#sequin fringe mini dress

[pgmdress]

How to Pick the Perfect Homecoming Dress? #Pgmdress #Homecoming

[neighbourscat]

𝐓𝐄𝐀𝐂𝐇 𝐌𝐄 , nicholas alexander chavez

MY BOOGIE SHOES, JUST TO BOOGIE WITH YOU.

𓈒  ˙ ꪆৎ   ꣹  ۫  𖨂 𝐏𝐑𝐄𝐒𝐄𝐍𝐓𝐈𝐍𝐆 . .. . screen actor!nicholas c. X stage actress!black!fem!reader.

+ synopsis. dancing around your new york apartment with your boyfriend, nicholas chavez, after a tiring final show.

+ cw. mature language & suggestive stage dancing … but none, really (: just smiles, dancing, and good music!

+ nali’s notes; i love 70s-80s music soooo much. dreaming of a cold autumn / christmas fic in this tiny nyc apartment. all the short stories that’ll probably come from this nyc apartment, like a little tv show. the neighbours would have their own backstories & cute interactions. omg should i do that???? a nyc apartment series, kind of like friends or martin??? wordcount :: 2.1k+

+ to be played: dancing in the dark, bruce springsteen. || alternative: slow dancing in the dark, joji. + everybody wants to rule the world, tears for fears.

MY BOOGIE SHOES, JUST TO BOOGIE WITH YOU.

he moved his left foot backward in a smooth motion, sliding across the slick, slightly scoffed, pine theatre stage. two blue overhead spotlights had shone down onto him, highlighting and allowing the golden sequins along his black-costume pants to sparkle and glimmer. the sharp, metal heels of his four-taps no longer producing sound . .. . the active trumpet-players, acoustic guitarists, and drummers eased and eased their instruments into a low twinkle —

— the audience knew what time it was. another character was about to be introduced. in the orchestra pit, the conductor quickly switched her attention to the violinists and flute-players, baton up in the air and readied for the new entrance. the elder english woman gave the group a small cue, flicking her wrist in beat: 1, 2, 3, 4. and as the violins, violas and cellos came in quiet and steady . .. . the male dancer at the far end of the stage reached up and slowly removed the costume fedora from his neatly styled hair, staring over to his stage left.

your beautiful, brilliant and glittery gold mary-jane style tap shoes clicked as you gracefully entered from stage left — the gold fringes of your body-con mini dress flapped and swung every which way as you rolled your costume glove over your right hand, the music coming from the violins and flute-players transforming into something hot and seductive.

your glove snug — the trumpets have returned, this time with the trombones and horns, easy and gentle — with what looked to be absolutely effortless, your body control impeccable, you swayed toward your dance partner. and once as close as rehearsed, you slid your left foot backward; lining yourself up with your partner, you raised your arms neatly, fingers almost wiggling.

your partner snaked an arm around your waist, his opposite hand sensually caressing the under side of your arm — his fingers tightened on your ribs. you felt his plump lips brush against the soft skin of your neck, you don’t hold back a mini smile. and after a thirty-second sleek, clean sequence of sneaky smirks, lustful eyes, gyrating hips, and chasing each other’s feet with mirroring steps on beat — you and your partner stand center stage; he had just spun you out and away and reeled you back in, unable to give you up. you’re overlooking the hungry crowd, toe to toe, hips pressed into each other’s . .. .

the conductor slowly lifted her baton, the orchestra picking up their pace just a bit . .. . more dancers began to take the stage, ten men on one end and ten women on the other, all styled to absolute perfection — you ripped away from your partner, his hand lingering in the air as you hurry toward the women. you strike a pose and the women behind you follow suite, just as clean and precise. the men chuckle amongst themselves, lips moving but nothing being said. your partner took his place in front of the men, eyeing you down.

the blue spotlights went out and back in on beat; this time colored red. the percussion picking up intensity . .. . the atmosphere no longer showcasing love and attraction, but lust and obsession — the red spotlights darkened and blinked in and out powerfully, percussion played fast and with high energy, the string and horn instruments carried out in unison, background voices sounding . .. .

nicholas chavez, anxiously chewing at the skin of his fingers, watched as the other casted dancers performed with everything they had — his eyes working even harder to follow you around. he stopped chewing at his skin then, trying to focus his eyes on you; he couldn’t do the two at the same time. different variations of gold leotards and ruffled dresses and flown pantsuits, the maracas, xylophone — so much was happening at once. portraying chaos perfectly.

every time he found you, he had lost you just as quick. nicholas shifted in the cushioned chair a bit, mindful of the young woman sitting behind him — the saxophones and trumpets intensified, the gold-clad dancers continued shuffling and leaping up and down and around the large pine stage, metal heels touching down with the beats.

the entire stage was bathed in deep, sultry red light, casting long, dramatic shadows over each dancer — the red hue seemed to pulse with the rhythm of the music, bodies moved with precision and purpose, every step choreographed to build toward the crescendo of the performance. the audience watched in awe — nicholas’ eyes never leaving your amazing form — the dancers' figures sharp and striking against the glowing backdrop.

each dancer’s silhouette was satiny, their limbs cutting through the air like blades as they glided to their spots. and as the music swelled, the dancers reached their final positions, holding their forms in an intense, powerful tableau. their bodies arched and poised, chins tilted upwards with defiance, hands spread in graceful curves or clutched at their hips in dominance. the red light drenching them, casting their figures into stark, dramatic silhouettes — elegant and imposing, yet full of tension.

their shadows stretched behind them, larger-than-life, as if their presence demanded more than the stage could contain. the audience held its breath, the stillness of the final pose amplifying the raw energy. it was a picture of controlled power, desire, and neat mess.

the world beyond the stage faded, and all that was left were the figures frozen in that moment — red and black, light and shadow — a vision of drama and allure, like something out of a fevered dream. then, as the final note lingered in the air, the curtain slowly began to close up.

you were curled up on the couch, still basking in the soft afterglow of the evening. your legs draped over nicholas’ lap, the warmth from his hand gently tracing heart-shape patterns on your ankle. the exhaustion from your final show was settling in, but being home with him — no more hotels, no more cast gatherings, no more living through an intense schedule; eight shows a week — felt like the perfect ending to an overwhelming night.

nicholas shifted beneath you, the faintest grin pulling at his lips. “you know .. .” he hummed casually, “.. . i’ve been thinking.” that was never good. you respond with a low groan, rubbing your tired eyes, “no. i’m not doin’ it.”

“can i-i’ve gotta get it out first before you tell me ‘no’,” he said, nudging your arm. “i don’t want a lot or anything .. y’know, crazy. i just want your help.”

you stopped rubbing your eyes, dropping your hand down into your lap. you gave a look that said: ‘go on’ and he did, giving your ankle a loving squeeze: “i want you to teach me how to dance.” he sounded serious, but you couldn’t exactly tell. you blinked, face and gaze blank and revealing nothing. you turned back to the television, an early episode of glee rolling.

nicholas stood up then, gently moving your legs off of his lap. he reached out his hand toward you. you had performed so beautifully with your dance partner, nicholas wanted to move with you the same. “nicholas .. .” you stared at his outstretched hand, then back up at him, “sit back down. seriously.”

“come’on.” his brown eyes soft but determined. “just a little bit. five minutes, hmm?” he was hopeful, still waiting for you. “i’ll take anything. anythin’ i can get, okay? i’ll be grateful for whatever.” you shook your head as an answer and laid back into the plush cushion, arms crossing over your chest. “nic . .. . you can’t dance,” you said in a simple, matter-of-fact voice — not trying to be harsh or mean, and nicholas didn’t take it as such.

he knew he couldn’t. “well, baby, that’s why i’m asking you to teach me.” you looked to his big hand; he made a gentle grabby motion twice, urging you — and back up your eyes went. “i can’t teach rhythm.” nicholas dropped his hand with a hoarse grumble. you sighed, feeling your body protesting the idea of getting up, but the way nicholas was still looking down at you, with that mix of earnestness and affection, made you give in. with a groan, you held out your hand — nicholas smiled wide and pulled you to your feet.

“five minutes.”

“all i need,” nicholas confirmed with a silly smile, dragging you over to the other side of the couch. your shared apartment wasn’t spacious, for no apartment was this side of queens, new york. your deep-grey tabby cat, ruby; the world’s most mischievous kitty, climbed back in through the open window and landed on her feet, gracefully. after an afternoon of racing up and down the fire-escape and most of the block ( ruby, though mischievous, was a friendly animal ), she was ready to be in her bed.

her bed; nicholas’ pillow.

“okay, so what’s first?” nicholas clapped his hands together, anticipating the next five minutes. “music,” you said, reaching down for your phone in between the couch cushions. “oh, how about from your show? i really love the gold one, what’s that song’s name?” he went over and picked up the musical’s playbill, flipping through the first couple of pages, “that song .. when you come out for the first time and look hot?” you almost laugh, unlocking your phone and scrolling through your music. “i’m not teachin’ you that, nic.”

“look, baby, if you’re worried about there not being enough room, let’s not worry, we can move this couch around some .. . throw the cat back outside-“ you stopped him right there, “or you can get out?” nicholas laughed at that, apologizing softly, coming up behind you. his hands found your waist and his chin dug into the skin of your shoulder, watching as your finger scrolled and scrolled. your finger touched down then, the bluetooth speaker in the corner coming to life immediately.

it started off as slow, lazy dancing in the living room to random musical theatre soundtracks . .. . the moonlight streaming through the large open windows, casting cool white rays over the hardwood floors — but quickly turned into a party.

you slid in from the hall opening, wearing oversized socks, loose basketball shorts, and a baggy football jersey; from nicholas’ side of the closet, your body rocking to the rhythm. you’re holding a wooden spoon, it’s your imaginary microphone, dramatically lip-syncing to bruce springsteen’s dancing in the dark, your expression playful and exaggerated.

nicholas was in the kitchen, a spatula in his hands and dragging his fingers along the handle as if it were an electric guitar, wearing a goofy grin. he’s wearing fuzzy socks, slipping across the floor, attempting to match your moves, his brown hair messy, his shirt half-tucked — this impromptu dance-off felt as though it had been going on for hours. nicholas moved to you, your energy completely in sync, lost in the fun of the moment.

you twirled away, laughing as you swung around the kitchen island, your socks giving you just the right amount of glide across the floor. you threw a hand up, pointing at nicholas like a pop star mid-performance, mouthing bruce springsteen’s lyrics. nicholas laughed, feigning a swoon, then slid back toward you, pulling you into a silly two-step.

and now you’re in the hallway again, where you’re at his side, arm wrapped around him, shuffling in time with the beat. you and nicholas sing together now, the music barely audible over your screaming voices, off-key but full of love.

you pushed nicholas away with a playful shove — he stumbled dramatically and recovered in seconds, lip-syncing passionately. as passionate as before. maybe even more so.

you end up in the living room, this time nicholas was spinning you around — as you twirl and spin with your boyfriend, the music grew louder. your body moved with his perfectly, not with precision or control, but with the kind of ease that comes from knowing each other so well. nicholas pulled you in close, your face just inches from his . .. . he’s grinning down at you like a kid, heart racing and thrashing cutely.

bruce springsteen faded smoothly into tears for fears — nicholas started his air guitar again and you bounced toward the kitchen, grabbing your wooden spoon again. braids flipped over one shoulder, you lifted yourself up onto the island in time for the first verse of everybody wants to rule the world. swinging your dangling feet and rocking your head side to side to the drums, you sang into the spoon.

and by the instrumental break, you and nicholas are skating through the hall, singing and dancing with reckless abandon, whirling and dipping, in your own little world. you’re breathless, your face flushed with laughter — watching nicholas overdo the solo guitar outro from where you sat on the couch’s armrest. he dropped onto his knees and rolled onto his back, his feet kicking into the air.

and as the strumming died, you collapsed back onto the couch in a heap, panting and drinking from nicholas’ cold bottle of pepsi. you and nicholas both jumped up startled hearing the grating pound of fists at the front door — ruby sprung from where she laid and ran around hysterically, you and nicholas scrambled to get up; you rushed behind the couch to quickly turn the blasting speaker down and he went to the front door. nicholas was squinting through the peephole, “fuck-it’s minnie .. .” ms. minnie from two doors down hated loud noises.

but she hated the young people scattered along the fourth floor even more.

[femmefatalevibe]

Tips to look old hollywood glamorous?

Establish a wardrobe curated with timeless, figure-flattering styles in luxurious fabrics like silk, satin, lace, (faux) fur, (vegan) leather, velvet, jacquard, sequins, fringe, etc.

Accessorize with glitzy, eye-catching accessories, including pearls, crystal, diamonds, and gold button accents on your jewelry, handbags, shoes, and sunglasses, or as details on your outerwear, dress, or other garments.

Incorporate embellished pieces & elements into your ensembles – elevated buttons (pearls, crystals, gold, engravements, etc.), opulent trims on the cuffs, hems, lapels, collars, and cold-weather accessories (faux fur, pearl, sequined, lamé, etc.)

Show some skin while leaving something to the imagination. Finding a balance between covering up and sex appeal is at the crux of the Old Hollywood glamour aesthetic. Try a backless halter dress with a longer hemline or a similar style top with wide-leg trousers or a silk maxi skirt. Select a bodycon mini dress with sleeves and a high neck. The options are endless when it comes to silhouette pairings and proportions.

Refine your hairstyle and nails. Opt for sleek, detail-orient haircuts with a blunt-cut, layered lob, elegant chest-length waves, or a similar haircut that offers either a sleek or well-kept tousled aesthetic. Opt for a classic nail shape (square, round, almond, squoval [square/round hybrid], or ballerina) with a timeless solid nail color (light pink, nude, beige, bright red, dark red, French tips, burgundy, dark purple, etc.).

Keep your makeup simple, shimmery, and vampy. Focus on achieving healthy, supple, and naturally glowy skin with some highlighter on the tops of your cheekbones, the inner corners of your eyes, under the arch of your brows, the tip of your nose, and Cupid's bow. Maintain well-groomed, defined, and filled-in brows. Embrace a natural or light brown eye with winged black eyeliner, definition on the waterline/tight line (inner eyeliner), and long, voluminous black lashes. Complete the look with a rosy blush, soft contour, and a satin finish or matte lipstick in a bold red, wine, plum, or dark neutral (pink beige, deep rose, etc.) shade.

[lamaisongaga]

FASHION CREDITS: JAZZ & PIANO SHOW 4.0 PART II

Due to the first part being a tad too long, here is the second part of the fourth leg of Lady Gaga's Jazz & Piano residency stage looks styled by Tom Eerebout and Sandra Amador!

For June 30th, Lady Gaga brought out her bespoke Adrián Manceras silver crystal and intricate chain fringe mini dress which she debuted in Vegas back in February!

She‘s donning the white showgirl-inspired headdress with turkey feathers and Swarovski crystals by Arturo Rios!

Of course, she can't miss out on her custom pair of Laruicci crystal statement earrings...

...and her favorite Jimmy Choo metallic silver Anouk stiletto pumps.

The same night, Lady Gaga left tongues wagging as she entered the stage in a bespoke Michael Costello fuchsia pleated cape gown with bejeweled neck and matching belt.

One of her headpieces is the Astrea black crinoline birdcage mask with bow on top (£1,500) by London-based Turkish milliner Merve Bayindir.

The penultimate show, which took place on July 5th, saw Lady Gaga taking over the stage in a custom Michael Costello x Mother Plucker Feather Company red crystallized and plummeted V-neck silk caftan with bejeweled waist.

It was topped off with a custom Haus of Gaga red crystal-embellished domed headband.

My favorite look of the night was this dreamy turquoise-colored total sequin on tulle column dress from Alberta Ferretti's Resort 2024 collection which the Haus of Gaga customized by adding plush black velvet puff sleeves.

This look was completed with the Carrie Jenkinson Millinery Spring/Summer 2024 Valencia exploding feather fascinator (£579),…

...silver-tone mixed crystal flower linear drop earrings by I.N.C. International Concepts exclusively sold at Macy’s,...

… and the Cornelia James Melissa opera-length black velvet gloves (£160).

So grateful to finally introduce designer Pamella Roland to you!

Gaga chose her Pre-Fall 2024 silver sequined tulle cape gown with starburst embroidery ($5,995) which she got customized with grey ostrich feathers at the hem.

Roland’s Pre-Fall 2024 collection is a mesmerizing homage to "the timeless allure of Dutch floral still life paintings of the 17th century by such masters as Jan Bruegal the Elder & Rachel Ruysch. This season transforms into a canvas where light, shadow, and perspective dance harmoniously, echoing the captivating essence of those masterpieces. Pre-Fall’s, asymmetrical compositions and an enigmatic mood weave their way into the collection’s silhouettes, unveiling sculptural gowns adorned with cascading ruffles and sleeves that evoke the opulent abundance found in floral arrangements."

Her vintage 1993 Jose & Maria Barrera crystal necklace completed the look.

[eolewyn1010]

Downton Abbey Fashion 60 - indoors fashion in 1924

I’ll very quickly go over Miss Bunting’s blouses so I can put her in a drawer and never again think about how poorly written her character was. And then it’s thankfully over to Rose who has some interesting fashion developments this season.

This dark blue wrap dress is actually quite nice. One of the upsides of middle-class characters, for how lousy Fellowes writes them, is that I occasionally see things that I can imagine wearing myself. Diagonal pin tucks over the sides give this a little more shape than is common in the 1920s; overall a pretty look.

Shaping goes right out the window with this one, but I suppose it’s a respectable look for a teacher. Point collar, very pale blue, very simple jewelry – it does hold a bit of my interest with the double row of buttons.

Look, the gathering seam in the shoulder is back! As are pointed collars and keyhole necklines, but I think that the checker weave of this fabric is nice. I don’t think Miss Bunting should wear such a showy shade of lipstick to a pale peach blouse though.

--------------

Rose, my darling. This is a pretty crochet shirt that seems to emulate a blue sky with white clouds, and I love the flaring sleeves. So why on earth did someone tack this stupid strip of white fuzz to it? I know you have better taste than this. Just take that bit off, and you’re good.

Speaking of nice crocheted clothes, this one has pretty much the same shape, but it fortunately goes without dissonant cotton fuzz. The peach color is a Rose staple by now, and the crochet is a bit simpler in terms of pattern and structure, so this doesn’t look cluttered when Rose pairs it with that nice light brown Tartan skirt.

Developing a taste for non-woven textiles, isn’t she? I like this sweater in all its simplicity; the square neckline is elegant, the blue stripes on the shoulders add a little interest, and the silverish yarn is a pretty color and a good backdrop for playful necklaces.

Marching up in the palest blue silk satin, Rose gives us this look. And I’m in love with the print on this dress. Good job of the designer to not add anything more to this than the tiniest dark blue piping around the neckline because this print deserves to stand on its own.

This may be one of the dresses of the show that reads the most stereotypically 1920s to the modern eye. Not only is it absolutely covered in bronze-golden sequins that give it a sort of scaly look; it’s got fringe. It’s still got the right length and cut, which is a relief. Can you imagine how out of place one of those tight mini “flapper” dresses that you can buy for cheap on amazon would have looked? Not all clichés are bad though: I love the fringe. And I love the little spiral flower motif in this wild sequin pattern.

Rose dips her toes into some dark blue silk satin this season, and this is my favorite result of them, even though the neckline construction leaves me hopelessly confounded. What does even connect where? Is that a symmetrical keyhole neckline and then over that an asymmetrical tie, shutting a looser layer over a fitted top? I don’t understand this dress, but I like to look at it. The tiny white star flowers on dark ground are so charming!

Time for some pale pink because Rose has a rosy reputation to maintain. This sweater, another knit piece, has your usual loose shape and drop waist, but the tie collar is quite nice. It’s framing a literal rose pendant because subtlety, you guys, and Rose rounds off the outfit with a repeat of her light brown Tartan skirt.

The tie collar stays, the pink has to go so we can wave dark blue silk satin back in. If I interpret this print right, it’s referencing cherry blossoms and elements of Japanese architecture. The design is far less intricate than the last blue satin Rose welcomed into her wardrobe, but it dresses her quite nicely.

Heh, even when it’s not roses, Rose is a girl for flower prints. I do quite like her poppy flower chiffon dress, but it looks a tad lightweight for working in drafty basement rooms during an English autumn, as Rose seems to do during her charity project for Russian refugees; at least the neckline and sleeves don’t seem to betray a warmer layer underneath.

Yet more flowers! Tulips this time, and while I do love tulips with a passion, I’m not sure I love this dress. It’s admittedly adorable. I think it’s a touch too adorable. I would not have batted an eye to see this on season 3 Rose with her frilly skirts, but by now she’s a good end more mature – and engaged to be married. I don’t know; this lace collar with the little light blue bow reads a little too girly for her now.

Did Rose steal a dress from Edith’s wardrobe? Indigo chiffon with a notable orange print? Even the pattern stripe on her collar looks a lot like the sort of prints Edith prefers this season. But nah, she stole this from 1997’s Rebecca. Oh well, it’s not like Rose hasn’t proven already that she can carry off dark blue shades, and the autumn leaves motif is pretty sweet.

The lace layer makes this one look a lot browner than it is; the basic fabric is one of her usual peachy pinks… oh, for heaven’s sake, is that another rose motif? They really can’t come up with anything new, can they? As usual, the drop waistband just being there for the heck of it instead of making a sack of the top is a grace for the dress. Looks quite pretty overall.

Here we have a dress that we first see Rose wear a day or two before her wedding, but that I find more interesting in the context of her wearing it as a newlywed while her parents-in-law are hosting. Because Lady Sinderby, her mother-in-law, is almost constantly running around in light chiffon dresses with very rich flower prints. Not that flower prints are a new thing for Rose, but specifically the way these pastel colors wash up into each other looks much like the dress Lady Sinderby is wearing for the same occasion, so I find that concordance interesting. Granted, Lady Sinderby doesn’t have this adorable flower-embroidered headband.

Ending on another dress Rose wears in her new life as Mrs Aldridge, this one is a favorite. Off-white and very lacey again, but it’s using the lace so much more elegantly than the girlish dress further up does; strips of it being inserted into the length of the dress and the drop waist, framing the square neckline, and giving the dress a wonderfully weightless, frothy look. And a bit of well-placed flower embroidery? Sign me up!

[ivyinkblue33]

Vintage Classification

Source:

Fashion and sustainability: Design for Change | Request PDF

The State of Fashion 2024 report | McKinsey

Fashion Since 1900 - UAL Research Online

Cradle to Cradle: Remaking the Way We Make Things (2002) - William McDonough

Fashion sites like Vogue and Harper’s Bazaar provide vintage cultural context

Description and definition of a vintage store (e.g. guide for sellers on Etsy, Depop, etc.)

1. By Era

Vintage clothing is often categorized by the decade it represents, ranging from the 1920s to the 1990s:

1920s:

Style: Art Deco-inspired, flapper dresses, beaded gowns, and feathered accessories.

Key Features: Drop-waist dresses, sequins, and fringe.

Example Designers: Coco Chanel, Jeanne Lanvin.

1930s-1940s:

Style: Practical and elegant, influenced by the Great Depression and World War II.

Key Features: Tea dresses, tailored suits, military-style coats.

Example Designers: Elsa Schiaparelli, Christian Dior (introduced the "New Look" in 1947).

1950s:

Style: Ultra-feminine, with cinched waists and full skirts.

Key Features: A-line dresses, poodle skirts, cat-eye glasses.

Example Designers: Dior, Balenciaga, Givenchy.

1960s:

Style: Mod fashion, pop art influences, and a focus on youth culture.

Key Features: Mini skirts, knee-high boots, bold geometric patterns.

Example Designers: Mary Quant, André Courrèges.

1970s:

Style: Hippie, bohemian, and disco.

Key Features: Flared trousers, fringe jackets, maxi dresses, and psychedelic prints.

Example Designers: Yves Saint Laurent, Halston.

1980s:

Style: Power dressing and bold statements.

Key Features: Shoulder pads, neon colors, leather jackets, oversized blazers.

Example Designers: Vivienne Westwood, Jean Paul Gaultier.

1990s:

Style: Minimalism and grunge aesthetics.

Key Features: Slip dresses, plaid shirts, baggy jeans, denim jackets.

Example Designers: Calvin Klein, Prada, Marc Jacobs.

2. By Origin

Western Vintage:

Features iconic American and European brands such as Levi's (denim), Chanel (classic tweed jackets), and Hermès (scarves).

Japanese Vintage:

Known for its appreciation of craftsmanship and unique subcultures.

Includes brands like Comme des Garçons and Issey Miyake, as well as traditional kimono styles.

Chinese Vintage:

Features traditional cheongsams (qipaos) and Mao-era worker uniforms, often reinterpreted with modern aesthetics.

3. By Style

Bohemian (Boho):

Loose, flowy garments with floral prints, lace, and fringe.

Popular in the 1960s and 70s.

Preppy:

Plaid skirts, sweaters, and loafers inspired by collegiate fashion, particularly from the 1980s.

Punk:

Leather jackets, ripped jeans, and studded accessories, originating in the 1970s.

Disco:

Shiny fabrics, sequins, and flared pants from the 1970s and 80s.

Minimalist:

Simple designs with clean lines, typically associated with the 1990s.

4. By Purpose

Everyday Wear:

Practical items like jeans, T-shirts, and sweaters, designed for casual use.

Formal Wear:

Vintage gowns, cocktail dresses, and tuxedos for special occasions.

Workwear:

Durable vintage pieces like denim overalls, military jackets, and tailored suits.

Accessories:

Scarves, hats, gloves, handbags, and shoes that complement vintage outfits.

5. By Material

Denim:

Classic Levi's jeans and jackets, often from the 1950s or earlier.

Silk:

Popular in dresses and accessories, especially in 1920s and 30s formal wear.

Wool:

Common in vintage coats, suits, and knitwear.

PVC/Sequins:

Found in 1960s and 70s disco-inspired clothing.

6. By Condition

True Vintage:

Authentic items from a specific time period, unaltered and often rare.

Reworked Vintage:

Old items that have been altered or customized, such as adding patches or changing the silhouette.

Inspired Vintage:

Modern reproductions that mimic vintage aesthetics but are newly made.

7. By Subcultural Influence

Rockabilly:

Inspired by 1950s rock and roll culture, featuring polka dots, leather, and bold colors.

Grunge:

Originating in the 1990s, with oversized flannel shirts, ripped jeans, and combat boots.

Military Style:

Vintage army jackets, cargo pants, and bomber jackets, often repurposed for streetwear.

8. By consumer tiers

-Sustainability Perspective

Circular Economy:

Vintage fashion promotes sustainability by reusing and recycling clothing.

Swap and Rental:

Some vintage stores offer clothing swaps or rental services, reducing waste while maintaining a fresh wardrobe.

[styleofdiamandis]

PHOTOSHOOT: TOKION FACTORY

Back in December 2010, Marina (and the Diamonds) was photographed by JUCO for Japanese culture magazine Tokion Factory!

All of the colorful looks were styled by JAK. Makeup by Amy Chance and hair by John Blanie.

The first set of photos see Marina donning a beautifully crafted intricate sequin mini dress with Christmas sweater-themed motifs from Ashish's Fall/Winter 2009 runway show.

The black feather and gold chain bracelet, she wears on her right wrist, is by Candace Ang.

For her second look, Marina wore a purple sheer chiffon blouse with ruffled details, and pleated and gathered mini skirt seen in OLIMA's Fall/Winter 2010 debut colleciton!

Los Angeles-based iconic milliner Gladys Tamez Millinery created Marina's green felt hair beret...

...while Jimmy Choo is the mastermind behind these sexy Magnum yellow python and mesh sandals.

Next up, Marina poses in a black satin dress which she crowned with a golden metal spike visor from Ella Zahlan's "Michael Jackson" collection!

The Greek-Welsh beauty also wore a golden fringe necklace by Iosselliani, similar pictured to the one above!

Marina stuns in a black velvet mini dress with glass crosses all over from iconic designer Jeremy Scott's Fall/Winter 2010 collection which she paired with a Gladys Tamez Millinery Fall/Winter 2010 feather fascinator.

For the penultimate look, Marina takes a stance in Brian Lichtenberg faux denim print bodysuit with padded shoulders. Brian's designs are also loved by other singers like Lady Gaga, Beyoncé and Katy Perry.

Her mustard-yellow high-waisted pants from emerging designer Katie Ermilio's 2009 debut collection!

I love mismatched earrings and Marina's definitely fit the bill here!

She paired a single long chain fringe earring by Iosselliani with a white spike drop earring by former jewerly brand Kites & Metal.

Marina completed her colorful look with these Ashish Spring/Summer 2010 metallic gold leather woven platform wedges!

For the final look, Marina is sporting a bodysuit version of this Falguni Shane Peacock Fall/Winter 2010 runway look which was worn with OLIMA Fall/Winter 2010 black wool pleated mini skirt.

Marina's fringe metal necklace with star-shaped crystals on top is yet another beauty signed by Iosselliani!

Lastly, she re-wore her Candace Ang feather bracelet and multiple rings by Han Cholo including his sterling silver snake ring with red stone in the center ($270.00).

[bitter69uk]

“Tina Turner remains rock’s original Jagger, a primitive force who, glittering in sequins and a gold chain miniskirt, typically assaults the stage in mid-scream with both legs pumping, hips grinding, long mane whirling, and her mouth wrapped around some of the sexiest sounds ever set to music.” / From a 1981 People magazine profile of Tina Turner / 

Farewell to ultimate wailing rhythm and blues tigress, Nutbush, Tennessee’s finest daughter, “the hardest working woman in show business” and the embodiment of grit, sensuality and glamour, Miss Tina Turner (Anna Mae Bullock, 26 November 1939 – 24 May 2023).  Wow. This one really hurts! Even though we all knew the incomparably fierce soul diva had been in frail health for years now, the announcement of her death aged 83 still feels wrenchingly sad and shocking.  What a woman. What an artist. What a loss. No one will EVER dance in stiletto heels, shake a fringed mini-dress or whip a wig around with more abandon than Tina! A great way to remember her: seek out the single “You Got What You Wanted” from Ike and Tina Turner’s 1969 album Cussin’, Cryin’ and Carryin’ On – I’d argue it’s one of her finest moments.

[tvshowcloset]

Who: Lexi Underwood as Isabella LaRue What: Superdry Fringed Sequin Slip Mini Dress - £74.99 Where: Cruel Summer 2x01 “Welcome to Chatham”

[meltinginoz]

So I saw rocky horror with my friend last march, it was AMAZING Anyhew we all dressed up and I made Magentas space suit from the end of the movie

It’s a cheap yoga mat, I made a mock-up on several bits of newspaper taped together and tried it on and then cut it out of the mat, then I covered it in a sequin fabric (because I didn’t want to quilt the thing, my fingies don’t deserve that) and i hot glued it on the back of the mat, I cut out the neck hole and glued the fabric to the back there too, the shoulder bits, pauldrons? Yeaheahhhhh pauldrons! Are made of black glitter foam (after several newspaper mock-ups) and got glued together, in the front and back they had a strip attaching them so I could tie em on with a strip of fabric to help keep ‘em in place and to help synch the waist before adding the belt, otherwise it’s soooo hard to fanangle it all, and the cuffs are also foam and hot glue and the jester anklets are glitter aider facing in and then curled down so it shows the glitter side and had some shape, I heated it briefly with a lighter then curled it in itself and let it cool, and I added Velcro dots later on when my mate wore it in a shadow cast because what I did when I wore it was just hot glue it to itself and hope I didn’t destroy em taking em off at home

I made a second costume for the shadow cast for magenta and it was the same but I added a deep v neck.

So it’s really just a lot of newspaper mock ups, try em on, pin them to yourself, measure twice cut once cos crafting can be pricey!

Also you probs need more hot glue sticks than you think

I don’t think I would change anything on the costume it turned out really well but make sure you’re cutting thing out on the correct side of the foam cos otherwise you will end up with two left pauldrons and then you’ll do it once again when you make the second costume, idk how I managed to do it twice but eh you’d never learn if you never made mistakes

Also the yoga mat has a slit cut up the front and back to aid walking and movement, I was worried to add em but I knew if I didn’t need em I could fix the underside with hot glue and foam, if you can repair something don’t be afraid to break it

Oh yeah and I dressed as the usherette to hand out popcorn and my headpiece is glitter foam with a gem either side of Roxy and it’s all hot glued together and I sewed it to a tiara cos I wanted the option of taking it off the tiara for all my tiara needs, the popcorn bucket is a tiny washing basket I nicked from my ma and I added pink tissue paper on the inside and as a fringe and then double sided taped it all together and threaded a long ass bit of ribbon on to it to make a strap, and the collar and cuffs of my dress I sewed on, the cuffs are from my Transylvanian costume because I was warm and my shirt was a lil small (I’m just too buff for sleeves) so I cut off the sleeves, then I used the excess fabric to slap together a collar and I straight up used a mini hair tie to affix a circle of fabric over the button cos it was black, oh and the popcorn letters on the front are glitter foam too!

I make the mistakes so you don’t have to, learn from em, ask me the things :)

[barbaraspinozzi]

🌿🤍💖💎🖤 From Dolce & Gabbana (Instagram) 🖤💎💖🤍🌿

• • • • • •

Guests graced the #DGAltaGioielleria event at Pettolecchia La Fortezza, Puglia, in head-to-toe #DolceGabbana looks:

Angela Bassett wore a white cordonetto lace column dress and silk chiffon robe from the #DGFW23 Runway collection, accessorized with an Alta Gioielleria white and pink gold necklace with "Paraiba" and "Rubellite" tourmalines and diamonds. Styled by Jennifer Austin

Maya Jama wore a crystal mesh dress with fringe completed with a white gold necklace with cross shaped pendant in pave diamonds.

Blanco wore a #DGSS24 Runway look composed of a black organza shirt with lace details and cotton wide pants with pleats.

Michelles Salas wore a one shoulder draped gown in white crepe completed with #DGRainbow earrings and a bangle composed of multicoloured sapphires.

Olivia Culpo wore a fully embroidered bodysuit in sequined fabric, finishing her look were black sandals and an embroidered mini #DGSicilyBag. Styled by Micaela Erlanger

Christian McCaffrey wore a navy-blue Sicilia-fit double-breasted tuxedo suit with peak lapels and details in silk satin and a Martini-fit tuxedo shirt. Styled by Micaela Erlanger

#DGCelebs #BeItalian

Photography Greg Kessler

[editorialistcom]

Metallic Skirts: A Must-Have in Your Wardrobe

Metallic skirts are a hot trend right now, and for good reason. They're eye-catching, versatile, and can be dressed up or down. Whether you're looking for a statement piece for a night out or a chic everyday option, a metallic skirt is a great choice.

What to Look for in a Metallic Skirt

When choosing a metallic skirt, there are a few things to keep in mind. First, consider the length. Mini skirts are fun and flirty, while midi skirts are more sophisticated. Maxi skirts are perfect for a bohemian look.

Next, think about the fabric. Metallic skirts come in a variety of materials, including sequins, lamé, and leather. Each fabric has a different look and feel, so choose one that you love.

Finally, pay attention to the details. Some metallic skirts have embellishments like beads or fringe. Others are more simple and understated. Choose a skirt that matches your personal style.

How to Style a Metallic Skirt

Metallic pencil skirt can be styled in a variety of ways. For a night out, pair your skirt with a dressy top and heels. For a more casual look, try pairing it with a t-shirt and sneakers.

You can also use a metallic skirt to add a pop of color to your outfit. If you're wearing a neutral outfit, a metallic skirt is a great way to add some interest.

Where to Buy Metallic Skirts

Metallic skirts can be found at a variety of retailers. If you're looking for a high-end option, check out Editorialist. They have a wide selection of designer metallic skirts.

Here are some additional tips for wearing metallic skirts

- Choose the right shoes. Heels will dress up a metallic skirt, while sneakers will dress it down.

- Accessorize carefully. A metallic skirt is a statement piece, so you don't need to add too many other accessories.

- Don't be afraid to experiment. There are no hard and fast rules when it comes to fashion. Try different combinations and see what you like.

With a little bit of creativity, you can make a metallic skirt work for any occasion.

Conclusion

Metallic skirts are a must-have in your wardrobe. They're versatile, stylish, and can be dressed up or down. With so many different styles to choose from, you're sure to find the perfect metallic skirt for you.

I hope this article has helped you learn more about metallic skirts. If you have any questions, please leave a comment below.

View more: https://editorialist.com/shop/metallic-skirts/

[servingcuntwitheveryfit]

Crushie

Oralie Trapezoid Halter Neck Mesh Mini Dress (Cream):

Feathered trim on the bottom;

Sparkling fabric;

Trapezoid silhouette;

Halter neckline;

Sleeveless;

Slim fit;

Embellishment Feature: Feather;

Material: Mesh.

From: https://meanblvd.com/collections/crushie/products/oralie-a-line-halter-neck-mesh-mini-dress?variant=50932326793384

2. Amora A-line Plunge Neck Tweed Mini Dress (Pink):

Textured fabirc with sequins;

Fringe hemline with beaded details;

Light-reflective elements;

A-line silhouette;

Plunge neckline;

Sleeveless;

Slim fit;

Closure type: Zipper;

Material: Tweed.

From: https://meanblvd.com/collections/crushie/products/amora-a-line-plunge-neck-tweed-mini-dress?variant=50932324171944

3. Nari Trapezoid Sleeveless Tweed Mini Dress (Cream):

Sequins and glitter embellishments on the dress;

Trapezoid silhouette;

Slim fit;

Jewel neckline;

Sleeveless;

Does not include gloves;

Material: Tweed.

From: https://meanblvd.com/collections/crushie/products/nari-trapezoid-sleeveless-tweed-mini-dress?variant=50932326334632

[lamaisongaga]

        FASHION CREDITS: JAZZ & PIANO SHOW 3.0

Lady Gaga finally returned to Vegas to continue the final 12 jazz & piano residency shows, and brought out an entire new setlist and costumes! Make sure to check out the other looks here and here.

The fashion was put together by Tom Eerebout and Sandra Amador with assistance by Kayla Manjarrez and Gianni Catalina.

The show also came with a handful of new visuals, including this one of LG enjoying a round of poker while wearing a dress Marilyn Monroe herself would approve.

The red sequined plunging stunner with halterneck, column skirt and flower belt detail is from Rodarte's Fall/Winter 2020 collection ($1,827).

In the same visual, she wears this absolutely divine plush black velvet column dress with deep nude illusion mesh panel and rows of pearl necklaces from Russian designer Kamilla Purshie’s Spring/Summer 2024 collection.

Let's get to the show! A label I've been eyeing for some time ever since being loved by the likes of Taylor Swift and Kelly Rowland is Taipei-based Nicole + Felicia who whipped out this fun beaded fringe mini dress for their Bridal Fall/Winter 2020 collection that any showgirl would love.

She topped it off with a new Arturo Rios Faux Grass white feather showgirl headpiece 

Dita von Teese, if you please!

The Always Love You crystal-embellished silver hoop dangle earrings ($396) are made by Laruicci...

Shop:

Laruicci “Always Love You” Earrings ($396.00)

…while the Jimmy Choo metallic silver Anouk stiletto pumps provided the finishing touches.

Lady Gaga then devoured in this custom Prabal Gurung rose gold sunburst pleated silk lamé gown with hand-embroidered crystals and ostrich feather-trimmed cape.

Both her Hyperbola rhodium-plated hoop earrings with crystals in different cuts ($600)...

...and matching Hyperbola open cuff are created by Swarovski.

Shop:

Swarovski "Hyperbola" Earrings ($600.00)

The look was perfectly accentuated with these Christian Louboutin So Kate pumps coated in pink satin!

This was one of the, if not THE look most of you have been flooding my message inbox about.

LG stunned the Vegas crowd (and us) wearing a custom couture Rose Blossom metallic plissé gown by recently-gone-viral designer Robert Wun, whose been part of her wardrobe since 2013!

The silver-tone mixed crystal flower linear drop earrings are by I.N.C. International Concepts exclusively sold at Macy's.

The perfect shoe to complete the red looks of the show are by Christian Louboutin, who created the super fun Hot Chick Psychic metallic red leather slingback pumps ($852).

Shop:

Christian Louboutin "Hot Chick Psychic" Pumps ($852.00)

Another fun Robert Wun moment was this full look based on his Spring/Summer 2023 Haute Couture collection which went viral!

Signature peplum corset top in a bonded white satin, enhanced with silk taffeta ruching detail on the bust and lace-up back with matching large stole. Paired with a low-waist technical wool skirt with asymmetrical slit pleating details in anthracite.

Styled with a black & white 3D-printed headpiece with stripped coque feathers and long black gloves.

Hot, hotter, GAGA! Our girl twirled around the stage rocking a custom Garo Sparo fiery red showgirl beaded fringe bodysuit dress with hand-stoned crystal pattern and asymmetrical hem, inspired by old Bob Mackie pieces!

If you look closer, you can see that inbetween her fingers shines the Swarovski Hyperbola cocktail ring ($400).

Shop:

Swarovski "Hyperbola" Ring ($400.00)

Hell-o! Gaga brought out the best of Vegas' spirit appropriately decked out in the master of sexy dresswear: Zuhair Murad. And yes, this is the first time!

LG selected a sparkly fringe number fully embroidered in gold sequins and crystals of various sizes from the Lebanese designer's Fall/Winter 2022 Haute Couture collection, inspired by mystical arts, from Tarot and astrology to horoscopes and palmistry, to dispel the concerns of an unsettled age through the allure of their symbols.

She wore this augmented plummet shawl on stage, which was custom-made for her by Christian Cowan!

"Each ostrich feather plume was individually hand dyed to the warm tone of her exact Haus Labs shade of foundation, and curled to achieve a more dimensional effect before being embroidered individually by hand to a crinoline base also custom dyed to be her exact warm tone- all done in-house by our New York Atelier"

One of Gaga's most stunning Vegas-worn headpieces to date is another one-off-one bespoke Arturo Rios! This time: gold lamé leather orchid bouquet with large crystals peeking out between the leaves and buds.

She finished off with her previously-worn Jimmy Choo Anouk metallic gold pointed-toe pumps!

The finale look of the show sees Gaga wearing a bespoke Topo Studio NY plush black silk velvet gown with attached tails to the wrists, embroidered with over 400 cosmic crystals.

The fun feather headpiece with crystallized cap was custom-made for her by Binata Millinery.

For this look she wore Jimmy Choo's Romy black patent leather pointed-toe pumps.

[lovesmcfashion]

Check out this listing I just added to my Poshmark closet: NEW FORMAL MINI SLEEVELESS STRAPLESS COCKTAIL DRESS W/ FRINGE SEQUINS CD CM375.

[mheavenbound]

Check out this listing I just added to my Poshmark closet: JUDITH MARCH Embellished Sequin Pink Sz Jr Medium Lined Fringed Mini Party Dress.