#see my love for legends and their meta

[quinn-of-aebradore]

Unpopular opinion probably but I would bet that pre-M9 Essek had killed less people than pre-M9 Reani.

Essek was willing to get his hands dirty but I don’t think that extended to killing all the time. He’d definitely had experience, obviously the imprisoned Scourger and how he handled that shows that, but he was a courtier and a scholar first, with flexible morals.

Reani, on the other hand, lived by “the rule is evil dies” until the Nein. The definition of lawful good. Her morals weren’t flexible until the Nein showed her the importance of grey areas. She was a vigilante. Her job was killing people. Just because it was done in the name of good doesn’t mean the bodies go away.

I don’t think either had a particularly high body count (ha) before the Nein, for the record. On the scale of Jester (never) to Caleb and Yasha (evil man’s personal killing machine), I think Essek and Reani both fall solidly in the middle.

There’s not really a point to this, it’s not a “see pre-M9 Essek wasn’t that bad!” post, nor Reani hate. If anything, it’s more a reflection on how the number of people killed isn’t a good litmus test of morality in a D&D world. It’s a normal part of the setting. I love when it’s examined more closely—Jester chopping what’s-his-name’s skull with her handaxe comes to mind—but sometimes you’ve just gotta accept that yes, they kill people. Professionally. And that’s fine. Murder is okay here.

[novelconcepts]

Doing a bit of a Santa Clarita Diet rewatch, and while I don't know intentional any of Abby's queer-coding was (and how much was just Hewson's vibes), her relationship with Eric has such teenage comphet energy. Like whenever Abby's like "I really care about you, more than anyone, but it's hard for me to pretend I'm into the physical; this has maybe a 2% chance of working out," my lesbian ass is just nodding so hard. Like, yeah! Exactly! You don't know you're gay yet, or you sense it in yourself and try to veer away, so what's the easiest option? You find the soft nerd boy, your best friend in the world, someone you absolutely trust to have your back no matter what, and go, "Yeah, uh huh, sure. I'll try that one." You absolutely look for the most non-threatening dude in the vicinity. And then it's improved by Eric's whole thing being like "yeah, this is absolutely someone I am down bad for, but if she doesn't wind up digging me that way, she's still my best friend." It reads so true. No idea if they were ever going to actually walk down that road, but in my heart of hearts? Here for it.

[mimir-anoshe]

I love that ARCANE is using the MAJOR ARCANA for symbolism.

Chefs kiss.

These are Sevika's tarot cards from season 1.

The Magician (upright) overlapping Death (upright).

Foreshadowing? Oh hell yeah. But its only now after S2 Episode 6 do I understand what they might actually be foreshadowing. People may have talked about this before, so I apologise if this is similar to anyone else's meta. These are all my own thoughts, I usually just watch arcane and don't dabble into the meta but this season has me feral and I just rewatched season 1.

SPOILERS for Arcane S1/S2 below.

I just want to prologue this post with a note about how I've noticed even from season 1 there are thematic parallels and linear symbolism being afforded between Jinx and Viktor. Others in the community have too I'm sure. Its strange. I thought it was interesting in S1 but didn't deep dive into it, but S2 has driven headfirst into it and its making me go "oh... oh ok." Even Viktor in S1 noted Jinx's genius, and in another timeline perhaps Powder would've been a student of Viktors had fate not set them on parallel paths. Two children of Zaun, both mechanical/scientific geniuses. One physically disabled whilst the other mentally disabled. One who "escaped" and was given a chance, rising to the top only to create something that would be used for harm. Fighting that fate at every step. Whilst the other trapped at the bottom of the barrel, forced to use her gifts to become a weapon herself. Such GOOD story writing.

So now let's think about the art of the cards, because in tarot, even the symbolism of the specific art is important. Its why an artists interpretation of a major/minor can be so crucial to a reading.

Here's a figure map I made earlier.

Lets begin with Death.

Thirteenth of the Major Arcana, a "significant transformation and the end of a phase in life." There is death and rebirth symbolism all over arcane, but let's take a closer look at the symbolism mirroring the art.

Figure 7&8 - The one who has "died" a skeleton/skull laid down and being "imbued" with something as something else is taken away.

See that the imbuing focuses on the "chest" area.

It's quick, but it flashes briefly when Viktor is being imbued with the Hexcore. He canonically dies "the skull" and is reborn with the Hexcore on an "altar"/table.

Same with Jinx. Canonically "dies" and is reborn laying on an "altar"/table using shimmer. Purple being used as the visual thread between shimmer and the arcane of the hex; a colour imagery representation of "magical" alchemical/arcane power turning them into something beyond human.

Singed and Jayce. Two hands of death, giving and taking life as if they were a God. One using shimmer, the other Hextech thats imbued with shimmer. Messing with the balance of life and death.

With Viktor, the energy is transferred straight into his chest, just like on the card.

So now we've established the parallels to the death tarot, lets look at The Magician.

The First of the Major Arcana, "the connection between the physical and spiritual worlds, and the ability to manifest one's desires."

Viktor is the Magician. No doubt. He connects the physical and spiritual world of the arcane, he brings people back from the brink of death, as he was. He manifests his desires through the use of the hex, the arcane. And the dude just looks like a mecha wizard.

Though if you want it to be even more obvious.

Figure 3 - The Third Arm/Third Hand.

The image below is "The Machine Herald" Hero from League of Legends. This is the hero Viktor is based upon.

He canonically has three arms, same as the Magician in the card. The Magician is Viktor, Viktor is the Magician. The Magician is the Machine Herald.

The Magician overtakes/overlaps death. But Viktor by episode 6 still doesn't quite resemble the machine herald from the games. There's no third arm... Yet. So the Magician in the card isn't Viktor from episodes 1-6, this is the machine herald who comes after the one killed in episode 6. Another Rebirth is set to happen for Viktor.

Figures 1 &2 - White mask. Red/pinkish eyes.

Hmmm... Red/pinkish eyes are associated with shimmer. And a white mask, of the machine herald? The mask of a messiah. That the hextech Viktor will most likely also be imbued with shimmer like Jinx, to become the true "machine herald." Messiahs of the hex, monsters of the shimmer.

Its also worth noting that both Jinx and Viktor are framed as messianic figures of Zaun in this season. One the fighter who will rally together the undercity and free Zaun from its oppression. The other a healer and a saint like figure who will free the Zaunites of their suffering and lead them into a better future.

Jinx wanting peace - represented by Isha - and Viktor's dream of peace and healing for Zaun - represented by a lot of things including healing Vander - are metaphorically and literally killed in episode 6. Funnily enough, one symbol of peace killing the other (Isha and Vander - Child and Father). After all, peace and violence are two sides of the same coin, as are Viktor and Jinx. Or should I say, two sides of the same cog...

Figure 4&6 - The Cog shaped Hole in the Magicians chest/The Cog Coin and Jinx's cog.

"I understand now. The message hidden within the pattern. The reason for our failures in the commune. The doctor was right. Its inescapable. Humanity. Our very essence. Our emotions... Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound."

In episode 6, whilst Viktor is explaining to Vi about what it will take to heal Vander, Jinx is sceptical. She doesn't even believe in herself as a messiah, so this "hero"? This "saviour" coming along to solve their problems? To fix things? When all she can do is break everything around her, jinx her own family, destroy? She's scoffing at Viktor sure, but she's also scoffing at herself. Mirroring. People treat her like they treat him, so to believe in him as a saviour means she would have to look into the water of that well and face her own reflection. And Viktor sees right through it, the pretence, and he sees her potential.

Knowledge is a paradox. Jinx wants to stick with what she knows, to destroy instead of to build, to "Watch it all burn." Or ignore the plight of Zaun, so she can live peacefully with Isha. Jinx - Powder - is choosing to remain ignorant to what's right in front of her. Right up until the moment Isha dies.

In the scene earlier in the episode, Jinx accidently destroys a bit of the well, releasing a cog that falls into water. Cogs have been symbolic of Viktor healing people throughout this season, using cogs to "Build."

Powder was thrown into water just like that cog by Silco, and reborn as Jinx. But its not Silco that picks up this cog. Its Viktor. He holds the potential of his creation in his hand, and in paradox, holds Jinx's destruction. Viktor holds Jinx's potential. He's literally holding the two sides of Jinx/Powder in his hand, her - their - fate. Just like Jinx, Viktor has the equal capacity to destroy, and if he is reborn as a weapon later on, perhaps that cog represents Jinx being reborn too. As a creator. A builder.

He holds onto Jinx's cog all the way through the rest of the episode, balancing that potential, that fate, of creation and destruction in his hand. Right up until the moment he dies, and the coin/the cog falls, sealing their fate. His death causing the deaths of Isha and Vander too.

So we've established that the story is viewing cogs/coins in a similar light. We've also established the show is linking Viktor and Jinx through the symbology of the cog.

This is reiterated in the symbolism surrounding the Tarot cards. Around the cards are coins that take the shape of cogs, the currency of Zaun. Fate - coin flips - and cogs, gods and machines. Deus Ex Machina, that is what Viktor is to become, and Jinx creates destruction using machines. She's an inventor, just like Viktor and Jayce. A creator and a destroyer. A god of the machine.

So how does Figure 6 - the coin cogs - relate to Figure 4? The hole in the Magician's chest.

On the Tarot Card, the Magician has a circle in the middle of his chest. A hole. Just like the hole Jayce puts through Viktors chest at the end of Episode 6. The one that kills him.

But if you look closely at the image above, it might be a stretch, but to me, the striations on the inner ring look very similar to those of a cog. The hole is what kills Viktor. Cogs have been given visual symbolism for healing, and are also associated with Jinx's potential for creation. Its a stretch, but it could potentially be foreshadowing Jinx using her abilities to heal Viktor; to build instead of destroy. We've already seen Jinx do it once with Sevika, by "building" her a new arm.

I also find it interesting that we're shown Jinx using her talents to build someone a new arm, and Viktor - the machine herald - still has yet to acquire his third arm. Perhaps he doesn't make it. Perhaps Jinx does?

Maybe, just maybe, Jinx - Powder - is the one to fix Viktor, and flip the cog of fate once again.

Now in Episode 6 we already get foreshadowing that it'll be singe - not Jinx - who saves Viktor by imbuing him with the ultimate shimmer from Warwick/Vander - stabilising him. He says it in the episode, but Viktor refuses to sacrifice Vander in the name of creating the ultimate weapon of destruction.

"It would destroy him."

Viktor's potential for destruction goes hand in hand with Jinx's.

Its even foreshadowed in both the cards. The red/pink eyes of the machine herald foreshadowing shimmer. And the shadow being imbued into the chest of the dead skeleton (Viktor) looks an awful lot like Warwick; the beast that traps Vander.

So why am I talking about Jinx saving Viktor if I'm so certain its Singe? Well I'm certain Singe will bring Viktor back to life, to be used as a weapon. That seems like the most likely outcome.

But like Viktor was saying about Vander "He's not a specimen, he's a man." Viktor was doing everything in his power to save Vander's humanity. So yes Singe will bring the machine herald back most likely - even if I think it'd be thematically cool for it to be Jinx - but I think Jinx will save Viktor. Save the man, the humanity. Be the big fat hero.

Jinx was a girl imbued with Shimmer, and despite having monstrous abilities and doing monstrous things, her humanity has still survived.

I could be wrong, I most likely am, but the the thing that's getting to me is this...

Figure 5 - The Broken Infinity.

At the centre of Viktor's chest, in the middle of Jayce's death blow and Jinx's cog of creation & destruction, is a symbol.

Now a diagonal infinity symbol is associated with the Firelights. Ekko. The boy who shattered time.

Broken Infinity? Shattered time? Seems to go hand in hand.

Though Ekko's symbol is a whole infinity, more akin to a Z than an ongoing X.

There are plenty of theories Ekko will play a role in Viktor's fate and the fate of everyone by rewinding time somehow. And the multiple shots of the coin rolling support that to an extend. Rewind time, change fate, change the flip of the cog. And I agree, I think Ekko is going to have a role to play. But there's also another character who fits with this symbol, who uses shimmer to move faster than humanly possible and defy fate time and time again. Who is the fulcrum of fate in the eyes of the story, the catalyst of everything. And only one character who has solely been associated with a broken infinity symbol before.

Jinx. That's Jinx's symbol. Her champion tag.

Jinx's symbol, right at the centre of Viktors chest. And this line to Jinx from Viktor...

"You have much to offer this commune, Powder. Your talents could be used to build instead of destroy."

And the line from Singe, about Viktor's fate being tied to the commune. Viktor IS the commune, he's the centre of it all. The one who can make the dream of Zaun - Vander's dream - a reality. And that line foreshadowed Jinx using her talents to help the commune. To help Viktor.

Hell, she was technically the reason he "died" in the first place. She fired the rocket that nearly killed him. Wouldn't it be poetic story telling if she was the one who saved him in the end?

I can't wait for Saturday.

I believe whatever happens, Viktor and Jinx's fates are inextricably bound.

[deaddovedecadence]

Title: The Beginning (sunshine verse)

Warning(s): threats of violence, manipulation, possessive and obsessive behavior

Summery: Jason has finally been brought home, only to meet his newest sibling. They have a talk

Jason wakes up in a familiar room. It's a perfectly tidy room, no specks of dust anywhere, a perfectly ordinary room, but it feels dangerous anyways. He isn’t cuffed down but it feels dangerous anyways. He takes a look around the room, noting the unbarred windows (probably electrified) and a door he knows leads to the bathroom. The room to leave the room is perpendicular to his bed so he shifts, moving so that he can see who comes in and face all threats directly. For a long while there is absolutely no movement, and eventually his body relaxes itself, even with his mind screaming danger.

 He’s been here before, escaped from here before, been (loved) hated here before, and he is foolish enough to think that escape will be an option for a long while. Security will be up for sure as well as it’s six incredibly well trained people (Dick, Cass, Tim, Damian, Bruce, Alfie) against him, and he’s been out of the game for a while. For a moment, he’s reminded of Dick, who’s rebellion is still the stuff of legends in the crime community, and the cops that try ever hard to catch them.He wonders what this will be considered, a rebellion or a temper tantrum. He was there when Bruce and Dick finally fought it out. Both of them still carry the scars. Will it be like that for him, or will they trap him in a golden cage?

There’s a knock on the door, and he’s more surprised than anything else. The knock, while polite, is unfamiliar, not matching the cadence of any of the others. Dick’s knock, twice in a row before a pause, is bright and cheerful, Cass climbs through the window, Tim’s, thrice,  rapid and soft, Damain’s, continuous, loud and quick, Bruce’s, four times, slow and thudding, and Alfie’s once, a gentle warning. This knock is thrice, rapid and not too loud. The knock comes again, unchanging. He has no choice and he knows that, but at least his damnation can be on his terms. “Come in,” he snaps, and the door opens. He’s unsurprised when the figure is unfamiliar. The figure is on the taller side, with dark brown skin and a warm smile. “Hey Jason,” the figure says, “I’m Duke, I use they/them pronouns.” Duke’s accent is all gotham, thick and weaving into his words, like taffy getting caught on its stretcher. 

“Why’d they send you? Testin’ the new meat on me?” Duke’s smile stays warm even though their dark brown eyes flare a bright vivid yellow, and the light levels in the room drop for a second. Jason can’t help but startling because he’s facing a fucking meta. “I’m his newest adoptie, and if you must know, I’ve already completed testing and my time as new meat.” The implications of that remain unspoken. Bruce went and adopted a fucking meta while Jason was gone, huh? That’s a thing he doesn't have words for. 

“May I sit on the bed with you?” Duke says politely, gesturing to the bed. What the fuck is going on here? There is no one in this family that asks for anything so why is the newbie doing it? Jason ends up just shrugging which Duke takes as a yes because suddenly there’s another person on the bed, arranging into a sort of criss-cross that reminds  Jason of Dick. 

“Why are you here?” he demands, sharp. Duke shrugs, “family thought you’d do better with someone that hasn’t met you ‘stead of someone you know ‘cause I’m more like to be neutral and calmer with you.” It’s not a bad way of thinking about it and the kid ain’t even wrong. If Bruce or Dick or anyone else was in here it’d probably be a screaming match already. Duke arranges more on the bed, and fixes Jason with a look that reminds him exactly of Alfred. “There are three things that I’m here to go over with you but I figured you might wanna know we got your friend in the next room over.” he pales, thinking of everything his family would do to his friend, the person that dragged him away from crime and gave him a way to bring them down. Because of his carelessness, his friend is in the next room over, the perfect leverage to keep him complaint, to keep him here, all because he was stupid. 

“This can go two ways,” Duke says calmly, “I give Dames the go ahead to do what he wants with your little friend or you and I make a deal.” It’s a good offer, especially considering how his family is, actually it’s almost too good. He narrows his eyes at Duke, who sits serenely on the bed. “Okay, cut the bullshit. Why are you offering me anything?” he snaps, and Duke smiles. “It’s pretty simple actually. You are a member of my family, and that means that I want to help you. Plus helping you and your friend benefits me in the long run.” Simply put, but still, it feels like there’s something that Duke isn’t saying. “What’s going to happen to them?” he says, referring to his friend. Duke pulls out a phone instead of answering, scrolling through something before looking up at him. “They woke up asking for you. I gave you your options. Do with them as you will.” 

Jason doesn’t like this. “If I made a deal with you,” he says carefully, “they stay safe.” Duke nods. He steadies himself, and says the damning words. “I want to make a deal,” 

And Duke smiles.

-

The second that Duke leaves Jason’s room, Dick is all over them. “How is he?” Dick asks, bouncing absently on the balls of his feet. Duke gestures to the door, signing ‘Jason hear us. Kitchen now.’ Dick nods and follows after them, humming something to himself, and chewing on his nails. Duke doesn’t sit down when they get to the kitchen, bustling around and prepping something, probably tea, for themelf.

 Out of all of them, it’s Duke who’s taken to Alfred’s lessons the best, learning everything from new ways to cook to the best ways to hide poison in a drink. Like most of his siblings, being subtle does not come naturally to Duke and Alfie has taught them the more subtle nuances of things, ranging from soup spoons and good manners to the proper spoon and/or fork for taking out someone’s eye. 

At Duke’s raised eyebrow, Dick sits, leg bouncing under the table. Duke sits down after their tea finishes, holding a steaming mug. “What did he say?” Dick demands. Duke takes a sip of tea and begins, “first of all, you owe me. I was right about Jason reacting better to me than you.” Dick settles a little bit, laughs, “okay, okay petit, we’ll head to the beach this weekend. Tell me about our brother.” 

Duke frowns, “He agreed to make a deal with me to keep his friend safe.” There’s a but there and he knows it. “What’s wrong?” Duke shrugs, “He’s planning an escape already, I can see it in his eyes.” For all of Jason’s abilities, his eyes have always been very obvious. 

“What are you planning to do?” “I already laid the groundwork.” 

“What do you want for their safety?” Jason demands, all cornered prey animal, obvious in the slant of his teeth, in the way that he tenses. In contrast Duke is the predator, aware that it’s prey is cornered. “Let’s play a game. I’m going to flip a coin, you’re going to call it midair, and for every one you get right, you get to ask me a question. If you get it wrong I get to ask you a question.” Jason takes it in, trying to see if there’s a way that he can get out of it before he nods. 

Duke flips the coin after showing him both sides. They flip it in midair, and Jason calls heads, “Tails.” Duke says evenly, not gloating or teasing like Damian or Tim would. “What’s your question?”

It’s a small, calm smile given to him and yet this is the first time that Duke has ever felt like a threat. “Where did you spend your time?” It’s an oddly easy question to answer, not prodding or pushing like someone else would. He shrugs, “I went pretty much everywhere that Bruce doesn’t have business in. I wanted to see the world on my own terms,” without Bruce’s influence, he doesn't say. Duke nods, and gives him a little smile. “Okay, let's go again.” 

Again he’s shown both sides of the coin before Duke flips it, and he calls, “Heads,” midair. It comes back down and when Duke shows it to him, it releases as tails. “Fuck,” Jason snaps, and Duke’s serene smile does not waver.  “Why the police?” Duke asks. Another easy one, “I wanted to make sure that even if I went missing, they’d know, they’d do something.” Duke snorts, and then looks almost soberly at him. “Your entire police force answered to Nightwing.” He can’’t help the horror that courses through his body at the idea that he was never safe, that he never had a chance to get free. 

“Why are you telling me this?” He snarls, and Duke, doing something that seems to have become a trend, smiles serenely. “Because you deserve to know, and the others didn't want me telling you.” 

“Did he really believe that?” Dick snorts. Duke nods. “I’m almost disappointed in him. He seems to have forgotten all of his training.” See Duke excels in several things but most of all they fuck with the truth in a way that almost no one else in the family does. Even Cass sometimes has problems understanding if they’re telling the truth because Duke bends it just enough that his body language reflects the idea of truth when that isn’t the full story. 

“Last time, “Duke says cheerfully, showing him both sides of the coin once again. “Pick your poison.” It’s thrown up into midair and Jason pays careful attention the to amount of flips and calls, “tails,” right as it’s coming down. Duke gives him a steady grins and opens his palm to revel, “heads.” It takes everything in Jason not to start swearing. 

He feels watched, like his skin’s been pulled back for Duke to see all the scars as the meta considers his final question. “Why are you so afraid of being considered bad?” Not fucking easy. “You tense up when I mentioned our siblings, and from what I know you left bruce because of your morals.” He stops, and tries to put into words something that Duke will never be able to understand. 

“Have you ever been so happy that you’d do anything to continue that happiness?” Duke nods, “I have, yes.” Jason snorts, “well that was my life before I realized that my happiness comes from the suffering of other people, that I’m only good in bruce’s eyes and to everyone else I’m a monster. I didn’t want to be a monster so I left.” 

To his surprise, Duke does not make a noise or call his reasons stupid like Tim or Damian would. They just nod, and say quietly, “Thank you for sharing. Your friend will be safe until you attempt to escape.”

As Duke leaves, Jason realizes that Duke says until, and not if.

“Our brother is fucking stupid,” Dick says, “he fucking left because he thought that he was bad, just ugh. I want to stab him for that.” Duke, calm as always, reminds him, “Jase was older when Bruce took him in. Don’t you remember how much trouble you had with me?” It’s enough that Dick stops holding his knife like he’s going to go upstairs and hurt something (or someone). “You were trouble but at least you were logical about your protesting. Jason is just being stupid.” 

That gets a soft laugh from his younger sibling. “Well perhaps changing our guest will help Jason change too.” 

A feral smile, “you might just be right about that petit.”

[hopefulleafva]

Papyrus Wrote the UTDR Mystery Valentine

Okay so with a 2025 release for Deltarune chapters 3&4 confirmed I want to get this off my chest and document it for future me to either feel vindicated by or have a good laugh at how wrong it was. This has been eating me alive since the Valentine’s newsletter and I never said anything but I want this out there before anything new comes out.

Disclaimer: I have no idea if this is a theory other people have already made posts on or not because all I ever see is “it’s Gaster!” or “It’s not Gaster, it’s Dess/Egg Man/[Insert mysterious character here!]”. If someone has posted this theory before I missed it entirely. Not looking to steal anyone’s theory thunder here.

I’ve convinced myself this is Papyrus and just want to get my thoughts down here.

So. I see a lot of people talk about how the flippant and humorous way it’s written makes them think this isn’t Gaster. To get the Gaster stuff out of the way, my stance is that everyone has their own preferred idea of how they think Gaster acts and whether or not he could have a sense of humor, but we really have yet to learn a lot about him in canon. I don’t love us trying to make rules about what is and isn’t “in character” for him when we really haven’t met properly and have very little dialogue to go off of. I get a lot of people are basing their ideas of him being serious off Entry 17 and the popular assumption that the intro voice is Gaster. I think that’s fair and very understandable, but even still it’s only an extremely limited peek at what the guy is like. Point is, maybe he does have a silly sense of humor and maybe he doesn’t. I don’t want to entirely dismiss the idea that Gaster wrote this based on “it’s too silly, Gaster is serious!”. But I also think that the idea that because the speaker is a mysterious voice with meta knowledge of Deltarune that it MUST be Gaster is also a bit shaky.

Anyway.

Is it just me or does the bizarre roundabout way of phrasing things in the letter perfectly fall in line with how Papyrus speaks?

One of my favorite notes in the Undertale Legends of Localization book (HIGHLY recommend by the way, a really fascinating read) was this:

While yes, it’s important to bear in mind that this was the quote of a localizer and not Toby directly, I think it still rings very true for Papyrus’s character. Don’t really think I need a laundry list of examples for this point, right? Papyrus’s fun and unique way of speaking is such a memorable part of his character that you encounter in all routes.

Which is why it’s so interesting to me that this mystery writer seems to have a highly similar way of phrasing things in a unique and playful way.

The first one that really sticks out to me is the “I never forget someone I don’t remember.”

Really reminded me of the little bit you get after a post neutral run reset.

While not something I originally weighed in to my theory, it is worth noting that this bit between Papyrus and Sans occurs immediately after Papyrus has recognized Frisk after seeing them for this “first” time. This makes the mystery valentine writer’s preceding comment that they will know the forgotten person they are looking for immediately upon seeing them extra interesting.

This bit also stood out to me:

Because it also felt like very familiar phrasing. It took me a while to realize what it was making me think of.

Down to the quotations around a common phrase like it’s an alleged thing not a very common thing??? Like MAN.

While these were the only two parts I felt directly and strongly paralleled specific phrasing Papyrus has used before in canon, there were a few other things that caught my eye.

A faith in the power of love, and the power of belief.

(Yes, I realize the “even if you don’t think so” appears to negate the idea of Frisk’s beliefs being an important part of their ability to change, but I’d say Papyrus is still emphasizing that his beliefs are significant in this.)

Very strange that the writer doesn’t dismiss the idea that the person they have forgotten they wanted to help could be themself. How could you forget yourself? But then again…

And while not really the same degree of strength in a parallel, I just want to bring up that the letter writer remarks that the reader is odd yet reliable for responding out loud to a piece of written communication.

It is strange that the author seems to have still heard the reader’s out-loud reply to the letter. A weird instance where a mode of communication that has limits on what SHOULD be able to be perceived by the other person somehow has those limits broken and allows that person to comment on something they shouldn’t be able to perceive.

Kind of like if you were having a phone call with someone far away from you but they still seemed to somehow be able to know exactly what you were looking at and where you were. Where have we heard that before…?

Also come on. You can’t tell me “PUT ON YOUR COAT AND WASH YOUR FACE! OR, PUT ON YOUR FACE AND WASH YOUR COAT. NOT NECESSARILY IN THAT ORDER. OR, IN ANY ORDER AT ALL.” doesn’t sound like a Papyrus-ism.

I know some people may point out that Papyrus already has Valentines that are very explicitly from him in the newsletter, so it would be weird to have three that are and one that wasn’t. But I don’t think that necessarily should refute this idea. It could be possible the “signed” valentines are from Undertale’s Papyrus, and this one is from Deltarune’s Papyrus. Even if you subscribe to the idea that UT Papyrus IS DR Papyrus, this could simply be a letter sent from a different point in time.

Anyway, this has been eating me alive since February so I wanted to get it off my chest. Maybe this is completely off base, but interesting to think about.

[awwyeah107]

2024 Fic Recs

Hello and welcome to my fic recs from 2024 post :)

Like in 2023, the vast majority of fanfiction I read has been Tolkien-centric; my hyperfixation is still going strong, lol. I also got into Longmire (the TV show; I haven’t read the books yet), so there’s a handful of Longmire fanfics in here too. And as I said last year, buckle up, because it’s a pretty long post (this one’s got roughly 80 fics, not counting series!).

For each fic, I’ll give a one-sentence summary and then my thoughts on the fic! I’ll also mention whether the fic is a oneshot, doubleshot (2 chapters), or a multi-chapter fic, as well as the fic rating. I’m sorting the Tolkien fics into series, topic-based, character/time/place-focused, AUs & others, and then I’ll put the non-Tolkien fics at the end. I am including in-progress fics in each of those categories.

Credit to @cafekitsune for the galaxy banners used to separate the sections :)

Intro: What to Expect & Fics Legend

Expect: Lots of angst—LOTS of it. I didn’t realize how much there was until I went back through all of these! Also a bunch of fluff and hurt/comfort. Majority of fics are genfic. Mostly Silmfics; some Lord of the Rings and/or Hobbit characters are featured. Most fics are rated T, with a few rated G or M.

Do not expect: Stories with a focus on romantic!Russingon (or any other first cousins x cousins ships), smut, or excessively gory or dark stories. No E-rated fics.

Notes about formatting: Sometimes, the bullet points may be spaced out a little strangely; that’s because Tumblr won’t actually tag more than 5 people at once in a set of bullet points, so I have to space them out in order for people to get tagged properly. When a fic has quotation marks around the summary, that means it’s taken straight from the summary of the fic. Occasionally, I’ll consider a fic to be rated differently for my personal taste than it’s marked on AO3, and in those cases I will mention that. For example: G [AO3 rating] / T [personal rating]. Otherwise, ratings are from AO3.

Fics Legend/Key These emojis are used to denote any stories that have the following elements, and I’ll do my best to put appropriate warnings/mentions of certain potentially triggering topics as well, when needed. Most if not all the stories do have necessary tags or content warnings given by the author, so if I miss something, the author and/or the fic tags should tell you about it. My apologies if I do miss anything.

🔒 Fic only available to AO3 users

🩸 Features somewhat shocking or graphic violence and/or heavy topics (including abuse, severe trauma, mental illness, etc.)

*️⃣ Features background romantic!Russingon or other cousin ships

🏳️‍🌈 Features LGBTQ+/queer ships and/or characters (for those who do or do not prefer to read fics with queer ships/characters. If you have any questions about this, feel free to send me a DM.)

✍️ Fic is in progress/incomplete

Also, this may go without saying, but I feel like it does need saying: Your mileage may vary with these fics, especially those that are not particularly fluffy. So, read what you’re comfortable with, and don’t read or skip what you aren’t.

I will tag authors who are here on Tumblr; I've included multiple fics by the same authors, so I will only tag each author once.

To all the fic authors, people posting meta/analyses, and fan artists: Thank you for sharing your work with the world. Your stories, musings, and art have brought me a lot of joy (and frequently, encouragement) this past year, and it’s still kinda crazy to me that I can read or see it for free. Because you loved canon enough to make something from it, and you wanted to share the results of that love with others. Thank you. ❤️

Series

Annaáuchiwee by @thegreenleavesofspring (Brievel on AO3) & The_Anonymous_Coauthor 🩸✍️ - [Modern AU] The story of how a biker thug scrapes a street rat up off the street and discovers, for the first time in thirty years, that he has a conscience, which leads him halfway across the country and into a lifestyle of love and sacrifice that he had long forsworn. (In-progress series of 4 works, multi-chapters, T) Y’all. Y’all. I cannot recommend this series enough. If you follow my sideblog, @fandomsandfairytales, you have almost certainly seen me posting about this over there. This series is essentially set in the Sons of the Star universe, which is a “sons of Fëanor as a biker gang” modern AU, but it’s a step to the left of that AU. Annaáuchiwee is focused on the modern equivalent of Celegorm, named Riser Way, and his journey (both literal and figurative) to become an honorable man. I absolutely adore the characters and writing in this series. There’s so much: humor (and lots of it), angst (and lots of that too), violence, domestic fluff, thoughtful moments, and so much character growth. I get excited every time I see an update in my inbox! (Warning: The series features a fair amount of violence, and it deals with heavy topics, including trafficking, rape, and child abuse.)

On Elrond Peredhel by @elvinye (leodesic on AO3) ️*️⃣ 🏳️‍🌈 (Russingon + biological son Gil-Galad; prominent in one work) ✍️ - "A series examining Elrond's kidnap-adoption [and Elrond himself] from a variety of different characters’ perspectives." (In-progress series of 13 works, oneshots and doubleshots, all rated T or G.) I enjoy reading lots of different perspectives on kidnap fam, and I love how this series explores a huge spectrum of characters’ reactions to a very Noldorin Elrond. It’s so well-written and gives me major Elrond feels. Seeing Elrond through so many different lenses is really cool; I think leodesic does a great job handling each character’s inner narrative and also showing Elrond as a kind and caring yet assertive individual, no matter what that character thinks of him. If you are into pro-Fëanorian kidnap fam, you’ll like this series!

Quenta Nossëo by HonoraryDawn ✍️ - Elrond accidentally travels through time and space and arrives in Valinor just in time for Fëanor’s birth in the Years of the Trees; Elrond decides to change history and raise Fëanáro himself. (In-progress series of 2 works, multi-chapters, T) This is such a cool series! I love how it changes history, and all the twists and turns throughout! Nature vs. nurture is a key theme in Fëanor being raised by someone other than Finwë, and Fëanor’s development and the way tensions rise differently in Valinor in the Years of the Trees are fascinating. Highly recommend! (I also recommend Fanarts for Preventative Measures by Leira_E, which has several pieces of fan art and fan-written blurbs for the first installment in this series.)

Horrible Goose Fingon by @pearlescentpearl (PandaFlower on AO3) - Fingon, having experienced life in Beleriand, wakes up in the Years of the Trees Valinor and immediately decides to make it Morgoth’s problem. (In-progress series of 2 works, oneshots and multi-chapters, all rated T or G.) Fingon hits the ground running here, and his quick deductions and planning are so much fun to read! I enjoyed his interactions with Maedhros and with Ingwë’s family, and I’m looking forward to more.

Topic-Based

Post-Thangorodrim

I went through a period of time where I was really into rescue-from-Thangorodrim and post-Thangorodrim fics, so here are my top Maedhros-Thangorodrim-trauma recs from this year!

The Shackle by @valarhalla (Elisif on AO3) 🩸 - Fingon rescues Maedhros from the cliff of Thangorodrim. (Oneshot, M) This fic was exactly what I was looking for when I was craving a rescue-from-Thangorodrim fic!!! Masterfully written. It really depicted the sort of state Mae would have been in, neglected and hanging from the cliff as he was. The entire thing is SO angsty and incredibly heartrending and I loved it. (Warning: Graphic descriptions of injury, bodily fluids, and the effects of an extended period of physical neglect.)

Open Wounds by @markedasinfernal (theeventualwinner on AO3)🩸*️⃣ - “Maedhros' post-Thangorodrim recovery.” (12 chapters, M) I devoured this fic over two days and oh my goodness. What an amazingly well-written piece. I loveddddd all of the medical terminology and the very analytical (though never at the cost of emotional, or vice versa!) way Maedhros’ healing was approached. There’s so much angst and tension amongst the rest of the sons of Fëanor and Fingon as well, yet it is borne out of care for Maedhros, and that care is shown very clearly in all their interactions with Maedhros himself. The richness of the relationships in this fic is really beautiful. (Note: Any Russingon in this fic is very, very lightly implied. Warning: Descriptions of injury, physical trauma, and PTSD.)

Whoops, They’re Both Asleep by until_the_stars_are_all_alight - Findékano comes to visit Maitimo when he hears his cousin wanted “Káno” and finds Makalaurë [Kanáfinwë] is already there. (Oneshot, T) A short, absolutely adorable oneshot! It’s only 350 words, but everything is so well-portrayed: the tension between Fingon and Maglor, the way Maedhros is dealing with his recovery, the affection he has for both his brother and cousin. I’ve reread it a few times now and I love it more every time.

No Resemblance by Elisif - Nolofinwë struggles to recognise his nephew after his rescue from Angband. (2 chapters, incomplete, T) This is SO PAINFUL and angsty and so good. From Fingolfin barely recognizing Maedhros for who he was (when Fingon brought him back) to all the memories of young Maedhros in Valinor, it’s shot through with feelssssss.

Dawn by potatoesanddreams - Maedhros’ first sight of the Sun. (Oneshot, T) A proper drabble clocking in at 100 words. I really enjoyed this one—I was fascinated by the second person point of view for Maedhros! The descriptions are so evocative and eloquent.

More About the Things that You Take With by @imnotdyingbutyouallare - Maedhros struggles with Maglor cutting his hair. (Oneshot, T) There is so much gentleness in this fic despite how much Maedhros is still suffering, and so much awareness of each other on both Maglor and Maedhros’ parts, which I loved. Even a “simple” thing such as cutting Maedhros’ hair is difficult for him, and I could really feel the fragility of Maedhros’ state of mind throughout. So, so good!!!

breakdown by @leucisticpuffin 🔒 - Maglor breaks down and Maedhros struggles to comfort him. (Oneshot, T) Oh my goodness, ugh. This is soooo painful and I love it. I feel terribly for Maglor, and for Maedhros feeling so helpless. What an angsty vignette of their relationship in the immediate aftermath of Maedhros’ rescue.

Let them see! by BarbieBlue - Maglor attempts to console Maedhros in a difficult moment during Maedhros’ recovery. (Oneshot, T) I loved reading this fic! I felt the acute frustration on Maedhros’ part that he can do so little and Maglor’s intense guilt. Maglor’s compassion and determination to prove to his brother that he cares is very compelling. (Fingon’s bewilderment at the end is rather hilarious, too.)

Us Against the World by @annoyinglandmagazine (Caranthirwasalesbian on AO3) - It’s the first feast after Maedhros’ recovery, and he realizes only having one hand makes table manners difficult. (Oneshot, G) To me, this fic really demonstrates how much the sons of Fëanor care for each other, and I simply adore it. It’s a beautiful picture of love on a practical level.

Crablor

Oneshots of our favorite singing elf-turned-crustacean, Crablor!

Soft-Shelled Soul by @thescrapwitch (theScrap_Witch on AO3) 🔒 - Maedhros learns from Námo that his brother has been transformed into a crab, and he is determined to find him and bring him home. (Oneshot, G) I really enjoyed this lovely Crablor story! I loved the fact that it was Maedhros and Celegorm who found Maglor—it makes perfect sense to not only have Maedhros, the caring older brother, searching but also Celegorm, the one who knows animal languages. Everything back in Valinor (the reactions! Maglor’s new living space!) are wonderful, too.

The Trial of Crablor Fëanorion by theScrap_Witch 🔒 - Maglor, in crab form, is put on trial for his crimes. (Oneshot, G) This fic could very well go in my humor section as well as the Crablor section. I found myself laughing throughout, and even typing this I’m smiling just thinking about it. The format of a court trial record is delightful, along with all the shenanigans included for the sake of the record!

lured to be loved by LadyHaleth - Elladan and Elrohir search for their long-lost grandfather…who they discover has been turned into a different form. (Oneshot, T) A sweet adventure! Elladan and Elrohir’s dedication to finding and caring for Maglor is so admirable, and I enjoyed their dynamic as twins and with Maglor. The details in every scene really make this fic! (And don’t miss the awesome art in the middle, since the art and fic were one of the TRSB collabs for this year.)

Humor

to speak, to scream and laugh with the echo by @artandsuffering (Tamatoa (SaltandtheSoul) on AO3) - When Maglor wakes up in the past after the Fourth Age, he decides to make it Sauron’s problem. (Oneshot, T) This fic is SO FREAKING FUNNY. The understated humor in this is incredible, and I love the phrasing throughout. The framing of the atmosphere of Angband as a corporate workplace of sorts (while still being fully in Middle-Earth, of course) simply makes this fic.

This Battle Could Have Been An E-mail by @tilion-writes (Tilion on AO3) ✍️ - A series of emails in Maedhros’ inbox throughout the ages. (4 chapters, in progress, T) INCREDIBLY hilarious. The email addresses, the domains for the email addresses (nargothrond.com! himring.net!), the email sign-offs for each of the characters, the subject lines, the files, the messages (including punctuation and tone of professionalism, or lack thereof) from each character—all of it was priceless.

Please Do Not by @mynameisjessejk - “In which Maedhros has all the foresight of the House of Feanaro and uses it entirely to prevent brother and cousin shenanigans.” (Oneshot, bullet-point, T) This fic is absolutely hysterical. I probably broke something trying so hard not to laugh (I was reading this when there were people around). The phrase “the transitive property of Finrod” still lives rent-free in my head months after I read it XD This fic also turned out to be really heartwarming and gave me many feels. So, so, so good.

How Dare by @catkin-morgs-kookaburralover (ATalkingCat on AO3) - The palantir experiences Pippin picking it up. (Oneshot, G) I laughed out loud multiple times reading this. It’s a short, delightful read with a VERY snarky palantir point of view, and I highly enjoyed it!

Give A Whistle by Prackspoor - “After the sacking of Ost-in-Edhil, the Dark Lord Sauron ordered his prisoners crucified and carried at the head of his army as banners so that their approach would strike fear into the hearts of his enemies; no one could have imagined that the last resistance of the Elven City had no plans to go out quietly… literally.” (Oneshot, T) A VERY humorous, somewhat dark oneshot (with a second chapter solely for references). It’s very Monty-Python-esque, with some direct Monty Python references, so if you enjoy that sort of humor, this will be right up your alley. The sympathetic orc captain point of view is fantastic! (Warning: There’s a few dark mentions/descriptions of torture.)

Romance-focused

Tax Fraud and Picnics by @thesummerestsolstice - Haleth and baby Erestor convince Caranthir to go on a picnic. (Oneshot, G) I’ve got three words for this fic: SUPER. DUPER. CUTE. This fic is as sweet as candy. I adore how much Caranthir loves Haleth, and the light humor sprinkled throughout made me grin (the Caranthir-Turgon arguments over taxes will never not be funny to me).

Mending by theScrap_Witch 🔒 - “Caranthir sits by Haleth’s side as she dies and thinks of his family, his life, and his craft.” (Oneshot, T) Very sweet! I loved how the story wove Caranthir’s memories into the present day (pun very much intended), and his love for his craft is so beautiful. I also really enjoyed the visitors at the end :)

Your Eyes Are Like Knives (And I Really Like Knives) by @sweetteaanddragons (Drag0nst0rm on AO3) - Haleth knows that Caranthir is hiding something, and she is determined to find out what it is. (Oneshot, T) I saw that this fic was going to be part of TRSB 2024 a few days before the fics all got released, and I was so excited to read it! I had a fantastic time eagerly devouring it with much excitement and laughter, and as per usual, I thoroughly enjoyed Haleth flustering Caranthir.

Yours Dearly, Most Sincerely by Drag0nst0rm - “Five times Nerdanel had to help Feanaro write a letter, and one time he returned the favor. (And two times they had to write a letter alone.)” (Doubleshot, T) This fic both filled me up with the love Fëanor and Nerdanel had for each other (and their sons!) and ripped me to pieces with angst. The way Nerdanel often balances out Fëanor’s fiery spirit when it comes to composing a letter—and the way he chooses to listen to her!—is wonderful to read; the scene with the third letter practically gave me a heart attack from how adorably fluffy it was. Of course, this makes it all the more heartbreaking when they are apart. A very emotional read all around!

Breaking Into Light by @starspray ✍️ - Glingaereth happens to meet Fingon, the crown prince of the Noldor, and the two begin to take an interest in each other. (4 chapters, in progress, T) I haven’t read any Fingon x OFC fics before, and I really liked this one! Glingaereth and the other original characters stand well on their own, and the chemistry between Glingaereth and Fingon feels natural. I also liked the outside perspectives of the Noldor royal family and the uneasiness amongst the Sindar about the sense of doom following the Noldor.

Nothing in the World is Single by StarSpray - Eärendil and Elwing become friends…and then more. (5 chapters, T [AO3 rating] / G [personal rating]) This is so sweet! I really enjoyed this fic—the easy pacing, Eärendil’s friendly nature, and Elwing’s more reserved personality all combine to make a great read. The descriptions are wonderful, and I liked Eärendil and Elwing’s adventures.

Character, Time, or Place-Focused

Kidnap Fam

What matters is ‘you’ and not the state of you. by @havenotwillnotreadthebooks (EclecticKefi on AO3) - “Maglor contemplates the Peredhel that he and his brother have taken in, then contemplates the effect of this new life on Maedhros.” (Doubleshot, T) This was such an enjoyable read! I loved reading Maglor’s reflections, especially on Maedhros as a father figure to Elrond and Elros. I also enjoyed reading how the twins’ nature as peredhel (and being somewhat eldritch to boot) affects their domestic life with Maglor and Maedhros.

I keep my enemies closer than the mirror ever gets to me by EclecticKefi 🔒 - Elrond and Elros hide in Maglor’s closet and overhear Maedhros and Maglor talking. (Oneshot, T) This fic is both heartbreaking and heartwarming in multiple ways. The two peredhel have seen far too much trauma and suffering in their young lives, but their empathy is really sweet. Also, I’m always a fan of eldritch!peredhel, so I liked the notes of that scattered throughout the story.

On Monsters and Lullabies by Tilion - Maglor is the one the twins like, not Maedhros, and Maglor confronts his brother. (Oneshot, T) I will never tire of the angstiness of Maedhros and Maglor arguing over the twins and the role they play in their lives, nor how Maedhros becomes someone the twins can trust. Maglor’s softness with the twins is so sweet (baby Elrond and Elros are ADORABLE), and the reflections (both Maglor’s and Maedhros’) on how much Maedhros had changed since being in Valinor are really well-written.

And Love Grew by @polutrope (polutropos on AO3) ✍️ - Maedhros and Maglor deal with the aftermath of their attack on Sirion, and Maglor leads their host—including two young peredhel and their caretaker—to Amon Ereb. (6 chapters, in progress, T) A wonderfully complex, angsty, deeply woven tale. Every character and relationship has so many layers, and polutropos does a great job of exploring the darkness of the Oath and the ripple affect it has on the sons of Fëanor, their followers, and the people of Sirion.

And when we’re in the dark, it echoes in your heart by ElectricKefi - Elros unintentionally triggers Maedhros’ Sauron-related trauma. (Oneshot, T) Poor Maedhros AND poor Elros! The idea that the peredhel with Maia blood would bring back Maedhros’ memories of being tortured by Sauron—especially when Elros is trying to help him—is so sad. I loved the instantly-on-alert Maglor who is there to de-escalate the situation, too.

though the shadow closes in by millyfaraway - Maglor and Maedhros strategize to keep Elrond and Elros safe. (Oneshot, T) I really like the dialogue and OCs in this one! The discussion of Sauron and Morgoth’s desire for the peredhel, the plans to keep moving, and the connection Maedhros and Maglor share all flow quite well.

First Age Beleriand

Finwëons & Fëanorians:

Mind the Gap by Tilion - Maglor visits Himring. (Oneshot, T) Loved reading this!! Great characterization of both the characters themselves and their relationship. They are SUCH siblings in this, and I really enjoyed reading them snarking at each other and checking up on each other and seeking to ensure all was truly well. I’ll also never pass up a scene with Maglor braiding Maedhros’ hair.

The Light Behind Your Eyes by Tilion ✍️ - Scenes of Maglor and Maedhros after Thangorodrim. (2 chapters, in progress, T) I love how beautifully this portrays Maglor and Maedhros’ relationship. It balances the past and the present really well. Even though Maedhros is still clearly suffering from his time in Angband, this fic has a calm tone to it, and I can see the healing taking place in Maedhros’ spirit. A lovely read.

Scribbles and Squabbles by @dreamingthroughthenoise (Alantie on AO3) 🔒 - An argument between the Fëanorians, through letters. (7 chapters, T) This was a delight to read! Humorous at times, and heartfelt at others. I could pick up on the underlying hurt and desire to be seen that sparked the argument, and the love and care rising from the letters as things resolved. (The very clear and present sass was quite fun, too.)

Gingerbread Cookies by Elisif - Aredhel and Fingon supervise Idril and Tyelpë while they make Christmas cookies. (Oneshot, G) This is such an adorable fic—tiny Idril and Celebrimbor are so cute, and I loved Aredhel and Fingon’s brother-sister relationship. Their interactions have such fond sibling energy!

A Mere Shadow by Elisif - Maglor comes to visit Maedhros and is reminded of Thingol’s Quenya ban. (Oneshot, T) So good and so sad! I could immediately feel the shift in Maglor’s mood when Maedhros inadvertently reminds him of the ban, and the sorrow oozing from both brothers, as if from a wound.

the raging storm of a foreign war, and a face i'd seen before by @arafinweanappreciation (TelerinJedi on AO3) - Finarfin comes to Beleriand. (Oneshot, T) This fic is short yet so expressive!! I love Finarfin seeing Tol Sirion and him talking about avenging his son in such a terrifyingly calm manner.

Ill-Tidings by TheScrap_Witch 🔒 - Maedhros brings news to Curufin that Nargothrond has fallen. (Oneshot, T) Poor Curufin 😭 This fic has all the dad!Curufin feels!!!! Curufin’s humanity (or elvish equivalent, lol) shines through in this fic in his anguish over his son. His grief and rage are so palpable (and so well-written!).

Too Big, Too Heavy by @hwestalas - Maedhros visits the new High King of the Noldor after the Dagor Bragollach. (Oneshot, T) Aaaaaaaaaaaaaa. Fingon’s grief over Fingolfin is so raw and real, and I love how he tries to keep it together but fails in the face of Maedhros’ calm, devoted friendship. Such a great read.

ever an anguish that pursued by @thelordofgifs (TheChasm on AO3) 🩸 - Maglor tries to save Maedhros from the fire, but he keeps waking up. (Oneshot, T) UGH SO ANGSTY. So so angsty. All of the “what if”s that Maglor dreams could have happened are so terribly sad, because he can see so many ways out that don’t involve Maedhros jumping into the chasm. (Warning: suicide and multiple near-suicide attempts.)

stone on the board by @dalliansss - The Finwëons play games with politics in Beleriand at Mithrim. (Oneshot, T) So good! Love the politicking going on in this fic, primarily between Maedhros and Finrod. Quite an intriguing read.

there's no timer on grief 🔒 by Kat_isaconfusedbean - After Losgar, Amras mourns. (Oneshot, T) This is SO painful. Especially for how short this fic is. My heart aches for Amras (and for Celegorm). I love Celegorm coming to comfort his brother, along with Huan.

Unrepentent by theScrap_Witch 🔒 - Maedhros will not give up on obtaining the last Silmarils. (Oneshot, T) The Oath has Maedhros in its grip so tightly in this fic (along with his own memories and experiences), and it’s horrifying yet understandable to see him act and think the way he does. I love the dynamic between Maedhros and Maglor in this fic, too.

the ways of birds by @welcomingdisaster (welcoming_disaster on AO3) - “When Maglor is captured in the aftermath of the Nirnaeth Arnoediad, he doesn't expect a rescue. (for the prompts maglor + maedhros + "need to keep quiet" & "roadside wound tending.”)” (Oneshot, T) SO MUCH MAGLOR WHUMP. And so much tension, too. I could really feel Maglor’s raw, gritty pain and the ugly experiences he endured. It made the comfort part of “hurt/comfort” that much more relieving when he was, indeed, rescued.

Non-Finwëons:

Mad, Not Angry by AfricanDaisy - Young Thranduil is woken from a thunderstorm, and searches for a source of comfort: his father. (Oneshot, G) SO so cute! I could really feel Thranduil’s panic in searching for Oropher, and then his simultaneous relief and upset when he did find him. The descriptions are vivid and well-crafted, very fun to read!

no vela, no orion by TelerinJedi - A comment from Andreth’s sister causes her to wonder if she is in love with Nóm (or vice versa), and it is harder to have a discussion with him about this than she thinks. (Oneshot, G) The adolescent awkwardness and embarrassment in this fic brings me back to my teenage days XD This is really sweet though, truly. A light bit of fluff!

Second and Third Age Middle-Earth

living arrows sent forth by @balrogballs (timelessutterances on AO3) - Thranduil and Elrond discuss fatherhood at Arwen and Aragorn’s wedding reception. (Oneshot, T) SO. SO. GOOD. I seriously love the phrasing in this one, as well as Thranduil’s and Elrond’s characterizations, their long-held opinions and memories of each other, and their discussion of parenthood. Thranduil is so snarky and Elrond so earnest. Phenomenal all the way through.

rumors of my death have been greatly exaggerated by @lighttrls (thunder_and_stars on AO3) - Unaware of elves’ habit of sleeping with their eyes open, Estel finds Elladan unmoving with his eyes open and thinks he must be dead. (Oneshot, T) POOR BABY ESTEL aaaaaaaaaaaaaaaa. The angst is off the charts in this one; my heart was breaking for tiny Aragorn. I was so glad that his assumption was corrected, in the end.

i'm fine, i prom- by thunder_and_stars - Elladan and Estel are captured by orcs and tortured. (Oneshot, T) Oh my goodness, I wanted to kill each and every orc right along with Elladan. The descriptions of the orcs’ actions, their impact on Estel physically, and the impact on Elladan emotionally were so vivid. It’s some good, heavy whump (with some comfort at the end).

sticks and stones may break my bones by thunder_and_stars - Some people don’t like the fact that Estel lives with the elves. (Oneshot, T) Once again, right there with one of the twins on wanting to beat up people for mistreating Estel. The way Estel tried to hide his injuries and then admitted what happened and what was said and done to him was so sad. Lots of hurt/comfort here.

A Long Way To Go In The Morning by @nocompromise-noregrets (likethenight on AO3) 🔒 - “The night before the Fellowship of the Ring leaves Rivendell, Elladan and Elrohir give Aragorn some encouragement.” (Oneshot, T) I really enjoyed this one! Elladan and Elrohir are such good brothers to Aragorn, and the way they lifted his spirits was really sweet. I liked the discussion of mortality as well as the hopefulness that the twins had about the Quest and Aragorn’s success.

Advice Unlooked For by sehellys - Aragorn talks to Elladan and Elrohir when they return from the Wild, and then he goes to the Feast in the Hall of Fire. (Oneshot, T) The descriptions in this one are simply beautiful—and so is the dialogue! I loved the shift from serious to “shenanigans mode” after the twins update Aragorn on what’s going on in the outside world.

Re-embodiment in Valinor

Red, Red Moon (Keep On Rising) by Tilion 🏳️‍🌈 (Celegorm/Oromë features somewhat prominently, especially in the back half) - Celegorm wakes up outside Mandos with two silver-haired elflings and no memories; he sets off to bring the boys to their parents and figure out his identity. (24 chapters, T) This was such a fun fic to keep up with as it got updates! Celegorm and the twins (kidnap fam 2.0, one might say) were incredibly adorable. I loved Legolas and Tauriel’s inclusion, and I highly enjoyed the whole identity crisis Celegorm went through (seriously, it was awesome). Celegorm feels SO Celegorm to me in this fic: cocky, rough around the edges, more caring than he’d like to admit. Overall there’s so much to this fic, and the twists and turns kept me on the edge of my seat.

Hemlock and Niphredil by theScrap_Witch 🔒 - “In Fourth Age Valinor, Elrond and Thingol connect over a shared love of gardening and grief for their daughters.” (Oneshot, T) I had never really thought about Elrond and Thingol’s similarities before this fic, and I loved getting to read them interacting and forming a friendship! Both have lost daughters by the choice to give up immortality, yet they have quite different personalities (and a complicated family tree), and it’s beautiful to see them connect through their shared experiences. (It’s also interesting to read Thingol portrayed in a more sympathetic light than most fics—yet not without his imperfections, certainly.)

Memento Vivere (Remember, You Must Live) by Drag0nst0rm - “Maedhros and Maglor have a long overdue discussion of what happened at the edge of that chasm - and what happened after.” (Oneshot, T) UGH so GOOD and so ANGSTY. There are so many emotional beats in this fic, and I found myself bracing for each one. I painfully love Maglor’s instincts when it comes to protecting/taking care of Maedhros after all these years, and how he doesn’t want the people he loves to be hurt because of him—though he has been in so much pain himself, and Maedhros sees that. Really, really good. (Warning: Discussion of suicide.)

White Water Flowing by StarSpray ✍️ - In Valinor and homesick for Imladris, Celebrían decides to build a new one. (6 chapters, in progress, T) This is such a lovely fic!! I’ve really enjoyed reading it. I love Celebrían’s characterization—many people underestimate her, and it’s wonderful to see her bloom after healing in Lórien. She simultaneously has a gentle soul and an admirable tenacity and drive. I also love reading her interacting with members of Elrond’s family and seeing how those relationships develop.

Handle with Care by theScrap_Witch 🔒 - “When Fëanor left the Halls of the Dead, he did not expect Mahtan to be the one waiting for him.” (Oneshot, T) I loved this!!! I don’t see a lot of Mahtan and Fëanor interactions, and I really enjoyed reading their conversation. (I grinned at Mahtan telling Fëanor off about Nerdanel. I haven’t seen that before and I’ve really wanted to, so it was quite satisfying.) It’s clear that they both carry a lot of grief, and they have a familiar relationship underpinning everything.

From Ruins We Grow by TheScrap_Witch 🔒✍️ - Fëanor learns how to live again (and how to garden!) when he is returned to life and placed under Yavanna’s responsibility to tend a small corner of Valinor. (7 chapters, in progress, T) I get so excited whenever I see an update for this fic in my inbox! There’s so much feeling in this fic, which is very fitting for Fëanáro’s fiery, intense character. It’s in turns amusing and exasperating to see him humbled by learning a new craft, yet I always find myself rooting for him in his endeavors. I love the relationships he forms with the visitors to his garden, and all the sweet memories of his sons practically make my heart melt.

AUs

In-Universe AUs

An Unexpected Rescue by SpaceWall - Fëanor realizes that someone has taken on the form of his half-brother Fingolfin, and that the real Fingolfin has disappeared. (Doubleshot, T) This is SUCH a cool AU!!! I really enjoyed reading this one. I love Fëanor’s insistence on figuring out what happened and finding Fingolfin, though of course in denial that he cares for his brother deep down. I’d say more but I don’t want to spoil it!

Will You Greet the Daylight Looming? by Tilion - Maglor persuades Maedhros to live. (Oneshot, T) Oh, this fic is terribly, delightfully angsty. I love how Maglor and Maedhros’ relationship is portrayed here, and the vivid imagery really brings it to life. Lots of thee/thou and ‘dearest’ language, too!

Reforged by theScrap_Witch 🔒🩸🏳️‍🌈 (background Celebrimbor/Gil-Galad) - Maeglin survives the fall of Gondolin, and Celebrimbor and others help him to find his way to healing. (20 chapters, G [AO3 rating] / T [personal rating]) What a story. Just—what a story. It takes you on a rollercoaster of emotion and growth and change and just, wow. I am so freaking proud of Maeglin in this fic, and I love his characterization. He digs his claws into life and doesn’t let go, and it’s incredible to see his transformation over the course of centuries. I also loved the inclusion of many other Second and Third Age characters in this story and how Maeglin’s life becomes intertwined with theirs. This fic is angsty and agonizing on so many levels, but it is fiercely emotional and cathartic in good ways too. I really enjoyed getting to follow along with this fic as it was published!

Scion of Mystery by Tilion 🏳️‍🌈 (minor Erestor/Curufin) - Elrond is determined to uncover Gil-galad’s true parentage. (7 chapters, T) Absolutely BUCK WILD Gil-Galad theory. Complete and total plot twist that I did NOT see coming until a few sentences before it was revealed!! Elrond’s shenanigans along the way to uncover Gil-Galad’s parentage were so much fun to read. Features kidnap fam and Celrond, along with other Fëanorians.

Parley AUs This is a subset of in-universe AUs where someone other than Maedhros gets taken at the parley with Morgoth. Apparently this was the year for me to get into parley AUs, and it even inspired me to write my own, lol!

The Price We Pay by theScrap_Witch 🔒🩸 - “In which Makalaurë goes to parlay with Morgoth, Findekáno still performs his dramatic rescue, and Maitimo struggles with both his little brother’s recovery and his responsibilities as king.” (Oneshot, T) This fic yanked out my heart and stomped on it and then tossed it off a cliff for good measure. I’ve read a few different Maglor-is-taken-at-the-parley fics, but oh boy, this one poured on the FEELS. Everything in this fic is heartbreaking—from Maglor’s belief that he is a “pretty bird” meant to sing to Morgoth, to Maedhros’ distrust/fear of Fingolfin, to all of Maglor’s brothers’ pain over his traumatized state—yet there is an undercurrent of hope that slowly rises throughout the story. It’s so well-written, and I highly, highly recommend it.

Despair Like Poison by theScrap_Witch 🔒 - “Thinking that he’s protecting his family, Maedhros rides to the parlay alone, unaware that Morgoth has a different trick in mind.” (Oneshot, bullet-point, T) Sooooo so angsty!! I really can’t say much about this without spoilers, but aaaaaaaaa. Maedhros is firm about his decision to go, but he’s so gentle with his brothers at the moment of departure, which makes what happens after so much worse.

A Crown of Bones by theScrap_Witch 🔒 - Maitimo and Makalaurë are taken in the parley with Morgoth, and Tyelkormo must take up the crown. (Oneshot, T) I really liked this AU! Celegorm has a lot to deal with here, both in being the oldest Fëanorion and being king of their people. The reminder that he can handle himself in political situations and display his power in words—not just physical action—is fantastic, and the way he cares so deeply for his younger brothers and misses his oldest two is heartwrenching.

Boldness Be My Friend by @a-tehta (tehta on AO3) - Celegorm has been captured by Morgoth, and it is up to Aredhel and Huan to rescue him from the cliff of Thangorodrim. (Oneshot, T) This one is surprisingly humorous for being a rescue-from-Thangorodrim fic, yet also sweet! I really loved getting a Huan POV (so cool), and I enjoyed Aredhel getting to be the rescuer. (There is a bit of implied future Celegorm/Aredhel at the end, but it’s mostly, if not entirely, played for humor.)

Modern AUs

Little Stars, Little Souls by Tamatoa (SaltandtheSoul) - Fëanor looks for his second son, who is dressed up for Halloween. (Oneshot, G) SUPER. CUTE. This is some of the fluffiest fluff to ever fluff and I was just gobbling it up. Baby Maglor is the cutest thing and I love Fëanor as a dad here.

the adventures of Elf Guy by red_01 - “A group of friends obsessed with The Silmarillion discovers a guy who bears a resemblance to Maglor—and uncover the truth.” (Oneshot, T) This was so much fun to read (and highly amusing)! The Twitter format was a great choice, and I’m impressed by the dedication to it. I enjoyed the back-and-forth chaos, internet-typical keysmashes and all caps, and references to artists in the Tolkien fandom (e.g., Clamavi de Profundis, “Phobs-style” cosplays).

Cookies by Brievel 🔒 - Girl Scouts visit the Ways’ house. (Oneshot, G) This absolutely delighted me. I love everything about it—the POV of the girl scouts, the way they were all intimidated by Max, a cameo by Nell, Birdie yelling for cookies in the background. It’s so sweet and made me grin so much.

Valentines Flowers by Brievel 🔒 - “Max brings Misty flowers.” (Oneshot, G) Max and Misty are just straight-up ADORABLE. The way they interact and how they familiar they are with each other’s habits shows how comfortable they are with each other. They both are down so bad, and I love to see it. I also love to see Max doing something nice for Misty :)

Other Tolkien Fics

These are fics that didn’t fit into any other category or had less than three fics within each category.

Miscellaneous:

The War of the Ring by @winterinhimring (morwen_of_gondor on AO3) - The sons of Fëanor are re-embodied and sent to Middle-Earth to atone for their crimes during the Third Age when the Quest for the Ring begins. (42 chapters, T) PSA: if you’ve read The Silmarillion and The Lord of the Rings, you must read this. Required reading. I am only very slightly joking. This story is absolutely PHENOMENAL. I was curious to see what the sons of Fëanor joining the Fellowship would be like, and I was blown away by how beautifully written it is. Y’all. It’s written in the style of The Lord of the Rings books. Like, legitimately. I never knew how much I needed to see the Fëanorions interacting with the hobbits, or showing the strength of ancient Valinorian-born elves in battle, and it all being written in true Tolkienian style is so incredibly wonderful. I can’t recommend this enough.

Joys to Come by @darkfrozenabyss - “Glorfindel, from Tirion to Rivendell.” (7 chapters, T) Loved this fic!!! I love darkfrozenabyss’ characterization of Glorfindel so much. There are so many emotionally powerful, simple and sweet, and feels-inducing moments in this story, and I really enjoyed Glorfindel’s family and how close he is with them!

Years of the Trees Valinor:

Little Father by feanorianswelcome 🔒 - “Maitimo finds little Atarinkë and brings him home for luncheon.” (Oneshot, G) Cute little Curufin oneshot with big brother Maitimo! I haven’t read a lot of Curufin & Maedhros together, so this was enjoyable (and very sweet).

Fine Feathers, Pretty Songs by an_evasive_author - Everyone loves tiny Findaráto (as they should). (Oneshot, G) SO. FREAKING. CUTE. All the fluff for Findaráto! I loved him so much (and the writing style of this fic, too).

Rings of Power:

Look into the Mirror (Tell Me What You See) by Drag0nst0rm - Second Age!Gil-Galad and Rings of Power!Gil-Galad switch places. (3 chapters, T) I have watched one (1) episode of the Rings of Power series, but I have thankfully read enough articles about it that I understand enough to read this fic! It’s a highly amusing and enjoyable read :) The difference in Gil-Galads is quite noticeable, and I loved seeing Second Age!Gil-Galad quite surprised at his (supposed) past actions in RoP, whereas RoP!Gil-Galad is a little less aware of the change in his surroundings (but everyone else certainly is).

Another Skin by crystal_buizel - Second Age!Elrond and Rings of Power!Elrond switch places (based off of “Look into the Mirror (Tell Me What You See)”). (Doubleshot, T) Another swapped places fic! Poor Elrond in both situations, but especially poor Second Age!Elrond. Like the other fic, I can’t say too much about it without spoilers, but this one is also enjoyable, with a bit more angst on the part of both Elronds.

Tumblr Oneshots:

just you wait by @lintamande - “being brilliant in mind and swift in action she had early absorbed all of what she was capable of the teaching which the Valar thought fit to give the Eldar…” (T) I really liked this oneshot! Galadriel in her youth is rather clueless when it comes to social interactions, though she is vastly intelligent in intellectual matters, and I can feel her frustration, restlessness, and pride so strongly in this. Really well-written.

Oropher and Celeborn have a conversation by @amethysttribble - At a party, Oropher and Celeborn talk about the line of Lúthien. (T) SO good!!!! I loved this so much. Oropher and Celeborn’s characterization and views on things make a lot of sense, and I love how their discussion flows. They are the last two of Doriath, and that weight on their shoulders is so evident throughout this fic.

Non-Tolkien Fics

Longmire

A Never Ending Bake Sale by ladygray99 - Walt and Henry spend a casual evening together at The Red Pony. (Oneshot, T) I absolutely loved reading this fic. I feel like ladygray99 really nailed the characters, their relationship, and their mannerisms. Everything in Walt and Henry’s conversation, said and unsaid, felt very natural and relaxed. You can feel the depth of their 38-year-long friendship and how comfortable with each other they are. Although I’ve only seen the TV show and not read the books, I liked how it incorporated things from both. A great read!

Every Page You Turn You’re Writing (Typing) Your Legacy by @cminerva and @whatamess 🔒 - “For nearly four decades, Mathias has found many reasons to admire Ms. Ruby Mason née Taylor and in that time Ms. Ruby has found just as many reasons to be fond—and so proud—of the man Mathias has become.” (Oneshot, T) Oh my GOSH. This fic is adorable and cringy (in the best way!) and so freaking cute. I highly enjoyed the descriptions of Durant high school in the early 80s, complete with a typing class; although I wasn’t alive at the time, it feels quite realistic. I loved seeing Mathias’ journey through high school into adulthood and the way his and Ruby’s friendship developed over time, from Mathias’ schoolboy crush to his respect for the amazing woman she is. Mathias and Ruby’s friendship has now become canon to me, to the point where I’ll watch episodes and get excited whenever these two characters (who, for anyone who doesn’t know the show, are minor characters and very rarely interact) get to see each other, even only for a quick nod or short smile.

Something New by cminerva - Though they’ve known each other for years, May Stillwater and Mathias Littlesun have never been friends—and indeed, they’ve been enemies before—but perhaps it’s time for something new. (Oneshot, T) I am now a May/Mathias shipper after reading this fic XD I really liked how this not only addressed the (admittedly few) interactions they had in the TV show but also added more “off-screen” ones to give more depth to their on-screen appearances. They have a lot of reason to dislike each other, but I loved how in this fic, they began to see reasons to respect each other and then caught feelings. So cute!

Quigley Down Under

Morning Sun by Brievel 🔒 - Matthew and Cora wake up together. (Oneshot, G) This fic is SO SOFT. I can totally picture this happening as an epilogue after the end of the movie, and I can hear their voices so well. The details are quite lovely. Quigley Down Under is a pretty niche film, but if you’ve seen it, you deserve to read this fic!

I mentioned this at the start, but I wanted to reiterate because I truly am very grateful—To all the fic authors, people posting meta/analyses, and fan artists: Thank you for sharing your work with the world. Your stories, musings, and art have brought me a lot of joy (and frequently, encouragement) this past year, and it’s still kinda crazy to me that I can read or see it for free. Because you loved canon enough to make something from it, and you wanted to share the results of that love with others. Thank you. ❤️

And thank you to all who read this far XD Hope you enjoy some (or all!) of these fics!

Other Fic Rec Lists: 2023 Fic Recs, Fic Recs for Elrond Week 2024 (on fandomsandfairytales)

[sarahreesbrennan]

Quick Evil Note

To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.

The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.

But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.

I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.

And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.

However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.

Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.

I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.

But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.

So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!

[colleendoran]

Neil Gaiman's CHIVALRY: From Illuminated Manuscripts to Comics

One of the many reasons I wanted to adapt Neil Gaiman's Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.

We're often told that the first comic book was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.

Sequential art predates Action Comics #1.

Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn't take off as a popular medium for several reasons, not least of which was the necessary printing process hadn't been invented yet and it's hard to popularize - and commercialize - something most people can never see. 

You find sequential art in cave paintings and in Egyptian hieroglyphics. I've read that comics (manga) were invented by the Japanese in 12th century scrolls.

And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.

The most obvious example of early sequential art in Western art - as a complete narrative in sequence - is the Bayeux Tapestry. 

At 230 feet long, this embroidered length of cloth was likely commissioned around the year 1070 by Bishop Odo, brother of William the Conqueror. It depicts the Battle of Hastings in 1066 and the invasion of England by the Normans. (The tapestry was made in England, not in France, but it is called the Bayeux tapestry because that's where it is now.)

Imagine what a task it was to embroider this thing. Whew. And you thought it was hard learning Photoshop.

This work of art is important in the history of sequential narrative, but the Norman invasion is also important to the legend of King Arthur - and another important English legend - for reasons we'll get into later. 

It's complicated.

All this is why you see this art in the background of this page of Chivalry.

Using the Romanesque art style of the tapestry in panel 1, I've added the Latin phrase "Rex Quondom, Rexque Futurus" - "The Once and Future King", the final words of Sir Thomas Malory's Le Morte d'Arthur as inscribed on King Arthur's tomb, and the title of T.H. White's famous Arthurian novel.  (EDIT) and it has been kindly pointed out to me that QUONDOM should be QUONDAM, which is hilarious and annoying and this is how history gets rewritten by accident.

My original intention was to draw this Bayeux Tapestry scene out and juxtapose it with shots of Galaad interacting with the children, but the two page sequence I imagined didn't really work as well in reality as it did in my head. 

Foremost among my concerns was that the tapestry reference might be too obscure for most readers. I wanted to weave the visual meta-text of Chivalry into the story (For further reading on this project and my use of visual meta-text, symbolism, and history in Neil Gaiman's Chivalry, go HERE. And HERE. And HERE. And Yet again HERE.) in such a way as it would enhance the experience for people who "got" the visual meaning, while not dragging things down for people who didn't. So I cut this scene down to one panel.

The tapestry is a complete, long form comic strip created over 1100 years before some people claim comics were invented. So, I loved being able to reference it here.

But even more interesting to me are the sequential art sequences that appear in illuminated manuscripts - comics in book form.

I once got into a rather vicious argument with an academic who insisted illuminated manuscripts were comics. I said no. She said yes. Then she insulted the lowly comic artist and blocked me on Facebook.

Whatever.

My point was not that you can't find sequential art in illuminated manuscripts. My point is that an illustrated book isn't de facto a comic. Most illuminated manuscripts are illustrated books. Some illuminated manuscripts contain sequential art.

Just because opera is music, that doesn't mean all music is opera.

Just because comics books are books that doesn't mean all books are comic books.

And just because some illuminated manuscripts contain sequential art, that doesn't mean all illuminated manuscripts are sequential art.

But one is.

Let me show you it.

One of the earliest examples of an illuminated manuscript with comic art is The Bible d'Etienne Harding which you can see in this really bad jpg here, sorry, best I could find.

Created around the year 1109, property of a French Cistercian monk, it combines sequences like this with pages of text and illustration.

Not a comic book IMHO, but an illuminated manuscript with sequences of text, illustration and sequential narrative.

It's no more a "comic book" than a newspaper is for having text, illustration, and comic strips in it.

IMHO, academic lady.

And here's a look at the Old English Hexateuch (hexateuch refers to the first 6 books of the Bible) which I think is far more visually complex and interesting work, and comes much closer to the illuminated manuscript as comic, but still intersperses large sequences of text and illustration with sequential storytelling sequences. So I don't consider it a comic, but a book with sequential work in it.

Now this work below is a different matter. This is from the Holkham Bible Picture Book, circa about 1330.

This thing is genius. It measures a little larger than a modern comic, around 8"x11", and almost every page of it is like this spread here. 231 pages of beautifully rendered art, with repeated use of banderoles - "speech scrolls"  (basically word balloons) -  and captions, and (mostly) real sequential art. I've never seen anything else that comes even close to it, and by all accounts, neither has anyone else. 

It may not be a modern comic book - but it's a comic book as far as I can tell. I don't think there's any other illuminated manuscript that is as complete, sophisticated, and innovative a sequential storytelling work.

If this were printed and seen by more people, the comic book medium would have taken off centuries earlier, IMHO. But it wasn't. It was tucked away in a monastery somewhere and few people ever saw it. It ended up being forgotten for centuries until it popped up again around 1816 when a banker sold it to an avid book collector, Thomas Coke, Earl of Leicester, who inherited Holkham Hall and its library and set about restoring and expanding it. 

The banker wrote, “a very curious MS. just brought here from the Continent. . . which I think one of the greatest curiosities I ever saw”.

Sequential art got invented over and over and over by one artist after another until one day centuries later, some teenaged boys found their newspaper strips gathered together in a cheap format, and suddenly comic books were popular and like new.

And then a lot of people who didn't seem to realize that books had had pictures in them for centuries got all up in arms about the harms of books with pictures in them.

I think it's funny that it is called the Holkham Bible Picture Book. There really was no "comic" art language when this work was created or when academics began to catalogue this sort of thing. Will they change the name now?

Who can say.

Anyway, another Holkham Bible Picture Book reference for you.

Look familiar?

I referenced it in this scene in Chivalry.

One of the fun things about the Holkham is that it opens with a discussion between a friar who has commissioned the work and the artist. The friar admonishes the artist to do a good job on the project because it will be shown to important people. And the artist responds, "Indeed, I certainly will and, if God lets me live, never will you see another such book."

He wasn't kidding.

You can see the entire manuscript HERE. 

Sponsored by my Patreon. Thank you.

[youryurigoddess]

The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

[ennn]

Initial Agatha All Along Ep 7 Meta Thoughts + Reactions

This ep was a work of art and my brain is buzzing while my heart is in awe.

YELLING at how the show is just leaning into the gay now that we're in the endgame. This is the current star TV show product of Disney Marvel and I am stunned and delighted. Two of this show's lead characters flat out saying they're not straight / queer.

I can only hope this spills over to more open marketing and interviews. Yes, I'm still shook about it and will be for the time being.

"I'm your mom's ex [forever pause] best friend." Congratulations Wanda-Agatha shippers, I'm happy for you. Also Agatha's "oooh" at possible epic Maximoff drama? Nice.

We've hit Doctor Who levels of time shenanigans! And timey whimey storytelling is a sure-fire way to hit the feels. There's something so powerful and tragic about Fate.

I keep drawing parallels about how the show feels like such a spiritual successor to DW with the Agatha-Billy team up, and the incredible layers (and theatrics and cunning and drama) with Agatha. Now we're directly playing with time and it's glorious!

As much as Billy is giving Agatha a hard time now, it's probably a good thing and healthy this conflict is in the open. Billy's expressing his hurt and anger and making it super clear he doesn't trust Agatha – which of course, structurally means he will of course have to trust her by the end of this story.

Them snarking at each other attempting the trial? I enjoy these bitchy dumbasses.

What an incredible writing feat in how they did the time skips, with the focus centered on Lilia so we can experience her tragic journey. I can't wait to hear more about how Schaeffer and the writers plotted this out. A new masterclass in executing a series reveal, with stunning cinematography to match. (the colours! the framing!) This episode embodies how it's really the craft and execution that delivers, less of the idea or the plot point.

Patti LuPwn effortlessly grounding this episode with her performance. I'm glad a wider audience gets to experience this Broadway legend's talent. My only regret is we never got more of her singing.

Agatha's back in her active leader-y role in driving the trial to succeed (and of course saving her own skin): tackling Lilia so she doesn't get impaled, reminding them to hurry up, and ultimately saving them crucial seconds by putting down the Death card.

Congratulations to Agatha officially joining the monsterfucker club. The way everyone looked to her (look, everyone saw Rio's dumb scar confession) was gold.

Vindication for my Death's missing heart theory -- although now it looks like the wound is more likely self-inflicted? I wonder exactly when and how.

Vindication for my perception of Rio as not a liar (as I do love the contrast with Agatha's duplicitous nature and tendency to run). She literally told everyone she's The Green Witch. In a scary voice no less.

Excited to see how they tackle Rio being the original Green Witch. Death being a witch is certainly a new take? And I'm still not sure how human or not this makes Rio, which makes the last two eps rather unpredictable. Yes, she's got a skull face and can do weird shit with her body. But the Scarlet Witch was able to pull off some inhuman things in MoM.

[toastsrambles]

One of the Best Sherlock Holmes Adaptations No One Seems to Know

I know that I’ve been mostly (read: only) doing Moriarty the Patriot metas, but I wanted to talk about something different.

I’ve been obsessed with Sherlock Holmes for… a while. Seriously, everyone I talk to is sick of this Victorian detective by now. I’ve also encountered my fair share of adaptations (shoutout to A Study in Emerald, a short story by Neil Gaiman and 221B, a poem by Vincent Starrett, for being some more of my favorite adaptations). But I’ve seen no one - no one - actually talk about my favorite - and in my opinion, one of the best - Sherlock Holmes adaptations.

Sherlock: the Musical (2022)

With a book by Stefan van de Graaff and Denning Burton, and Music and Lyrics by Denning Burton. It’s currently touring, with the full musical available, professionally filmed, on YouTube. The official cast recording is available on YouTube, Apple Music, Spotify, and more.

I could geek out about this musical for literal hours, so some of my favorite highlights will be under the cut. Spoilers ahead, so if you really want to go in blind, listen/watch first.

Now, important to note that this is not an adaptation of BBC Sherlock, like the name might imply. This is an adaptation of the original stories by Arthur Conan Doyle.

Firstly, the opening song, Streets of London.

This song gives you the perfect insight into all the major characters (sans Moriarty).

Sherlock Holmes, the famous consulting detective, is completely confident in his abilities. No criminals can escape: “not when you're messing with Sherlock and John/you just lose your freedom”.

John Watson is Holmes’ loyal companion, his Boswell. Whereas Holmes sets them up as partners, John sees things a bit differently: “right by his side is my spot/and I’m just fine writing lines of what he did”.

Lestrade is impressed by “this Baker Street detective”, while fellow Scotland Yard officer Alice is a bit more judgemental and skeptical: “he doesn’t have any friends”.

We also get this lovely chorus (00:54):

”Streets of London hide

Nothing from Sherlock’s eyes

This darkening plot

Is not what you thought, so

Are you watching close enough?

Blink you’ll miss this mystery unwind

He won’t be undone

Sherlock Holmes, always one step ahead of them

There’s only one you can’t outrun in London”

This song establishes the two main conflicts of the musical: the public perception of Sherlock Holmes and Watson’s relationship to Holmes.

Now, Holmes and Watson have a duet, Elementary, where their chorus reads:

“It’s elementary

Without a doubt, we’re the greatest duo sround

Elementary

The higher we go, the further they fall down

It’s just like gravity

How do we do the things we do?

It’s a natural phenomenon

That the best things come in two

It’s elementary”

And yet, Watson still says in the bridge: “behind every legend stand dynamic friends”. He’s behind the legend, in that he’s responsible for Holmes’ fame, but he’s also behind the legend; he’s just… not as important as Sherlock Holmes.

And, in case you didn’t notice: in Streets of London, the ensembles sings Holmes’ praises. Not Watson’s. The only person who notices Watson’s contributions is Holmes. Not even Moriarty does, not all the way.

Moriarty first becomes known when he plants a bomb that even Sherlock wasn’t able find- it was Watson who found it. However, the bomb never went off. Still, the story somehow makes it to the paper that Sherlock stopped the bomb.

The song Read All About It is something of a reprise of Streets of London, both in music and theme. It drills in the fact that Sherlock works alone, that it’s him and him alone who can save London. The way the public is whipped into a fervor of idealism is almost similar to Moriarty the Patriot, actually.

However, while the public places their faith in Holmes, he worries:

“Terror in London Nowhere to hide, fear in the streets, people are running Running to me How could I not see it coming? How do I not know what’s coming?”

See, the climax of this musical is the song One Step Ahead. Moriarty has lured both Holmes and Watson to Reichenbach Falls under the assumption that the other is in danger. Moriarty then holds Watson at gun point and tells Holmes that if he doesn’t jump, he’ll shoot Watson. In the end, Holmes agrees, and the song ends with this exchange:

“Holmes: I have to save John

So this is how it ends

Not enough time

Maybe death will be a friend

Moriarty: You? You don’t have any friends-

Watson: This time I’m one step ahead of you!”

Watson then tackles Moriarty off the cliff before Holmes can jump, leaving Holmes alone on the cliff.

The next song, Love Someone, is just- it’s so good. It can be read as both platonic or romantic, but the underlying fact is that Watson has shown Sherlock how important loving someone is, and how important it is to hold the ones you love close because “time is yours before it slips away”.

And, some more of my favorite lyrics from this song:

“It was love that took all my fear away If that love could be here and here to stay How would things change?”

“Love someone Love can hold the world until healing comes The greatest conclusion yet, when all is said and done”

“If you’ve prayed for a moment, pled to take their place And yet how quiet it felt, when you imagined their face Pure love, unchanged, a peace that carries your pain Time is yours, before it slips away”

And of course, the last line: “things have changed now”. The acknowledgement that Holmes is fundamentally different without Watson, and maybe can’t even be Holmes without Watson. It’s so incredibly touching.

Of course, though, Watson isn’t truly gone. We learn shortly after his funeral that he managed to survive by holding onto a ledge he spotted when making his way up the cliff in the first place.

This is where we truly learn how much everyone underestimated Watson. See, while Moriarty was the only one to see Watson’s importance to Sherlock, Holmes was the only one to see Watson’s true value. Watson is smart and competent; when Moriarty planted a bomb, he was the one who jumped on top of it with no hesitation (a la Captain America).

We wrap up with Streets of London (Reprise), where Holmes and Watson accept a new case and return to 221B.

Honorable mentions of stuff I ADORE about this musical:

Watson’s song Into the Shadow. Not only are the vocals superb, this song perfectly encapsulates how Watson has faded into Holmes’ shadow in the public eye. But his solemn acceptance of this - “if it saves your life/and they forget mine/then I don’t mind/stepping back into the shadows” - just makes it heartbreaking.

The fact that every single musical number is just awesome. A Different Story, where Holmes, Watson, Lestrade, and Alice interrogate a suspect? A Most Unusual Case, where we see the people who come to Holmes for help? The Greatest Mind, where Holmes and Moriarty first face off? ALL OF THEM are great, including the ones I didn’t just list. The lyrics, instrumentation, and vocals just blow me away.

The references to other cases! For just two examples: in A Most Unusual Case, the blue diamond in a coat sleeve is a reference to The Blue Carbuncle; and in Streets of London (Reprise), the recently engaged typist with a mysteriously vanished fiancée is A Case of Identity.

Also, Watson making deductions in Streets of London (Reprise) is just great :D

The way Watson supposedly dies at Reichenbach, and the subconscious message that it doesn’t matter that it was Watson who died instead of Holmes; either way, Holmes and Watson are dead. The death of one is the death of the other.

The way minor characters like Mrs. Hudson and Mycroft are portrayed is amazing. Seriously, I love the characterization here.

Just… I love this musical so much. It just feels like a love letter to Sherlock Holmes, and the passion behind it is astounding.

So, yeah. If you like Sherlock Holmes, give this a watch/listen. (Please, I really need to know that more people are aware of this masterpiece).

[ari-the-arotistic]

So I was thinking about pirates of the Caribbean, and each characters unique moral code and way of approaching life, as one does, when I remembered a particular scene about our beloved James Norrington... the very first scene in which Jack and James meet. Now, as a long time Sparrington shipper, I adore the Sparrington fandoms adopted head canon of Jack's compass pointing directly at Jack when James is holding it as having a romantic connotation too it, but this is Disney we're talking about, and a Disney from 20 years ago at that, so it is of course just a head canon. And while it is a beloved head canon, I will always be a writer before a shipper, and what that scene says about Norrington from a writer's perspective is far too juicy not to share... So buckle up for a very long meta post about who James Norrington is as a person, and how it was set up in this scene(and later reinforced in the second and third movie). This is my first real meta post, and I'm very excited for it, so let's jump right in.

First of all, the compass scene.

As we can clearly see in the image above, since the red line that points to the object of the holder's desires is no where to be seen, its relatively easy to conclude that it's hidden from our view by the sun dial in the middle, and thusly is pointing directly at Jack. Elizabeth is off to James's right, and no one is standing behind Jack, so unless the compass was pointing at something in the far off distance that just so happened to be in Jack's general direction(unlikely) its pretty clear what(or who) the compass is pointing at. For most potc fans, this is fairly standard knowledge. But it's what this fact says about Norrington's character that I'd like to focus on. After all, what does it say about a man that a compass that shows you what you desire most is pointing at a pirate, and the very face of piracy at that, instead of your canonical love interest, when you're a Commodore of the Navy? As stated above, Sparrington shippers often point at this scene as proof that James has a bit of a pash on the ruggedly handsome pirate, or at the very least, a thing for men. But from a writer's perspective, this just simply isn't the case, and not because the writer's in this instance are the notoriously homophobic corporation we call Disney. The reason why this is so unlikely from a writing perspective is because given the context clues, we as an audience are meant to draw the conclusion that this is the first time that they meet(I have heard rumors of them meeting as children in the books, but having never read them, and focusing only on the movies, I'm not including that in this post). And since this is the first time they've met, it's highly unlikely that the compass is pointing at Jack because James has a bit of a thing for him. Even if James has heard of Jack's many exploits, he does not truly know the man behind the legend, so having romantic feelings for the pirate at this point in time just isn't believable. And even if James was a closeted gay/bi man, it's still unlikely that the compass would be pointing at Jack of all the men around the Commodore(of which there is a lot, some of whom he is incredibly close with) seeing as Jack is the poster boy of piracy, and at this point in the movie it's made abundantly clear that James vehemently detests the notion and all who practice it. If James were to be holding the compass in Jack's vicinity in later movies and it still pointed at the pirate, an argument could definitely be made that it was because he had developed feelings for Jack, but for their first meeting, it's just not realistic. So it's much more likely that the reason the compass is pointing at Jack is because of James's desire to send every pirate he meets to "a quick drop and a sudden stop" as he so eloquently put it to a young Elizabeth. This is further reinforced in the third movie when it is revealed that Beckett's desire to have Jack dead at his feet would prevent him from using the compass to find Shipwreck Cove if the pirate was not already at the aforementioned location, or, well, dead. This is again, relatively common knowledge. But like I said before, it's what this fact says about James that is the whole point of this post... and that is that James cares more about his career than anything else, even the woman he claims to love. Now for some, that statement alone might seem like a pretty obvious conclusion, but it's how this scene subtlety sets up this core aspect of Norrington's character before we even truly get to know who he is, and how it's brought to it's full height in the second movie, and the core aspect of his redemption and subsequent death in the third that I'd really like to talk about. Which brings us to the next segment of this post...

How James lost his commission to the navy...

And how he got it back

So let's start off with how James lost his commission... it's a story we all know pretty well, and one he tells to Gibbs in the scene shown above, when he plans to either join Jack's crew or get revenge on the man that(he believes) ruined his life. After Jack's escape in the first movie, James grew obsessed with capturing the pirate, so much so that he foolishly followed the Black Pearl into a hurricane, resulting in the sinking of the Dauntless, and the loss of countless lives that had been aboard the vessel. It's unclear aside from James himself who had been on the ship at the time, and who did or did not survive, but the death toll was heavy, with most, if not everyone who wasn't James, having perished in the storm. While it is not the most extreme example(which we'll get too in just a bit), this is a pretty clear example of James prioritizing his career above everything else, even reason and logic. And all just to capture a singular pirate, even at the cost of his own ship and crew, and rather ironically, the very career that he had been so desperately trying to hold onto in the first place. Which brings us to the next scene I'd like to discuss... James stealing the heart of Davy Jones. This moment is the absolute peak of this part of James's character. This is the moment where James takes his obsessive need for his career to the max. This is the moment where James truly prioritizes his career above everything else, even the woman he claims to love(and for Sparrington shippers, above the man he's reluctantly come to care about). At this point in time, when James decides to take the heart for himself to regain his old station, he's been on the Black Pearl long enough to know the full situation. That Jack is in some kind of trouble with Davy Jones, and that if Jack doesn't use the heart to bargain for his freedom, then the Kraken will hunt Jack, and subsequently the Black Pearl, down until he and everyone aboard are dead. And that includes Elizabeth. And yet, despite knowing that stealing the heart would basically mean sealing Elizabeth's death, he still decided to do so. Sure, the argument could be made that he thought Elizabeth would be able to escape somehow, but the chances of her dying at sea, or some other terrible fate befalling her before she could safely make it back to civilization would have been highly likely. Of course we as an audience know that this isn't the case, but James does not. So essentially, James was so obsessed with his career, and maintaining the image of the honorable Commodore that he didn't even truly register that he was putting Elizabeth, the woman he loves and has been trying so desperately to woo for the past two movies, in danger. And he won't fully realize the consequences of his actions until the third movie, in a deleted scene no less(I swear when I find whoever decided to delete some of the most important scenes to James's character...), when Davy Jones informs Governor Swann of his daughters untimely demise on the Black Pearl. Of course, almost immediately afterwards, Beckett retcons that statement by informing the Governor that Elizabeth was recently seen in Singapore, but for a few minutes, James has to sit with the fact that Elizabeth was dead, and it was his fault. And even after learning that she was in fact still alive, James has now finally come to the realization that if she had still been on the Black Pearl when it sank with its Captain, he would've been the one to send her to her death. And for Sparrington shippers, James has to sit with the unavoidable fact that he was the reason Jack had died(even if the pirate does come back), despite the fact that it was Elizabeth's betrayal that was the final nail in Jack's coffin, since she wouldn't have had to do that if the Kraken wasn't after them in the first place. Which brings us to the final scene I'd like to discuss...

James choosing a side, and paying the price

Now, before we fully delve into this scene, I'd like to take a moment to talk about James's own perception of himself, and his relationship with honor and integrity. From the very first scene in which we meet James Norrington, we are made aware that he has a strong moral compass. He firmly believes piracy is evil, and that all who partake in piracy deserve a swift end. He perceives his Commodore persona as being the paragon of honor and integrity, and the sole arbiter of justice. We can infer from the line "By remembering that I serve others, Sparrow, not just myself" that James does have honorable intentions when ridding the world of pirates, that being protecting the innocent citizens under his care, but as seen once again in the first time James and Jack meet, wherein James adamantly tries to arrest Jack despite the fact the fact that pirate had just saved Elizabeth's life, his actions to achieve that goal are not always quite as honorable as his intentions are. This is especially highlighted once again when James gave Beckett the heart of Davy Jones. James's intentions here were once again rooted in honor and integrity - he believes that the only way to keep people safe from pirates is too return to his old station, to the image of honor and integrity he had built around the title of Commodore, and the only way to return to his old station is to give Beckett the heart. But the action itself was far from honorable, seeing as James had to betray the woman he loved just to obtain the heart, and that he was now putting it into the hands of a dangerously unstable individual who planned on using it to commit mass genocide.

And now, we finally get to the scene above... Of course, it's made clear throughout his scenes in the third movie leading up to this one that James is already starting to regret giving Beckett the heart after seeing the damage being caused, but since Beckett is targeting pirates specifically(although we as an audience know that Beckett's definition of pirate is very loose) James figures that the ends justify the means, as he often does in situations regarding piracy. It is not until his reunion with Elizabeth, where he learns that Governor Swann is dead, and that Beckett lied to him about the Governor's whereabouts, that James truly realizes the enormity of his mistake. It is in this moment that James has a sudden realization that fundamentally shakes him to his core, and is the reason behind his change of heart later on. He realizes that the honorable Commodore persona that he had tried to cultivate and keep a hold of for so long had never been truly honorable at all, and that by giving Beckett the heart of Davy Jones, he had effectively tied the noose around the neck of his own honor and integrity, as well as the necks of hundreds, if not thousands of innocent people, with his own hands. And as that one vine goes, this was the moment James knew, he fucked up. Which leads to his decision to change sides in an attempt to redeem himself, and his subsequent death in the process. Of course, part of James's reason for helping Elizabeth escape was that he does care for her, but given everything I've detailed about him so far, I think it's safe to say the main reason that James decided to help Elizabeth and her crew was because he wanted to undo the damage he had done, and he had faith that Elizabeth, Will, and Jack would have some sort of plan to defeat Beckett, and stop any further damage to come from his mistake. And now, for his death scene itself... As much as I love the idea of James surviving and joining the pirates(whether at Elizabeth's side or Jack's is unimportant), I firmly believe that his death was a necessary end of this part of his character arc, and that if he were to survive he would still have to go through a major ego death for this part of his character arc to end properly. Because as Bill turner drives that wooden pike into James's gut, it's not just the physical death of his body, but also the metaphorical death of Admiral James Norrington, and the ideals that James had used to build the persona out of. So even if James survived, the Admiral would still have to meet his metaphorical end, thusly causing James to lose a core part of himself that had been guiding most his decisions so far, in the process, which would start the next part of his character arc, where he would have to deal with the loss of a key part of his personality, and rebuild himself from the ground up to finally, truly become the image of honor and integrity he had envisioned from the beginning.

And that concludes this very long post. I could probably wax enough poetics about this aspect of James's character to write a short novel, but I've said everything important to this post, and if I go on any longer, I'm likely to start repeating myself lol. Thank you for reading, and feel free to share your thoughts in the comments or a reblog! I will always love hearing more about our polished peacock <3

[fractualized]

Could you give me any Batman comic(/series) recommendations? Or Joker ones?

(You can pretend I’ve never read any Batman comics)

Man, this got me thinking about (1) the number of extended storylines I still haven't fully read myself and (2) of the ones I have, would I recommend that people read them?? Tough question! Thinking about it in terms of a Batman newbie changes things too... 🤔

Ultimately, my list is mostly one-offs apart from the mainline series, but there's a few multi-issue mainline stories in there. From oldest to newest:

Batman (1940) #1, "The Joker" and "The Joker Returns" — Early comics can feel inaccessible because of their age, but I would still recommend checking out the start of Batman and Joker's relationship for a sense of the longevity and evolution of these characters (You could also read Batman's first appearance in Detective Comics [1937] #27.)

Batman (1940) #251, "The Joker's Five-Way Revenge" — Jumping ahead thirty years! After a 4-year absence from comics, Joker returns, and I just love how his dynamic with Batman picks up where they left off like it was yesterday.

Detective Comics (1937) #475, "The Laughing Fish" — The infamous story in which Joker's mad scheme is to… copyright fish.

The Dark Knight Returns #1-4 — TBH, I'm not a fan of TDKR for various reasons. However, it had a huge influence on Batman and you should read it at least once.

Batman (1940) #404-407, "Batman: Year One" — More required reading (but I do enjoy it more than TDKR). Frank Miller's problematique is more acknowledged today, but as I said, modern Batman stems from his work.

The Killing Joke — Controversial-ish recommendation nowadays, considering the much-maligned choice to fridge Barbara Gordon, but I still enjoy the nuance it gives Joker and the meta element of the ending, with Bruce and Joker trapped in their cycle by choices that are informed by the needs of the franchise. Alan Moore may no longer care for it, but I do! (Also, I'd say read it with the original coloring.)

Batman (1940) #426-429, "A Death in the Family" — Another big event in Batman lore: the death of Jason Todd. It's one of those moments that gets flattened in various ways today, so I think it's important to see how everything actually played out. In particular, it's striking to see that Joker is initially nervous about Batman finding out what he did, and just how Bruce struggles with his no-kill principle.

Batman #450-451, "Wildcard!" and "Judgements!" — Joker's big return after Jason's murder, in which we see he's still not all that giddy about it.

Batman: Legends of the Dark Knight #65-68, "Going Sane" — This story takes place earlier in Batman's career, before Robin. When Joker seemingly kills Batman, he tries to start a new life without his instability breaking through. Meanwhile, Bruce recovers from his near-death in a little town in the middle of nowhere and thinks he might actually stay there… but he's plagued by restlessness too.

Joker: Devil's Advocate — Joker winds up on death row, but for a crime he didn't commit! Bruce is set on proving Joker's innocence despite the clown's other sins, and Joker is too captivated by all the media attention to help save his own hide.

Deathstroke (1991) #58, "Bad Blood" — A story in which Joker causes plenty of chaos, but in service of doing something… nice?

Batman: Ego — As Bruce contemplates giving up his crusade, he falls into an argument with… Batman.

Batman (1940) #648-650, "All They Do Is Watch Us Kill" — Part of Under the Red Hood. Jason Todd's reappearance in Gotham City comes to a head when he kidnaps Joker and draws Batman in for a dire confrontation.

Detective Comics (1937) #826, "Slayride" — Paul Dini is one of the writers who consistently remembers Joker has a personality and makes him funny, and this Christmas-time story featuring Tim Drake is a great example.

Batman Confidential #7-12, "Lovers and Madmen" — An alternative origin for Joker. Bruce has been fighting crime for about a year when he encounters a bloody crime scene that he can't make sense of. Meanwhile, the culprit, Jack, is growing bored with his criminal life, until he comes face to face with a vigilante bat.

Batman 80-Page Giant 2010 (Volume 2), "Reality Check" — Is Joker really crazy? Does Joker himself even know?

Batman (2011) #13-17, "Death of the Family" — Not to be confused with "A Death in the Family." Joker tries to convince Batman that all his sidekicks make him weak.

Batman (2011) #23.1, "Time to Monkey Shine" — Joker infamously adopts a gorilla. (It ends badly.)

Batman (2011) #35-40, "Endgame" — After Joker's failure in DOTF, he decides to bring his conflict with Batman to a close.

The Joker Presents: A Puzzlebox #1-7 — The Riddler is dead, but what really happened? A heist story in which the point of view is passed around multiple rogues, but Joker is the ringleader.

Catwoman: Lonely City #1-4 — Alright, this one does revolve around Selina, but the story is deeply tied to her relationship with Bruce and what she comes to understand about him in the end. (And Joker plays a brief but key part!)

Batman & The Joker: The Deadly Duo #1-7 — A recent team-up that calls back to everything I've personally enjoyed about Batman and Joker's dynamic.

Batman: City of Madness #1-3 — Beneath Gotham lies Gotham Below, from which a monstrous mirror of Batman escapes in search of a Robin. In his pursuit, Bruce confronts not only alternative versions of his rogues but his personal demons.

[vladdyissues]

so i've mentioned before how i think reign storm made vlad want danny's babies and i feel like you might like what i'm getting at when i expand on it because i am drawin' on ALL the lore for that headcanon

so in season 1, we absolutely got the arc that Vlad had a bit more in common with Jack than he wanted to admit (interests, skill, the ability to hyperfocus until the ectofilter makes their house explode), and that he was desperate for people to love him but unwilling to see them clearly enough to actually love them--he would happily sand off any traits incompatible with his vision, before accepting them as-is. he especially wants to sand off all the traits in danny he associates with Jack

if their relationship had changed in s1, it would be badger cereal all the way down for me. you could not get me to romantically ship it again, even with the chemistry, for love nor money. but it didn't

and then we got Reign Storm in S2

where we got to see vlad and danny being their most sincere and straightforward around each other. vlad was sincerely a magnificent bastard and danny was sincerely not putting up with his shit, but they're so much of their authentic selves only around each other. vlad still wants danny to be his son, to be influenced by him... up until the Pariah Dark fight

i am 100% certain he never meant for Danny to win there. he was waiting for Danny to wear Pariah down and pass out where Vlad could take his place in the suit and win, getting the credit AND the kudos for saving Danny. but that's not what happened

Danny, a younger, weaker, still half-mortal being in a suit actively draining him managed to win against Pariah Dark, who was so powerful it took multiple implied gods to seal him away the first time. all without Vlad having a single moment of true, lasting influence on him. and my theory...

is Vlad's ghost instincts saw this, finally saw Phantom as his own unrelated entity, and went "THIS ONE. MAKE BABIES WITH THIS ONE. LOCK HIM DOWN NOW, HE IS GOING TO BE A LEGEND"

(and so we get Dan and Dani in the same season)

and in every episode after, it is clear Maddie takes a backseat to Danny for him. he doesn't even plot the murder of Jack in any real way until the series finale. his focus is 100% on Danny and making his own Danny using the original Danny and/or putting Danny in a submissive/pliant position

i don't think he's consciously aware of any of this. or, if he is, he hates that he's thinking that way about someone nearly thirty years his junior. but i do think there's a hell of a story in half-ghost instincts being misinterpeted between the two halves of themselves and having to adapt to being their own, separate entity from humans OR ghosts

and that is my comprehensive explanation as to why I headcanon Reign Storm made Vlad's metaphorical ovaries start screaming for his attention

OH.

Shit. That's perfect.

Of course Vlad would wait until absolutely necessary to jump in and deliver the coup de grâce to Pariah. (Let the pawn sacrifice himself, do all the work, King takes credit, etc.) But the pawn... held his own?? The pawn fucking put that thing back where it came from or so help me?? By this time Vlad would surely know how to spot a good investment, and I just know the inside of his head sounded like hitting the jackpot at a Vegas casino when he saw Danny put the smack down.

Is there such a thing as Investments to Lovers? Arranged (Baby) Carriage?

Another thing you're absolutely right about is how Vlad's obsession with Maddie dropped off immediately after Reign Storm. Excepting Phantom Planet, naturally.

I love this meta. It's pure rocket fuel.

[bishmanfishboy]

Something that I love about arcane (no spoilers) in a more meta-narrative way is how it builds its story out the narrative wreckage of the game league of legends.

Over a decade of random characters being spat out with some fluff in a barely developed world, and arcane finds these amazing ways to tie them together and give them such significance.

Warwick of all characters, literally originally an old Warcraft werewolf model has been made now into this feral personification of a peoples wrath, with the background of him having been this fierce community leader of this oppressed underclass. Now he gets this twisted second life, with us knowing he started this all.

It helps that I’d played the game since his character didn’t seem as old, but it gets me so excited in the way it might feel to see a beautiful machine built out of junkyard parts. My low polygon little lad grew up to have themes! He’s haunting the narrative! I’m so proud of him

[sufferu]

It was fun going through your blog getting nostalgic on re zero, seeing many of my thoughts echoed and even when not in ways thst like I could get snd understand and didn't feel braindead or just massively missing the entire point in a way that's just tiresome vs this just isn't their cup of tea.

Anyway I guess to make this closer to an actual ask whst are your thoughts on Echidna? Personally I think she's both just as much of a vile rat as Subaru thinks but also that there's some more depth to her than that? Especially because her being weary of Typhon means she does feel guilt (aided by some of her reactions to Emilia) or that mini story from Hoshin or her time as Omega. If anything I feel like she might be the most amongst the most monstrous characters in series? Like Regulus ultimately is just a pathetic loser that's all he'll ever be once you strip him of his power. But Echidna being as manipulative and callous as she is whilst also being empathetic, feeling regret and guilt over some of her actions only to fully plan on doing the same thing or similar again and again might take the cake? Being her friend or a loved one is frankly infinitely worse than just being an enemy because she'll easily transition between decent if wacky friend to manipulative mastermind to 'will do you dirtier than your worst enemies'. Todd dreams of ruining Subaru's life even a thousandth as much as Echidna would and could.

And I also kind of wish to see some of the misadventures of the old legends just between what we know and seen from the ones who are actually characters instead of plot devices or bits of lore because frankly more than anything it sounds like it'd be nonstop comedy. The totally normal road trips of some friends and frenemies who all happen to be extremely Unnormal. Also seeing Reid banter with and bully more people would be great.

Thanks for stopping by! Hope you keep enjoying it here :P

I’m gonna be real here — I have not read those side stories yet. I absolutely SHOULD, but I haven’t, lol. Oops

But just from the main route… Yeah, I think your assessment is about right.

Echidna — at least, the Echidna we see at Sanctuary — is a MONSTER, in the truest sense of the word. She traumatized Beatrice, she very nearly did the same to Subaru (to put it VERY lightly), and even the meta of the text presents her as the very explicit catalyst for one of the major Sin Routes that needs to be avoided at all costs. But she clearly wasn’t ALWAYS like this: Eridna is legitimately nothing like Sanctuary!Echidna, for one, and we also get explicit talk about how Echidna was slowly driven mad by both her desire for knowledge and — very specifically — her desire to save other people, which broke her as she slowly realized what a futile effort it was to save every single person around her. I don’t know a whole lot about her yet — I don’t think we have the full picture even WITH the side stories — but I fully believe that she’s gonna be one of the more complicated characters in the entire Re:Zero saga.