#screaming i love him already

[yahumankdj]

GUESS WHO'S BACK.

Ladies, Gentlemen, and everyone in between or nowhere at all, as a proud day 1 Caleb Defender...

HE'SSSSS BACCCCCKKKKKKKKKKKKKKKK

I'm cackling he's stunning and his lore is going to be DELICIOUS and I know y'all are switching up so bad rn.

[demaparbat-hp]

Beautiful

[nellasbookplanet]

Here’s the thing:

I want Predathos to get out.

Not because I hate the gods or want to see them killed or driven off (in fact, I find the 'the gods are tyrants' arguments to be laughably incorrect and deeply hope c3 ends with the pantheon still present) but because ending the campaign without facing Predathos would be a huge anticlimax. If Bells Hells simply kill Ludinus and go back home, it will feel like killing the minion but never actually getting to the big bad. What if c1 had ended with killing the Briarwoods but never getting around to Vecna. What if the m9 had actually managed to kill Lucien with their trap in Aeor before he made it into the Astral Sea to set off his plan. We wouldn’t have gotten to see the nature of the somnovem, the horrific flesh city or the peace of putting it to rest, the wild creativity that was the final battle of imagination. If c3 ends without showing us what the fuck Predathos actually is I will go lie facedown on the floor for a week wondering what we missed out on.

Now, this doesn't mean I want the hells to purposefully let the beast out of its cage. I would prefer the campaign not end with the heroes finalizing the villain's plan and setting off calamity 2.0, thank you very much. But if Ludinus still has an ace up his sleeve that makes Predathos' release all but inevitable (which I honestly expect)? Maybe even if there’s a party split and one or a couple of the hells take the decision into their own hands (looking at you, Ashton)?

I'd love that shit. Show us what Predathos truly is. Let it eat Ludinus maybe. Give us a glimpse of the true end if it’s let loose on Exandria. Have there be a horrific realization of oh, this is what the Vanguard was arguing in favor of. And then kill it.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[jyou-no-sonoko19]

Sapphic Disco Week, Day 6: "But What If It Was Yuri?"

Lena and Mireille, lesbians in their 70s exploring the vanishingly rare marvels of the world together, excuse me im cri

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[scimagic]

How do you think Puzzles is when it comes to watching movies? More specifically bad ones.

I have a personal hc that Puzzles is insufferable when he watches a movie he doesn’t like. As in, he’ll actively start critiquing it as he watches the film. And then proceeds to talk about what he would have done differently. And how he could have made the movie better if he was the one making it.

He’s vain, he’s egotistic, and I love him for that.

Exactly like that actually kdhdjd

When it comes to watching series or movies, I think he's often quiet and analytical over them. Enjoying the story while also noticing every little detail in the production, or set design, or the director's questionable creative choices. That's for first viewings though, or when he's alone watching them.

When he's in your (YES YOUR) company and you both agree It Is Not a silent watching, he'll become the MOST ANNOYING MOTHERFUCKER EVER and spill literally every thought and tidbit of knowledge he knows about that film.

Did you know the production had a crunch time of six months for this film? Did you know this scene was actually improvised? Did you know the script was changed because the executives found it offensive?

Did you also know he could have written this much better? Did you also know how much anger he feels towards this garbage movie that he's considered jumping out the window during the watching? WELL NOW YOU DO!

He'll let his frustration be known so you can either join him in complaining and hate watch for fun or you can just. Yknow. Be a wet towel and kill the fun <3

[einaudis]

ALL OF US STRANGERS (2023) dir. ANDREW HAIGH

[oxymoronicdumbass]

i have such a love-hate relationship with being autistic because on one hand, i know that i will never be able to function in a way that is deemed “normal” in society, but on the other hand, there are very few other things that can possess you with the ability to spend 5 straight minutes jumping up and down because of one sentence in a fanfic

[cheese-water]

I just wanna say, after the whole Forever debacle, this is another instance of Tubbo having weirdly accurate hunches. Not talking the donowall stuff but about his perception towards the N.I.N.H.O and Forever himself.

There’s a reason why he hasn’t set up Sunny’s N.I.N.H.O room yet. Even after being gifted one by Forever. Just a small joke said in response to Forever explaining how eggs and their parents can double reinforce their rooms so that even he couldn’t access them.

“Alright. Well as long as you don’t go crazy again, I’m not fussed.”

Tubbo then not only places Sunny’s warp plate out in the open but also pulls Sunny aside to reassure her that they will create their own safety precautions outside of the N.I.N.H.O. How that he’s found ways with newer mods to make a better safety system that he will use on his own.

Like at first, I wanted him to make improvements on the already existing N.I.N.H.O to protect more eggs. But now, thank GOD he didn’t.

[seamayweed]

ALICENT HIGHTOWER + kissing the king (aka the kiss of judas)

[ID in ALT]

[sabo-torao]

THE REVOLUTIONARY ARMY PIECE IS REAL!!!!!!

[queercontrarian]

Azriel in Summer

Y'ALL. TODAY. I come with a treat for you.

This is a scene from one of the wips living in my head where Azriel and Eris visit the Summer Court for diplomacy reasons (and also to look hot). Couldn't get it out of my head so I went to scream in @krem-does-stuff 's DM's about it anc commissioned her to paint Azriel for me.

And I. Am. OBSESSED. I've selfishly kept it to myself this past week but I think you should also all see this.

ILY KREM THANK YOU SO SO MUCH YOU HAVE OUTDONE YOURSELF

[mrmeepsmadmind]

DAAAAAAAARLIIIIIIIING !

Guess who's BACK FROM JAAAAAAiiiiiiLLLL🗣 ‼️‼️‼️‼️