DCxDP fic: Copyright
The first time it happened, the Waynes were walking around a street market, glancing at the art, when a woman wearing a Red Hood jacket and drinking out of a Red Robin coffee traveling mug struts by.
The heroes stop to stare, more in shock, to see how well the two items are done, which grabs her attention.
She grins at them, waving her cup. "You guys like the bats? You should check out both nineteen. He sells all official stuff."
"Official?" Dick repeats.
"Yup. He has it all trademarked." She says, pulling out a business card. She hands it to Dick with a smile before bidding everyone goodbye. Babs reaches up, snatching the card from Dick's slack hold, pulling out her phone to research the name.
Babs hisses through her teeth when she finds out that, yes, whoever the artist is, they did, in fact, trademark their designs. But not only did they cover their art, but they also put a copyright over the idea of all the Gotham heroes.
"He copyrighted Batman!?" Tim demands, reading over the baby's shoulder. "The symbol, the technology, the fighting moves- his shadow!? How!?"
"No one else did," Bruce answers with an amused smile. "He probably realized this and decided to slap one on while he had the chance."
"He can't do that!" Tim shouts. "Batman should sue him."
"Kinda hard to take someone to court regarding vigilantes." Dick shrugs his shoulders. "The Bats are illegal themselves, and they didn't copyright before this guy did."
"He owns Robin!" Jason announces with a laugh.
"That son of a-!!" Dick shouts, twisting around and stomping down the booths. People who recognize them jump out of the way for the raging celebrity. The rest of the Waynes were right behind him, a few slightly surprised by the pure anger on the eldest face.
Not Bruce or Jason. They see and personally know Dick's rage.
"How dare he try to claim Robin!" The eldest hisses, rounding the last row and stumbling to a halt. The rest are unprepared for his sudden stop, so they stumble into his back.
Grunts of pain and slight soft swears are heard as the group tumbles over onto the ground. Dick is unfortunate enough to end up on the bottom, feeling the total weight of his family. He's pretty sure Bruce's elbow was digging into his lower back, and Tim's head had slammed on the back of his neck.
Maybe Alfred was right about them going on a stricter diet. Ouch.
"Get up this instant. We are ashamed of the family name." Damian hisses from where he is standing above them. Of course, Cass is next to him with a cheerful smile.
Both of them had danced out of the collision in a way that appeared accidental to the untrained eye. Bruce likely let himself fall because he enjoyed causing scenes as Brucie Wayne, no matter how much he denied it.
"Dick." Jason groans, taking the hand Cass held out for him with grace. "Why did you stop?"
"Look at both nineteen." Dick hisses feeling Tim delibertly dig his elbow into his back. His brother offers him a sweet, innocent smile that does not hide the anger in his eyes. Sometimes Dick wonders if anyone can spot the pettiness in Tim or if his madness hides it.
"Oh," Steph whistles when she hopes off of Bruce to stare at the booth owner. "Yeah, I get it. He's hot"
"No!"Dick shouts, rising up from the ground. There is horror in his voice that makes the Bats all tense. "No, he is not hot. That's disgusting Steph. Look at him. Tell me who's face that is."
It's Bruce who spots it first. "I have more chidlren?"
Damian gasps. "Father, you have more blood, children!? How did you recognize him, Richard?"
"He looks exactly like Bruce at that age." Dick hisses, leaning closer. "The Titians and I met Bruce when he was sixteen during a mishap with a time wizard. I may have pretended to be a butler sent to Wayne Manor for training to get access to the cave. The cave was the location that we had to use to go home."
"That was you?" Bruce demands. "I thought that was an idiot who was in love with Alfred."
"Ew, why?"
"You kept complimenting his cooking, doing chores for him, and trying to take him out for a fun night in town!"
"Well, excuse me for wanting Alfred to have a week's vacation from the broodiest and most troublesome teen!" Dick shouts, throwing his arms in the air. "You were literally hissing at him whenever he told you to bathe!"
"I didn't like water back then!"
"Hey guys?" Jason cuts in. "Tim left."
Both men swing to stare at the second eldest with twin looks of confusion. "What?"
"Tim. He's over there. Yelling at kid-Bruce." Jason points to where a crowd is slowly building around them. Tim is in a screaming match with the owner. There is a lot of hand-waving, faces turning red in anger, finally ending with the owner throwing himself over the Red Robin merchandise with a protective little snarl.
Tim reels back and punches him in the face.
"Oh shit," Steph sighs, running towards the both as the owner is quick to tackle Tim. The Waynes find it odd that they must show off their bat training to break the two apart.
And that's how the Waynes get on the front cover of almost all media coverage that tells the story of Danny Fenton (Wayne). Bruce's second secret love child with a married woman (Jack and Maddie had briefly opened up about their marriage back then, so neither was mad) and who had met his biological father after a public fight with his adoptive brother.
Danny would like to go on record as saying that he was unaware of why Tim cared so much that he saw a fantastic business opportunity and took it. It's not like Batman could challenge his copyrights, and if the crimefighter came for his kneecaps over it, he would find himself against the Ghost King.
True the Ghost King in name only, but the Bat didn't know that.
Danny will be honest if asked how he felt about finding out Bruce Wayne is his father. He already knew. When he was around twelve, his parents sat him down and told him. It was how his dad explained where babies came from, the genuine Welcome To Puberty! Talk and what open marriages meant—which was as horrific as it sounds—and they never bothered with it again.
Because Jack Fenton had been the one to raise Danny, he had been the one who held him after his mom gave birth and had been the one who loved him with all his heart despite not being blood-related.
He had a bigger reaction to having to fist-fight Tim Drake over the fact he made Red Robin the official LGBT+ member of the Bat family because he is bi, no matter how much Tim insists Red Robin was straight.
It sounds to him like Tim is deep in the closet and in denial. Bisexual Red Robin forever!
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Prompt 272
You know what could be fun for Ghosts Are Dragons? How to Train Your Dragon Crossover.
Like, both seafarers and vikings were incredibly superstitious people, even if we don’t see that a lot in the movie series.
And Danny well, he might’ve managed to convince Clockwork that you know what? They do deserve a vacation, fuck the Observants, let’s find a world where we don’t have to worry about the GIW and just vibe!
Now Clockwork, as anyone with eyes can tell, has a soft spot for the little ghost, there are even bets on when he’ll finally bite the bullet and properly adopt the little hatchling. In fact it’s so obvious that several others, Pandora and Frostbite included, borderline kick him out, telling him to yes, do go on a vacation, remember what happened when we all told Pariah to have a vacation and he didn’t? Exactly!
So there they go, a pair, er a trio, um, alright Clockwork currently has six hatchlings with him. Alright. Okay so he’s never had a vacation before (nevermind with his future vision mostly turned off) and is maybe a hint wrong-footed but that’s fine. It can’t be that hard, and really, he easily dwarfs even the biggest dragons in this world, so what’s going to mess with him, hm?
Ah.
Perhaps he should remember how idiotic humans are at times.
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I think the thing with Sokka’s early sexism being removed is less about his character arc (tho that’s important from a character standpoint), and more about the audience seeing that character arc.
Of course Sokka says iffy and sexist things, he’s acting like an entitled teenage boy. Many entitled teenage boys exist. I’m sure many of them watched Avatar growing up. The point is that these boys see Sokka doing what they do, and that they see Sokka is wrong to do so.
The purpose of an arc like Sokka’s isn’t to create a character who is sexist and who the audience shouldn’t like, who says iffy things and needs to be censored now that we’re in a more “civilized” age, it’s to be a teaching tool to the young target audience of the show. To show little boys that acting like this is wrong, and that girls can be just as strong as boys (this is where the Kyoshi warriors come in). Sokka is a great character because he goes through a genuinely hopeful sort of growth; his arc is something we hope teenage boys with his attitude go through in their own lives.
Taking away this arc deprives the story of one of its core ideals: teaching children what’s good and what’s bad. If they never see Sokka behaving badly, if they never see him being proven wrong, if they never see their hero who acts like them growing and changing for the better, you deprive them of a phenomenal role model who they might genuinely be inclined to base their behavior off of.
Shows like Avatar were so great because they showed growth. Sokka learns to overcome his biases, Zuko learns to overcome his pride and comes to understand what honor truly is, Katara learns to channel her temper into drive and not let anger overtake her, and Aang learns to uphold his principles even in the face of more convenient—if morally questionable—methods.
I think nowadays people (Hollywood) tend to forget that shows for children are often meant to be teaching tools, and not just entertainment. They forget that people—even kids—are flawed and so characters must be too if the audience is to learn anything from watching them on screen. It’s not enough to take an animated show and make it pretty and expensive, you have to translate the substance of the show, too. Otherwise you lose any purpose or power it might have had.
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Look I know it's Twitter and it's speculation, but it's some INTRIGUING speculation.
https://x.com/benslurrsho3/status/1785721725226754187
the gif usage really does it. dw is an asshole truly but i really think what chris said in the time after he left / before coming back is the truest stuff we’ll hear — he wanted higher pay (recurring theme in the dwcu so it tracks 😭) and i think he was just done with the show in a way mariska obviously wasn’t and isn’t and can’t be. he used to say he didn’t feel like he had anything left to do on the show, and when he talked about coming back for oc he was very clear that elliot needed to be a different character in some way for it to be believable and doable. i think it was like he could be convinced to stay on for s13 Only w a pay increase, but otherwise he was ready to move on. given where eo was in s12 (throuple at best) i’m sure dw wasn’t planning on any motion anytime soon and while it certainly wouldn’t have hurt the show to pay chris more and keep him on, it seems like there were a lot of shifts in that timeframe and dw was trying to really change up the show. i think dw was letting eo hit a wall and letting the chris thing blow up as an excuse. we know dw will always fire someone rather than keep paying them w the exception of mariska, who he won’t fire but undermines nonetheless. if she couldn’t convince him to keep kelli on last season as executive producer, i can’t imagine she could convince him to keep chris on Or that chris could be convinced to stay fr. not that it’s her responsibility but just like. this thread implies a huge idol thing between dw and mh that i think is actually more based in warrens writing of 2.0 liv. if dw actually worshiped mh like that a lot of things would be different lol.
also wasn’t there a rumor that they wrote liv leaving after elliot quits and then scrapped that bc m didn’t want to leave ?
tldr i do think it’s dw’s fault but i also think it was a lot more money hungry and emotionally detached
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