#season 12/13

[bestgirlmisty]

sunset cynthias <3

[dykeofmisfortune]

like imagine being mac and you recently came out as gay despite being like 40 it was also literally just valentines day and you gave your best friend and roommate of over 20 years a heartfelt gift and he was so so touched by it and almost started to cry and you also put the work in to refurnish your old apartment to be exactly the way it was before and then like a week or two later he leaves you in an instant to go to raise a child with a woman he had sex with once and leaves no way to contact him. and then he comes back a year later with no explanation but is cold and distant towards you for no apparent reason and your dynamic is nothing like the way it used to be. if i was mac i would be needy as hell too like that's insane

[absolutely-not-my-main-blog]

Glenn Howerton: [...] and we talk about that all the time when we're writing Sunny, it's like this moment is like 'it's not funny enough,' and I'm like yes, but is it *entertaining,* is it interesting to watch? [...]

Sure, "it's funnier" if they don't, but...

[girl4music]

Those last 2 episodes. Appropriately titled ‘Heart Part 1’ and ‘Heart Part 2’ because my heart is so full. I have so much to say and have no idea where to start with it.

So much happened. Every lead character’s individual arc was thoroughly concluded in a very satisfying way. Even some of the recurring ones got an endgame so there’s a lot to cover in this recap of a fantastic finale and I feel so fulfilled on great storytelling and great representation packed into a neatly tied up ending.

MAJOR SPOILERS: do not read this if you have not seen the finale of ‘She-Ra and the Princesses of Power’.

I guess I’ll start with Shadow Weaver because she had an endgame that I had predicted. Well, sort of. I said that Shadow Weaver’s arc can only go in 1 of 2 ways. I said it was either personal attainment (villainy) or personal sacrifice (heroism). So I wasn’t surprised when it was the latter. But I wasn’t able to trust in her going that way sincerely until she started attacking that monster, told Catra that she was proud of her, took off her mask and then told them both ‘you’re welcome’. I couldn’t trust that she was sincerely helping them to achieve releasing and channelling the Heart of Etheria’s magic… which by the way, is what almost brought them to the brink of destruction the first time they tried to do it. However, I understood that because She-Ra was the conduit for that, that it could have a different outcome. Still destructive but destructive only to the opposition. I think anyway. I might have to rewatch that part again because I don’t think I fully understood what was going on there. But yes, Shadow Weaver went out in a heroes death rather than was the cause of her own demise out of hunger for power and a desire to attain the magic of the Heart Of Etheria for selfish aim. I was happy with it.

Glimmer and Bow: I decided to talk about these 2 lead characters together since part of their arc involves each other. It was no surprise to me that they would declare their love for each other. I mean Glimmer has always had a crush on Bow and they’ve been the very best of friends since they were children. I wasn’t sure about Bow at first but I knew intense romantic feelings would develop and I’m glad it was Glimmer who said it first. I am a bit disappointed that there wasn’t a kiss on the lips but I think I understand why that was. I’ll get there. Be patient. There’s way too much to talk about first and I really want to save Catradora until the very last section because I’ll have the most to say about them as a lot of their arc informs well… pretty much the whole TV show.

Glimmer individually had more of an arc in the TV show than Bow did so a significant amount of my meta goes to her. It was mainly how she was fairing as Queen but also how useful she could be to the team because of it. Then of course there was Micah. Reuniting with him but having to battle with him because he was an unwilling agent of Horde Prime. I laughed with pure joy when the influence on him ended and he said “Hi, I’m your dad.” I really felt for Glimmer when she was desperately trying to heal him and she said “I won’t lose another parent!” So it was so satisfying for me to realize she healed him and that she poured all the love she could into that heal and when she succeeded, the proud smile that he wore must have made her feel like Queen of the world, never mind just her little town of Brightmoon. She deserves it.

Likewise it was wonderful to see how proud Bow’s dads were of him when he gave that rousing battle speech to the reawakened masses of Etherians, telling them to be their own warriors and fight for their home. It was right that it was Bow to do that rather than Adora or Glimmer because that is what he had trained himself to do from the beginning. He wants to be an archer battling on the side of the greater good and not a historian. So to see his dads holding each other, proudly watching him… it brought a tear to my eye, I have to admit. So beautiful!

Hordak and Entrapta: I had no idea that I would get a closure for Entrapta, let alone Hordak. I did and I’m so happy about it because even though she was only a recurring character, Entrapta buried her way into my science, tech and engineering loving heart (with a spanner and a blowtorch? You will never know 🤣) but I am glad that she got over her obsession enough to focus on what really mattered. Saving her friends.

The fact that what stopped Horde Prime wasn’t Adora or Glimmer or who you would expect, but Hordak and Entrapta? That hit so hard with me. To give THEM the hero moment of defeating the villain. I was like “Oh my god! That’s brilliant!” Because it is. Think about it. Who do you think Horde Prime tortured the most? His Little Brother! I still don’t know if that was literally or not. 🤷‍♀️ Was he actually related or was he just another clone because he did call Catra his “Little Sister” too? That’s still so creepy to me. But yeah, for Hordak to get that moment of retribution was absolutely delicious for me and then for Entrapta to reach him when Horde Prime tried to take over through the Hive Mind? So, so, good! That made total sense and it was brilliantly executed!

Scorpia and Mermista: The only reason to lump these 2 characters together is because they were chipped and controlled the longest that they caused significant damage to Etherians. There’s not really much to say about them other than that they’re going to have huge headaches now that this is all over due to how far gone they were. I mean I’m glad that they were able to save them but I just don’t know what the aftermath will be for them or whether they will be the same ever again.

From the way I watched and interpreted the TV show, I understood that one of the main narrative themes of it was psychological conditioning and I’ve been in awe that this children’s show was brave enough to tell that very dark story,… let alone see it right through until the end because it’s an ambitious, elaborate and difficult narrative undertaking. Especially to do it properly,… which they definitely did. To tell the darkness of… well… basically radicalization and genocide but to do so in such a way that it could teach and motivate kids to develop on their innate judgement and discernment so if - god forbid - they ever end up in that situation, they’ll know exactly what to do about it. With team She-Ra being their idols, they’ll be able to fight conditioning. I can imagine that’s what the creators intended with this and I cannot acknowledge and commend them on it high enough. I think that ND Stevenson and the entire creative team are incredibly courageous and amazing to make this a main thematic narrative all throughout this TV show and handle it with skill and compassion that it does not once come across as too much for PG.

Catradora: (Yes, I’m using the ship name because the way they tie up their individual character storyline arcs seamlessly also ties in with their romantic arc and you do not know how hard it is to find this with WLW ships.)

First off, I want to point out something that may or may not have been pointed out before with Catradora but this is just how it came across to me in the narrative given I interpret psychological conditioning as a main theme within it. To me, a lot of the reason why Catra is the way she is as a villainous character when it comes to receiving love and affection has do with this factor. She’s so closed off and repressed to the point that she cannot even see that she’s corrupting and sabotaging herself. She is a lot like Xena in this way. But a major striking difference for Catra is that she physically loses the one person in the world that stops her from doing this, whereas Xena physically gains that one person. Trust issues, abandonment issues, parental issues all tie in together - but that was all tolerable when Adora was around her. As soon as Adora leaves her behind in the Fright Zone and, furthermore, begins to oppose her as the hero of Etheria, she spirals so hard and so fast that all of those issues - which were always issues caused by the abusive treatment from Lord Hordak and Shadow Weaver - come crashing down one by one on top of her because she no longer has the person who makes those issues just inconveniences for her. Not only that but … it feels like personal betrayal for her that Adora fights her. She genuinely does think that Adora hates her. I mean who wouldn’t if they were in her shoes (paws?) and had the “upbringing” and “nurturing” backstory she’s had? So Catra has this preconceived notion that Adora never cared about her and left her because she thought she was better than her and was chasing after heroic glory and believes that she was too weak to go with her. In a way it’s a personal vendetta out of misunderstandings Catra has against Adora and those feelings are intense not just because the Horde brainwashing is that deep and severe but also because her love is that deep too and she can’t differentiate which feelings are which. So she becomes She-Ra’s mortal enemy because in her mind, She-Ra is what has taken Adora away from her.

But obviously, from Adora’s side, She-Ra was sprung on her, Etheria was sprung on her. In fact her entire world upended once she recognized her life for what it was. A lie. That she was the villain brutalizing innocent people. She couldn’t go back to them even if she had wanted to because everything she had ever knew was fraudulent and she had been coerced and deceived into being a weapon. And what I really like about Adora’s individual arc is that eventually this was revealed to be true on both sides of the war. She was a weapon for evil and for the greater good. But all she wanted - as all heroes do - was just to protect and defend her loved ones. That’s it. Catra could never see it that way though and it makes sense that she couldn’t given her conditioning was even worse as it involved one-on-one attacks from Shadow Weaver as well as whatever the treatment was with the entire group. Catra’s psychological conditioning was much more personal, intimate and isolated so what was ingrained into her had much deeper and stronger layers added on to it. Hers was a solid brick wall built trauma complex. Those are always much harder to recognize and escape from but with the right therapy,… it can be done. Given her issues weren’t so bad when Adora was around her but got much worse when Adora left her… it is clear that Adora represented a sort of therapy for her. Adora helped her keep all the crippling thoughts of self-doubt and self-contempt at bay. But they were on full volume when Adora left and kept attempting to kill her.

Okay, so let’s finally get on to their romantic arc and how the finale not only concluded their individual character representation and development arcs but also ended their ship slow burn. It wasn’t until the fantastic episode of ‘Save The Cat’ did I realize they were going there. See,… to start with, I knew that they were going to become a canon WLW couple at some point otherwise I would have never started watching it. That was the draw for me. That they were both lead characters in a canon WLW ship in a children’s TV show. That floored me. But I was not prepared at all for what I got to see in the finale. It was groundbreaking. It was phenomenal. In fact I’m sure it was life changing for many queer kids to see that kiss happen the way it did. Or… just happen on-screen at all. Look, I am so used to the “implied” and “assumed” and “disguised” when it comes to WLW physical intimacy that I just do not ever expect blatant leaves-absolutely-no-doubt-whatsoever kisses. I certainly don’t expect WLW kisses written and portrayed as “the power of love” kind. It’s extremely rare. To see it in a children’s show nailed me to the floor. But furthermore - added on to that astonishing feat - is that both lead characters overcome all their issues and obstacles through that very act like… a fairytale story. It’s like… when the Princess kisses the Princess, all is well… there’s no stopping either from that point on. It seems corny but it all just depends on how it’s done. But the fact is you don’t see it done between WLW at all. So to see it done WELL alongside seeing it done at all… I mean Indy knew that he had an assignment with this but the phrase “he understood the assignment” doesn’t cover or justify what was accomplished with this and I can’t believe it’s took me this long to see it.

Every TV art/entertainment creator should watch this TV show and regard this finale as the perfect example of what queer representation can and should provide in TV because this was just the epitome of what true love is. But the fact it was between 2 female lead characters.

I can’t even begin to explain how much it meant to me but I will spend the rest of my life trying to express it because this really was a groundbreaking achievement and I will be adding this WLW ship to my very short list of WLW ships that shape and satisfy every piece of me.

I have had the best fucking time watching this TV show and I will be doing reruns of it for god knows how long because I am sure there is so much more there for me just like there is with Xena, Buffy, Charmed, Dragon Ball Z, Wynonna Earp and Arcane. All these beloved shows are timeless to me for a reason and She-Ra is the same.

I hope you all enjoyed reading my recaps of my very first watch of ‘She-Ra and the Princesses of Power’.

Merry Christmas and a Happy New Year to you all. 🎄

[seasononesam]

(some) favorite supernatural episodes + letterboxd 

template

[rosewalkersjayaforever]

[percki]

i think that a lot of people don’t understand or weren’t conscious of the steddie apocalypse that occurred immediately after st4 aired. it was insane

[hgstuff]

claire novak icons

like or reblog if u save and don't repost without credits ✨

find more here

[nat-without-a-g]

Already trying to figure out how to draw the NPCs— starting with a handful of the children I expect we’re going to be seeing again. I’m excited to see how much my designs for them change as we go along!

[drawingoddessy]

I wanna talk about the subject of escapism in Inanimate Insanity.

To discuss this I need to do a deep dive into 3 characters that push this subject the most and how they do it differently.

Lightbulb, Fan and Mephone 4.

The three that demonstrate escapism in 3 different ways.

Lightbulb

Throughout season 2 we see Lightbulb as this goofy character, that’s her whole character up until you begin to notice little habits or cracks in the persona she lets others see. Up until episode 12 we don’t exactly know what is going on with her. We see her get sad in spurts of moments, but it’s never dwelled on. Until she faces the loss of working with Paintbrush, this causes her happy facade to begin to unravel and we see a whole new side of her. Now while she does the literal definition of escapism, which involved her leaving to a different realm that’s more like her to hide from the scary reality of Paintbrush not liking or wanting to be friends with her. I want to talk about the reason as to why she does so.

Escapism isn’t solely defined as only wanting to leave your reality in favor of a fantasy. It can also include intensifying more positive emotions to cope with or hide the negative.

Lightbulb demonstrates the latter, We see Lightbulb throughout season 2 use humor and a heightened amount of positivity to hide from her peers. Even beyond episode 12. In episode 13-14 you can very easily tell she has gotten a lot more comfortable with Testtube. But beyond her, you can see Lightbulb continue to hide from the other remaining contestants. When upon getting scared or frustrated she instantly masks it with a silly response or an over the top reaction.

Even in the first half of the II movie she is seen continuing to be silly upon facing literal DELETION to cope with how terrifying it is.

Fan

Fan demonstrates the more literal form of escapism. Which would be, as mentioned before, escaping reality in favor of a fantasy. His entire character arc is centered beyond his incapability and fear of looking beyond the show, his main source of comfort. While Lightbulb hides behind a forced, intensified feeling, Fan hides behind an interest. His intense love and passion for the show cuts him off from the real world. And he’s okay with that, not only is he okay with that, he craves it. The world beyond the show scares him so much that he rather be contain within himself and his interest. This is shown most in episode 14, where he gets taken out of the show. Fan has characterized the feeling in later Livestreams as “the end of the world”. Because, for him, it was. Leaving the show begin to crack Fans shell of bliss and oblivion. It wasn’t about winning to him, it was about staying with the only thing that had a pattern, that gave him comfort.

He is shown time and time again to want to say in a “shell” of Inanimate insanity. That when he got thrown out of that shell it made him spiral. That and met harshness on how it happened, and loosing Test tube and the egg left him destroyed. Everything that gave him comfort was violently stripped from him. His feeling becomes clear when he says “Test Tube, to be honest with you, I don't want him to have to hatch, okay? I mean, wouldn't that be great? He could just... stay calm and secure in his little protective shell, and have... and have his... have his patterns. Right?”

He doesn’t want to leave Inanimate Insanity because it’s his protection.

Mephone 4

Now last but not least

Mephone 4

The epitome of escapism.

Now it’s quite obvious that Mephone definitely “programmed” the latter 2 characters to have these issues because he himself has them too. BUT since I wanna demonstrate the 3 different ways II shows escapism I’m going to talk about the reason he created the characters.

Mephones form if escapism is through creation

He created a whole life and show to escape from Cobs. He created a good majority of the characters to project his feelings and struggles onto. Lightbulb with the struggle with hiding her emotions behind smiles, because he also does that (shown in the later half of season 2 and all of season 3). He created Fan with the obsessive attachment to Inanimate insanity, and the desire to stay in that fantasy rather than reality. Because he himself MADE the show to hide inside of it.

Even season 3 characters: cabby and her memory issues, clover and her seeing her ability as a curse, silver and seeing himself as worthless and balloon and his desire to change.

The character is an extension of himself and THROUGH THEM you see everything about Mephone’s struggles.

Speaking of season 3

The entirety of that season is literally him running away and creating another reality for himself. He consistently is shown to run away and hide from his problems, especially behind his creations.

It’s only when that fantasy is stripped away from him is when he can truly grow and face reality. Face cobs

[bestgirlmisty]

TINY CYNTHIAS

[cheruv-ii]

Looking at the way the plot is heading, s3 is most likely going to be the final season, I don't think I'm ready to say goodbye to the camp fam for good guys 😭

[bugzrc00l]

Not to be a Debbie downer but this past season of SPN is kinda making me angry. I just finished season 12 and I’m on season 13, and all the hunts they had been on they just came right out and told people they were hunters! It got a little repetitive, then doing the usual “we believe you… we’re hunters and we’re here to help.” Like sure that can be refreshing every few hunts but I’m kinda missing the funny excuses and all the hurdles they had to jump over to keep under cover.

[yeetusthemighty]

HEY YOU!!

DO YOU LIKE NINJAGO? AND MUSIC??

WELL DO I HAVE THE PROPOSITION FOR YOU!!

I am going to try to make a playlist for EVERY. NINJAGO. SEASON!!

but I have almost no ideas [two songs is not enough playlist for a whole season]

Sooooo…….

Reblog this post or send me an ask with all of your favorite songs that you associate with Ninjago seasons!! [please tell me which]

I’ll listen to it and put it on the playlist of whatever season you tell me to!

[This could be about the season as a whole, or even just a character in that season!]

[These will all be public on Spotify even while I’m still making them, so anyone can listen to them whenever they want!!]

And even if you don’t want it on the playlist, still tell me the songs!! I am always looking for more songs to imagine Ninjago related stuff to

[gabaghoul-fandom-meme-queen]

Season 13 Dean pisses me off. Like I can see that the trope is widow and like, "I have to parent the kid that killed my lover in childbirth" but, because they were afraid of Destiel they won't go full into the trope so now Dean comes off as just a huge ass and it's annoying that they don't go into the why why of it, that would make I make more sense!!

[no-brain-just-akutagawa]

Ango watching his plan go to shit

[ID: An edited disappointed man meme. Ango with his arms akimbo stares into spaces with disappointment. End ID]