#seriously cool names

[juniemunie]

I made this a year ago and it spawned an entire alternate timeline idea that me and my friends made up

Reupload because i found my lil sketch of it (and hey, its my billdip kid!)

[southernroach]

need a roach backstory now. i need to know if he’s always gone by “roach” or if he’s ever been known by anything else.

cause “sandy” would be real obvious but hey when you’re just starting out, you don’t really expect it to be about anything you’ve done.

there’s the classic “syfi” (pronounced sci-fi) after he completely botches a training exercise that leaves his group rolling down a hill and crashing into a nearby stream. “sanderson, you fucking idiot!” is practically branded on his forehead for the following month.

then maybe one that he earns before “roach”, something that people can say with awe when he passes by. something that starts the whole journey to getting recruited by task force 141. a name that carries its own reputation far beyond what roach can do.

i don’t have a clue what this one would be but i hope it’s something that makes him proud. a name that roach is almost sad to lose before gaining the one he uses in the game.

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[spineless-lobster]

Being silly and manifesting patroclus hades II by redesigning him in the hades art style (tap for better quality because tumblr hates me)

(Full portrait under cut)

[navybrat817]

Cool Mom moment, lovelies: Winning my kiddos each a big stuffie from claw machines. 🥰

[morn1e]

No context to this💔💔💔

dude is dying thank god🙏🙏🙏fly low motherfucker🕊️

[moeblob]

My children are so stupid and I love them. The fact Right uses nicknames that are indeed Just Like That makes it even harder to differentiate which one needs to be eliminated. (Brent is pretty sure it's his head on the chopping block.)

[missunderstoodlyrics]

I asked my 19-year-old son to watch Dead Boy Detectives with me.

After the first two episodes, he asks, "What is it with you and supernatural gay British guys?" and I still don't know how to answer that.

[insteading]

As someone who’s done bereavement care for almost 20 years, I’ve observed again and again and again that it is not staying with grief that cuts us off from other people, it’s suffocating grief and suppressing grief. It’s impossible to repress grief without also repressing all sorts of other things like joy and memory. Actually, expressing grief naturally connects us empathetically to other people. It is not an accident that right now when there is such a profound suppression of global grief, we’re also finding ourselves in a moment of such isolation.

Rabbi Elliot Kukla, in them magazine

I sought out this piece because Rabbi Kukla was quoted in today's sermon in reference to the ongoing genocide in Gaza ("It is lifesaving to mourn our humanity in inhumane times").

But this paragraph about grief hit me so hard I wanted to single it out to share. It is relevant to corporate grief of the sort we might experience when a state is doing harm in our name (police brutality, displacement, execution). It is also relevant to individual griefs.

In the bereavement calls I do for hospice, I have noticed, this is precisely what gets people stuck in grief: the feeling that there is no safe space and time to express grief. Companies tend to give very little accommodation for bereavement, if they give any at all. Culturally we're expected to get over losses in a matter of days. But grief rewires us, and some losses-- particularly losses like war, displacement, and police brutality where a state or institution does the same kind of harm repeatedly-- are complex and ongoing.

Grief impacts sleeping, eating, executive function. (I don't ask people in bereavement calls, "How are you doing?" I ask, "How are you sleeping?" "How's your appetite?" Maybe "Are there moments from your caregiving, or from your [loved one's] dying, that keep coming up for you?" Because of course you're not fine! You just lost someone essential to you. What I want to know is, is your body getting a chance to repair itself as your mind and heart process what you've experienced?)

People have talked to me after a loss about feeling exhausted and overwhelmed by daily life. It's not unlike recovering from a major injury and having a sizable portion of your bandwidth given over at all times to the tasks of bone, muscle, and nerve repair that are not under your conscious control. When tasks you're used to thinking of as having one part suddenly make it clear how complex they are? Cooking a meal takes more out of you. Doing a load of laundry takes more out of you. If you're already an introvert, the cost of social engagement goes up, at a time when social engagement might actually be very helpful.

Doing some of our grief work with other trusted people shares the load. It recovers some bandwidth. But many folks learn early in the grieving process that they have fewer trusted people than they thought. Or that it feels like the wrong time to deepen an acquaintanceship they'd hoped might become a friendship. Or that they aren't as comfortable asking loved ones for help as they thought they would be.

And the bereavement model I'm trained in assumes that a grieving person has experienced one recent loss. We know that a recent loss might poke us in the tender spots left by earlier losses. But that's still different from the experience of a tragedy that affects a whole community at once (as in an entire region's population losing multiple loved ones in a very short time and being forced to flee).

I don't really have a conclusion here, but I'm finding the activism that feels most healing and hope-filled to me has lament built into it: a chance to name the people who've died in our county's jail, while advocating for better communication with families of people inside. A chance to call out the names of people lost to covid while advocating for policies that will mitigate risk to vulnerable people.

Maybe it takes days to name all the people impacted by ongoing genocides in Congo, Palestine, Yemen, while urging our government to end its role in those genocides. Maybe our systems and structures, which aren't even good at honoring our grief for members of the nuclear family we're taught is our primary world, are disinclined to give us that time. Maybe we ought to take it anyway.

[cairavende]

Worm Arc 23 thoughts:

So much happened in so few chapters, how do I even break this down?!?

First off, Colin had better stop fucking bonding with my daughter! And apologizing and making amends for past wrongs! I'm a huge fan of redemption arcs and second chances and that is being used against me! JUST LET ME HATE THIS MAN!!!!!!

My bug daughter is in prison but that's almost like, a minor side thing? It barely matters right now except that it gives some background structure. Compared to everything else the prison bit is just . . . a thing.

I'm in tears over bug horse. I'm bawling. I may never recover. RIP Atlas, you were the best of us.

TAYLOR GOES TO THERAPY!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!!!!!!!!!!!!!!!!!!!!!!! IT IS EVERYTHING I EVER WANTED!!!!!!

I love Jessica so much! She does such a good job. I want to bake her cookies as thanks but I'm not sure if that would trigger some type of conflict of interest.

Fucking Glenn. I want to hate him and love him all at the same time.

Is he an artist? Absolutely! He has a vision and it is beautiful.

But also if it comes down to "letting the world end or compromising said vision" he might be the kind of person who would watch the world burn with a tear running down his cheek, because at least it was beautiful.

Look I get it. My daughter is terrifying. But that isn't because bugs are scary. It's cause my daughter is terrifying. Making her use butterflies just means a bunch of people are gonna start having butterfly phobias.

Like come on, Clockblocker gets to break fundamental forces of the universe and cause people to question their very existence!

Do not try to tell me that someone getting time frozen and just . . . skipping a chunk of time because their mind is not part of the time stream for a few minutes would not provoke some deep thoughts of existential dread! Sure not in everyone, but not everyone is scared of bugs either! I just think it's very unfair.

The Adepts are fun. Sure powers aren't "magic" but might as well have fun with the idea! Besides it seems to be working and if I had powers I'd absolutely love to lean into a magical focus idea.

I am quite upset about the fact that during the whole Thirteenth Hour thing Weaver didn't get to shove bugs down Clockblocker's throat to save him. It would have been so poetic. Saving the day by shoving bugs down throats was still super amazing, I just wanted it to be Clockblocker.

It was the most extreme level of active awareness and minor "control" while being disabled that we've seen from Taylor so far though! Really curious to get more into that, the nature of passengers/shards, and all those things. I have so many thoughts, but they're all just speculation right now (I don't think writing 75 pages of theories that all end up being wrong is really gonna be very helpful).

“If anyone asks, you kicked their asses with butterflies.” Clockblocker gets it!

It was really cool to get more into different vibes of the world with the Vegas section! I love me some thinkers and strangers.

I'm very glad The Number Man used a sniper rifle. I would have been a little disappointed if he didn't after getting into his head in his interlude - it is just the perfect weapon for him. Motherfucker over here just bouncing bullets.

Finally got to see more Bambina after the little bit in arc 8. Her power is wild, I love it! Also Bambina's mom just shot right into the top contenders for "worst parent in Worm". Like, WTF lady.

August Prince is wild. Sucks when the most effective use of your power is "human shield" though.

Considering she had an interaction with The Number Man and Contessa, Taylor actually came out of it pretty good! Sure they lost the target they were trying to bring in, but I don't know that they really had a chance of keeping Pretender. Contessa isn't easy to stop.

The only problem I have with the Las Vegas Wards actions is hiring Bambina to break Pretender free. Otherwise ya, fucking ditch the Protectorate. Given the information they have it makes sense.

TAYLOR HAS FAN MAIL!!!!!!!!! EEEEEEEEEEEEEEEE!!!!!!

Grue's letter was way to heartfelt. Tattletale clearly wrote most of it.

Like come on: "I could hit you, hug you, yell at you and hold onto you for hours all at the same time. It’s fitting that I want to kiss you and throttle you at the same time because that’s what you were to me for a long time. You drive me crazy and I can never understand what’s going through your head." This is totally Tattletale! She couldn't flirt with Taylor in her own letter, she had to be sneaky about it!

"You’re an idiot. I want you to know that. You’re an idiot, Skitter. You’re brilliant and reckless and I’m betting it makes sense to you to do this but you’re an idiot." - also Tattletale.

LOOK I'M GONNA MAKE THIS SHIT GAY AND THERE ISN'T ANYTHING YOU CAN DO TO STOP ME!!!!!!!

Imp's letter might be my favorite.

Tattletale's actual letter ends with "See you there, hun?" Just. So fucking gay. Sorry I don't make the rules.

Speaking of gay, Rachel's letter!!!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA!!!!!!!!!!!!!!!!!!!!!!!!

Wolfspider wolfspider wolfspider!

Like I mean come on

"Being around you wasn’t simple or quiet but things made more sense.  Your minion with dark hair said we need to be around people but I’m around people and still feel somethings missing." GAY

"Going to take puppies to your place again soon. Show the kids to them. Might help." SO GAY

"You have plan, okay. But if your plan means you’re thinking about fighting us you should know I am getting very good at hunting and skinning things." HOLY SHIT IT'S THE MOST LESBIAN THING EVER

"We both stay alive. Try hard." TOP-TIER GAY SHIT!!!!!!!!!!!

GGGGGGGGAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

GAY GAY GAY GAY GAY GAY GAY

AND THE SCENE WITH THE CHILDREN!!! AND THE BUTTERFLIES! AND THE DICE!!!!!!!!!!!

dies of joy

Seriously, 23.4 is the most beautiful chapter in Worm so far and it'll be very hard for it to be outdone.

I could talk about just that chapter for pages. It was perfect in every way. Even if I knew it had to end with Behemoth pretty early on. There was too much hope in that chapter for it to end any other way.

But in the middle of all that downward "oh fuck it's Behemoth" stuff we got an Undersiders reunion! With so much gay!

Like - “But you guys mean a lot to me.  I’m sorry I didn’t say it before, but I couldn’t without letting on that something was going on.  You’re my family, in a way.  As lame as it might be, I love you guys.” My head turned from Grue to Rachel to Tattletale as I said it.

SO FUCKING GAY

She starts at Grue sure but ends with Rachel and Lisa when saying "I love you". Certified gay.

So gay that even Imp agrees! Though I've been doing the long drawn out “Gaaaaaaayyyyyyy” since like arc 2. So Imp is a bit behind the curve here.

TAYLOR WANTS TO GO ON A DOG PARK DATE WITH RACHEL! IT'S THE MOST LESBIAN DATE POSSIBLE!!!!!!!!!!!!!

GAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYY!!!!!!

Weaver's new flight suit is pretty neat. Dragon is a pretty good big sister.

Cody Interlude thoughts:

THIS motherfucker! I was waiting for him to show up again.

I am so mad. I'm so fucking mad.

Cody is the worst. He's pathetic and dumb.

And Accord just has to go and get killed by him in the dumbest way! GOD DAMMIT ACCORD I SIMPED FOR YOU SO HARD!!! AND THEN YOU DIE TO CODY! OF ALL PEOPLE! YOU CAN'T BE COOL IF YOU DIE TO CODY!

Chevy too! I thought he was cool and all, but he had to die to Cody. God. The worst.

ALSO MY BABY GIRL HE TRIED TO HURT MY BABY! THE ONE WHO ISN'T MY DAUGHTER!

SOMEBODY HELP TATTLETALE!

I did like seeing more of the mechanics of the Yàngbǎn after getting hints about how they work in the Lung interlude.

The power sharing plus the power amplification is a pretty broken combo tbh. Feels like there is some pretty neat stuff that could be accomplished with that.

Fuck this man though. Simmy just had to whisper to him and just dove right in. Cody can't even conceptualize what fighting back means, that would require him to grow as a person in literally any way.

Sucks for the Behemoth fight though. I guess my daughters are going to have to save the day. Again.

[twistofstory]

Yumkasauruses are the best!!! I really liked them from the teasers (love my cute stylised creatures), and their game mechanic is just something else. I love these guys with all my heart... I don't need a thousand human characters I just need a game mechanic that lets me run around as a silly creature and jump-fly

(Also why do NPCs ignore a yumk trying to talk to them 😭 That's so rude)

[aura-bug]

I don't think I've ever seen this much hype around just the BLURB of a new wc arc before, all these cool predictions/ideas are exciting!! I can't wait for us all to be inevitably disappointed when moonpaw is a gray cat with blue eyes playing the role of sad anxious medicine cat #4 and the voice haunting her is actually ashfur (back from th water) and its her mission to go find the moonBush and in order to do that we have to go through 400 pages of walking to the tribe

[scifigirlgamez]

Don't blink. Don't even blink. Blink and you're dead. They are FAST. Faster than you can believe.

Don't look back. Don't look away.

And Don't Blink.

Good luck.

[reallyunluckyrunaway]

why hasn't anyone done a destiel version of this painting yet?

Dante and Virgil in Hell.

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[science-lings]

Happy Father’s Day to Phoenix Wright and Herlock Sholmes and Yujin Mikotoba and no one else bc every other dad in AA sucks or dies