddie’s eyelids part, and the deep laxness of his body disappears almost in the blink of an eye.

“What?” he croaks, already trying to sit up.

Buck’s hands are already moving to support his back.

“ — says she wants to apologize.”

Eddie scoffs and sits upright, feet firmly planted on the floor as he blinks himself awake.

“Mom?”

“I’m here,” she says, stepping closer into the light of the tv.

Buck catches Eddie’s eye and they have an entire conversation in five silent seconds that ends with Buck nodding and getting up from the table, watching Helena warily as she approaches further.

“Watch your eyes,” Buck says quietly to Eddie before flipping the wall switch and illuminating the room. He lingers for a moment, clearly undecided about leaving, before saying, “I’ll be in the kitchen.”

Finally, Helena is alone with her son in his home. The quiet is almost peaceful, she doesn’t want to break it. Eddie does instead.

“Buck said you wanted to apologize, so I’m assuming he misheard,” Eddie says wryly.

There are pillow creases on the side of his face and Helena can’t remember the last time she saw him look so disheveled, so at home. It makes her heart ache for the days when she’d have to force him out of bed at noon on weekends, drive him to wrestling practice early in the morning, watch over him as he slept sometimes, just to make sure he was okay.

“Shockingly, no,” she smiles sadly.

Eddie blinks up at her for a moment before shifting down on the couch, leaving her some room to sit. She takes the invitation, but once she’s sitting down with Eddie’s full attention on her, she realizes not preparing what she wanted to say might have been a mistake. She has no idea where to begin. What scab to pick at that won’t cause more bleeding.

Then she remembers Adriana’s words.

What is it, under all the posturing, all the hurt feelings, all the history and baggage...what is it she actually, truly wants to say?

“I’m sorry I missed therapy.”

Eddie huffs a surprised laugh. “Of all the things…��

“I know, I know,” she rolls her eyes. “But I am. I…” She forces herself to slow down and consider her words. “I realize that therapy was an olive branch for you. One we took way too late and I’m...I’m just so fucking grateful we were able to take it at all, in the end.”

The tears are coming and there’s nothing she can do to stop them. They gather in the corner of her eyes and she tries to blink them away but has to settle for wiping away the ones that fall anyway.

“You were right,” she says. “You said — and your sister said, and the therapist said — that there’s a lot of hurt, and it’s become too hard to...to connect with each other because of it. And therapy is probably the only bridge through that. So even though I was pissed at you, I should have showed up.”

She hazards a look up at Eddie to find his brown eyes wide and cautiously wondering.

“Therapy is what’s going to help us and the only way to fail at it is to not show up.” It’s what the therapist had said in their first session. It had sounded like an easy thing to do then. “And that’s not okay. I’m not going to do that again.”

Eddie nods and looks away. His fingernails are flicking nervously against each other — a habit he picked up from her. “Is dad on the same page as you?”

Helena takes a deep breath, and blows out, “No, your dad is looking for a match to light the page on fire.”

Eddie rolls his eyes but there’s heavy hurt behind the indifference.

“I hid all of them,” Helena offers, “and left Abuela with the fire extinguisher.”

That gets a small smile.

“I really expected you to be more pissed about it than him,” Eddie says, he reclines against the arm of the sofa but no part of him looks comfortable with this conversation.

“Oh, I am—” The rage swells up in her. The outrage and indignation. But again, Adriana’s voice comes to her. “I...am...really, truly hurt, Eddie. I feel...I feel like you told me I’m not good enough to love Christopher how he needs.”

Eddie’s face collapses with disbelief. “You mean the way you’ve been making me feel since he was born? Are you kidding me?”

“What?”

“Since the moment Shannon got pregnant, you’ve both been hammering it in on us that we’d never be enough, we’d never be good enough for him. Why do you think I joined the army? Why do you think Shannon ran?”

The accusation makes her breathless, it makes that familiar rage bubble up closer to the surface. “Shannon made her own choices, you’re not going to pin that on us. And so did you.”

“No, I can’t pin that on you. She did choose to leave,” he concedes, his voice hardening. “But you spent five years telling her over and over that nothing she ever did was good enough, and when I got back you did the same to me! ‘Don’t drag him down with you.’ Does that ring any bells?”

“I spent five years helping her, being a second parent to Christopher when she was in over her head. She needed help. She wasn’t cut out—”

“No, she wasn’t,” Eddie agrees. “Neither of us were. We were stupid fucking kids who barely knew each other. She was supposed to get back on a plane to California when the semester was done and instead we got married in the backyard because you told us that’s what we had to do.”

“Jesus Christ, Eddie. You want to blame me for Christopher being born? For raising him in a family with two parents?”

“You’re not listening,” Eddie spits.

“I’m listening to you say over and over how I ruined your life because I didn’t let Shannon get an abortion. And that’s somehow the reason to keep us out of Christopher’s life now?”

“No, you’re not—” Eddie closes his eyes and clenches his jaw. “I love Christopher with everything I am. If I had the chance to go back and do everything differently, I wouldn’t. I would never. Being his father is the most important thing I’ve ever done.”

“Then what are you saying?”

“I’m saying, I was a kid in over my head and my parents didn’t know what was best for me. Didn’t know how to help me. And I figured that out on my own, I grew up and became the man I am now on my own.” She wants to argue but he’s on a roll. “And that’s fine, no parent is perfect. I know I’m going to make mistakes and I hope to god Christopher can forgive me, so I need to forgive you yours. But I need you to see me, now. I need you to look at me and realize I’m not that kid you put in a suit in the backyard. I’m not the kid that signed up to get shot at instead of facing his life. I’m not that kid anymore, mom. I’m not.”

“I see that, Eddie.”

“No, you don’t. Because if you did, you wouldn’t constantly be telling me I need to move back to El Paso to take proper care of Christopher. You’d see that our lives are here now. I have a job I love and pays what we need. Christopher loves his school, his friends. He’s a popular, genius kid. He’s happy. I’m happy. And we’re doing good. But you don’t see that. You see that dumbass, scared kid making his next mistakes. And I’m sorry but I’m not going to let you drag me back into that spiral. If you need to be the parent to that kid, I can’t be the kid you’re parenting. I’ve grown up, mom.”

“So,” Helena clears her throat, hoping the waver in it will clear too. “That’s what the guardianship is? We...lost sight of you growing up. We didn’t give you what you needed. So you’re punishing us?”

Eddie sighs as if she didn’t understand.

“No, you know what? No, I’m sorry,” she switches tracks, her voice hard, “how are we supposed to see this new person you’ve become, Eddie? You left El Paso, left us behind, you won’t come home for holidays, you even stopped posting on Instagram, and when we come here to see you’re alive you won’t even let us into your home. So how? How are we supposed to see this magical transformation when you won’t let us in?”

Eddie watches her for a moment, weighing his words. “You show up for therapy.”

And that takes the wind out of her sails.

That’s what she came here for.

To apologize.

Not keep yelling.

Mom, listen…

Helena takes two deep breaths and crooks a smile. “Yeah.”

“You yell a lot.”

Christopher’s voice startles them both, pulling a short grunt of pain from Eddie as his shoulder jerks back. Christopher is leaning against the wall into the living room, wearing the disgruntled pout of someone who was woken up for no good reason.

“Christopher…” Eddie begins, trying to leverage himself off the couch.

Helena pushes him back down, and turns to Christopher, opening her arms.

“I do,” Helena admits softly, as Christopher comes over and leans into her side. “I do yell a lot. I’m...trying to yell less.”

“Dad never yells.”

Eddie smiles tiredly.

“Hmm,” Helena agrees, “I think there’s a lot of things I need to learn from your daddy.”

Christopher nods, his eyes drooping. “He’s the best,” he says, snuggling into her shoulder. She’s getting on a plane tomorrow so she takes the opportunity to relish in this hug, and press a long kiss on his curls.

“Ah, I thought I heard an escape artist on the prowl,” Buck says as he turns the corner.

“We woke him up,” Eddie says redundantly. “We’ll keep it quiet now, buddy.”

“K,” Christopher mumbles.

“Okay, buddy, let’s get you back to bed” Buck says quietly as he leans over to carefully scoop him into his arms. Christopher’s arms loop around his neck like he’s done it a million times, and his head falls to Buck’s shoulder.

“Buck’s the best too,” Christopher mumbles.

Buck’s ducks his face away.

“That’s what I hear,” Helena allows in a tone she hopes is gracious.

As they leave, they can hear Christopher say, “they stole your bed.”

Buck responds but it’s too quiet for them to follow the rest of the conversation.

Eddie ducks his head and sighs.

“That’s why you were keeping us away?” Helena asks, her voice more gentle than she thought she could muster at this point. “Because Buck’s crashing on your couch?”

Now that she’s looking, she spots the folded duvet stacked on the chair in the corner, the pillows tucked neatly below. It only makes her more aware that she found Eddie sleeping soundly on the very same couch.

“I didn’t — I didn’t want questions. I didn’t want dad’s look, the same look he has every time Buck comes up. The same look—” Eddie sighs harshly. “I didn’t feel like fielding questions. He was here for Christopher when I was in the hospital and when I came home… He helps. A lot.”

Helena nods pensively, and surprises herself by finding a kernel of gratitude towards Buck burgeoning in her chest.

“So, speaking of fucking up as parents,” she begins with a crooked smile that fades by the end of the phrase. She doesn’t know how to finish that sentence so she starts a new one. “The...hurt that piles up, that makes it hard to talk through...does some of it come from Matty?”

She can see an instinct flare up in her son to shake his head and dismiss the topic, but he doesn’t let it take hold. It’s time to face this.

“It didn’t help,” he admits.

Eddie and Matty met in sixth grade and became best friends almost instantly. They spent weekends in sleepovers, fought off other classmates to be each others’ group project partners, and spent every summer going to the same camps. Matty was an honorary Diaz before they even hit their teens.

Five years later, Matty came out to his family, and then to theirs. His parents took it well, Eddie’s parents didn’t.

The sleepovers stopped, the summer camps stopped, and if Ramon could have sent Eddie to another class he would have.

The day he came out to them was the last day he stepped foot in the Diaz home, a natural consequence of Ramon having run him out with caustic, angry words.

“We…” Helena licks her lips and looks away to gather her thoughts. “There’s a lot of reasons we reacted the way we did. Ignorance, more than anything. It really was a different world back then. But...the world has kept turning, things have kept changing and we can’t pretend to be ignorant anymore.” She looks Eddie in the eye to say, “we were wrong. We were wrong to chase him away. And if the day comes that Christopher is gay or trans or any of the other words we haven’t learned yet, we’re going to love him just as much as we do now.”

Eddie keeps her gaze for a moment before nodding. “I’m glad to hear it.” The way his shoulders gather near his ears says he doesn’t believe her though he’s trying.

Because when Eddie and Matty stood shoulder to shoulder to tell Ramon and Helena the news, Matty wasn’t the only one crushed. And they know, somewhere deep down, that their reaction was as extreme as it was because they were never fully sure if the hurt in Eddie’s eyes was on behalf of his best friend, or if they exploded before more news could be told.

And it still scares Helena to this day, to this very moment sitting on her son’s couch. It’s why they welcomed Shannon at first, the first girl Eddie really brought home, even though they didn’t approve of her overall.

But she knows now that there’s nothing anymore, not her pride, not her ignorance, that will stop her from trying to bridge the gap between them. So she continues deliberately, “and if this new, grown up version of you comes with any of those words, we’re not going to love you any less either.”

His eyes widen and for a moment she’s looking at her 17 year old son in the living room, eyes wide as Matty runs out of the house. She wishes this moment could replace that one, stamp out that mistake forever. But it can’t, so she has to make this one count even more.

“I’ll still be here, and I’m listening. I...I see you,” she says. “You and Christopher. I see you settled in so well here, even now with your injury.”

Eddie remains quiet, but apprehension creeps across his face and his eyes dart behind her where Buck and Christopher disappeared.

“I see the boots at the entrance,” she continues, her voice pitched low, “the extra toothbrush you forgot to hide away. The tupperwares full of food Isabel and Ana didn’t make. But more than anything, I see Buck. Everywhere.” A smile creeps up her lips. “The only place I didn’t see him was at brunch with Ana and call me crazy but I feel like you would have preferred he was there too.”

Eddie’s lip is being chewed to within an inch of its life, and his eyes are trained on the couch cushion.

“Hey,” she taps his knee. “You...grew up to be a good man, and a good father.” The words are so many years too late but she’s grateful to see them land as Eddie’s eyes begin to shimmer. “And you deserve everything you want for Christopher. Happiness, whatever that looks like.”

Eddie swallows thickly and clears his throat. “And dad?”

“Dad...has his head too far up his own ass to see or hear anything,” Helena admits. “But he’s due for a colonoscopy soon so I’ll work on it.”

Eddie chokes on a laugh that catches him off-guard and suddenly they’re both laughing, quietly so they don’t wake Christopher up again.

When they recover, Eddie invites her to the kitchen for a drink, where Buck is packing Christopher’s lunch for school tomorrow.

When she leaves, her stomach is in knots she imagines won’t smooth out for a few weeks yet, but a weight’s been lifted off her chest and her heart is full in a way it hasn’t been in years.

When she lands in El Paso, her phone pings with a message from Eddie: Hope you had a good flight. Free Friday for a call?

———-

When Friday comes, after catching up with Christopher, Eddie tells them he broke it off with Ana.

Helena digs her nails into Ramon’s knee instinctively, but she prepared him well and despite his continued reservations, all he says is, “That’s too bad, mijo.”

———-

Two months of virtual therapy and video chats later, Eddie tells them he’s bisexual. They react the way they should have all those years ago, and Helena tries to be grateful they got to have this moment at all instead of mourn for the years Eddie lost because of them.

There’s no mention of Buck, but Eddie’s eyes flit fondly over the laptop screen every once in a while at Christopher and someone else off-screen.

The call takes place at 8am LA time, and the sling has been gone for nearly three weeks.

———

At Christmas, Eddie and Christopher are waiting for them with smiles on their faces at LAX’s baggage claim. When they get home, Buck is there opening the door and helping them with their luggage.

Isabel isn’t there to mediate but supper that evening goes smoothly. The tension that lurks is anticipatory on all sides, a feeling of this being too good to last. But by dessert, everyone is sitting back in their chairs and smiling. And when Buck rounds the table to start the clean up, he places a hand on Eddie’s shoulder, his thumb brushing the back of Eddie’s neck, and Helena watches as the last bit of strain melts out of his body.

The basket of gauze is nowhere to be found in the bathroom, nor is the purple toothbrush. Instead, there’s a third electric toothbrush standing in line with the rest.

Helena’s been keeping an eye out for opportunities to follow Adriana’s advice. To find the words she actually, truly means, and say them before she runs out of time. So before turning in, she takes Eddie aside and tells him, “I’m really happy you found your home here in LA. I’m really proud of the family you’ve made.”

And when she closes her arms around him, she can feel him fold into her like he used to as a kid, no polite distance or anxiety. Just comfort.

#buddie #buddie fic #helena diaz #eddie diaz #evan buckley #christopher diaz #my fics #my posts #y'all I struggled so hard to get this up before the premiere #please understand I woke up at 7am on a Sunday to get it done #my soul is weary #i hope you like them #omg I'm so sorry I forgot the readmore originally #it's up now

142 notes · View notes

himbo-buckley · 4 years

Text

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred, and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck.

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

- I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X)

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

#buddie #evan buckley #eddie diaz #buddie meta #eddie meta #buck meta #911 meta #911 #911 fox #textpost #meta #holy shit I made it but also I think this is actually quite literally too long to be posted at once and I cry?????#FUCK #my meta #the big buddie for dummies guide

263 notes · View notes