#series adapt over time. it’s part of why the show is so interesting to me

[un-pearable]

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

[kiirotoao]

An argument I see against Byler that irks me, specifically about Will’s storyline, is that some people think that Will’s story is about him accepting himself. Acceptation is absolutely not part of his storyline, and here’s why.

Will has been established as a queer character. Quick as it was, Joyce mentioned Lonnie’s remarks about Will in the very first episode of season 1. Will has also been drafted as a kid dealing with his sexuality. Will knows about what people say about him, and he doesn’t seem to outwardly fight it, alongside much other forms of confrontation towards himself.

Will deals more with the struggle of being different, not of misunderstanding, not of doubting, being.

A great contrast in another series that shows a character learning to accept himself is none other than Nick Nelson in Heartstopper (Webtoon or Netflix - but for the sake of finding scene packs more easily, though, I will be quoting from the Netflix adaptation).

Nick outwardly deals with uncertainty regarding his sexuality. He’s covered in doubtful characters’ judgements, clearly a jock of whom are stereotypically straight, and as Elle would say it, he’s “the straightest person I have ever seen.”

He’s not established with a queer lens. In fact, for a very long time, Charlie thinks that he has no chance with Nick because he doesn’t think that Nick could ever like him like that. But then, in comes Nick’s perspective. He realizes that he’s getting really close to Charlie, and his mom tells him that he’s “much more himself” around Charlie. Then, of course, the meme of Nick taking the “am I gay?” quiz and crying over his result. And then in comes the day after his and Charlie’s first kiss when Nick expresses that he’s “so confused,” not that he didn’t like it, it’s just difficult for him when he’s only ever seemed to like girls before.

That is how you explore an arc of discovering one’s sexuality: show confusion from other characters, self-doubt, and how the character feels working through it. Will Byers has received no such treatment.

He’s not confused, self-doubtful, nor shown working through his sexuality. It’s just always been, and the other characters around him reinforce that. The fact that other characters make remarks. The fact that other characters know without Will telling them anything. The fact that Will has never continued returning any affection to a girl who showed interest in him. The fact that Will never gets a girlfriend. The fact that we know that Will was making that painting for Mike alone.

Plus, if being accepted is Will’s whole storyline culmination, where does he go now that Jonathan in season 4 has accepted him and promises to love him no matter what? That’s it? He’s going to have nothing greater happen to him in season 5 and/or they’re going to reinforce a point they already did so sweetly? Yeah. I mean, I’m not a writer, but, yeah. Sure.

Byler is endgame because Will is going to learn that he no longer needs to just accept himself but see himself in who he is.

[maxwell-grant]

I think it’s interesting, considering how most live-action superhero adaptations kill off the villains after their debut, that both The Batman and The Penguin end with the villains not just living, but set up to return and somehow cause Even Bigger Problems down the line. Is this just because it’s the first Batman film adaptation that’s a capital-F Franchise, so the writers need the villains to stick around long-term, or is something else going on?

Almost entirely comes down to the fact that The Batman was not meant to be Batman's origin story - by Reeves' own admission, it was the origin story of the Rogues Gallery. They got the Cloverfield and Dawn of the Planet of the Apes guy and he did a story about the boots-on-the-ground gritty perspective on larger-than-life terrors emerging from the ruins and failings of human civilization, taking the struggles and wars and laborious processes that others shy away from and putting them front in center. It's just this time, instead of kaijus and parasites attacking and destroying the city, instead of apes emerging as the Mad Max warlords rising from the ashes to fight over the world, we have Batman villains in that role instead.

To me, that was actually the conception - if we weren't going to do a Batman origin story, but we were going to do it in the early years, I thought well, in the comics, the rogues gallery characters often are creating their alter egos in response to the fact that a masked vigilante shows up in Gotham called the Batman.

And so I thought, oh well, what we could do is see all of the rogue's gallery characters in their origins, like Selina Kyle before she's Catwoman, and that we could go into, as we're looking for a suspect, we could go to a nightclub, a nightclub could be the Iceberg Lounge and we could see a pre-kingpin Oz, and we could see, you know, a Riddler who is declaring himself the Riddler sort of because there's a Batman. And so all of that was sort of built into the conception. - Matt Reeves

It's far from the first Batman film adaptation to be a capital-F Franchise, even if that aspect was there - Reeves initially pitched the movie as an HBO series, and throughout production pitched additional show ideas such as an Arkham show or a Gotham PD show, The Penguin being the only one that survived as far as we know. This pulls off an origin from the Rogues Gallery better than every other Batman media ever made, and there's a couple of reasons why it does so and why the villains get to take center stage here:

Part of the difference between the way Nolan tackled realistic Batman, and the way Reeves tackles realistic Batman, is that Nolan needs realism to explain Batman, and Reeves needs realism entirely in the service of making Batman weirder. Pattison Batman is the weirdest Bruce ever put on film almost entirely because he lives in our world while still being Batman in every way that counts - Keaton Bats slept upside down in a cave, but he lived in a Tim Burton world. Adam West Bats is weird, but everybody is like that or even weirder than he is, he is the comedic straightman to everyone else. And where as Nolan needs Batman to be the thing that makes sense, Reeves needs Batman to be the thing that doesn’t make sense.

Nolan wanted weird difficult irreducible villains opposite a logical pragmatically sensible Batman, and Reeves wants exactly the opposite. For Nolan, even besides the Joker who was defined entirely around the lack of a real explanation for him, you have his take on Two-Face, Bane, the Al Ghuls, characters that don't demand that much reasoning or explanation because they can act and exist in ways that defy logic, while Batman's the guy who has to hold the center of logic and reason. Where as here, Pattison Batman is the most interesting and complicated and larger-than-life figure this world is dealing with in much the same way that Ledger Joker was for his movie, and everyone else is in the position of starting out and having to deal with Batman and the paradigm shift he brings - nobody else in the movie is quite the character they were supposed to be, that's something they're all growing into in response to their nightmare city and what this titanic freak in armor represents to them.

Even The Riddler is ultimately explainable, human, reducible to his tantrums and vulnerabilities, even without you knowing in-depth his character and backstory that would be elaborated for Dano's Year One. Even The Penguin - he may be larger-than-life, he may be unexplainable on some level, but we know all too well all of his failings and feelings and life story and all the cracks in his persona that he killed Victor to try and bury. But Batman? Next to everyone else, he is still an anomaly, he is just Like That, even to his own detriment and that of the city, and he learns that he must apply being Like That to something better.

Reeves is not interested in doing "Batman vs [X]" movies, the movies are going to be focused on Batman's arc first and foremost, which means the villains will never really take them over the way they've usually done - this is a world where it's the villains who react to Batman, not the other way around. This frees them from the burden of having to exist in direct relation to how much they can directly menace Batman, and it makes it so that these are characters that can carry their own spin-offs, which is probably a lot easier for WB to work with because these are spin-offs that they don't really have to get Pattison to show up for, but they can construct in ways that don't even need Batman to be physically there. Even after The Penguin, they might not have to do that Smallville/Gotham song-and-dance of teasing a main character who'll never get to be here, there are a lot of other things happening in Reeves' Gotham besides the existence of Batman, even if the existence of Batman has changed all of them. So structurally speaking this series has a ton of room for reocurring villains, and building it has been one of their top priorities. In fact, this ONLY gets to do so because the movie already laid out the entire groundwork for them and how it all ties together.

See, the way Batman stories do the rise of a Rogues Gallery and how it affects the city and therefore Batman always follows a sort of a 7-step program:

Gotham City is ruled by crime, crime that takes away the Waynes (Falcone / Carl Grissom (89) / Falcone backed by the League (Nolan) / the Falcone-Hill-Wayne triumvirate (Telltale) / Gotham S1 and first-half of S2)

Crime begats Batman, who beats Crime

Crime + Batman = Weird Crime (Jack Napier becomes Joker after an encounter with Batman (89) / "we still haven't picked up Crane and those other Arkham inmates btw check out this weird card" (Nolan) / Black Mask and the international assassins + Joker's rise (Arkham) / Children of Arkham (Telltale) / the Indian Hill experiments and patients (Gotham)

Weird Crime Replaces Crime (The Long Halloween / Joker takes over the mob (89) / the mob is so impressed by the pencil trick they give Joker all the money (Nolan) / Joker literally replaces Black Mask in the process of becoming Batman's main enemy (Arkham) / Penguin assassinates Mayor Hill and the Children enter a war with Mayor Dent (Telltale) / Indian Hill breakout and Maniax cult and etc (Gotham)

Weird Crime is a Rogues Gallery now (Penguin and Catwoman and Max Shreck in the sequel (Burton) / Joker and Two-Face become separate problems, Bane + Talia + Crane + Catwoman in the sequel (Nolan) / after Origins a whole asylum full of them (Arkham) / Riddler + The Pact and John becoming Joker proper (Telltale) / Gotham S3 with Tetch and Riddler and the Legion of Horribles

The city is changed by the new paradigm

Batman responds / expands or retracts in response to this change

(4 and 5 don't necessarily always happen one before the other, mind you, frequently you do have a Weird Crime Rogues Gallery before Weird Crime replaces Crime at the head of the table)

And you can apply this to most other Batman stories that don't automatically start and stay at level 5. But where as all of these have to stretch the process across sequels and continuations, The Batman is the first Batman work that gets to do all 7 of them in one row. It gets 1 and 2 done offscreen before the opening act and shown to us how they happened throughout the movie's reveals, 3-4-5-6 comprise the Riddler's plot + the other United Underworld members roped into it, and it ends with 7. Even the Batmanless spin-offs follow the process: The Riddler: Year One covers Eddie's perspective on 1-2 as he enters stage 3 and prepares it for the movie, and The Penguin covers 4-5-6, leaving us waiting for Bruce's response back to stage 7 where The Batman ended.

And up until The Batman, the process behind the creation of a Rogues Gallery had never really been much of a process - comics that go into the transition like Long Halloween/Dark Victory just show the fall of Carmine Falcone -> the freaks waiting in the wings causing it or happening immediately after. Gotham tries to work that escalation gradually and it starts relatively "normal", but it's always dancing around the premise and the central black hole and the building blocks don't have anything to do with each other - the gang wars and Penguin have nothing to do with Bruce investigating a conspiracy, which has little to do with Gordon and Bullock investigating weird serial killers who keep escalating, and then eventually we get that Hugo Strange was building freaks in his basement at the orders of the Court/Ra's the whole time until they all just escape. You can piece together how Batman works that aren't about this transition ultimately touch on most of those 7 stages and have their own version of it as soon as they introduce Gotham City in a pre-Batman/pre-villain state, but the connections are always rather tenuous and not necessarily connected to each other (and it's fine, y'know, not everything in a story always has to come from the same source).

But everything in The Batman follows a long chain of dominos that had to happen for this system to become the way it needs to be for Batman villains to emerge. Everything started in that one night Thomas Waynes saved Carmine Falcone, everything started from that ensuing connection and Thomas' failures leading to a city ruled by mobsters for 20 years and the sheer level of rot and corruption and human misery that creates and justifies the existence of Batman, and thus The Riddler in his example. Everything we get in The Penguin is the result of this paradigm shift and total civic collapse, showing the destruction of Carmine's empire as well as his legacies torched and mutated by Sofia and Oz respectively. Everything is still connected. The United Underworld guys featured in the movie live and dwell in entirely separate spaces and represent entirely different things, and they're still all connected in the same chain of dominoes, which allows them to expand and cover entirely separate narrative real estate while still giving it all cohesion.

The movie never has to specifically establish a system full of supervillains or made for them, it has to establish a system so utterly fucked and dominated by Falcone, so utterly failed by every institution and body of government and system imaginable, that it creates Batman, and the minute Batman arrives and survives long enough to be a third power / a fifth state, people in his wake trying to respond to him or do the same things he does, as a response to the same afflictions he faced and to his example or influence, are the only logical thing. Without needing to literally show the other rogues waiting in the wings, The Batman established an entire world of possibility just by very smartly using the 4 big ones + Carmine and showing why and how this regular American city becomes a place where supervillains bombing city blocks and running for political office can become a facet of daily life. Joker, Penguin, Catwoman and Riddler - positioned as separate from each other as possible to show the ways in which this is, and maybe always has been, spreading fast out of Batman's control.

And now with The Penguin, reinforcing the chokehold of crime in the city in it's old ways as well as the corrupt mutated new ones brought on by our boy, as well as a new Batman Villain (possibly two, if Eve Karlo ever gets her hands on suspicious make-up) arriving from Penguin's side of things so that it's not just Batman who has a Rogues Gallery to deal with, not just Batman who has terrific enemies waiting in the wings for a chance to enact their own forms of justice and revenge, no, that's just what life is like in Gotham now, forever.

[cipheramnesia]

This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

[spirantization]

I'm surprised at the hate that Sokka's character arc from NATLA is receiving. To me, Sokka's development and characterization was one of the strongest adaptations the series made.

In the original ATLA, Sokka's character arc revolves around him unlearning his own misogyny. He makes pointedly sexist comments throughout the early episodes like "Leave it to a girl to screw things up!", "There's no way a bunch of girls took us down!", etc.

Sokka's comments have a strong narrative purpose: they give a platform for women in the show (Katara & Suki mostly) to refute his attitude. Katara emphasizes traditional "women's work" (cleaning, cooking, sewing, etc), which forces Sokka to confront its inherent value. Suki is able to prove to him that women can fight too and he learns to respect female warriors. It's a great character arc and it's well-executed.

It's also characterization that is in direct response to the culture and feminism of the 90s and early 00s. The representation of women in the media at that time was...oof. It was not great. One-dimensional love interests whose only purpose is being saved by the male protagonist, mostly. Female protagonists were not as common, and certainly not ones who were depicted as being able to fight, and certainly not in cartoons. Female protagonists in animation were almost exclusively princesses.

ATLA was progressive in this regard. Katara was a complex female character in a time when there were not a lot of them, in media in general but especially in animation and kid's shows. (I grew up in the 90s; there were no characters like Katara in animation on screen for me.) ATLA incorporated the zeitgeist directly into the story, which is why we have Sokka learning to overcome his sexism in his interactions with Strong Female Characters.

If you go back and watch the original cartoon now, Sokka's sexism feels a bit dated. It's a very 90s, Girl Power, "girls can fight too" style of social commentary. It doesn't match with the media landscape of today. We've got 20 years of media with female superheroes behind us. If your message is "girls can fight too!" the response for the most part is going to be "yes, we know that. And?"

So imagine you're adapting the original ATLA for a live-action remake. You want to keep Sokka's character arc intact, but you want to update it for the 2020s. So what do you do? You look at the conversations that are happening today.

The 90s were about "girls can do everything boys can do", but the 20s are over that. The conversation is more about gender: gender expression, gender roles, gender dynamics. What does is mean to be a woman? What does it mean to be a man?

Sokka's character arc in NATLA is focused on this question: What does it mean to be a man? At the beginning of the series, it's his identity as a warrior that defines him. He needs to be the warrior, the protector, the leader. He's constantly trying to reaffirm this part of his identity, and it's completely tied up in his perception of his value as a man. Instead of his interactions with Suki being about "how could girls possibly be warriors", it shifts to Sokka saying "I'm ALSO a warrior" and trying to justify that to Suki (and mostly himself).

His arc over the series is about him accepting other aspects of himself and relearning how to define his masculinity. He can still have value as man without being the greatest warrior. He can still have value as a man by using his skills as an engineer. He can still have value as a man by offering compassion and kindness to others, like the little girl with the doll & Yue in her final moments. Instead of rigidly defining himself by a specific set of gender roles & expectations, he learns how to define himself through his own strengths and qualities.

I know there are a lot of people who are upset at this change to Sokka's characterization, and the most common thing I see is that it results in changes to Katara's character and her anger in response to Sokka's comments. I think there are valid criticisms to be made about how the show handled the adaptation of Katara's character, but I won't go there with this. In terms of Sokka and his characterization, it was well-done and thematically consistent with the original. It's not an exact port, and it never needed to be. It's still a feminist arc that centres on unlearning harmful misogynistic worldviews, but the focus has shifted from external (roles of women) to internal (his role as a man). And his journey is one that people would benefit from seeing represented.

[raven-at-the-writing-desk]

Tale of the Cursed Raven -- Author’s Notes & Afterthoughts

The full series:

Part 1 I Part 2I Part 3 I Part 4 I Part 5 I Part 6 I Part 7 I Part 8 | Part 9 I Part 10 I Part 11 I Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20

Miss Raven sketch is by shimmeryspark!

Well, it’s been quite the journey but we’ve finally made it to the end of ✨ Raven’s origin saga ✨. It was such a wild experience to write it all and hear your feedback for each installment. I hope that you all enjoyed reading it as much as I loved creating it... and I hope that it sheds more light on why Raven is the way she is.

Now that the series is done, I’m feeling really nostalgic about it (maybe it’s Mis Raven’s enchanted inks working their magic on me)💦 so I wanted to relive the memories a little, and share some of the feelings, insights, and thoughts I had before, during, and after writing the saga.

If you’re interested in reading that, it’ll all be below the cut for your convenience.

“May those who accept their fate be granted happiness, may those who defy their fate be granted glory.” — Edel, Princess Tutu (2002)

The Origins

I’ve always loved stories—more specifically, fairy tales. When I was little, they’d always be on my mind. Actually, they still are to this very day. If I wasn’t reading them, I’d be watching them or thinking about them, making theories and spinning stories of my own.

I loved the fantastical elements, the whimsy of magic and talking animals, the witches and the monsters, the royals and the warriors that protected them... I loved it all. That childhood love of fairy tales followed me into adolescence and adulthood. That’s really where this all began.

Of course, I gravitated towards media that prominently featured elements of, or borrowed from, fairy tales. This would lead me to the rabbit hole that is Twisted Wonderland 😷 (you all knew this was coming). Due to the blank slate nature of the game’s protagonist, Yuu, TWST was ripe for an OC community to crop up.

I saw a lot of unique characters in the fandom, so I wanted to create a character too. However, no matter how hard I tried, I struggled to develop a “Yuu” that I was satisfied with. At times, I even felt uncomfortable because I felt I was either putting too much of myself into “Yuu”, or not enough. It was then that I realized I would have much more fun making a character based on a preexisting story. A theme, a concept—they’d all be pre-set for me, and I could let my imagination run wild from those.

I didn’t want to adapt a character from a Disney movie (say, the Mad Hatter or King Triton). While I had seen many cool interpretations made by other people, I didn’t want to limit myself to personalities and character traits that were already determined by the movies or stories for me. I started looking into fairy tales themselves, looking for a character or a concept vague enough for me to base my OC on—and I found it in the wording of a riddle from Alice in Wonderland.

Why is a raven like a writing desk?

It captured the spirit of whimsy I wanted to evoke in the OC. Ah, but there's also an underlying sadness and dread to her character. It's mostly Alice in Wonderland with a whisper of Edgar Allen Poe.

And thus, Raven was born.

Tsunderes — but why???

At first glance, you might look at Raven and label her personality as “tsundere”. It’s a popular trope in Japanese media where a character that is initially cold and harsh shows or develops a warm, friendlier side over time. One problem that I’ve always had with the tsundere archetype is that the media that employ it rarely, if ever, explain the reasoning for why a character is a tsundere. More often than not, tsunderes are used to comedic effect nowadays, with the tsundere characters acting violent towards their supposed love interests—and that’s something that has never really sat well with me. I don’t think that’s necessarily good writing, but I won’t fault the people who do enjoy that kind of thing. I personally prefer it when we get to know the characters and the reasoning behind their personalities and decisions more. Character-driven storytelling is my jam.

Familiar of Zero’s Louise lacks the magical power to back up her noble lineage, and she has an inferiority complex as a result of that. Toradora’s Taiga has a complex family situation which has left her distrustful of others. When writing Raven, I didn’t want her to fall into the trap of “no explanation” tsundere. I wanted to outline a clear reason for why her personality is “hot and cold”, like Louise and Taiga. Even more than that, I wanted Raven’s reason to line up with the concepts of “freedom” and “expression” that tie with her bird and storytelling motifs.

And so, her story started taking shape in my head. (If you want to read more specifics on my thought process, I’d check out this post. I also talk more about the concepts behind her there.)

Her Magic

I wanted to tie in her personality and philosophy into her unique magic too. After all, it's a spell that defines who she is as an individual. In the beginning, Raven was excited about the prospect of writing, as it would help her comes to understand others--however, she struggles to come to grips with their emotions and keeps holding herself at a distance. Only when she empathizes with her characters and with the people around her does her unique magic come into fruition. With it, she can see into others' hearts and rewrite their feelings--that is, if her willpower and coaxing can convince them to.

I didn't want Raven to be a particularly gifted magic user; she's someone that had to work hard to come into her own. I think of her humanoid form as something still awkward and developing, which sometimes interferes with her spellcasting. What really makes Raven shine is her determination, and the strong imagination that pairs with it. All she truly lacks is the ambition and the confidence, things that I hoped would be honed at Night Raven College.

The Characters for the Series

Initially, I wanted to feature a much larger cast of characters. At some point, I was ambitious enough to think I could somehow include every NRC student in the plot... but thank goodness I realized that just wasn’t feasible. I saw the narrative mess that happened whenever a creative piece tried to get too many characters involved. It just made it hard to keep track of and care about anyone on an individual level. Sometimes, it also distracted from the central themes and conflict. Now, that’s not to say that Raven has never canonically engaged with other characters (because she definitely has)! It’s just that those interactions aren’t as important to this story, so I left them out of it.

In hindsight, I’m so glad that I kept the core cast (up to a certain point) small. That way, I could dedicate more of my time writing each of their individual thoughts and emotions. Raven remains the main character throughout, while Rook, Crowley, Jade, and, to some extent, Azul, Floyd, and Octa A, are secondary characters. Idia, Vil, Epel, the Fates, etc., are very much tertiary characters that showed up a few times total 😂 but they all played their parts and still contributed the overall story.

A character that was introduced in part 6 was the timid but well-meaning Octavinelle A-kun (whose name is Kon, like konbu, or Japense kelp). He was actually included as a gag character because I couldn’t think of someone from the main cast for the role he ended up filling. I unintentionally got attached to Kon and decided to bring him back later in the story, because I guess I like the irony of a mob character that lacks eyes having more screen time than two Dorm Leaders (Vil and Idia). I think the inclusion of Kon also really helped the themes of the story, because, in a meta way, he’s like Raven. He’s a “background character” who ended up having time in the spotlight (and even earned himself a small but dedicated fan following), which proves that it’s possible for Raven, who also sees herself as a “background character”, to ascend and become a “main character”.

Speaking of semi-original characters, I also had fun doing my interpretation of the Fates in part 10. I doubt that’s what they’re like in canon and watch TWST prove me wrong, but it was super fun to write regardless of that. I think my favorite thing about them was how they bicker when they’re out of the public eye, but it was also interesting to come up with their idol poses and phrases.

The cast noticeably expands around part 15, and that was a very purposeful move on my end. Raven has had her revelation then, as well as a stronger understanding of how her unique magic works. Art that point, the story shifts from Raven being on the outside looking in to the characters witnessing her tale unfold. It's to indicate that Raven has finally properly begun integrating herself with the stories that she has always isolated herself from. Characters that have previously had smaller roles before (Vil, Idia, Azul) return for a reprise and to add their own context to what's happening now, and the characters never previously mentioned (Lilia, Riddle, Kalim, Leona) give their perspectives as people who had no direct involvement. I wanted to show the shades of familiarity that they have with what Raven's been up to on her lonesome, and how these different kinds of relationships and points of view are all important when looking at a story.

I was very excited to introduce the Enchantress (Estella) as an onlooker that has a tenacious history with Lilia; she's an original character I've been working on and hiding in the shadows until her first appearance late in this saga. Estella is a very complex person, whom I would describe as a mix of the Enchantress (Beauty and the Beast), Giselle (in both Enchanted and Disenchanted), Isabela (Encanto), Frollo (The Hunchback of Notre Dame), Mother Gothel (Tangled) and Fairy Godmother (Shrek 2). She gives... "tough love", but often acts in morally self-righteous and self-important ways, believing that it is for the "own good" of the people she becomes entangled with. Sadly, I was not able to go into her own background and motives, but someday I'd really like to!

The Plot of the Series

There’s a lot that you don’t see that goes into writing. I went through several iterations of Tale of the Cursed Raven, especially with the rising action and climax. You should see my writing drafts--there’s no rhyme or reason to them! You might see some bullet points to show a sequence of events, but the rest of the document is just random lines or ideas I think would “sound cool” that I just scribbled down while on the bus or something.

When I write a story, I usually know how I want things to begin and how I want them to end, and I have trouble filling in everything that’s in between. I usually took large chunks of time between the release of each installment to review information from the previous part and make sure the continuity carried over to the part I was currently writing.

It was also common for me to write, rewrite, and rewrite the parts again several times over before I actually put it to the public. Sometimes I would almost be done with an installment, and I’d delete it all and start over because I thought of something much better. I’d be irritated with myself in the moment for wasting all that time and hard work, but I think it ended up working out.

sadibasudbad Okay, I want to talk about some of the plot points that I scrapped, because some of them were actually interesting... They just took the story nowhere or caused issues with other things I had planned, so I had to drop them 😅

After Jade’s betrayal is revealed in part 3, I was going to have Raven become Azul’s business rival. Not in the restaurant sense, but more like she would offer similar “wish fulfillment” services as Azul, mostly because she needs something to do to keep herself positive. Her services were going to be called “Fairy Godmothering” and involved sending wishes on slips of paper in little black boxes she placed all over campus. However, she’d probably need a lot of help or strong magic to make that happen, neither of which really applies to her. I guess the tradeoff would have been that Azul offers more but asks for a price, whereas Raven offers less but works for free. She’d write stories as kind of a “road map” or “plan” for how she would personally fulfill her a wish, as opposed to Azul’s contracts, and which required a mutual agreement to the terms. I also didn’t know where to take the story after this point was introduced, so it had to go.

Part 8 was originally going to open with Raven and Riddle having a tea party and catching up. Floyd was going to emerge from some rose bushes with Cater and Trey chasing after him 😂 and Floyd was going to kidnap Raven from there for the boat scene with Jade. Like I mentioned before, I decided to cut this out to keep the number of characters the story had relatively short. (Plus, I guess Floyd would have had to run a shorter distance to the lake if Raven was already in the forest area than if she were all the way in Heartslabyul?)

There was a large hiatus between part 10 and part 11, because a lot of rewrites had to happen for the latter half of the series. Part 11 in particular went through several different versions—one of which would involve Prince Rielle visiting NRC for a magift game and knocking Raven out cold with the frisbee. Because Raven didn’t remember the face of the “prince” that saved her from drowning when she was a bird, I was going to have her mistake Rielle as that “prince” (similar to how Eric mistook Ursula/Vanessa for Ariel). Djsbsjsbshs But I already took a huge chance by writing my interpretation of the Fates, so I didn’t want to also do my interpretation of Rielle in case TWST gives us more details about him later. Rielle is based on a Disney princess, so I thought it was more likely that he got more details revealed about him over of the Fates, and I didn’t want to make my series too reliant on headcanons or unconfirmed information about a character we haven’t even seen yet.

Finally (and this is the biggest change of all), parts 10 through 20 were originally going to be heavily focused on action and adventure. Raven was going leave NRC in search of the Enchantress (who originally cursed the Storyteller several years go) and ask her to lift the curse, and the Enchantress was going to send her on a series of heroic quests to prove that she is “worthy”. But the more I thought about it, the more I thought the scale was too grand 💦 At the end of the day, Raven is just a bird trying to be a normal human girl... and I wanted her development to be more of a traditional coming of age story instead of a literal hero’s journey where she confronts dragons and saves villages. Something more down-to-earth makes her more relatable, so I went with that route instead of the action-adventure one.

I don’t know if you noticed, but the saga happens alongside the events of the main story (as some main story events, such as Overblots, are referenced). The last 5ish parts happen around the transition from the Ignihyde arc to the Diasomnia arc, sooo... :)) You can think what you like about whether Raven’s happy ending is reality or a dream conjured up by Malleus~

I argued with myself a lot while writing the series, especially about the ending. I had a lot of my friends (and readers, too) telling me “you’d better not kill Raven” and “Raven and Jade should kiss and make up/date each other at the end” (some of which came true, some of which didn’t). I was so conflicted at the time because while I never intended to kill Raven, it was clear that my audience was expecting a perfect “happily ever after”... and I didn’t know if such a conclusion would fit the overall tone of the series. I think what I ended up doing was satisfactory, though. It’s happy, but not overly so, and it keeps the door open for future shenanigans in a light-hearted and hopeful way. I think leaving it open-ended like this suits the theme of the saga and Miss Raven's struggle to find her freedom.

Raven’s Growth and Development

Raven has come so far.

The saga here is written kind of like “oh, this is her main story”, but it’s meant to be supplemented by “vignettes” and “event stories” (ie all the side content of Raven which fleshes out her relationships with other characters). The idea is that all her experiences at NRC helped her to develop her own sense of self, and granted her the confidence to fly in the face of her own fate, which she was once so hopeless about. When I look back on the last few years, I’m amazed at how much of it there is, whether produced by myself, by friends, or by fans. It’s really humbling that I get to share this journey with you all.

Raven used to be scared and shy, a timid bird with little to no understanding of the world, or of the creatures in it. Then she picked up a quill, ink, and paper—and a whole new world opened up to her. Her story is one of how freedom of self expression and creative works can connect us not only with others, but with ourselves. Because of that, Raven was able to grow and become a much more mature person (with the support of her friends and family, of course)!

Just because the saga is over doesn’t mean Raven is suddenly perfect, though. She still very much struggles to be emotionally expressive and honest with her feelings of affection (since she has gone so long burying those), so she’s still got a long way to go in that regard 💦 She also has some lingering self-esteem issues that she’s got to work on. Raven’s always changing...! Always willing to learn! Jade and Rook, please help her—

When people read Tale of the Cursed Raven, I don’t want them to “just see it as a love story” or “TWST OC x TWST Boy” fanfiction 💦 because the focus isn’t just on romance, but on Raven discovering herself, and her voice, in a world that once confused and scared her. It’s not just a story about finding love, it’s also about a girl growing up, gaining confidence, finding new family and friends to support her... It’s a lot of things, and I feel that it’s doing the saga a disservice by calling it just a love story.

I’ve mentioned this a few times before, but while Raven is not meant to be a self-insert character, I feel that her struggles are very relatable and I hope that you, too, can see some part of yourself in her and her journey. A lot of the writing process involved me analyzing and coming to terms with difficult feelings, particularly ones of self-loathing, self-acceptance, coming to terms with emotions, and trying to find one’s place in a world that can be confusing and scary to navigate. I feel that writing Raven’s tale was able to help me through those tough times in my life. For that reason, this saga will always hold a lot of sentimental value to me.

So... What’s next?

There were originally plans for me to make a follow up/spin-off series where Octa A/Kon was the main character. The theme of that series was “even the unnoticed and ordinary can be noticed and extraordinary!” It was going to focus on Kon and his mob student friends (one from each dormitory), along with their struggles of being “noticed” (as they are often just one face in a sea of mob students) and “fitting in” with their respective dorm’s ideals. I think it would have been a series that resonated a lot with introverts and people who see themselves as “less than” others or as “not fitting in” with others’ expectations. I might still do this, but it would probably be another huge project that would take months of planning and revision.

Another idea I had was to write a series of stories that are just flashbacks of Raven’s life prior to Night Raven College, whether as a bird or whether as the Storyteller’s apprentice. I also considered writing in-depth about how the Storyteller was originally cursed, and about the Enchantress responsible for it. I would like to get into her backstory and her motivations for spinning the Storyteller’s curse to begin with. (Maybe I’ll do those as blog anniversary or follower milestone specials?) Some friends of mine also jokingly suggested I write a sequel series focused on Raven and her relationship with L*ONA 🤢 dfhlbahefvqoeuq Lots of ideas, lots of possibilities!

As for Raven, she’s definitely not going away just because her origin saga is done. She’s still the beloved poster child of this blog, so of course I want to continue writing about her! It’s just that she’ll be a little freer to speak her mind now that her curse has been lifted. After all, "the end" is just "the beginning" of another story!

I kind of feel like a proud parent, seeing my bird daughter growing up, making friends, finding love, and developing her own sense of agency and independence 😭 I’m excited to see where this next chapter of Raven’s life takes us.

Before I sign off, I’d like to thank you, dear readers, for following Miss Raven’s story until the very end. None of this would be possible without you!

[okaystoptellingmetomakeanaccount]

Guys. Scrooge McDuck already traveled the multiverse in 1995

Hey look, it’s the doors from doctor strange

-my dad

This year will mark a historical moment in Disney comics history. The first Marvel-made Scrooge McDuck comic. Uncle Scrooge and the Infinity Dime coming up in June will have Scrooge travel through the multiverse to defeat an evil AU version of himself.

To some unfamiliar with Disney comics, this might sound like a lame idea in the trend of many multiverse stories that we are seeing in the cinemas today.

To some familiar with Disney comics, this sounded exactly like the plot of Zio Paperone e il predone dimensionale.

Truth is, the multiverse has always been a part of… just comic books. It’s now starting to slip into other mediums because of the many, many comic book adaptations just getting to that point of the lore, but the comic books themselves have had it for a long time now. Including Disney comics.

Though for Disney it’s less a case of: we wanted to explain continuity errors and then went a bit too far, and more a case of: if you have comics coming out literally every single day of the week then at some point you just get to the multiverse.

There are many of these to be found in Disney comics, which we might talk about later if someone is interested or I feel like it, but today we are going to go over the one most similar in premise to the upcoming Marvel release.

Because I just think it’s really funny how similar they are. Like at this point I would call it a reboot.

Oh oh, Scrooge and multiverse, look at this. I’m pretty sure the Loki tv series just copied their time doors from this comic.

Federico Povoleri wrote a pretty simple story. Someone is stealing from Scrooge again, and this time, the culprit turns out to be… himself!

‘Our’ Scrooge is signified by the red coat (and later the multiverse hopping suit). All the alternates will be clad in blue. DT87 Scrooge is just another AU that no one cares about confirmed

This stealing Scrooge is our ‘Scrooge above all’. He wants to be richer than all his other variants and steals from them for that or something. I don’t remember very well but why he does it doesn’t matter. It’s evil Scrooge and he steals that’s all we need to know.

As we have seen already, he escapes with an universe hopping door. As he always does within these kinds of situations, Scrooge calls Gyro who finds some kind of dimensional energy lingering around where the door used to be. He does the usual explain the multiverse bit.

Then Gyro does in a few hours/days/wedontactuallyknow what Red Raider has been trying for years. There’s a reason they kicked him out of PKNA he would be too overpowered.

Yeah altronave my nose.

Scrooge arrives in the bin of another him, and explains as well as he can. This repeats a few times and I would love to show it but there is a 10 image limit on tumblr mobile for some reason.

Finally he arrives at the bin of the Scrooge who steals and they have a little typical multiverse discussion (I am the real one. No bitch I am. But which one are you. A real me would never do this. That kind of stuff)

But he gets defeated by bad Scrooge. Oh no the only one who could defeat Scrooge has defeated him. What will happen now?

Exactly what you think happens. prime!Scrooge never closed the AU doors and so everyone he visited could just hop through and arrive at Scrooge above all’s office. Yay.

It is not a bad comic. It has the single idea, it sticks to it, it executes it well. The interactions with AU Scrooge’s are just plain fun. At the time of writing the story has place 6020 on inducks which is pretty dang high for such a silly comic.

It’s very much a multiverse story in a classic Disney comics way. It’s not used to bring multiple continuities together. No storia e gloria Scrooge VS life and times Scrooge. Nothing dramatic happening or high stakes. Just Scrooge going on another adventure, and for being one of the first multiverse comics involving Scrooge that didn’t pull random bullshit, it’s considered good by most of the fandom it seems. That the Comicup artists was pretty decent helped as well.

But now, what can we expect from what is totally gonna be a remake of this?

Infinity Dime is Marvel. It’s gonna take a Marvel approach. Assuming it’s not gonna be parody (which i kind of really hope it isn’t), then what will it be? Are we gonna see something similar to this, where Scrooge will just meet different versions of himself or will we see established AU’s? Both Ducktales and all his other animated counterparts (i heard the americans like christmas carol scrooge) seem like easy picks. Will they fight? Will it be Secret Wars? Or will they work together like in this comic?

Marvel has still given out zero information about the story (hell, they haven’t even made clear which artists aside from a few are drawing. “celebrated Scrooge artists” does NOT narrow it down) except for that super vague premise. So the best we can do is imagine this story but with the Marvel flavor. Not that I have read enough Marvel comics to properly understand what that means but ive seen some movies okay.

We can probably imagine there will be more ‘evil’ Scrooges. Some Scroogehenchmen. And they will fight. We gotta have action scenes. Which I trust will look good because Mangiatordi I believe his connection to the project alone will secure that the art department will be amazing. His existence is enough.

I’m also expecting DT17 Scrooge to at least cameo. He’s the perfect character for this type of story, fits way better than any other non comic variant. DT87 Scrooge could work as maybe a younger version? Who is not sure what he got caught up in. But then we would need emotional scenes between Scrooge and Scrooge and that’s probably asking too much from Jason Aaron.

Oh hmm actually. I can see when good Scrooge fights bad Scrooge in the climax he will do a big speech that will last a good 4 pages and will teach bad Scrooge what it takes to be a real Scrooge. That sounds stupid enough to be a Marvel thing but not so stupid as to become completely ridiculous.

I’m not expecting actual references to other established comic Scrooge AU’s. We will probably have Barks and Rosa references and that’s it. I’m not even expecting a Van Horn reference tbh. It’s all Barks and Rosa we gotta keep it beginner friendly. It might even just be Rosa. Which indirectly will result in a Barks reference because every Rosa reference is just a Barks reference but with extra steps.

I’m trying to make predictions okay? So I can go I SAID SO when it comes out. It’ll be really funny for me and annoying for you guys. You don’t even have to read this (yet). This is just for in the future so I can look like a wizard.

The scene where Gyro explains the multiverse might just get copied one on one. Maybe Gyro will be replaced by Ludwig? At least I don’t think they will have Scrooge just go: oh yeah ive seen this before. Maybe another Scrooge will explain it to him/secretly the reader. It WILL involve a big cosmic looking image that will represent the multiverse. It just has to. Even if just to show the Marvel audience how good these Italian Scrooge artists are.

I don’t think Donald or the nephews are gonna play a big role. Maybe at the beginning and end, maybe they will somehow stay in contact with Scrooge or he thinks about them a few times to remind us of hey this is Donald Duck. But I think most is gonna be a solo Scrooge adventure just like we have already seen.

Idk. I really want to talk more about Infinity Dime because it’s the most exciting US made Disney comic in ages. Idk why no one else seems to be hyped. Where is all the rambling and speculation guys?? Not about the covers, but about the actual story!

Anyways now we get to the most important question: do i think it will feature Magica?

Maybe. (Definitely not gonna play a big role if she even appears. Maybe a cameo when at some point there will be a dramatic flashback… Or she could show up in one of the AU’s. Maybe just a short scene in the beginning showing his usual life but that sounds lame. Probably not gonna have a role in the story at least, and I kinda hope it won’t have any Magica at all because I’m scared that they will go of off Rosa’s characterization lol.)

Ok Remember to infinity your dimes and uncle your scrooges gby

[writeforfandoms]

The Name of the Wind 3

Find the series masterlist

I know this is a bit late BUT this is still for @glitterypirateduck challenge. This is not the last chapter of this story, but it is the last chapter that will be using prompts from the challenge. This chapter used "Do you trust me?"

Warnings: Swearing, wooing, someone is a little oblivious, flying, dragons. Oh, and two new/familiar characters show up.

Word count: 1.8k

Weeks passed. You learned your way around and met the other people who lived there. Not just the riders, but the kitchen staff too. You learned how everything worked, when to eat, where to wash up. Everything. 

It was different from how your life had been before, but different didn't mean bad. Not in this case. 

You never heard another word about your would-be husband. And you certainly didn't ask - that would be inviting trouble. 

The hardest thing to adapt to was the most integral part of your role here. 

The dragons. 

Caba was very calm every time you interacted with him… which was quite a bit in the beginning, as Alejandro used him to demonstrate how the harnesses went on and where they wore the most. Caba didn't mind being used as a show model, remaining calm around you. 

Unfortunately, that could not be said of every dragon. 

The youngest dragon in the garrison, a blue female, actually knocked you off your feet when you met her. Her rider was apologetic, helping you back to your feet. The freshly-chastened dragon drooped like a misbehaving pup while Caba oversaw the fitting process for her harness. 

You did not get knocked over a second time. But it did take multiple washes to get all the mud off you later.

After that little incident, Caba or Alejandro was around for every new dragon you met. You weren't sure if you were flattered, or disgruntled. 

Perhaps the most interesting thing to you was how self-contained the garrison was. Supplies came from the capital regularly, but the garrison otherwise seemed to be run by Alejandro. He oversaw everything, from training to rotations to travel. He didn't seem to need to ask anyone above him for anything, which seemed both curious and, if you were being honest, appealing. 

An honest man, with a sense of humor, who treated everyone well and didn't place himself above the others? And one who was also competent and ran his garrison well? 

Honestly, you were surprised he didn't have a spouse already. 

(He didn't. You knew because you'd caught some of the younger riders gossiping.) 

You were, however, surprised when he approached you after breakfast one day. You didn't always sit at his table, only sometimes. Usually when he or Rodolfo flagged you down. This was the first time he had approached you, usually summoning you to his side instead. 

“How much work do you have today?” He asked, walking next to you as you put your dirty dishes in the bins. 

“Not a lot, nothing urgent,” you responded slowly. You had a custom order you were excited to work on, but that could wait another day. Especially if Alejandro needed you for something. 

He flashed a grin at you, nearly making your knees wobble. “So you have time free.” 

“I do,” you agreed, eyeing him. “Why?”

“Do you trust me?” He stopped in the hallway, turning fully to face you. 

You nodded slowly, looking at him. “I do.” 

“Meet me outside in twenty minutes. Wear something warmer.” He held your gaze, magnetic and unavoidable. 

“Okay,” you agreed, soft and a little surprised. But you hadn't lied. You did trust him. 

At least enough to trust that he wouldn't toss you out of the overlook, or anything like that.

It took very little time to grab a warm coat and gloves, since you weren't exactly sure what you were going to be doing. The walk outside was full of the typical bustle of the garrison - you passed riders going every which way, and as you passed near the kitchen, the chatter and chinking of washing reached your ears. 

It was amazing to think about how quickly this had become home to you. 

Alejandro stood outside next to Caba, waiting on you, dressed in his riding leathers. You allowed yourself only a moment or two to let your gaze wander over the well-fitted leathers before looking to the dragon instead. 

To your surprise, he wore a modified version of his harness. 

“We don't need the full harness,” Alejandro said, having correctly guessed your line of thinking from the surprise in your face and the line of your gaze. “Not for this.”

“And what is this?” You asked hesitantly, stopping in front of him. 

Alejandro grinned, bright and pleased, with only a little humor. “You said you trust me.” 

“I do,” you reiterated, only to squeak when Alejandro grabbed your hand and pulled you to Caba. “What–?” 

But Alejandro offered no answer beyond stopping next to Caba, who had obligingly laid down to make his shoulder not entirely out of reach. Alejandro knelt and patted his thigh. 

“You can reach the straps to help pull yourself up,” he offered, watching you. “It is easier if you have a boost to start.” 

You stared at him for a moment before turning your gaze to the dragon. “What?” You squeaked. 

Alejandro did his best not to laugh at you, lips clamped together even as his shoulders shook. “Up you go,” he encouraged, hints of laughter in his voice.

You thought about protesting, but, well. You did trust him. So you took a deep breath and used his proferred thigh as a step up. Your ascent up Caba's shoulder was not graceful, but you also didn't slide back down. You'd take that as a good thing. You felt very high up, sitting on his back as you were. 

Alejandro climbed up after you, making it look easy. He sat behind you, his thighs bracketing yours. You swallowed, suddenly quite warm. 

“Hold here,” Alejandro murmured, low and close to your ear, reaching past you to pull on a strap. You grabbed it tight, partially to hide the shaking in your fingers. “Don't worry. I won't let you fall.” One of his hands settled at your waist. You sucked in a sharp breath, partially disguised by the sudden movement under you as Caba got to his feet. You rocked with the movement, startled. 

Caba didn't give you any time to adjust, though. He just started away from the garrison, using the open flat space to gain some speed. Massive leathery wings snapped out at his sides. You squeezed the strap tighter at the first sweep of those wings, feeling unsteady but for Alejandro's solid presence at your back. 

One more downsweep and Caba launched into the air, the pressure pushing you back against Alejandro. He held firm, his grip on your waist reassuring. 

Caba leveled out soon after, the pressure easing. Wind whipped in your face, cold but clear. You blinked rapidly as you adjusted, breathing in slowly. 

Alejandro squeezed your waist gently, His head close to yours as he shouted to be heard over the wind. “Look now.” 

You did, and gasped. From here you could just barely see the coast, blue stretching for miles and miles. The river valley below seemed very far away, though the river sparkled where it came down from the mountains and snaked across the land. You couldn't look down for long, though, before you started to feel dizzy. 

But you didn't fear falling. Not with Alejandro pressed up close behind you as he was. 

It didn't take long for your nose to go nearly numb, the cold wind seeping your warmth. No wonder the riders all wore leathers and fur up here. Your hands did go numb, fingers still clenched tight around the strap. 

“See? Not so bad, hmm?” Alejandro sounded smug, his voice rumbling against your back and in your ear, even as his breath warmed your skin. 

You just laughed, leaning back slightly, trusting him to keep you safe. 

And he did. 

You had no idea how long Caba flew the two of you. But he didn't go far into the valley before turning for the coast, making a big loop. From this height, you could see the town you'd left behind weeks ago, as well as a couple other garrisons, notable from the other dragons in the air. From this height, everything seemed small, even your lingering worries. 

Eventually, he angled back towards the garrison, gliding down at a gentle angle. Alejandro's hand at your waist encouraged you to lean back further, your back pressed to his chest, until Caba landed. The big dragon chuffed and continued walking, wings setting against his back again. 

You blinked, confused, but Alejandro just chuckled. “You're back early,” he called to someone up ahead, the hand on your waist tightening briefly. 

“For once,” another man called back. You spotted a dark-haired man standing up ahead, another scruffier man by his side. Caba stopped a short distance from the two, and Alejandro swung one leg over to face them. He did not get down, however. 

“Need a ride back to the capital, then?” 

“S'pose so,” the scruffier man answered, gaze on you. “You offering?”

Alejandro chuckled. “I will arrange it,” he said, though you noted he didn't offer to do it himself. “Come inside, have something to eat.” 

“Gonna introduce us?” The scruffier one asked, still peering up at you. 

“If we see you at dinner.” Alejandro didn't offer anything else as Caba started walking again, leaving the two men behind to make his way back to the cavern entrance. 

“Who were they?” You asked, undeniably curious now. 

“Nobody of import.” Alejandro waited for Caba to lay down again before he slid down the dragon's side. “Here. I'll help.” He held his hands up to you, watching closely. 

You eyed the distance down, biting your lip. He hadn't led you to harm yet. It did take a few moments to unclamp your hands, fingers aching from being locked in position for so long, but then you carefully swung a leg over and slid down. Alejandro caught you, making sure you didn't land too hard and holding you upright when your knees wobbled. 

“Alright?” He asked quietly, giving you a quick once-over. 

“Yeah.” You smiled up at him. “That was… incredible. Thank you.” 

“I will take you as often as you wish.” His smile was smaller than usual but brighter, happier. 

“You don't mind?” You couldn't help the note of hesitancy, of shyness. 

“Not if it's you.” He leaned closer to you, until you were firmly bracketed between Caba at your back and Alejandro at your front. 

Your breath caught in your throat. He was so close and so warm. 

Caba rumbled, something you felt more than heard, vibrating against your back. You startled, turning your head to try to figure out what was going on. 

Alejandro sighed and backed off. “Sit with me at dinner tonight,” he invited, gently taking hold of your hand, rubbing some of the ache from your fingers. 

“Okay,” you agreed, a little dazed still. 

He smiled again, that small but sincere smile you were quickly becoming attached to, and took a step back. Another, and he released your hand, and turned to go. 

You stood there, needing Caba's silent support, for longer than you wanted to admit.

[fukutomichi]

It’s review ramble rant tiiiiime! Decided to go on and post about my thoughts as the iron is still hot and my braincells are still firing. Lots of spoilers are gonna be in there and it’s looong as hell so you’ve been warned! Grab a cup of coffee or tea. Here we go!

Okay, the general feel about Season 2 is that it is slightly better than Season 1 for sure, better at some parts, but has shortcomings on others, BUT STILL, we got what we got and I think it was overall positive.

The first 3 episodes being aired was a direct response from the previous backlash that they had about Season 1 starting slow. And yes, those first 2 episodes were shaaaky as hell, but they found their feet in Episode 4 and then the series picked up with full steam ahead. This time to avoid this, they wanted to get the set up out of the way as soon as possible and then release at a weekly schedule. Was it a smart idea? It would have been. If the series was longer than 8 episodes? 

This latest trend of overblown streaming series with such small number of episodes, between A HUGE waiting period for each season, needs to stop. I get that the RoP crew would need more time, schedules with other actors, filming locations, building locations, writing, filming huge battle sequences, CGI. But I feel everyone is still chasing The Game of Thrones type of hype, and the studios need to realize that it ain’t happening anymore, not for a while. Just focus on making good stories with interesting complex characters and the viewers will come. Stop trying to make series be movies. I caught one of the directors in one of the BTS clips for Episode 7 saying “We’re not making series, we’re making movies” AND THAT’S THE BIGGEST PROBLEM. STOP DOING THAT. 

I would sacrifice all the big budget CGI sequences and wide beautiful shots for just a minute of conversation between Gil-galad and Cirdan. I don’t want “the Balrog shot that was 5 years in the minds of the showrunners”, I wanted people to see why Gil-galad respects Cirdan so much, instead of my non-reading Silmarillion friends asking me what’s his deal with him, and me having to explain that Cirdan is as close to a family member to the high king, that’s his adoptive dad. The series is very non-reading Silm friendly, but they somehow fail to explain some of the crucial relationships between characters. I KNOW there’s next season maybe they’ll expand on it, but some things like that need to be established IMMEDIATELY.

But with 8 episodes, what can you really focus on to adapt and show on the screen? This is why, AGAIN, stop making movies, we want a series. The biggest strength that a series has is CHARACTER DEVELOPMENT AND PACING. A series will always have the upper hand in that, and they are still trying to make a movie, cut in 8 parts. Please, arrange the pace for 10 episodes, so it doesn’t feel like one episode is laid back, and then the next one is rushing to the finish line. MAKE A SERIES, NOT MOVIES.

The thing that made Game of Thrones great those 4 first seasons was not the big battles or the CGI dragons. It was people talking in rooms. Their history and relationship with each other. Actors giving their A++ game with dialog which was moving the story. THAT made Game of Thrones worth the hype.

Learning about the fact that they have a change in the writers room can either be a good thing, with some storylines now being over and concluded so they might be preparing to change gears for Season 3, or with my mind going always in work corporate mode, writers not being payed as they should for their work so why stay…

The series did get a brush with the writer’s strike, which I will always support. YOU CAN’T HAVE A STORY WITHOUT GOOD WRITING! PAY YOUR WRITERS!! 

I think Episode 8 is where I felt some stuff were cut off and rushed, probably during the strike, that were set up in Episode 7, didn't land well. But I’ll get to that.

I started this in rant mode, but had to get it out of the way cause it bothered me the most. The series has SO much potential and it sometimes pains me to see fail on the most basic stuff. 

Okay, moving on with the juicy stuff now!

This season was The Charlies™ season, hands down. Absolute rollercoaster with Celebrimbor and Annatar/Sauron playing off each other on the screen. From the moment Sauron enters Eregion, to the final shot of him stealing Fëanor’s hammer. The showrunners were fully concentrated to that side of the story and, holy hell did they outdo themselves there. Charles Edwards as Celebrimbor needs to get some push for awards, or somehow ship one to him. I remember being a little a skeptic at first about his portrayal, since we got so little of him is Season 1, but as you rewatch it, you can see the foundations being set for his character. Season 2 is where he’s fully unleashed and, he is truly THE Celebrimbor. A sweet, sensitive soul that just strives to get out of his family’s shadow, by creating something unique that would be his legacy. A perfect victim for Sauron that finds his connection with Celebrimbor through that. I loved the fact that they filmed their scenes in order of the episodes and it shows the slow descent of both of their characters, helplessness and paranoia for Celebrimbor and Sauron barely managing his uncanny elf mask while trying to withhold annoyance and rage. Masterful acting by both. The last scene with them was MUCH more impactful than if we would have gotten the banner scene in the book. They started their pact alone in the forge, and they ended their manipulative partnership, alone in that same forge. With Celebrimbor getting the upper hand in death. Sauron AGAIN getting a knife straight into the heart, but with words instead of a pointy crown. Only this time, he won’t be able to get pay back for the insult. Because Celebrimbor in death, went where Sauron CAN NEVER go. The slow realization that he’s always gonna be a prisoner in his own cycle of violence. He has many names…And the cycle begins again.

Bless you Charles Edwards, thank you for being our Celebrimbor.

Charlie, be seeing ya next season you giggly perfect casting of Sauron’s messy character person you!

I was most excited to see were the elvish side of the story is gonna go after the end of Season 1, with the making of the three rings. And I think they did well! Robert Aramayo, I once again put myself on blast for ever doubting you as Elrond. My hubris must follow me till the end of this series. You have a shitty old phone, don’t know what a Brat Edit is and will never read this, but the universe will know of my foolishness. 

Elrond's feud with Galadriel HURT to watch. Those are two besties that want their best for each other and will protect each other no matter what. The rift that was going on between them and mending it in the last episode was so sweet, kudos to Morfydd as well for always bringing her A++ acting game. FINALLY we have a bit more of Gil-galad this season and IS STILL not enough. I ranted before about not a single blip of a Gil-Cirdan convo happening, but getting FREAKING BEN DANIELS for just a few scenes IS CRIMINAL!!! Also, still sad about that beard of his, he was already perfect damn iiiit.

I’m glad that we had this push and pull with the elvish rings, are they good are they bad, they are a new invention and the elves have no idea how to deal with them at first. Gil-galad and Galadriel’s visions were a nice representation of that. What are their power levels, what are they truly capable off. What I like to believe though, is that while Sauron had his hands on crafting the seven and the nine…guess who’s hands last touched the mithril that made the three. It was Elrond. With all his hopes and need to help his kind survive when he threw that nugget into the melting pot in the last episode in Season 1. And guess who wears those rings now? His closest family and the people he cares the most. When he finally decides to give Nenya a chance, we get to see the result of all his hopes and desire to protect those he loves the most in the last scene of this season. Rivendell. ELROND’S KINDNESS is the reason the elvish rings remain untouched by Sauron’s evil.

Galadriel vs Sauron. Oh! OH! I can only imagine Lúthien smiling and pointing at Galadriel, Sparta kicking him over the boulder. “That’s my girl! THAT’S MY GIRL! Wipe the floor with that bozo!!” If I’m being honest, spoiling myself with Bear Mccreary’s Season 2 soundtrack, listening to the track “The Last Temptation” gave soooo many vibes that something might happen to Galadriel that will leave me SHOOK, aka taking Sauron’s offer and Elrond being there to witness it, but Bear tricked meeee!!! She just fell through a tree! The clash was *chef’s kiss* though, Sauron constantly shapeshifting trying to mess with Galadriel’s feelings and even pulling the Halbrand puppy eyes card. But she wasn’t having it. Sauron gets denied, AGAIN.

Alexa, play Drive by The Cars for one dark lord. And conjure some of that sad rain again while you go waddle your way home to Mordor, you absolute clown.

HEAL YOURSELF. QUEEN.

We got more of the dwarves as well and the creation of the seven rings. I was a little disappointed that we got robbed of the Narvi and Celebrimbor friendship happening while making the Doors of Durin, but what can you choose to put in just 8 episodes, right? Sophia and Owain truly are such an amazing combo to watch as Disa and Durin, they did amazingly this season. I’m gonna miss Peter Mullan as King Durin, every scene with him and Owain was just beautiful and heart breaking. “Forgive me my son, King Durin”. I was choking in tears not even 5 minutes into the last episode. And will you look at that, forgiveness is the theme that starts off the episode, huh? 

The Uruk storyline…where do I even begin jfc. I went from Season 1 and loving Adar as an interesting unique character, to loving the entire Uruk story with its sad tragic end. Whoever was responsible for that, amazing job. 

I was sad when Jospeh Malwe left and his role was recasted. But HOLY SHIT, enter Sam Hazeldine and he just took that character to a new height. Adding more complexity, adding more black speech to his dialog, and being a representative of my favorite theme that I speculated is central to this season. Forgiveness.

The orcs being humanized was a great move imo. Because how else would we see the tragedy that is their entire kind being slaves to their own violent nature, that Adar sees past it, and Sauron can’t wait to exploit it. When Sauron tells Celebrimbor about the fall of Gondolin and the orcish blood rage I was FEASTING. THIS is how you introduce lore and expand on the history of the characters. They are a tragic invention of Morgoth, and yet are still sentient beings with names and feelings, that have been drilled and brainwashed about the fact that they’ll never be accepted by anyone, ever. Adar doing everything possibly wrong just to protect them, only to serve them right at Sauron’s feet as his new army. 

I’m sad that we couldn’t have had more of Adar’s character and he was absolutely full with potential, but he was doomed by the narrative from Season 1 and his actions had led to have little wiggle room for him to be left alive in the end. His last moments with Galadriel were beautiful. The very opposite of Sauron and Celebrimbor. He breaks from his cycle of violence and chooses forgiveness and peace. What happened after that though, was what we were supposed to be expecting about Adar's fate from the very first episode. Sauron never forgives and never lets a debt of insult go unpaid.

But what I DIDN’T like is the fact we never had a resolution between him and Arondir. Them stabbing each other and both of them still walking it off?? This is where the disconnect between episode 7 and 8 begins. Cause when they face off on the battlefield, you can see Arondir mouthing some words to Adar, but it must have been cut in the editing room. Adar was Arondir’s main reason why he lost everything and we will never have an appropriate closure between them I guess. Adar and Galadriel forgave each other, but he never asked Arondir for forgiveness. And we should have seen that. Instead, as one of my friends put it while we were gossiping about the last episode “And they just left Adar laying on that hill, huh?”

I want to believe he was Maglor, but hey, even with his elvish identity remaining a mystery, he still wanted the name he earned. I think that was nicely done.  They didn’t have the rights to the lore after all lol.

Sam Hazedine, I hope you get a huge bump up in your CV for playing such an amazing character and may you get other amazing acting roles in the future.

For now, what me and my friends group came up as a batshit “How do we still keep him in the series somehow” plan in 1am in the cafe drinking americanos, we figured he should apply to play as Glorfindel, but with a shaggy beard! Glorfindel is already half-maia at that point. He can get the wizard/elf vibes! Go with the grizzled dad look, no one will notice!! SEND YOUR CV, SAM!!

NÚMENOR!!! We’re slowly, but surely getting to the “and the island goes boom” storyline and ooooohhh I can’t wait. We’re getting hints of Isildur being the messy character that he is. As we slowly go through episode 3, we are hit with the biggest foreshadowing shot in the season, him basically seeing his own ending in the water. And what does he do there?? He steals from a dead man. He then meets and falls for a girl that’s already spoken for. What does he do? Tries to steal her too. Still riddled with guilt for the death of his mother, and using that to try to at least make up for it and cover his guilt with it. But this is Isildur we are talking about. Name a better combo than Isildur and bad decisions. But I love the fact that he was paired up this season with Theo. Similar experiences, both connecting through their loss. And I LOVE Theo’s arc so far, probably the character I’m most interested to see how his story will unfold. 

See, a friend of mine had an interesting theory that, while everyone is still going about Theo being either the Witch King or the King of the Dead…he might have another direction. What If Theo is Aragorn’s other side of the bloodline? Okay. Bronwyn falling for Arondir, human in love with an elf. Can you guess who has the same taste as well? Theo’s unknown lineage on his father’s side. It is almost as an open door to introduce the Dúnedain still living in Middle-Earth, and what better way to introduce them, then through Theo. A mainland Númenor vs. Númenor storyline? The paring of Isldir and him this season is also a hint. “The king’s hands are the hands of a healer”. And guess who’s the ONLY healer in Pelargir now? Theo ALWAYS choosing to stay with his people regardless if he’s been given a way out with either Arondir or Isildur…

Are we’re on to the showrunners or are they just throwing hints like this to lead people in one direction while they figure out his story? 

Back on the island, things are heating up for the Faithful vs. The Kings Men, and I’m here for the doomed story that is Miriel and Elendil. I’M HERE FOR IIIT!!! Pharazôn using both Kemen and Eärien as his tools to set himself on the throne was nicely done too. I was a little disappointed to see some Eärien hate going on though? Pharazôn, used her grief and anger for HIS means. After everything that her family goes through, she has the right to be angry and look for someone to blame. Why would she blame her father? He was under the queen’s orders, right? Grief makes you do terrible things and makes you blind, her respect for Pharazôn as the “smart” leader, falls right into Pharazôn’s hands in the right moment. And he uses it. He tries to turn her against her father too. BUT what does she do? SHE TRUSTS her father and goes AGAINST HERSELF to call the queen to help her save her Elendil, SHE KNOWS about their feelings for each other at that point, even if she doesn’t agree with it. Her love and loyalty to her family is stronger then everything Pharazôn threw at her. I never wanna see Eärien hate in the tags, as Galadriel says it best, heal yourself pls.

Kemen’s development on the other hand, I find really interesting. I get that he’s everyone’s favourite to hate right now, and Leon Wadham does an incredible job if people have such strong reactions to his character. Please don't be weird and don't harass him, he seems incredibly sweet compared to his RoP character. But there’s something really sad about him, you have this númenorian nepo baby that has everything on a golden platter, but the only thing he craves for is his father approval. And his father happens to be the worst person ever. He doesn’t want the scepter, he wants his father to have it. The moment he mentions to Pharazôn “us” he IMMEDIATELY cuts him off with a look and starts telling his own son how his dead mother had an ill prophecy about him. Cruel to the bone. And he blackmails him into telling it IF he does his bidding well. Of course, Kemen does a shit job at it, and we lost Valandil in the process, WHICH I DIDN’T EXPECT!!…BUT, I’m gonna take his death into advancing Kemen’s arc into a more villainous path, him arriving at Pelargir and seeing Isildur alive was such a moment, I had to cackle! The SINGLE PERSON RESPONSIBLE for the start of the domino effect of Númenor slowly going towards its downfall, turns up alive and is headed back home. Where Kemen killed his best friend, imprisoned his father, helped banishing his father, helped imprisoning Miriel and his sister is now target number one of Pharazôn. And Isildur saved Kemen’s life. Name a better combo than Isildur and bad decisions. 

Now, mentioning Valandil, I gotta rant about something else. And it’s about character deaths, especially for POC characters. Valandil dying, while not liking it, thinking it would happen much later when Númenor finally goes boom, it makes kinda sense for him to loose his life to Kemen, WHILE IN THE TEMPLE OF NIENNA. Lady of forgiveness, mercy and grief. Kemen even breaks her statue, which we should take as Kemen being beyond forgiveness. Advancing his character into a darker path. And then Nienna would be the first to forgive him lol.

But Rian?? Dying in the battle for Eregion like that? I get that her death represents a visual queue of the sheer evil and misery that is war. But, Vorohil surviving Boromor levels of arrows in his back, but not Rian? They couldn’t have switched their roles for that?? Rian being the messenger and Vorohil dying to protect his commander?? I’m kinda relieved that at least he survived from Elrond’s little party group, and Camnir is godknows where, but come on man. COME ON MAAAAN! Do better next time please, showrunners. If you introduce cool characters, at least don’t take them away like that, especially when they are POC.

And lastly…the Harfoot storyline. Oh boy. I don’t know if I’m in the minority, but for me this is probably this season's weakest point, A STARK difference from the previous season where I was invested the most. AND WE FINALLY GOT THE CONFIRMATION THAT HE’S GANDALF!! And it felt like, eh. We been knew.

This probably was the most cut storyline and felt like so many moments were missing. HAVING CIARÁN HINDS ONLY FOR A FEW SCENES!?! CRIMINAL!!! At least we got to see some Rhún scenery and got to see another clan of halflings. But the transition to the last episode felt like it lasted like 3 minutes, and then compare the previous season finale where everyone was still buttclenching if Halbrand or The Stanger was Sauron, right until the last conflict with the cultists! THAT was a nice ending of a climax. This season felt like they really didn’t want to bother with it anymore and now we have Gandalf going to Tom Bombadil, which is another perfect cast with Rory Kinnear, and Nori and Poppy leading the remaining Stoors, west. The gang is split. And it felt like a blip, compared to the goodbyes from the previous finale where emotions were high and you felt crushed and hopeful at the same time. But this storyline is now over, so that’s that.

I think that’s the overall general feelings for this season! Not going TOO much into detail, cause this will probably be a BEYOND long post lol.

Previous Personal MVP from Season 1 for me was definitively Daniel Weyman as GANDALF, having so little dialog, but using body language and emotions to act his way into the story. Season 2 MVP goes to Sam Hazeldine’s Adar. The dude swooped in and made the character his own and added so much more. To make me ROOT for the orcs? BLACK SPEECH making me emotional?! Unheard of!! Rest easy Uruk goth king, may you live in other people’s fanfics and be an inspiration for other amazing complex characters.

So…what do we expect now from Season 3 coming up?

Rivendell is coming up baybeeeeh!!! The first defensive bastion of the elves before the war with Sauron starts to heat up! Oh, that last shot was just beyond beautiful, BUT LIKE I SAID!! I would have had Ben Daniels just coming over and saying a few words than having that CGI shot. 

SO MORE CIRDAN NEXT SEASON, PLEASE!!!

I honestly have no idea where Galadriel’s arc is gonna be headed, but her connection to Sauron will always be there, now that she’s sort of marked? by his crown and the evil it’s made off, I wonder if it’s gonna come into play like Frodo when being stabbed by the Witch King’s blade. 

We didn’t get Celeborn as a surprise, and looking back, it was just impossible to get that. Season 1 and 2 are almost glued to one another and if you look at it from another side, it’s a full 16 episode season. This was basically Part 1….of The Rings of Power The Movie.

Hopefully more of the golden boi Gil-galad, give the man more twirling Aeglos moments, come on!! AND MORE GOLDEN FAM MOMENTS TOGETHER!! PLEASE. Some people still don’t know that Galadriel is Gil-galad’s auntie!! 

Sauron snatching Fëanor’s Hammer from Celebrimbor was VILE. And I loved it. He killed the only person talented enough to use it, and now he is left on his own to craft the final ring, by probably a) melting the hammer b) using it half-assedly and in the process messing up the One Ring so that’s why he ends up binding his entire life force to the Ring. BUT before he does that, he has the Nine Rings and he needs Nine Kings. So we’re on our way to seeing more Kingdoms of Men and that means we’re getting more casting announcements as the months go by. 

Pelargir!!! Theo being stuck with Kemen? Recipe for trouble. Hopefully Estrid gets some character development there, cause what we got so far from her was not enough imo. We’re already on our way to seeing the Ent’s promise getting broken. UGHH!! I don’t wanna see that, not when Episode 4 made me so emotional and is probably one of my favourites so far. We’re gonna get a clash with the Low Men vs Númenor for sure and this is where it starts.

We’re getting Khazad-Dum’s Game of Thrones!! NOOOOOO!! I don’t want them clashing with each other uughhh, especially family, but their fate is already written and it’s not gonna be a happy one. We will see if Durin will be tempted to use his father's ring as well. He did leave it to his son. So hoping they go for the emotions in that storyline. And in the mix there’s also the rift being open again between Durin and Elrond. And is it gonna get wider, or are we gonna see it mended next season? QUEEN DISA PLEASE PULL THROUGH!!

NÚMENOOOOR AGAAAAIN!! GOD there’s gonna be a lot of pain in there. And I was off with my prediction, we’re not getting Anárion this season, but we’re DEFINITIVELY getting Anárion next season!! Isildur coming home is gonna cause some chaos I’m sure, finding out pretty much like the pizza burning meme gif that A LOT of shit has happened during his absence. Are we gonna see a rift between Eärien and Isildur though? Her actions pretty much stem from his “death”, so it will be interning to see if the siblings clash or try to settle things first and find their dad and other brother. Pharazôn slowly setting himself up for the arrival of someone special AKA Sauron. We’re maybe still too far off from that plot, but as much as I enjoyed The Charlies™ and their scenes together, I CAN’T WAIT to see Charlie and Trystan being a combo act on screen. I LOVE Trystan’s portrayal as Pharazôn, he just oozes those charming but menacing vibes when he’s in his act. And to pair that up with Charlie? Which mask will he choose to manipulate him with? OH! CAN’T WAAAAIT!!

And then again lastly, as each season and episode, the Harfoots and Gandalf. It was nice to see that we’re getting the lore about how the halflings find The Shire, so we’ll probably gonna follow them on their travels to the west, and hopefully they meet some of the other key characters from the series. At some point, most of the characters HAVE TO HAVE A BRIDGE to meet up, instead of getting multiple separate stories. Hopefully Season 3 is that. Gandalf being mentored by Tom Bombadil in Rhún while the other wizard is still on the loose. The showrunners did confirm that Cirian is not Saruman, so that makes him one of the blues that failed their mission. They can go aaaanywhere with this storyline, but they better bring it up closer to Sauron and Galadriel. If they wanna show us the connection between Galadriel and Gandalf, and why Gandalf fears Sauron so much, I think Season 3 is the best point to start.

And that's pretty much it I guess.

Now the painful wait of TWO FREAKING YEARS begins for Season 3.

I'm gonna try to stay as active as possible with my gifs and plan out some sets, maybe including some of the other acting gigs of the other RoP actors, like my "Hazeldine cope mechanism for Thursday" sets, if my time allows it. But time is all we have now.

September flew by for me with this series. Like, 28th of August was two weeks ago, right?

So what are we doing next Thursday?

[silmarillisms]

Criticizing the Critics: ROP, Sexism, and Racism

This is a bit of an anti-anti-anti post, if that makes sense. Before I get into it, please understand that I am absolutely not saying that there are no sexist or racist criticisms of The Rings of Power. I am also not saying that none of the people viciously critiquing or review-bombing The Rings of Power are sexist or racist. I am certain that there are those among them who are.

My argument is that the majority of individuals criticizing the show are not doing it for those reasons and that painting them all with the same broad brush of "you're just racist or a misogynist" is making the divide in the fandom worse.

Anyway, I argue with a lot of people on both Reddit and Tumblr about The Rings of Power and I'd like to bring to the table some trends that I've noticed among them.

The Peter Jackson trilogy was the introduction to LOTR for most modern fans. Most of them have never seen the Bakshi film or listened to the BBC audio drama.

Fewer still have read the whole trilogy, especially recently. Even fewer have read the other adjacent works like The Silmarillion, History of Middle-Earth, Nature of Middle-Earth, et cetera.

A lot of these people are wrapped up in the nostalgia of Peter Jackson's films. There are huge parts of Tolkien's mythos (there isn't any hard canon for a vast majority of his world, which was a purposeful choice that he made as an author) that have no hard canon at all but rather several competing explanations or interpretations. These are portrayed largely inaccurately or entirely ignored in PJ's films - and I understand why. There's only so much you can do in a limited amount of run time.

The Rings of Power is actively digging into a lot of that ignored or broadly brushed over mythos - mythos that people are not familiar with and do not associate with the franchise, on a large scale. Many people have put up blockers in their mind and have no interest in learning about the actual mythos we are presented with in the main and extended works on Arda.

As an example, someone on Reddit called me pedantic for explaining the difference between Sauron shapeshifting and Sauron's fea being disembodied from his fana, which is what we see in episode one of season two, and for explaining that the black slime that comprises his form is probably a nod to Gandalf saying that Durin's Bane, also a fallen and corrupted maia, took on a similar form when he slew it.

These are simple concepts from the mythos that Tolkien wrote but PJ excluded and they are often the most hotly criticized by people who dislike the show.

I think these objections, for the most part, stem from the fact that PJ's trilogy is what a lot of people know and where their nostalgia is rooted. A different adaptation can feel threatening to something they know and love. Imagine you got into some series as a kid not knowing there was a book series behind it and never reading it. You grow up on it. As an adult, it's remade and it's not like the series you remember. Do you care if it adheres more closely to the original source material that you're not even that familiar with? If the pacing and themes and character choices are different from the series you loved?

Look, I'm not excusing these people from being assholes. I just don't think that most of them are actually upset about strong female or POC characters. Some of them definitely are, but in my experience those aren't the arguments that I'm actually coming across in true droves. Reducing their arguments to racism and sexism does nothing to combat their actual complaints, which in bulk seem to stem from ignorance rather than malice.

It's possible to argue in good faith, but we all have to participate. A bigger fandom is better for everyone. Unless someone is obviously being a bigot, try to extend them a little grace if you reach out to them. You might be surprised by the people who come around.

[very-grownup]

So a couple years ago, I fell into watching Chinese dramas and because my posts about the most recent one garnered some curiosity, here are the dramas what I have watched.

Hikaru no Go

DID YOU KNOW. DID YOU KNOW. THAT IN 2020 THERE WAS A CHINESE DRAMA ADAPTATION OF HIKARU NO GO AND IT IS AMAZING AND MADE ME CRY ALL OVER AGAIN? It is faithful in spirit while making understandable alterations both for the setting and to avoid managing child actors for the entirety of the series (there are about six episodes with Hikaru/Shi Guang as an elementary school student before a time jump to high school).

If you are unfamiliar with Hikaru no Go I recommend becoming familiar with Hikaru no Go, my first and still one of the best sports manga. It's what Takeshi Obata was the artist on before Death Note and my hot take is that Obata post-Hikaru no Go is mid at best.

Hikaru no Go is a sports series about the most normal boy finding an antique go board that houses the soul of an ancient go master who died too young and with go regrets, so he bullies/guilts the boy into helping him play go so he can see or play a divine go move. In the process he acquires a rival/stalker in the form of the genius son of a go master. It's amazing and the drama absolutely does it justice.

The heart of the series is the relationship between Hikaru/Shi Huang and Fujiwara no Sai/Chu Ying.

It's just a fucking good series.

The Untamed

According to one description on imdb, this is about two friends solving a series of murders. This is technically true, although it neglects to mention a few details.

Sixteen years after doing a whole lot of demonic blood magic shit and dying because of it, hated by society, Wei Wuxian (Xiao Zhan) is brought back from the dead by more super demonic blood magic and is recognized by his noble and esteemed peer/friend Lan Wangji (Wang Yibo) and trying to deal with why Wei Wuxian has been brought back from the dead leads to their investigating a series of murders that result in their becoming entangled in wider political schemes stretching back twenty years.

It's got weird pacing, prolonged flashbacks to explain a lot of the relationship dynamics, and basically an entirely self-contained sub-story that brings the main plot to a grinding halt. There are creatures and CGI effects of interesting quality. There are amazing wigs. There are piles of corpses. There's physical torture and emotional torture and some doomed love stuff and sword fights and musical instrument fights and a donkey and chicken theft and brotherhood and what you're willing to sacrifice for your goals and what goals you're willing to sacrifice for and it is based on a novel that ends in the protagonists raw dogging on the side of the road.

That part's not in the show.

Douluo Continent

Ignorant country boy Tang San (Xiao Zhan) finds himself involved in the world of martial arts and magic after discovering a hidden talent and ends up in the group of fellow martial artists who are all weird or unorthodox or hiding crucial bits of their backstory like girl who is actually a rabbit and immediately decides Tang San is her best friend/husband (Wu Xianyi), guy who needs to become powerful enough to kill his older brother (Gao Taiyu), girl who rejected an engagement to the would-be brother killer and wants to fight him (Liu Mei Tong), guy who wants to ditch martial arts to become a great actor (Liu Run Nan), and girl who is too rich to be here (Ding Xiaoying). They learn together, they grow together, they fight monsters and embark on a tournament arc, and there's an overarching mystery about Tang San and his weak but simultaneously super powerful spirit summoning.

Even though the best technique is clearly the one where the boy in question can summon a sausage that you eat and heals you.

It's very much of a specific genre that can be pretty samey, but Douluo Continent has a charming cast that makes up for its predictable plot beats.

It does end on a cliffhanger that is possibly resolved in the sequel series where ... all the main characters were recast with, I'm guessing, slightly less pricey actors. Such is the way of things.

Word of Honour

Do you like knowing what's going on? Then get the fuck out of here, Word of Honour is not for you. Real ones want to be immediately submerged into chaos and confusion and secret identities. You want Mr Bones' Wild Ride in plot form. Why has former superassassin Zhou Zishu (Zhang Zhe Han) abandoned the sect of assassins he created to live in wandering drunk anonymity as he slowly dies? Why is Wen Kexing (Gong Jun) stalking him aside from poorly censored horny desires? Is Wen Kexing actually a ghost? Can any of the impressionable youths attaching themselves to Zhou Zishu and Wen Kexing be stopped from their very poor choices in role models? What is up with this legendary hidden armoury and why do Zhou Zishu and Wen Kexing seem unable to escape the conspiracy around it? HOW HARD IS IT TO GET WOLONG'S FAMOUS NUTS?

Not recommended for people who constantly want to know what's happening or why X is doing Y, but great if you want to watch with someone and then after an episode, walk your dogs and try to figure out what's going on and what's going to happen (you will be wrong).

Advance Bravely

What if the most ridiculously unrealistic and unhinged slashfic by a teenage girl who doesn't fully understand anything was adapted into a drama series where censorship means everything must be painted with a special "no homo" brush? You get Advance Bravely which is the most incoherently homoerotic thing I've ever watched. No one thinks you should watch Advance Bravely and you watch Advance Bravely and you agree but sometimes you just have to watch a beautiful trainwreck where the protagonist explains his lack of a girlfriend with erectile dysfunction and the series climax involves his being, essentially, trapped in a well.

Love Between Fairy and Devil

DO YOU WANT TO GO FULL SHOUJO MANGA FANTASY?

Innocent fairy Orchid (Yu Shuxin) just wants to strengthen her immortal spirit and pass the exam that would let her serve in the palace of the fairy capital so she can catch glimpses of the War God Chang Heng (Zhang Ling He) who she is hopelessly in love with. Instead, an attempt to help her crush causes her to bumble her way into the high security spiritual prison that has held Dongfang Qingcang, the Moon Supreme (Dylan Wang), for 30,000 years.

DO YOU LIKE BIG NUMBERS BECAUSE YOU WILL GET TO SEE SOME BIG NUMBERS IN TERMS OF TIME SPAN AND AGES.

Because of some plot magic, Orchid and the Moon Supreme swap bodies and loophole out of prison, much to her distress. Their fates are tied together and Orchid becomes more familiar with the wider world and the politics between the realms and how much the fairy realm's supreme ruler fucking suuuuuuuuuuuucks while Moon Supreme finds himself having feelings again after they were tortured out of him in a mystical coffin prison as a child.

Moon Supreme's closest friend is a dragon. Orchid's closest friend is an opportunistic snakeoil saleswoman. There's a pissy younger brother and a bitchy but honourable love rival. There are secret origins and reincarnation and hidden identities and the way it alternates broad comedy and melodrama and sweet romance may give you whiplash.

I just love a bodyswap, you guys.

Sailor Moon vibes but Mamoru is actually interesting and becomes likeable.

Guardian

Okay so the best thing about Guardian is not only that it's a censored adaptation of a novel with a same-sex romance, but that /the entire premise/ is altered for television purposes.

The novel is steeped in Chinese folk religion and the Underworld is real and mythical creatures secretly walk among us.

In the show?

ALIENS, BABY.

Ghosts? THOSE AREN'T REAL BECAUSE HUMANS DON'T HAVE SOULS, THEY'RE JUST ENERGY BEINGS.

It's so ridiculous it's endearing.

Anyway, it's about bros solving mysteries with a Monster of the Week vibe until it becomes about possibly the end of the world and alien domination and evil twins.

Mysterious Lotus Casebook

IT'S TIME TO SOLVE CRIMES. IN ANCIENT CHINA.

Quack doctor Li Lianhua (Cheng Yi) is just trying to live a quiet life with his dog and his horse-drawn house. Fang Duobing (Joseph Zeng) just wants to gain admittance into the martial art cop organization that's carrying on the legacy of his dead teacher, Li Xiangyi, who was maybe never actually his teacher and also wasn't killed ten years previously by Di Fei Sheng (Xiao Shunyao), the head of an evil martial arts sect who is also not dead. Not nearly as many people as people think are dead! Identities are cleverly hidden behind pseudonyms and various levels of mask!

Crimes are solved and Li Lianhua is very tired about the whole thing. It's an unwilling buddy cop sort of thing until it becomes about youthful hubris and the sins of the past and also one woman's determination to conquer the world and give it to the man she loves, even if he doesn't want the world and also doesn't love her. We love a woman who takes what she wants and if necessary cuts a man's tendons and imprisons him in a torture pool so his blood can't clot until he agrees to be her wife, don't we, folks?

Folks?

Story of Kunning Palace

The scheming empress Jiang Xue Ning (Bai Lu) dies and wakes up, eighteen-years-old, at the point in her life where she's on the verge of making the start of the decisions that lead her to the Very Bad End. She is going to make different decisions this time and prevent the things she regrets and avoid becoming the empress at all costs.

What you need to know about Story of Kunning Palace is that Bai Lu could have chemistry with a rock and she inadvertently collects a bisexual harem. Her end game love interest is Xie Wei (Zhang Ling He), the man who killed her, an advisor to the emperor, music teacher, double or triple agent, and sufferer of vampire snow madness and a fear of cats, whether adorably fluffy or badly CGI'd. But she's in love with noble civil servant Zhang Zhe (Wang Xing Yue), a pure and hardworking man who she seduced into betraying his principles, leading to his imprisonment and probable death. However, her childhood friend Yan Lin (Zhou Jun Wei) is in love with her and previously she rejected him VERY HARSHLY after his family fell into disfavour due to political machinations and Jiang Xue Ning had cemented the likelihood of her marriage to the next emperor. Also there's Princess Le Yang (Liu Xie Ning), who Jiang Xue Ning made an enemy of after the Princess fell in love with her when Jiang Xue Ning was crossdressing and did not take the reveal of her true gender well. Xue Shu (Elisa Ye) is an unfavoured daughter of a scheming lord who was the only truly loyal person Jiang Xue Ning knew as empress. ALL OF THESE PEOPLE FALL IN LOVE WITH JIANG XUE NING and you look at Bai Lu and go 'yes, that makes sense'.

It's mostly about the politics and scheming and Jiang Xue Ning trying to find a way to have a stable, satisfying life without betraying everyone she knows and standing on a pile of corpses, but the love shape Jiang Xue Ning isn't fully aware she's in is comparable in complexity to the plots between ministers and lords and dowager empresses and cousins and rebels.

The choices the characters make are maybe not always the best choices, but DAMN are they a good time.

Story of Kunning Palace is also one of the only times I have begged a character in a show to take a particular action and then she DID IT and fuck it was satisfying.

The Sleuth of the Ming Dynasty

IT'S TIME TO SOLVE CRIMES. IN ANCIENT CHINA. AGAIN. BUT WITHOUT MARTIAL ARTS.

Tang Fan (Darren Chen) is a low-ranking government official and detective genius who loves food and hates routine work, but loves a fucked up crime. Since he spends most of his money on delicious food, he writes trashy porn under a variety of pseudonyms to pay his rent. Sui Zhou (Fu Meng Bo) is an imperial guard and ex-soldier with PTSD who has no time for nonsense but loves the passionate pursuit of justice and food. He's also From Money and has a very empty house that Tang Fan whines his way into after they solve a case together. Everyone is manipulated by dangerously powerful eunuch Wang Zhi (Liu Yao Yuan) who is the enemy of basically everyone, except for Tang Fan, who has the political and social awareness of a rock.

An amiably pathetic man solves a variety of mysteries, from murder to complex imperial assassination plots and also this really complicated one involving diluting the purity of silver currency, and also the executive producer is Jackie Chan.

It's missing the romance subplot that I understand is in the source novel and also apparently there's an overarching plot involving a cult?! which we don't get here, but there's lots of bombs which are almost as good as a cult, maybe? (They're not.)

Divine Destiny

This is the one we're currently watching and the ride that this show is. How many plots can be crammed into one show? How many ridiculous but true things can I say about this show?

Ji Ruochen (Ma Tianyu) is an orphan who dreams of martial arts adventures. Raised by a couple who run a Crime Inn, one day a customer robbery goes very wrong when the customer turns out to be the latest incarnation of Yin Feng, the Banished God (Marius Wang). Ji Ruochen accidentally kills the Banished God and his foster parents promptly take the body into the desert and dump it down a cliff, but not before taking a necklace made from a piece of Gu Qing, the Blue Stone Goddess (Xuan Lu), which is supposed to let her recognize the Banished God in their final incarnation. Accidentally stealing the Banished God's identity, Ji Ruochen finds himself a hotly desired commodity by the cultivation sects who are all eager to have the Banished God as a disciple for prophecy reasons. He goes with Zhang Yinyin (Angelababy), a feisty, argumentative girl who has had to work extra hard because her spirit was contaminated by a demonic root planted by the evil nine-tailed fox who is poorly imprisoned in a cave anyone can access.

MEANWHILE some dudes with amazing moustaches and a penchant for laughing in delight at their own evil have found the body of the Banished God and done some questionable mystical shit to put him in a new body and nurture a grudge against Ji Ruochen for stealing his identity.

THEN Gu Qing meets Ji Ruochen and like everyone else assumes he's the Banished God and she falls in love with him (Gu Qing having been a literal rock spirit who cultivated to immortality under the guidance of the Banished God, who followed her into the mortal realm and a cycle of 100 incarnations after Gu Qing accidentally Did A Crime) but then falls in love with HIM.

ALSO Zhang Yinyin is always at risk of succumbing to the temptation of using the demonic fox power that is within her even though that will literally turn her into a demon but maybe it's worth it if a woman who is actually a goddess who is actually a rock is making eyes at the junior you brought into the sect and are in love with and you want to be more powerful than her?

ALSO what's the mysterious power that let Ji Ruochen kill the Banished God in the first place?

IS the woman seeking revenge for the death of the Banished God's mortal incarnation his sister or his cousin or his "cousin"?

WHY is the only love language of immortals stalking?

There's a homunculus and a baby snake demon who is the most precious angel in the world and so many evil dudes delighted in how evil they are and TWO GOOD AND ALIVE PARENTS and a pair of comical monks who have a special attack with a name they have to shout out every time they use it.

Oh and the imprisoned fox demon may have an ex who just hangs out on a rock in something called the Endless Ocean wearing a mask and playing go against the homunculus he made.

And there's an ancient master who lives in an ice mountain and eats memories of love.

Also some people might be secret demons.

There's some weddings.

There's a tiny woman with an ice sword who brutally murders so many dudes.

Do you like CGI birds?

Do you like giant mechanical CGI birds that are for riding purposes?

There's a desert hermit who has a son who is a giant tortoise.

So many things are going on and terrible decisions are constantly being made and it's over a week before I can watch another episode and it's driving me mad. WHAT WILL BE THE FALLOUT OF THE MOST RECENT BAD DECISIONS?

[formulaorange]

2024 Summer Anime

Sorry I'm late on this - I'm going back to school for a second degree this fall so it's been chaos Lots to look forward to for this season!!

Oshi No Ko - Season 2 Such a killer series that I think a lot of people have been looking forward to the second season. They did a great job giving us something to look forward to in the story. Must Watch Noteworthy On-Going Shows: Tensura - Season 3 MHA - Season 7 New Seasons:

Fairy Tail: 100 Year Quest This series was one of my first "longer" shows and I still love the original series. I know it really fell off with the 2014 reboot and the ecchi scenes were ramped up but I think 100 Year Quest gives it a nice fresh start now that people kind of know what to expect.

Additional New Seasons: Kimi ni Todoke: Season 3 A romance drama that my friend has tried to get me to watch for over a decade now. Tower of God - Season 2 I never finished season 1, but I've heard that this series is supposed to be highly reviewed and anticipated. Will go back and watch season 1 to catch up. Shy - Season 2 After letting this series sit for a minute, I'm not entirely sure I'll go back and watch the second season. I think there's definitely an audience for it, but I've got my list full of other priority shows at the moment.

New Noteworthy Shows: There's lots here for everyone this season.

Dead Dead Demon's Dededede Destruction This is a big one I didn't realize was getting an anime adaptation. This is one of the highest rated manga series, I'd say of all time. I'm hyped to watch it. Done by a new studio called Production +h, the style looks perfect.

The Elusive Samurai This is a fairly new shonen jump series that has gained a lot of traction in the manga community. I haven't had a chance to check it out yet, but I've heard good things.

Rick and Morty (Anime) I have so many mixed feelings about this one. I love Rick and Morty but man, and I don't know if I want see them in Japanese/Anime since it's literally already an animations series - but then I realized, because it's produced by the same studio this could be a legitimate "version" of the series that's just a part of the canon Rick and Morty Universe which is kind of cool. Will just have to wait and see I guess.

Suicide Squad Isekai I'm completely on board with this one for some reason. Really not sure why, but it makes perfect sense to me. Honestly pretty stoked to watch it. (+ it's by studio WIT) Wistoria: Wand and Sword A kid enters magic school, although he can't use magic, he's particularly good with a sword. Almost like if Mashle were more serious and less out there? Read the first few chapters of the manga and enjoyed it quite a bit. The Magical Girl and the Evil Lieutenant Used to Be Archenemies I think this looks really cute, will give it a few episodes. (Also because it's done by studio bones) Senpai is an Otokonoko A story about a highschool boy who cross-dresses, friendships between him, another female classmate and his childhood friend who's very protective of him. I'm curious to see how the story progresses and what kind of representation will actually be show-cased in the series. (Looks wholesome) Makeine: Too Many Losing Heroines Amazingly animated slice of life of a group of girls who get rejected by the guys they like. (A1 Pictures) Plus-Sized Elf An elf that came to the human realm falls in love with junk food and now needs help and motivation to lost it. Ecchi series that I saw in manga format a few years ago that I wasn't really expecting to see an animated version for. Mayonaka Punch Has a super unique style that I'm interested to see if the story is actually worth watching at all. Delico's Nursery Same style as Mars Red - group of Vampires taking care of kids and murder mystery solving on the side. Sakuna: Of Rice and Ruin - Anime Anime adaptation of the game, animations and character design look great.

Lots to check out this season, seems like a good bunch that are actually worth watching too. Enjoy!!

[bridgerton-bard]

Bridgerton Season 3 Rambles

Warning: Spoilers for Romancing Mister Bridgerton and Season 3 of Bridgerton on Netflix

Just a compilation of thoughts that I have had about Netflix's adaptation of Romancing Mister Bridgerton for Season 3.

The combination of writing and/or editing was definitely different, and not necessarily in a way that I enjoyed. I am not a cinematographer, so I can't necessarily say why, but this season definitely felt like a much faster pace than S1 & S2. This is especially true for part 1. Prior seasons felt like they were meant to be watched casually and understood easily on the first watch. This season was so dense that I ended up re-watching part 1 again just to make sure that I didn't miss anything. Part 2 did feel like a slightly more reasonable pace, but still faster and more chaotic than any other Bridgerton season. Given that Netflix controls exactly how many episodes and how long they are, I wish they had decided to do 10 episodes so that the story could be slowed down to a more enjoyable pace and less context for each storyline had to be cut for time.

I liked all of the side stories. There are no characters in this show that I don't want to watch. Knowing the backstory from Queen Charlotte, it was so great to see Violet with Marcus (her garden is most certainly in bloom 🌸) and to see Lady Danbury get some closure from the past. It was also great to see more of the continuation of Lady Danbury and Queen Charlotte's friendship. Watching the Featherington women reconcile with each other was probably my favorite of the side plots. I enjoyed the Mondrich storyline. (🎉 Welcome to the ton, officially, Mondrich family! 🎉) I was a little skeptical about how the Benedict/Lady Tilly storyline was going to prep him for S4 (🤞) at the end of part 1, but fully onboard after part 2! I just wish we had more time to see the romance between Colin and Pen build before and after their wedding.

Side note: Do we think that Netflix/Shondaland had always planned for Benedict to be bi/polyamorous, or do we think that choice was made after they were heavily accused of queerbaiting in their characterization of Benedict?

Colin's realization of love seemed rushed even in RMB, but it seemed out of place as it happened in the series. There needed to be more development. Maybe we were meant to see his feelings growing through Colin's conversations with Eloise about Penelope and Cressida, but due to his characterization as "good guy Colin", it mostly just seemed like an older brother who wanted his two friends to reconcile? There was something missing. If the show had gone in book order and Kanthony/Benophie had been around, Colin maybe could have realized his love based on witnessing how those couples interacted?

In my opinion, all of the time in part 1 spent on the Queen coming up with a new name for a diamond ("sparkler") and then agonizing about naming one could have been put to better use. I know that the show doesn't want to bore watchers by automatically having the female Bridgerton lead of the season being named the diamond on repeat, but it's functionally the same and 10ish minutes of screentime that could have been better served elsewhere. Especially with the Queen playing such a big role in the potential match between Francesca and Lord Samadani as well as the reveal of Whistledown, I could do without the agonizing over the special title the female lead will get.

I really missed Lady Danbury playing the role of encouraging Penelope to be herself the way she did in the books. I know Lord Debling might have taken on some of that role in the Netflix series, but there's a different dynamic when Penelope realizes her worth based on a suitor compared to the objective perspective of a smart woman in the ton. To me, Netflix Pen felt like she gained some confidence simply based on that Debling was interested and not that she actually realized she was desirable. Whereas in the books, Lady Danbury encourages Pen to be more confident and show more of her personality because it makes her more authentic and fun to be around.

Speaking of Lord Debling, we were promised during the press tour that Debling wasn't going to be used as a plot device to make Colin propose, and that Colin would express his feelings to Penelope without that sword hanging over his head. But what we got was Violet mentioning to Colin that Lord Debling was planning to propose to Penelope which prompted Colin to rudely interrupt them and cause Debling to rescind his proposal????? I really did enjoy that book!Colin loved Penelope for being Penelope and proposed to her even though he knew that nobody else would and it would lower his social standing to marry the unpopular spinster girl who read romance novels.

In general, past seasons have felt like even where Netflix/Shondaland changed plot points in the books, the changes were still correct in the characterization. While the above might be correct to Colin's characterization it's a significant downgrade from the story that was already written. Why did that need to be changed?

Speaking of characterizations, I really enjoyed the characterizations for Francesca and John. They're such different characters to the other leads on the show and I really appreciated that both seemed to be characterized as neurodivergent in some way. It's nice to see the show acknowledging that gay people, neurodivergent people, etc. still existed in regency times even if the public awareness/conception of them was different.

I wish we had seen more of Colin and Pen repairing their relationship after Colin learned that Pen was LW. I know they were trying to build the drama, but the whole time it felt like Colin was two seconds from applying for an annulment, which was not even mentioned in RMB. Again, it just felt like too much was implied and not shown here, or that the show's characterizations were off from the books.

I enjoyed the peek into Cressida Cowper's world that we got this season. She's no longer just an antagonist cardboard cutout that's moved around the ballroom to create conflict. It's nice to understand her motivations. I really appreciated her storyline this season and I'd love to see a spinoff about her life in Wales and her eventually making her way to the continent or back into the ton. The scene where her mother threw her under the bus as she was counseling her that it was every woman for herself in the ton was beautifully sad. I think it was only in that moment that Cressida realized the only way for a young woman to do well for herself in the ton is to befriend and rely on her peers. I appreciated the aspect of tragedy that Cressida only realized her bad moves when it was far too late to go back and correct them.

Another issue with the writing: some of the modern language was slightly jarring. I know Bridgerton flirts with the modern/regency dichotomy because there are multiple parts of the show that aren't period-accurate. That being said, you're really on the cusp when a character in a regency period drama says "Don't come for my cane". I'm not saying I want it to be 100% period accurate with bonnets, etc. However, I think maintaining the use of Regency slang and slightly modernized regency phrases/syntax is part of what helps make it feel "regency" even though the fashion, music, and social norms about race and sexuality are not accurate to the regency period. The same can be said for obviously acrylic nails. Not everything needs to be period accurate, but some things are definitely a step too far. Big disparities like this are distracting and remove people from the story.

I know people have a lot of feelings about Michaela Stirling, however, I want to let Netflix/Shondaland cook. We don't know yet whether Francesca is also going to be bi or whether she's going to be a late-to-life lesbian. We truly have no idea. I have liked how they've handled Francesca/John so far, so I'm just going to wait to see how this plays out.

I think that's all for now. I'd love to hear anything you'd like to add, as I could yap about Bridgerton for hours.

Varley . . . release the BUGS!

[thequietesthing]

Bridgerton S3 Part 2 REVIEW!!!

Gentle readers, 'tis the time again...

SPOILERS AHEAD - books and tv show

Read at your own risk

Polin: I loved them before and I loved them still. the sex scene, really great and well done. I did not really enjoy the moment when he finds out she is LW, I think in the books is much more powerful and there is the scene in the carriage when they go home which I was expecting and they didn't deliver. other than that since that moment they fill a bit dull, idk it seemed like they had the same conversation over and over again except the last time they finally managed to resolve it (?), but I felt they always used the same argumentations so why it's resolved at the end but not before? probably when I rewatch it, it won't seem that way, but this was my first impression. anywho, they have lovely scenes together, all of their dance scenes I have loved, particularly the last dance with the butterflies. also I appreciated the fast forward at the end to show us where they are and what is going on with LW (a topic I will discuss later)

Violet: she was cute, I did not understand the refrain that she had in sharing the joy of the Frannie/John relationship with them because they did not depict her standard of love that she experienced with Edmund (?) like it was kinda of bullshit and it didn't really make sense in my opinion, and I'm glad that it is Francesca that at the end speaks to the queen to defend her relationship. her relationship with Lady Danbury's brother is interesting, but I hope that they do not divert the attention too much from the main couples in the next seasons.

Eloise: I loved her the most in this second part!!! she is great, she didn't hesitate in coming to Pen's defence when it was needed and I'm glad she reacquired some of her spirit that it was a bit waning in the first part. Also her relationship with Pen and Colin is adorable. I also really loved her moments with Benedict, especially the one at the party when he tells her that Love is not finite. which is true, and also I think relevant for Eloise's future journey with Sir Philip and his children.

Cressida: this poor girl. like you can't tell me you don't feel bad for the woman. great reasons but very poor execution. however they did a very good job in making me care about her, however making it all go downhill once she said those things toward the bridgertons (which it was more her mother, but anyway). one thing I didn't like in the execution of the character was how they quickly dismissed her relationship with Eloise. Like Eloise tells her she is a bad person (she is not completely wrong) and then that is it. I would have expected some more closure to be honest.

Francesca: she is my baby, she is adorable, I love her. I really liked how her character was portrayed by Hannah Dodd. I love her relationship with John (which is a king of sarcasm btw), they are very very well suited. now the point that created some controversy apparently, is the choice to genderbend Michael into Michaela Stirling. Personally, I thought of it this way: this is an adaptation, there are a lot of other things that are not the same in the books, and approving those but getting angry over this specific one feels ridiculous; either you don't like anything or you make peace with the changes. said so, I adore the character of Michael Stirling, I think he is the best male character in the book series followed by Gareth, and I'm truly sorry not to be able to see him on screen and see the love-at-first-sight dynamic with Frannie. However, if I miss him, he's in the books. So I'm very curious to see what they will do with Michaela and Francesca's story and in which way it will go.

Kanthony: they get shipped off to India, and honestly good for them. They came, they slayed and they left. as they should.

Benedict: he will be the next season lead, I'm now 99% sure (as I predicted *very gloating face :)))*. when he was saying goodbye to Eloise he said that Violet will organise a masquerade ball (!!!!!) so Sophie is coming my peeps and I'm soooooo happy. finally my baby will have the love story he deserves.

NOW, the issue with which I was very interested was what they were going to do with LW. Turns out this was a kind of transitional season. We now know who LW is, as the entire ton does and it seems that they will keep the "narrating voice" let's say but it will be Penelope. Personally, I do not completely agree with the choice: I understand they wanted to keep her for several reasons, including the fact that LW is a very relevant part of how the show is marketed and it would go against one of the messages of the season and the show in general but I don't think that it makes sense with the characters. like, it can't be a gossip column anymore because you know who's writing it. like imagine writing gossip about people but they know you are writing it, Penelope would end up excluded by society. so I don't completely understand this choice. but who am I to judge, maybe it will make sense in the future who knows?

Anyway, the second part of S3 gets 4/5⭐️

and in total the season stands at 4/5⭐️ for me.

I honestly can't wait until Benedict's season, but I hope they can manage to do it in less than two years, otherwise when it's Gregory's turn we'll be fifty, including Gregory.

Alright, I'm done.

[rimurutempest]

Hello.....If you don't mind me asking, can I ask, what are your top 7 favorite media (can be books/ manga/ anime/movies/tv series/etc) and your top 10 favorite (fictional) characters from any media? Why do you love them all? Sorry if you've answered this questions before......

Interesting specific.......

7 media huh?

SLC Punk - live action movie from the 90s about Punks in Salt Lake City during the 80s. As a trans person that grew up in Arizona in a region populated by a ton of Mormons I sorta related to it kinda and nowadays I feel like it's actually a really funny, really scary, and really beautiful movie that gets overlooked a lot.

The Shining by Stephen King (book) - it's not my favorite horror novel and it's not my favorite Stephen King novel, but it was the book that got me to enjoy horror. The story is so scary and good, the characters are fleshed out, and there's a whole underlying dialogue about abuse and alcoholism that's very scary. Which is part of why I don't like the movie, cuz the movie adaption (erases the usefulness of the titular "Shining") sorta erases the personal story about alcoholism and abuse. And, it's definitely there still, it focuses more of its efforts on just being a spooky haunted hotel, it's style over substance to me. The connection of the personal and horror made me sort of see the true story telling value of the genre, and now I'm like. In love with horror.

Inside Mari by Shuzo Oshimi (manga) - the best way to explain this is, what if Freaky Friday were more of a psychological horror. Reading Inside Mari has been a very important thing to me as an adult, I sorta see myself in it and there's so much trans emotions in this (there's a whole thing that Oshimi is probably trans), this work is so dear to me I refuse to read to watch other people's take or interpretations, which sounds bad but I just want my special thing that I interpret my way to be interpreted my own way. It's amazing and I love it. All of Oshimi's work has hit me in a personal place.

Wandering Son by Takako Shimura (manga) - one of the first portrayals of a trans person I saw in manga, and honestly still one of the best. There's a lot of criticisms we could give it, but I love it and I related to it so much. It was nice to see a story follow such a young trans girl (and boy) and see them grow. Probably part of why I decided to finally identify as trans.

Puella Magi Madoka Magica the Movie Part 3: Rebellion (anime movie) - this one is largely just emotional stuff that's coincidental. The original Madoka tv show (and thus first two movies) were great but I never thought it was perfect, but Rebellion emotionally murdered me and as everything else mentioned, it felt so relatable. Came out in a very important time frame for bonding when my husband, so I got to see it in theaters with him (twice technically, we went a second time with a friend) plus I got to see it with another friend (three times total) hehe. It's just like, a very big date for my husband and I, I remember it perfectly down to what I had for dinner (my first bowl of professional made ramen lmao). The movie just, really hit, and the circumstances around seeing it were just really important to me.

Lateralus by Tool (album) - I'm sure some people are gonna be like "whaaaa how edgy loser" or whatever about this. But Lateralus was an important album for me cuz it introduced me to larger intellectual concepts I'd never considered before, made me really fall in love with that brand of music, and was one of those things I would put on repeat when I felt very depressed (read: dysphoric). I know the members have sorta grown into shitty people (namely Maynard) but this album is just very important to me.

I'm just going to say The Green Knight (movie), there's a lot I want to put here, especially a lot about Arthurian literature, but I think the best way to just, placeholder all the Arthurian shit I'm obsessed with. The Green Knight is a fantastic adaptation that's incredibly beautiful and well acted. Love it.

tbh w/ you I don't wanna do characters rn so if you swing back by later I might.

[mintyxxie]

I've seen it all - Rating all adaptations of Cherry Magic ✩

☾ ⋆*･ﾟ:⋆*･ﾟ

Okay, so I tried to hunt down every adaptation of Cherry Magic! Thirty Years Of Virginity Can Make You A Wizard?! and watched them all.....like the chronically online loser expert I am.

THIS HAS SOME SPOILERS.

ˏˋ°•*⁀➷ Ratings:

[If I missed any adaptation lmk and I'll watch it and rate it!]

So here are my ratings (in the order in which I watched/read them):

Manga (The original source material, 2018) [6/10]

Thai drama (2023-2024) [9/10]

Japanese drama (2020) [8/10]

Anime (2024) [7/10]

Japanese Movie (2022) [note: this was a sequel to the J-drama]

Chinese Radio Drama (2019) [8/10]

Important note: I'm not sure if the radio drama and the drama CD are the same thing, just in case I'm going to separate the two. I couldn't find the OG Japanese drama CD with English subs anywhere so if any one knows where to find it then lmk. Not paying 20 bucks because I am below the poverty level (fully embodying the college student aesthetic <3).

: ̗̀➛ The Manga (2018)

My favorite volume cover <3

→ General thoughts:

This might be a little dumb but honestly, I had no idea that this manga was pretty recent. I thought that this was an older 2000's manga. I only found out when I looked up the production year for this blog post LMFAO.

Building on that, the art style is fairly unique and a breath of fresh air from the typical late 2010s manga art style. It definitely gave me nostalgia—but with less secondhand embarrassment. Also my favorite part is MC's emo bangs...when he's an office worker.

I found it fun how they didn't start off the series by glazing the male lead and his achievements (which was done in almost every other version.). This approach made the male lead a lot more approachable in my opinion and lessened the gap between the two.

The manga at the very start is extremely focused on the two main characters. They don't really introduce or highlight other characters until later on. (most notably Fujisaki and with the exception of MC's bestie). Manga is also pretty fast-paced in comparison to the other adaptations in my opinion. This is mainly because doesn't really spend a lot of time building up tension or introducing the characters. If anything it feels like the mangaka was going through every arc/major character interaction as if they were bullet points. You can also argue that the other adaptations are slow-paced in comparison to the manga, but in this household the majority rules.

Not a lot of focus on visual elements (unless it's to show emotion). The background is pretty basic and kept to a minimum which helps keep the focus on the relationship between MC and ML.

At the very start, the focus is put more on the awkwardness between the two characters. It's really light-hearted and doesn't particularly hold any strong tension or emotion. I like that because technically speaking the two of them are experiencing something new, I'm TIREDDD of seeing a character fall in love for the first time ever yet miraculously be an expert at it. The awkwardness of a first love and the inexperience that comes with it is a breath of fresh air when put into the context of two adults.

One thing that I really liked about the manga (and the series in general) is how the MC talks about the ethics of his mind-reading ability and actually feels guilty about taking advantage of it. I appreciate how he also comes clean to the ML. The ethics of these abilities, especially mind reading, is so interesting to me, especially considering how it's usually glossed over.

Also...I really appreciate how the MC doesn't look like a 16-year-old twink. He looks his age, a rare sight nowadays.

The perspective of the male lead is shown pretty early on. There isn't a lot of build-up for the alternate perspective. It felt pretty underwhelming when the ML revealed why he fell in love with MC. In my opinion, it failed to draw out strong emotion from the reader. The part where the male lead gets borderline sexually harassed at work also fell flat. I read it and thought "ok...well...that just happened" and quickly moved on.

[The flat delivery of the more emotional and "heavier" scenes is a consistent ick of mine. The manga does an amazing job of communicating the awkward and comedic properties of the series but completely fails at drawing out heavier emotions from the reader. This could just be a me thing though. I blame this fact on the lack of proper build-up and transitions. The switch between emotions happens too quickly, and the manga lacks proper transition panels, making character interactions seem inorganic. The series generally capitalizes on the "out of pocket" aspect of the character's thoughts and emotions. Everything is so random and unexpected which is what makes it funny and interesting, this however makes love confessions and more emotional scenes fall flat because, in the context of the series, these scenes are NOT meant to be comedic. Trying to blend serious and funny is generally difficult and something that a lot of mangakas struggle with. ]

Anyway, the ML's perspective is always a treat. Just a poorly built-up one. My man is also a whole green forest, I'm so happy that he didn't end up forcing himself on MC and instead respected his boundaries.

One thing that I noticed while re-reading the manga is how expressive the characters are, especially the male lead (finally out of cold aloof male lead jail). His awkward wink was so adorable tbh, a funny contrast to his extremely horny thoughts.

“But Mimi, isn't this contradictory? you *JUST* said that the manga suffers from sung jinwoo syndrome (A severe lack of emotional build-up which leads to extremely flat emotional scenes)!" Before you crucify me allow me to elaborate....

It’s simple, deeper emotions generally require more build-up, especially emotions (and emotional themes) that deviate from the main genre. Shyness, awkwardness, happiness, etc are all naturally a part of the traditional romcom slice-of-life genre. If the main emotion(s) that the reader gets across is light-hearted then the story naturally builds up to it and is something that the reader expects so they come into it prepared to feel said emotions. If you try to introduce an emotion such as sadness in this context then naturally you would need to properly build it up in order for the reader to properly feel and process it since it isn't expected (Even things done for 'shock' value still need appropriate build-up, it would just be done properly.). The characters here are very expressive in terms of emotions, but character expressiveness doesn't necessarily carry along to the reader.

I also love the side couple. Their mutual love for the cat is the highlight of the entire series tbh. ITS SO CUTE.

Anyway, to save you the pain of me ranting about the side couple ima make it short and sweet (look at how nice I am....I might make a separate post just to have a yap fest about them). The build-up towards their relationship was so well-written (dare I say even more than the main couple?). I'm so happy that they got their own happy ending.

→ Rating ✩✩✩✩✩✩

6/10

Honestly, this rating was a tough one for me to give because on one hand, the manga excelled in many ways and this is the original source material so it felt weird to give it a rating lower than its adaptations. However, I have quite a bit of reasons for my ratings, all of which were mentioned throughout the previous section but I'll summarize.

The manga left a lot to be desired when it tried to communicate deeper feelings, the characters felt awkward and the interactions felt really inorganic and flat during the "emotional" scenes. I don't really think it's an issue with the art style itself but rather an issue with the panel handling and management. There weren't a lot of transitional panels that helped strengthen the main emotional panels. I don't know if that makes sense because I don't really know the proper terminology but I hope that gets my point across. This is honestly a big thing because this is a romance slice-of-life manga where the main appeal and point of it is the emotions and the interactions between the characters. It's a very character-focused genre, and in this case where world-building is near nonexistent all the pressure falls on making sure that the two leads have smooth interactions. Which I feel like it didn't meet.

: ̗̀➛ Thai Drama (2023-2024)

Best Cherry Magic promotional picture in my very humble opinion.

→ General thoughts

This adaptation establishes really quickly the difference between MC's and ML's positions at the company. Not only does it establish this fact pretty early on but it also reinforces it quite a bit.

MC's relationships with those around him are a lot stronger than in any other adaptation. He also seems more well-liked and more socially active in his workplace. The intern is introduced pretty early on which is something that I appreciate. The birthday party was SO CUTE OMG. It was so funny and adorbs to see MC awkwardly giving ML a piece of birthday cake even though they never really interacted much till that point. Also, it helped establish a stronger bond between MC and Fujisaki (since she was a part of this small birthday celebration).

There is also the addition of Mrs. Cupid (I forgot her name so that will be the name that I'll use for her, also I think that this was a cultural addition) was pretty interesting. Her role as a mentor/mother figure to MC helped show that he isn't some reclusive hated loser in his workplace.

There's a LOT of emphasis on the relationships between characters in the workplace, which is a notable change when comparing it to other adaptations. It could be a cultural thing? This is my first Thai drama and delve into Thai media so I could be wrong (please don't beat me up). MC here is way more social. The intern is a lot more relevant here and is the reason why MC had to stay overtime.

The ML here is SO MUCH MORE awkward because the series establishes the difference between their positions pretty early on. It makes the difference between how he acts for the company (super put together and cool) and how he acts in front of MC (eagerly & shyly asking him about getting ice cream after the thank-you dinner) so CUTE. This is also something that differs from other adaptations because in the others they weren't able to choose where to eat.

The personality of Tsuge was so different it gave me whiplash. Like a complete 180. He gives off more playful and childish vibes here, starkly contrasting his quiet and aloof OG persona. He's also a lot more straightforward and bossy LMAO.

This and the rest of the adaptations have an advantage. They can use auditory elements to bring emotion to the scenes which I think is something that helps exaggerate events. For example, when ML was asking MC about the thank-you dinner, MC was listening to his thoughts and was very awkward. The typing heard in the background and the lack of background music help bring the scene to life by 1. making it look even more awkward since both ML and MC stay silent for extended periods of time and 2. Reinforcing the comedic office sitcom feeling (not genre because technically this isn't a sitcom).

There was also this arc of the fake boyfriend trope where MC was egged on to be the fake BF of Fujisaki. Honestly, this adaptation brought more personality and life to Fujisaki as a character and employee. The appearance of her shitty ex was an interesting bonus and helped deepen her character.

Honestly, a lot of scenes here changed, it would take me a lot of time to sit down and break down every scene change individually. I have to say that all the changes changed how the series felt and how the relationship between the characters came across. One thing that I have to mention is that not only have a lot of scenes changed but a lot of things are out of order. I'm not really complaining though because it didn't really stick out to me as nonsensical when watching, it made sense why they made the changes and honestly, I support some of it. I'm mildly upset that the scene where the voucher was expired and this ML had to pay was cut off, but other than that no major complaints.

The misunderstanding also dragged on for a lot longer & the way he dramatically passed out??? hello??? It strays off from the original more and more every episode. It feels like I'm watching a different show.

I'm really happy that they delayed the ML's POV. The build-up here was a lot more intense than the original. I really liked how they portrayed the dismissal of ML's hard work and preferences in favor of his looks, kind of a "stay in your own lane and use your pretty face" thing. The portrayal of the sexual harassment towards ML was also a lot smoother, more emotionally intense, and heavier here, a lot more emotional. These changes made the scene between ML and MC a lot more special in my opinion, and made me feel a lot of sympathy towards the ML. He also actually cried here and the scene was a lot more emotional. This also applies to when ML went into detail on why he fell in love with MC, it was really touching. The problem of the lackluster emotional scenes in the original was fixed here.

The side couple also faced a lot of changes, all of which were welcome in my opinion. The series went into a lot more detail between the two from the start, and the personality of Minato was a lot nicer here too. The side couple felt a lot more dynamic and human.

There were a lot of scenes between Fujisaki and Rokkaku, which was interesting, to say the least. I don't know how I felt about that, it wasn't bad, just weird considering the original.

→ Rating ✩✩✩✩✩✩✩✩✩

9/10

I think that the experience of watching this is extremely different from reading the original material. If we’re accounting for accuracy, this series would lose a lot of points, however if you're just watching this for fun the experience is extremely enjoyable.

I really like how this version communicates the character dynamic between the male lead and the main character. My only ick is that it made the main character a lot more popular than he originally was, thus making the male lead have a crush on him seem less surprising in a way? Also in a way that took away the funny, "I hate my shitty cooperate job and all my co-workers" feeling.

: ̗̀➛ Japanese Drama & Movie (2024)

Bunching them together because the movie is a sequel to the drama

→ General thoughts

The J-drama shows you more aspects of the MC's life and general personality before he got his power. In a way, it showed how lonely he is (via the fact that only his mom and long-time friend greeted him on his birthday).

The drama introduced a lot of characters at the beginning, and it made MC's friend, Tsuge, extremely relevant early on. This part makes the viewer more invested in the side couple and the side stories involving them a lot sooner.

Honestly, though, my favorite part is the little shop owner. In the other versions the place where he gets his lunch is at a convenience store and the only relevant interaction is when he touches the cashier's hand and she starts tweaking over how gross it is. Seeing the shopkeeper side-eye him for always ordering double mayo was really funny to me, and in a way, it added more personality to the world around him and the interactions that he has outside of the main plot (this is something to note because the J-drama shows a LOT of his time outside of the office, something that stands out when comparing it to other adaptations).

The addition of the asshole co-worker was an interesting addition/change from the original. In the OG, MC was the boss who was being an asshat, which is why he stayed overtime, in the case of the J-drama it was actually his co-worker and it was MC who offered to take over the assignment. This change made MC look like a pushover & it followed regular office comedy plots.

Many micro-interactions were also added, which added more depth to their relationship. My favorite example was how the drama expanded on how the MC was touched by ML giving him the scarf (because during that scene MC heard ML's thoughts about how mistreated MC is and how much he appreciates him :3). I also love how it revealed that ML specifically made a traditional Japanese breakfast because he knew that MC would like it. It showed how much ML really cared about MC and how he kept track of his likes and dislikes even without interacting with him a lot.

I also love how ML defended MC when asshole co-worker berated him for 'being unreliable'. He was so passive-aggressive it was so cool honestly. Also for some reason, Rokkaku was shown to be around ML a lot more often and was shown a lot earlier (though he didn't outwardly have major parts till later). Also here MC was given more overtime work, this time because ML heard about it when MC was first given the task he immediately was able to compile data and help MC from the get-go. I really liked this small change because ML improved MC's work-life quality, which was pretty shit. Also here there was no dinner coupon, instead MC did it of his own free will (went to ML running to ask him to get dinner with him, though he was inspired by his co-worker bringing it up first).

Similar to the Thai drama, their dinner date got interrupted by a company dinner :(. Though they never had a chance to be 1 on 1 here which made me (and the ML) sad.

For some reason here MC never gave Rokkaku medicine? Rather it was Rokkaku who offered to go and get some for MC from the convenience store.

The biggest interactions that changed in my opinion were the interactions between MC and his friend, Tsuge. For example, instead of meeting at Tsuge's house they instead meet at a restaurant. His advice to MC was also different, telling him to ignore ML and that what matters the most is MC's feelings, contrary to the OG where Tsuge suggested that MC take advantage of ML's feelings. I feel like this small change in how Tsuge approached advising MC helped reinforce the idea that MC tends to be a pushover who puts other people's feelings above his own (since he felt the need to specifically tell MC to focus on his own feelings). He was also so iconic for telling MC to not fall in love with someone, instead, MC should just get a cat if he's lonely.

The side couple here was also introduced a lot earlier.

Although small, these additions help add more character depth to the main character which makes the experience more enjoyable IMO.

Just like the other adaptations, a lot of the ending scenes were left out, though in this case, they produced a movie to act as a sequel to the drama for the sake of including the left-out material (ML meeting MC's parents, etc). I feel like because of that the movie is a must if you truly want to get the true feel of the ending. Also, a lot of scenes were skipped or smushed together (kind of a 3-in-1 type thing).

They kept edging us with the kiss scene low-key. I'm not even a big fan of them; I just got annoyed by how I felt like a pig on a stick.

→ Rating ✩✩✩✩✩✩✩✩

8/10

Overall, pretty lovely.

I found it pretty interesting how they added things and expanded on pre-existing scenes while simultaneously skipping over and combining original material. I don't really understand why they picked certain scenes over others, well to a certain degree I kind of do but at the same time, there was tons of original material...why add/expand on things unnecessarily when you already have long and expanded upon scenes.

Rokakku's interactions with MC changed a ton here, which is mildly sad.

I like the added mico interactions outside of MC's workplace.

: ̗̀➛ Anime (2024)

→ General thoughts

Out of every adaptation this stayed the closest to the original material. Honestly writing the analysis for the anime was really hard for me because there really isn't much for me to say. It fixed a big issue that was in the manga, and that is the lack of proper panel transition. The reason why I'm mentioning this point here rather than under any other adaptation is because this stayed the most loyal to the original material.

There really weren't any big changes so there isn't much to comment on. However, I set up a split screen between the anime and manga JUST so I could analyze things piece by piece and this is what I found:

After the conversation with Tsuge, it shows MC's walk home his contemplation about this whole thing, and his reaction to his friend being a virgin too. There are also some micro-interactions between the two (MC & ML) that were added, but nothing too different for me to specifically point out.

The scene with the cake guy was slightly changed here in the anime. The anime added an interaction between MC, Fujisaki, the boss, and other employees who were trying to find out what happened to cause the cake guy to get mad at ML prior to MC officially stepping in, something that didn't really happen in the manga. On that note, there were a lot of added micro-interactions between MC and Fujisaki.

A minor change that could simply be attributed to translation is that in manga MC said that he didn't hate the kiss while in the anime he said that it didn't bother him, just a small detail that made me a little sad TT.

There are some minor setting changes here and there, for example, MC originally gave Rokkaku medicine on the bus because he was car sick, in the anime he gave him medicine during karaoke because he was having stomach problems due to being drunk.

Dare I say that I HATED Rokkaku's voice actor, it's the same sound someone makes when they're nose is stuffy/they're not breathing through their nose. It got on my nerves. On a similar note, I feel like this shows how important voice actors are. I'm used to Rokakku having a younger, playful, and generally softer voice which gave him a carefree "he was the popular easy to get along with guy in high school". In the anime though because of his voice actor, his personality came off as "The really simple-minded comedic relief guy that secretly has lore". So interesting to see how even the smallest changes can completely change the impression of a character!

I kinda wish that the hot springs scene remained intact instead of it getting changed into a sauna because the concept of "Water conducting intense thoughts" is really funny. Though it was changed to steam to better fit the setting, I feel like it was an extremely unnecessary change.

The sexual harassment scene stayed really close to the manga but with greater emotional impact, specifically his facial expressions. Though the background music didn't really match the seriousness of the scene, his facial expressions and the general mood of what he was conveying (Since he was talking about how his character and hard work are reduced to the fact that he is good-looking), it's still a marginal improvement. This made me upset because the anime could've utilized more appropriate background music or just not add it at all. My ick with the background music was quickly resolved with the following scene where MC consoles ML after the whole ordeal. This makes me really happy because it, for the most part, achieved what the manga failed to do. Also, I find it funny here how ML specifically thought that the MC is a pushover because he lacks tact.

Flashback/ML's POV also came later than the Manga, thankfully a running theme between all adaptations. The selfie scene also changed, it was a lot less 'appropriate' here (not in a to the reader way but in a context way) because in the original they took the selfie on a company trip while here they took the picture in a random park.

The side couple comes here a lot later too, I think slightly later than the manga, which is weird but it also makes sense and flowed well here. I don't have much to complain about, I did like their interactions here a lot more though. I should also note that their relationship is slightly faster-paced than other adaptations.

The sound effects and OST were awesome though and really helped reinforce the emotional aspects of scenes. This also helped with the abrupt emotional changes in the scenes.

I do have to say that I had very high hopes for the anime because out of every adaptation, this has the most freedom in terms of properly communicating character dynamics and plot points. It can use a range of effects without looking out of place or weird because this is animated. This did NOT disappoint thankfully.

→ Rating ✩✩✩✩✩✩✩

7/10

Oof, this was a hard one to rate, I saved it for last.

I don't know, out of every adaptation this was easily my favorite, but lets be honest...there are quite a bit of issues. I think that the main one is the background music for the sexual harassment scene.

"Mimi, why do you care so much about it?" Well, it's not necessarily because sexual harassment is a serious topic (which it is, but not the main reason why I'm so bothered), rather it's mainly because the male lead was venting about how all of his hard work is dismissed just because "he's pretty". I feel like this was a perfect example that encapsulated his main complaint about his workplace and the main reason why MC's actions really touched him. It's really important to his character so seeing the scene not be portrayed properly really grinds my nerves.

: ̗̀➛ Chinese Radio Drama (2019)

→ General thoughts

THIS WAS SO DIFFERENT. Take a seat because a yap fest is about to take place.

To be honest, this is my first time listening to a Radio Drama (yes a lot of first times here, I'm a sad media virgin, all I do is read shitty manhwa, manhua, manga & fanfiction and read the occasional web novel). I didn't know what to expect since the medium is pretty limited since the plot can only be conveyed through voices. This did not disappoint. The voice actors are super expressive and effectively communicate character emotions.

This starts off strong with an appointment with a psychiatrist. MC really thought he was going insane and honestly? I too would shove myself in a psychiatrist's office the second I started hearing people's thoughts. I loved this approach, super realistic. My usual ick of characters randomly manifesting powers in an otherwise non-fantasy setting is how they immediately accept it and adapt to it.

The first change is how he finds out about his ability, by far this is my favorite (touching a co-worker and hearing her cuss out your fellow employees and boss). We unfortunately didn't escape the ML glazing session (yes I get it he's so alpha in the company,,,,I heard the same sentence 10 times already from 10 different sources my brain is FRIED). GOOD NEWS though because MC also got a mini glazing session...ha you thought...the sec mc touched his boss he got brought back to reality (heard a bunch of insults about how dull he is).

The drama CD really REALLY enforces the fact that MC isn't liked by his fellow coworkers, for some reason everyone and their moms take pleasure in insulting him, which is my biggest fear. Imagine you develop the ability to hear people's thoughts only to find out that half of your workplace hates your guts? I'd immediately cease my oxygen dependence.

Also, we're back with the shitty co-worker. Honestly, it's hard for me to tell what is going on because many names changed which would've been fine if the OG plot was completely preserved except it's not. I don't have visual clues so I'm kinda tweaking.

Anyway, now on to the major plot changes:

Rokkaku is now a poor intern getting pulled into random tasks via MC's co-worker friend. For some reason, most adaptations tend to mess around with Rokkaku's character. Also, the elevator scene slightly changed, instead of MC trying to guess ML's crush he immediately reminded himself that he's experiencing a hallucination (which happens quite frequently throughout the radio drama. I think that I can safely attribute this change to the fact that he went to see a psychiatrist the second he noticed his newfound ability. Generally, it takes MC 10 thousand business days to come to terms with his new ability.

MC here is a lot more of a realist, not that he was particularly lacking in the realism department before. It just seems like a more prominent character trait here.

Here MC stays late because of his co-worker friend (maybe I should change his nickname to asshole #2). Also, MC here takes an obvious role in helping teach and instruct Rokkaku. We also get more character background info on Rokkau which I think is pretty interesting. Rokkaku here is a lot more responsible too. Also here instead of simply helping MC finish his work, ML instead offers to do the whole thing himself.

It takes a while for there to be any mention of his 30th birthday. The reason why MC slept over at ML's place also changed. Also I can't get over the scene where ML admits to the fact that he bought a set of PJs JUST BECAUSE HE THOUGHT THAT MC WOULD LOOK GOOD IN THEM???? No matter how many times I watch it I still find it wild LMFAOOO. Also for some reason ML undresses in from of MC and MC points out ML's muscles which is so different from the OG because originally it was because of the hot springs + MC never loudly commented on ML's physique. MC looked like a pervert LMFAO. Also, ML never mentioned that he worked out/kept up with his body for MC, so it made the scene a lot more awkward IMO. ML's house is also different, in here he has an extra bedroom while in the other adaptations, MC slept in the living room.

It was so adorable when ML came over JUST to cover MC with a quilt. Also, my guy was battling demons trying to stay a green flag.

They expanded a lot more on the BBQ scene, which was so nice! I loved seeing the two of them have a normal conversation for once, both gushing over their favorite manga. I feel like this made their relationship progression a lot smoother because in the other adaptations they never really had the opportunity to actually engage in a long and meaningful conversation. Most of the time conversations are very one-sided and awkward since MC is reading all of ML's thoughts thus decreasing the amount of naturally born conversation between the two. Not only do I like it because of their conversation but also their interaction flowed very naturally. This time ML was the one who held on to the vouchers (mildly similar to the Thai ver), thus when it was time to pay it was more so an act of responsibility rather than altruism. They also added a movie date after the BBQ, except MC dipped and ruined the whole moment.

Just like the Thai drama, it would be easier for me to list all the similarities than differences to the manga. I think that in this case, the many changes are easily justifiable because this format (radio dramas or any audio-only mediums) is really limited. Typically creators can rely on visual clues and/or descriptions to enhance character dynamics and interactions. Thus it's natural for the producers of this drama to drag out character interactions and add some to get the same feelings and character dynamics across. You can argue that audio-dependent mediums have an advantage compared to novels but there isn't a novel for cherry magic. You're adapting an audio-only drama from a written-visual medium, which is pretty different. You can easily translate written words to spoken audio but visual cues are lost to translation.

One problem...the sexual harassment scene here was portrayed very similar to the anime. Sighhhhhhhhhhhhhhhhhhhh. The background music wasn't as bad but cmon.....

THIS HAS FIRE OPS AND EDS. I love the songs, honestly just listen to the radio drama for the music.

→ Rating ✩✩✩✩✩✩✩✩

8/10

I really liked this one, again if we're going for accuracy then this would get a low rating, but we're not yahoo!

I really liked how the characters were portrayed, their relationships, etc. I feel like this version really perfected the characters.

I kinda wished that there was more focus on his life outside of the office and that there was more character background info.

ˏˋ°•*⁀➷ Conclusion:

Honestly, my favorite part of doing this whole thing is seeing how culture impacts stories and adaptations. The two that changed the most details were the Thai and Chinese adaptations so it's pretty neat to see how Japanese cultural details were switched out. I think that the office worker environment and interactions between co-workers and the differences between the Japanese version, Chinese version, and Thai version are the most interesting. (yes repetitive but we're not in English class now are we?)

Every version is different, and I loved comparing and seeing how every medium communicates the story a bit differently. There are benefits and negatives to picking a specific medium, looking at Cherry Magic was an interesting case study (I know that I haven't gone into detail on how the specific medium caused changes and instead just talked about the changes but trust I was thinking about it.). I might do an analysis in the future solely focusing on that, but who knows.

☾ ⋆*･ﾟ:⋆*･ﾟ

THANK YOU @mil0nes FOR EDITING MY GOD AWFUL WRITING. Hmu whenever you need a kidney I WILL give you mine (if we're incompatible then I'll sacrifice someone for you babe..Just don't quote me in a court of law xx)

If you read the whole thing then tysm !!

I'll probably make one for Semantic Error soon. ^^