#see if you can find them haha

[shadedheart138]

Legend has a minor case of kleptomania. Its gotten MUCH better but after his first quest he used to steal everything, mainly food and money. But its still a thing, there have been moments where Legend has had to remind himself to give things back, because otherwise he'll steal them.

Its even worse because there have been moments where he's stolen from the other links. Small shit, like snacks but Legend doesn't like that he still does even that. Hates that hes got food and monetary insecurities.

Link was exhausted. Uncle had been gone for weeks and he'd run out of food in the house by now. It wouldn't be long until the house itself was gone too. He didn't know what to do. He pulled Uncle's big jacket over his tiny, thin frame and headed out the door, the snow so thick it immediately came up to his mid-thigh. Link sneezed. Maybe people in town would be kind enough to give him food. XXX People in town were not kind. He'd already been run out of two warm stores for tracking snow and trying to grab things with his tiny hands. Link was hungry. He sobbed to himself quietly, hugging his uncle's jacket around himself to try and stay warm. It'd been soaked by now, not properly doing its job. Link paused. He smelled something. Food. He looked around, wondering if he was finally going crazy. A person bumped into him and cursed, whacking him in the side with a cane. Link paid him no mind, he smelled food.

A warm loaf of bread sat in a windowsill about a foot and a half above Link's eye level. Someone had recently put it there to cool for a few minutes. Link's eyes filled with tears. He didn't want to steal it, stealing was bad, but he'd been caught so many other times and he was starving. Link straightened his shoulders and climbed up the wall a little, a burst of nervous energy helping him get his dirty hands on the loaf. It hurt, but he didn't dare let go. Burning his hands was worth getting the bread. A woman yelled from inside the house, and Link booked it, her shouts quickly fading in the distance.

He had warm bread and a guilty conscience that night.

XXX

Months had passed. Almost a year. The house was gone, he lived in the woods. Link had learned that feeling guilty about stealing got you nowhere, it was the stealing that kept you alive. He didn't want to die.

Link's hand moved slowly, reaching for a lady's purse. He could see her wallet poking out of the top, just barely. She was talking with a salesman at the counter, and he was still just small enough that the man behind the counter couldn't properly see him. He touched the wallet, and with the confidence of someone who had nothing to lose, gently pulled it out and stuffed it in his pocket. He swiftly turned around and started looking at jams on the shelf. When the lady turned to find her wallet and couldn't, he took the money out and put it in his bag. A good amount. No one was the wiser when the woman found her wallet in the snow several minutes later, empty.

This is to survive, he reminds himself. He has to do this. XXX Link was Legend now. It'd been years since Uncle had died. He couldn't be stealing things to survive, he didn't need to anymore. They always had food. He could always turn to Zelda after his adventures. She'd always been by his side after a cold, hungry month of people keeping their doors locked and not daring to let any merchandise out of their sights.

But still Legend stole.

He reached for a snack he saw poking out of the side of Wind's pack. Jerky, of some sort. Look at him, stealing from a child younger than him. Legend didn't entertain that thought any further. He got his hands on it and gently took it, making sure not to alert anyone. No one saw him take it, it went into his pack beside the other snacks he'd stored up.

He looked guiltily at those snacks that night. What was he doing, stealing from his brothers? (Were they really his brothers?) He pushed away the guilty thoughts like he'd always done.

XXX

The next day he saw Time's pocketbook in clear view, while Wild was making breakfast. That tiny, scared child that still resided in his brain whispered that it would be easy to steal, it was just sitting there. More money meant more food. Always did.

Legend casually went to go sit beside it and slowly reached to take it, deftly opening the clasps with one hand to see inside. He was met with an empty bag looking down, and a disapproving Time when he looked up. Legend froze.

They'd caught him, he'd been seen. Were they upset? Time was definitely upset. Several heads turned to look at him, and he shrunk under their gaze.

"So the thief wasn't Wind after all. Legend. Care to tell me why you've been stealing?" Time asked firmly. His voice wasn't mad, was only concerned and curious. All Legend heard was anger, anger, get out of my store, rat! His ears went back against his head.

Warriors crouched beside Legend. "We've noticed you've been hoarding food. And taking it from others. Time and I enabled it for a little while, thinking it was an easy habit to break if you were given the right amount of food and water and care but... it seems to go deeper than that. We want to help." Legend's lip wobbled. He'd been stealing since the age of eight, of course he wasn't going to break the habit that easy. He was only sixteen. Why was he stealing from these people? He had a home, back in his Hyrule. Had income from the crown. Had food, that these heroes across time provided. What point was there to steal? The guilt came back, harder than before.

He opened his mouth to say something, then closed it. He just signed "Hard" and squeezed his eyes shut. He could talk about it, but not now. Not when he was being crushed by his own emotions. "Take your time, Legend. We're here when you want to talk. And we can figure it out together."

fin.

[lilybug-02]

Final Bug Fact:

The world NEEDS bugs. They keep the soil healthy, pollinate, control pests, and contribute to the worlds' ecosystem. By the end of the century, it is estimated 40% of insect species may go extinct due to habitat loss. Yes, that is very scary. But with even one beetle spared, one caterpillar rescued, and one Hollow Knight comic of all things, things will change. Because I know there's a lot more Dewi's out there than most people realize. Stay curious.

Thanks for going on this adventure with me. ♥︎

First || Prev // END... VOLUME 2 is Out.

Masterpost

Comic Thoughts and Pictures Below!

I wanted to put here how amazing and sweet everyone has been with this comic. I finished a 75 page comic in 3 MONTHS. I am at a loss for words. That sounds crazy and it IS crazy. But man was it fun. Even on days were I wasn't able to draw due to fatigue or business, I loved working on it from start to finish. And guess what!? This is my first ever FINISHED comic :D I'm so proud of myself. I know there's some things I want to change and the art is wonky in most places...... but I'm content to let it be. What an amazing summer adventure!

I'm hoping to post the full comic on another Comic website. I may or may not edit some of the art ^w^ So I'll let y'all know when I release it.

Interested in learning what you could do to help your local insects? This is the basic stuff. Maybe make some Insect Hotels if you have the time!!! And never forget to spread the word about bugs. They need our help just as any animal on earth.

Still Here? Well you can look in the tags for little lore dumps if ur looking for stuff like that ;)

[feroluce]

Not pictured: Aventurine asking Ratio if he remembers where they parked

[sysig]

Off to make mischief and terrible decisions for everyone (Patreon)

[vaguely-concerned]

Stray Gods Character Design Thoughts

In order we're going Pan, Apollo, Persephone, Eros, Aphrodite and a little bit of Venus! Disclaimer that I have no professional experience in character design at all, so these are only my vibes-based ramblings and observations purely for fun and because my brain simply won't shut up about this game haha. Also I will freely admit Pan probably gets the most attention in this because of who I am as a person and where my heart truly lies at the end of the day lol

PAN

Ok, first of all I have so many questions and they all delight me. This guy is the god of the wild places ("Where else would I be, but among the trees and the wild things?"), he lives in a magical garden on top of an office building... and he’s walking around everywhere in an expensive three piece tailored suit (when Freddie accuses him of being a sleaze in a cheap suit he protests mildly that his suit is anything but cheap haha). The cut of it is really carefully thought out and planned, but the bold colours under the grey coat and (studied I am sure) careless details like the tie also make it fun and playful. Which is pleasingly coherent with the general theme of his character in the writing too and I adore it.  

This is not the point, I know, but I’m wondering how he makes that work just like. Practically now. Has Athena fixed up Olympus with in-house laundry service? And other sentences I did not expect to type out today lol. Ah well he’s wily I’m sure he has his ways. 

I can't heap enough praise on it, this design is SUCH an interesting and elegant marriage of the immediately recognizable satyr features and thus animal symbolism with all its added pagan weight in a post-Christianity setting, and the sort of ‘man of wealth and taste’ imagery of the devil at the crossroads they clearly want to evoke, especially in his first scene. And partially through his mannerism there’s also an added element of like… eccentric but surprisingly competent college professor — just look at the way he carries himself whenever he isn’t putting on the charm or when he’s being guarded and self-contained. That little hands resting on his back pose exudes ‘nerd’ so deeply to me haha. (Incredibly fuckable nerd, to be sure, but still!)

you don't fool me buddy I know what you are. I know all the trouble you went to to get a book.

His body language shifts very quickly between wild playful expressiveness and a sort of nonchalant urbane detachment that borders on coldness sometimes, and it fascinates me. Especially since that more refined unavailable side seems to be something he’s deliberately cultivated, to some extent. When Grace calls him out on how boring it sounds to just let yourself go numb and distant to survive, he doesn’t deny that at all, only saying that at least it’s been quite effective. 

Putting the rest under a cut to save people's dashes! I may, as they say, have gotten a tiny bit carried away.

Physically he’s not very imposing — he’s only a little taller than Grace, and the shortest of all of the love interests, which I find somehow very charming and also plays into him being more of a guile-based character. “Seeing as I am neither big nor truly bad, it behooves me to be wary of those who are both” indeed!

I’m fairly sure he’s the character wearing the most layers. Even his hands are mostly covered by gloves. He partially covers up his eyes with the tinted glasses — interesting, as one of the features that most give his real nature away with their sidewise pupils, and the lenses are tinted purple as the complimentary colour to yellow, so it downplays just how bright they are. All together it’s very much a ‘well, he’s certainly got to be in there somewhere’ sort of vibe at times. (Since he also seems to care about his clothes quite a bit — he complains about scuffing his pants during the climb in the Medusa mission if you go the lockpick route — I have drawn the conclusion that getting him out of all of that must take quite a bit of time, no matter how much practice he’s probably put in over the years of meeting 'delicious people' lol) 

It’s a design that manages to give, at the same time: animal-featured ancient god, deal with the devil, teacher, overtones of con man if you’re inclined to be Freddie-levels of uncharitable lol, eccentric rich weird uncle… there’s a lot going on here and somehow it all works haha. He isn’t wearing any jewelry at all unless you count the glasses, which now that I’m looking at the rest of the character designs in this game is actually fairly rare among them!

His eyes really are incredibly bright when uh naked as it were, though. I like the implication that he is aware of this and actually goes out of his way to downplay it, even when he’d normally be wearing glamour anywhere it would strictly matter for it to show. Between that, the meaningful zoom in on him at the Underworld when Apollo says that all the Idols can be themselves there even if they don’t look human, Pan claiming he’s been distrusted and side-eyed by the others basically since the beginning and seeming kind of frustrated and hurt about it, in his deflecting way, and the implication of a hierarchy among the Idols at least under Athena’s leadership in this stained glass painting (notably all the visibly non-human Idols/hangers on are at the bottom, and Hecate, Asterion and especially Medusa are the characters most affected and confined by the oppressive status quo Athena upholds)...

this one! sing it with me now EVERYBODY LEAVES THIS PLACE ALIVEEE ok we can move on

you know, some possible Subtext and Implications going on here, I’d say. (It is only potential subtext and implication, though, so, you know, take my extrapolations here with a grain of salt!) He certainly doesn’t do himself many favors with the persona he’s built up in regards to being trusted and included either, but his status as a little bit of an outsider does seem to precede that so I feel like it’s more of a response than the main cause. Along the same lines he gets much more testy about the Green route of ‘I Can Teach You’ than he does about you just not choosing him in the Red one, he takes that pretty gracefully. So it is the being deliberately kept on the outside and openly distrusted and dismissed that gets to him. (To be clear I don't think openly distrusting a strange guy showing up in your living room like that is at all unreasonable either haha I just think the nuances of his response are enlightening as to where he's really coming from)

this one isn't even to illustrate anything it's just because I love him so much and think he's pretty I'll be real with you all

Anyway I just keep thinking about how incredibly tender it would be if sometimes, when they’re in private, Grace takes his glasses off to see his eyes better and he lets her. That shakes something deep in my soul apparently. That fucks me up but like in a good way.

APOLLO

- Apollo’s style of dress leaves his navel helpfully exposed for the copious amounts of depressed gazing he habitually subjects it to. (I say this not entirely without affection.) 

a crumpled tissue of a man

In keeping with his incredibly emo mode, there’s very little colour involved and he doesn’t take much care to present anything with care (look at the state of that shirt and tell me if Apollo has picked up an iron in the last forty years), BUT interestingly he’s not entirely open and unadorned, he does wear that network of jewelry across his chest and neck. Which I think is to show that the old Apollo is not entirely gone (“There he is, god of the sun”), even if he has been a sack stuffed with sad for a long time now. I wonder how many of these things are leftover preferences from being only Lucas — presumably the tattoos at least are from before he fished Apollo up from the sea? If I’m reading the vibes right on that, the blue of the tattoos and the gold of the sun… thingy he wears with the jewelry are the main splashes of colour in his design aside from his hair, and they’re both ‘leftovers’ from both his previous lives, surfer bro and solar deity recently fallen on hard times. Physically he would be tall and imposing, parodically built, except that he carries himself with all the confidence and panache of a damp depressed dishrag. 

Also I can’t believe this guy is walking around everywhere in sandals. Apollo makes sad flip-flop sounds wherever he goes, including when he steps up during ‘The Trial’. That’s so amazingly pathetic (affectionate). 

We can see from the photo with him and Calliope that he wasn’t always quite this much of a mess. Once, he did his shirt up a whole maybe four buttons and wore something that wasn’t beige!

Intellectually I acknowledge that it's a design meant to provide fanservice, even though I personally could not consider this guy in a sexual or romantic light if you gave me a thousand years to build up to it. (I've said it before but if he's anything to me, he is the incredibly fail father figure continually letting me down in tiny ways I never had.) Godspeed to the Apollo-enjoyers out there, though, Summerfall gave him those abs and that poor little meow meow energy just for you and it's your right to enjoy that

- Pan and Apollo also bring out some really interesting contrasts both as characters and designs when you hold them up against each other:  

Once you scratch the surface a tiny bit Pan clearly has just as much self-loathing as Apollo (“If Athena had taken me up on my offer, the Idols would have been better off” uh. Okay buddy we’re gonna have to process that one together later what do you say), but where Apollo is completely helplessly open in his misery at all times, you need to unbutton Pan at least three layers until you get a honest or straightforward emotion out of him and I think that’s amazingly carried through into their visual designs. It's Good Visual Storytelling Brent   

PERSEPHONE

- I’m fairly sure the colour of Persephone’s suit is supposed to evoke pomegranate seeds. See and judge for yourself I suppose: 

She also has details on her coat that depict foliage and growing plants, but colour-wise they and the rest of the detailing is in the blue-green that symbolizes the Underworld and so death. Her jewelry is gold, which — and I’m about to do some reaching here, I’ll be big enough to own — could play in with Hades being the god of riches as well as of the dead/the underworld. Probably it’s because it works well with the colour scheme, but I’m going to pretend that it’s because even if she didn’t get the throne she did get that motherfucker’s hoard when she killed him <3 Love that for her. Her jewelry is more rose gold than Apollo’s yellow gold, too. Watch me go for even more of a reach: between the necklace and the watch, those round discs of gold remind me of the coins put on the eyes of the dead but like you know repurposed since she doesn't need them to pay the Ferryman. I never promised I'd be reasonable in this did I.  

The short hair works real well for the butch vibe and looks amazing no notes, but I think it’s also a deliberate way to differentiate herself from her younger self — when speaking of Demeter’s death, she says that moment was also the final death of that young her, ‘that girl with the long hair who loved her gardens’. Clearly the Idols do a lot of reinventing themselves over the ages in more and less conscious ways.

She has a tattoo of what looks to be foliage and a skull across her left chest and arm. I really like that idea of her having the testament to both sides of her — goddess of spring, queen of the underworld — directly on her skin, under two layers of clothes that each represent those aspects. The one on her arm looks like stalks of grain tied together to resemble the bones of the hand/forearm, maybe? which is metal as fuck, needless to say. 

She is TALL and scary and the staging always plays that up, Grace tends to look up at her like O.O. I love how sharp she is too. 

Also she is incredibly hot but you don’t need me to tell you that you all have eyes I assume. 

EROS, APHRODITE and VENUS:

- I love literally everything about Eros’ design except his hair. Not even the concept of the haircut and colours or anything, just the way it’s rendered. It looks like one strange flat cap I can’t quite make understandable in three dimensional space as hair in my head lol. Other than that it’s a banging design though, the delicate see-through material over the leather BDSM harness is genius. Choosing this form of sensuality and attractiveness for him to embody -- one that is so deeply queercoded -- also works super well. The warmth and vulnerability of his body language on top of it is *chef's kiss*. just. please define his hair a bit more and it's perfect haha.

- I'm not sure I have that much to say about Aphrodite’s design except that of course she is beauty she is grace etc., it takes a lot of thought to make such a simple design shine and by god did they do it she’s so stunning. Also interesting how her dark blues and greens with cool/silvery details contrast with Venus’ warm reds and pinks and… brass? Idk I don’t really understand jewelry haha. All warmth and soft romanticism, anyway, it looks nice. (Side note but I love Venus’ rose tattoo.) Eros and Venus have much more matching colour schemes and they both bring those islands of warmth standing around Aphrodite in her shimmering ocean coolness. (Which of course is something she has to deliberately put on before going into public these days, and is unselfconsciously glamorous in the way of an old timey Hollywood starlet, as the blue route of 'The Ritual' lampshades)

:') *whisper* everybody...

Venus is wearing pearls, which is pleasing considering her connection to Aphrodite (and the backgrounds of the 'Lost in a Moment' variant of 'The Ritual')! and both of her and Aphrodite's outfits go for a shoulderless look to great effect.

ETA: When the camera is close on Aphrodite you can actually see that she has dark circles under her eyes, only partially covered by the makeup :'( I didn't notice that before I played through 'The Ritual' on a bigger screen today

All in all I just want to acknowledge what a fantastic job the character designers at Summerfall Studios have done! There are some really fresh new takes on these mythological figures here, and it makes so much sense within the world the game presents without resorting to well-worn and tired iconography, I really do admire it greatly.

[strawberrycamel]

ninjago seabound hurts. so much. what the fuck

[ssreeder]

Is it okay to ask a spoiler? (kinda, like, it's probably just for me I'm at the beginning of your fic and I'm anxious as fck 😂😂)

I'm reading LIAB (chapter Going the Distance), and loving every word of it! I'm considering it as a real book instead of fanfiction, because you're a really skilled author and I can't wait to read the whole series and become an unbearable fan annoying you!! 😜❤️🙏🏼

Anyway, while reading I can't help but wonder: during the series are we gonna see Zuko and Iroh together again? I can't stop thinking about how Zuko misses his uncle (for context, Chang just was left behind for me, so I'm a little emotional about that yet!!!) and I can't stop thinking if we get to see Iroh unleashing all his angry at Zhao once he finds out what happened to Zuko and how our boy suffered...

(Another question completely different: is there any scene in the story you would love to see draw? I actually got to know your fic because of the lovely fanarts hahah, and now I was thinking about drawing something that I read but can't decide which scene 😭😭)

HELLLOOOOO!! I had to look at the chapters to figure out which one was Going the Distance & then I realized you really are in the very beginning of the fic series haha! Well…. WELCOME! (&your anxiousness is super valid it’s a super anxious fic I’m even anxious just thinking about you being anxious lol)

AWWWWW I HOPE YOU LIKE THE ENTIRE SERIES!!! it gets a little wild in some places & super duper dark so I just like to always warn lol. heed the tags lol.

OK AYYYY so as for the spoilers: Iroh & Zuko will absolutely be reunited & it’s going to be a mess. So much will happen between where you’re at in the fic & where you’re going, that it’s hard to even explain without spoiling the entire fic! Which I will do if you want just let me know haha. but Iroh will be part of the story and I think you get an update on him towards the end of the first book & then you’ll hear about him in RIA & then they’ll be reunited in ITF. They have a long & painful journey ahead of them I’m sorry… you have quite a bit of angst to get through.

& I can promise you Iroh is going to be very very PISSED. I love me some slightly feral Iroh, especially when it comes to his nephew.

(omg omgomgomgommgggg fanart is like a proposal to me and I swear I’m rolling on the ground happily just thinking about it. But idk what scene I’d pick I really like people who create the fanart to pick because I like to see what they choose! Also you have a long way to go so maybe something will interest you?? I’m super excited either way!)

thanks for the ask I hope you enjoy reading!!

[possiblyfunny]

With all the Missing Numbers Doodles popping up today, I finally found it in me to actually doodle and not care about how it looked. Anyways—

Here is Aster’s Halloween Costume! I didn’t color it, but Aster is Little Red Riding Hood and Del is the Werewolf. He’s not trick-or-treating, by the way—he’s just handing out king-sized chocolate bars to everyone he passes while walking around!

It’s not much- Just a goofy little thing to celebrate the holiday. Happy Halloween, everyone!

(Psst-! Hey, @100nebulas ! Starry! I know it’s not a lot, but I promised! Here’s your small dose of Aster content :])

[vargaslovinghours]

Happy Vargasversary! Only one meme this year, but I do have a few Vargas-themed online dolls and Picrews for your viewing pleasure lol

I’m so sad about Flash!! It’s just not the same with Ruffle, at least there’s Flashpoint. Anyway, pretty sure I made this Scriabin before the shutdown haha

I can’t find this one, which is such a shame! I think it’s a total classic :0 Something something computer Scriabin haha, there’s no long hair option! Wires are a good enough stand-in

Had to do it the other way around too of course. Don’t tease him! (Do tease him)

Kitty!Edgar! Being able to add things like his glasses, goatee, striped “shirt”, even his bangs! So many lovely options 💕

Feeling normal, covered in blood. I always love when Makers include the Red String, it is Excellent ✨

Rinamaru‘s Anime Avatar Creator, THE maker GOAT to me ♥ Got a sequence of Edgar newly face-cut-up, with the bandaid on his nose, and then “fully” healed hehe

Ladyverse!Jake and Edgar! ♥ I think I was going to make Scriabin as well but there weren’t enough features that’d suit him so these two got the feature instead ♪ I can’t find this one either, I think it’s a Picrew though...? Update: Smol found it!! Thank you!!

Smol also made the boys with one of her fave Picrews! For only really knowing Vargas from my incessant talk (lol), I think she captured them quite lovely :D

I also had to give them a go of course haha, I’m very happy for the option to remove eyes lol

[mamawasatesttube]

man im out with a cold again and i was like "i think since i am just chilling at home today anyways i will write :)" but dude. what do supergiant put in their games. i am not writing i am in gamer town

[pa-pa-plasma]

one of the things that will always destroy me is people believing that good story = darker/more mature/more sexual. this belief has ruined so many stories that could have been amazing & has prevented almost everyone from enjoying other really good stories simply because the age range it's aimed at is one they believe can't have complex themes, characters, plot, etc etc. they don't believe they can be moved by something a publisher or studio decided is for kids & so write it off without even thinking about it. biggest curse of being a writer who actually loves stories & telling them is that literally no one else cares in the most pessimistic, higher-than-thou, capitalism brainrot way you can imagine. & it's all automatic. because that's just what you're taught.

[artsycloudysleepy]

Drawing Dump!

oh and meet another OC: lily/iliad (fae/faer, has two names)! fae's the God/Guardian of the Arts in Fabrication (so art, music, writing, dance, and drama). faer design is my fav so far if i'm being honest haha, really like how it came out :D

(nye this is one of the two OCs who i've written with MDD so far! cody also has it - am going to make some human ones too methinks. thanks so much again for the tips!!!)

pppppllllluuuuusssss chara and asriel art i already posted in january but still like enough to promote again now that i uh. actually have followers :3

(also this is TOTALLY targeting a mutual who should really play undertale....................... hint hint hint /silly)

@mylackofgrammaristerrifying @mrrotten @nyenylon hiiiiiiiii hope you guys are having a fun timezone!! what're you guys up to? :)

[good-beanswrites]

I wanted to see your LCSYS take on the differences in the prisoners' uniforms in the Milgram Hallucination event:

The outfits all zip in the front, even those that wouldn't in the art. Shugo wears a coat instead of a cape. Ryota doesn't have half of his uniform tucked in. Minami is wearing a skirt under her costume. (Hi Nott!) Maybe I missed some.

Hmm, that's a neat detail! Because presumably they'd have their uniforms on hand, and they should just wear those. The fact that they had to create new ones leads to a few possibilities: 1. Milgram didn't realize what a hit the songs would be, and figured they wouldn't need these random straightjackets anymore. They got rid of them after the experiment, 2. Milgram gave the prisoners their uniforms to keep and they're the ones that threw them out, not caring to remember their life of restraints, or 3. Milgram does actually face some real-world consequences for being incredibly shady, and all their possessions are currently being investigated by the government. I personally think option 3 is funniest, and enjoy picturing Jackalope planning a live concert and selling merch while simultaneously trying to cover up a huge potential scandal/legal battle behind the scenes asdfsdf.

Amane's case is slightly different, since hers has to do with her own clothes. I like to think it'd be a sign of her leaving her old life behind and starting over. When Mahiru takes her in, (with Amane's permission,) she completely replaces her wardrobe to remove any painful memories that may be attached. There are a few things she liked too much to part with, maybe including her purple hat :) When it's time to perform, Jackalope offers to find her a skirt just like her original, but she prefers to do without it.

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[sysig]

DAX is just so expressive ♥ (Patreon)

[wellhalesbells]

the thing that fucks me up about rereading instructions for dancing is trying to pinpoint when it is that derek becomes obsessed with stiles and realizing the answer seems to be always. from the beginning. the moment they met. that poor bastard. he probably should have tried to be a little nicer about it, though, saved them both some hardship.

I think it slides so quickly from fear and annoyance that Stiles will steal Scott away to 'Oh no, oh fuck,' I'm not even sure Derek knows himself. Poor guy hamstrung himself by starting out with the 'I'm going to scare him away' mentality then wondering where the hell that went and trying to find it again through almost every subsequent interaction (while something so much bigger and so much worse - Derek's Thoughts™ - completely eclipsed it). Meanwhile Stiles also helps cultivate Derek's dickish-ness by assuming that original motivation to be his only interest in him at all, essentially until the moment Derek tells him he's in love with him.

Which is hopefully why it seemingly comes out of left field for Stiles and the reader, because that's what I wanted.